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name) does not know what that words means. It is this innocence regarding her destiny and her determination to do the right thing in life that makes Kirti so memorable as Indu Sarkar - a woman, a wife, a rebel and an underground activist who does what she does because, well, someone has to stand up and speak against injustice during the time of political gagging so massive that India became Indira.

That Indu stammers serves as a desperately need to see her in more such epoch-de ning parts.

Most of the way, Bhandarkar retains a tight hold over the proceedings. He goes easy on the periodicity using Lata Mangeshkar songs like Jhooth bole kauva kaate, Yeh samaa saama hai yeh pyar ka and Jaa re jaa ho harjayee to de ne the time-line. That apart, the telltale Dalda dabba on Indu’s kitchen shelf does the rest.

The lm is shot by Japanese