K Kaoottinen serif
Kaoottinen Serif by Matteo Zanettin
Font anatomy
Vertical stress
Ascender line
Base line Descender line
High contrast between strokes
Port
Baskerville Old Face: Baskerville is a serif type face designed by John Baskerville in 1750s. It is classified as a old typeface in comparasion with the typefaces later created.
Font anatomy
Rounded upper terminals
Double story lowercase
ugal Tail of lower case g dose not close
Cap line
x-height
Uppercase letters
A F K P U Z
B C D G H I L M N Q R S V W X
E J O T Y
Lowercase letters
a b c d e f g h i j k l m n o p q r s t u v w x y xxxxxxxxz
Symbols
Numbers
1 2 3 4 5
6 7 8 9 0
21/24pt 11/13pt
I Have a Dream; Speech by the Rev. Martin Luther King Jr. at the March on Washington, 1963. I have a dream that one day on the red hills of Georgia sons of former slaves and the sons of former slave-owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream . . . I have a dream that one day in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification, one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream . . .
8/9pt
I HAVE A DREAM
12/14pt
Different font sizes in use
The "I Have A Dream" speech will surely go down as one of the most famous speech of all time; certainly, you can’t make a list of the most influential speeches in history and not include it. The speech was delivered to over 250,000 civil rights supporters, and was the defining
moment in the American Civil Rights Movement, as well as cementing King’s place as one of history’s great orators. The speech shaped modern America thereafter, but atching the news it is disheartening to see that there is still much work to be done for his dream to be fully realised.
Font anatomy
Ascender line
Base line
Descender line
Port Slight overshoot
Font anatomy
Double story lowercase
Tall x-height
t ugal Short descenders
Cap line
x-height
Font creation and skeleton
k
Brushes
0/ 13% / 7pt
nmhrubdpq iljtf
0/ 28%/7,5pt
nmhrubdpqyjt fasg
0/ 23%/8pt
oec
0/ 13%/8pt
DJIHLMEF PRBUTYK
0/ 28%/7,5pt
SDJPRBU
Brushes
0/ 24%/9,5pt
OQCG
vwxz
0/ 66%/7,5pt
VAWXYZKNM
vwxz
0/ 23%/2pt
VAWX KNM
ztf AZHLEFT
0/ 66%/3pt
Font relationships
OGQC PRBS NMH JIELFT AVWY XZK
Font relationships
nmhru oecbdpq vwyxzk jtilf
Font characteristics
YMKF nmhr IHUJ fpqil
VAW vwx XYK
T Z
Font characteristics
nmhruk LNMEF bdpqz PBRD
ecy QCGJ
jtfasg J
R Faculty of Design and Art Free University of Bolzano Bozen WUP 2021/22 Typefaces designed by Matteo Zanettin Prof. Antonino Benincasa Amedeo Bonini Rocco Lorenzo Modugno Fonts created with Illustrator & Fontself