PLAYING THE MARKET

Australians value freedom of expression but laws against hate

A flourishing society also requires more than just freedom of speech; it requires security, stability, a just legal system and a vibrant economy.

the mentor and the protegee together. Saif and the very fine and confident debutant Rohan Mehra just don’t have enough scenes together. In fact Rohan builds a better bond with Saif’s screenwife Chitrangda Singh in just one scene where the teary-eyed protegee tells his mentor’s wife that sometimes you just need to give the one you love a tight slap. The written word seldom gets to be conveyed with such unvarnished directness in commercial Hindi cinema where everyone either talks florid or over-casual.

That is why freedom of speech is not absolute. In this country, it is criminal to disclose secrets which risk the lives of Australian soldiers. It is likewise a crime for a corporate executive to disclose market sensitive information to his mates. The law protects us from slander and protects privileged comments made to our lawyers.

In Baazaar the emotions are tightly reined-in as caustic vitriolic conversations are let loose with not a care about who’s eavesdropping.

However, the treatment of the Aboriginal peoples in this country stands as a chilling reminder that tolerance has not always been embraced. The Cronulla riots similarly reminds us how quickly what we have achieved can be put at risk.

The proposed amendments to Racial Discrimination Act were put forward on the basis that the current wording of Section 18C inappropriately constrains our freedom of speech.

him - a very dangerous ambition to have. And who knows this better than Rizwan’s wife Chitrangda Singh, who in a role severely conscripted by the plot’s bristling sinewiness, manages to find her redemptive moment in the grand finale.

There is no redemption for Shakun. He is showman a ball of fire hurling down an abyss, and enjoying every moment of it. The film takes great pride in being clued into the inside workings of the stock market. Yet it never lets the tone of know-all self-congratulation come in the way of telling us the story of ‘When Shakun Met Rohan’.

That section makes it unlawful to do an act in public which “is reasonably likely… to offend, insult, humiliate or intimidate another person or a group of people” if “the act is done because of the race, colour or national or ethnic origin of the other person”.

My quibble with the rivetting script (Nikhil Advani, Parvez Sheikh, Aseem Arora) is that it takes its time in bringing

There is no doubt that freedom of speech is important but it is important because of the role it plays in our democracy. Freedom of speech ensures that when you or I go to the ballot box we can make an informed decision about who to vote for.

As a society, we recognise that these restrictions do not hurt our democracy or way of life. Indeed, we understand that they are necessary to maintain it. And laws against hate speech are no less necessary, because racism and bigotry tear at the heart of our social fabric.

My favourite line, and the one that says it all about Shakun Kothari, is the one in the run-down Gujarati bhojanalaiya. “You think I come here because I love the food? No, the food is terrible! But it helps me never forget where I came from.”

The brilliance of the line is never forgotten in a morality tale that never pushes its righteousness into our face. In fact I suspect the very assured debutant director Gauravv K. Chawla actually enjoys his grey protagonist’s amorality.

Saif’s blustering warmth keeps Shakun Kothari from falling apart even when the stakes are heavily weighed against him.

Racism and bigotry leave people feeling exiled in their own home. They do not improve the quality of public debate nor do they assist the wise completion of a ballot paper. They are insidious because they attack a person because of their identity; their heritage. They imply that a person is inferior because of who they are. They are hurtful, divisive and can lead to individuals and entire communities feeling unwanted, unvalued and second-class.

While some of the other supporting performances just don’t match upthe ever-brilliant Manish Choudhary struggles in an underwritten role; Radhika Apte as Rizwan’s go-getting colleague makes space for herself. In a way she tokenizes the film’s morality. In today’s times you have to push your way into attention.

As a society, we recognise that restrictions on free speech do not hurt our democracy or way of life. Indeed, we understand they are necessary to maintain it. And laws against hate speech are no less necessary, because racism and bigotry tear at the heart of our social fabric