Issuu

INDIANA REPERTORY THEATRE

presented by

by Ins Choi directed by cara hinh

OCTOBER 20 - NOVEMBER 15 Artwork design by Jake Lebowitz

2026-2027 SEASON

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C-38663 07/07/26

Stories that connect us At OneAmerica Financial, we believe strong communities are built through meaningful connections and shared experiences. That’s why we’re proud to support the Indiana Repertory Theatre and its commitment to bringing people together through the power of storytelling. The arts challenge us to think differently, deepen our understanding of one another and inspire new possibilities.

Scott Davison Chairman, President and CEO

C-38662 07/13/26

We proudly support the Indiana Repertory Theatre’s mission to produce plays for an inclusive community.

Frost Brown Todd is now FBT Gibbons. Built on over a century of service. Focused on what’s next.

fbtgibbons.com | @fbtgibbons

Together, both organizations are committed to inclusion, diversity, equity and belonging.

WELCOMING THE WHOLE COMMUNITY We strive to celebrate and serve the diverse people and cultures that make up our whole community. The IRT is committed to creating and maintaining a theatre that is inclusive, safe, respectful, and accessible. Whether you have been coming for years or are here for the first time, welcome to your Theatre!

MISSION Rooted in the heart of Indiana, Indiana Repertory Theatre is committed to building a vital, vibrant, and informed community through the transformational power of live theatre. The Indiana Repertory Theatre produces inclusive, top-quality, professional theatre and community programming to engage, surprise, challenge, and entertain members of the whole community.

VISION The Indiana Repertory Theatre will welcome the whole community, becoming a place of belonging for an ever-expanding audience of all ages and backgrounds seeking meaningful and enjoyable experiences. Using theatre as a springboard for both personal reflection and community discussion, our productions and programs will inspire our neighbors to learn about themselves and others. As the largest nonprofit theatre in the state of Indiana, IRT’s goal is to help make Indiana a dynamic home of cultural expression, economic vitality, and a diverse and engaged citizenry.

LAND AND BUILDING ACKNOWLEDGEMENT

MORE ABOUT

THE IRT

CONTENTS 3........................................ Mission and Values 3...............Land & Building Acknowledgment 4......................................... Board of Directors 5......................................................Leadership 6................................................................Staff 10.......................................Kim's Convenience 14......................... Bios for Kim's Convenience 22................................................Donor Listing

CONTACT US irtlive.com Ticket Office: 317.625.5252 Admin Offices: 317.635.5277 PHOTO POLICY Photography of the set without actors and with proper credit to the scenic and lighting designers is permitted. Due to union agreements, photography, video, and audio recording are not permitted during the performance. The videotaping of productions is a violation of United States Copyright Law and an actionable Federal Offense.

As we work to create an inclusive and welcoming theatre, we must consider the many legacies of displacement, migration, violence, and settlement that bring us together at our Theatre. What we now call central Indiana is on the ancestral lands of many indigenous peoples, including the Miami, Piankashaw, Wea, Potawatomi, Kickapoo, Delaware, and Shawnee. We pay respect to their elders, both past and present. The Indiana Theatre, where we now produce, was originally built as a segregated movie house in the 1920s. While many of us do not recall this time, the history of that segregation must be named as we invite our whole community into our theatre.

AS AN INSTITUTION WE VALUE SUSTAINING A PROFESSIONAL, RESPECTFUL, INCLUSIVE, & CREATIVE ATMOSPHERE INCLUSION & BELONGING PRUDENT STEWARDSHIP OF OUR RESOURCES

BOARD OF DIRECTORS Welcome to the Indiana Repertory Theatre! We are delighted to have you with us for our 54th season. This year promises moments of laughter, reflection, and stirring music, and we are thrilled to share it with you. In a busy world, your choice to spend time with us—and invest in live theatre—means so much. Thank you for purchasing a ticket and supporting the IRT. If you enjoy today’s performance, bring a friend next time! And if you are not already a season ticket member, we invite you to join our theatre family. Consider exploring our ticket packages or becoming a member of our Repertory Society to deepen your connection to the IRT. Great art takes both enthusiastic artists and committed patrons. Thanks to you, it all comes to life.

Enjoy the show!

JILL LACY BOARD CHAIR

OFFICERS CHAIR Jill Lacy

SECRETARY Pat Gamble-Moore

VICE CHAIR & CHAIR ELECT Joy Kleinmaier

TREASURER Troy Farmer

The Lacy Foundation

IMMEDIATE PAST CHAIR Andrew Michie*

PNC

The Heritage Group

Forvis Mazars

Healthcare Executive

MEMBERS Brad Briney

Julie Goodman

Sarah Jenkins

Mary E. Phillips

Dr. Virginia Caine

Michael Gottschlich

Matt Jones

Ana Pinto-Alexander

Ricardo L. Guimarães

Andrew McGuire

Barath Raman

Alice Morical

Peter N. Reist

Tim Oliver

Myra Selby

Damon Palmer

Darshan Shah

Old National Bank Marion County Public Health Department

Megan Carrico

Indianapolis International Airport (IND)

Sujata Chugh

Quarles & Brady LLP

F. Brooke Dunn

Faegre Drinker LLP

Tom Froehle*

Indiana University

Ashley Garry

Allison Transmission

The Cabaret

Barnes & Thornburg

Indiana University Kelley School of Business

Carrie Hagovsky Fifth Third Bank

Tiffany Hanson Morales Group

Rebecca Hutton

Leadership Indianapolis

Lauren James

Mitch Daniels Leadership Foundation

Taft Law

KPMG LLP

OneAmerica Financial Faegre Drinker LLP German American Bank Corteva Agriscience

Nicholas C. Pappas FBT Gibbons

Capital Group

HKS Inc. (Retired)

Lewis Wagner, LLP Oxford Financial Group, Ltd. Ice Miller LLP CEOs of Indiana Corporate Partnership

Amy Waggoner

Rita Patel

Salesforce, Inc.

Michael Moriarty Richard O. Morris*^ Jane Schlegel* Wayne Schmidt^ Jerry Semler*^ Mark Shaffer* Jack Shaw*

Mike Simmons William E. Smith III* Eugene R. Tempel* L. Alan Whaley David Whitman*

Jane Pauley Health Center

BOARD EMERITUS Robert Anker*^ Rollin Dick^ Berkley Duck* Dale Duncan* James W. Freeman Nadine Givens* Michael Lee Gradison*^ 4

Mike Harrington* Margie Herald^ David Klapper David Kleiman* Sarah Lechleiter E. Kirk McKinney Jr.^ Alan Mills

* Past Board Chairs ^ In Memoriam

IRT LEADERSHIP BENJAMIN HANNA

SUZANNE SWEENEY

Ben is in his fourth season as IRT’s Margot Lacy Eccles Artistic Director, following six years as the company’s Associate Artistic Director. At IRT he has directed The Play That Goes Wrong, Little Shop of Horrors, Clue, Fahrenheit 451, The Book Club Play, A Christmas Carol, and Elephant & Piggie’s “We Are in a Play!,” among others. This season he directs The Da Vinci Code.

Suzanne is a 28-year veteran of the IRT and leads with Benjamin Hanna as co-CEO of the company, where she oversees its administrative functions. During her tenure, the IRT has raised $20 million for its Front and Center campaign and another $5 million for the renaming of the Upperstage Theatre to the Janet Allen Stage, renovated the Upperstage Lobby and restrooms as well as the Artistic Administration offices, and secured a long-term lease for the building with the City of Indianapolis.

Margot Lacy Eccles Artistic Director

As a director, educator, and community engagement specialist, Ben is guided by the belief that access to high-quality theatre helps build creative, empathetic people and healthy communities. Across his career, he has focused on building the next generation of artists and audiences by creating and advocating for multigenerational, multicultural, and family-oriented programming. Prior to his role at IRT, he spent five years at Berkeley Repertory Theatre and directed shows at the Bay Area Children’s Theatre. In his native Minnesota, he served on the education staff of Penumbra Theatre Company and was an artistic associate at Children’s Theatre Company. He is the recipient of the prestigious Theatre Communications Group Leadership University Award funded by the Andrew W. Mellon Foundation and is a graduate of the Stanley K. Lacy Leadership Program—Class XLVI. Ben holds a degree in theatre arts from the University of Minnesota Twin Cities. He fell in love with telling stories at the age of eleven at the Prairie Wind Players community theatre in rural Minnesota, and he continues to create for his favorite audience: his five nieces and nephews.

Managing Director

Suzanne was elected Treasurer of the National League of Resident Theatres, where she serves as a board member. She has been a three-time panelist for Shakespeare in American Communities in cooperation with Arts Midwest. She was the treasurer of Irish Fest for nine years, a member of the board of directors and treasurer of the Day Nursery Association (now Early Learning Indiana) for three years, and treasurer of IndyFringe. Suzanne is a graduate of the College of William & Mary and Indiana University. She has worked in finance in Washington, DC; Texas; Germany; Hawaii; and New Zealand. She is an alum of the Stanley K. Lacy Leadership Program (Class XXXI). She lives in Lockerbie and spends some of her downtime in Huntley, Illinois, with her partner, Todd Wiencek.

STAFF AND ASSOCIATES EXECUTIVE LEADERSHIP Benjamin Hanna

Margot Lacy Eccles Artistic Director

Suzanne Sweeney

COSTUME SHOP

INCLUSION

Wardrobe Assistant

Director of Inclusion & Community Partnerships

Bailey Lewis

Jocelyn Payne

MARKETING

Stitcher/First Hand

Managing Director

Rebecca Reyes

ADMINISTRATION Drew Kowalkowski

First Hand/Wardrobe Coordinator

Sarah Travis Patrice N. Trower

Jacob David Lang

Emma von Werder

Executive & Artistic Assistant

Megan Ebbeskotte

Costume Shop Manager

Audience Development Manager

Khaled Khlifi

Wardrobe Supervisor

Marketing Communications Manager

DEVELOPMENT

Associate Artistic Director

Development Systems

Brady Clark

Jessica Huang

Joe Gunn

Ben Jones

Nataly Lowder

Hillary Martin

Eric J. Olson

Becky Roeber

Haley Paulin

James Still Playwright-in-Residence Director of Production

Jack London Randy Nicolai Tara Parchman Robin Reid

Corporate Strategies, Senior Advisor/Consultant

Education Manager

Claire Wilcher

Education & Artistic Associate

Building Services Manager

Cedric Mitchell Crystal Rogers

Scenic Artist

PATRON SERVICES Katy Thompson House Manager

Grace Branam Stacy Brown Preston Dildine Henry Estes Dieter Finn Marilyn Hatcher Sarah James Tina Weaver

Carson Hambuchen

Courtney Plummer

Beth A. Nuzum

Chelsea Senibaldi

Senior Customer Service Representative Ticket Office Manager

Lighting Supervisor

Molly Wible Sweets

FINANCE ASSOCIATES External Auditors

Faegre Drinker Legal Counsel

FINANCE Jeffrey Bledsoe

Director of Finance

Jen Carpenter

Payroll & Benefits Specialist

Amanda Keen

Business Manager

Logan Kimm Alicia McClendon Madison Pickering Jeff Pigeon Phoebe Rodgers Kathy Sax Sam Stucky

Bartender

Lead Electrician

Crowe

Jim Schumacher

Aaron Burns

Lead Electrician

Mark Dehn

Assistant Charge Scenic Artist

Assistant House Managers

ELECTRICS

BUILDING SERVICES

Building Services Team

Steven Stolen

Anna E. Barnett

Toni Bader Paul Drew Edith McDonnel John Simmons

Jessica Carlson

Charge Scenic Artist

EDUCATION

AUDIO DESCRIBERS

Multimedia & Design Manager

Claire Dana

Development Operations Manager

ASL INTERPRETERS

Chuck Martin Tonika Miller

Associate Director of Development

Institutional Giving Manager

Production Coordinator

Noelani Langille

PAINT SHOP

Director of Development

Company Manager

Design & Communications Manager Director of Marketing & Sales

ARTISTIC cara hinh

Geneva Denney-Moore Danielle M. Dove

Draper

Director of General Management and Special Projects

Devon Ginn

Tessitura Administrator

Eric Wilburn

Senior Customer Service Representative

Raniyah Bannon Chloe Beard Ashlee Lancaster

Hayn McClurkin Cara Wilson

Customer Service Representatives

PRODUCTION Evangeline Bouw Lb Crash Clark Spencer Elliott Trevor Greenlee Lo Harter

Olive Kang-Innie Dwanye Lewis Samantha Lewis Amanda Rooksberry Kristin Wentz

PROPERTIES SHOP Rachelle Martin

Properties Shop Manager

Dan Tracy

Properties Shop Carpenter

Amanda Rooksberry Props Associate

SCENE SHOP Chris Fretts

Technical Director

Andrew Hastings Master Carpenter

Nick Kilgore

Assistant Technical Director

Eleanor Koch Carpenter

Samantha-Rae Oliver Operations Carpenter

Jacob Spencer

Stage Operations Supervisor

Mina Wendt Carpenter

SOUND & VIDEO JT Langdon

Audio & Video Technician

Madilyn O’Neal

Head of Audio & Video

Adam Sorley

Audio and Video Technician

STAGE MANAGEMENT Nathan Garrison Becky Roeber Erin Robson-Smith Stage Managers

Isabella Garza Trevor Greenlee Amanda Rooksberry Natalie Stigall Production Assistants

TELESERVICES Doug Sims

Groups Sales & Teleservices Manager

Jenny S. Lee and Austin Michael Young in Everyman Theatre’s 2026 production of Kim’s Convenience. Photo by Teresa Castracane Photography.

Love the Show? Join us with a Season Ticket Membership. Enjoy an array of benefits, including the best seating, pricing, and flexibility. You can apply your ticket purchase from The Da Vinci Code or Kim’s Convenience to a Signature Five or Build Your Own Three Membership.

· MEMBERSHIP BENEFITS · Best deal on pricing

25% off additional single tickets

Discounted valet

Trade tickets for a different production

(once per season)

SIGNATURE FIVE SERIES • Save up to 15% off single tickets • Choose your night and seat • Starts at $196 • Excludes Charles Dickens’ A Christmas Carol Michael Stewart Allen and Ema Zivkovic in the IRT’s 2025 production of The 39 Steps. Photo by Zach Rosing.

BUILD YOUR OWN THREE (BYO3) • Most flexible package • Save up to 10% off single tickets • Only $230 • Choose any three of our must-see shows—including Charles Dickens’ A Christmas Carol Landon Thompson, Hannah Embree, and Bets Malone in the IRT’s 2026 production of Come From Away. Photo by Zach Rosing.

NEED HELP BUILDING YOUR MEMBERSHIP? Book our BYO3 Family or Classics suggested line up, or choose your own adventure!

FAMILY MATTERS presented by

by Branden Jacobs-Jenkins directed by Tyrone Phillips

by Ins Choi directed by cara hinh

by Lauren Gunderson directed by Lauren Keating

OCT 20 - NOV 15

JAN 26 - FEB 21

FEB 16 - MAR 21

hilarious and heartwarming

prize-winning family drama

growing up, growing strong

THE CLASSICS co-presented by

presented by

adapted by Tom Haas directed by cara hinh

by Lauren Gunderson directed by Lauren Keating

based on a story and characters by Damon Runyon music and lyrics by Frank Loesser book by Jo Swerling and Abe Burrows directed by Lili-Anne Brown

NOV 14 - DEC 26

FEB 16 - MAR 21

APR 7 - MAY 9

Indy’s holiday tradition

growing up, growing strong

golden-age Broadway musical

IRTLIVE.COM/MEMBERSHIPS | 317.635.5252

by Ins Choi directed by cara hinh

SEASON SPONSOR

SETTING A convenience store in Toronto, Canda, 2012 APPROX. RUN TIME

SEASON PARTNER

1 hour and 30 minutes, with no intermission. REVIEWS Share your review on social media by tagging us @IRTLIVE, using #IRTLIVE, or by emailing REVIEWS@IRTLIVE.COM

PRESENTED BY

AFFILIATIONS The actors and stage managers in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

PREMIERE SUPPORTER

The scenic and lighting designers are represented by United Scenic Artists Local 829, IATSE. Indiana Repertory Theatre is a member of the League of Resident Theatres (LORT), a nationwide association of not-for- profit theatres.

Kim’s Convenience is a co-production with Everyman Theatre (Brandon Weinbrenner, Artistic Director; Marissa LaRose, Managing Director) and Portland Center Stage (Marissa Wolf, Artistic Director; Heather de Michele, Managing Director) KIM'S CONVENIENCE is presented by special arrangement with Samuel French, a Concord Theatricals company. www.concordtheatricals.com KIM'S CONVENIENCE was originally produced as part of the 2011 Toronto Fringe Festival. The premiere production of KIM'S CONVENIENCE was produced by Soulpepper Theatre Company, Toronto, ON. THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)'S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: https://concordtheatricals.com/resources/protecting-artists

BENJAMIN HANNA Margot Lacy Eccles Artistic Director

SUZANNE SWEENEY Managing Director

THE CAST (in alphabetical order)

Janet �� JENNY S. LEE Appa �� TONY K. NAM ´ TH PHAM Umma �� TUYÊT

Jung �� JAE WOO Rich/Alex/Mr. Lee/Mike �� AUSTIN MICHAEL YOUNG CREATIVE TEAM & PRODUCTION STAFF

Directed by �� CARA HINH Scenic Designer ��YOON BAE Costume Designer �� DAVID BURDICK Lighting Designer_ �� KAT C. ZHOU Sound Designer �� PHIL JOHNSON Wig Designer �� DENISE O'BRIEN Fights and Intimacy �� LEWIS SHAW Dialect Coach �� JOY LANCETA CORONEL Cultural Consultant �� SARAH SHIN Stage Manager �� LINDSAY EBERLY Production Assistant�� AMANDA ROOKSBERRY Associate Lighting Design �� JUAN M JUAREZ Assistant Scenic Designer��CASSANDRA TUAN

Jenny S. Lee and Tony K. Nam in Everyman Theatre’s 2026 production of Kim’s Convenience. Photo by Teresa Castracane Photography.

A NOTE FROM IRT'S JAMES STILL PLAYWRIGHT-IN-RESIDENCE,

JESSICA HUANG

Hi friends! I’m writing to you from Chicago, on our final day of rehearsal, as the fabulous design team at Timeline Theatre puts the finishing touches on The Birth of the Pill, my newest premiere. We open tomorrow. By the time you read this, this play, which I have been developing for seven years, will have oﬃcially met its audience. I am so nervous and so excited. Bringing a new play into being is an act of faith. And trust. And obsession. For me, new plays are born of insomnia. Coﬀee. Electrolytes. A strange diet of fruit, charcuterie and pickles. Reams of paper. Killed darlings. Late night phone calls. Tequila. Ink cartridges. Early morning phone calls. More reams of paper. The occasional revived darling. A team of trusted advisors. A company of adventurous actors. A very full recycling bin. Together we create something ephemeral and permanent. And then the day after opening, I go home, and the acting company begins the second half of their enterprise—building on the work we did in rehearsal, this time in collaboration with you, our beloved audience. But in this moment before the play’s birth, I feel connected across time and space—to the shared aspirations and anxieties and hopes of other writers in the moments as they near the end of their play’s incubation. I am imagining Ins Choi at the Toronto Fringe Festival, or at Soulpepper Theatre where he was an ensemble member, bringing the remarkable, funny, poignant Kim’s Convenience to life. As you watch his play today, imagine him watching the final light cues…. Imagine him—having also directed the production (how did he do it???) at the Toronto Fringe—offering final notes and adjustments. Imagine the cast (which ALSO included Ins—how did he DO it??) feverishly memorizing the final line changes. Imagine that moment when the play met its first audience, the moment the first time everyone knew how special it was. Making a play is hard. Making a new play is very hard. Making a new play about non-dominant culture, an unfamiliar story, that represents your community… is an act of faith. For me, fortunately, being a Playwright-in-Residence takes a bit of the guesswork out of the equation. Even with this process in Chicago, I’ve been so grateful to continue to have conversations with the artistic minds at IRT, and I’ve been able to consider this new play from the perspective of budgeting, season planning, marketing, education, etc. And speaking of connections, although the premiere and commission for The Birth of the Pill was in Chicago, I also developed it with IRT as part of New Plays Indy presented by The New Harmony Project in 2024. And the wonderful cara hinh, whose work you are about to enjoy, directed a developmental workshop of the play at the Playwrights’ Center in Minneapolis. So here on the eve of opening my new play, speaking across time and space to you, I am celebrating connection—to IRT, and to a new play that premiered in 2011, became a hit tv show and then part of the canon of Asian theater. What a blessing to be in community together. 12

FROM THE DIRECTOR "I am SUCH a Janet” was the first thought I had while reading through the script of Kim’s Convenience. And by that I mean; like a child who always fights with their dad about everything but in a fun and loving kind of way that may not always look fun and may actually involve a lot of screaming but it's because they both love each other and don’t know how to say it in a simple way? Because they both think that getting louder will make their point clearer to others? Because they are two sides of the same coin? Because they are both people who learned to be tough to make it in the world in the careers and lives that they chose? If that made complete sense (or no sense at all to you)—maybe you’ve got a bit of Janet in you too. Whenever anyone asks me, “why do you make art?” the answer always ends up being some kind of version of—for my dad, for my mom, for my sister, my friends...but, ultimately it always just boils down to this: I make art for my family. And by that, I mean, not for them to enjoy; rather, for us to be understood. I want a piece of art that will remind me to be grateful for the journeys that my recent and decadesaway ancestors made, giving up the lives they knew and understood to come to this country. I want a piece of art that will remind me that we all come from messy and complicated people. I want a piece of art that will remind us that the power of storytelling lies in specificity. In cultural details, we still find universality. I know that some of you in the audience may not come from an Asian Immigrant family where language, shame, and culture all clash and mix in the most beautiful ways, but I know that you come from your own messy and complicated people who all tried their best to live and love in the ways that they knew how. I am so proud to be from the people and places that made me who I am. My hope for everyone who sees this show is that after spending some time with the Kim family and the community they serve and love, you can share some of the lessons of care and compassion with your own neighbors. We all need each other to make it through. “Ok, see you!” cara hinh, Associate Artistic Director, and Director of Kim's Convenience 13

THE COMPANY JENNY S. LEE (she/her) | Janet Jenny is a Korean-American actor, director, & producer. Recent appearances include Silent Sky (Henrietta Leavitt), Wait Until Dark (Susan Hendrix), My Home on the Moon (Gigi), Recursion of a Moth (Chrys), The Hound of the Baskervilles (Watson), & Yellowface (Jane Krakowski). Regional collaborators include the Huntington Theatre, Speakeasy Stage, Central Square Theatre, Actors’ Shakespeare Project, Boston Playwrights’ Theatre, Lyric Stage Company, Greater Boston Stage Company, and more. She serves as Director of Artistic and Community Programming at CHUANG Stage, Boston’s Asian American theatre company. thejennyslee.com // IG: @_jennyslee_ TONY K. NAM | Appa Arena Stage: Exclusion, Akeelah and the Bee; Everyman Theater: Emma, Dawn, ‘Art’, Who’s Afraid of Virginia Woolf, And Then There Were None, A Midsummer Night’s Dream, The Book Club Play, Dial M for Murder, Sense and Sensibility, Murder on the Orient Express, Everything is Wonderful, Aubergine; Folger Theater: Romeo & Juliet, Much Ado About Nothing, Measure for Measure; Ford’s Theater: Our Town; Shakespeare Theatre: Othello, Pericles; Woolly Mammoth Theatre: Martha, Josie and the Chinese Elvis. St. Mary’s College of MD—BA, University of Washington—MFA. Everyman Theatre Resident Company Member. ´ TH PHAM (she/hers) | Umma Tuyêt ´ is a Helen Hayes Award-winning artist who has TUYÊT performed in over forty theatre productions at venues including Everyman Theatre, Centerstage, Arena Stage, Olney Theatre Center, Signature Theatre, Ford's, and The Kennedy Center. Her plays Dinner and Cake and Dawn premiered in 2022 and 2025. In 2023, she wrote and co-directed Generation Rise, produced by Ping Chong and Company, and her one-act play A Dozen Paper Tissue Roses premiered at The Gallery Players in Brooklyn in 2024. She is currently an associate artistic director at Everyman Theatre in Baltimore. JAE WOO (he/him) | Jung Jae is an actor based in New York City. Some of his theater credits include: My Man Kono (Pan Asian Repertory Theater), The Mousetrap & The King and I (Beef and Boards), The Chinese Lady (Central Square Theater/Chuang Stages), Diaspora! (New Repertory Theatre), Take Shape (A.R.T. New York/Broken Box Mime Theater), and Twelfth Night & A Midsummer Night's Dream (Shakespeare On the Sound). Jae is currently a company member of Broken Box Mime Theater. BFA, Boston University; MFA, Columbia University. jaebwoo.com

AUSTIN MICHAEL YOUNG (he/him) | Rich/Alex/Mr. Lee/Mike Austin is grateful to be making his debut at IRT. Regional credits include Fat Ham, Primary Trust, and The Brothers Size at Portland Center Stage. TV credits include Black Mirror and Tyler Perry's House of Payne. Austin is forever grateful for the constant love, support, and encouragement he receives from his family and friends, especially from his Mom and brother Tyler. IG: @austinmichealyoung

CARA HINH (they/she) | Director cara is very happy to be the Associate Artistic Director here at IRT. cara is a queer, fat, Viêt theatre maker and proud Hoosier. Select: Arena Stage, Ars Nova, Atlantic Theatre, Berkeley Rep, Breaking the Binary, Chuang Stage, Everyman Theatre, Hangar Theatre, Ma-Yi, MCC, The Movement, The New Harmony Project, Perseverance Theatre, The Playwrights Realm, The Sông Collective, Village Theatre, Working Theatre, and more. cara has been a Drama League Fellow, member of the '20–22 Roundabout Directors Group, an Apprentice at Actors Theatre of Louisville, SDC Directing Observer on Hadestown, and a Fellow at Baltimore Center Stage. carahinh.com YOON BAE (she/her) | Scenic Designer Yoon's credits include Don Giovanni (Welsh National Opera), Candide (Tokyo), Three Thousand Troubled Threads (Edinburgh International Festival), Picasso's Women (Off West End), Archipelago (world premiere), Running the Silk Road (Barbican Theatre), The Full Monty, and Closer (Seoul). As associate designer, Yoon worked on West End productions of Gone with the Wind, Equus, Birdsong, and Skellig. Award-winning designs include A Little Night Music, Disconnect, and The Importance of Being Earnest. She is an associate professor at UNCSA, a member of USA 829, Wingspace, SBTD, and Equity. yoonbae.com DAVID BURDICK (he/him) | Costume Designer REGIONAL—Everyman Theatre: Emma, Vanya and Sonia and Masha and Spike, Dawn, Deceived, The Piano Lesson, The Mystery of Irm Vep, And Then There Were None, POTUS, A Midsummer Night’s Dream, Dial M For Murder, Murder on the Orient Express, and over 25 more productions. Baltimore Center Stage: Amadeus, An Enemy of the People, The Rivals, Caroline or Change, Mrs. Warren’s Profession, and others. OFF-BROADWAY—59E59 Theaters: The Lucky Star. OPERA—Boston Lyric Opera: I Puritani. Cincinnati Opera: Don Gionvanni. Tulsa Opera: Tosca, Carmen, The Barber of Seville. KAT C. ZHOU | Lighting Designer Kat is an NYC-based lighting designer working primarily in theater, dance, and opera. OFF BROADWAY: The Loved Ones (Irish Repertory Theater), The Magic of Light (La MaMa), See What I Wanna See (Out of the Box Theatrics). REGIONAL: Guthrie Theater; Huntington Theatre Company; Cape Playhouse; Trinity Repertory Theatre; Oklahoma City Repertory Theater; Perseverance Theater. OPERA: White Snake Projects, Odyssey Opera, AMOC. DANCE: Ballet Rhode Island, BalletX. MFA in Lighting Design, Boston University; BA in Mathematics, Harvard College. More info: katzhoudesign.com, IG: @katczhoudesign PHIL JOHNSON | Sound Designer Phil is a theatrical producer and artist based in the Pacific Northwest. He currently serves as the Program Director for Coho Theatre in Portland, OR. Some of his favorite recent productions include Fat Ham, Appropriate (Seattle Rep); Clyde’s (Syracuse Stage); Primary Trust, The Importance of Being Earnest, Mrs. Harrison (Portland Center Stage); Hands Up (Red Door Project). Phil has a B.F.A. and M.A. from Ohio University. philjohnsondesignstheworld.com, @philjohnsonlive 15

THE COMPANY LINDSAY EBERLY (she/her) | Stage Manager Regional: Fourteen seasons at CATF including Best Line Wins, Side Effects May Include…, What Will Happen To All That Beauty?, The Overview Effect, Antonio’s Song, The Niceties, and others. Three seasons at Baltimore Center Stage including A Civil War Christmas and Amadeus. Recent Alien Abductions (ATL). Queens For A Year (Hartford Stage). The Porch on Windy Hill (MRT). Off-Broadway: Wish You Were Here (Playwrights Horizons). Prayer for the French Republic; Bella Bella (MTC). By The Way, Meet Vera Stark; Paradise Blue (Signature). Tell Hector I Miss Him (Atlantic).

ARTIST ENGAGEMENT SUPPORT We gratefully recognize the Repertory Society members listed below for honoring the exceptional artists and creative professionals who brought Kim's Convenience to life. This special giving opportunity is an exclusive benefit for members in the Artist, Director, Playwright, and Spotlight Circles.

THANK YOU TO THE FOLLOWING INDIVIDUALS FOR SUPPORTING OUR REMARKABLE ARTISTS!

GARY DENNEY & LOUISE BAKKER JILL & PETER LACY JOIN THE REPERTORY SOCIETY!

Being an Artist Engagement Supporter is one of the exclusive benefits of select circles in the Repertory Society. For more information about getting to know your Artists or joining, contact: Director of Development, Nataly Lowder at 317.916.4835 | nlowder@irtlive.com 16

THANK YOU

2026-2027 SEASON CORPORATE SPONSORS OPENING NIGHT SPONSORS

CORPORATE ENGAGEMENT & COMMUNITY AMBASSADOR SPONSOR

CHRISTEL DEHAAN STUDENT MATINEE SPONSORS

SEASON SUPPORTERS

THANK YOU

SEASON ARTIST ENGAGEMENT SUPPORTERS THANK YOU TO THESE GENEROUS INDIVIDUALS, WHOSE GIFTS CELEBRATE THESE ARTISTS AND BRING OUR STORIES TO LIFE!

BETSY DYKSTRA

ANDREW & AMY MICHIE

Season supporter of SUZANNE SWEENEY

Season supporter of BENJAMIN HANNA

Managing Director

Margot Lacy Eccles Artistic Director

SUSAN & CHARLIE GOLDEN Season supporter of ROB JOHANSEN

SARAH & JOHN LECHLEITER Season supporter of JESSICA HUANG James Still Playwright-in-Residence 17

EVERY DETAIL MATTERS. O N S TA G E A N D O N PA P E R .

PROUD SPONSOR OF

INDIANA REPERTORY THEATRE

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The primary mission of the foundation is to support charitable organizations that promote or preserve the Arts and Humanities and those that were supported by Mr. Clowes during his life or are similar to those supported by Mr. Clowes. The Allen Whitehill Clowes Charitable Foundation is proud to support the Indiana Repertory Theatre and its creative and engaging dramatic arts that enrich the lives of people in this city, region, and state.

LEVELS & BENEFITS

Pu bli c in d recog on niti or on list ing s Inv ita tio ns to exc lus ive Inv eve ita nts tio the n t Sea o th e son W eve elco nt me to *Dis cou nt on sin gle tick ets *Va let pa rki ng vou ch e Acc r(s ess ) lou to o ng ur sel es w excl f-s ith usi erv co ve e b mp don ar lim or Un an en

INDIVIDUAL GIVING

DONOR GUILDS 30% OFF

THEATRE GUILD | $300-$749

Programs and Website

(Limit 5 tickets)

DRAMA GUILD | $750-$1,999

Programs and Website

(Limit 5 tickets)

30% OFF

1 VOUCHER

THE REPERTORY SOCIETY 40% OFF

PATRON CIRCLE | $2,000-$3,999

Programs and Website

(Limit 10 tickets)

ARTIST CIRCLE | $4,000-$7,499

Programs and Website

(Limit 10 tickets)

DIRECTOR CIRCLE | $7,500-$14,999

Programs and Website

(Limit 15 tickets)

Programs PLAYWRIGHT CIRCLE | $15K-$24,999 and Website

(Limit 20 tickets)

Programs and Website

(Limit 20 tickets)

SPOTLIGHT CIRCLE | $25,000+

40% OFF 50% OFF 50% OFF 50% OFF

TODAY, WE’RE ASKING YOU TO JOIN US AS A FIRST-TIME DONOR AND HELP UNLOCK THE FULL $25,000 CHALLENGE. Your support will help launch a much-needed upgrade to the sound equipment in IRT’s OneAmerica Financial Stage. Since moving into our home in 1980, sound technology has advanced dramatically. Modern equipment will allow audiences to hear every word, every note, and every moment with greater clarity and connection. This challenge match will help initiate the first phase of a larger effort to modernize IRT’s Mainstage sound system. Reaching this goal will allow planning and implementation to begin, with improvements potentially beginning as early as Guys and Dolls in spring 2027. This investment will enhance the experience for all who attend IRT, including thousands of students who participate in our beloved Student Matinee Program each season. From first-time theatergoers to longtime subscribers, everyone deserves the best possible experience.

Be part of the next chapter at Indiana Repertory Theatre. Give today. Turn every $1 into $2.50. Help every story be heard.

Questions? Contact Nataly Lowder nlowder@irtlive.com | 317.916.4835 20

*Use of these benefits may reduce the tax-deductible value of your charitable gift

2 VOUCHERS 2 VOUCHERS

2 VOUCHERS 4 VOUCHERS

4 VOUCHERS 6 VOUCHERS

FOR THE COST OF...

THEATRE GUILD

25 =

PATRON CIRCLE

167 =

PER MONTH

Your favorite streaming service

PER MONTH

One date night

DRAMA GUILD

PER MONTH

62 = 50

ARTIST CIRCLE

333 = Your monthly coffee budget

Two tickets to a sporting event

PER MONTH

YOU CAN SET THE SCENE!

nli nd nt m sna ary c ks exc ited f ha eeng fre es e to tick IRT et Pe Pro rso du na ctio an l tic ns d p ke rio tin rity g a sta ssis tus tan An ce op wit portu h a nit rtis y to ts en ga ge Inv ita tio sea n t s on o a pre n ex vie clus w p ive Tic art ket y pro vouch du ers ctio to n(s a )o fy Tic ou ket r ch v oic o cha uc e rity her s of to you do r ch nate oic to e a Inv ita tio nt oa tec hr eh Exc ear lus sal i v cus e g tom ath ize erin d b gs en & efi Int ts im ate wit di h t nne he r f Art or t isti wo cD ire cto r

THE SUPPORTING CAST

INDIANA REPERTORY THEATRE DONORS WHAT IF YOU ONLY SAW HALF THE PLAY?

Ticket revenue covers just half of what it costs to produce world-class professional theatre at the Indiana Repertory Theatre. The IRT gratefully acknowledges the remarkable support we receive from our generous and committed donors whose contributions ensure that the show does go on!

REPERTORY SOCIETY

VIEW THE DONOR FULL LIST

—as of September 14 2026 ^Deceased

ANNUAL GIFT $2,000+

SPOTLIGHT CIRCLE | $25,000 + Colleen Kenney Ted Kleinmaier

Bruce & Noelle King Sarah & John Lechleiter

Janet K. Markham & Max D. Kime, Jr.

PLAYWRIGHT CIRCLE | $15,000 - $24,999 Bob & Toni Bader David & Jackie Barrett Scott & Lorraine Davison Cheri Dick The Michael Dinius & Jeannie Regan-Dinius Family Fund, a fund of the Indianapolis Foundation Nancy & Berkley Duck Betsy Dykstra Mary A. Findling & John C. Hurt

David & Ann Frick Tom & Jenny Froehle Future Keys Foundation Dr. and Mrs. Gregory & Erin Gaich Susan & Charlie Golden Mike & Judy Harrington Robert Hunchberger & Kathy Callahan Bill & Susie Macias Andrew & Amy Michie David & Leslie Morgan

Jackie Nytes Dr. Christine Phillips Marguerite K. Shepard, M.D. Catherine M. Turner John & Kathy Vahle Cheryl Gruber Waldman Dave Whitman & Donna Reynolds

DIRECTOR CIRCLE | $7,500 - $14,999 A.J. Allen Anonymous Joel Blum Gary Denney & Louise Bakker Dr. Cherryl Friedman Marta Gross & Richard M. Barnes John & Laura Ludwig

David & Robin Miner Kim & Weezie Morris Joan Perelman Mary & Noel Phillips Carol Phipps & Cliff Williams Paul Pickett & William A. Powell Ana Pinto-Alexander & Nelson Alexander

Drs. A. Eric Schultze & Marcia Kolvitz Jeff & Janet Stroebel Charles & Susan Taliercio Linda & James Wesley Dr. Christian Wolf & Elaine Holden Charitable Fund

ARTIST CIRCLE | $4,000 - $7,499 Katy & Tim Allen Todd A. Andritsch and Kelly Huibregtse Pat Anker Paul & Renee Cacchillo Don & Dolly Craft Julie & Jeff Eggert Dick & Brenda Freije Patricia Gamble-Moore Kathy & Gene Gentili Charles Goad & James Kincannon Ann Hinson Brenda Horn Drs. Meredith & Kathleen Hull

Daniel T. Jensen & Steven Follis Pegg & Mike Kennedy Jay & Carole Kirkpatrick David Kleiman & Susan Jacobs Joy Kleinmaier John & Susan Kline Kevin Krulewitch & Rosanne Ammirati Jill & Peter Lacy Edward & Ann M. Ledford Rob & Sara Norris Mr. Stephen Owen Sr. & Dr. Cheryl Torok Owen Jill Ann Panetta Ph.D. & Leo G. Bianchi Gail & William Plater

N. Clay & Amy McConkey Robbins Diane & Randy Rowland Tim & Karen Seiler Joe & Jill Tanner Gene & Mary Tempel Jeff & Benita Thomasson Lynne & Alex Timmermans Amy Waggoner Angela Walker & Patsy Henson Carol Weiss Bob & Dana Wilson

PATRON CIRCLE | $2,000 - $3,999 David & Mary Allen Janet Allen & Joel Grynheim Anonymous (4) Anonymous Fund of Hamilton County Community Foundation Trudy W. Banta Sheila Barton Bosron & Bill Bosron Daniel & Rita Blay Brad & Heidi Briney Victoria Broadie Sean & Jenifer Brown Kathy G. Cabello Megan & Drew Carrico Sujata Chugh Shaun Healy Clifford Alan & Linda Cohen Family Foundation Daniel & Catherine Cunningham Mike & Irene Curry Frank & Norah Deane Dr. Gregory Dedinsky & Dr. Cherri Hobgood Fred W. Dennerline Paul & Glenda Drew Dr. & Mrs. John & Sheryn Ellis Troy D. Farmer Drs. Richard & Rebecca Feldman Mary L. Forster, M.D. Eric & Hayley Frandsen Peter Furno & Pamela Steed Brian & Lorene Furrer Mr. Jim Gawne Dorothea & Philip Genetos Ron & Kathy Gifford Julie & Ed Goodman Michael & Suzanne Gottschlich John & Mary Ann Grogan Walter & Janet Gross Bill & Phyllis Groth Chad & Kelli Grothen Ricardo & Beatriz Guimarães Tom & Susie Hacker Emily F. (Cramer) Hancock

Benjamin Hanna & Marcus Calderon Don & Elizabeth Harmon Jeffrey Harrison The Hedges-Dillman Family X & S Hinh William & Patricia Hirsch Randy & Becky Horton Dr. Ronald & Mrs. Brenda Iacocca The Indianapolis Fellows Fund, a fund of The Indianapolis Foundation Colette Irwin-Knott & Gary Knott Sarah Jenkins Tom & Kathy Jenkins Anita & Henry Johnson Andrew & Brianna Johnson Mrs. Janet Johnson Denny & Judi Jones Matthew & Susan Jones Elisha Modisett Kemp Mary & Rick Kortokrax Dr. Michael & Molly Kraus Kurt & Judy Kroenke Dr. & Mrs. Alan Ladd James & Sara Lootens Nataly & Jonathan Lowder Barbara MacDougall Marlene & Bob Marchesani Kellie S. McCarthy Andrew & Abby McGuire Sharon R. Merriman Lawren Mills & Brad Rateike Michael D. Moriarty Stephen & Deanna Nash Mr. Carl Nelson & Dr. Loui Lord Nelson Tammie L Nelson & David McCaskill Adrian & Leslie Oleck Nick & Tracy Pappas Rita Patel & Suresh Mukherji Larry & Louise Paxton The Payne Family Foundation, a fund of CICF Bob & Kathi Postlethwait

Phil & Joyce Probst Scott Putney & Susan Sawyer Roger & Anna Radue Barath Raman Peter & Karen Reist Ken & Debra Renkens Karen & Dick Ristine Dr Cynthia Roberts-Greiner and John Roberts Jane Robison Chip & Jane Rutledge Paula F. Santa Jane W. Schlegel Robert & Alice Schloss Tom & Barbara Schoellkopf Mark & Gerri Shaffer Darshan & Rebecca Shah George & Mary Slenski The Michael L. Smith and Susan L. Smith Family Fund, a fund of Hamilton County Community Foundation Cheryl Sparks Edward & Susann Stahl Ed & Jane Stephenson Robert & Barbara Stevens Jim & Cheryl Strain Suzanne Sweeney & Todd Wiencek Diane Thompson & Donald Knebel John & Deborah Thornburgh Jerry & Linda Toomer Jennifer C. Turner Larry and Nancy VanArendonk Dorothy Webb Dr. Rosalind Webb Alan & Elizabeth Whaley John & Margaret Wilson Frederick & Jacquelyn Winters William Witchger, II & Kimberly Witchger John Workman

OVATION SOCIETY

By including the IRT in their estate plans, Ovation Society members make a heartfelt investment in the future of theater, leaving a legacy of creativity, connection, and inspiration.

Gary Addison Janet Allen & Joel Grynheim Robert^ & Pat Anker Bob & Toni Bader Frank & Katrina Basile Charlie & Cary Boswell Ron & Julia Carpenter John R. Carr^ John & Mary Challman Megan McKinney Cooper & Doug Cooper Sergej R. Cotton Thomas & Susan Dapp Nancy Davis & Robert Robinson Rollie^ & Cheri Dick Nancy & Berkley Duck

Dale & Karen Duncan Troy D. Farmer Jim & Julie Freeman Sheldon^ & Dr. Cherryl Friedman Tom & Jenny Froehle Meg Gammage-Tucker David A. & Dee Garrett^ Michael Gradison^ Marta Gross & Richard M. Barnes Emily F. (Cramer) Hancock Mike & Judy Harrington Michael N. & Karen E. Heaton Bruce Hetrick & Cheri O'Neill Tom & Nora Hiatt Brenda Horn

^Deceased

Bill & Nancy Hunt David Kleiman & Susan Jacobs Frank & Jacqueline La Vista Barry Landy Andra Liepa Charitable Fund, a fund of The Indianapolis Foundation Barbara MacDougall Donald & Ruth Ann MacPherson Stuart L. Main^ Michael R. Maine Sharon R. Merriman David & Leslie Morgan Michael D. Moriarty Richard & Lila Morris Mutter Marines–Jim & Carol 23

OVATION SOCIETY CONT. Rob & Sara Norris Deena J. Nystrom Marcia O'Brien^ The Payne Family Foundation, a fund of CICF George^ & Olive^ Rhodes Pat Garrett Rooney

Jane W. Schlegel Myra C. Selby & Bruce Curry Michael Skehan Jeff & Janet Stroebel Michael Suit^ Suzanne Sweeney & Todd Wiencek

Gene & Mary Tempel Jeff & Benita Thomasson Alan & Elizabeth Whaley John & Margaret Wilson

TRIBUTE GIFTS In loving memory of Betsy Kleinmaier who loved the theatre! The Kleinmaier Family

CORPORATE, FOUNDATION, & GOVERNMENT CORPORATE Barnes & Thornburg LLP Candlewood Suites Corteva Agriscience F.A. Wilhelm Construction Co., Inc.

FBT Gibbons LLP KPMG LLP OneAmerica Financial Partners Oxford Financial Group, Ltd.

Printing Partners STAR Financial Group Taft Stettinius & Hollister LLP

Glick Philanthropies Indiana Landmarks The Arthur Jordan Foundation The John F. Kennedy Center for the Performing Arts

Lilly Endowment, Inc. Nicholas H. Noyes Jr. Memorial Foundation, Inc. The Penrod Society The Shubert Foundation

University of Indianapolis LAZ Parking & Victory Field

National Institute of Fitness & Sport

FOUNDATION Allen Whitehill Clowes Charitable Foundation Christel DeHaan Family Foundation The Margot L. Eccles Arts & Culture Fund, a fund of CICF The Glick Family Foundation

GOVERNMENT Indy Arts Council and the City of Indianapolis

IN-KIND/TRADE DeBrand Fine Chocolates of Indianapolis Krannert School of Physical Therapy at

Tuyêt´ Th Pham and Jae Woo in Everyman Theatre’s 2026 production of Kim’s Convenience. Photo by Teresa Castracane Photography.

FRIDAY, FEBRUARY 26, 2027 GET TICKETS NOW AT IRTLIVE.COM/RADIOSHOW

ACT FAST! LAST YEAR’S EVENT SOLD OUT!

SEATS ARE GOING FAST! MAKE YOUR STUDENT MATINEE RESERVATIONS

TODAY!

LIMITED PERFORMANCES STILL AVAILABLE

by Ins Choi directed by cara hinh

by Branden Jacobs-Jenkins directed by Tyrone Phillips

by Lauren Gunderson directed by Lauren Keating

based on a story & characters by Damon Runyon music & lyrics by Frank Loesser book by Jo Swerling & Abe Burrows directed by Lili-Anne Brown

hilarious and heartwarming

prize-winning family drama

growing up, growing strong

golden-age Broadway musical

OCT 28 - NOV 10

FEB 3 - 16

FEB 23 - MAR 6

APR 14 - 29

Recommended for grades 7 -12

Recommended for grades 9 -12

Recommended for grades 4 -12

Recommended for grades 5 -12

To learn more about student matinees, visit

irtlive.com/studentmatinees

YOU COULD WIN $1,000 CASH! The IRT hosts an annual, free playwriting competition for all Indiana students in grades 6-12. Theatre professionals read and provide written comments to all participants and winners receive cash prizes and a trip to the IRT to see their plays performed by professional actors!

DEADLINE EXTENDED

DEC

To learn more about YPiP, visit irtlive.com/ypip

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THANK YOU FOR SUPPORTING THE ARTS! By enjoying this performance, you’re joining the 90% of Americans who believe that arts and culture programming are important to quality of life.* Citizens Energy Group is proud to support local artists, new works, and our creative community.

This ad was not paid for by customer rates. *Source: Indiana Creative Economy Report – Oct 2024 27

Join us in making Central Indiana a place where everyone thrives. We are the community foundation for the Central Indiana region. We help people give to the causes they care about, and support nonprofits so they can do their work more effectively. Visit www.cicf.org/video or scan the QR code to watch a video celebrating the potential of Central Indiana.

EVENTS + RENTALS Iconic event space in the heart of Indy Owned and operated by the Indy Arts Council, the Indianapolis Artsgarden is a striking, seven-story glass and steel structure located in the heart of downtown Indianapolis. Since opening in 1995, it has served as an iconic venue offering 360-degree views of the city and hosting unforgettable private events, weddings, and community gatherings.

BOOK YOUR EXPERIENCE AT INDYARTS.ORG WEDDINGS | CORPORATE | SPECIAL EVENTS Photo Credits: Sarah Jordan, Indy Arts Council, Jessica Strickland

Make the difference. It’s what we do. Discover more at kpmg.com © 2026 KPMG LLP, a Delaware limited liability partnership, and its subsidiaries are part of the KPMG global organization of independent member firms affiliated with KPMG International Limited, a private English company limited by guarantee. USCS044020-1A

IRT STAGE DOOR PASS RESTAURANTS

DISCOUNTS FOR OUR SEASON TICKET MEMBERS

BAKERSFIELD Free chip and dip

THE BLOCK BISTRO Free appetizer with entrée purchase

CHE CHORI 10% off total purchase, excluding alcohol

DEBRAND FINE CHOCOLATES OF INDIANAPOLIS Free Indiana popcorn bar with a $25 purchase*

FOGO DE CHÃO $25 off two full churrascos, valid during lunch and dinner

GIORDANO’S 10% off food, excluding alcohol

HYDE PARK PRIME STEAKHOUSE

MILKTOOTH 25% off food, excluding alcohol

GREEK ISLANDS Free baklava with purchase of dinner entrée

25% off your dinner on the day of the show and discounted valet

THE OCEANAIRE Complimentary appetizer (under $25) with the purchase of an entrée.

TAXMAN CITYWAY 10% off food, excluding alcohol

IRTLIVE.COM/STAGEDOORPASS

Oxford proudly supports the Indiana Repertory Theatre.

Oxford is an independent, fee-only firm privately held by its partners. We are committed to providing multigenerational estate planning advice and forward-thinking investment solutions to families and institutions.

ATLANTA F CHICAGO F CINCINNATI F GRAND RAPIDS INDIANAPOLIS F MINNEAPOLIS F PALM BEACH 317.843.5678 F WWW.OFGLTD.COM/IRT Oxford is an investment advisor registered with the U.S. Securities and Exchange Commission. Registration does not imply a certain level of skill or training. More information about Oxford’s investment advisory services and fees can be found in its Form ADV Part 2, which is available upon request. OFG-2607-32