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ENGLISH HOME LANGUAGE STUDY GUIDE: LANGUAGE Grade 11
English Home Language Study guide: Language
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Study Guide: Language G11 ~ English Home Language
CONTENTS Informal Assessment 1: Diagnostic test .............................................................................. 3 UNIT 1 ................................................................................................................................ 7 Lesson 1 ..................................................................................................................... 7 Informal Assessment: Summary ............................................................ 19 Lesson 2 ................................................................................................................... 26 Activity 7 ...................................................................................................... 28 Activity 8 ...................................................................................................... 30 Activity 9 ...................................................................................................... 34 UNIT 2 .............................................................................................................................. 47 Lesson 3 ................................................................................................................... 47 Activity 11 .................................................................................................... 50 Informal assessment: ............................................................................ 58 Lesson 4 ................................................................................................................... 65 Informal assessment: ............................................................................ 70 UNIT 3 .............................................................................................................................. 78 Lesson 5 ................................................................................................................... 78 Informal assessment: ............................................................................ 83 Stem cells that won't destroy embryo? ............................................................................. 89 Scientists develop new method, but rift over research remains ........................................ 89 Lesson 6 ................................................................................................................... 96 Informal assessment: .......................................................................... 101 UNIT 4 ............................................................................................................................ 117 Lesson 7 ................................................................................................................. 117 Lesson 8 ................................................................................................................. 125 Informal assessment: .......................................................................... 131 English home language - grade 11 language revision test – term 1 ............................... 134 English home language – grade 11 language revision test – term 3 .............................. 137 Books and web pages consulted .................................................................................... 140 Listening and speaking ................................................................................................... 142
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Informal Assessment 1: Diagnostic test Grade 11 Read the accompanying article by Barry Ronge as it appeared in The Sunday Times, before answering the questions.
Growing in Statue Humanity appears to be obsessed with them, but political monuments are just relics in waiting There are very few things on Earth quite as dull and futile as a monument, but humanity is obsessed with building them. It’s a regrettable feature of human nature that powerful people, mostly politicians, imagine that their hold on power will be more deeply entrenched if they spend vast sums of money to construct showy monuments to their own magnificence. In truth, viewed in the long term of history, many monuments seem to demonstrate exactly the opposite. They reveal the vainglory that motivated their construction. Europe is littered with triumphal arches, obelisks and ornamental gates, all built to commend the glory of some monarch, general or dictator. These days, they tend to be landmarks for disoriented tourists looking for the nearest McDonald’s or they have become traffic junctions. Marble Arch at Hyde Park in London, the Arc de Triomphe in Paris and the Brandenburg Gate in Berlin were all monuments to someone who did something important in a powerful regime that, if it still exists at all, does so in only a vestigial and ceremonial sense. To my mind, monuments belong in the “Bah! Humbug” school of architecture, but there’s a lot of cash and power involved in monuments — the planning, lobbying for and construction of monuments make lots of people rich. That’s why they continue to be built. Media debate is the oxygen of the power elite and therefore many political apparatchiks are thrilled by the current heated controversy about the Wall of Remembrance at Freedom Park. The talk shows are buzzing and the newspaper letters pages are seething, as the pros and cons of the issues are hotly debated. For the record, the Freedom Park concept, launched in 2000, included a proposal for a memorial wall bearing the names of the fallen in what officials are calling SA’s “eight conflicts”. These do not, as one might have hoped, represent the conflicts against organised crime, Aids, poverty, institutional corruption and the wanton destruction of the environment so that another exclusive golf- estate development may be built. To me and many others, those are today’s important conflicts, many of which we seem to be losing, but they don’t suit the currently approved historical configuration. The travails of South Africans who are alive today must take a back seat to the victims of these “eight conflicts” which were, in case you are not well-versed in “politispeak”, as follows: Pre-Colonial Conflicts, Genocide, Slavery, Wars of Resistance, the Anglo-Boer War, World War One, World War Two and The Liberation Struggle. The current storm in this teacup is about whose names will appear on the Liberation Struggle wall. The authorities propose that the names of SANDF soldiers who died in Angola should not be included because they fought against the liberation forces. © Optimi
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The counter-argument is that many of the men who served and died were conscripts and therefore had no choice. If they had not gone when the army called, they would have faced imprisonment. They were just “doing their duty”. It is a bitter wrangle and despite a call for public submissions and debate, I think we all know that when war becomes history, there is a winning side and a losing side, and the winners write the history. What everyone conveniently forgets is that it will be rewritten. Our Parliament buildings in Cape Town and the Union Buildings in Pretoria were built to commemorate the glory of a colonial empire. The Voortrekker Monument was built to communicate the glory of the Boer nation. Paul Kruger still stands at various traffic intersections and even Queen Victoria has a prime situation in Cape Town. They’re just buildings and statues. The ideologies and societies they were built to glorify have faded. The true commemoration happens in people’s hearts and minds, but to argue that with politicians is like arguing with a mosquito. 1. Choose the answer that is most correct a. Politicians build monuments in order to i. prove their invincibility ii. delay their cessation of political influence iii. emphasise their own grandeur iv. increase the length of time that they have political power b. Monuments are successful in i. promoting the ideas of the people who had them built ii. demonstrating the opposite of political ideals iii. proclaiming the vanity of the people who had them built iv. making people remember their history c. The monuments in Europe are ironic because i. nobody knows the reason for their existence ii. tourists do not pay much attention to them iii. they impede the flow of traffic iv. McDonald’s is more important to tourists than the monuments d. In the opinion of the writer, the following conflicts are the most important in South Africa: i. Aids ii. The Anglo-Boer War iii. crime iv. i and iii e. An example of “politispeak” is i. the Eight conflicts ii. they were just “doing their duty” iii. the winners write the history iv. a bitter wrangle f. The phrase arguing with a mosquito is an example of i. innuendo ii. hyperbole iii. euphemism © Optimi
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iv. sarcasm v. i and ii g. The tone of the essay indicates that the writer i. does not want to see money wasted ii. regards present-day issues more important than history iii. thinks monuments are ugly iv. regards the argument about the Wall of Remembrance as childish h. The function of the apostrophe in They’re (second last paragraph) is i. indicating possession ii. indicating omitted letters in contractions iii. indicating certain plural forms of letters and figures iv. addressing an abstract entity i. The connotation of the word littered (paragraph 3) is i. numerous ii. invasive iii. pesky iv. dirty j. The function of the hyphen in Anglo-Boer War is i. Linking certain phrases ii. Linking words to form compounds iii. Avoiding ambiguity iv. Indicating the new syllable when the previous one ends with the same letter as the opening letter of the next k. The talk shows are buzzing is an example of: i. alliteration ii. onomatopoeia iii. assonance iv. hyperbole l. The title plays on the following: i. Growing in stature ii. Growing in statute iii. Growling in statue iv. Growling in stature m. The writer’s attitude towards the builders of monuments is i. envious ii. condescending iii. aggressive iv. annoying n. The inverted commas in “eight conflicts” (paragraph 7) show that i. this view is not shared by everyone ii. it is a phrase coined by politicians iii. the writer does not agree with this classification iv. the writer does not want to be associated with these conflicts v. iv, iii and i vi. iii, ii and i o. Media debate is the oxygen of the power elite is an example of i. hyperbole ii. jargon iii. metaphor iv. personification Subtotal: 15 © Optimi
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2. Refer to the following sentence: To my mind, monuments belong in the “Bah! Humbug” school of architecture, but there’s a lot of cash and power involved in monuments – the planning, lobbying for and construction of monuments make lots of people rich. a. The function of the commas is: i. to indicate slight separation or pause between a list of adjectives, adverbs or nouns in a sentence ii. indicating a pause before conjunctions iii. marking off words, clauses or phrases from the rest of a sentence iv. In pairs for an adjectival clause b. The dash is used because i. ii. iii. iv.
it is the same as commas or brackets for parenthesis it separates a repeated word, or idea it indicates abrupt changes in opinion or thought letters are omitted for the sake of using civilized language, or of privacy c. The expression “Bah! Humbug” school of architecture i. refers to a school of architecture in Hamburg ii. illustrates slang and shows contempt iii. makes use of an interjection to indicate the writer’s attitude iv. ii and iii Subtotal: 3 3. Match the explanations in column B to the words in column A. A i. apparatchiks ii. relics iii. vainglory iv. Vestigial v. Conscripts vi. Obsessed vii. lobbying
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a. Evidential, trace-like b. Devices, gadgets c. Soliciting support for a certain cause d. Roots, basis, origins e. Fanatical, preoccupied, infatuated f. Compulsory enlisted for government service g. Vanity to a great extent, extreme boastfulness h. Assessing i. Remnants, leftovers j. Communist agents Subtotal: 7 Grand total: 25
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UNIT 1 LESSON 1 At the end of this unit, you will have mastered the following skills: Literature and text appreciation • Satire: recognising it in texts, understanding its function in literature and the broader community • Anti-climax: identifying it and understanding its effects in a text • Innuendo: identifying it and recognising its effects in a text Language • Adjectives: o Correct order of adjectives o Using different forms correctly • Sound devices: o Alliteration o Assonance o Onomatopoeia Transactional writing • Summary writing: effective summaries Visual literacy • Cartoons: humour and body language
Literature and text appreciation Look at the following cartoons.
What is important about the way Dagwood Bumstead is satirised? Which words are important – those that are said, or those that are left unsaid?
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Is the final frame what the reader expects it to be? Is there much sympathy for the deceased? Let us now look at some techniques for achieving satire.
Satire
Satire implies the use of sarcasm, irony or wit in ridiculing and denouncing abuses, follies, customs, etc. It contains derogatory jokes (barbs) aimed at people, ideas or things in order to improve, correct, or prevent something.
Examples: 1. The character of Malvolio (Twelfth Night) is pompous and full of his own importance, but made ludicrous by Shakespeare. 2. “An evolving idea that wouldn’t name itself. The immaculately dressed lunacy of Chairman Mao. And now here he was playing new role, the marquis of Mooikloof.” ( A description of Robert Mugabe in the fiction The Marquis of Mooikloof by Sean O’Toole) 3. George Orwell (1903-1950) – Animal Farm 4. Mark Twain (1835 to 1910) 5. Oscar Wilde (1854 to 1900) 6. The Simpsons (Pop culture) 7. Jonathan Swift: A modest proposal and Gulliver’s Travels Satire is a mode of challenging accepted notions by making them seem ridiculous. It usually occurs only in an age of when no absolute uniformity exists but rather two sets of beliefs. Of the two sets of beliefs, one holds sufficient power to suppress open attacks on the established order, but not enough to suppress a veiled attack. Further, satire is intimately connected with urbanity and cosmopolitanism, and assumes a civilized opponent who is sufficiently sensitive to feel the barbs of wit levelled at him. To hold something up to ridicule presupposes a certain respect for reason, on both sides, to which one can appeal. An Age of Reason, in which everyone accepts the notion that conduct must be reasonable, is a general prerequisite for satire. (Jacob Bronowski & Bruce Mazlish)
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Anti-climax
This is a rhetorical technique by which ideas are sequenced in abruptly diminishing importance, generally for satirical effect, so as to emphasise the turning point in a story. An anti-climax is always a let-down because of the interruption of built-up tension. It’s the point at which you realise the story will not turn out the way you expected. Have another look at the Animal Crackers cartoon. It contains an anti-climax. Examples: 1. He lost all that he had lived for: his vision, his dreams, and his worn out running shoes. 2. Virgin Peak: Lawrence G. Green (as in Focus, compiled by R. Meyer) 3. Poison: Roald Dahl. 4. The Marquis of Mooikloof: Sean O’Toole 5. Rothchild’s fiddle: Anton Chekhov Let us look at a poem which contains an anti-climax.
MINIVER CHEEVY
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Miniver Cheevy, child of scorn, Grew lean while he assailed the seasons; He wept that he was ever born, And he had reasons.
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Miniver loved the days of old When swords were bright and steeds were prancing; The vision of a warrior bold Would set him dancing.
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Miniver sighed for what was not, And dreamed, and rested from his labors; He dreamed of Thebes and Camelot, And Priam's neighbors.
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Miniver mourned the ripe renown That made so many a name so fragrant; He mourned Romance, now on the town, And Art, a vagrant.
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Miniver loved the Medici, Albeit he had never seen one; He would have sinned incessantly Could he have been one.
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Miniver cursed the commonplace And eyed a khaki suit with loathing;
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He missed the medieval grace Of iron clothing. Miniver scorned the gold he sought, But sore annoyed was he without it; Miniver thought, and thought, and thought, And thought about it.
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Miniver Cheevy, born too late, Scratched his head and kept on thinking; Miniver coughed, and called it fate, And kept on drinking.
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Edwin Arlington Robinson
Activity 1 Explain the anti-climax in the final line of the poem. 1. Discuss the satire in lines 21 to 24. Refer to the use of irony. 2. How does line 3 hint at the anti-climax of the final line?
Innuendo
Hinting, or implying something that is not said in words. It contains variations of wordplay, humour and using indirect communication to achieve a satirical effect. It is a remark or question, typically disparaging, that works obliquely by allusion. A variation on innuendo is double entendre, where the wordplay is unintentional or meant to be innocent.
Look at the Blondie cartoon again. The boy does not state outright that he does not want to be like Dagwood Bumstead, but it is implied.
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Examples: 1. Shall I join the circus, or shall I just stay with this company? 2. What is the difference between school and a prison? In a prison at least you get some food once in a while. (Prison is better than school) 3. Some of the techniques used to achieve innuendo a. By refusing to say something, thereby implying that it is true or false. "Is John a good salesman?" "His manners are impeccable." Avoiding the question confirms that he is not good at selling. b. By using puns. Because a pun is a play on words, a seemingly literal meaning can hint at another meaning. Here is an example of an intended pun, hinting at something. The American actress, Jean Harlowe was speaking to the English Ballerina, Margot Fontaine at a function. Jean: How do you spell your name again, I can never remember. Is it Margot or Margo? Margot: The T is silent as in harlot! This example is witty and clever. A synonym for harlot is prostitute. c. By adding something opposite to what the reader, or audience, might expect. Women are often the victims of such jokes, where the innuendo is often crude or sexist in nature. Often being crass, innuendo can be offensive. My wife had an accident with the car the other day. The insurance company paid for the damage to the car, luckily - the Missus was written off. (Implying that the car is worth more that his wife.) Read the following column by James Clark, taken from The Star of June, 2 2006.
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Activity 2 1. To what does Tour the Farce allude? 2. Quote and explain three examples of innuendo. 3. Name and explain two instances where Rex is satirised. a. What literary device does the author use to achieve this satire? Explain. 4. Discuss the tone in paragraph 14: (“But after a couple of days…..”). a. How does it differ from that of the final paragraph? (“But we would…”) 5. What is the effect of the foot note at the end of the passage? a. What is the effect of the parenthesized question? b. Why does the writer talk about his tappen, instead of its? 6. How does the writer parody the instructions in the guide book? (A parody is a comic imitation of another text.)
Language Adjectives We already know that an adjective describes a noun. Let us look at a few rules about their order when using more than one to describe a single noun. 1. The adjective describing the noun’s purpose, comes nearest to the noun. a. luxury passenger train, old-fashioned saloon car, broken hockey stick 2. Just before the description of purpose, comes the adjective describing the material it is made of. a. wooden saloon car, aluminium hockey stick, saline cleansing solution 3. Before these, adjectives describing origin: a. German wooden saloon car, Swedish aluminium hockey stick, laboratory saline cleansing solution 4. Next are the colours: a. brown German wooden saloon car, silver Swedish aluminium hockey stick, clear laboratory saline cleansing solution 5. Finally, adjectives for age, shape, size, temperature are generally placed at the beginning of a phrase. a. old German saloon car, extra-long aluminium hockey stick, cold saline cleansing solution
Some examples of adjective order Opinion Size Age Shape Colour Origin Material Purpose a silly
young
a
huge
a
small
English round
man metal
red
bowl sleeping bag
Do not overcrowd a phrase with a list of adjectives. It is safe to limit the number to three, especially if you are an inexperienced writer.
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Activity 3 1. Correct the following classified advertisement which appeared in the Weekend Argus Cape Town: We buy good children, second-hand clothing, bulk. We collect. 2. Use a dictionary to match the correct adjective to the sentences in the table below. This may be a _________examination, but you are not allowed to use notes. In __________literature, characterisation is usually vivid. The proposed solution is not _________. It will take up too much time. Is the city of Atlantis a ___________ fact? Did it really exist? This is the________ style for a suit. You will be able to use it for many years. The actor’s movements seem to be more ________, than indicating exasperation. The first inauguration of a president was considered a ________ event for many people. These _________indicators are important for investors. Bulk purchases are more ____________. He had such a __________ expression, that I could not help laughing, although I was supposed to be angry.
classic practicable classical historical practical economical comic historic comical economic
Poetry
Assonance
Assonance is the repetition of the same vowel sound. It is important to pay attention to sound when dealing with assonance. Spelling does not indicate assonance. Examples 1. You say no way 2. Hold on or I'm gone 3. This time you'll find you're mine 4. 'Green as a dream and deep as death.' ( The Old Vicarage, Grantchester, Rupert Brooke) 5. And crash upon the rocks, or drop to drown. (The broken chain, W.W. Gibson)
Alliteration
Words or syllables with the same initial letter (usually consonants) are used in close proximity.
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Examples: 1. 'Full fathom five thy father lies'. ( Ariel's Songs from The Tempest, Shakespeare) 2. 'Only the stuttering rifles' rapid rattle' (Anthem for Doomed Youth, Wilfred Owen) 3. 'king-dom of daylight's dauphin, dapple-dawn-drawn Falcon'. (The Windhover , Hopkins) 4. …., or drop to drown. (The broken chain, W.W. Gibson) The one that (nearly) did not get away….. Have you ever seen something that is so hideously ugly that it almost seems to be beautiful? Read the following poem and look for instances of assonance and alliteration. The Fish I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of its mouth. He didn’t fight. He hadn’t fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green weed hung down. While his gills were breathing in the terrible oxygen — the frightening gills, fresh and crisp with blood, that can cut so badly — I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed © Optimi
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with tarnished tinfoil seen through the lenses of old scratched isinglass. 40 They shifted a little, but not to return my stare. — It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip — if you could call it a lip — grim, wet, and weapon like, 50 hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. 60 Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine 70 to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels — until everything was rainbow, rainbow, rainbow! And I let the fish go. Elizabeth Bishop
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Activity 4 1. Read the first 25 lines again and find at least three examples of assonance. Quote and comment on the effect of each. 2. Refer to line 50: a. What sound device does the author employ in this line? b. Discuss its implication. c. hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks How do these lines confirm the suggestion in line 50? Refer to the techniques that are employed by the poet.
Onomatopoeia Onomatopoeia is a sound device for the creation or use of words that sound like the items or actions they name or refer to. It may also be seen as the formation or use of words such as buzz or murmur that imitate the sounds associated with the objects or actions to which they refer. Examples: 1. splash, wow, gush, kerplunk 2. The Bells: Edgar Allan Poe 3. The moan of doves in immemorial elms, And murmuring of innumerable bees. (Tennyson) Let us look at an excerpt from The Bells by Edgar Allan Poe. Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bellsFrom the jingling and the tinkling of the bells.
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Activity 5 1. Write down some of the onomatopoeic words from this first stanza of the poem. a. Which words imitate smaller bells and which the larger? b. What effect does the use of these words have? 2. Comment on the repetition of the word “bells” and those that rhyme with them. 3. What is the effect of the alliteration in line 10? Transactional writing The summary The key features of a summary (1) It is shorter than the source, (2) It repeats the ideas of the source in different phrases and sentences. The purpose of the summary is to convey to others an understanding of a text you have read, without their having to read it themselves. Thus for your readers, your summary essay functions as a substitute for the source that you are summarising. You don't want to misrepresent your source or mislead your audience. Certainly an important feature of the summary, then, is its fidelity to the source. An alternative purpose of the summary is a demonstration of comprehension: teachers sometimes assign summary when they want to make sure that students fully understand an assigned source. However, your summary will be written in the same way, with fidelity to the source. a. The introduction • •
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The opening sentence should mention the article and state who the author is. The introductory paragraph contains a one-sentence thesis statement that sums up the main point of the source. This thesis statement is not your main point; it is the main point of your source, although you have to write this statement in your own words rather than quote it from the source text. The introduction should not offer your own opinions or evaluation of the text you are summarising.
b. The body of a summary •
The body paraphrases and condenses the original piece. Make sure that you: o include important data but omit minor points; o do not include your own ideas, illustrations, examples, metaphors, or interpretations. See yourself as a summarising computer: you are simply repeating what the source text says, in fewer words and in your own words.
c. There is usually no conclusion to a summary
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TAKE NOTE: • • • • •
A summary question will always be accompanied by a set of instructions which you must follow very closely – every infraction will be penalised. Pay attention as to whether your summary should be in point form, in a single paragraph or in a specific format (such as an article or speech). You must supply a title for your summary (which is not to be included in the word count!) Do not exceed the word limit imposed by the question (generally between 80 or 100 words). Edit your summary for style and, especially, language errors.
Informal Assessment: Summary Read the article The Lonesome Baobab by Micro Moabelo (Getaway, May 2006) and summarise it in one fluent paragraph of no more than 95 words. You may find it difficult to find the main idea of this text. Take the title and the final paragraph into account.
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