EMOTIONALLY ENGAGING

Secret Superstar

STARRING: Zaira Wasim, Meher Vij, Aamir Khan, Raj Arjun, Harsh Jha, Kabir Sajid, Aryan Ashik, Farrokh Jaffer, Manuj Sharma and Tirth Sharma

DIRECTOR: Advait Chandan HHHHH

What one likes about Aamir Khan is that, with every act of his, he transcends as an actor. He surprises you by eerily getting into the skin of the character. With his various unconventional get-ups and demeanour, he makes you believe that he is the character he plays. And that too convincingly.

In Secret Superstar, with highlighted hair, stylized beard and a flamboyant getup, he depicts an out-of-luck music director, Shakti Kumaarr who is looking for a muse to revive his failing career. His performance is surely outstanding and entertaining.

His character takes a backseat in the narrative, but he is prominent. And the film is not about him.

Borrowing heavily from the 2015 released indie American film Rock the Kasbah, this film is smartly remodelled with cultural relevance into a melodramatic mother-daughter relationship tale.

Narrated in a simple, old-fashioned, heartfelt manner, you expect the story to be that of an ambitious young girl pining to be a superstar at a reality contest. But instead what you get is a clichéd yet sublime story of a prodigy and the bond she shares with her mother.

Insiya is like any other teenager living in a middle-class locality of Vadodara, with a supportive mother Najma, loving brother (Kabir Sajid), an old relative and an abusive father. She dreams of becoming a famous singer, but the environment in her house is vitiated by the domestic abuse inflicted by her father. How she struggles to overcome her problems with the help of her school friend Chintan Parikh and the crass music director (Aamir Khan) to live a life on her terms, forms the crux of the tale.

Director Advait Chandan’s writing is brilliant. The script is taut and focused. The screenplay has the right combination of light and poignant moments. The characters are well-etched and the dialogues are excellent, packed with wit and sentiments which are well portrayed by the ace cast. Naturally then, this keeps you glued to the screen.

The metaphors in the dialogues too, are fresh and apt, especially when Aamir compares the effervescence of the soda to the rise of the prodigy. Or when the mother and daughter are arguing and comparing opportunities with the train on the platform and planning of the journey.

All the actors are natural and effortless. With a gamut of emotions, Zaira Wasim as Insiya is earnest and adorable. She is brilliant when she sulks with her classmate Chintan or reasons with her mother, “What is the use of getting up in the morning and not try fulfilling the dream that you saw during the night?”

Meher Vij as Najma, the loving mother and an insecure wife, is equally sincere and arresting. She portrays the silent pain with ease. Balancing her part is Raj Arjun as the oppressive father and husband. He is potent and effective.

Parineeti Chopra playing a ghost looks lost and ill-at-ease. Maybe she took her ‘spirited’ role too seriously.

As for Tabu, as she grapples to make sense of her presence in this dull and pointless energizer, she almost looks like she was waiting for Gulzar to rescue her from a predicament worse than death.

Indeed, if there is a real hero in Golmaal Again, it is Nana Patekar who not only appears as a leading leitmotif in the ghost roast, he also makes a guest appearance in voice and person in several scenes that are in dire need of spicing up.

A bewildering blandness runs through this instalment of the Golmaal franchise. Not that there is any dearth of activity and counter-activity. The camera and the background score (which includes a refrain from Lata Mangeshkar’s immortal Kahin deep jale kahin dil, no less) are constantly on the prowl. But in vain, it’s like hunting for paper tigers in an artificial jungle.

Everything about Golmaal Again is compromised and corrupted. Every character speaks his lines with a growing hopelessness. One whole gag involves characters driving up to Devgan to ask what he’s doing standing there.

Waiting for the script to finally show up, perhaps?

Subhash K. Jha

Farrokh Jaffer as the old relative living with the family and Mona Ambegaonkar as a lawyer have their moments of onscreen glory.

Technically, the film is well-mounted and the music adds an additional flavour to the narrative. The lyrics and the pitch of the songs hit the right chords. Main kaun hoon and the other one with the lyrics Meri pyari ammi jo hain dedicated to mothers, go well with the flow of the narrative and the snazzy last number which runs through the end credits reemphasises Aamir’s character.

Overall, Secret Superstar has an old film charm that is simply remarkable.

Troy Ribeiro

Jia Aur Jia

STARRING: Richa Chadha, Kalki

Koechlin and Arslan Goni

DIRECTOR: Howard Rosemeyer

HHHHH

Why should boys have all the fun?

Just the sheer pleasure of watching two of our feistiest actresses in a road movie set in Sweden is enough of a kickback to sail through what is at best a girl-bonding flick with plenty of perk and pizzazz, thanks to the crackling