A village of wackos

Imagine if Shah Rukh Khan left his posh job at NASA in Swades and returned to a village filled with escapees from a lunatic asylum - you have the basic plot structure of Shirish Kunder’s Joker, a film as crazy in intent as its characters make the proceedings appear to be.

The film is fun to watch when it isn’t trying to be too clever for words, or when it isn’t tripping over with its tongue-in-cheek smart-ass humour. The characters are uniformly self-deprecating. Some of the material connected to an outsider helping set a scrambled village in order through mirthful masquerade echoes Farah Khan’s Tees Maar Khan, though this time Akshay Kumar plays a far more ‘serious’ character. He doesn’t even have a romantic duet with his co-star Sonakshi!

I wonder why Akshay Kumar chose to distance himself from this film! He has done much worse comedies in his career. Crass, loud, inane, repetitive and unfunny ones. Joker is none of these. The humour is never below-the-belt.

Its big uSP is its audacious originality. A village named Pagalpur that has been wiped off the Indian map during the British Raj, a scientist-hero who is trying to make contact with aliens, a heroine who has nothing to do except stand attentively listening to her live-in partner’s crazy schemes to bring aliens down to earth, and a village filled with crazy maladjusted anachronistic oddballs for whom the clock stopped ticking 50 years agothese populate Kunder’s kookie kingdom.

Welcome to blunderland!

There is an arresting sense of frozen farce in the proceedings. The characters are so silly they end up being distant avatars of the zonked-out villagers in Farah Khan’s Tees Maar Khan in a rom-com about two overthe-hill Parsis, one of whom sells lingerie and meets the woman of his dreams when she comes to buy a brassiere. amok with an antique gun threatening to kill anyone who comes in his way. He doesn’t make much sense in the scheme of the plot. But then, what makes sense in life other than the senselessness that we see all around us?

The spoofy ambience is painted in believable shades. The film is shot in interesting shades of iodized sepia which creates a sense of fading flamboyance in a location where the characters have lost their sense of time.

Beneath the veneer of joviality the film has a serious message on the malnourished state of rural India.

Politicians are shown to be so conniving and caricatural, they seem real! Likewise the ‘aliens’, actually villagers dressed in pumpkins and other fruits to attract outside attention, are so clumsy they look more aliens than real aliens.

Peepli Live gone berserk, Joker is funnier and less vulgar than a lot of the over-the-top situational comedies that rely on double meanings, cleavages and gay-bashing to tease titters out of a comatose script. Not everything in Joker works. Some of the material echoes the calibrated linear movements of a televidio serial with our hero Agastya aka Sattoo moving from one place to another with the villagers in tow. yet setting aside the aimlessness, the film gradually builds to a moderate momentum where we don’t need to feel cheated by a story that splits the comedy genre wide open without fracturing the farce. The jokes hold up.

Sehgal doesn’t try to make sense of the chaos. She flows with the chaos seeking laughter in the eccentricity. Hence when an old Parsi gentleman constantly writes love notes to Indira Gandhi, you know he has lost it. And you smile, because eccentricity is a pre-condition

Laughter designed on innerwear can never fail. Luckily, the film goes beyond innerwear and seeks a place in one’s heart. The director emerges with some truly heartwarming moments between Boman and Farah. The debutante director has carved an endearing relationship between the unlikely couple. The romance is embellished with charming little incidents that add beautifully to the pacy perky pastiche of Parsi proceedings. And if Boman is confidently in character as a 45-year-old who surprises himself by finding love, Farah is no less confident. Is this really her first film?

Subhash K. jha

FILM: Shirin Farhad Ki

Toh Nikal Padi

CAST: Boman irani, Farah Khan

DIRECTOR: Bela Bhansali Sehgal

And so do some of the performances. Shreyas Talpade as a gibberish-mouthing villager who gets all weak kneed in front of journalist Minissha Lamba, steals every scene from Akshay Kumay whenever they are together.

Could this be the real reason why our Rowdy Kumar decided to distance himself from this film? Like it or not Joker is a masterpiece compared with Akshay Kumar’s Blue or Thank You

Flawed? yes. Seriously so, specially in its failure to pin the aliens’ theme down to a manageable streamlined structure. That apart, Joker is an utterly original parable on rural development, done with lots of colour, vibrancy, attitude, gusto and giggles.

Subhash K.jha

FILM: Joker

CAST: Akshay Kumar, Sonakshi Sinha

DIRECTOR: Shirish Kunder