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CONTRACT & HOSPITALITY
CONTRACT & HOSPITALITY
COLLECTABLE BOOK
Fall | Winter 2019
Fall | Winter 2019
GRANVILLE SEATING SYSTEM | CHRISTOPHE DELCOURT DESIGN TAPE ARMCHAIRS | NENDO DESIGN FIND OUT MORE AT MINOTTI.COM/HOSPITALITY
H Pavilion by Kettal Studio Boma & Bitta Collection by Rodolfo Dordoni HEAD OFFICE KETTAL / CONTRACT BARCELONA: Aragรณn 316, 08009 Barcelona, Spain. T. (34) 93 487 90 90 SHOWROOMS KETTAL BARCELONA - LONDON - MARBELLA - MIAMI - NEW YORK - PARIS
CONTRACT & HOSPITALITY
FEATURES
Color stories
20
Technology that colors the world
Interview
34
PEOPLE Peter Marino
26
In the realm of the sublime
PEOPLE Patrik Schumacher
Fall | Winter
86
Being part of the XXI Century
Editor-in-chief
PEOPLE Giuseppe Varsavia
148 Passion, tension and discipline
Ateliers Jean Nouvel
16 Rønnede, Denmark | Camp Adventure’s Tower Effekt
18 Pittsburgh | Union Trust Building Elkus Manfredi Architects
80 Sharjah Emirate | Al Faya Lodge Sharjah Collection | Anarchitect 82 Suzhou, China | Loong Swim Club X+Living
84 Chiangmai, Thailand | Little Shelter Hotel Department of Architecture Co.
142 Videbæk Park, Denmark | Art Pavilion Henning Larsen
144 Tokyo | Mori Art Museum
Shiota Chiharu: The Soul Trembles
184 Dubai | Manuel Alvarez Diestro
186 Al Wakrah, Qatar | Al Janoub Stadium Zaha Hadid Architects, Aecom
188 Osseo Luxury Sailing Yacht | Igor Jankovic
Project and Feature Manager
Swarovski Manufaktur Wattens, Austria
42
Cut out for design
48
The Levee Tel Aviv Home-tel, a sophisticated new hospitality concept
Marni Tokyo
54
The Japanese garden according to Marni
RYSE Seoul
58
Beauty is objective
NoMad Las Vegas A version of restrained opulence to Las Vegas
ROOST East Market Philadelphia
70
Like being at home
Arup Melbourne | Sydney
74
Sydney calling Melbourne
St Regis Maldives Vommuli Resort
92
Maldivian inspiration
Sir Victor Hotel Barcelona
Dolce&Gabbana Milan | Rome
Private office Chicago
W Dubai The Palm
104 In search of the exceptional 110 Use with sensitivity
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Matteo De Bartolomeis matteo@ifdm.it
BnA Alter Museum Kyoto
100 Hyper local, hyper social
58
Publishing Coordinator Managing Editor
‘Artful’ rest
Paolo Bleve bleve@ifdm.it
Projects review
34
64
146 Lindesnes, Norway | Under | Snøhetta
02
WONDER 14 Doha | National Museum of Qatar
YEAR IV
114 W Factor
Veronica Orsi orsi@ifdm.it
Alessandra Bergamini contract@ifdm.it
Collaborators
Alessandro Bignami, Manuela Di Mari, Simona Marcora, Francisco Marea, Antonella Mazzola
International Contributors New York Anna Casotti Los Angeles Jessica Ritz
London Francesca Gugliotta
PR & Marketing Manager Marta Ballabio marketing@ifdm.it
Graphic Department
Sara Battistutta, Marco Parisi grafica@ifdm.it
Web Department web@ifdm.it
Translations
Stephen Piccolo
Advertising
Marble/ADV Tel. +39 0362 551455 - info@ifdm.it
Closed by the editorial staff 6th September 2019
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All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owner. A record and picture file is available at Marble.
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CONTRACT & HOSPITALITY
Let’s keep in touch!
FEATURES
ifdmdesign
118
Doko Bar Shenzhen
Galeries Lafayette Paris
Artyzen Sifang Hotel Nanjing, China
Kalida Sant Pau Centre Barcelona
nhow Marseille
TWA Flight Center New York
Soho House & Co Mumbai
Oodi Central Library Helsinki
Versace Florence, Italy
The Shanghai EDITION
August Antwerp, Belgium
118 Hashtag EatingShow 122 The fashion experience 126 An intense heritage of light and color 130 Caring architecture 136 Marseille reloaded 154 Back ‘in flight’ 162 Home from Home 166 A curved horizon of straight lines 170 Design codes 172 All under one roof 178 Mystical atmosphere of modern times
Monitor
191 A wide view on major international projects
Design inspirations
219 A selection of the most innovative products
for the contract sector by international brands
Next
233 A preview of the upcoming global projects
136
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NEXT IN THE WORLD
240 Europe, Africa, Orient: major projects for the future
LUCIEN SOFA design Stefano Gaggero RIVIERA SIDE TABLES DRAGONFLY ARMCHAIRS EATON OTTOMAN MARMADUKE COFFEE TABLE design Roberto Lazzeroni
www.flexform.it
EDITORIAL
PAOLO BLEVE | Editor-in-chief
A world of relationships, between control and rating
T
echnology and selectivity, two terms that appeared in the editorial of the Collectable Book in March, now return with a vengeance in this fall edition. As always, thanks to the legion of color experts and chromatic trendsetters that have been following Judith van Vliet for years into the depths of the world of forecasts and previews of sector trends: what will be the paradigms of the ideal buyer in 2020? And what – as a result – will be the colors that match these models of behavior or the impulse to consume? Technology and selectivity float back to the surface, now in the company of Control. China, by the end of 2020, will have fully implemented the technological and logistical system that will allow the Government to gauge the behavior of all citizens and assign them a rating. The color story Eye am watched addresses precisely this development, and if anyone is expecting a dismal, anxiety-prone palette as a result, it’s time for them to think again: the matched hues can best be described with the term ‘balance.’ No warm colors, but no sinister tones either. Will transparency win out over privacy? We shall, you shall, see… In the previous Book we described how the world of work has been invaded by increasingly colorful spaces, but that was clearly a reaction to decades
spent in black and white, at best with some daring leaps into beige. Today the projects for new corporate headquarters – and there are some outstanding ones in this Book – again have more sober interiors. And the East continues to take the design lead: just admire the BnA Alter Museum, a hotel where every room is an artistic tableau invented and made by the courageous and visionary kids of BnA in Tokyo; or the private offices in Toronto formulated by the Italian-Japanese duo Alvisi Kirimoto, which combine West and East with a light touch. Then, as always, you can enjoy coverage of a wide range of projects selected from many different latitudes. Happy reading!
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OUTDOOR LIVING
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WONDER. DOHA | NATIONAL MUSEUM OF QATAR | ATELIERS JEAN NOUVEL The Museum’s winding, 1.5-kilometer path, made of 11 permanent galleries, is a journey through a series of unique environments, each of which tells its part of the story of Qatar through a special combination
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Š Iwan Baan
of architectural space, music, poetry, oral histories, archaeological and heritage objects, commissioned artworks, art films.
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WONDER. RØNNEDE, DENMARK | CAMP ADVENTURE’S TOWER | EFFEKT © Rasmus Hjortshøj, courtesy of EFFEKT
Set in the Gisselfeld Klosters Forest, the observation tower features a 900 meter elevated boardwalk zig zagging in and out between the trees, culminating in a 45-metre tower with a 650 meter long inner spiraling ramp.
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WONDER. PITTSBURGH | UNION TRUST BUILDING | ELKUS MANFREDI ARCHITECTS
© Andrew Bordwin
Originally built in 1918, this long-neglected Flemish Gothic masterpiece has been restored and repositioned, its interiors transformed from a underutilized pass-through into a vibrant work/play destination.
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CONTRACT & HOSPITALITY
Technology that colors the world From biochemistry to digital processing, next year’s colors will be influenced by technology, with its increasing impact on behavioral dynamics and international innovation. ColorWorks® is back with a preview of trends for 2020
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COLOR STORIES
Trend
F
our stories to narrate next year’s color trends. Two were previewed in the Spring-Summer edition of Contract&Hospitality Book, and two now conclude the telling, picking up the threads of an exclusive interview with an expert in this sector, Judith van Vliet, ColorWorks® Designer and leader of the ColorForward® team. She introduces us to the varied and multifaceted world of colors and chromatic trends, and everything related to this topic, including innovation in a wide range of sectors, changes and new orientations of the society, emerging movements on a global level. The point of contact between these two (apparently) distant conceptual spheres is precisely ColorWorks®, the design & technology center of the Masterbatches business unit of Clariant, which prepares an annual ‘color forecasting guide’ – ColorForward® – as the result of research conducted by the international experts of its four centers (São Paulo, Chicago, Merate and Singapore). Their job is to identify the new developments and changes emerging from the society and its dynamics, interpreting them in four macrothemes and translating them into a rainbow of hues – 20 in all, meaning 5 for each story. Resuming our path along the palette of trends for 2020, we come across strong, lively, fresh tones, and the corresponding themes provide a glimpse of the conflicted condition and search for balance of the society. Cactus green, pale red, intense blue-green, bright yellow and ice blue go into the previously narrated story care-LESS; a story that reveals the phenomenon of ‘selective empathy’ with which society reacts to the enormous quantity of negative news. The colors of the futuristic, image-packed story Be Right There are equally intense and energetic: spotlights aimed at the major technological and scientific discoveries that will revolutionize (already starting next year) the conquest of space, with the support of big international tycoons. Vibrant orange, dark blue, anthracite gray, synthetic green, silvery lilac: these are the colors that shape the theme, and now give way to the final two stories of ColorForward® 2020, Genevolution and Eye am watched, balanced between biochemistry that influences genetic mutations and the digital dimension that shapes behavior rating.
Author: Veronica Orsi
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CONTRACT & HOSPITALITY
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PEOPLE
Peter Marino
CONTRACT & HOSPITALITY
PEOPLE
Peter Marino
IN THE REALM OF THE SUBLIME Refined details, perceptive interfacing of art and design, delicacy of forms and exquisite style make every project by New York-based architect Peter Marino a mise en scène of elegance
A
protagonist of contemporary creativity, a devotee of beauty in all its forms, and one of the world’s leading art collectors, the architect Peter Marino never fails to get noticed thanks to his eclectic look, accentuated by a constant, signature accessory: the black belt. His sophisticated vision of design unfolds through exclusive details and precious materials, interacting with a selection of works of art that establish a dialogue with the interior design, in persevering pursuit of magnificence. From the boutiques of fashion houses like Chanel, Louis Vuitton, Dior and Bulgari, to the collections designed for the historic Venini glassworks; from the works of architecture for luxurious private residences – including The Getty in New York, facing the High Line – to art galleries, 5-star hotels, gourmet gathering places and enchanting resorts. The quintessence of luxury, narrated by a contemporary master.
author: Anna Casotti portrait photo: Manolo Yllera projects photo: Manolo Yllera (Bulgari 5th Ave, Chanel Ginza Namiki, Lehmann Maupin Gallery, The Lobster Club) Evan Joseph, March (The Getty, New York) Stephane Muratet (Louis Vuitton Place Vendome)
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CONTRACT & HOSPITALITY
‘Artful’ rest A permanent art exhibition in which to spend the night. In Kyoto, BnA Alter Museum is a hotel that offers a unique experience. To win the hearts of art lovers
I
s your passion for art so strong that you have trouble spending even a few hours away from its presence? The BnA Alter Museum has been created for art lovers who are immune to the Stendhal Syndrome. The third facility designed by the BnA group, after the previous BnA HOTEL Koenji and the BnA STUDIO Akihabara, both in Tokyo, BnA Alter Museum carries on with the same principles, offering a permanent display of 31 works created by 15 Japanese artists under the guidance of 9 art directors, with items placed in every one of the 31 rooms. Like timerelease patrons of the arts, the guests live together with the works for the duration of their stay, while contributing to the livelihood of the artists themselves. The BnA group works extensively to create a network in local and external creative communities, accelerating a process of education and social awareness. In the rooms, the site-specific are everywhere, shaping the decor and the finishes, ‘dressed up’ and designed around the work itself. 34 | IFDM
HOTEL
Kyoto
CONTRACT & HOSPITALITY
HOTEL
Kyoto
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