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lndiaob.i.!lls.• PUBLISHER Pawan Luthra

EDITORIAL

The property juggernaut takes off again

EDITOR Rajni Anand Luthra CONTRIBUTORS Dipanjali Rao, Sahil Kandoi, Jyoti Shankar, Mohan Dhall, Swati Alok Tiwari, Petra O'Neill, Minal Khona, Auntyji SALES Charuta Joshi

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NATIONAL EDITION

BY

PAWAN LUTHRA t is difficult to make predictions, especially about the future. An old adage, this is very true of Australia's property market.

About this time last year, property investment did not feature high on anyone's agenda. The WHO had just announced that the world was facing a devastating pandemic, and images dominated in the n1edia of people being locked up in their homes in Wuhan, and of mass graves in Italy. Millions could be dead, we were warned. With international borders closing and uncertainty about job security, the pundits predicted a 10-15% year-on-year drop in the immediate future.

If people could not get to work to keep their jobs, how could they expect to take on more debt and service a mortgage?

And yet, only a year later, the local property market seems to be hitting a boom. Economists at Commonwealth

Bank are predicting a rise of as 1nuch as 16% over the next two years for houses and 9% for apartments. Westpac has also made similar forecasts. It is not uncommon to see auction clearance rates at over 85% on weekends.

While the surge in property prices could be explained by that most basic of economic theories - supply and demand, low interest rates and easing of lending criteria seem to be the major factors here.

Currently, we have on one hand buyers in fear of missing out on the boom, and on the other, less supply as sellers, especially homeowners, fearful that if they sell out without having another home to move in to, might not be able to get back into the market. And then there is cheap money.

As the government works to stimulate the economy post pandemic, official interest rates have fallen to 0.25% pa.

The government has made it clear that they do not want to increase interest rates till there is drop in unemployment and upward movement in business investment. It is not uncommon to see interest rates being quoted of 1.99% fixed for four years - this means a million

dollars of borrowing can be funded by $20,000 of annual interest repayments.

Yes, the capital needs to be paid back also over tin1e, but the borrower is in hope that the capital growth on their property over time will mitigate that risk.

The banks are also loosening the chains around lending, imposed after the Hayne Royal Commission. Over the next few months, expect to see more flow of funding from them, as their filters for lending become less stringent.

The Indian Australian community is a growing community; the typical Indian migrant is 34 and has high disposable income. Buying the first home is an important statement that they have arrived and settled in well. With the current boom in the property market, they need to plan carefully to time their entry in well. Owning a surging asset does create a sense of well-being and prosperity. It is an asset which cannot be easily sold, and while the ill liquidity can be a hinderance, it also allows for a forced accumulation of wealth. They must however be wary of challenges to the cash flow, and the level of debt that is taken on.

MARCH 2021 3

SPECIAL FEATURES BUSINESS

Harris Park as Sydney's 'Little India'

PETS

Raising guide dogs - at home

WORK

Vinesh Balan: Job search mentor

EXPATS Sarah Todd: Simple Indian meals

MARDI GRAS

Trikone Australia shines

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Jodi McKay

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Greg Warren

Daniel Mookhey

Julia Finn

Member for Lakemba Shadow Minister Assisting on Multiculturalism Shadow Minister for Skills and TAFE Shadow Minister for You th Shadow Minister for Juvenile Justice

Member for Campbelltown Shadow Minister for Local Government Shadow Minister for Veterans Shadow Minister for Western Sydney

Member of the legislative Council Shadow Minister for Finance and Small Business Shadow Minister for the Gig Economy

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NATIONAL EDITION

MARCH 2021 7

YOUR SAY

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A HISTORIC TEST... FOR ALL THE WRONG REASONS

The third Test in the Ind v Eng Test series was played at a state-of-the-art stadium, wrote DARSHAK MEHTA, but on an abysmal Test match wicket.

Sam Kronja wrote: (Re pitch) I actually don't care what is presented per se,

both teams play on it. I think we are naive to think that the home team doesn't know what's coming and can prepare and select better. Touring teams tour and get what they get. India are ahead of other countries in terms of how they deploy this at home.

Bruce Adams wrote: Sorry but I can't agree with you on your assessment of the pitch. Australia bowled India out for 36 at the recent Adelaide test and the commentary was that Australia possessed the best fast bowling attack in the world. England invariably produce green seaming wickets that have no doubt assisted Broad and Anderson and the commentary is rarely on the wicket but quite rightly on the quality of the English seam bowlers. Why can't we just applaud Patel and Ashwin as quality spin bowlers who bowled India to victory against a very poor England batting effort?

Ivan Brewer wrote: India were better in the conditions, but it was a lottery. Not a test level pitch in my opinion.

Aaron Phillips wrote: I agree that these conditions are part of the Indian test experience and play to their excellent spinners. But you must agree that when a wicket starts exploding on day 1, there has to be questions asked. Also, England don't necessarily produce green seamers.. it's the swinging ball that helps us and at least the wicket would last 5 days.

Adam Temple wrote: Ashwin and Axar bowled well with the English batsmen unable to cope but neither were the Indians able to deal with that renowned English spin king with less than 40 wickets at an average of over 40 in Test matches and no fiver for in first class cricket. A lot of the batsmen were bowled or LBW playing for non existent spin because sometimes the ball slid on and sometimes it turned prodigiously. The fundamental difference between the Aussie game or a Trent Bridge seamer is that the pitches tend to be home bowler friendly but have consistency - there's little variability of bounce and wickets are taken due to skill of the bowler exploiting the conditions.

8 MARCH 2021

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QUERIES ON 'FAR-RIGHT EXTREMISM'

RAJNI ANANDLUTHRA reported on questions raised by Member of the NSW Legislative Council David Shoebridge to NSW Minister for Multiculturalism Geoff Lee following Indian community incidents.

Jessy Skaria wrote: Far right Hindutva extremism has divided Indians into

two factions, with the government's boorish attitude "you are either with us or against us". Self-respecting Indians are pushing back, and inside and outside India, it has led to this tragic Indians vs Indians scenario.

Krlsh Na wrote: What are the chances ASI0 is monitoring the troublemakers already? There are so many of these extremist right wing Hindu Nationalists on Facebook Groups, some of whom meet regularly in person. They're organised, well connected and motivated - not some ragtag keyboard warriors. I hope the government here is taking notice and preventing them from disturbing the peace. That attack and property damage in Harris Park is heinous and I hope the government can prevent more attacks.

Deepak Vincent wrote: I can only see Indian name (tarnished here) nothing else. Painful.

Manbir Kohli wrote: Nicely balanced article. We need more such reporting from the 'ethnic' press, as the Indian media is not doing its job right now.

The Humanism Project wrote: It's all part of a pattern. First, the online hate and call to boycott Sikh businesses. Then, intimidation via 'Tiranga Rally' dog whistle. And now this.

Amar Singh JP: Thanks for a great article.

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INDIAN LINK RADIO APP

Thank you for your comments, new members of the Indian Link Radio family.

Vaka Deepika wrote: So pleasing to note you cover issues in and around

Australia while at the same time entertaining us with desi music.

Mr Malik wrote: Breath of fresh air listening to this No. 1 radio station.

AC wrote: Love the morning bhajans.

Feroza Bachana wrote: Enjoying all your programs.

Arvind Chaudhry wrote: Very good radio. Just like radio in India.

Rajendra Rana wrote: Excellent radio station.

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SAY IT AGAIN

So relieved I wasn't shot while at the Canberra #March4Justice today. Thank goodness we all live in a country where assaults against women remain in the privacy of their home or workplace.

Felicity Reynolds, Twitter user @flickreynolds

www.indianlink.com.au

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"IT FELT LIKE A MORAL IMPERATIVE"

ANEETA MENON and RHEA L NATH spoke to Dhanya Mani on why she opened up about her indecent assault at work.

Dhanya Mani wrote: I've been reading @indian_link since I was a kid. We'd

get issues after I'd had a dance class on Saturdays. lntersectionality with the migrant experience and being an Indian-Australian woman in politics is something many don't ask about - we explore it here.

Aneeta Menon wrote: Thanking @dhanyajmani for taking time to explore with us how overlapping identities further marginalise women seeking a career in politics (or anything really). Finding the tenacity to keep speaking when you're deliberately unheard is not a small thing. Godspeed.

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SOUTH ASIANS TALKING ABOUT MARDI GRAS 2021

BAGESHRI SAWASACHI spoke with members of Trikone, a queer support group.

Sukhmani Khorana wrote: Big shout out to @indian_link for addressing

LGBTIQ+ South Asian communities this Mardi Gras. So challenging, yet so pressing to discuss these issues amongst migrants new and old!

Alan Maurice wrote: We go through years of fear and hurt to perhaps feel good about who we are. Thank you.

Fobgays wrote: Happy Mardi Gras everyone!

Trikone Australia wrote: Happy Mardi Gras to all of you. Be safe. Be proud.

Be you. Have a great weekend.

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WHEN RITU WED CHANDNI

BAGESHRI SAWASACHI on Ameya Narvankar's new children's book Fobgays wrote: Yes!!! Amazing

new kids book by Ameya Narvankar ... we can't wait to get our hands on this.

Sendhelpmyroslnbroke wrote on Reddlt:This is so sweet!

Ameya Narvankar wrote: Thank

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WHERE IN OZ

We asked you to identify this picturesque coastal bridge Readers Krish Murthi, Petra O'Neill, Harsh Bhatt, Senthil Raja, Maurya Morya and Sourav Biswas provided the correct answer: Sea Cliff

Bridge in Stanwell Park NSW.

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you so much for the lovely review and interview Vall Books wrote: Thank you for the feature and the thoughtful review!

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WHERE IN INDIA?

We asked you to identify these waterfalls, sometimes called the Niagara Falls of India.

Readers Charuta Vaze, Bhanu Kothari, Prasant Chettri Timsina and Sujitha Suji R came up with the correct answer: Hogenakkal Falls in

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How is Scott Morrison's 'met with bullets' remark not the end of his career?

Troy Simpson,

Twitter user NATIONAL EDITION

So bad even introverts are here.

Placard at #March4JusticeCanberra

Be grateful women want justice, not revenge.

Placard at #March4JusticeCanberra

Prevaricating whether to take my teen daughter to the #March4JusticeAU in Canberra. It's a school day, she's got stuff on. Her father - a good man - says go, take her, this is history, a seminal moment in the nation's political life. Yes! Nikki Gemmell, journalist MARCH 2021 9

C OV E R STO RY

10 MARCH 2021

www.indianlink.com.au

One year since the a n nou ncement of border closures, i nternational students a re sta ring down a n u n certain futu re i n Australia.

BY RHEA L NATH hasing the promise of high-quality education and a better future, thousands of lndian students throng to Australia each year to start a new phase of their lives. In the last decade, this has transformed the country into a coveted education hub - and became the fourth biggest export industry after iron ore, coal and gas.

When the going gets tough, though, it seems there's a different story to be told.

Since border closUJ·es in March 2020, thousands of Indian international students have been left in the lurch by a government that has seemingly no plans for their return.

"We are not the virus, please let us in," read the petitions addressed to Prime Minister Scott Morrison.

To many students, the silence on these issues is telling of a country that cares more about their fees than their future.

"It's a terrible, frustrating situation. I wouldn't wish this on anyone," said Pankaj Yadhav, a postgraduate student of civil engineering at the University of Technology Sydney (UTS).

Currently in Bhopal, he was compelled to fly back to India in the height of lockdown after a death in the family. While coping with this personal loss, he was forced to continue his studies online.

"Like most students, I wanted to stay in Australia to finish my degree, apply for te1nporary residency, try to get a job, and start a new life. There's no certainty anymore," he told Indian Link.

Pankaj is one of nearly a hundred Indian students from UTS alone who have approached their university to facilitate their travel back to the country, through charter flights and quarantine ai-rangements. A similar petition was signed by hundreds of Indian students at the University of Sydney.

Such an arrangement wouldn't be a first in Australia. 1n December 2020, Charles Darwin University in the Northern Territory successfully brought back 70 international students via a pilot program, allowing the students to quarantine for two weeks in a former workers' camp near Darwin.

Most students view these kinds of arrangen1ents as a win-win situation. After all, recent figui-es by the Australian Bureau of Statistics have indicated border closures to international students have cost the education sector a loss in revenue of nearly $9 billion.

(More than 40 per cent of Australia's annual university student revenue comes fron1 international students. Indian students alone brought this sector of the economy $6.6 billion in the 2019-20 financial year, second only to students from China.)

Unfortunately, governments have been unable to finalise a clear path forward. When NSW Treasurer Dominic Perrottet recently NATIONAL EDITION

suggested international students quarantine in Hobart hotels before travelling to NSW, he was shot down by Tasmanian Premier Pete Gutwein, who stated their priority lay with the safe management of seasonal workers and their own international students. "l think there's a lack of communication and understanding to the seriousness of this issue for us," said Gaurang Kudalkar, a postgraduate student of aerospace engineering at the University of Sydney.

Like many others, he quit his full-time job in India to commence his studies in Australia and had to settle for online classes when borders had not opened by the first semester of 2021.

"In my degree, there's a lot of mathematics involved and it's not easy LO study this online.

I wake up at 3 AM in Mumbai to attend my lectures. If I have doubts, I have to wait almost an entire day to hear back," he shared with Indian Link.

He's not alone in voicing concerns that online classes do not replace the on-campus experience. Most universities have provided fee rebates and other measures in a show of financial support, but they barely make a dent in the considerable fees paid by international students. It's no wonder then that the number of new Indian students enrolled at Australian universities dropped by more than 80 per cent in the latter part of 2020.

It's even more telling that other education hubs like the United States, Canada, and the United Kingdom have provided a warmer reception to international students despite worse situations during the pandemic. In the United States, the end of the Trump era has especially boosted the confidence of international students who see it as a viable option again.

While he too has considered deferring his university offer, Gaurang remains conflicted with the whole situation.

"What if borders open by June? But if they don't, what am I supposed to do for the next 4-5 months?" he said. "There's no clarity. We pay a huge sum of money at these universities to get international exposure and network with others. We're not getting any of that now."

For many students still enrolled, their aspirations of building a life in Australia as a new migrant have been left in limbo. In recent UNSW graduate Yashvi Brahmbhatt's case, it's the lack of definite answers that's most concerning.

"My student visa expired in January this year and [ would typically have the option to apply for temporary residency. There's been an extension for students off-shore to file their paperwork, but without knowing when borders are open, it's difficult to know when to apply. l just feel stuck," she told Indian Link.

Currently in Ahmedabad since March 2020, Yashvi describes the ordeal as physically, mentally, and emotionally draining.

"Students don't feel supported. It's no wonder so many came back to India during lockdown. 1 feel like the government doesn't

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have a clear vision on what to do," she said.

At the n1ost recent ationa1 Cabinet n1eeting in Canberra on 5 March, international students were devastated to hear the international travel ban was further extended till June. They have now planned a coordinated "email storm" on 17 March, asking all Indian international students to email their respective universities for a clear timeline on when they can return. In Dellii, a protest has been planned in front of the Australian Embassy on 22 March to make their voices heard.

"I really wonder if the goven1ment is even trying to think about the international students. When Scott Morrison commented that it's time for us to 'go back', we were all understandably upset. Where is the humanity? I understand wanting to help stranded Australians, but you make us feel like cash cows," lamented Yashvi.

The impact on mental health is also a source of concern. Students interviewed for this article admitted to feeling depressed, the agonising uncertainty of it all impacting their mental well-being. They feel stuck in a rut, heavily burdened by the huge amount they have to pay to unis as fees. Many students

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hoped that part-lilne work here would help them fund the degree, but left in India, they feel like they're merely surviving instead of thriving.

Students who chose to stay back in Australia suffered similarly, all but forgotten when the pandemic raged on. It was desolation as 1nany lost their jobs in the hospitality industry. They survived on com1nunity welfare and handouts.

The govern1nent did theiT bit eventually to help, by lifting the 20-hou1· work ban in certain crucial sectors. But this did nothing to assuage the feelings of abando11n1ent by international students. "It's really about filling the worker gap in aged care and restocking in supermarkets, not about helping students," student Ninna1 Joy wrote in Indian Link last year. "Cash cows once, able-bodied labourers now."

Almost a year to the day since Australia closed its borders, international students are still struggling. Granted visas n1ean nothing to those who have given up opportunities, taken education loans, and bet on a country that has only turned its back to them. It's no longer the time for sympathy - it's tilne for meaningful action.

MARCH 2021 11

B U S I N ESS

New business networking platform launched

ne of the consequences of COVlD-19 has been a rethink of the way we live and work. international travel may have come to a shuddering halt, but our connectiveness with the world around us has increased. Reports of not only the spread of the virus, but also how a global con1munity is fighting it have become daily news headlines. Business leaders have also found that instead of zipping around the globe, there are ways to interact and network together through Zoom, WebEx and that plain old-fashioned way of picking up the phone.

To build on the networking opportunities which will emerge post COVID and to explore business and trade opportunities, Sydney-based entrepreneur Raman Bhalla has launched a not-for-profit organisation, the Sydney Investors, Professionals and Business Networking Group Incorporated (SlPBN Inc).

"This is a platform to harness the strength of the dynamic individuals and businesses of Sydney, especially Western Sydney," Bhalla announced at the inaugural function held recently. "SI PBN is premium platform to assist Australian businesses and entrepreneurs to expand into overseas markets through business introductions, exports, mergers and acquisitions, investments, and foreign tic-ups."

He added, "Our mission is to help Australian business grow and thrive in the domestic and global post-pandemic environment. We connect people and businesses in Australia with opportunity

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CFvS

and entrepreneurship across different parts of the world including the US, India, UK, Europe, China, Hong Kong, Israel and the Middle East."

To help with the opportunities going forward, Bhalla has put together a strong board of advisers, including former SW Deputy Premier Andrew Stoner. At the launch, Andrew Stoner spoke about the innovative Australia which has broken new grounds in biotech areas. "Australia is the world leader in research in sleep apnea through ResMed, and we have pioneered treatment for skin burns. We may be a small country, but we do very innovative things. And 25% of Australia's economy lives in NSW, with Western Sydney playing a large role. Governments need to get out of the way and let businesses collaborate and network with each other, seizing the opportunities which lie ahead."

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he City of Parramatta Council is currently consulting with the community on a proposal about rebranding Harris Park as • Little India'. Many already consider the multiculturaJ hub the go-to suburb for all things 1ndian. This is where the city's Indian community heads for its authentic Indian groceries, Indian dining and Indian fashion. Wigran1, Marion and Station Streets in Harris Park host dozens of Indian eateries and shops that resemble those back in India and cater to the needs of the community here.

The move follows the promotion of other districts in the city that are promoted as cultural precincts of Chinese, Italian, Vietnamese heritage.

Such demarcation bas advantages for visitors promising attractive and unique experiences, while also balancing the needs of the local community at the same time.

Melbourne bas such a district in Dandenong. Centred around Foster St, it is promoted as the city's "longest standing and most authentic cluster of Indian and subcontinental culture and commerce." Wyndham and Tarneit

12 MARCH 2021

sectors, investing in green technology, pre- IPO opportunities and an education provider looking for expansion options.

Our men1bership fee is $2,990 and so far, we have had good support. The feedback by our n1embers is that they find value in our premium platform to network, access deals, business match making and advocacy."

He added that the launch of the not­ for-profit was "all about making national and global reach available to members to help secure business, investment and opportunities."

In the next six to nine months, SIPBN has planned a roster of high-profile networking opportunities with successful business leaders,including an event in Federal Parliament Canberra with senior government leaders and opposition members.

SW Minister David Elliot built on the theme of 'Why ew South Wales'."The government has worked hard in the last few years to create a strong economic base in SW," he said. "They have created great infrastructure, invested in health, minimised any red tape and have encouraged opportunities in the community."

Consul General of India (Sydney) Manish Gupta also spoke about the importance of multicultural diversity for economic growth.

SI PB President Raman Bhalla is excited about the opportunities ahead. "To date, we have a number of exciting projects on the books," he revealed. "Some of our transactions have been in the areas of building an aged care facility, property development projects of various levels either through direct investment or through structured vehicles, mining and exploration

•

are other suburbs in Melbourne for which LittJe lndia precincts have been considered.

London, Toronto, Singapore, Hong Kong are some world cities that have well-established Little India districts.

In Sydney, the mainstream media has already taken to calling Harris Park's co1nme1·cial centi·e 'Little Li1dia'.

The Little India Australia community on Facebook has proposed an action plan that will promote 'Little India' as a tourist attraction, celebrating vibrant lndian culture and festivals while also developing the existing business network.

The City of Parramatta's 'Little India' project page and survey are now live and ready for the broader community to view and provide feedback. The official engagement period closes on Monday 22 March at 4pm.

Many have already provided their support and opinions on the matter.

Visit https://participate. cityofparramatta.nsw.gov.au/little-india and complete the short survey. Or scan the code in the poster adjoining this article to go to the website.

www.indianlink.com.au

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is Excellency Gitesh Sarma's tenure in Australia was unlike any of his predecessors. Typically the Indian High Commissioner, while stationed in Canberra, will be on the road and meet and interact with government heads and the local [ndian community in the various hubs around the nation. This was not the case with Gitesh Sarma, as a few months into his tenure here and having presented his credentials to Governor General David Hurley, the country and largely the whole world was forced into a lockdown. Diplomacy had to be conducted by Zoom.

At a fareweU function hosted in Sydney by Consul General Manish Gupta, many local comn1unity members shared their memories of working and interacting with the departing High Commissioner. The Consul General himself acknowledged the challenges of the last year when a large number of lndians were sh·anded in Australia. Students, visiting parents and tourists were all caught on the wrong side of the border. "A majority of these have now gone back, many on the Vande Bharat repatriation flights. There was strong and timely guidance from the High Comtnissioner as we worked through the challenges of putting people on the way back home," the Consul General said.

He also acknowledged the work done at the High Commission in building stronger bilateral ties between India and Australia, guided by Mr Sarma.

NATIONAL EDITION

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During his tenure as High Commissioner, the strategic defence ties between lndia and Australia have moved up a notch or two. With China's aggressive geopolitical posturing in the southern seas, both countries have bad increased interaction, with PM Morrison and PM Modi connecting digitally in the absence of either one-on-one talks or on the sidelines of international summits. The strengthening of the Quad - the dialogues between India, United States, Japan and Australia - is also enhancing the relationship. One believes that the High Commission bas been rather busy.

"The art of diplomacy is the art of making friends," Mr Sarma observed. "All will be good after that. We all will be richer by the experience."

•

The High Commissioner also shared some memories from a diplomatic career sprinkled with significant and memorable postings. He happened to be serving in Moscow as the social fabric of the USSR changed diabolically, in Berlin when the wall was brought down, and in Hong Kong when it was handed back to the Chinese. Back home in Mumbai, his office was just around the corner when terrorists struck at the Taj Hotel. He will no doubt remember his time here in Australia as a posting dominated by a pandemic.

Yet it was mention of his early links with this country that touched hearts the most at the event. Mr Sarma remembered bis time at school in Ranchi in northern lndia, which was founded by Christian missionaries from

Australia. So1ne of them were his teachers, and he managed to locate and reunite with his Principal who is now retired in Melbourne.

Mr Sanna looks to be in a good place as he hands the baton to incoming High Commissioner Navneet Vohra, who is expected to join by end of April.

"We need a fresh pair of legs. India is set to take off globally, and so is the Australia-India relationship," he said.

He also acknowledged the growing Indian Australian community.

"Indian restaurants are a good baro1neter of ru1 Indian community anywhere in the world, and I must say there is a great community here," he concluded.

Pawan Luthra MARCH 2021 13

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A look at the ongoing farmers' protest in India in the backdrop of historical agricultural ·reforms' BY

DIPANJALI RAO undreds of thousands of farmers have been protesting in India since September last year in what has become the largest farmers protest in India's history. Their protests against changes to agricultural laws by the Lndian parliament- ram1ned through without debate in the middle of a pandemic - show no sign of abating. Instead, they now have support from civil rights bodies and labour unions in India, uniting across language and caste.

Internationally, they recaptured mainstream attention when Rihanna and Greta Thunberg tweeted about it.

The Landless Worker's Movements in Brazil, one of the largest movements in South America, have expressed solidarity with the farmers, as have a variety of labour, farming and civil groups in Canada, members of the UK Parliament, and 87 American farming and food justice groups who urged people to connect the dots between neoliberalism and farmers decline in India and the US. Farmers' protests aren't new in India.

These protests are preceded by decades of mismanagement, imperialism and corporate greed, and to understand them, we need to go back to the first attempt at 'reforming' Indian agriculture in the 1950s. Limited mostly to northern Indian states, the 'Green Revolution' (a term coined by the US State Department) introduced industrial agricultural methods: fertilizers and pesticides, new varieties of wheat and rice and capital intensive practices.

Studies at the tin1e showed that smaller land holdings were n1ore productive, but the Congress government didn't want to upset its

vote banks by redistributing land, so chose the easier option. Over time, damage from fertiliser and pesticide use led to ecological degradation and low yields, farmer debt increased and triggered a wave of farmer suicides.

The second wave of 'reforms' were even more destructive. The 'structural adjustment' loan that India took from the International Monetary Fund in 1991 came with three main conditions: a. liberalisation: reduction of government controls b. privatisation of the public sector c. globalisation: reduction of subsidies and import barriers to enable free trade.

This brought in large private multinationals like Monsanto and Cargill. The seed market opened up: prices in Andhra Pradesh went from Rs. 70 per acre in 1991 to Rs. 1000 in 2005 (an increase of 1429%), requiring a huge upfront investment by farmers.

Pesticide subsidies were removed (an explicit condition of the JMF loan), electricity tariffs were increased and import duties protecting Jndian farn1ers were removed. The price of

cotton and pepper crashed heavily, impacting Maharashtra and Kerala. From 1997 lo 2005, 149,244 farmers committed suicide, 17,131 in 2005 alone. Monsanto's profit in 2005 was USS255 million.

The latest set oflegislative changes seek to further weaken government control by wresting control away from states and to the centre, where very few laws exist to regulate behaviour. They remove regulation intended to prevent hoarding, meaning prices can be driven up and allow farmers to enter into contracts with the private sector, pitting farmers against corporates like Reliance and Adani with no legal recourse for farmers to sue anybody under the act.

The government's rationale is that these laws will make farmers' lives belier and create jobs. However, India's own history, and the evidence from privatisation, structural adjustment and globalisation across the world tells a very different story.

Su·uctw·al adjustment similar to what India went through in 1991 cut the growth rate in developing countries from 3% to 1.7%.

1n sub Saharan Africa, it nearly doubled

the number of Africans living in poverty.

After nearly 5 decades of industrialisation, structural adjustment and globalisation 'reforms' in Indian agriculture, the average per capita income per month in agricultural households in the last national survey was Rs. 1,300 (less than I AUD a day). Inequality across the world is extreme, and getting worse. Unbridled privatisation only serves a select few: as Texas's private grid collapsed in the recent freeze, electricity surged lo USS 9,000 an hour in some places. The pandemjc has laid bare the flaws in our current model: billionaires' wealth increased by USS 3.9 trillion between March and December 2020, while the world's poor will take more than a decade to recover from the pandemic.

And it is in the midst of this pandemic, one that impacts the most vulnerable the worst, that the Modi government is seeking to further weaken a largely impoverished population. The increasingly authoritarian tactics of the government have seen India drop from 142 to 180 in the Press Freedom Index, three spots behind Myanmar.

The jailing of Disha Ravi, suspension of activists' Twitter accounts, characterisation of farmers as 'parasites', the wilful attempt to comrnunalise the protests by claiming that farmers were 'Khalistan separatists' and suspension of the internet during the protests make it clear that the government's actions aren't just 1nisguided ideology or an overzealous enthusiasn1 for dysfunctional models. It is a clear-eyed pursuit of profit and power. And the fanners' protests are no longer merely for their survival and livelihood, but a fight for a fading de1nocracy.

Dipanjali Rao is the author of a chapter on the impact of globalisation on Indian agriculture, in the book Globalization: Sectoral in1pacts and country experiences (ICFAI press 2009)

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The prospective candidate will report 10 the temple managers, shall be a Brahmin, follow the traditional dress code for Shivacharya, have completed general education up to year 12., s years of Vedic education in a Gurukula or under a recognised guru, worked for at least s years as a Shiva.chary-a, and shall have performed Brahmotsavams and I<umbabishekams. Duties include conducting poojas, u1hsavams, homams, and other functions strictly according 10 religious practices and schedules of the temple; prioritising and planning for poojas and events and making necessary arrangements in conjunction with temple staff; sanctifying the deities, sanctum sanctorums and other property used in poojas and ceremonies; preparing prasadams as per temple requirements; attending 10 the spiritual requirements of devotees through counselling and education; engaging with devotees with a focus on service; providing guidance to youth in the Hindu way of living.

The successful applicant will be appointed for an initial period of two years with the possibility of extension based on performance.

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NATIONAL EDITION

MARCH 2021 15

WOMEN Bloc

WO

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T H E Y EA R men 's Day

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As founder of Harman Foundation, Harinder Kau r has reached out to those affected by loss, domestic violence, b u l lying and menta l health issues BY BAGESHRI SAVYASACHI ydney-based Harinder Kaur was named 2021 Woman of the Year at the Blacktown City Council's International Women's Day breakfast on 8 March. She was recognised for her outstanding contributions to the community through the Harman Foundation and the Department of Communities and Justice where she currently works as a co-ordinator providing educational services to inmates.

Rewind to the early '90s, when the real-life 'social justice warrior' migrated to Australia, Harinder was an active participant in con1munity circles and immersed herself in social engagements.

Al one point, she even had her own bhangra group.

Life was going very well for Harinder and her family until tragedy struck in 2012. She lost her eldest son, Harmanpreet Singh, in a car accident.

Harinder could not cope with the sudden loss of her son. However, through the power of the internet, she found support in the form of compassionate people within the community who were struggling with loss themselves.

It was during this trying tin1e that she had an epiphany.

"A seed began growing in n1y mind," Harinder revealed to Indian Link. " l wanted to do something with grief and loss to help people who were in similar situations like me. So, we started the 16 MARCH 2021

Harinder Kaur with husband Maninder Singh

Harman Foundation in 2013."

Harinder Kaur co-founded the Harman Foundation with her husband Maninder Singh and their two children Manupreet and Nikki Singh. After the family registered the charity with the Australian Charity and Non-profits Commission (ACNC}, they circulated a survey to find out the needs of the subcontinental community.

While they set out to support grieving families, they received an overwhelming number of responses pertaining to domestic abuse.

"Surprisingly, when we got the 500 survey responses back, the most common topic was domestic and family violence, and then mental health, and lastly, bullying."

Soon after, the Harman Foundation acquired a 1800 number so that people could ring their helpline confidentially to seek help. The foundation also started a

shelter called 'Her House' to support and empower women who seek refuge fron1 violent living conditions.

"The shelter was needed because for our people from Indian backgrounds, it's just hard to send them to mainstream shelters where there could be 25 people living under the same roof. They need to know they are going to be safe, they need familiarity," she explained.

The foundation also provides chaplaincy services in hospitals and prisons to patients and inmates of Indian backgrounds to help them cope and uplift their spirits.

Last year, when the COY ID pandemic was at its peak in Australia, they were proactive in feeding vulnerable mouths in the con1munity.

"We distributed about 7000 food hampers during the pandemic. We still do a fortnightly food service in Blacktown for the homeless and people from low-income

households," Harinder said.

The Harman Foundation also hosts informative seminars conducted by educators and practitioners on topics like domestic violence, relationship building, and mental and physical health awareness.

"While we don't specialise in these particular issues, our main goal is to educate and put vulnerable community members in touch with people and services that can help them," she expressed.

Over at the Department of Communities and Justice where Harinder has worked for the last three decades, she finds herself regularly co-ordinating educational services for the incarcerated.

"We believe that education can make a difference to people's lives, especially those in the prison syste1n that lack education in their lives," Harinder stated.

The Blacktown City Council called her a 'crusader for justice' and rightly so. Despite the devastating grief and loss, this champion has paid it forward in the community.

Harinder has been honoured with multiple such awards and has been a finalist for several others. She won the Rotary Inspirational Women's Award 2019, the same year she was recognised by Hindu Council of Australia for her 'Dedication to Don1estic Violence' work.

"There are so many inspirational won1en who have made the difference or are making the difference in this world, I feel like I'm just a tiny drop in the ocean," Harinder remarked.

"In this field, no matter how much you've achieved, there's always going to be more that can be done," she added.

Hyou or someone you know is in a domestic violence situation, you can reach the Harman Foundation on 1800 116 675.

www.indianlink.com.au

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MARCH 2021 17

YOUTH

ith a streak of wins behind her, 14-year-old Gauri Kotera is now among the top five rowers under 16, in the state of NSW. The Penrith Selective High School student took gold in the single, double and quad events at the 2020 Central District Rowing Association Sprints Championships; a gold and a bronze at the NSW State Combined High School Championships, and two bronze medals at the recent NSW State Sprints Chan1pionships.

The state win puts her in competition at the National championships to be held at WA next year.

"I'll be competing with the best rowers in the country," Gauri told Indian Link.

"I'm keen to see how far this will take me."

The Year 9 student was introduced to rowing only two years ago, as an extra­ curricular activity.

"I had never been on a river in a rowing boat before and it was scary, but completely thrilling."

She added, "At first it was just nice to be out on the water, relaxing, in touch with nature. Then I started competing - and winning - and that drew me in further.

Plus my team is very supportive, so being around them is good."

Penrith of course is home to some of the best rowing facilities in the world and hosts national and international regattas.

As an elite athlete though, doing the hard yards is par for course.

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While Gauri competes on the weekends, she practices every afternoon, with gym three times a week - juggling it all with schoolwork.

Support comes through from a variety of sources, coaches, teammates, even family.

Gauri picked for special mention a personal mentor, national level rower Annelise Isaacs. "Annelise is currently rising through the ranks, and I've learned

much having rowed with her. I aspire to compete with her one day."

Her parents of course are an integral part of her rowing life.

"I'm grateful for the support my parents give me," she acknowledged. "They're up early driving me around. Like me, they've had to learn everything about the sport from scratch, not having grown up with it.

H's great for me to look up sometimes as l

era

row - amidst the pressure and the pain - to see them shouting out my name from the shores."

Mum Charu Kotera chimed in, "Yes it was a new experience for us, l'n1 not even a swimmer! When she showed an interest I actually suggested she should stick to the group events so she wouldn't have to get out there on the water on her own! But she showed natural ability, so we gave her our full support."

Charu agreed rowing is an unusual sport in our community. Among other things, our women particularly don't have the physique for it, although Gauri already stands at 5'9".

"Rowing requires good upper body strength, and for Gauri, it's something that needed to be built up. It's typical of us as a race: we are good at leg work, but not upper body. And yet Gauri is getting there, with her regimented routine."

Gauri herself admits that the physical endurance aspect of her sport is the hardest part of it. "But I enjoy my practice sessions and gym," she said with characteristic honesty.

And the best thing about rowing?

"Doing something !'111 good at, being able to challenge myself, becoming better, and enjoying the fruit of the hard work that I get along the way."

We'll be watching her career with great interest.

RaJnl Anand Luthra

BLACKTOWN

18 MARCH 2021

www.indianlink.com.au

P ETS

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RHEA L NATH s the clock struck midnight this past New Year's Eve, the Bhandari family in Sydney celebrated in a rather unique way: taking care of six beautiful, healthy puppies born just the night before.

These were no ordinary puppies.

"They're destined for greatness, to become the 'eyes' of Australians with low vision and blindness as their guide dogs," Vik Bhandari told Indian Link cheerfully.

Vik and his family are volunteers of Guide Dogs Australia, who combine their love for animals with important community service.

"It's a really rewarding experience, helping the puppies get a great start to life. We do it as seva, giving back to the community," he explained.

IL all started back in 2003 when the Bhandaris found themselves in a situation often faced by temporary residents in Australia. They wanted to adopt a pet but weren't sure about their long-term situation in the country.

That's when a friend turned them to Guide Dogs Australia.

"At first we signed up to be puppy raisers, to take care of a puppy from 8 weeks to 14 months old," Vik said. "They become a pai-t of the family. You teach them basic skills, help them establish a don1estic routine, and take them once a week for training sessions."

In fact, it's an intensive five-month process to turn a cute puppy into a fully trained guide dog. The trainers work with the pups to build their confidence, teach them to navigate streets, follow commands, and acquire complex skills for their new job. Puppies who don't complete the program are diverted to other 'career' paths such as becoming therapy dogs in juvenile courts, hospitals, and aged care.

In the last four and a half years, the Bhandaris have completed the puppy raising program with two dogs.

"It's a really rigorous program to become a guide dog. Only 50 per cent of the dogs pass the process. One of our dogs did," Vik said proudly. (The family even attended her 'graduation ceremony') NATIONAL EDITION

Syd ney's B ha ndari family have turned their l ove for dogs into a rewa rd ing commu nity activity

Vik and Bhavisha Bhandari

,

\Maya .. Bhandari with Dorrit

Last year, the family signed up for Guide Dogs' home whelping and rearing program, assisting Lottie as she gave birth to the organisation's first litter of 2021. Across the last two months, the Bhandaris had a great time raising the adorable Kato, Kenny, Kofi, Bevie, Heaven, and Dorrit.

"Lottie didn't quite take to it at first, so we had to be pretty hands-on in the early weeks. By week 3, though, it was quite lovely," said Vik. "It was tough saying goodbye to them when they eventually went back to Guide Dogs."

According to Karen Hayter, SW Puppy Development Manager at Guide Dogs Australia, the role of volunteers like Vik is enormous.

"Guide Dogs relies heavily on the community to help fund this important work, and volunteer Puppy Raisers contribute significantly by giving their time and effort,"

Akshai Bhandari with Kenny

she explained. "With each Guide Dog taking $50,000 to breed, raise and train, the role of a Puppy Raiser is immeasurable!"

She also addressed the ethical considerations of breeding, a common concern for animal lovers.

"The health and welfare of pups and dogs is priority at Guide Dogs. This is why Guide Dog SW/ACT created its own breeding program in 2011 to assist with the increased den1and," Karen said. "The dogs in our breeding progran1 and all of their puppies are cared for by our team of experts, including full-time veterinarians, kennel staff, neonatal and breeding specialists, consulting allied professionals, and volunteers."

Vik considers this kind of volunteer work to be a great opportunity for animal lovers on a temporary visa, individuals who work from home, and families who would

Mother ofthe litter, Lottie

like a 'test run' before n1aking a lifelong commitment to a pet.

"Guide Dogs really supports you through the process. They help with most of the equipment you'd need at home, like dog food, collars, grooming equipment, and basic medicines. They also cover all veterinary costs through their approved vets," he confinned.

Since New Year's Eve, his videos of the puppies have brought smiles to many friends and family online. On Facebook groups, too, co1nments have flooded in for the playful tykes.

"These puppies are just delightful and they will go on to do a fabulous job enhancing someone's life," wrote one user.

2020 1nay have been a difficult year for n1ost, but it's always great to hear lockdown endeavours such as these that bring a smile to the lips of many.

MARCH 2021 19

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And a very happy Holi to you too

Image by SAHIL KANDOI lnstagram: sahilkandoi Camera: Canon EOS 50 Mark Ill

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He began a blog about his job hunt struggles, now he's a mentor BY

:JYOTI SHANKAR inesh Balan got his Australian permanent residency and arrived in Melbourne with his wife in 2018, full of hopes of landing a job within a few weeks. While still in India, they had availed of the services of an Australian career coach, as they had no friends or family here. With resumes tidied, job search skills improved and mock interviews practised, Vinesh was upbeat about his career and excited about the big 1nove.

In retrospective, Vinesh says, "l was naive to think that l could send off job applications and sit back. l thought my resume would speak for itself." Jt was eight 111onths before he finally got a break but during this stressful period, this young IT professional started something which changed his life.

Initially it was a blog about his experiences of n1igrating to Australia.

What surprised him was that his personal journey attracted the attention of many.

22 MARCH 2021

"That boosted me and pushed me to share more," says Vinesh. He realised the power of putting himself out there when a recruiter he was chasing up unsuccessfully for months through Linkedln and emails, saw his article and himself reached out for a chat.

Vinesh decided to take this further by proposing the idea for a face-to-face meetup with others like him, and the response blew him. "That's when it got real," says Vinesh.

"Within two weeks, l had booked a room in the Docklands Library and found myself sharing stories with 25 other people."

A recruiter joined too and shared nis perspective and thus was born the monthly meetups, which has since spread to other Australian cities such as Adelaide, Sydney and Brisbane. COVID-19 came around and tnrew a spanner in the works but the meetups moved online.

Along with the three-hour, workshop­ style monthly meetups, Vinesh also started weekly networking walks. These casual lunchtime walks in the city were great for new migrants and students to catch up with experienced old-timers. COVID altered this too as people started working from homes.

So he now drives to the city on Thursday evenings, just for these walks. When asked

how he manages such a commitment week after week, Vinesh humbly says, "I don't consider it as a huge effort as I have built it into my routine, and I love doing it."

Vinesh considers human connections to be important, not just for securing a job, but also for one's mental wellbeing. By sharing stories, you can get inspired, as well as learn from others' mistakes. " etworking is not a one-to-one transaction but a long-term goal that you have to consistently work at. It is more of a lifestyle rather than transactional. It is not about just getting a job but also about personal development."

Elaborating the concept, he explains, "Choose a few companies you want to work with. Understand what's happening in these organisations, make contact with people tnrough Linkedln and show your interest. Tell them what you love about their work and understand their problems. All this gives you an advantage." He cautions against looking people up and asking for a job. "That's not networking. Don't spam people. Establish trust first. Down the lane, if a role comes up, probably one that's not even advertised, they might think about you, but that shouldn't be your end goal."

Recounting an instance of the power of

networking, Vinesh speaks of a migrant who got his PR last March, just as COY ID lockdowns began. "He started networking online with people over Linked In and it paid off when he secured a job before it was advertised, less than a week after he landed in Australia."

He emphasises that networking is not something you attc1npt and forget about after getting a role. It is a support system for all times. "You never know when you might lose your job. I encourage people with jobs too, to meet and talk with people."

With over 16,000 followers on Linked In, where he shares a lot of useful content, Vinesh's reach has grown exponentially in just three years. Over a 100 events later, he confesses that if he had connected with people, his mental state would have been much better in those stressful eight months. "Job search is a temporary state.

By speaking to others and meeting with people, you can grow in confidence, and feel connected and happy," he advises.

Vinesh says many of the people who came to the first meet up are his closest friends to this day. As he says on his Linked In post, "Hi, but I'm no recruiter talk to me as a friend :)" Read Vinesh's blog at https://www.vineshbalan.com/

Hover your camera over the code lo hear some job search stories on Vinesh's YouTube channel

www.indianlink.com.au

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MARCH 2021 23

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How to be a successful advocate for your child, without being labelled BY

MOHAN CHALL fter nearly a year of restrictions placed on parents, schools have finally re-opened. Parents can drop little ones off to Year 1, they can attend sporting events, and can support the schools in various ways through engaging in fundraising and the like.

Parents, carers and guardians are important stakeholders to schools, and schools need to clarify the rules or conditions of engagement with them particularly with respect to academic matters. Currently I hear too often that parents are not trusted, they are classified as "pushy", "helicopter parents", or "Tiger mums and dads" for asking legitimate questions about what the school is doing to support their child's learning.

Parents are, appropriately, the child's foremost advocates. The question is how to achieve successful advocacy or inclusion, without being labelled or negatively construed? To answer this, start with facts.

Who knows the child best?

Parents, those who have loved and nurtured their child since birth, know more than anyone else about their child including a host of things the school cannot know: what the fa1nily has been through, the roles of both parents, the communication patterns between parents and children and interaction with siblings. They also know the child's likes and dislikes, some of their anxieties and their prior learning history. Schools see snippets and teachers may make astute observations, but they do not have this wealth of understanding about any child, let alone 25 in a class.

School-parent com1nunications Other than formalised, regular, predictable communications - such as tbe weekly enewsletter or the Semester report, there is generally very little direct communkation that schools provide parents about their child or child's learning. Regular informal communications between teachers and parents do occur in Primary School, but with each year a child advances, communication becomes more sparce and controlled.

Startling survey results about school-parent communications ln the past three years l bave surveyed parents as well as teachers about bow they would feel or what they would expect if the school their child attends called them during the day. Each and every parent and teacher has said they would feel anxious and stressed. They tell me they expect that the communication would be because their child is injured or in trouble. l ask the teachers how this could be acceptable - that no parent yet (including those who are educators) thinks that the call would be directly about the child's learning.

24 MARCH 2021

No one can be average A parent of a Year 8 boy told me recently that her child had been called "average", "middle of the road" and "unremarkable" since Year 2. The parents assumed this meant that he was working to his academic potential. Alas, his academic potential was not actually even noticed. To me, all this indicated was his teachers were not prepared to do anything to raise bim. I asked the parent how it was possible for a child to remain average: if his performance in Year 2 was "average", surely his teachers had plans to help him achieve beyond this.

Apparently not. He simply continued for 6 years without any expectation from his teachers that he do more, or do better.

After basic assessment it was clear that this boy was underachieving and did not know it. He had never thought to push himself academically because he bad never been required to do it.

What learning needs to communicate?

As evidence increases that many children can have highly particularised lea1·ning needs, parents should learn to ask questions and elicit accountability beyond formalised reports. This means any formal reports should lead to parents asking what next wbat will be the role of the teacher in assisting tbe child to achieve the next learning goal.

Tbe expectation that teachers do this is actually role-modelled on the government's own education websites. lf this is done, then teachers will start to assist children in their particularised learning plans.

measure achievement towards those goals. However, everything is a joint pact as parents must support teacher efforts.

Hence, parents should ask, "What can we do to support what you are doing?"

In this way the family and the child's teachers can place the interests of the child foremost and work towards common goals, rather than what can feel like being asked to trust the school whilst being excluded.

May your life ways be filled with colour of joy and happiness!

A HAPPY HOLI to all

in Victoria

Children should be with parents when there are meetings with teachers Parents therefore should seek information and follow up. They should also bring their children with them when there are parent-teacher meetings and in such meetings, they should have the teacher articulate what their goals are for their child including how the teacher will

www.indianlink.com.au

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Check out the works of I nd ian artists Siji Krish nan and Kiran Su bbaiah BY

BAGESHRI SAVYASACHI ndian artist Siji Krishnan's work 'Father's Portrait' is currently on display at Melbournc'sNational Gallery of Victoria (NGV) Triennial.

The paternal figure has been a recurring theme for the Kechi-based artist, her work often falling back on childhood memories and connections n1ade while growing up in her village in southern Kerala.

"My most precious me,nories are (from) the times I spent with my father, who passed away in 2008," Siji told Indian Link. For me, his intense love and care were 1nore motherly in nature. lt is because of this that the father images are often represented with milk-filled breasts, as a manifestation of their feminine love."

Interestingly, though the work is entitled 'Father's Portrait' the splendid painting takes on the dimensions of a landscape.

Clearly, landscapes play a significant role in the Kerala-born artist's creative expression.

"Perhaps my love towards vast seashores and open plains of Kerala (play a role)," Siji admitted."In fact, such landscapes empty 1ne; in other words, they bring silence and serenity."

She added, "Here the landscape is hazy and misty, akin to a faint memory."

The fact that the figures appear distant within the frame, adds to the ideation of the foggy memories. The mood is further enhanced by the use of watercolour on rice paper.

Siji started using rice paper (commonly NATIONAL EDITION

used in Indian art) as a medium in 2006.

Its flexibility and feeble nature supports her particular brand perfectly.

"I have observed the fragile quality of il often supports and enhances the subtler and lighter human feelings I try to bring about through the works. I often feel the pale and permissible surfaces are akin to many layers of our own n1emories."

Sometimes she uses a multiple layering of rice paper which, in the final result, looks like dried leaves.

Siji Krishnan's 'Father's Portrait' is a part of a grander 'Family Portrait' which is almost three metres long and features characters and figures she has observed in her life.

"Deep down 1 feel that we are all a part of a larger family which includes animals, birds, and plants," Siji observed. "Like us human beings, they too have their own stories to tell. If we listen carefully and intensely, we

can endlessly be enchanted by their amazing stories. Art thrives when words fail to comprehend certain experiences."

While visuals of rurality influenced her, even smells and sounds inspire her work.

"The stories I have heard from senior people in my village and the songs I have enjoyed from the farmers in the paddy fields, they all have a great impact on my artistic imaginations," Krishnan said.

Siji Krishnan now works in a serene studio just a few kilometres away from bustling Kechi which enables her lo retain "the clear sky and calming views of beautiful countryside as a source of energy" to take her work and life further.

Another Indian work of art, Kiran Subbaiah's 'Narcissicon' is also being showcased at the Triennial this year.

The Bengaluru-based artist's work is a 43-minute fanciful video depicting the state of being half-asleep/half-awake, kind

of like a daydream. It shows the likeness of Kiran Subbaiah playing multiple versions of hiLnself, presented through doppelgangers and mirror reflections. The amusing and whimsical video, collated over multiple years, is meant to be a behind-the-scenes portrayal of his artistic process.

The two Indian artists' larger-than-life artworks will be on display at the NGV Triennial until 18 April 2021.

Father's portrait images, (artwork above and details below): National Gallery of Victoria, Melbourne Ruth Margaret Frances Houghton Bequest, 2019. Courtesy Galerie Mirchandani+Steinruecke ©Siji Krishnan Siji Krishnan's image: Courtesy the artist and Galerie Mirchandani + Steinruecke, Mumbai.

MARCH 2021 25

STA G E BY

SWATI ALOK TIWARI n an interesting moment in Dhanya Dinakar and Pratiksha Chuttar's recent arangetram (debut performance), the duo moved gleefully to embrace but stopped short, creating an honest reflection of the new normal during COVID times.

It was a unique way of contemporising a Bharatanatyan1 sequence, in an arangetram cere1nony that was already modernised by presenting for debut not one but two young artistes.

An increasingly comn1on occurrence today, the joint arcmgetram might even have some artistic advantages, such as allowing the debutantes to exhibit their skills in solo as well as duet performances, indeed even in groups.

In their maiden rendezvous, the dancing gazelles Dhanya and Pratiksha convincingly portrayed lovelorn nayikas in the Padatn; the cosmic dancer Lord Natraja in Natesa KaJJuthava,n, and epitomised the consciousness of Shiva-Shakti in Varnam.

Adorning alluringly coordinated costumes, Dhanya shone exquisite as if the sun in orange, and Pratiksha enchanted in royal blue.

Together they transported the audience to an era that is traditional and mystical, timeless and divine, owning their presence

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It was the solo numbers however that went on to become the stand-out pieces at this event, a chance for the double delight to prove their mettle, announce their arrival with fanfare.

Dhanya in her solo embraced maternal love portraying lhe 'Vatsalya Bhava' in Krishna Nee Begane Baro set to raga Yamankalyani. From dressing up Utlle Krishna in the finest to being bewitched at the sight of the entire universe in his mouth, the piece was an affirmation to Dhanya's talent as an able interpreter of emotions. A stellar choreography, in which she was the mischievous Krishna eating the true yearning of the soul. Creating a visual the soil one instant, and surprised, gullible spectacle with the genius of mridangam Yashoda in another. She performed, she master Janakan Suthanthiraraj's perfect conquered. rhythmic timing and Guru Aruna Gandhi's Pratiksha's innocent romance with Krishna impeccable natuvangan1 flair, this piece in her delightful solo reflected a glimpse of her was a perfect congruence of wills and own personality in Kanna Mani Vanna set to talents. raga Kamas. Pratiksha as Radha falls asleep Revivifying snippets from • while awaiting the return of Krishna. She Ramayana in a soulful bhajan, wakes up with a jerk and he is still not in sight. the dancers depicted with innate Dismayed and angry, she questions him about honesty Rama breaking Lord his whereabouts, Krishna's indifference to her Shiva's bow to win Sita's hand in marriage, and Shabari's wait to get plea further infu1iating her. Dazzling in the role of exasperated Radha, Pratiksha stole the a glimpse of her saviour. This piece hearts of the audience. was a testimony of the dialogue The Varnan1 Sarni Nine in Raagamalika between Dhanya and Pratiksha on Lord Brahadeseshwara - the presiding through the vibrant sounds of their deity of the big temple ofTanjore - gave ample ghungroos and coy stolen glances. The scope for Dhanya and Pratiksha to highlight lilting and resonating vocals of Namarata their c01npetence, endurance and range as Puliapaka and the mesmerising violinist dancers. Set to intensive footwork, skillfully Kranthi Kiran Modigonda added depth, executed to thunderous applause, the duo dimensions and life to this recital. transformed into distressed nayikas seeking The evening ended with a vivacious union with the supreme almighty, conveying Thillana and Mangalatn and

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There's spell bi nding promise in the Bharatanatyam debut of Dhanya and Pratiksha presentation of certificates of achievement to the two enchanters, as their parents bea,ncd on stage. The pride and joy in the eyes of the parents, and the hu1nility in the demeanour of the dancers, brought in a glow of warmth to this experience.

This was the second arangetram for Sila1nbam Sydney, an acclaimed classical dance school that inspires many artists to lose theniselves in the rhythn1s, tunes and divinity of Bharatanatyam. Pratiksha and Dhanya under the able tutelage of their Guru Aruna Gandhi graduated with excellence. Their arangetram validated the faith of proficient dancer and artistic director Aruna, who excels in passing on the nuances of Bharatanatyam to her students.

When asked about one n1ajor take away from this arangetrani the dancers observed, "It's the realisation of our devotion for Bharatanatyan1 being eternal."

A love affair that we hope will prosper with time.

www.indianlink.com.au

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A children's picture book provides a gentle introduction to human rights BY BAGESHRI SAVYASACHI

II

ut what is wrong with that? Why shouldn't marry Chandni didi?" asks Ayesha, the young protagonist in Ameya Na1·vankar's Ritu weds Chandni.

The innocent question is enough to plant the seed of questioning witrun the minds of budding readers about the nature of queer acceptance in Indian society.

Ritu weds Chanclni is a children's picture book about Ayesha, a young gil-1 who is impatiently waiting to dance in her cousin Ritu's baarat (a lively wedding procession with n1usic and dancing). Ritu is marrying her girlfriend Chandni, but not everyone approves of the celebration; some relatives, neighbow·s, and even strangers protest by literally 'raining' on their parade.

Artist, illustrator and writer Ameya Narvankar, who believes in 'design for change', is determined to use his talents to create a positive impact on society. In 2015, while pursuing a Masters of Design at HT-Bombay, he chose a research subject that would eventually culminate into a unique story curated for kids in their formative years. "l explored the subject 'The visibility & representation of LGBTQ+ in Indian Society' for my thesis," Ameya told Indian NATIONAL EDITION

Link. "I looked at various portrayals of the queer community in popular media and art, especially those catered towards younger audiences. l found that the mainstream has shied away from accurate representation and often the depictions have been cruel and downright homophobic. As a gay man who grew up on a staple of Bollywood, these depictions always bothered me. My findings and research trickled down to me focusing on children's literature and l wrote Ritu weds Chanclni in an attempt to create better representation avenues, which in turn would bring greater awareness on the subject."

Although homosexuality has been decriminalised in India, same-sex marriage is still illegal in the eyes of the government. Nevertheless, Ameya wanted Ritu and Chandni to have a happy ending.

Young Ayesha doesn't let the bigots and naysayers dampen the wedding party, her excitement of celebrating the family's first bride leading her own baarat

cannot be contained.

"I wanted to draw a parallel with a pride parade, and at the same time also challenge gender roles by having a bride on a horse," Ameya explained.

The innate joy of participating in her cousin's wedding makes Ayesha overcome all negativity and restores a festive we­ will-celebrate-no-matter-what mood to the wedding party.

Weddings in Indian society are a grand and overt sign of acceptance, with the baraat being "a very recognisable symbol" of north Indian weddings. Since the premise of Ritu weds Chandni is set in such a common Indian environment, it adds to the visibility of same-sex love in a positive light and leaves readers rooting for tbe couple.

"The happy ending is very Bollywood­ like and perhaps unrealistic," Ameya admitted. "But I choose to embrace it; after aH, Bollywood is a major part of the lingua franca of our present society."

Ameya deliberately chose women to be the main characters in the story.

"I believe intersectionality is the backbone of every social movement," the progressive artist observed. "In a patriarchal Indian society, the status of queer women is even further marginalised.

By shining the spotlight on two women in this story, my hope is that the conversation around this book will be multi-faceted and nuanced in its discussion of human rights."

Ameya Narvankar refers to himself as an "accidental author" with design/art being

his main calling. His soft illustration style in the book is calming and wholesome. He illustrates the brides, their ornaments, their lehengas (not forgetting their n1angetlsutras and sindoors), wedding attendees and ceremonies vibrantly with great attention to detail (even the tnehendi on the brides' palins is pleasing to the eye). Although An1eya's storytelling is quite adroit, the illustrations are so meaningful that they could convey the plot without needing any words!

Even though Ritu weds Chandni incorporates much non-English vocabulary, the inclusive text published by Yali Books does not restrict itself to audiences who understand Hindi. The book comes with a glossary of terms at the end, to help readers of different backgrounds understand all the elements in the story.

Ameya's intention was to inculcate a sense of critical trunking within cruldren without overwhelming them with hardships faced by the LGBTQ+ community, but also at the same time not paint "too rosy a picture". He's achieved just that; his contribution adds to the visibility of non­ heteronormative love and the erosion of stig1na surrounding the subject.

Parents who think introducing queer love and acceptance to their children will be tough, Ritu weds Chandni is a precious piece of children's literature that will help your kids realise on their own that every person irrespective of gender and sexuality has the right to lead their life with dignity and freedom.

MARCH 2021 27

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Chef and resta u rateur Sara h Tod d la unches her second book My Indian Kitchen BY RAJNIANAND LUTHRA arah Todd claims she is "obsessed" with papdi chaat - so much so that she would pick it over champagne and caviar.

As a quick snack at home, she'll put it together with store-bought papdis, boiled potatoes and canned chickpeas.

When she's in India though, it is the street-side variety that she loves.

"Every time I'm in India, l have to taste as much street food as possible," Sarah writes in her new book My Indian Kitchen.

"Chaotic yet magical, traditional yet contemporary, overcrowded and bursting at the seams, India is known for its street food and its army of hawkers that help satiate all cravings."

It's where she learned to love pakodas with chai, street style bhutta (charred corn), momos, kathi rolls, the Mumbai toasted sandwich cooked on an open flame in a square toaster, and kulfi falooda (which she calls "an exotic sundae").

Some of these have now made it into her second cookbook, launched in early March.

Also included, are home-style recipes she learned from families she met in her travels around India, and more sophisticated preparations she learned from professionals.

The stand-out recipes though, are the modern presentations in which Sarah brings in a contemporary feel with elements drawn from Indian cuisine - a beetroot salad with a cumin dressing; lndianised brussels sprouts; lemon pickle roast lamb; roast chicken with butter chicken gravy. (Well, what did you expect from a Masterchef Australia alumna, and a Le Cordon Bleu­ trained chef?)

And yet, the book is described as having "a simple approach" to Indian cuisine.

"The concept behind the book came out of realising just how light and incredible home food is in India,'' Sarah told Indian Link. "I wanted to showcase everyday dishes that, if you wanted, you can cat every night of the week, not just butter chicken, which is a celebration dish. Also, the turnarounds of being able to make really delicious, lndian­ inspired dishes in as little as 20 minutes.

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I wanted to make these curries more approachable, with spice mixes and masalas that you don't have to toast up and grind fresh every single day."

The "simple approach" refers also to the elegant lightness of the meals.

"My recipes are clean, healthy, nourishing. The other day, I posted a chickpea da1 recipe on my social media.

A friend who's very much into health and fitness posted it to her group as well, because she thought it was high protein, nutritious, and filling. It's great to see that people are starting to see Indian food as healthy. And again for the health of the environment, you couldn't pick a better cuisine than Indian."

Many dishes in the book also come with

U P CLOSE AND PERSONAL WITH SARAH TODD Favourite local dish?

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Favourite Indian personality?

I would say Sanjeev Kapoor because he's created such an incredible impact as a chef. He's brought the celebrity chef to the forefront and made chefs the stars.

Seen a Bollywood movie?

Many. I like Bhaag Milkha Bhaag.

NATIONAL EDITION

stories from Sarah's experiences in India, showing her deep connections to her adopted home. (The connect with Goa was instant - having grown up by the ocean in Australia, and w-ith the fresh seafood.) The snippets are warm and engaging, such as cooking chicken xacuti riverside, grinding the n1asala with mortar and pestle; 1naking bajreki roti in Rajasthan and then eating it with her fingers with butter and jaggery; watching chlcken tikka being cooked over charcoal in a street-side stall.

From Kashmir and Rajasthan to Assam and beyond to agaland, and down south to Bangalore and Chennai and Kerala, Sarah claims she has seen more of India than many of her Indian friends. " agaland was beautiful. I was there

Shahrukh Khan or Salman Khan?

Shahrukh, because he's a massive foodie.

Deeplka Padukone or Alia Bhatt?

Deepika.

Know any Hindi words?

Many. Kitne aadmi the?

Hindi film songs?

Oh gosh, a lot. My best friend got married just recently and I was bridesmaid. She wanted all of us to do a dance. And so my partner and I picked a Hindi song and did

during the Football World Cup, and watched it on a tiny television with the entire village! It was just such an incredible energy and a beautiful place. The one place that 1 really want to explore now is Punjab - it's on my bucket list for its food."

Sarah's initial exposure to India came via a former partner, with whom she now shares a son. And of course, that Aloo Gobhi she cooked on Masterchef 2014.

"When that episode aired in India it got me 50,000 people on my social media straightaway," Sarah laughed. "So I had to go there and see what the fuss was all about.

When I landed there, my series was airing, and I was blown away with how many people were recognising me. To be honest, I just fell in love with the place. I just had a feeling that something more was going to be happening there for sure."

And so she went from someone who wanted to open an Indian restaurant in Australia, to someone who opened two Australian restaurants in India - Antares in Goa and Wine Rack in Mumbai. (The stories of these made it to our TV screens as the SBS shows My Restaurant in India and My Second Restaurant in India).

Antares in Goa went through its fair share of problems - with its difficulties launching and then a fire afterwards, but continues to rate highly today. The Wine Rack, described as an intimate wine bar, is intended to debunk the myth that Indian food doesn't go with wine. The wine list here is 3000-strong, with labels coming from all over the world.

Today, at the end of six years in India, this chef and restaurateur has also played speaker and TV host - on Indian TV shows Serve It Like Sarah. Grilled and Awesome Assam With Sarah Todd, and Australian shows The Perfect Serve and Far,n to Fork.

We couldn't let Sarah go without asking her this: You have friends over for dinner at your Melbourne home, what would you cook as an Indian meal?

"A papdi chaat to start with, of course.

Then, I'd probably cook a thali, just for the ability to have the tastings of maJ1y different things. For dessert, a new dish l've just invented -gulab jamun inspired by tira1nisu.

The gulab jan1un soaks in a coffee syrup, and then l put a dollop of crea1n on top and some cocoa powder. Honestly, it is the most incredible flavour."

a Bollywood dance routine for her.

Figured out the head wobble?

Yes, I have! It's almost always a 'yes'.

Any advice for Aussies looking to go work ln India?

Understand the culture a little; ask questions. Often some of the mannerisms that we take as a negati ve, are positive.

The concept of Atithi devo bhava, that my guest is my god, is really beautiful - it's such an integral part of the culture. People are welcoming, and they make you feel like you're a very special guest in their country.

MARCH 2021 29

M A R D I G RAS

Trikone Australia dazzles at Mardi Gras 2021 BY

BAGESHRI SAVYASACHI outh Asian queer support group Trikone Australia marched in this year's Gay and Lesbian Mardi Gras parade held at the Sydney Cricket Ground (SCG), and honey, it was fabulous.

Its 40-strong contingent delivered an energetic performance, dancing to a rc1nix of Chham,na Chltamma from Baz Luhrn,ann's Mouli11 Rouge.

"It's a distinctly Bollywood song used by an Australian director in a film Lhat has now become a cult classic among LGBTlQ people around the world," Kunal Mirchandani, Chairperson of Trikone who led the group, told Indian Link.

Their bright and cheerful blue and yellow costumes were suitably in tune with the "oullandish pageantry" that was requested, as well as in keeping with this year's lheme of 'Rise' • pertaining to overcoming the challenges of last year (droughts, bushfires, floods, and the COVID-19 pandemic), and rising together "through love, compassion, respect and understanding".

This was the first Mardi Gras parade that did not march down Oxford Street Like it has every year since its inception in 1978.

"1 was a bit apprehensive before the Parade," Kunal Mirchandani admitted. "This was the first time we were marching in a stadium setting. Marching out on the streets has a protest-like significance, where we show the world that we're queer and we're here. A ticketed event, on the other hand, seemed like we were preaching to the converted."

Kunal was happy to report that initial concerns notwithstanding, the novel experience was an unforgettable one. Not 30

MARCH 2021

''Watching rows upon rows of LGBTIQ+ supporters felt like vintage Mardi Gras, where we felt validated for who we are, not just showing off for folks who were there to watch the freak show'' Kunal Mirchandani only did the group feel the true meaning of pride, they also felt validated for who they were by allies in the audience.

"As I was walking up the entrance to the stadium, l felt a thrill of energy," Kunal revealed. "It was a jolt of electricity that I hadn't felt before - similar to the one portrayed in sports films just before their

big game. It was an experience that l won't readily forget."

He added, "Watching rows upon rows of LGBTIQ+ supporters felt Like vinlage Mardi Gras, where we felt validated for who we are, not just showing off for folks who were there to watch the freak show."

Kunal, who has been watching or

participating since 2007, claimed he has seen increasing acceptance for queer people, and for their right to live their life the way they want.

The South Asian queer community itself has come a long way since the 1990s when its founder Alan Maurice first came out as gay. He launched Trikone in 2007. "l felt we needed a space where we could feel safe and express ourselves as South Asians, enjoying our food, our music, our jokes," Alan told Indian Link.

About parlicipating in the Mardi Gras parade over the years, Alan said it has inculcated self confidence and pride, and as such, has been powetful.

"There was of course very Little diversity in the old days, except for one South East Asian contingent. For us as South Asians, given our music and our colour, it was very easy lo put together a float. lt connected us further as a group."

The other important outcon1c was that Trikone became sought out by other South Asians, helping the platform to grow even encouraging many to come out.

And that is the essence of it all for Ravin, who organised this year's contingent alongside Kuna!.

"Mardi Gras is all about showing people that l am proud to be who I am," Ravin said. "If it helps someone else like n1e be themselves, even better."

If you or anyone you know is struggling with an LGBTIQ+ related issue, check out Trikone at www.trikone.org.au

Hover your camera over the code to see Bageshri's interview with Trikone members Alan Maurice, Kunal Mirchandani and Ravin

www.indianlink.com.au

' ARCH 2021 31

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ru 1s1n on

urra

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1ver

A serene river cruise becomes a hark back to bygone days in more ways than one BY

PETRA O'NEILL

he first thing l noticed when I stepped aboard the Murray Princess was the row of carved wooden portraits of early pioneers who played a significant role in opening up the Murray River, including George Chaffey.

George and his brother William introduced commercial irrigation to Australia, and while George settled in Renmark, William ventured further upriver.

In 1889 he built a splendid mansion named Rio Vista that later becamethe Mildura Art Gallery.As a child, while my parents dined with thefr friend, the Director Ernst van Hattum, 1 would slide down the balustrade and go off to explore the garden and the mansion's many rooms.

My free-spirited childhood came to mind when thinking about where I could go travel restrictions notwithstanding. I could revisit my past and so l booked a 7-night cruise aboard the Murray Princess.

My adventure began in Adelaide, where the transfer coach picked me up from 1ny hotel for the 90-minute drive east to Mannum from where we would start our cruise 208 kilon1etres upstream to Renmark.

Reliving the romance of bygone days, the Murray Princess is an authentic paddle wheeler that harks back to the bustling 32 MARCH 2021

times between the 1880s and early 1900s when the Murray River was a major trade route with paddle steamers transporting cargo and supplies.

Built in Goolwa, South Australia in 1986, it is 67 meters long, the largest paddlewheeler with awheel at the stern in the southern hemisphere.

After being welcomed aboard,Captain Nick's whistle blew, and we cast off into the sunset, cocktails in hand. With a capacity of only 120 passengers, the boat has an intimate and relaxed ambience.

Conversation flowed freely and l easily made new friends. Isabella had been on the same cruise just five weeks prior, Irene and Sue were also regulars and like most of the other passengers, can1e from South Australia. Some travelled aboard twice a year and had done so for years, including

Joyce and Les. "Every cruise has been different, the river always changes, and we'd stay longer if we could."

We spent our first night at Saltbush Flat. Waking early the next morning 1 went for a walk along the bushtrack.

Wildlife was everywhere; grey kangaroos stood tall, twitching their noses before hopping off, and birds flew overhead black cormorants, whistling kites, and sulphur crested cockatoos. In the days that followed, I saw many more birds, including pelicans, herons, parrots and black swans.

Whenever we reached charming riverside towns including Morgan and Loxton,I'd spend the afternoon strolling along the broad tree-lined streets, peppered with cafes, craft shops selling homemade treats, and visiting the local pub for a refreshing drink with my new friends.

Each day the landscape changed. We cruised past majestic river red gun1s, vast wetlands, citrus orchards, wineries, and small historic settlements like Piggy Flat.

Most dramatic of all were the sweeping bends of the river, where red,yeUow and brown limestone cliffs rose high above us.

Most spectacular of all was the horseshoe bend at Big Bend, withcliffs that provide a nesting habitat for cockatoos and corollas.

At Waikerie, another picturesque riverside town, a walking trail high up above the river leads to two silos now stunningly painted with a giant parrot and yabbie, standing almost 30 metres tall.

At Ngaut Ngaut Conservation Park, once a meeting place for local Indigenous tribes, we n1et Ivy and her fan1ily and learnt about ancient rock carvings, rock shelters, and place names like Murrundi, now calledthe Murray.

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The best vantage point lo observe the ever-changing scenery is on the sun deck, for an uninterrupted view of life on the river, from where you can wave back to people casting their fishing lines or swimming as you cruise by.

But for sheer exhilaration, you can't beat travelling in a tender boat to get up close to the whoosh of the turning sternwheel, orbeing on the sun deck when the boat squeezes under bridges and through locks with little clearance.

Each night, we'd return to the boat for a delicious meal, with the menu firmly grounded in showcasing fresh local produce. This included scotch fillet, grilled chicken breast, fried barramundi, and lan1b rump, with special diets well catered for. Desserts were also delicious including chocolate brownie or cobbler with Chantilly cream. The chefs always excelled especially on our final night with a 6-course degustation meal.

The wine list was extensive, reasonably priced and featured local vineyards. Even the cocktails focused on the region with nan1es like Mud Slide, Murray Buster

and Procrastinating Pelican that were a talking point and quite delicious.

After dinner, the fun didn't stop as Bill, our entertainer and renowned Adelaide jazz musician played our song requests.On our final night, Garry, a fellow passenger, bought party hats, whistles and glow-in-the-dark bracelets for us all, as we cheered on Bill as he played his saxophone with gusto.

As our final night drew lo a close, I didn't want it to end, so I went for a stroll by the river's edge navigating by the light of the moon, and on n1y return spent tin1e on the sun deck, the sky illuminated with stars.With my new friends we gave a toast lo happy times and life fell good again.

After my return ho111e, I sat down to write this story, my laptop balanced on the mosaic table given to n1y family by Ernst Van Hattum as a farewell gift when we left Mildura. The pattern is of fish. Then l realized they are Murray Cod. After a week cruising on the Murray, l felt reconnected to the river and to my past.

In the 1 880s and early 1900s the Murray River was a maJor trade route with paddle steamers transporting cargo and supplies.

NATIONAL EDITION

MARCH 2021 33

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When RENUKA* found herself in an u ncomfortable situation with her d riving instructor y learner's license expires in April, so I've been under pressure to pass my driving test. As someone who is employed full time with a family to look after, l really don't have the time to go through the whole process again.

So, I. called up a driving school in my suburb, apparently one of the best. The receptionist who answered was warm and welcoming. I felt good about this school over the phone so J booked a trial with one of their instructors.

During the trial, the instructor began chatting. He asked if I was Indian, and then asked how old I was. When I told him 1ny age he replied saying, "You're a spring chicken", which J thought was a bit odd.

I wasn't too alarmed, but as soon as our first session started, I began to feel uncomfortable with his particular kind of chatter. He asked about my family and where I work, then about my partner and where he works.

I didn't mind talking about my family; it was fine until he asked, ''What makes your man virile?". l just dismissed it... but he kept insisting.

34 MARCH 2021

So in hopes that he would stop persisting, I jokingly answered, "Me".

At that point in time, il was important for me to get my license, that was all that mattered to me throughout this whole experience.

In the next class, we did some more driving practice on the highway and on the roundabout. He was a good instructor, but towards the end of the lesson, he asked if I'm 'a hard kisser or a soft kisser'.

Dumbfounded, l remained silent.

He persisted and asked me the question again. I refused to answer, and just got out of the car because we were done - relieved that the lesson was over. l went home and told my partner what happened. He said that the driving instructor is sexually harassing me. l said, "Yes, he is. But I'm really confident with driving now and I can pass the test."

The driving instructor kept appreciating my driving until the last lesson which was two days before my driving test.

I was excited, 1 wanted to finjsh my lessons and get my license. But l could sense his mood was off; he was very quiet

and sort of passive-aggressive. It made me lose confidence and I made one mistake after the other. Eventually, at the end of the lesson, he told me he didn't think I was ready and that I needed more practice.

I was upset because he had decided on the number of lessons and said that I would be ready by the end. I had spent all this money to prepare for my driving test not to get sexually harassed. So I got out of the car and went home.

He messaged after that saying he can still teach me and we can practice driving together, but I didn't respond. Instead, I went to the driving school's website, cancelled the package, and rang up their receptionist to con1plain.

I told her that he was the one who had planned all the lessons and that he had fooled n1e, saying initially that I'm doing well and then in the last class telling me J'm not ready. I wanted a refund. She said I should've brought it up sooner. Before J even got to the part about his sexual harassment, she hung up.

Now, I am down $710, still haven't taken the test, and J've had this terrible experience. The thought of this whole

experience alone makes my stomach turn.

At one point, I told him frankly that he's a male chauvinist pig because he made some bad remarks about women.

And you know what? He agreed. Actually, he felt proud after I called him that, he shamelessly wore it like a badge.

Anyway, that's the story. l know I was at fault. I should have raised the flag much earlier. But J was in a desperate situation, I'm still in the situation. If I fail the test and have to start all over again, it would be unbearable. Spending all that money and getting nothing out of it except for disrespect was the worst experience.

I haven't reported it to the police because l don't have the ti1ne, the resources or the mental strength to recount and relive what happened.

As told to Bageshri Savyasachi

*not her real name If you have experienced sexual assault or sexual harassment and feel you would like to speak to someone for support or information, 1800RESPECT (Phone: 1800 737 732) can provide counselling 24-hours a day, 7 days a week.

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F O R ET E L L

March 2021

BY M I NAL KHONA --------------------------------------Minal Khona has been reading tarot cards for the last two decades. She uses her intuition and connect with the cards mostly to help people.

I I I I I I I I I You focus on your material I possessions this month. A sale of property could happen but the deal I won't be completed for a while.

I Watch out for anxiety and a lack of I generosity of spirit when it comes to money. Logistics create obstacles in I long distance relationships. Finances I are good this month; but take care of your health, especially if it is a chronic 1 condition. Be honest with what you I need and meditate on what is really I important.

I I I I I I I I I I The Magician card signifies new I beginnings in several areas of your life I and a synergistic environment. Those due promotion may be given a leadership I for role as there is potential for career growth.

I Beware of being cheated in love, though I a new and very passionate love affair is on the anvil. You will be self-motivated I to go after your goals this month. Don't I let stress make you ill. Finances are top notch this month. You will soon be able to I manifest all that you wish for.

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I I I I I I I I I The Queen of Pentacles card drawn for I Taureans indicates a mature motherly figure. It also stands for Aquarians so I the home-loving, steadfast Taureans I could find themselves going a little I wild this month which is not a bad thing. Those looking to start a family I could get pregnant. Singles could I meet someone quite unique and the attraction will be mutual. A business I opportunity or job offer could come I your way. A pleasant trip is foreseen.

I Money comes in from multiple sources.

I I I I I I I I I I Virgos need to practice controlling their I emotions, especially for tense situations.

I Singles will be too busy to look for love I this month. Creative visualisation for outcomes you wish for are better than I illusions. If you like partying, be careful I not to binge on liquor or cigarettes. Drive cautiously. If unwell, a restful break is all I you need. Financially, it is a stable month.

I Extra information will make your work I easier. Don't let negative thoughts or your weaknesses cloud your achievements.

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I I I I I I I I I This month, Geminis will possibly put I love on the back burner and focus on the philosophical, the duality of life I and gaining knowledge. Someone I might share a secret with you. Women 1 should watch out for reproductive health problems. Business is slow but I gains momentum and you make profit.

I Everything that doesn't suit your higher purpose will move out of your life, and 1 you will have a renewed sense of self­ I worth. Changes at the subconscious I level will become obvious later.

I I I I I I I I I I The Queen of Hearts card indicates a Scorpio I kind of personality- emotional, intense and I secretive. The usually balanced Ubrans I could behave like Scorpios this month for that reason. You could meet the love of your I life if single. Tension, disagreements and I discord could spoil your peace at home or work. Travel plans get postponed. You could I veer into different areas at work given the I opportunity. Depression and emotional I stress could bog you down. A spiritual energy is increasingyour intuition; pay attention.

I

I I I I I I I I I For those of you single, a love affair or I marriage is indicated. An ex could return to your life. You choose to control your I emotions rather than express them I this month. You might get nostalgic I about the past but it doesn't serve any purpose. An unexpected career I opportunity could come your way; it will I motivate you further. Health issues and depression could bog you down. The 1 self-employed will make more money I than they expect to. Practice gratitude I for what you have.

I I I I I I I I I I While you take leaps of faith regarding I key decisions, the Fool card advises I caution. Trust your intuition but think things through as well. If you are the I sporty kind, watch your footing, as you I could have a fall. In a relationship, you I may still be in two minds about making a commitment. Any feelings of unease or I discontent are signs of spiritual growth;

1 I I I I I I I I I I I I I I I I

1 I I I I I I I I You need to see which old habit I patterns are holding you back from a better life. Whether it is new I relationships, a new lifestyle or thought I process, shed your old dogmas to live I fully. Let go of past bad relationships to have a more fulfilled one this time.

I O thers will validate your ideas at work I and it could lead to new opportunities.

Get all your paperwork in order. A new I job offer could come your way. Health I improves and so do your finances.

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The Chariot card signifies the need for balance in one's life, holding mental and emotional energies together as your higher self becomes the charioteer, guiding you on your journey. This card usually stands for spiritual growth so expect a lot of letting go to happen this month. You will walk away from unpleasant situations. Slow down to avoid falling ill. If there are obstacles, persevere for best results. An opportunity for a home business could come your way.

NATIONAL EDITION

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I pay attention. Money held up will come to I Let go of whatever doesn't serve your I you.

I higher purpose.

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I I The Emperor card stands for authority I and power; Aquarians could do well to realise their own power and ability. At I work, contracts and other related issues I keep you busy. A person or circumstance I will uplift your spirits and lay a new foundation for the future. Teeth may I need attention; and the health of a family I member worries you. Your financial situation will also improve and close I friends are more supportive than usual. A I new line of work is also indicated.

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I I I The prince of pentacles stands for I I Capricorn so the dreamy and idealistic I Pisceans could take practical decisions this I month. You look for financial security even I I

I I I I I

as you stoke your ambi tions to rise in your career. You behave responsibly during a conflict in your relationship; it could win you brownie points later. At work, an incident or person will improve your mood. Health problems in the throat and ears indicate you need to be more communicative listen better and speak out.

MARCH 2021 35

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Indian-origin actress Simone Ashley joins the cast of Bridgerton: Here's why it matters BY RHEA L NATH ven as the last episode of Netflix's Bridgerton wrapped up, the show's devoted, insatiable viewers were already hitting social media to demand more. In an exciting turn of events, it was announced that their highly anticipated second season will include Indian-origin actress Simone Ashley in a pivotal role.

After years of having to claim Apu as the token Indian character until names like Hasan Minhaj. Lilly Singh, and Mindy Kaling came along, Indians can rest easy knowing that pop culture is slowly headed the right way. Seeing South Asian representation on a global streaming platform is thrilling news - and it's more affirming that it will be on one of Netflix's biggest shows of all tin1e.

The fact is, people of colour have existed throughout history, especially in Regency­ era London, given old ties with the British Empire. Bridgerton has broken the mould in favouring representation over authenticity, unlike its period dramas counterparts, and when Season 2 releases, fans will get to happily suspend their disbelief, if only for a short while, to watch Simone Ashley as the

fiery Kate Sharma among London's ton.

(A darker-skinned woman romancing the Viscount Anthony Bridgerton? Now that's enough to make anyone sit up.)

With all these developments, it's clear that production houses are starting to note the success, both critical and commercial, in translating our multicultural world to the big screen.

Still, it wasn't until this past year with Never Have I Ever's Devi Vishwakumar (Maitreyi Ramakrishnan) that we saw a South Asian girl as the protagonist of a mainstream show. Last month, comedian Abby Govindan even convinced the Twitterverse that Golden Globe nominated series Emily in Paris was "originally about an Indian girl" but was rejected by network executives. The tweet garnered over 800 comments before it came to light that it was just a prank.

But consider this: why did we fall for it?

Fact is, Indians were the world's largest diaspora in 2020, with about 18 million people born there now living abroad. To depict them now as taxi d1·ivers, convenience store workers, and characters with thick cliched accents, would not only be factually incorrect, it just wouldn't stick.

Thankfully, there's been a marked shift in the 21st century. We might still see the occasional South Asian stereotype (think taxi driver Ranjil in How I 1\tlet Your Mother) but they're slowly outweighed by more realistic depictions. Just look at New Girl's Cecelia Parekh (Hannah Simone) and Neighbours' Dipi Rebecchi (Sharon Johal), who are of Indian origin, but it's not their entire identity.

When these characters feel like real people who have opinions, flaws, world views, and an existence outside of their cultural background, they have the amazing

capacity to question what others deem 'being Indian' to be.

Within the entertainment industry, this can mean more meaningful contributions from South Asian actors, directors, writers, f and all other creative staf who get to translate their reality onscreen. (In Master of None, an entire episode was devoted to Aziz Ansari's character Dev, an actor by profession, who refuses to put on an accent in an audition - and subsequently doesn't get the part.)

Diversity in the media is especially crucial in the case of children, who've been exposed to typecast characters for far too long. For first generation immigrants, who continue to grapple with where they are and the culture they come from, normalising the Indian diaspora onscreen can make all the difference.

(As for depictions of India in popular culture... well, that's another conversation in its own right.)

At this stage, it's fair to say that we've got a seat at the table - what are we doing about it?

MAT R I M O N IALS

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SEEKING GROOMS

SEEKING BRIDES

Seeking a professionally qualified match, teetotaller with a good family background, preferably Australian ci tizen or PR holder, for highly qualified career-oriented Brahmin girl 35, 5'2", vegetarian with good family background, working and well settled in Sydney. Please contact aussyd08@gmail.com

Seeking a suitable match for 45-year-old Sikh Khatri man, divorced, no children, setf­ employed, currently on bridging Visa. Preferred Australian PR/citizen girl. Contact 0422812939 or email jas_ghai01@hotmail.com

Looking for a well-settled match (professional or businessman) for a Hindu Khatri girl, currently pursuing Master's degree in Australia (completion before December 2021). 35 years, 5'2", never married, fair complexion, beautiful, slim. Email biodata and pictures to narayan.matrimonial@gmail.com

36 MARCH 2021

Seeking suitable girl for Sydney-based Australian citizen Hindu Brahmin(raised in Australia), Sep '88 born, height 5'7", Bachelor of Engg Biolnformatics, Masters in Public Health, working as analyst in government department. ID 20013.

Please contact Soulmate Matrimonial: Preeti Kothari +61 404316288 I Heena Kajaria +61 416787526

INDIAN LINK SOCIAL MEDIA www.indianlink.com.au

I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I

YOU QUIT. YOU WIN. For tips from real ex-smokers visit

NATIONAL EDITION

iCanQuif .com.au

MARCH 2021 37

BAC KC HAT Do you have a question for Auntyji?

Email: info@indianlink.com.au

-------------------------------About Kareena Kapoor's ba by...

DEAR AUNTYJI So everyone knows that Kareena has had her baby, and she still hasn't told the world the name of the child.

Auntyji. are you willing to hazard a guess on what the baby might be called? Considering she named Taimur after a famous warrior king. do you think she might choose Chanakya as the baby's name? Or what about Bahadur or Krishnadevaraya? I am very interested to hear what she calls the baby - and do you think there is a reason we have not seen pictures of the baby yet? Do you think there might be an issue? Also, do you think the Bub will have blue eyes like his brother?

AUNTYJI SAYS Arre, mere Kans mama, didn't you

read my perspective on this subject when Taimur was named 3 years ago?

Do you not remember. you Jahil from Jalandhar. that I said that what the Pataudis choose to call their progeny

38 MARCH 2021

is none of our business? It's been almost a decade - probably longer - that I have been trying to give you budtehzeeb log some education. some knowledge that there are some subjects that we should not even ponder or dwell on. Arre Raavan ke au/ad, did you ever stop to consider that there are so many more useful matters to turn your mind to? Have you ever thought about maybe helping the poor would be a good use of time?

If you are so keen on other people's babies. what about volunteering at your local play group or teaching a sport to youngsters? I suspect that your record probably prevents you from close contact with bachche log. Let's leave the Patuadis alone.

And whether the bachcha has neeli, hari, or kali ankhen. let's just send our blessings that he is healthy and the family is happy. Except you - no one wants your cursed aashirwad. Keep these for yourself.

---

... a nd Meghan Markle's i n-laws DEAR AUNTYJI Namaste Auntyji. OMG! The Harry­ Meghan saga is better than any ZeeTV shows I've seen. Such salacious details, nah? I always knew the royal family was racist. but to this extent. even I did not imagine. What do you think will be the consequences of this tamasha Auntyji. and even more important. do you think Harry and Meghan should have kept their dirty laundry to themselves?

Personally, I really like the Queen because she has been a constant for so long. I really loved Diana also. and I think the palace treated her very badly.

That Charles is just so uncaring, nah?

And even after getting married to that home wrecker Camilla he didn't learn love - otherwise he would have been a better father to Harry and William. I have been watching this whole event closely and would love to know your thoughts.

AUNTYJI SAYS You know, we are still in the midst of a

pandemic. and I really was hoping that people would have learnt to become more reflective. more compassionate and more understanding during this time.

Lekhin nah. hearing from you is saboot

ki duniya mein abhi bhi bahut saare jahil log rehete hai. Tell me this, my nirlaj - why do you care so much about

the British royals?

Your interest in what Harry and Meghan do should be directly proportional to their level of care toward you as you mindlessly and blindly go about your day. The British royals exist to fundamentally remind us of one uncomfortable truth that not all people are born equal. Due to the fact of being born royal. they have access to privileges, resources and rights that the rest of us don't.

Endorsing the royals is essentially rejecting the premise that all people are born equal. So why don't you unlock the darwaza of your mind and ponder this perspective for a heartbeat. Kalmouhi.

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Australia's COVID-19 Vaccination Program

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COVI D-19 vacci nes will keep Australia safe and protect our way of l ife. The people most at risk of serious i l l ness and those most l i kely to be exposed to the virus i n our com m u n ities will be vaccinated first, including :

• Quarantine and border workers • Frontline health care, disability and aged care workers • People l iving in aged and disability care accommodation

Vacci nation offers the best p rotection from COV I D-19, but it's also i m portant we a l l continue to rema i n COVI DSafe.

To find out when it's your turn, visit australia.gov.au or call the National coronavirus and COVID-19 vaccine helpline 1800 020 080.

For translating and i nterpreting services call 131 450.

BE COV I DSAFE

Safe. Effective. Free.

Australian Government Authorised by the Australian Government, Canberra.

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MARCH 2021 39

40 MARCH 2021

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