Program Guide IDFAcademy 2018

IDFAcademy

14-25 nov 2018

International Documentary Film Festival Amsterdam

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International Documentary Film Festival Amsterdam

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Introduction Welcome to the IDFAcademy 2018!

IDFA is proud to offer you, 100 selected emerging filmmakers and producers, a training program and a platform on the first four days of the festival. IDFAcademy gives you the unique opportunity to meet and learn from skilled professionals in an informal setting. It is also a great way to get to know experienced masters of documentary and to completely immerse yourself in the IDFA experience. The IDFAcademy might function as a bridge between film school training and practice for you, or it is just sharpening your industry awareness.

The activities of the IDFAcademy take place not only during the festival, but throughout the year. Last July, IDFAcademy organised the 11th edition of the Summer School, a tailor-made training program aimed at strengthening the narrative structure of documentary film projects in the script and editing stage. All projects were developed into a more advanced version and three films are completed from previous editions that will be screened in different program sections at the festival; A Haunted Past, The Sound of Masks, and Home Games.

IDFA also organises two Dutch workshops: The Kids & Docs Workshop together with Cinekid and through support of NPO Fund, and the IDFAcademy & NPO Fund Workshop.

This year’s IDFAcademy program presents a broad variety of inspirational tutors and masters of the genre, from filmmakers to crowdfunding experts and sales agents. The curriculum consists of case studies, panels, small-scale workshops, and round-table sessions with international professionals. Furthermore, in this year’s edition you will find cross-overs to externally-organised Industry Sessions, to offer you the most diverse and suitable program possible.

In this IDFAcademy Program Guide, you will find the full IDFAcademy program; background information on the sessions, speakers, contributing experts, your fellow IDFAcademy participants and other useful information. This guide will help you navigate your way around this year’s IDFAcademy, but of course you can also rely on the daily guidance of the IDFAcademy staff. The list of all IDFAcademy participants can be found on page 49 and of course you should join the IDFAcademy Participants 2018 group on Facebook!

We are very proud to kick off with the screening of Kabul, City in the Wind by Aboozar Amini, the opening film of IDFA this year. Aboozar participated in the IDFAcademy before and again this year.

Enjoy your time in Amsterdam, have a great festival and an inspiring IDFAcademy!

Meike Statema Head of Education

IDFAcademy Program Guide

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IDFAcademy Staff

Meike Statema

Head of Education IDFAcademy

Dymme Plomp

Producer IDFAcademy

Alexandra Sint Nicolaas

Assistant Producer IDFAcademy

Other Staff

Caspar Sonnen

Head of New Media IDFA DocLab

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Isabel Arrate Fernandez Managing Director IDFA Bertha Fund

Wotienke Vermeer IDFA New Media Coordinator

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Index 1 Introduction 2 Staff 4 IDFAcademy Programme 2018 6 Programme schedule 8 DAY 1 – Thursday November 15 – Kick Off 12 DAY 2 – Friday November 16 19 DAY 3 – Saturday November 17 28 DAY 4 – Sunday November 18 33 General Consultations 34 Meet the Professionals 34 DAY 2 – Friday November 16 39 DAY 3 – Saturday November 17 43 DAY 4 – Sunday November 18 49 IDFAcademy Participants 75 IDFA 2018 Films by IDFAcademy Participants 78 IDFAcademy Harvest 79 Selected for IDFA 2018 80 Industry Practical Information 83 Other 84 Festival Map

IDFAcademy Program Guide

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IDFAcademy Program 2018 IDFAcademy’s intensive four-day training program opens on Thursday November 15 with a kick off program in the Compagnietheater. After IDFAcademy Close Reading: Kabul, City in the Wind we will continue with the first IDFAcademy session: IDFAcademy: Meet the Participants & Presentations.

IDFAcademy Sessions The full four days everyone will meet at the Compagnietheater, where a broad range of documentary professionals will share their knowledge and inspiration of the industry through a wide variety of sessions. After Coffee & Croissants in the morning, plenary sessions will alternate with smaller and more specific sessions in the afternoon (registration required).

IDFAcademy Meet the Professionals After the morning sessions and the early afternoon sessions, all participants will have the opportunity to ask questions, receive advice and exchange ideas during the Meet the Professionals sessions, consisting of Round Table Meetings and One-on-One Meetings.

Round Table meetings are hosted by documentary professionals with a specific expertise. Each day’s respective professionals can be found in the section ‘Meet the Professionals’ (pages 34-48). Make sure to decide in advance which professionals you would like to meet, as you can register for these rounds at the IDFAcademy Information Desk until 13:00 during the IDFAcademy days. Note that there is a maximum of seven participants per table, and you can only subscribe for two rounds a day. First come is first served.

During the One-on-One Meetings you can discuss the project or film that you are currently working on. These meetings were

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pre-arranged depending on the information you provided in your accreditation form, and you will find the schedule at the IDFAcademy Information Desk and in your mail.

IDFAcademy Meet the Professionals Specials Parallel to the IDFAcademy Meet the Professionals sessions you can choose to attend the IDFAcademy Meet the Professionals Special sessions, which offer in-depth masterclasses in an intimate setting with renowned documentary professionals. At this year’s edition, we are proud to announce the following speakers: Nicolas Philibert, Errol Morris and Sophie Fiennes. You can register for these rounds at the IDFAcademy Information Desk until 13:00.

General Consultations with Cecilia Lidin and Christian Popp Ask Cecilia Lidin or Christian Popp for advice about your project or the overall documentary industry. Consultations are open on Friday, Saturday and Sunday from 13:00 - 16:30 (times vary per day, see daily schedule for specific timings), which means that they can also be scheduled during ‘IDFAcademy Meet the Professionals (Specials)’. If you are not signed up to a Round Table or One-on-One meeting, you may drop by the IDFAcademy Information Desk to schedule yourself a General Consultation. See page 33 for more information.

Screenings You can attend free screenings of films that are more or less related to the IDFAcademy 2018 Program. Some were created by one of the speakers and others by IDFAcademy participants and alumni.

You may collect tickets to these screenings every morning until 13:00 at the

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IDFAcademy Information Desk. More film screening suggestions during the IDFAcademy days are presented in the section ‘IDFA 2018 Films by IDFAcademy Participants’ (page 75).

Thursday 15 November

• The Waldheim Waltz, Ruth Beckermann (18:30 | Munt 11) • De Chaque Instant, Nicolas Philibert (21:00 | Munt 11) • René, Helena Třeštíková (21:30 | EYE 2) Friday 16 November

• Guaxuma, Nara Normande & The Two of Us, Emil Næsby Hansen (18:15 | Munt 9) • Sherman’s March, Ross McElwee (20:45 | Munt 4) • Home Games, Alisa Kovalenko (22:15 | Munt 10) Saturday 17 November

• Artificial Things, Sophie Fiennes & The Sound of Masks, Sara de Gouveia (17:15 | Tuschinski 4) • The Land of Peach Blossoms, Mingying Zhou (18:30 | Munt 11) • A Haunted Past, Fatma Riahi (20:15 | Tuschinski 4) Sunday 18 November

• American Dharma, Errol Morris (17:30 | Carré) •H eartbound, Janus Metz & Sine Plambech (21:00 | Brakke Grond – Grote Zaal) IDFAcademy Program Guide

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Drinks During IDFAcademy you are welcome to attend the IDFA Guest meet Guests drinks, hosted every IDFAcademy day from 18:0019:30. Thursday 15 and Friday 16 November we host drinks at Café de Jaren and on Saturday 17 and Sunday 18 November at the Zuiderkerk (see page 84 for a location map). These drinks offer a perfect environment to meet other festival guests and documentary professionals.

Additionally, we offer IDFAcademy Drinks at the Compagnietheater Café on Thursday, Friday and Sunday. After the kick-off on Thursday 15 November, we offer IDFAcademy Drinks from 16:00 – 17:30; on Friday 16 November we host special collaborative IDFAcademy Drinks with DocLab Academy from 17:30 – 18:30, and the IDFAcademy 2018 concludes with closing drinks on Sunday 18 November from 17:00 – 18:00.

Cross-overs Besides the IDFAcademy, IDFA organises the DocLab Academy (see flipside) and the Industry Office (page 80). You can visit the Industry Sessions: Recipes for Interactivity and observe how technology, story and audience merge in creation. Still in Amsterdam on Monday 20 and Tuesday 21 November? Drop by the Industry Office to further extend your knowledge. Please contact the IDFAcademy staff for advice.

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PROGRAM SCHEDULE CT - Compagnietheater • GZ - Grote Zaal • KZ - Kleine Zaal • ZZ - Zuilenzaal

Thursday 15 November 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:30

IDFAcademy Close Reading: Kabul, City, in the Wind With: Aboozar Amini Moderator: Isabel Arrate Fernandez

CT GZ

12:30 - 13:00

Lunch

13:00 - 16:00

IDFAcademy: Meet the Participants & Presentations With: Gitte Hansen, Gema Juárez Allen, Cecilia Lidin & Christian Popp

CT ZZ, KZ, Flex, Kleedkamer

16:00 - 17:30

IDFAcademy Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Café de Jaren

18:30 - 20:25

Screening: The Waldheim Waltz (Ruth Beckermann)

Munt 11

21:00 - 23:05

Screening: De Chaque Instant (Nicolas Philibert)

Munt 11

21:30 - 23:20

Screening: René (Helena Třeštíková)

EYE 2

Friday 16 November 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Plenary: Me – Pawel Lozinski & Ester Gould With: Pawel Lozinski & Ester Gould

CT GZ

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Session: How to Produce the Personal With: Catherine Dussart & Christian Popp

CT GZ

13:00 - 15:00

IDFAcademy Session: The Emotional Risk of Making Films With: Rebecca Day

CT ZZ

13:00 - 15:00

Master Talk: Helena Třeštíková Moderator: Pamela Cohn

Tuschinski 1

13:00 - 14:00

DocLab Industry Sessions: Recipes for Interactivity With: Caspar Sonnen

Brakke Grond – Rode Zaal

13:30 - 15:00 15:30 - 17:00

General Consultations With: Cecilia Lidin (13:30 - 15:00) & Christian Popp (15:30 - 17:00)

CT Foyer

15:30 - 17:30

Meet the Professionals

CT GZ & Foyer

15:30 - 17:30

Meet The Professionals Special: Nicolas Philibert Moderator: Cecilia Lidin

CT ZZ

17:30 - 18:30

IDFAcademy & DocLab Academy Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Café de Jaren

18:15 - 20:00

Screening: Guaxuma (Nara Normande) & The Two of Us (Emil Næsby Hansen)

Munt 9

20:45 - 23:45

Screening: Sherman’s March (Ross McElwee)

Munt 4

22:15 - 00:00

Screening: Home Games (Alisa Kovalenko)

Munt 10

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Saturday 17 November 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Session: Pitch & Trailer Workshop With: Mikael Opstrup and Jesper Osmund Panel: Gema Juàrez Allen, Mandy Chang & Alex Szalat

CT GZ

10:00 - 11:00

Industry Session: Creating a Successful and Personal Voice-over Narration With: Bonnie Williams & Roger Ross Williams Moderator: Corinne van Egeraat

Brakke Grond – Grote Zaal

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Session: Co-Producing With: Lise Lense-Møller & Steven Markovitz

CT GZ

13:00 - 14:30

IDFAcademy Session: The Ins & Outs of Applying to Film Funds With:Amy Hobby, Hajnal Molnar-Szakacs, Lucila Moctezuma & Lisa Marie Russo

CT ZZ

13:00 - 14:30 13:00 - 16:30

General Consultations With: Cecilia Lidin (13:00 - 14:30) & Christian Popp (13:00 - 16:30)

CT Foyer

15:30 - 17:30

Meet the Professionals

CT GZ & Foyer

15:30 - 17:30

Meet The Professionals Special: Errol Morris Moderator: Dana Linssen

CT ZZ

18:00 - 19:30

Guests Meet Guests

Zuiderkerk

17:15 - 19:25

Screening: Artificial Things (Sophie Fiennes) & The Sound of Masks (Sara de Gouveia)

Tuschinski 4

18:30 - 20:30

Screening: The Land of Peach Blossoms (Mingying Zhou)

Munt 11

20:15 - 22:00

Screening: A Haunted Past (Fatma Riahi)

Tuschinski 4

Sunday 18 November 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Plenary: Sales & Strategy - About the Money or the Viewers?

With: Gitte Hansen, Anaïs Clanet & Robin Smith

CT GZ

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Sessions: How to Create Impact With: Rebecca Lichtenfeld & Brenda Coughlin

CT GZ

13:00 - 15:00

IDFAcademy Session: Discover Digital Distribution With: Muriel Joly

CT KZ

13:00 – 14:00

Industry Session: How to Make Money as an Author With: Sean Mc Allister, Gonzalo Arijon, and Patrick Jeudy Moderator: Martijn Winkler

Brakke Grond – Grote Zaal

13:00 - 15:00 13:00 - 16:30

General Consultations With: Cecilia Lidin (13:00 - 15:00) & Christian Popp (13:00 - 16:30)

Foyer

15:30 - 17:00

Meet The Professionals

CT GZ & Foyer

15:30 - 17:00

IDFAcademy Meet the Professional Special: Sophie Fiennes Moderator: Dana Linssen

CT KZ

17:00 - 18:00

Closing Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Zuiderkerk

17:30 - 19:45

Screening: American Dharma + Doc Talk (Errol Morris)

Carré

21:00 - 22:50

Screening: Heartbound (Janus Metz & Sine Plambech)

Brakke Grond – Grote Zaal

IDFAcademy Program Guide

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Day 1 - Thursday November 15 Program 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:30

IDFAcademy Close Reading: Kabul, City, in the Wind With: Aboozar Amini Moderator: Isabel Arrate Fernandez

CT GZ

12:30 - 13:00

Lunch

13:00 - 16:00

IDFAcademy: Meet the Participants & Presentations With: Gitte Hansen, Gema Juárez Allen, Cecilia Lidin & Christian Popp

CT ZZ, KZ, Flex, Kleedkamer

16:00 - 17:30

IDFAcademy Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Café de Jaren

18:30 - 20:25

Screening: The Waldheim Waltz (Ruth Beckermann)

Munt 11

21:00 - 23:05

Screening: De Chaque Instant (Nicolas Philibert)

Munt 11

21:30 - 23:20

Screening: René (Helena Třeštíková)

EYE 2

IDFAcademy Close Reading: Kabul, City in the Wind

Aboozar Amini

With: Aboozar Amini Moderator: Isabel Arrate Fernandez 10:00 – 12:00 | Compagnietheater – Grote Zaal

The IDFAcademy kicks off with a close reading with Aboozar Amini, director of this year’s opening film Kabul, City in the Wind. After the screening of the film, Amini and moderator Isabel Arrate Fernandez will further discuss the cinematography and how the main protagonists tell the bigger story of the war in Afghanistan. How did the director build this relationship with the film’s main protagonists?

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Aboozar Amini (Bamiyan, Afghanistan, 1985) believes that the world of cinema is home for him. He received his B.A. degree in Fine Arts at the Art Academy in Amsterdam where he studied conceptual arts in audio visual and mix media. His graduation film KabulTehranKabul (2010) won the Wildcard Award of the Dutch Film Fund. Supported by eight international scholarships, Aboozar was able to follow his MA in film making in 2012-2015 at the renowned London Film School (LFS) where theories of the aesthetic language of film, go hand in hand with practicing the process of making films under supervision of well-known filmmakers such as Mike Leigh and his team. He completed his M.A. degree at London Film School with Angelus Novus (2015) which premiered at International Film Festival Rotterdam (IFFR)

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and won various awards worldwide. His universal identity brought him to China where he was the chief editor of five successful feature length documentaries. His latest short film Best Day Ever (2018) opened at La Quinzaine at Cannes 2018 as part of the Tunisia Factory.

Aboozar’s work shows a neo-realistic language of cinema, which was his major study field for his master dissertation in London as well. Aboozar lives and works in Kabul and Amsterdam. He wants to establish a newwave of Afghan cinema together with young filmmakers there through filmmaking.

Isabel Arrate Fernandez Isabel Arrate Fernandez finished her MA in Film Studies from the University of Amsterdam in 1996, and worked in festival production, programming and film financing before joining IDFA. Since 2002 she is head of the IDFA Bertha Fund and in charge of the development and implementation of the different support programs of the fund. She is a member of the selection committee and actively involved in the mentoring of documentary projects. Over the years she has participated in juries and worked regularly as consultant for documentary projects. In 21 years the IDFA Bertha Fund has developed into an internationally renowned institution with a broad network supporting over 600 documentaries projects and film organisations in Africa, Asia, Eastern Europe, the Middle-East and Latin America.

IDFAcademy: Meet the Participants & Presentations With: Gitte Hansen, Gema Juárez Allen, Cecilia Lidin & Christian Popp 13:00 – 16:00 | Compagnietheater – Kleine Zaal, Flexruimte, Zuilenzaal & Kleedkamer 2

During the IDFAcademy kick-off Gitte Hansen (sales agent), Gema Juárez Allen (producer), Cecilia Lidin (film consultant) & Christian Popp (producer) will help you present IDFAcademy Program Guide

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yourself perfectly and you will get the chance to meet the other 99 participants – the first steps in networking!

Gitte Hansen Deputy Director for First Hand Films, Gitte works on a daily basis with project development, executive producing, financing & packaging, marketing strategy, sales & acquisition of non-fiction films and series. Recent titles she executive produced for FHF include A Thousand Girls Like (Best of Fest section IDFA 2018), Nothing is Forgiven, Jaha’s Promise, Presenting Princess Shaw and Ambulance. Gitte is in charge of acquisitions at First Hand Films.

Previously she has worked with international distribution of feature films, inhouse factual production at DR-TV and she was Head of Information and Promotion at Filmkontakt Nord. She serves with joy as consultant, lecturer and moderator at events such as Nordic Forum, DOK.incubator, EDN pitchings & workshops around Europe, Pitching du Réel, IDFA, Ex Oriente and IDFAcademy Summerschool.

Gitte has served on several juries at international film festivals and holds a Master in Film and Rhetoric from the University of Copenhagen.

Gema Juárez Allen Gema Juárez Allen has been a film producer since 2005. She has produced over 20 feature - length films — all international co-productions — programmed and awarded at film festivals around the world. Among her most recent titles are Theatre of War (Lola Arias, 2018), La Cama (Monica Lairana, 2018), Yo no me llamo Ruben Blades (Abner Benaim, 2018), Soldado (Manuel Abramovich, 2017), Oscuro animal (Felipe Guerrero, 2016), Camino a La Paz (Francisco Varone, 2015), 327 Cuadernos

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(Andrés Di Tella, 2015), Damiana/Kryygi (Alejandro Fernández Mouján, 2015) and Invasion (Abner Benaim, 2014). Juárez Allen studied anthropology at the universities of Buenos Aires and Rio de Janeiro, where she obtained her PhD. She has also studied cinema at the National Film School (ENERC) in Argentina, and she received an MA in Visual Anthropology from the University of Manchester. She is also part of the EAVE and EURODOC networks.

Cecilia Lidin With a background in film studies at the University of Copenhagen and UC Berkeley, finalized with a thesis on documentary film and ethics - Cecilia Lidin has for the past 20+ years worked with the development and financing of documentaries in different capacities. As loans officer in the first MEDIA programmes office documentary, followed by promoting Nordic shorts and documentaries at Filmkontakt Nord and at the European Documentary Network responsible for a number of the many co-production workshops around Europe working as tutor as well as moderator for pitching events. In 2009 Cecilia Lidin took over as Head of EDN together with Hanne Skjødt, a position she held until she left to become Film Commissioner for Documentaries at the Swedish Film Institute in 2011 where she was until 2015.

Cecilia Lidin is at present Film Commissioner for Documentaries at the Danish Film Institute.

Christian Popp was born in 1971 in Romania. With a French-German Master Degree in History and Arts he has since 1991 worked as a journalist and film director. Between 1998 and 2003

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Screenings

The Waldheim Waltz Ruth Beckermann (Austria, 2018, 93 min.) Masters 18:30 | Munt 11

Christian Popp

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he was a commissioning editor for ARTE in Strasbourg. From 2003 to 2005 he worked as commissioning editor in the ARTEdepartment of the RBB Channel in Berlin and Potsdam. He commissioned and coproduced many TV-Programs, from documentary series to magazines, studio debates to on-off documentaries. From 2005 to 2014 he worked as producer in Paris and Berlin for interscience film, an independent French-German production company. In 2011 he co-founded in Berlin his own production company DOCDAYS Productions that he left in 2014. In 2012 he established together with Fabrice Estève the Paris based YUZU Productions specialised in international co-productions. The company has produced in 6 years 30 documentaries and short films. Christian is consulting, mentoring and moderating at various documentary events (amongst others, IDFAcademy, MIADoc, LisbonDocs, Visions du Réel, Femis, Les Gobelins) and has been member of the IDFA jury in 2017. Recent films of YUZU Productions include Becoming Cary Grant, Free to run, and The Doping Competition.

YUZU Productions has been nominated twice for the Best French TV Producer Awards 2015 and 2017 in the category Documentary.

In 1986, filmmaker Ruth Beckermann took part in the protests against Kurt Waldheim, Austrian presidential candidate and former Secretary-General of the United Nations.

Beckermann filmed the demonstrations that accompanied the charismatic politician’s campaign, and combined them with

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TV interviews and news reports to create an exciting chronological report climaxing in the election itself. The film features an unabashed Waldheim parrying the mounting evidence of his involvement with the SS during the Second World War with counter-accusations, “alternative facts” and shameless rhetoric. Even when international pressure grows, he continues to deny the facts and only repeats his mantras. It brings to mind comparisons with contemporary world leaders who attempt to put the serious media in a bad light. This surprisingly topical documentary also reveals how much moral thinking has changed in 30 years, particularly in the United States, which then took a firmly principled position—something that seems almost unthinkable today.

to reassure patients, insert an IV and remove stitches—always aware that they must perform these tasks without error. It takes a lot of practice to develop a level of routine and confidence, and for some it’s a very bumpy road to the finish line.

René Helena Třeštíková (Czech Republic, 2008, 83 min.)

Retrospective

21:30 | EYE 2

De chaque instant Nicolas Philibert (France, 2018, 105 min.) Masters 21:00 | Munt 11

How do young students deal with pain, illness, fear and death? Nicolas Philibert follows students during three years of nursing school, and in three chapters he reveals just how hard it is for them. Each of the parts— respectively focusing on theory, practice and performance reviews—is preceded by a sentence from a poem by Yves Bonnefoy.

Just as he did in his major breakthrough film Être et avoir, the director lets the images do the talking. The students are expected to acquire enormous amounts of medical knowledge and to master countless, often intimate, tasks—which they initially practice on one another and on dolls. The second part examines the intense pressures they have to work under during their internships.

Nervously, they replace bandages, attempt IDFAcademy Program Guide

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For most of the two decades that we follow him, René is in prison. After each stint behind bars—a few months here, a few years there— he has to pull his life together again. Helena Třeštíková started filming René when he was a teenager in 1989, as part of a project about juvenile delinquents. She kept on following him for 20 years, through all the great upheavals taking place in his homeland of the Czech Republic, which mainly reach René by way of the TV in his prison cell. René’s dreary but calm life in jail contrasts with hectic scenes of the freedom outside. Once he gets out, he does his best to stay on the straight and narrow, but each time he loses his way again. While René is locked up, Třeštíková is often the lifeline that connects him with the world beyond his cell: his letters to her, which he reads out loud, are a leitmotif through the film. She convinces him that he should become a writer. The bond between filmmaker and subject may not be an easy one—even Třeštíková isn’t safe from René’s thievery—but it’s always the tempestuous, beating heart of this superb film.

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DAY 2 – Friday November 16 Program 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Plenary: Me – Pawel Lozinski & Ester Gould With: Pawel Lozinski & Ester Gould

CT GZ

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Session: How to Produce the Personal With: Catherine Dussart & Christian Popp

CT GZ

13:00 - 15:00

IDFAcademy Session: The Emotional Risk of Making Films With: Rebecca Day

CT ZZ

13:00 - 15:00

Master Talk: Helena Třeštíková Moderator: Pamela Cohn

Tuschinski 1

13:00 - 14:00

DocLab Industry Sessions: Recipes for Interactivity With: Caspar Sonnen

Brakke Grond – Rode Zaal

13:30 - 15:00 15:30 - 17:00

General Consultations With: Cecilia Lidin (13:30 - 15:00) & Christian Popp (15:30 - 17:00)

CT Foyer

15:30 - 17:30

Meet the Professionals

CT GZ & Foyer

15:30 - 17:30

Meet The Professionals Special: Nicolas Philibert Moderator: Cecilia Lidin

CT ZZ

17:30 - 18:30

IDFAcademy & DocLab Academy Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Café de Jaren

18:15 - 20:00

Screening: Guaxuma (Nara Normande) & The Two of Us (Emil Næsby Hansen)

Munt 9

20:45 - 23:45

Screening: Sherman’s March (Ross McElwee)

Munt 4

22:15 - 00:00

Screening: Home Games (Alisa Kovalenko)

Munt 10

IDFAcademy Plenary: Me – Pawel Lozinski & Ester Gould

Ester Gould

With: Pawel Lozinski & Ester Gould 10:00 – 12:00 | Compagnietheater – Grote Zaal

Two renowned filmmakers from this year’s IDFA Focus program Me, Polish director Pawel Lozinski and Dutch director Ester Gould share their thoughts and experiences of making a highly personal film. Both films deal with family relations, resulting in two completely different stylistic approaches. An in-depth conversation about the different ways to visualize emotional matters and developing an artistic signature.

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Ester Gould (1975, Peterculter) is a Scottishborn documentary filmmaker who lives and works in Amsterdam. She studied Film and Journalism in Amsterdam and New York and began her career as a researcher and scriptwriter for acclaimed director Heddy Honigmann. Since 2005 she has been directing her own films and series. A Strange Love Affair with Ego - her second documentary feature - won the 2015 IDFA Award for Best Dutch Documentary and the Prize of

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the Dutch Film Critics’ Circle in 2016 and is again shown at IDFA this year in the Me Focus program. Strike a Pose – co-directed by Reijer Zwaan – premiered at the Berlinale in 2016, was released theatrically in The Netherlands, Belgium and the USA and was acquired by Netflix. That year, Variety named her one of ten European ‘Female Filmmakers to Watch’.

Her most recent project was Debt Society (2016), a six-part documentary series in co-direction with Sarah Sylbing. The popular series sparked public debate about the debt problem and won several television awards, including the Silver Nipkow Disk and a Dutch Directors Guild Award in 2017. Besides directing and co-producing films, she also works as a documentary coach and tutor and led this year’s Kids & Docs Workshop.

Pawel Lozinski Polish director, cameraman and producer of documentary films Pawel Lozinski is a graduate of the Directing Department at the Film School in Lodz. He lectures in documentary film direction at the National Film School in Lodz and Gdynia Film School. Lozinski has made more than twenty award-winning documentary films at international festivals. He makes distinct and emotionally charged documentaries about people of whom he draws intimate portraits.

He is also the director of photography on many of his films. He made his debut in 1992 with Birthplace, about a Polish Jew looking for the murderer of his father. Other notable films include the short film Sisters (1999), Between the Doors (2004, part of the Across the Border series), Chemo (2008), Father and Son (2013) and You Have No Idea How Much I Love You (2016). Father and Son is part of this year’s focus program Me.

IDFAcademy Program Guide

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IDFAcademy Session: How to Produce the Personal With: Catherine Dussart & Christian Popp 13:00 – 15:00 | Compagnietheater – Grote Zaal

Producers Catherine Dussart & Christian Popp discuss how to make a personal film relevant for others. Despite the demand for hardcore investigative documentaries nowadays, many filmmakers are still telling their own personal stories. Is the personal still political, as we used to claim? How can we make these films relevant, and allow them to travel? How to finance them and find them an audience? And how can we avoid making the film private instead of personal?

Catherine Dussart Catherine Dussart has produced and co-produced feature films and documentaries through her company CDP since 1994. Her most recent productions include Graves Without a Name by Rith Panh and A Tramway in Jerusalem by Amos Gitai, which both premiered at the latest Venice Film Festival; Exile by Rithy Panh, which premiered in the Official Selection of the 2016 Cannes Film Festival; The Missing Picture by Rithy Panh, which won both the Un Certain Regard award at the 2013 Cannes Film Festival and the Prix Italia and was also an Academy Award nominee for Best Foreign Film; In This Land Lay Graves of Mine by Lebanese director Reine Mitri; and 9 Fingers by F. J. Ossang, winner of the 2014 Rome Eurimages Award. Dussart has also been the director of the French media company TF1 Group since 2013.

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IDFAcademy Session: The Emotional Risk of Making Films

Christian Popp Christian Popp was born in 1971 in Romania. With a French-German Master Degree in History and Arts he has since 1991 worked as a journalist and film director. Between 1998 and 2003 he was a commissioning editor for ARTE in Strasbourg. From 2003 to 2005 he worked as commissioning editor in the ARTEdepartment of the RBB Channel in Berlin and Potsdam. He commissioned and coproduced many TV-Programs, from documentary series to magazines, studio debates to on-off documentaries. From 2005 to 2014 he worked as producer in Paris and Berlin for interscience film, an independent French-German production company. In 2011 he co-founded in Berlin his own production company DOCDAYS Productions that he left in 2014. In 2012 he established together with Fabrice Estève the Paris based YUZU Productions specialised in international co-productions. The company has produced in 6 years 30 documentaries and short films. Christian is consulting, mentoring and moderating at various documentary events (amongst others, IDFAcademy, MIADoc, LisbonDocs, Visions du Réel, Femis, Les Gobelins) and has been member of the IDFA jury in 2017. Recent films of YUZU Productions include Becoming Cary Grant, Free to run, and The Doping Competition.

YUZU Productions has been nominated twice for the Best French TV Producer Awards 2015 and 2017 in the category Documentary.

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With: Rebecca Day 13:00 – 15:00 | Compagnietheater – Zuilenzaal

Making documentary films often comes with emotional and personal risk attached, yet this is something rarely discussed during the development of projects and careers. Through emphatic exploration, this session will look at the establishment of the working relationship, what it means to film in traumatic situations or with people who are at risk, and to what extent this leaves us open to our own vulnerability as filmmakers.

Rebecca Day Rebecca Day is a freelance producer and qualified psychotherapist. She began her producing career with the Scottish Documentary Institute (SDI) in 2008, where she produced her first short documentary, Peter in Radioland, nominated for seven awards, including a European Academy Award, developed several features and worked on innovative outreach and audience engagement campaigns for SDI, most notably the successful campaign around award winning documentary, I Am Breathing and Seven Songs for a Long Life. She is currently producing two feature docs, Becoming Animal about our human relationship with nature (directed by Emma Davie & Peter Mettler, Masters programme section at IDFA 2018), and Silent Men, about men’s mental health (directed by Duncan Cowles, in development). She is also a qualified psychotherapist and launched Film In Mind in September 2018 to offer consultancies & training to filmmakers and projects working in difficult situations and with vulnerable people.

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Master Talk: Helena Třeštíková With: Helena Třeštíková Moderator: Pamela Cohn 13:00 – 15:00 | Tuschinski 1

A household name in Eastern Europe, IDFA 2018’s Guest of Honor Helena Třeštíková is an experienced filmmaker with an authentic style, known for following her characters for long periods of time, often more than 10 years. In addition to a retrospective of her work, Třeštíková has compiled a Top 10 of her favorite documentaries for IDFA, which she presents in this Filmmaker Talk moderated by film journalist Pamela Cohn.

Helena Třeštíková One of the most important Czech documentary filmmakers, Helena Třeštíková has directed some forty films since graduating from Prague’s FAMU film school in 1974. She worked for a long time in Czech television, which funded the hit series Marriage Stories (1987), seven years portraits of young married couples. The series’ six episodes combined sociology, demography and “cinéma-vérité”, making the filmmaker very popular in her country.

It was followed in 2006 by a second series, Marriage Stories 20 Years Later, which catches up with the couples later in their lives. Both series feature Třeštíkova’s signature working method, known as time collection. During her years in Czech television, Třeštíková showed an interest in female characters, directing several portraits of women with tragic lives. Her latest trilogy of portraits (Marcela, René, Katka) brought her international attention. René and Katka won prestigious awards at several international film festivals. In these three portraits of society’s outcasts, shot over a period of ten to twenty years, the director focuses more than ever on continuity over time, patiently building stories and waiting for events that will signify a life.

Masterpieces of editing, the three films confirm the filmmaker’s deftness at transforming IDFAcademy Program Guide

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the humdrum existence of the downtrodden into unique, fascinating narratives. The trilogy also highlights Třeštíkova’s complex relationship with her characters, especially in René, where her own life increasingly comes into play. She continued her time-lapse method in her later works, like Private Universe or A Marriage Story, covering a span of 37 years from the life of one family.

DocLab Industry Sessions: Recipes for Interactivity With: Caspar Sonnen, Lance Weiler & Rachel Eve Ginsberg, Pejk Malinovski and Steye Hallema & Marieke Nooren.

13:00 – 14:00 | de Brakke Grond - Rode Zaal

How do you present interactive documentaries, games, audio walks or augmented reality experience to a festival audience? This year’s DocLab: Humanoid Cookbook exhibition takes the dining table as a platform for interactive documentaries, culinary performances and unpredictable experiments with human behavior and technology. Several artists will share which role technology, story and the audience play in the creation of their work, and how these elements relate to one another. Following the presentations IDFAcademy and DocLab Academy participants will visit the DocLab: Humanoid Cookbook Exhibition to discuss the installations together with the artists.

Caspar Sonnen Caspar Sonnen (Amsterdam, 1975) is a curator and festival organizer specialized in the undefined space between interactive technology, storytelling and art. As Head of New Media and DocLab at the International Documentary Film Festival Amsterdam, he explores the effects of the digital revolution on reality and the art of documentary storytelling. In 2007, he created IDFA DocLab (www.idfa.nl/doclab), a platform for showcasing new forms of documentary art, live performance and

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digital technology within the festival. Since then, IDFA DocLab has become one of the most important meeting places for interdisciplinary non-fiction artists, technologists and audiences. At IDFA, Sonnen also commissions new works, ranging from documentary robots to multi-user virtual reality performances. Before joining IDFA, he co-founded the Open Air Film Festival Amsterdam, worked in cinema exhibition, digital distribution and journalism. He has curated guest programs for festivals such as the Cannes film festival and SXSW, and has been a festival juror at a.o. Sundance, World Press Photo and Tribeca. He is currently on the advisory board for MIT’s Open Documentary Lab, SXSW Film and IFP’s New Media Centre in New York. In 2015 he received the EDN Award for Outstanding Contribution to European Documentary Culture.

General Consultations with Cecilia Lidin & Christian Popp Cecilia: 13:30 – 15:00 | Christian: 15:30 – 17:00 | Compagnietheater – Foyer

Ask Cecilia Lidin and Christian for advice about your project and the documentary industry in general. See page 33 for more information.

IDFAcademy Meet the Professionals 15.30-17.30 | Compagnietheater – Grote Zaal & Foyer Round Table and One-on-One meetings with renowned professionals. For today’s professionals see section ‘Meet the Professionals’ on page 34.

IDFAcademy Meet the Professional Special: Nicolas Philibert With: Nicolas Philibert Moderator: Cecilia Lidin 15:30 – 17:30 | Compagnietheater – Zuilenzaal

Director Nicolas Philibert discusses his oeuvre, including the classic Être et avoir (2002) and his newest film De chaque instant (2018).

Director Nicolas Philibert has a characteristic observational style of filmmaking. In this intimate masterclass, he talks about his

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approach and the choices he makes. He will illustrate this with clips from his work, such as the films Retour en Normandie (2007), Nénette (2010), La Maison de La Radio (2013).

Nicolas Philibert Nicolas Philibert was born in 1951 in Nancy, France.

After studying philosophy, he turned to film and became an assistant director, notably for René Allio and Alain Tanner. In 1978 he co-directed his first documentary with Gérard Mordillat.

In His Master’s Voice (La voix de son maître) a dozen bosses of leading industrial groups discuss power, hierarchy and control. After shooting various mountaineering and sports films, Philibert started making documentaries that all obtained theatrical releases: La Ville Louvre (1990), In the Land of the Deaf (Le Pays des sourds) 1992, Animals and more Animals (Un animal, des animaux) 1995, Every Little Thing (La Moindre des choses) 1996, as well as a film essay: Qui sait? (1998) In 2001, he directed To Be and to Have (Être et avoir) 2001, about a “single class” school in a French mountain village.

As a selection at the Cannes Festival and winner of Prix Louis Delluc 2002, the film was an international success. In Retour en Normandie (2007), he returns to the settings of a film shot thirty years earlier by René Allio. Nénette (2010) is a strange confrontation with the oldest resident of a Parisian zoo, a female orangutan aged 40, captive for 37 years. With La Maison de la radio (2013) he plunges into the heart of Radio France, to discover what usually escapes our gaze: the mysteries and wings of a media whose very matter and sound, remains invisible. His next film, Each and every Moment (De chaque instant) shot at a nursing institute, was recently released and will screen at IDFA. Since 2002, more than one hundred of tributes and retrospectives of his films were set up in countless cities across the globe.

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Cecilia Lidin With a background in film studies at the University of Copenhagen and UC Berkeley, finalized with a thesis on documentary film and ethics - Cecilia Lidin has for the past 20+ years worked with the development and financing of documentaries in different capacities. As loans officer in the first MEDIA programmes office documentary, followed by promoting Nordic shorts and documentaries at Filmkontakt Nord and at the European Documentary Network responsible for a number of the many co-production workshops around Europe working as tutor as well as moderator for pitching events. In 2009 Cecilia Lidin took over as Head of EDN together with Hanne Skjødt, a position she held until she left to become Film Commissioner for Documentaries at the Swedish Film Institute in 2011 where she was until 2015. Cecilia Lidin is at present Film Commissioner for Documentaries at the Danish Film Institute.

Screenings Guaxuma & The Two of Us 18:15 | Munt 9

Guaxuma Nara Normande (France & Brazil, 2018, 15 min.)

Short Documentary

“I was born on a beach.” These are the opening words of an intriguing autobiographical narrative, in which the young filmmaker Nara Normande returns to her childhood in Guaxuma, a district in the city of Maceió, Brazil. Her parents were part of a wave of hippies who came from all over Brazil to this IDFAcademy Program Guide

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coastal city in the northeast. Her childhood in Guaxuma was happy and carefree: there were parties on the beach every week, and adventurous secret trips to deserted hotels.

At the beach she made a deep and eternal friendship and felt free. But later came sadness, separation and death. The melancholic tone of Normande’s voice and the remarkable combination of animation techniques transport us into the world of her memories.

She builds houses and dreams out of grains of sand, and shows photos of her parents in happier times. She and her friend run together as sand dolls along the beach, while a flock of origami birds fly towards the horizon.

The Two of Us Emil Næsby Hansen (Denmark, 2018, 66 min.)

Luminous

He’s 17, she’s 18. They had a year-long relationship, but now it’s over and they’re trying to stay friends. This story is so commonplace that coming up with the idea to make a documentary about it is quite something in itself, and Emil Næsby Hansen succeeds with flying colors. In part, this is because he manages to stay close to Skjold and Isabel without distracting or inhibiting them. We watch as they despise one another, want to be together as much as possible, frolic like lovesick puppies, and then suddenly can’t understand each other anymore. The Two of Us is a record of first love and the utter confusion it brings, with attraction and repulsion in equal measure. One absolutely unforgettable shot is the close-up of Skjold when his ex-girlfriend tells him she’s going to study abroad in Barcelona. This brief glimpse of disappointment and defeat is subtler and more authentic than what you might see in a romantic drama, while the film attains a similar sense of intimacy.

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Sherman’s March

Home Games

Ross McElwee (United States, 1986, 158 min.) Me 20:45 | Munt 4

Alisa Kovalenko

Filmmaker Ross McElwee takes his camera on a journey into the American South, following in the footsteps of William Sherman, the Union Army general who marched his army south from Atlanta to Savannah during the American Civil War, leaving a trail of destruction in his wake. But just before starting to shoot the film, McElwee’s girlfriend ends their relationship. Under pressure from his sister and his parents, McElwee shifts his focus to the different goal of finding a “nice Southern girl.” While still occasionally sharing information about the adventures and misadventures of General Sherman, time and again McElwee’s lens strays off to the strikingly attractive, independently minded, and intelligent women who cross his path. More than anything else, however, their attention feeds McElwee’s own self-doubt; contact with women strikes a level of anxiety into him that’s equaled only by the threat of nuclear war, another of his fixations. All the while, McElwee’s apparently aimless exploration of the South delivers insights into his complex relationship with his native soil—a dynamic he compares with that of Sherman, whose love for the southern states did nothing to prevent him being deeply hated there.

22:15 | Munt 10

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(France, Ukraine & Poland, 2018, 86 min.) Best of Fests

With her addict stepfather spending his child support money on alcohol, 20-year-old Alina shoulders the responsibility for her young half-brother and half-sister. Alina’s mother and grandmother aren’t in any state to help, either. There’s never any cash, and they all live together in a shabby, cramped apartment in Kiev. Alina is a talented soccer player who practices in worn-out cleats that she’s sewn back together herself. When her mother dies, Alina’s cherished dream of a place on the national women’s soccer team becomes even more remote. Director Alisa Kovalenko skillfully maneuvers her camera around the apartment, staying close to this incredibly resilient young woman. Given the circumstances, it’s astonishing how much patience Alina has for her family, and how lovingly she cares for her little brother and sister—even when she has no choice but to take them with her to a training camp, or sell her own belongings to support them. Despite it all, she fights to keep her soccer dream alive. This film was supported by IDFA Bertha Fund, and participated in IDFAcademy Summer School. Alisa Kovalenko will also participate in IDFAcademy during IDFA 2018.

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DAY 3 – Saturday November 17 Program 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Session: Pitch & Trailer Workshop With: Mikael Opstrup and Jesper Osmund Panel: Gema Juàrez Allen, Mandy Chang & Alex Szalat

CT GZ

10:00 - 11:00

Industry Session: Creating a Successful and Personal Voice-over Narration With: Bonnie Williams & Roger Ross Williams Moderator: Corinne van Egeraat

Brakke Grond – Grote Zaal

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Session: Co-Producing With: Lise Lense-Møller & Steven Markovitz

CT GZ

13:00 - 14:30

IDFAcademy Session: The Ins & Outs of Applying to Film Funds With:Amy Hobby, Hajnal Molnar-Szakacs, Lucila Moctezuma & Lisa Marie Russo

CT ZZ

13:00 - 14:30 13:00 - 16:30

General Consultations With: Cecilia Lidin (13:00 - 14:30) & Christian Popp (13:00 - 16:30)

CT Foyer

15:30 - 17:30

Meet the Professionals

CT GZ & Foyer

15:30 - 17:30

Meet The Professionals Special: Errol Morris Moderator: Dana Linssen

CT ZZ

18:00 - 19:30

Guests Meet Guests

Zuiderkerk

17:15 - 19:25

Screening: Artificial Things (Sophie Fiennes) & The Sound of Masks (Sara de Gouveia)

Tuschinski 4

18:30 - 20:30

Screening: The Land of Peach Blossoms (Mingying Zhou)

Munt 11

20:15 - 22:00

Screening: A Haunted Past (Fatma Riahi)

Tuschinski 4

IDFAcademy Session: Pitch & Trailer Workshop With: Mikael Opstrup and Jesper Osmund Panel: Gema Juàrez Allen, Mandy Chang & Alex Szalat 10:00 – 12:00 | Compagnietheater – Grote Zaal

(producer), Mandy Chang (BBC Storyville), and Alex Szalat (ARTE France). Ultimately, the audience can voice thoughts, suggestions and questions.

After an introduction by Mikael Opstrup (EDN), editor Jesper Osmund will elaborate on making a successful pitch trailer by showing examples and offering concrete advice.

Four participants will get the opportunity to pitch their project and receive feedback from a panel including Gema Juàrez Allen IDFAcademy Program Guide

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Mikael Opstrup

Gema Juárez Allen

Mikael Opstrup graduated from The University of Copenhagen in 1979 with a degree in Film, after which he started working in distribution and the theatrical release of documentaries. He attended scriptwriting at the Danish Film School in 1988 and proceeded to work as a freelance producer throughout the 90’s.

Between 1998 and 2002, Opstrup had a desk-cross-over and became production adviser at the Danish Film Institute. From 2002 until 2008 he was a co-owner and producer at Final Cut Productions in Copenhagen, where he produced a number of international documentaries. From 2005 – 09 he was a Board Member at EDN, from 2008 as Chairman. From January 2011 onwards, Opstrup has been the EDN Head of Studies.

Jesper Osmund Jesper is a Danish film editor and narrative consultant. He began his career in fiction, editing several feature and short films, before he decided to focus entirely upon documentaries. Today he has edited over 100 documentaries, many of which internationally awarded and screened at festivals world wide. A fragment of his documentary editing work contains Stronger Than A Bullet, Prison Sisters, A Bastard Child, Becoming Zlatan, Those Who Said No, When The Boys Return, No Burqas Behind Bars, Big Boys Gone Bananas, and The Well, all screened at IDFA. He also works as a narrative consultant and is a regular tutor at rough cut and pitching workshops. He was a tutor at the IDFAcademy Summer School in the last 8 years.

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Gema Juárez Allen has been a film producer since 2005. She has produced over 20 feature - length films — all international co-productions — programmed and awarded at film festivals around the world. Among her most recent titles are Theatre of War (Lola Arias, 2018), La Cama (Monica Lairana, 2018), Yo no me llamo Ruben Blades (Abner Benaim, 2018), Soldado (Manuel Abramovich, 2017), Oscuro animal (Felipe Guerrero, 2016), Camino a La Paz (Francisco Varone, 2015), 327 Cuadernos (Andrés Di Tella, 2015), Damiana/Kryygi (Alejandro Fernández Mouján, 2015) and Invasion (Abner Benaim, 2014). Juárez Allen studied anthropology at the universities of Buenos Aires and Rio de Janeiro, where she obtained her PhD. She has also studied cinema at the National Film School (ENERC) in Argentina, and she received an MA in Visual Anthropology from the University of Manchester. She is also part of the EAVE and EURODOC networks.

Mandy Chang Mandy is the Commissioning Editor of Storyville, the BBC’s pioneering global feature documentary strand. It showcases the world’s best documentaries – dealing with big issues of our time and with stories that resonate universally. For over 20 years, Storyville has aired acclaimed films such as: India’s Daughter, City of Ghosts, Blackfish, Death on the Staircase, OJ: Made in America, Notes on Blindness and Man on Wire. Many of these films have won Oscar, Grierson, Emmy, Peabody and other prestigious awards.

Mandy is from a filmmaking background and herself has brought award winning films to public television viewers, both as a commissioner (at ABC Arts) and filmmaker. During

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her time at Storyville Mandy has overseen and delivered to the BBC series such as The Fourth Estate and Why Slavery, as well as single films, Under the Wire, Last Men in Aleppo, The Death of Ratko Mladic, Trophy, A Northern Soul and The Cleaners, which premiered at Sundance and won the Prix Europa. She is a passionate advocate of public service broadcasting with its remit to support independent, diverse and creatively authored storytelling for audiences and to nurture new talent in a culture dominated by commercial imperatives.

Alex Szalat Alex Szalat is a director of short films, documentaries and TV series since 1977.

Since September 2011, he is Deputy Manager of the Society and Culture department of Arte France. His filmography is extensively covering a full range aspects dealing with European life culture and society.

In 1987, Szalat founded KS VISIONS, an independent producers society and has produced over a hundred documentaries and TV series for Canal +, Arte, FR3, FR2, TF1, Planete, IBA, RTBF, Dutch Channel 1 amongst others. Since 2005 A. Szalat was commissioning editor for the Geopolitical Europe and Society department of Arte France, and from 2008, he heads the Current affair, Social issues and geopolitical department.

Industry Session: Creating a Successful and Personal Voice-over Narration With: Bonnie Williams & Roger Ross Williams Moderator: Corinne van Egeraat 10:00 – 11:00 | Brakke Grond - Rode Zaal

How you execute a personal voice-over influences the success of your film, from pitching to production, screening, and distribution.

In this Session Bonnie Williams (the Whole Package) and Roger Ross Williams (filmmaker) explore the factors at play in creating an effective style and authentic tone of voice for narrating your own film. The focus of this Session is on the creative process: dramaturgical choices; writing; underlying personal obstacles; challenges of self-directing; execution; and delivery. Come explore the tools for creating an effective self-narrated film.

Moderated by Corinne van Egeraat (ZINdoc).

IDFAcademy Session: Co-Producing With: Lise Lense-Møller & Steven Markovitz 13:00 – 15:00 | Compagnietheater – Grote Zaal

Acclaimed producers Lise Lense-Møller from Magic Hours Films (Burma VJ, Heartbound) and Steven Markovitz from Big World Cinema (Silas, Winnie) discuss case studies of often complex co-productions. How to find opportunities and the right partners while staying within budget and without compromising the quality of your film?

Lise Lense-Møller Film producer, founder, and CEO of Magic Hour Films. Lise has produced and co-produced over 60 films - both documentary and fiction – many of them international co-productions and internationally awarded. In addition, she has a long track record in professional education and consultancy a.o. since 1993 as expert and group leader for EAVE, a post-educational programme with 3 annual international workshops for independent producers. Lise has also been engaged in national film politics, a.o. as board member of the Producer’s

IDFAcademy Program Guide

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Association for decades. In addition, Lise runs a small publishing house, The Wisdom Books. She set up Magic Hour Film in 1984, and ever since the company has produced and co-produced a wealth of films. The company focuses on high-profile, author-driven creative documentaries and art-house films with international potential, such as the Oscar nominated Burma VJ by Anders Østergaard (2008), Into Eternity by Michael Madsen (2009), and the co-production Concrete Night (feature film), by Pirjo Honkasalo.

Steven Markovitz Steven Markovitz has been producing and distributing fiction and documentaries for over 20 years.

His films have been selected for Cannes, Berlinale, Toronto, Venice, Sundance, IDFA and Hotdocs and received an Oscar nomination. He recently produced the Kenyan film Rafiki by Wanuri Kahiu which premiered in Un Certain Regard, Cannes and TIFF, 2018 and the Sudanese film aKasha by hajooj kuka (Venice Critics’ Week, TIFF 2018). In 2017, he produced Silas (TIFF, IDFA) and High Fantasy

by Jenna Bass (Toronto 2017, Berlinale, 2018), In 2014, he produced the Sudanese documentary Beats of the Antonov by hajooj kuka which won the Peoples’ Choice Documentary Award at TIFF. Other titles include Viva Riva!

by Djo Munga (Berlinale, Toronto), Congo in Four Acts (Berlinale, Hotdocs, IDFA), Proteus (Berlinale, Toronto), Project 10 (Berlinale, Sundance, Hotdocs, IDFA, Tribeca) and Stories of Our Lives (Toronto 2014, Berlinale Panorama 2015). Steven established the African Screen Network with partners in 25 African countries. He is the co-founder of the Electric South, which runs labs and commissions immersive media across Africa. He is the co-founder, of Encounters, South African International Documentary Festival now in its 21st year - Africa’s first documentary festival.

He has sat on selection panels and juries including Silverdocs, Cinemart, IDFA Bertha

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Fund and Arab Fund for Arts and Culture (AFAC). He is a founding board member of the Independent Producers’ Organisation of South Africa and is on the Advisory Board of the Global Health FIlm Initiative. He is a member of the Academy of Motion Pictures, Arts and Sciences.

IDFAcademy Session: The Ins & Outs of Applying to Film Funds Panel: Amy Hobby, Hajnal Molnar-Szakacs, Lucila Moctezuma & Lisa Marie Russo Moderator: Isabel Arrate Fernandez 13:00 – 14:30 | Compagnietheater – Zuilenzaal

Amy Hobby (Tribeca Film Institute), Hajnal Molnar-Szakacs (Sundance Documentary Fund), Lucila Moctezuma (Chicken & Egg), and Lisa Marie Russo (New Perspectives Seed Fund) present their funds, giving more information on what kind of projects they are looking for and how they work with supported filmmakers. Moderator Isabel Arrate Fernandez (IDFA Bertha Fund) takes you through their application processes and gives an overview of available options in the funding world.

Amy Hobby Amy Hobby has served as the Executive Director of the Tribeca Film Institute for the past two years. In addition to her role identifying, engaging and supporting emerging underrepresented filmmakers from around the world through TFI, Hobby is an Academy Award-Nominated, Emmy and Peabody Award-Winning producer in her own right, who has been producing award-winning scripted and documentary films for the past 20 years. In 2012, she co-founded the film production company Tangerine Entertainment, the first production company to produce and cultivate audiences solely for content created and directed by women. Hobby’s feature films include Sunday (Sundance Grand Jury Prize winner), Secretary (Sundance Grand Jury

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Prize winner) for which Hobby was nominated for an Independent Spirit Award, Keep The Change (Tribeca Narrative Jury Prize), Hamlet, Nadja, Gayby and most recently a modern adaptation of Jane Austen’s Persuasion which is currently in post-production. Hobby’s documentary films include And Everything Is Going Fine directed by Steven Soderbergh, Love, Marilyn and What Happened, Miss Simone? directed by Liz Garbus for which Hobby was nominated for an Oscar and a Grammy and won a Primetime Emmy, Cannes Film Festival entry Shepard & Dark, directed

by Treva Wurmfeld and The Last Laugh directed by Ferne Perlstein. In 2017, Hobby was nominated alongside her Tangerine partner Anne Hubbell for “Outstanding Achievement by a Woman in the Film Industry” by the Alliance of Woman Film Journalists.

Hajnal Molnar-Szakacs Hajnal is the Film Fund Director at the Sundance Institute, where she finds, cultivates and finances bold, cinematic, non-fiction storytellers from around the globe. In addition to overseeing the granting of $1.5 - 2 million dollars per year, Hajnal provides creative and editorial advice to supported films and filmmakers.

Hajnal serves as a panelist, nominator and industry advisor for international film festivals, pitch forums and funds and is a lecturer at Sci-Arc in Los Angeles.

IDFAcademy Program Guide

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Lucila Moctezuma As Director of Programs at Chicken & Egg Pictures, Lucila Moctezuma oversees the planning and implementation of the organization’s programs in support of women nonfiction filmmakers. Lucila has collaborated with New York’s independent film community for more than 20 years. She was previously Executive Producing Director at the internationally renowned UnionDocs, Manager of the Production Assistance Program at Women Make Movies, and Director of the Media Arts Fellowships for the Rockefeller Foundation.

She is Founder and was Coordinator of the Tribeca Film Institute’s Latin America Fund. Lucila holds a degree in Philosophy at Universidad Iberoamericana in Mexico City, where she taught before moving to New York.

Lisa Marie Russo Lisa Marie is the BFI Doc Society Fund Executive. The Fund supports UK features and shorts, and hosts regional outreach events and an upcoming feature film edit lab for grantees. Lisa Marie’s feature documentary producer credits include Ken Loach’s The Spirit of ’45, Gillian Wearing’s Self Made and Andrew Kotting and Iain Sinclair’s Swandown.

She was an executive producer on Randall Wright’s Hockney and Terence Davies’ Of Time and the City. She produced the short film Abandoned Goods by Edward Lawrenson and Pia Borg, which won the Golden Leopard in Locarno. In 2009, she launched the production company Fly Film with Kate Ogborn.

From 2015 - 2018, Fly Film executive produced 72 short films by young people age 16 - 24 for Screen South Ignition Random Acts Network, supported by Arts Council England and Channel 4. Other credits include executive producer on Terrence Davies’ The Deep

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Blue Sea (Rachel Weisz, Tom Hiddleston), producer of Marc Munden’s TV drama Shiny Shiny Bright New Hole in My Heart (Sally Hawkins) and co-producer of the Michael Powell winner Brother’s of the Head, written

by Tony Grisoni and starring Luke and Harry Treadaway. She was the executive producer of Digital Departures, which made three features to celebrate Liverpool Capital of Culture in 2008. Lisa Marie started her career as a documentary producer/director at US public television station WHYY, in Philadelphia.

Isabel Arrate Fernandez finished her MA in Film Studies from the University of Amsterdam in 1996, and worked in festival production, programming and film financing before joining IDFA. Since 2002 she is head of the IDFA Bertha Fund and in charge of the development and implementation of the different support programs of the fund. She is a member of the selection committee and actively involved in the mentoring of documentary projects. Over the years she has participated in juries and worked regularly as consultant for documentary projects. In 21 years the IDFA Bertha Fund has developed into an internationally renowned institution with a broad network supporting over 600 documentaries projects and film organisations in Africa, Asia, Eastern Europe, the Middle-East and Latin America.

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Cecilia: 13:00 – 14:30 | Christian: 13:00 – 16:30 | Compagnietheater – Foyer

Ask Cecilia Lidin and Christian for advice about your project and the documentary industry in general. See page 33 for more information.

IDFAcademy Meet the Professionals 15:30 – 17:30 | Compagnietheater – Grote Zaal & Foyer

Round Table meetings and One-on-One meetings with renowned professionals. For today’s professionals see section ‘Meet the Professionals’ on page 39.

Isabel Arrate Fernandez

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General Consultations with Cecilia Lidin and Christian Popp

IDFAcademy Meet the Professional Special: Errol Morris With: Errol Morris Moderator: Dana Linssen 15:30 – 17:30 | Compagnietheater – Zuilenzaal

Errol Morris’ The Thin Blue Line (1988) is one of the most influential documentaries ever made. Director Errol Morris talks about his interview techniques and his unique signature visible throughout his body of work, including The Fog of War (2003), Wormwood (2017) and American Dharma (2018).

International Documentary Film Festival Amsterdam

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Errol Morris Errol Morris is a film director and author. His films have won many awards, including an Oscar for The Fog of War, the Grand Jury Prize at the Sundance Film Festival for A Brief History of Time, the Silver Bear at the Berlin International Film Festival for Standard Operating Procedure, and the Edgar from the Mystery Writers of America for The Thin Blue Line. His films have been honored by the National Society of Film Critics and the National Board of Review. Morris’s work is in the permanent collection of the Museum of Modern Art. Roger Ebert called his first film, Gates of Heaven (1978), one of the ten best films of all time. His latest release, American Dharma (2008) will screen at IDFA 2018. Morris has directed over 1000 television commercials, winning an Emmy for “Photobooth”, a 2001 commercial for PBS. He has also directed short films for the Academy Awards, ESPN, and many charitable and political organizations. Furthermore, he wrote two New York Times best sellers, Believing is Seeing and A Wilderness of Error. His latest book, The Ashtray, was published May 2018.

Morris has received National Endowment for the Arts, Guggenheim and MacArthur Fellowships. In 2007, he was inducted into the American Academy of Arts and Sciences.

He is a graduate of the University of Wisconsin-Madison and studied at Princeton University and the University of CaliforniaBerkeley. He has received the Columbia Journalism Award and honorary degrees from the University of Wisconsin-Madison, Brandeis University, and Middlebury College.

Morris lives in Cambridge, Massachusetts with his wife, Julia Sheehan, an art historian, and their French Bulldog, Ivan.

IDFAcademy Program Guide

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Dana Linssen Dana Linssen is a longterm film critic for the daily newspaper NRC Handelsblad and editor-in-chief of the independent film magazine de Filmkrant. She is the founder of The Slow Criticism Project, a counterbalance against the commodification of film criticism. With Jan Pieter Ekker, she curated four editions of the Critics’ Choice at the International Film Festival Rotterdam, and the selection of the Director’s Forum at The Netherlands Film Festival.

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Screenings Artificial Things & The Sound of Masks 17:15 | Tuschinski 4

Artificial Things

The Sound of Masks

Sophie Fiennes (United Kingdom, 2018, 26 min.)

Sara de Gouveia (South Africa & Portugal, 2018, 70 min.)

Masters

Luminous

A stark, empty office space is transformed into the exciting and rather sinister setting for a surreal dance performance. A man with Down syndrome in a three-piece suit makes rhythmic, voguing-like movements in time to the music. A man without legs enters. A couple dance together, exuding both power and love. A woman in a wheelchair moves gracefully across the stage. The music is eclectic, from dramatic classical to uplifting beats. The jazzy voice of Nina Simone and the poppy sounds of the band Family sweep us along with this diverse company. The dance styles keep transforming, bringing constant surprises, and the piece exudes energy. The dancers seek each other out, help one another and reject each other. Without words, the performers create a parallel world in which there’s space for vulnerable human interaction. Artificial Things is a collaboration between filmmaker Sophie Fiennes and choreographer Lucy Bennet of the British dance group Stopgap Dance Company, which is committed to integrating disabled and non-disabled people through dance.

Mapiko is a traditional masked dance performed exclusively by the male members of the Makonde community living in northern Mozambique. During the Mozambican War of Independence in the 1960s, this dance became a tool to challenge colonization. His Mapiko dancing skills gave Atanásio Nyusi the opportunity to become a professional dancer and avoid fighting in the civil war that followed independence. In relating his life story, the now legendary dancer also leads us through the history of Mozambique.

Completely concealed except for his fingers and toes and wearing a frightening mask, a man dances to tell the story of Lipanyangule, a mystical figure who eats children. The dance is choreographed by Nyusi, and it communicates not only the ancient legend itself, but also his own history, and that of his people and country. Are the memories in his head real, or are they nightmares? In the sparse but effectively used archive footage, we see flashes of Mozambique’s colonial past, independence struggle and civil war in a dynamic interplay with the dance. As Nyusi shares his story with his son, he offers an in-depth look at the country’s collective memories while working towards leaving his own legacy as an artist. This film was supported by IDFA Bertha Fund, and participated in IDFAcademy Summer School.

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International Documentary Film Festival Amsterdam

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The Land of Peach Blossoms

A Haunted Past

Mingying Zhou (China, 2018, 99 min.)

Fatma Riahi (Tunisia & Qatar, 2018, 90 min.)

First Appearance

First Appearance

18:30 | Munt 11

20:15 | Tuschinski 4

One of the skyscrapers in the Chinese city of Chongqing houses a unique restaurant. The diners at the big round table become part of a spectacular show featuring dance and martial arts, inspired by old traditions and contemporary patriotism. Behind the scenes, the company’s founder and authoritarian leader, a bored-looking chain smoker, imposes a strict collectivism. Personal opinions are forbidden, while thinking and behaving like the Leader is the ideal. Self-criticism is a frequently performed ritual. The Land of Peach Blossoms follows life in the company over several months and shows the extent to which the staff submits to this brainwashing experience. The title is borrowed from an old fable by Tao Yuanming about a utopian community. Is this restaurant a similar experiment? As the Leader’s angry tirades intensify, cracks begin to appear in his team’s faith. The exhausting work and the paltry wages don’t help in what seems to become a metaphor for modern China.

The mother of the Tunisian filmmaker Fatma Riahi offered temporary shelter to a family in need: a Bosnian woman, Marcida, who had fled with her young daughters from Sidi Bouzid to Tunis and had nowhere to live. Her husband, Tawfik, had been arrested and convicted on terrorism charges. The family was to stay with Riahi for a few days. In the end they stayed for four years, and then they disappeared. She has heard nothing from them since. A decade later, Riahi is curious about what has happened to them, so she goes in search of the cheerful daughters who were once part of her family life. It turns out they are living with their father in Sidi Bouzid; their mother Marcida has vanished. The daughters are angry because nothing has come of their plans for the future. Their father Tawfik is even angrier. In her fascinating portrait, Riahi gradually unravels his remarkable life story and often controversial opinions. The former jihadist soldier, who has lived in Italy, Bosnia and Luxemburg, believes his family has been destroyed by the state. This film participated in IDFAcademy Summer School.

IDFAcademy Program Guide

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DAY 4 – Sunday November 18 Program 09:30 - 10:00

Coffee & Croissants

CT Foyer

10:00 - 12:00

IDFAcademy Plenary: Sales & Strategy - About the Money or the Viewers?

With: Gitte Hansen, Anaïs Clanet & Robin Smith

CT GZ

12:00 - 13:00

Lunch

13:00 - 15:00

IDFAcademy Sessions: How to Create Impact With: Rebecca Lichtenfeld & Brenda Coughlin

CT GZ

13:00 - 15:00

IDFAcademy Session: Discover Digital Distribution With: Muriel Joly

CT KZ

13:00 – 14:00

Industry Session: How to Make Money as an Author With: Sean Mc Allister, Gonzalo Arijon, and Patrick Jeudy Moderator: Martijn Winkler

Brakke Grond – Grote Zaal

13:00 - 15:00 13:00 - 16:30

General Consultations With: Cecilia Lidin (13:00 - 15:00) & Christian Popp (13:00 - 16:30)

Foyer

15:30 - 17:00

Meet The Professionals

CT GZ & Foyer

15:30 - 17:00

IDFAcademy Meet the Professional Special: Sophie Fiennes Moderator: Dana Linssen

CT KZ

17:00 - 18:00

Closing Drinks

CT Café

18:00 - 19:30

Guests Meet Guests

Zuiderkerk

17:30 - 19:45

Screening: American Dharma + Doc Talk (Errol Morris)

Carré

21:00 - 22:50

Screening: Heartbound (Janus Metz & Sine Plambech)

Brakke Grond – Grote Zaal

Gitte Hansen

IDFAcademy Plenary: Sales & Strategy About the Money or the Viewers?

With: Gitte Hansen, Anaïs Clanet & Robin Smith 10:00 – 12:00 | Compagnietheater – Grote Zaal

Sales Agent Gitte Hansen (First Hand Films), Anaïs Clanet (Wide House) and Robin Smith (KinoSmith Inc) will share their strategies and secrets with case studies, giving a full spectrum of expertise on getting your film out into the world. When does a sales agent or distributor join the team in the process?

What is the best strategy for the current different windows? Should the focus be on more money or on more viewers?

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Deputy Director for First Hand Films, Gitte works on a daily basis with project development, executive producing, financing & packaging, marketing strategy, sales & acquisition of non-fiction films and series. Recent titles she executive produced for FHF include A Thousand Girls Like Me (IDFA 2018), Nothing is Forgiven, Jaha’s Promise, Presenting Princess Shaw and Ambulance. Gitte is in charge of acquisitions at First Hand Films. Previously she has worked with international distribution of feature films, inhouse factual production at

International Documentary Film Festival Amsterdam

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DR-TV and she was Head of Information and Promotion at Filmkontakt Nord. She serves with joy as consultant, lecturer and moderator at events such as Nordic Forum, DOK.incubator, EDN pitchings & workshops around Europe, Pitching du Réel, IDFA, Ex Oriente and IDFAcademy Summerschool. Gitte has served on several juries at international film festivals and holds a Master in Film and Rhetoric from the University of Copenhagen.

Anaïs Clanet Anaïs Clanet has been involved with the cinema industry since 2005, working for the website www.allocine.com, where she conducted interviews and covered press screenings to supply the database with documentary titles such as The Kid Stays in the Picture. She pursued her master studies in History and Audiovisual theory while starting an internship at Wide Management and leading the international sales of the documentary catalogue. In 2011, she opened Wide House. WIDE HOUSE is focused on feature documentaries sales and is promoting and distributing internationally creative titles. The current highlights are I Am Not Your Negro by Raoul Peck, The Raft by Marcus Lindeen, The Mens Choir by Petter Sommer & Jo Vemund Svendsen and Renzo Piano, The Architect of Light by Carlos Saura.

Robin Smith Robin Smith is currently the owner and President of KinoSmith Inc. – Canada’s premiere boutique distribution and film marketing company - and CEO of the newly founded company Blue Ice Docs – a new distribution and equity financing company dedicated to funding, acquiring and distributing the best non-fiction work from around the world. Robin brings a strong background of over 23 years of film, video IDFAcademy Program Guide

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and arts-related work to the marketplace having worked at a variety of distribution companies (National Film Board of Canada, Alliance Films, Lions Gate Film Entertainment, Seville Pictures and Capri Releasing) and has managed and navigated the release of such hits as Crouching Tiger, Hidden Dragon, Away From Her, Cave of Forgotten Dreams, Blackfish and Kedi. Robin also acts as the Cinema Programmer for the Hot Docs Ted Rogers Cinema in Toronto that is operated by the Hot Docs International Documentary Festival. The Hot Docs Ted Rogers Cinema is a 727-seat cinema dedicated to screening documentaries throughout the year.

IDFAcademy Sessions: How to Create Impact With: Rebecca Lichtenfeld & Brenda Coughlin 13.00 – 15.00 | Compagnietheater – Grote Zaal

Until recently, distribution and impact were considered separate. Yet with the advent of the web, the overturning of traditional distribution windows, and more sophisticated approaches to impact strategy, it’s now possible to do it all yourself. Director of Social Impact Media for the Bertha Foundation Rebecca Lichtenfeld and impact producer Brenda Coughlin describe this landscape with concrete case studies. The Session includes a brainstorm on the participants’ new film project.

Rebecca Lichtenfeld Rebecca Lichtenfeld is a Brooklyn-based human rights advocate, producer and Director of Social Impact Media at the Bertha Foundation.

Guided by the belief that media and the arts play a vital role in the advancement of human rights, Rebecca has created, produced, and executed ‘creative advocacy’ projects involving filmmakers, artists, heads of state, and organizers from around the globe. In 2011, Rebecca launched Bertha Foundation’s Social

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Impact Media portfolio. To date, the program has supported over 200 documentary films including several Oscar, BAFTA and Emmy award winners, as well as over 70 media projects that break the important stories of our time, expose injustice and bring attention to unreported issues.

Brenda Coughlin Brenda Coughlin is co-founder of the non-profit creative group Civic Bakery and an independent producer. Recent films include Dirty Wars (2013), nominated for an Academy Award, and Laura Poitras’ new film Risk about WikiLeaks, with a premiere at the 2016 Directors Fortnight at Cannes, and Poitras’ Academy Award winning CITIZENFOUR (2014) about NSA whistleblower Edward Snowden.Brenda also produced Poitras’ first solo art exhibition, Astro Noise, at the Whitney Museum of American Art in Winter 2016, which featured six new works and immersive installations. She is a producer of The People Speak project, including the original 2009 History Channel special (executive producers Howard Zinn, Matt Damon) and the 2010 UK adaptation (co-directed by Colin Firth). With Howard Zinn, she co-founded the performing arts organization Voices of a People’s History. She’s been a fellow in the Sundance Women’s Initiative and a fellow and advisor at the Sundance Creative Producing Lab and Stories of Change Lab. Brenda has worked with Bertha Philanthropies, BRITDOC, Freedom of the Press Foundation, Wallace Global Fund, Lannan Foundation, and Compton Foundation

IDFAcademy Session: Discover Digital Distribution With: Muriel Joly 13:00 – 15:00 | Compagnietheater – Kleine Zaal

distribution: The global and local actors in place, the role of aggregators and digital marketing basics. How to ensure that your film is discovered and seen in a crowded online marketplace for documentaries?

Muriel Joly Muriel Joly graduated in politics, in strategic management and holds a Degree of Cinema Economy. She began her career at StudioCanal (Canal + Group) first in the Domestic Home entertainment department, as a product manager (2004-2006), and then as a marketing VP for international Home Entertainment (2006-2009). After 2 years (2010-2011) in consulting where she became interested in issues of the Video on Demand emerging market, she became in charge of marketing development for Canalplay, the VOD brand of Canal + group until 2013. She is now in charge of business development for Under The Milky Way.

Industry Session: How to Make Money as an Author With: Sean Mc Allister, Gonzalo Arijon and Patrick Jeudy Moderator: Martijn Winkler 13:00 – 14:00 | Brakke Grond - Rode Zaal

Copyright, cable re-transmission, TV broadcasting, private copying… everything you always wanted to know about money but were afraid to ask. Renowned filmmakers Sean Mc Allister, Gonzalo Arijon, and Patrick Jeudy discuss work and remuneration, compare experiences, and share tips in a talk moderated by Martijn Winkler, president of the Dutch Directors Guild. Get informed on this important issue! Presented with LaScam, French-speaking Society for Documentary Authors, and Cécile Despringre (Executive Director, Society of Audiovisual Authors).

How do you create an audience for the old, the new, and the hard to find? Muriel Joly (Under the Milky Way) talks about digital

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International Documentary Film Festival Amsterdam

09-11-18 15:10

Generals Consultation with Cecilia Lidin and Christian Popp Cecilia: 13:00-15:00 | Christian: 13:00-16:30 | Compagnietheater – Foyer

Ask Cecilia Lidin and Christian for advice about your project and the documentary industry in general. See page 33 for more information.

IDFAcademy Meet the Professionals 15:30 – 17:00 | Compagnietheater – Grote Zaal & Foyer

Round Table meetings and One-on-One meetings with renowned professionals. For today’s professionals see section ‘Meet the Professionals’ on page 41.

IDFAcademy Meet the Professional Special: Sophie Fiennes Moderator: Dana Linssen 15:30 – 17:00 | Compagnietheater – Kleine Zaal

After the screening of her short film Artificial Things (2018), Sophie Fiennes will discuss the film and her previous and diverse work including The Pervert’s Guide to Cinema (2006) and Grace Jones: Bloodlight & Bami (2017).

international distribution and screened in festivals including Cannes, Toronto, Sundance and Rotterdam. She was awarded a NESTA fellowship in 2001, to develop her innovative approach to film and the Arte France Cinema Award in 2008 at Rotterdam’s Cinemart.

Dana Linssen Dana Linssen is a longterm film critic for the daily newspaper NRC Handelsblad and editor-in-chief of the independent film magazine de Filmkrant. She is the founder of The Slow Criticism Project, a counterbalance against the commodification of film criticism. With Jan Pieter Ekker, she curated four editions of the Critics’ Choice at the International Film Festival Rotterdam, and the selection of the Director’s Forum at The Netherlands Film Festival.

Sophie Fiennes Born in 1967 and based in London, filmmaker Sophie Fiennes’ feature documentaries include two collaborations with the Slovenian philosopher Slavoj Zizek, The Pervert’s Guide to Cinema (2006), and The Pervert’s Guide to Ideology (2012), portrait of German artist Anselm Keifer through his work and process, Over Your Cities Grass Will Grow (2010), portrait and performance film Grace Jones; Bloodlight and Bami (2017) and Hoover Street Revival (2001). Fiennes’ work for television includes her first short Lars from 1-10 (1998), about director Lars von Trier, The Late Michael Clark, (1999), Because I Sing (2001), VSPRS Show and Tell (2005), Liu Xiaodong Half Street (2013) and Artificial Things (Masters Section IDFA 2018). Fiennes’ films have received IDFAcademy Program Guide

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Screenings Heartbound & American Dharma

Heartbound

American Dharma

Janus Metz & Sine Plambech (Denmark, The Netherlands & Sweden, 2018, 91 min.)

Errol Morris (United States & United Kingdom, 2018, 98 min.) Masters 17:30 | Carré

Best of Fests

21:00 | Brakke Grond – Grote Zaal

Sommai is a Danish Thai who has been living with her husband Niels in northern Denmark for the last 25 years. She uses her experience and knowledge of Danish society to help other Thai women find a Danish husband and build a life there. It’s thanks to Sommai’s intensive contacts with her many cousins, sisters and girlfriends in both Thailand and Denmark that co-directors Janus Metz (Armadillo) and his wife, anthropologist Sine Plambech, are able to spend a decade tracking the lives of these women. While some have lived in Denmark for many years and now have children, others are on the brink of deciding whether to go to Europe or stay in Thailand after all.

The fact that they’ve all stayed in touch with each other allows us to get a very nuanced impression of these women and the dreams they have in different phases of their lives.

Their decisions will have far-reaching consequences. Will they make the daring leap to Europe or opt to remain in Thailand?

Heartboundhas a great deal to say about immigration, intercultural marriage and the difference between rich and poor, but also about homesickness, family ties, expectations and disappointments.

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Former White House Chief Strategist, CEO of the 2016 Trump campaign and executive chairman of the far-right news site Breitbart News, Steve Bannon sits down with filmmaker Errol Morris for an extensive interview. Through his role as advisor to Donald Trump, many describe Bannon as “the architect of Trumpism.” Morris takes a number of Bannon’s favorite films (including Henry King’s Twelve O’Clock High, John Ford’s The Searchers and Orson Welles’ Chimes at Midnight) as a means of delving into Bannon’s world view and feelings about Trump. We hear how Bannon developed from the “hardcore Democratic family” in which he was born to become a leading figure of the alt-right, and we learn about the ideas that formed him and his role in Trump’s election.

Morris is critical, but avoids direct attacks in his interview, and the result is openness on Bannon’s part: this is Bannon according to Bannon. Gradually Bannon’s influential ideology unfolds—one that terrifies Morris: “I’m scared of you guys, I really am.” Morris has described American Dharma as a “horror film,” with a fascinating villain in the leading role, too dangerous to ignore.

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General Consultations Ask Cecilia Lidin or Christian Popp for advice about your project or the overall documentary industry. Consultations are open on Friday, Saturday and Sunday from 13:00 - 16:30 (times vary per day, see daily schedule for specific timings), which means that they can also be scheduled during ‘IDFAcademy Meet the Professionals’. If you are not signed up to a Round Table or One-on-One meeting, you may drop by the IDFAcademy Information Desk before 13:00 to schedule yourself a General Consultation.

Cecilia Lidin With a background in film studies at the University of Copenhagen and UC Berkeley, finalized with a thesis on documentary film and ethics - Cecilia Lidin has for the past 20+ years worked with the development and financing of documentaries in different capacities. As loans officer in the first MEDIA programmes office documentary, followed by promoting Nordic shorts and documentaries at Filmkontakt Nord and at the European Documentary Network responsible for a number of the many co-production workshops around Europe working as tutor as well as moderator for pitching events. In 2009 Cecilia Lidin took over as Head of EDN together with Hanne Skjødt, a position she held until she left to become Film Commissioner for Documentaries at the Swedish Film Institute in 2011 where she was until 2015.

Cecilia Lidin is at present Film Commissioner for Documentaries at the Danish Film Institute.

IDFAcademy Program Guide

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Christian Popp Christian Popp was born in 1971 in Romania. With a French-German Master Degree in History and Arts he has since 1991 worked as a journalist and film director. Between 1998 and 2003 he was a commissioning editor for ARTE in Strasbourg. From 2003 to 2005 he worked as commissioning editor in the ARTEdepartment of the RBB Channel in Berlin and Potsdam. He commissioned and coproduced many TV-Programs, from documentary series to magazines, studio debates to on-off documentaries. From 2005 to 2014 he worked as producer in Paris and Berlin for interscience film, an independent French-German production company. In 2011 he co-founded in Berlin his own production company DOCDAYS Productions that he left in 2014. In 2012 he established together with Fabrice Estève the Paris based YUZU Productions specialised in international co-productions. The company has produced in 6 years 30 documentaries and short films. Christian is consulting, mentoring and moderating at various documentary events (amongst others, IDFAcademy, MIADoc, LisbonDocs, Visions du Réel, Femis, Les Gobelins) and has been member of the IDFA jury in 2017. Recent films of YUZU Productions include Becoming Cary Grant, Free to run, and The Doping Competition.

YUZU Productions has been nominated twice for the Best French TV Producer Awards 2015 and 2017 in the category Documentary.

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Meet the Professionals Friday November 16 Round Tables Meetings

She is the co-editor of El Otro Cine - Eduardo Coutinho, the first publication in Spanish solely dedicated to the work of the Brazilian filmmaker. In 2015 she directed the short documentary Derivatives. She writes for international journals and film publications.

Anja Dziersk

May Abdalla & Amy Rose Anagram is an award-winning creative collective who make immersive experiences that bring together innovative digital interaction and non-fiction storytelling. The studio was founded by former documentary filmmakers Amy Rose and May Abdalla. They create immersive experiences that bring together innovative digital interaction and stories told from real life. These experiences could be in a built set or an ancient building – and they engage with the viewer, as a participant, in a physical, playful and poetic way. At its core, the work invites people to consider what it means to be alive today. Through understanding the experience of others, Anagram want to challenge the way people see themselves and the world around them.

María Campaña Ramia María Campaña Ramia is an Ecuadorian film programmer and documentary filmmaker based in Brazil. She is a programmer at Ambulante, in Mexico and serves as program advisor for IDFA and EDOC, in Ecuador, where she was the Artistic Director for ten years. María has curated retrospectives and thematic programs such as the documentary showcase ‘Family Portraits’ which took place at the Instituto Moreira Salles in Rio de Janeiro.

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Anja Dziersk is the CoFounder of Rise and Shine World Sales, one of the leading boutique sales agents for documentaries. With an average of 15 new films per year, Rise and Shine represents an exquisite catalogue of award-winning films and directors and takes them to all markets and platforms incl. TV, theatrical, non-theatrical and digital. As acquisition and festival manager, Anja is directly involved in the selection and distribution process and does everything to make our films Rise and Shine. Recent films include Raving Iran, Transit Havanna, Pre-Crime, A Modern Man, The Russian Job, Silvana, Genesis 2.0 and Sakawa.

Sandra Gaudenzi Sandra consults, researches and lectures at University of Westminster, and writes and blogs about interactive factual narratives. She is one of the co-directors of the i-Docs conference and Head of Studies of !F Lab.

International Documentary Film Festival Amsterdam

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Gitte Hansen Deputy Director for First Hand Films, Gitte works on a daily basis with project development, executive producing, financing & packaging, marketing strategy, sales & acquisition of non-fiction films and series. Recent titles she executive produced for FHF include A Thousand Girls Like, Nothing is Forgiven, Jaha’s Promise, Presenting Princess Shaw and Ambulance.

Gitte is in charge of acquisitions at First Hand Films. Previously she has worked with international distribution of feature films, inhouse factual production at DR-TV and she was Head of Information and Promotion at Filmkontakt Nord. She serves with joy as consultant, lecturer and moderator at events such as Nordic Forum, DOK.incubator, EDN pitchings & workshops around Europe, Pitching du Réel, IDFA, Ex Oriente and IDFAcademy Summerschool. Gitte has served on several juries at international film festivals and holds a Master in Film and Rhetoric from the University of Copenhagen.

Patrick Hurley Patrick Hurley is the Head of Marketplace & Talent at Sheffield International Documentary Festival.

Sheffield Doc/Fest is an international festival that welcomes over 30,000 documentary filmmakers and fans each year, including 3,500 industry delegates from over 60 countries. Doc/Fest’s Marketplace is a major funding, sales and distribution platform of match-made meetings for business collaborations involving 300+ international Decision Makers and 90 pre-selected projects.

IDFAcademy Program Guide

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Shane Smith Shane Smith is Director of Programming at Hot Docs, North America’s largest Festival and Market for documentary film. Smith previously worked at the Toronto International Film Festival as director of Special Projects, and director of Public Programs. Prior to TIFF he was Executive Producer, In-Flight Entertainment at Spafax, Director of Programming at Channel Zero Inc, Director CFC Worldwide Short Film Festival, Short Film Programmer for Sundance Film Festival. Smith has participated on juries and panels at festivals and events around the world. He is not the guy from Vice.

One-on-One Meetings Menno Boerema After his studies at the Nederlandse Filmacademie and a postacademic year at the Centro Sperimentale di Cinema in Rome, Menno Boerema worked as a freelance film editor both in The Netherlands and abroad. Starting out in fiction he has slowly moved to doing more documentaries. He has worked with directors such as Ben Verbong, Johan van der Keuken, Peter Delpeut, Heddy Honigmann, Marjoleine Boonstra, Hugo Claus, Frank Scheffer, Noel Burch, Alan Sekula, Rehad Desai, Dumisani Pakhlati and Maite Alberdi. In the last twenty years he has worked a lot in Africa, South America and Asia, always working together with local directors and editors. He teaches at The Netherlands Film Academy and he is a tutor at the IDFAcademy Summer School.

He has been involved in the Berlin Talent Campus, Dok Incubator, the Binger Instituut and has given workshops at Doc Stories Blacksea and Dare to Dream Asia. As tutor/ coach he has been involved with films such as Born into Struggle, 5 Broken Camera’s and

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Tea Time. In 1998 he received a Golden Calf Award for the bulk of his work in the period 1993-1998. In 2006 he won the golden calf for the editing of Jungle Rudy. Since 2015 he is a member of Rough Cut Service, a group of international renowned editors, who advise on documentaries and give workshops all over the world.

Catherine Le Clef In November 2009, Catherine Le Clef started her own documentary distribution company, CAT&Docs. In January 2007, Le Clef joined Fortissimo Films from Paris based Doc & Co, an international distributor of worldclass documentaries. Prior to this, she was with Films Transit International in Canada where she worked for more than a decade. She began her career at Unibelfilm in Belgium, promoting Belgian films internationally.

CAT&Docs is looking for pertinent and impertinent docs on topical questions and timeless subjects; docs that are carefully researched; docs that rigorously explore the subject matter, that are audacious, open to the diversity of the world and that have their place on the international scene; docs that question the world and propose new ways at looking at it. Docs that keep us from closing our eyes. Some titles represented

by CAT&Docs: Citizenfour, Houston We Have A Problem, Sonita, Cameraperson, #Female Pleasure, Los Reyes, When the War Comes, Entrepreneur, Don Juan, Of Men and War, The Grown-Ups, Stranger in Paradise, Waiting for Giraffes, 5 Broken Cameras, Planet of Snail, Last Train Home, Tongue Cutters, Let There Be Light, The Poetess, Queercore: How to punk a Revolution, Ethiopics, just to name a few.

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Esther van Driesum Esther van Driesum runs her own consultancy INSIDE OUT with a focus on project and talent development in both documentary and fiction film. Next to this she works as the Script Consultant/Creative Producer of Dutch production house BIND. Esther also supervises Cinekid’s Script LAB, works as a consultant/development coach for the Flanders Audiovisual Fund and is a guest tutor at The Netherlands Film Academy and at the University of the Arts Utrecht Besides, Esther joined forces with Daan Gielis in their PrepTalk initiative, designing labs and providing tailor-made workshops for writers, directors and producers on the development, presentation and positioning of film projects.

Frank van den Engel In 1997 Frank van den Engel started an independent documentary production company Zeppers Film & TV as executive producer.

He produced almost two hundred films, for theatre and television. Some of these have been awarded at prestigious festivals around the world: Andre Hazes – she believes in me (John Appel, Opening Film IDFA 1999), Dans, Grozny Dans (Jos de Putter, 2002), Voices of Bam (Aliona van der Horst, Grand Jury Award Tribeca 2006), Stranger in Paradisem (Guido Hendrikx, Opening Film IDFA 2016) and Love is Potatoes(Aliona van der Horst, Golden Calf 2018). Nowadays he combines production work with the development and realization of his own film projects, and with the coaching of first-time directors. His debut Normaal – I always come back was theatrically released in 2002. Between Heaven and Earth was released in the cinema in 2007. His 2009 documentary about Dutch photographer Gerard Fieret: Photo & Copyright by G.P. Fieret was

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nominated for Best Dutch Documentary at The Netherlands Film Festival.

Lucila Moctezuma As Director of Programs at Chicken & Egg Pictures, Lucila Moctezuma oversees the planning and implementation of the organization’s programs in support of women nonfiction filmmakers. Lucila has collaborated with New York’s independent film community for more than 20 years. She was previously Executive Producing Director at the internationally renowned UnionDocs, Manager of the Production Assistance Program at Women Make Movies, and Director of the Media Arts Fellowships for the Rockefeller Foundation.

She is Founder and was Coordinator of the Tribeca Film Institute’s Latin America Fund. Lucila holds a degree in Philosophy at Universidad Iberoamericana in Mexico City, where she taught before moving to New York.

Andrea Posthuma Andrea Posthuma is programme manager MEDIA at the Creative Europe Desk NL in Amsterdam.

Creative Europe is the European Union’s financial support programme for the creative, cultural and audiovisual sectors in Europe.

MEDIA invests in documentaries through several funding schemes.The MEDIA sub-programme supports organisations working in film, television and new media, and offers funding, training and networking opportunities for: producers, video game developers, distributors, sales agents, audiovisual training providers, film festivals, markets and networks, film education specialists and cinema exhibitors. It helps to launch projects with a European dimension and nurtures new technologiesand innovation; it enables European films and audiovisual works to find markets IDFAcademy Program Guide

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beyond national and European borders. The documentary industry as a whole benefits from the access to international cooperation networks which the programme provides.

Creative Europe Desk NL promotes awareness and understanding of Creative Europe, and provides free advice and support for applicants from The Netherlands. The Desk maintains intensive close contacts with the central administration of the Creative Europe programme in Brussels and the Desks in the other member states. In The Netherlands, the Creative Europe Desk is hosted by DutchCulture, Centre for International Cooperation.

Sara Rüster Sara Rüster is responsible for the International launch and festival distribution of Swedish docs and has been working at the International department of the Swedish Film Institute since 2003.

The Swedish Film Institute works to promote film across the board – from idea to finished product, during launch in Sweden and around the world, and by preserving films for posterity in our archives.

Liselot Verbrugge With a background in TV sales, industry events and film production, Liselot has first-hand experience of the creative documentary world. Liselot graduated with a degree in film production from the Dutch Film Academy in 2007. After years of working in production, she moved on to the world of film festivals. There, among others, she served as a festival and market producer at IDFA Forum and Cinekid for Professionals. She has been working as TV sales Manager since 2013, for both Austrian based Autlook Filmsales and the sales arm of the Dutch public broadcaster (NPO sales).

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At Dox Consulting, Liselot specialises in idea development for both projects and markets, mapping out the sales potential of your film, creating a solid release strategy, finding suitable partners and working on market/ pitching preparation. Dox Consulting offers consultancy services to enable creative documentaries and industry organisations to reach their full potential.

Suzanne van Voorst After graduating in English and American literature, Suzanne van Voorst switched to film production in 1979. She worked as executive producer for a documentary production group, before founding her own Company, Ariel Film, in which she produced both documentaries and fiction features. After a stay abroad Suzanne spent 10 years in policy work as an advisor to The Netherlands Film Fund (NFF) and the National Arts Council. From 2006 to 2015 Suzanne was creative producer for IDTV Docs. In 2015 she became the documentary consultant at The Netherlands Film Fund. The NFF is the national agency responsible for supporting film production in The Netherlands. Its focus is to develop and strengthen Dutch cinema and film culture both domestically and internationally. In documentary the NFF policy focuses on cinematographically interesting productions with a potential for theatrical distribution.

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Debra Zimmerman Debra Zimmerman has been the Executive Director of Women Make Movies, a non-profit New York-based film organization that supports women filmmakers, since 1983. During her tenure it has grown into the largest distributor of films by and about women in the world and the internationally recognized Production Assistance Program has helped hundreds of women get their films made. Films from WMM programs win prizes regularly at the Sundance Film Festivals and been nominated or won Academy Awards for the last 12 of 13 years. Zimmerman is a keynote speaker on conferences, lectures regularly at universities around the United States, and has moderated panels and given master classes at festivals all over the world. She jas tutored filmmakers and taken part in documentary events around the world including Docs Barcelona, Docs Lisboa, FIDBA in Buenos Aires, E-Docs, Doc Lab in Krakow, IDFA’s Summer Film Academy and many others. Among other awards she has received, in 2013 she was honored as a Doc Mogul from the Hot Docs International Film Festival in Toronto, Canada.

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Meet the Professionals Saturday November 17 Round Tables Meetings Rudy Buttignol Rudy Buttignol is the President and CEO of British Columbia’s public broadcaster, Knowledge Network, and President of the BBC Kids channel. He moderates financing forums at IDFA and Asian Side of the Doc, and is a Director on the boards of several arts organizations.

He is a graduate of the Faculty of Fine Arts at Toronto’s York University and has completed Executive programs at Stanford and Harvard.

From 1993 to 2006, Buttignol was TVO’s Creative Head of Network Programming, Head of Independent Production, and Commissioning Editor. Notable commissions include The Corporation, Manufactured Landscapes, and Emmy/Grammy Award winning Yo-Yo Ma: Inspired by Bach. From 1975 to 1993, he was an independent writer, director and producer of children’s series and documentaries. International honors include the inaugural Doc Mogul Award from the Hot Docs International Documentary Festival and nine Canadian Academy Awards. In 2015, Buttignol was appointed as a Member of the Order of Canada, “for his contributions as a champion of Canadian documentary filmmaking and for his transformative leadership at the Knowledge Network.” In 2017, he received an Honorary Doctorate of Letters from Thompson Rivers University.

Dorota Lech & Madelaine Rosso Dorota was born in Lubin, Poland. She is a Programming Associate at the Toronto International Film Festival (TIFF) where she scouts international documentaries and fiction from Central and Eastern Europe, the Caucasus, and Central Asia and co-programs the TIFF Documentary Conference. Dorota is also the Industry Programmer at the Hot Docs, North America’s largest documentary festival, where she produces The Hot Docs Forum, a public pitching event aimed at garnering financing and co-productions for international documentaries. She holds an M.A in Political Science and Gender Studies from McGill University. She speaks English, French, German, Spanish, and Polish.

Madelaine Russo is Industry Programmer of Deal Maker at Hot Docs in Toronto, Canada.

Before joining Hot Docs, Madelaine ran the Alternate Realities Market at Sheffield Doc/ Fest. She has also worked at short film distributor Ouat Media. She holds a Master of Arts in English and Cultural Studies.

Hajnal Molnar-Szakacs Hajnal is the Film Fund Director at the Sundance Institute, where she finds, cultivates and finances bold, cinematic, non-fiction storytellers from around the globe. In addition to overseeing the granting of $1.5 - 2 million dollars per year, Hajnal provides creative and editorial

IDFAcademy Program Guide

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advice to supported films and filmmakers.

Hajnal serves as a panelist, nominator and industry advisor for international film festivals, pitch forums and funds and is a lecturer at Sci-Arc in Los Angeles.

for news, investigation and multimedia. We’re looking to commission mostly short form documentaries, up to approximately 20 minutes. The docs we want need to have brilliant storytelling and characters focused on contemporary subjects which are relevant globally and feel very new. Charlie was previously Deputy Director at Sheffield Doc/Fest for 7 years before joining The Guardian in 2014, and prior to that he was Editor of FourDocs for Channel 4.

Mohamed Siam Sarah Mosses & Rebecca Ashdown Sarah Mosses is the Founder and CEO of Together, a Marketing, Distribution and Data company based in London. Sarah leads on strategic consultations with film clients including Producers, Sales Agents, Film Festivals and Brands. She drafts Impact Distribution Strategies for titles on our slate and raises 3rd party funding to support P&A. Sarah will be launching the Together Insights data platform in 2018 to bring clarity to the business of film.

Rebecca Ashdown is Campaign Director for Together Films. She is responsible for managing international impact distribution, marketing and outreach campaigns. She specialises in developing strategic partnerships, to ensure that content reaches the widest possible audience. She manages Theatrical and Non-Theatrical bookings for Together Films titles and lead acquisitions.

Charlie Phillips Charlie Phillips is the Head of Documentaries at The Guardian. Guardian Documentaries is our project to commission and acquire new documentaries from all around the world for the one of the world’s most visited serious online video platforms, The Guardian’s global website.

The Guardian has a long-respected reputation

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Siam is a Member of The Academy of Motion Pictures Arts & Sciences. He’s a a fiction and documentary filmmaker whose film Whose Country? was shown in NYFF, Karlovy Vary, Vision du Réel and Journées Cinématographiques de Carthage where he won Best Cinematography. His film Amal was 2017 IDFA Opening Film that won Sheffield Jury Prize and FidaDoc Award and went to Göteborg, CPH Dox, Vision du Réel, Hot Docs, and was sold worldwide. Siam has won the Robert Bosch Film Prize, the AfriDocs Prize at Durban FilmMart and Thessaloniki Docs-In-Progress award. He’s a reader, jury in Karlovy Vary, Göteborg Film Festivals and IDFA Bertha Fund and Hot Docs among many others. A fellow scholar and filmmaker resident in the American University in Paris.

Siam is currently working on his fiction film Carnival (Blood & Honey) between Egypt and Morocco as the docu-fiction film Amnesia in Lebanon.

Joel Stonington Joel commissions and acquires short documentaries and series for AJ+, the social video arm of Al Jazeera. He has been on the documentary team at AJ+ for two years and previously produced documentary segments for Deutsche

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Welle and Vocativ. He has a background in print journalism and spent more than a decade reporting for The New York Times, The Wall Street Journal, New York Magazine, Bloomberg Businessweek and Der Spiegel.

One-on-One Meetings Don Edkins Don Edkins is a South African documentary filmmaker and producer based in Cape Town, and co-founder of the non-profit organization STEPS. He has produced various documentary film projects that have been broadcast around the world, such as Steps for the Future, Why Democracy? and Why Poverty?

He is Executive Producer of AfriDocs, the first weekly primetime TV documentary strand across sub-Saharan Africa now also accessible online as the VOD platform AfriDocs Anytime, and of Dare to Dream, a film project with Asian filmmakers. He has co-authored a book with Iikka Vehkalahti on documentary filmmaking, Steps by Steps. He is currently developing a new documentary film project Generation Africa.

Hans Robert Eisenhauer After his retirement from ZDF and ARTE in 2011 Hans Robert Eisenhauer moved to Berlin and started a new career as independent producer with his company Ventana-Film GmbH., focused on international documentary-films, including cultural and current affairs TV programs. Ventana’s German-Syrian coproduction, Return to Homs by Talal Derki had it’s world premiere at IDFA 2013 and received the Grand Jury Award for the best international documentary film at the Sundance FilmFestival 2014. Hans Robert Eisenhauer is the co-producer of Talal Derki’s Fathers and Sons IDFAcademy Program Guide

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(which premiered at IDFA 2017 and received the Grand Jury Award for best documentary at Sundance 2018), and Over the Limit by Marta Prus (selected for the 2017 IDFA Competition for Feature-Length Documentary).

Aleksandar Govedarica Aleksandar Govedarica was born 1987 in Sarajevo, graduate of University of East Sarajevo as well as Vancouver Film School. He started working as a film programmer at Kriterion Sarajevo, the only art house cinema in Bosnia and Herzegovina.

Aleksandar was part of the organizing committee of the Serbian Film Festival in Vancouver. With three years of previous experience in sales and distribution, Aleksandar runs the Toronto based world sales agent Syndicado. He produced two documentary films and has experience in all aspects of filmmaking including directing. Aleksandar is tutoring at workshops like Dok.Incubator, Baltic Sea Docs and Duna Dock.

Wouter Jansen Wouter Jansen worked as the head of programming at the Oscar Qualifying Go Short - International Short Film Festival Nijmegen during the first 10 editions. In 2013 he started the festival strategy and distribution company Some Shorts which specializes in visually powerful and daring short films (all genres) and feature documentaries. With Some Shorts Wouter tries to support upcoming talented film makers and promote their films internationally. This has resulted in a small catalogue of films premiering at prestigious festivals and winning multiple awards over the last few years like Academy Awards, the European Film Award and main prizes at Cannes, Berlin, Locarno and Clermont-Ferrand.

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Fiona Lawson-Baker

Henrik Underbjerg

Fiona Lawson-Baker is the executive producer of Al Jazeera English’s flagship documentary strand Witness which broadcasts two international documentaries every week. She also execs special series such as Al Jazeera Selects that curates short documentaries from across the world. Fiona started her broadcast career at BBC London, graduated from the Australian Film Television and Radio School (AFTRS) and worked at SBS. Since 2008, Fiona has worked in Malaysia and Singapore on productions for AJE, ZDF, the Discovery Channel, the History Channel and the Crime and Investigation Network. Now, she is based in Qatar at Al Jazeera HQ.

Jesper Osmund Jesper is a Danish film editor and narrative consultant. He began his career in fiction, editing several feature and short films, before he decided to focus entirely upon documentaries. Today he has edited over 100 documentaries, many of which internationally awarded and screened at festivals world wide. A fragment of his documentary editing work contains Stronger Than A Bullet, Prison Sisters, A Bastard Child, Becoming Zlatan, Those Who Said No, When The Boys Return, No Burqas Behind Bars, Big Boys Gone Bananas, and The Well, all screened at IDFA. He also works as a narrative consultant and is a regular tutor at rough cut and pitching workshops. He was a tutor at the IDFAcademy Summer School in the last 8 years.

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Henrik Underbjerg has produced almost 40 fiction and documentary films including Aleppo’s Fall, Sepideh, Law of the Jungle and has achieved wins and nominations on IDFA, Emmy, Sundance, Berlinale, Hot Docs, Grierson, Sheffield, Los Angeles, Nordisk Panorama, Gothenburg, London, Tehran. Henrik is founder of Stray Dog Productions. He is a EAVE 2003 graduate and has attended Film Business School and Twelwe for the Future.

He comes with a university background from studies in Literary History, American Studies and Mathematics/Economics.

Jenny Westergård Jenny Westergård is a graduated journalist from Helsinki University and has been working for Yle The Finnish Broadcasting Company since 1985.

Currently she is working as a commissioning editor for documentaries in the Yle Coproduction Department. At the moment, Yle Fem has two weekly slots for documentaries; focusing on contemporary, social, political, human interest strong stories with good characters.

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Meet the Professionals Sunday November 18 Round Tables Meetings James Bridges James Bridges, co-founder and CEO of the new Singapore-based documentary and current affairs subscription streaming service iwonder, has over 20 years’ international experience with market-leading entertainment companies.

He recently served as the first employee and founding Chief Content Officer of iflix, a streaming video service now entertaining over 15 million subscribers in 30+ emerging markets across the Middle East, Africa and Southeast Asia. Prior to iflix, Mr. Bridges was an executive at Foxtel in Australia, where he launched their Presto SVOD service in 2014.

He has also worked for Star TV Hong Kong and ITV Digital UK. Over his two decades in the entertainment industry he has conceived and launched multiple major linear, streaming and transactional movie and TV services and holds long-standing, senior relationships within the Hollywood and international distribution communities.

Katerina Cizek Katerina Cizek is a twotime Emmy-winning documentarian working across emerging media platforms.

She is the Artistic Director of the Co-Creation Studio at MIT’s Open Documentary Lab, where she is currently researching a field study on co-creative practices. Her work has documented the Digital Revolution, and has itself become part of the movement.

At the National Film Board of Canada, she helped redefine the organization as one of IDFAcademy Program Guide

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the world’s leading digital content hubs. She was the director and creative force behind the NFB’s award-winning digital documentary project HIGHRISE, and she realized the acclaimed NFB Filmmaker-in-Residence project. Her work has been seen by millions around the globe, through TV broadcasts and publishing on the web, as well as installations and live performances. Cizek‘s earlier independent films include the HamptonPrize winner Seeing is Believing: Handicams, Human Rights and the News (co-directed with Peter Wintonick).

Emma Davie Emma is a filmmaker and tutor. She has made a wide variety of documentaries and most recently co-directed a feature documentary Becoming Animal with Swiss Canadian Peter Mettler. It was nominated for best feature at CPH Dox, Documenta Madrid, Docs Against Gravity and is playing at IDFA, RIDM, Jihlava and many other festivals. Her previous documentary, I Am Breathing (co-directed with Morag MacKinnon ) won Scottish BAFTA for Best Director and played in over 50 countries. She teaches at Edinburgh College of Art where she runs the post graduate course in documentary directing. She advises on many films internationally and used to programme documentaries for the Edinburgh International Film Festival and was on the board of EDN. Her background is in performance theatre.

She ran a company called Clanjamfrie, which specialized in immersive large-scale shows incorporating performance and film, often in unusual spaces. Emma studied English literature at Oxford University, and theatre in Paris.

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Loren Hammonds Loren Hammonds is Senior Programmer of Feature Films and Immersive at Tribeca Film Festival in New York City. He is also a member of the Oculus VR For Good Creators Lab Advisory Board. A passionate champion of interactive storytelling, his views on VR and cinema have been featured in several publications and programs, including The NY Times, BBC Radio, NPR, The Today Show, and Vice. He has been a guest speaker at The Art of VR at Sotheby’s, VR Academy: Sofia, Mutek, Scuola Holden, Remix NYC, and more.

Jason Ishikawa Jason Ishikawa is an Executive at Cinetic Media where he overseas international sales for the company. His responsibilities include working in across Cinetic’s financing, corporate and project consultation, and domestic sales arm to devise worldwide sales strategies for feature narrative and documentary films.

Recent documentaries include Strong Island, Last Men in Aleppo, Abacus, RBG, Love Means Zero, Pope Francis - A Man of His Word and Hale County This Morning This Evening. Prior to joining Cinetic, Jason worked at The Film Sales Company where he was the Senior Director of Acquisitions, Financing and Sales.

Jason graduated from New York University’s Tisch School of the Arts and holds a BA in Cinema Studies.

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Sarah Mosses & Rebecca Ashdown Sarah Mosses is the Founder and CEO of Together, a Marketing, Distribution and Data company based in London. Sarah leads on strategic consultations with film clients including Producers, Sales Agents, Film Festivals and Brands. She drafts Impact Distribution Strategies for titles on our slate and raises 3rd party funding to support P&A. Sarah will be launching the Together Insights data platform in 2018 to bring clarity to the business of film.

Rebecca Ashdown is Campaign Director for Together Films. She is responsible for managing international impact distribution, marketing and outreach campaigns. She specialises in developing strategic partnerships, to ensure that content reaches the widest possible audience. She manages Theatrical and Non-Theatrical bookings for Together Films titles and lead acquisitions.

Jarmila Outratova Jarmila Outratová has been Head of Industry Office at Ji.hlava International Documentary film festival. since 2013. Ji.hlava IDFF is the largest festival of creative documentary filmmaking in Central and Eastern Europe, offers also traditionally rich Industry programme for over 1.000 attending film professionals.

The Ji.hlava’s Industry Programme includes Emerging Producers – a presentation of the upcoming generation of European producers of documentaries, Ji.hlava Academy – a educational, networking and inspiring workshop open to talents representing

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various elements in non-fiction contemporary cinema, Festival Identity – a platform offering a unique opportunity for sharing experiences among festival organizers and programmers from around the world, Conference Fascinations - a one day meeting on experimental film distribution, as well as other industry events.

Jane Ray Jane is the Artistic Director for The Whickers and a multi-award winning documentary maker and executive producer in radio and television. Her awards range from the Sony Gold Award for best news programme (2002) and best feature (2003) to the TRIC award for best children’s programme (1993) and China’s Golden Kapok award at Guangzhou Documentary Film Festival for best director (2014). During her 29 years at the BBC, first as a reporter, then, for the last 10 years, as a senior executive at BBC Worldwide, Jane worked with the pioneering documentary broadcaster Alan Whicker. In 2015 she got the call from his estate to set up a new documentary foundation funded by his generous legacy. She now combines running the Whickers with developing her own documentary projects.

She currently has work in pre production with Channel 4 and post production with the BBC. Jane is also a sought after trainer and mentor. She leads a 6 week documentary training course for the British Film Institute and has recently contributed to both Doc Port Incheon and the AND Program for documentary makers at Busan International Film Festival. Abooozar Amini, one of the directors she worked with at Busan is premiering his first feature length film at IDFA this year. It has been chosen for the opening and heralded as “one of the most remarkable documentaries of the festival”

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Melanie Rozencwajg Melanie Rozencwajg co-founded Archive Valley, the first global ecosystem directly connecting archive experts, providers and producers, allowing filmmakers to search and request unique footage from around the world while simplifying the traditionally complex process of sourcing and licensing. Melanie studied at Goldsmith University and the Royal College of Art in London, where she has extensively explored the subjects of archives and innovation. This passion was the genesis of ARTCHIVIUMlab, an interactive design studio dedicated to archive and innovation that she co-founded in 2010. She has worked with international clients in France, the UK, USA, Asia and the Middle East. Aside from her work with Archive Valley, Melanie speaks at universities and conferences internationally on archives and innovation.

Mohamed Siam Siam is a Member of The Academy of Motion Pictures Arts & Sciences. He’s a a fiction and documentary filmmaker whose film Whose Country? was shown in NYFF, Karlovy Vary, Vision du Réel and Journées Cinématographiques de Carthage where he won Best Cinematography. His film Amal was 2017 IDFA Opening Film that won Sheffield Jury Prize and FidaDoc Award and went to Göteborg, CPH Dox, Vision du Réel, Hot Docs, and was sold worldwide. Siam has won the Robert Bosch Film Prize, the AfriDocs Prize at Durban FilmMart and Thessaloniki Docs-InProgress award. He’s a reader, jury in Karlovy Vary, Göteborg Film Festivals and IDFA Bertha Fund and Hot Docs among many others. A fellow scholar and filmmaker resident in the American University in Paris. Siam is currently working on his fiction film Carnival (Blood &

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Honey) between Egypt and Morocco as the docu-fiction film Amnesia in Lebanon.

Robin Smith Robin Smith is currently the owner and President of KinoSmith Inc. – Canada’s premiere boutique distribution and film marketing company - and CEO of the newly founded company Blue Ice Docs – a new distribution and equity financing company dedicated to funding, acquiring and distributing the best non-fiction work from around the world. Robin brings a strong background of over 23 years of film, video and arts-related work to the marketplace having worked at a variety of distribution companies (National Film Board of Canada, Alliance Films, Lions Gate Film Entertainment, Seville Pictures and Capri Releasing) and has managed and navigated the release of such hits as Crouching Tiger, Hidden Dragon, Away From Her, Cave of Forgotten Dreams, Blackfish and Kedi. Robin also acts as the Cinema Programmer for the Hot Docs Ted Rogers Cinema in Toronto that is operated by the Hot Docs International Documentary Festival. The Hot Docs Ted Rogers Cinema is a 727 seat cinema dedicated to screening documentaries throughout the year.

Jenni Wolfson Jenni Wolfson is the Executive Director of Chicken & Egg Pictures, which supports women non-fiction filmmakers whose artful and innovative storytelling catalyzes social change.

Before joining Chicken & Egg Pictures, Jenni was the Managing Director of WITNESS, the international human rights video advocacy organization co-founded by musician Peter Gabriel. Jenni has worked for UNICEF, protecting the rights of children affected by armed conflicts and natural disasters, and

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has served in numerous posts around the world for the United Nations, including the UN International Civilian Mission in Haiti and the UN High Commissioner for Human Rights in Rwanda.Jenni wrote and performed a solo play about her experiences as a human rights activist. She has an MA in Human Rights and an Honorary Doctorate from the University of Strathclyde.

One-on-One Meetings Simone van den Broek Simone van den Broek studied a.o. theatre directing at Art School Arnhem.

In 1996 she was selected for the IDFA scenarioworkshop and became a film director, making author driven films for national broadcasters such as VPRO and NTR. In 2007 she decided to dedicate herself fully to producing, the part of documentary making she loved best. She participated in Eurodoc in 2008, and founded her own company, Basalt Film in 2012. Basalt Film produces socially relevant documentaries of high artistic quality for National and International cinema and television a.o Matthew’s Laws, 72 min, 2012. Grand Prix Visions du Reel, Grand Prix Dutch Feature Length Documentary, Special Merit Prize TIDFF, Best Feature Length Documentary RIDM. In 2015 she followed EAVE Producers Workshop. And in 2018 she participated in Dok Incubator with the feature length film Good Neighbours, that premieres in the Dutch Competition at IDFA 2018.

Tom Fassaert Tom Fassaert debuted with his feature length documentary An Angel in Doel about a small Belgian village threatened with demolition. It premiered at the Berlinale, screened at +50 festivals worldwide and won several international awards. Fassaert’s

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second feature length documentary is A family affair. A film that explores the delicate terrain along the fault lines of his own family. It was the Opening Film of IDFA 2015 where Fassaert also received the prestigious Prins Bernhard Cultuur Fonds Documentary Award for his works. After winning the Special Jury Award at IDFA, the film started its journey to many international festivals and already received numerous awards. It recently won the Gouden Kalf (Dutch Academy Award) for best long documentary, is nominated for the European Film Award 2016 and is acquired by Netflix to be broadcasted globally.

Variety recently named Fassaert ‘One of the Ten Docu-makers to Watch’.

Ida Høyer Bom Ida Høyer Bom is Acquisitions Executive for DR and have worked with international documentaries and factual programming at DR since 2015. Ida Høyer Bom is pre-buying and acquiring factual programming (series and oneoffs) and documentaries in various genres, including arts, culture, science, history and human interest.

Gema Juárez Allen Gema Juárez Allen has been a film producer since 2005. She has produced over 20 feature - length films — all international co-productions — programmed and awarded at film festivals around the world. Among her most recent titles are Theatre of War (Lola Arias, 2018), La Cama (Monica Lairana, 2018), Yo no me llamo Ruben Blades (Abner Benaim, 2018), Soldado (Manuel Abramovich, 2017), Oscuro animal (Felipe Guerrero, 2016), Camino a La Paz (Francisco Varone, 2015), 327 Cuadernos (Andrés Di Tella, 2015), Damiana/Kryygi (Alejandro Fernández Mouján, 2015) and Invasion (Abner Benaim, 2014). Juárez Allen IDFAcademy Program Guide

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studied anthropology at the universities of Buenos Aires and Rio de Janeiro, where she obtained her PhD. She has also studied cinema at the National Film School (ENERC) in Argentina, and she received an MA in Visual Anthropology from the University of Manchester. She is also part of the EAVE and EURODOC networks.

Anne Marie Kürstein Anne Marie Kürstein is festival documentary film festival consultant and has worked at the Danish Film Institute since 1990 promoting documentaries and shorts abroad at international film festivals and markets. She advises the Danish filmmakers on festivals strategies, presents the Danish documentaries to the international film festivals and at markets. She has built up a large festival network and knowledge over the last 25 years. She has co-organised film festivals in Copenhagen, been board member of Aarhus Film Festival and member of the jury at IDFA, It’s All True, Leipzig and München DocFest amongst others. Anne Marie Kürstein can advise you how to deal with festivals, what to do and what not to do. Which festival are worth aiming at with your film, possible cooperations partners, and where to spend your money in a wise manner.

Meghan Monsour Meghan Monsour is the Programming Director of The Ambulante Documentary Film Festival, a traveling festival that promotes documentary film in Mexico and abroad in order to foster new forms of expression and encourage debate. Since 2008, she has been part of the team that has positioned Ambulante as Mexico’s most far-reaching film festival and a unique exhibition model due to its geographic reach and innovative spirit.

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Sydney Neter

Estelle Robin-You

Sydney Neter started out as a production assistant for features and commercials in Amsterdam. In 1994, he founded the international boutique sales agency SND Films, selling award winning international short films, TV-movies and (feature) documentaries. Sydney has been on the Dutch Film Fund shorts commission from 2001-2010 and on the board of directors of the International Short Film Festival Go Short! in Nijmegen until 2011 and continued to be on the board of advisory. People call him Mr. Shorts now. He’s been on (shorts) juries, like Berlin, Sundance, Palm Springs, Tel Aviv International Student Festival, Rio Short Film Fest etc. A few of the recent titles are the the short animated docs Half a Life and OBON, of which the latter is qualified for the 2019 Oscars, as well as A Double Life by the Oscar nominated Job, Joris & Marieke. SND Films represents animated gems by Bill Plympton, and live action shorts. The latest hour/feature documentary titles include Max Emden - Also Life is an Art. SND Films is a boutique sales agency, based in Amsterdam. Selling short films, feature and hour docs. Mostly looking for entertaining documentaries that are not too political. Strong preference for Arts & Culture as well as the LGBTQ docs.

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Estelle Robin-You is managing director and producer at Les Films du Balibari, a french company focusing on documentary films with a unique voice and viewpoint. Estelle and her partner Clara Vuillermoz strive to be the best pathfinders for the directors and their projects, be it for television or theatrical distribution.

Their productions have travelled to festivals such as IDFA, Hot Docs, Visions du Réel and Cinema du Réel. Currently in the making: Debouttes by Maxime Faure (co-pro with Meta films, France 2, Radio Canada, IDFA Academy 2018), A Thousand Fires by Saeed Taji Farouky (Aide aux cinemas du monde, co-pro Sweden-Palestine), Zinder by Aicha Macky, copro Tabou films Niger, Corso films Germany). Estelle was nominated three times for the French Procirep TV producer award in 2010, 2017 and 2018. She is a EAVE and Ex Oriente graduate.

Ina Rossow Born 1975 in Halle/ Saale, GDR. Graduated from Leipzig University with a degree in Cultural Sciences, Journalism and Ethnology. Worked freelance for museums and exhibitions before joining d.net sales / Deckert Distribution in 2002, Ma.ja.de. Filmproduktion 2011 2017 and Egoli Tossell Film 2002 – 2011 as a festival manager for both documentary and fiction films. Served as a jury member for several national & international film festivals like DOK.fest Munich, Crossing Europe FF Linz, DocAviv Tel Aviv, or Art FF Batumi. Lives & works in Leipzig.

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IDFAcademy participants IDFAcademy participants, we found you!

IDFAcademy selected 100 emerging directors and producers to come to IDFA and participate in the IDFAcademy. Potential participants were reached through an open Call for Entry, but we also harvested the best talent through a collaboration with European film institutes; film organisations, and other film initiatives: Norwegian Film Institute, Danish Film Institute, Croatian Audiovisual Centre, Icelandic Film Centre, Finnish Film Foundation, Lithuanian Film Centre, Slovak Film Institute, East Doc Platform, Georgian National Film Centre, Screen Training Ireland, Creative Scotland, DOK.Incubator, SCAM (Société Civile des Auteurs Multimedia), and the Young Producers program by The Netherlands Film Fund.

The list of official IDFAcademy participants also includes directors and producers supported by the IDFA Bertha Fund. This fund supports documentary filmmakers and festivals in developing countries. Its goal is to stimulate local film cultures and to turn the creative documentary into a truly global film art. Likewise, the Lutfia Rabbani Foundation supported IDFA in bringing over a number of Arab participants to the IDFAcademy – Promoting Euro-Arab Dialogue and Understanding.

Besides the official list of participants, a small group of ‘special’ participants was selected to participate in IDFAcademy. Amongst these guest participants are: Sahra Mani, director of A Thousand Girls Like Me, screened at IDFA 2018; directors that were part of the IDFA Workshops: Cassandra Offenberg; Anne van Campenhout; Kim Faber, Iris Grob (Kids & Docs Workshop) and Floor van der Meulen (IDFAcademy Summer School). Moreover, IDFAcademy & NPO Fund Workshop participants are: Shamira Raphaëla; Kees-Jan Husselman; Beri Shalmashi; Salvador Gieling; IDFAcademy Program Guide

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Loretta van der Horst, and Biserka Suran.

Furthermore, IDFA Bertha Fund supports the development of projects by Mohammad Reza Eyni and Sara Khaki; Sahra Helmandi, and Julia Wagner through attending IDFAcademy.

IDFA has also awarded IDFAcademy passes at international festivals to Sihle Hlophe; Francina Carbonell; Ana Ristovic, and Elroi Yee. Additionally, WeOwnTV is represented

by Lawrence Agbetsise; Archie Valentino Thomas; Mohamad Tyson Conteh, and John Solo. Finally, AFK invited Louis Lui (Hothothot) in collaboration with EYE, AHK and IDFA

Meet the Participants Yara Abi Nader Yara is a Lebanese film and news producer based in Beirut. She is a 2013 MA graduate with a distinction in Production from ALBA-UOB. With a wide range of experience in producing awards-winning student short films, Yara produced an independent short film and a first fiction feature in 2017. She has also participated in several international production workshops. Passionate about cinema, Yara is currently working on Embodied Chorus while pursuing a journalism career with Reuters.

Ignacio Acconcia Ignacio obtained degrees from ESCAC and Pompeu Fabra University, then directed his first short film Putas in 2009. This was the most-viewed short film at Notodofilmfest 2009, and it won national prizes and several selections.

He then directed and wrote a short TVseries named David Mi Amigo, broadcasted

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on Spanish national TV and participated in the film Demonstration, which was selected at IDFA. In 2015, he found his own production company – working as a director in advertisement for NGO’s such as Amnesty International and SOS Racismo. The social media videos gathered more than 80 million views. Currently, Ignacio’s first documentary feature film The Fire Kid is in pre-production, and was selected to pitch ad Docs Barcelone and won an award at Perso Film Fest.

Arina Adzhu Arina Adju was born in Moscow in 1996. In 2010 she played a main role in feature film I’m going to change my name by Maria Saakyan, and obtained ‘Best Actress’ prize at A l’Est du Nouveau Festival in 2014. In December 2015 she graduated from The Marina Razbezhkina and Mikhail Ugarov School of Documentary Film and Theatre. In 2016 she was a participant of the programme “Young filmmakers for peace”, GoEast film festival. In 2017 she finished La Fémis summer film school, and in 2018 she participated in CPH:DOX Academy.

Mery Aghakhanyan

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Eyad Aljarod is a Syrian filmmaker and photographer. He moved to The Netherlands in 2018.

Aljarod studied and taught mathematics in Syria until 2011. At the start of the revolution in Syria he joined civil protests and decided to document the changes he witnessed.

Since then he has worked independently and largely alone, often in very difficult circumstances. His work focuses on recording changes in society in the light of the revolution and complex conflict in Syria.

He highlights how these changes influence and interact with the lives of people. He follows them and documents their experiences, their changing political ideas and their roles. Aljarod has produced a number of short films. He filmed and directed his first documentary Lovers’ Notebooks (55 mins) which was premiered at Rotterdam International Film Festival 2015 and screened at the Quebec Film Festival and elsewhere.

Recently he finished making his documentary The Great Sacrifice. During IDFA 2018 this film will have its world premiere.

Beth Allan

Mery Aghakhanyan is an author of tales, theatrical performances, several artistic scripts among which are The Babylon Tower, Beyond the Dunes, Zone, or the dream of Unborn, and others.

She worked as a freelance documentary photographer, her works were exhibited in a few international photography festivals. Currently she is working on her first artistic and feature-length documentary projects.

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Eyad Aljarod

Beth is a producer with over 14 years of experience making promos, concert films and documentaries for the music industry as well as TV commercials and content for the advertising industry through her production company The Forest of Black. Working consistently with high-profile UK and International artists including Biffy Clyro, Belle & Sebastian, Franz Ferdinand and Twin Atlantic and labels including Universal, Warner, Sony BMG, Domino & Rough Trade.

The company continues to expand and focus on its own creative content with a slate of short, feature and broadcast projects in development. Beth was Associate Producer

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on the musical feature film God Help The Girl, directed by Stuart Murdoch and produced by Barry Mendel which premiered at Sundance in 2014 winning a Special Jury Award and was sold by Hanway and Distributed by Metrodome UK and Amplify US.

Vanessa “Banuk” Amante Banuk is an independent producer/director for web, TV and film. She majored in Philosophy and minored in Film and Ausio Visual Studies at UP-Diliman. She worked as an ad agency copywriter, but soon became a freelance location producer and stringer. Traveling beside a global crew and capturing unique local stories brought her fulfilment and adrenaline. Her first short film, Kat’s Diary was the only comedy entry in the 2015 Tropfest Short Film Festival in Malaysia.

Furthermore, she is the recipient of the first Tribeca Talent Lab in SEA, awarded during the 2016 Luang Prabang Film Festival for the film Beastmode, A Social Experiment, her first documentary as creative producer. In 2017, she was granted pitching awards from Tribeca Film Institute in New York and the DMZ International Film Festival in Korea. She aspires to produce an environmental documentary, directing a dark romantic comedy, and show running a comedy series.

Aboozar Amini Aboozar Amini (Bamiyan, Afghanistan,1985) believes that the world of cinema is home for him.

He received his B.A. degree in Fine Arts at the Art Academy in Amsterdam; his graduation film KabulTehranKabul (2010) won the Wildcard Award of the Dutch Film Fund.

Through eight international scholarships, Aboozar followed his M.A. in Film Making at London Film School, where theories of the IDFAcademy Program Guide

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aesthetic film language merge with practice, under supervision of filmmakers such as Mike Leigh. His graduation film Angelus Novus (2015) premiered at International Film Festival Rotterdam and won various global awards. Then, he became the chief editor of five successful feature length documentaries in China. His latest short film Best Day Ever (2018) opened at La Quinzaine at Cannes 2018. Aboozar’s work shows a neo-realistic language of cinema, a major study field for his master dissertation in London. Aboozar lives and works in Kabul and Amsterdam.

He wants to establish a new-wave of Afghan cinema together with young filmmakers there through filmmaking.

Naziha Arebi Naziha Arebi is a Libyan/ British artist and filmmaker who returned to Libya after the revolution to work and explore her father’s homeland. Naziha is co-founder of Huna productions, a Libyan film collective that works at the intersection between cinema and activism. Naziha has produced various short films, worked extensively in the MENA region as a cinematographer on features, alongside also working as with local and international NGO’s on visual storytelling.

Naziha is also a WEF Global Shaper, a HotDocs Blue Ice fellow and a Sundance Edit and Story Lab fellow. Her artwork has been published extensively in print and exhibited globally and alongside her first feature Freedom Fields, premiering at TIFF, she is also producing After A Revolution by Giovanni Buccomino, in collaboration with Met Film (UK), EIE Film (Italy) and Urban Republic (USA) and she also has a docu-fiction in development.

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Venice C. Atienza

Ruslan Batytskyi

Venice Atienza is a documentary filmmaker and photographer from the Philippines. The first stories she heard were told by her grandmother about the village where their family came from. As she grew older, stories, through spoken words and shared images, became a way of encountering life, a way to build bridges to the world of others. After graduating from the University of the Philippines in 2012, she worked as an associate producer on a mini-series for National Geographic Philippines. She then became a photographer for the World Health Organisation on the effects of typhoon Haiyan in the Philippines.

Afterwards, she became part of NinjaDog Studios (Philippines) as a cinematographer and photographer. In 2015, she became part of DocNomads, an Erasmus Mundus Program in Documentary Film Directing. Upon graduating in 2017, she joined Terratreme Filmes, Portugal — on an internship in film distribution. She has returned to the Philippines and continues to work with film and photography.

Sonia Ben Slama

Martín Balbuena Born in Peru in 1983, Martin followed Philosophy Studies. After that, he discovered his real vocation and followed Cinema Studies in Buenos Aires, Argentina, specialising in photography and documentary. For several years Martin worked in advertising. In 2012 he founded his own company, “IN Audiovisuales” in Perú.

Martin has directed corporative documentaries for different NGOs and research centers in Peru. In 2016 he started with his first feature length documentary New Old Man, produced from Germany, his current country of residence.

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Batytskyi was born in the Dnipro region of Eastern Ukraine in 1986. After receiving a Master’s degree in cybernetics, he started studying cinema at the Kyiv National University of Theater, Cinema, and Television. Lethargy, his first film was presented at several IFFs in Europe and US. After completing several short documentaries, he performed as director and DP of the short film Reed, which was screened at the IFF Molodist (Kyiv) and Beginning (Saint Petersburg), winning the Grand-Prix of International Tarkovskyi and Best Film prize at Mostra International de Filmes de Ecolas Cinema of Porto. Ukrainian Lessons was made in 2013 through the financial support of the State Film Agency of Ukraine. This film participated in the Short film Corner Selection of Cannes Film Festival in 2013 and won the FIPRESCI prize at the 4th Odessa IFF. Since autumn 2013 Batytskyi has been filming a documentary about revolution and war in Ukraine.

Sonia Ben Slama is a Tunisian-French documentary filmmaker, born in 1985. She grew up in Paris and studied Art and Cinema at University Paris 3-Sorbonne-Nouvelle. For her two Master’s degrees, she focused on gender questions and women’s representation in classic tales and modern teen-movies and directed two short documentaries, produced

by Serge Lalou for Les Films d’Ici and by Catherine Derosier-Pouchou for the Louvre museum. She worked for a German TV production company for 2 years and decided to write and direct her first feature documentary in Tunisia Maktoub (Tout est écrit), which was presented in numerous festivals worldwide.

Sonia always combines her documentaries

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project as director with activities in the documentary field. In 2017, she worked as coordinator for the Centenary of the birth of Jean Rouch, with Catherine Ruelle and Jocelyne Rouch. Moreover, since early 2018, she collaborates with a documentary production company as junior producer.

Milisuthando Bongela Milisuthando Bongela is a multi-award-winning writer, editor and cultural worker with experience in the media, publishing, music, fashion, art and film industries in South Africa. She is currently directing her first feature documentary Somewhere over the “Stop-Nonsense” - on race, love and the post-apartheid condition in the new South Africa. Somewhere over the “Stop-Nonsense” (formerly ‘Cheese Girl’) is selected for the Hot Docs Blue Ice Fund Programme for 2018 and won IDFA’s most promising documentary project for 2018, awarded at the Durban International Film Festival. The film is currently fundraising for production. It is a coming-of-age personal essay documentary in which Milisuthando - a black South African born and raised during apartheid but who had no idea about it until it was over - examines how blacks and whites began to live together under new laws after 300 years of racial segregation when apartheid ended in 1994.

Jasper Boon After studying at the Willem de Kooning Academy (Audiovisual Design) and The Netherlands Film Academy (producer) Jasper Boon founded Boondocs in 2018. It stands for author driven documentaries by young artists who are living their art. Focusing on short documentaries which are progressive, seeking to educate the mind and the soul.

IDFAcademy Program Guide

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Jure Bušić Jure Bušić was born in 1981 in Kranj (Slovenia). He graduated MA Economy University in Zagreb in 2006. He was student of film and TV production on Academy of Dramatic Arts in Zagreb, and works as a producer, executive producer and project manager on several documentary, fiction and animation films and series. His recent documentary films include:Push – pull, (director Neven Hitrec) and To live, to sail, (director Lana Šarić).

Danilo Cekovic Danilo Cekovic studied Film directing at Academy of Arts in Belgrade. During the studies, he filmed short fiction and documentary films, one of which, Garden of Dreams, was selected at Belgrade Documentary and Short Film Festival. He is currently working on his first feature documentary about his community service, titled Diary of a Serious Offender.

It was financed by Film Center Serbia. With that project, he was one of 6 participants at Beldocs Pro International Workshop, as well as one of 5 projects selected at Docu Rough Cut Boutique 2018. He joined the crew of a professional documentary feature movie Nebeska Tema as an assistant director to Mladen Matičević.

Ismaël Joffroy Chandoutis Ismaël was born in France in 1988. He graduated from INSAS (Belgium) in editing, from Sint-Lukas Art School (Belgium) in filmmaking and from Fresnoy (France). Ismaël Joffroy Chandoutis explores a cinema that goes beyond the

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boundaries of genres. His films question memory, virtual, technology and the intermediate spaces between the worlds and between the words. He was known as a filmmaker with his film Ondesnoires which has been presented at major festivals such as IDFA, Clermont-fd, Regensburg etc. and has received several awards, including the Prix Festivals Connexion Auvergne Rhône Alpes at Clermont-Ferrand film festival, the grand prize and the young jury prize at the Regensburg festival. Ismaël also works as film editor. He currently lives and works in Paris.

Pablo Cruceño

Keren Chernizon Graduated at the Media University in Sao Paulo, Keren started working as a photojournalist for several media agencies, newspaper, and magazines. Later, she undertook a Master’s degree in photography with a focus on visual anthropology - researching human rights violations, police brutality and social rejection of homeless populations of drug addicts in the streets of the city. In 2010 she covered a reportage about the illegal policies of European countries in the disposal of electronic waste to Ghana, leading to her most recent project critiquing the charity industry overuse of tragedy imagery, the documentary Blackwash. Keren has also created ProjetoSOLO, a project in which she makes short dance films, collaborates on multiple dance performances with video projection and has directed music videos by international artists.

Agnese Cornelio Born in Italy, artistically matured in Germany and Benelux, living between Amsterdam and Cologne, Agnese Cornelio (Bologna, 1978) is a theatre director and filmmaker whose work focuses

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on the crossovers between film and performance. She realised performative video installations such as Working Title (International Film Festival Rotterdam, 2015), I see, I see what you are not seeing (deSingel) Playing Democracy (HetTheaterfestival, Antwerp), Coworking - Rehearsal for a Changing World (Burning Ice -Kaaitheatre,Bruxelles). She also directed several plays based on contemporary works, as well as documentary theatre projects for German and Italian speaking theatre and for international festivals.

Pablo Cruceño was born in Córdoba and studied Film and Television at the National University of Córdoba. Since 2015 he has been part of Periferia Cine, a documentary and non-fiction production company, where he has produced and co-written the feature film Construcciones (2018), which received various awards at European and Latin American festivals while the film was still in progress, and is currently co-writing the project Ciudad de Missueños, currently in development.

Writes and directs his first feature film Corredor Rojo (2018) and has participated in several festivals and market meetings such as: Rough Cut Lab of the Visions du Réel 2017 (Switzerland), Ventana Sur (Buenos Aires), Doc Montevideo (Uruguay) and the Mar del Plata International Film Festival.

Benedikte Danielsen Benedikte started working in the film industry after graduating from Cardiff University (UK) in 2002 with a degree in Journalism, Film and Broadcasting. Since 2002 she worked as an assistant, a coordinator and production manager on feature films, shorts and commercials for companies such as Friland, Paradox,

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Cinenord and Filmkameratene. In 2013 she started working for the Creative Europe MEDIA Desk in Norway at the Norwegian Film Institute and stayed at the NFI for four years, working with international funding- and cooperation initiatives for film, TV and games.

In 2017 she received the chance to work in documentary production at Norsk Fjernsyn.

Danielle Davie Documentary filmmaker and visual anthropologist, Danielle obtained a PhD in Documentary & Anthropological cinema in 2010 in France.

Her academic work was related to the Bedouin habitations in Syria. For that purpose, she directed 10 short films; of which some were screened at ethnographic international festivals. She is a coordinator and lecturer at ALBA-UOB since January 2011, and lecturer at USEK and the Lebanese University since January 2012. Parallel to her work as a lecturer, Danielle works on her personal projects including documentaries and experimental videos.

Sebastiano d’Ayala Valva Sebastiano d’Ayala Valva was born in London in 1978 to an Italian father and an English mother. He lives in Paris where he graduated in Political Science in 2003 at the Institut d’Etudes Politiques. Since 2005 he has written and directed several documentaries for French television: Transvestites Also Cry (2007), Angel (2009), Adapté(s) (2012), Performants Autrement (2016). His documentary La Casa del Padre (2009) was presented at the Torino Film Festival. His latest documentary Giacinto Scelsi, The First Movement of the Immovable (2018) was purchased by ARTE and will be broadcast on La Lucarne, dedicated to documentary filmmaking.

IDFAcademy Program Guide

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Manuel Díaz Manuel was born in Spain in 1980. He worked as Industrial Engineer for 11 years, and combined it with cinema production for 7 years. In 2011 he created his own company, Dynamite Films.

In 2016 he quit engineering to only work as a producer. He has produced some short films (Picnic, The Acrobat, Safari, Hoissuru) and three feature films (Maus, Letters to Paul Morrissey, Basque Selfie). He is developing two documentaries: Las ninfas del celuloide (Mexico-Spain coproduction to shoot in February 2019), Shooting for Mirza (development, to shoot in 2019). His films have a very successful history, being awarded and selected at many prestigious festivals like: Semaine de la Critique in Festival de Cannes, Goya Awards, San Sebastian FF, Fantastic Fest in Austin, Seville Festival, Black Nights in Tallin, Karlovy Vary FF, FIDLAB Marseille, Tribeca IFF, Festival de Málaga, and Festival de Sitges.

He was selected to participate in Berlinale Talents 2017 and IDFAcademy 2018.

Matthieu Dibelius Matthieu Dibelius is a French-German documentary filmmaker. He grew up in Bonn and lives in Paris. His latest film By Then will have its International Premiere at IDFA 2018. Matthieu Dibelius is currently an artist-in-residence on the Faroe Islands with the Institut Français.

He spent 10 years as a social worker, often using the camera as a mediating tool. As a result, his film projects invariably have a social component. In the past 5 years, he has been working on a documentary film project centered on adopted children in the Faroe Islands.

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Max Joakim Diezenberg

Vincent Du

Max Joakim Diezenberg graduated in 2014 from Academy of Arts & Design AKV St. Joost as a documentary filmmaker.

With his final project The Wardrobe of Gender he questioned the way society defines gender.

With this documentary, he exposed a different perspective on gender and sexuality. In 2014 he started working as researcher and producer at mint film office in Rotterdam on documentaries such as My First Porn Film (2016) by Vincent Boy Kars, WeMargiela (2017) and ‘Now Something Slowly Changes’ (2018) by Menna Laura Meijer. Now he also works as a line producer at Tangerine Tree in Rotterdam.

Tanya Doyle Director Tanya Doyle established herself as an award-winning documentary maker in 2004 when she won the Duke of Edinburgh Medal of Excellence for her student film “Moore Street”.

Tanya’s first documentary The House, her TV debut, was nominated for multiple awards and won the Radharc Award. Tanya’s most recent creative documentary Waterlilies, winner of numerous awards, explores the changing role in women’s lives, combining underwater imagery and interviews with elderly women learning to swim. Her style is described as “insightful, original and innovative”. Tanya holds an MA in Film & Television from Dublin City University, a First Class Honours MA in Screen Documentary from Goldsmiths, University of London and has contributed to the Production and Camera Departments of prestigious productions, among which are the Oscar-winning Once, Learning Gravity and Bachelors Walk.

Tanya continues to grow acclaim for her work through her production company Marmalade Films, and is currently in development of creative documentary projects.

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Vincent Du is a Beijingbased film director and producer. As director and/or cinematographer, Vincent has made four documentaries for Al Jazeera English. He has also directed and produced documentaries for NHK World, Channel News Asia, and China’s Central Television. Vincent was selected to the Berlinale Talents at the 64th Berlin International Film Festival 2014. From 2010 to 2012, after receiving two scholarships including British Government Chevening Scholarship, Vincent completed two Master’s degrees in Journalism and Screen Documentary at the University of Hong Kong and Goldsmiths, University of London respectively. Vincent now teaches documentary and fiction film production at Journalism School of Tianjin Normal University. Vincent’s website is www.vincentdu.com

Karim El Hakim As an award-winning director, producer, cinematographer, script-writer, and actor, Karim has been working behind and in front of the camera for over twenty years. He worked as a photographer, director and actor before turning to documentary- and fiction films.

Karim’s considers story-telling an art that demands knowledge and experience from a diverse array of cultures and disciplines. His work focuses on social issues, development challenges and marginalisation in the Middle East. He experienced and filmed the Egyptian Revolution, resulting in his documentary 1/2 Revolution, which screened at over 50 international festivals, including Sundance 2012, and was nominated for Best World Cinema Documentary and many international awards. Karim also contributes to international political documentaries and the Cairo

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cinema scene. Currently, he is producing the documentary As I Want with his partner Samaher Alqadi, a personal story on the meaning of being a woman in today’s Middle East. It is supported by HotDocs and IDFA Bertha Fund and participated in IDFAcademy Summer School.

Asmae El Moudir Asmae El Moudir is a director, producer and editor based in Rabat, Morocco. She works in films since 2010 and already directed four short films and numerous documentaries for TV channels such as Al Jazeera documentary, SNRT, Channel 2 Morocco for which she directs a series about colonial architecture in Morocco in 2018. Asmae has a Master from Abdelmalek Essaadi University in Documentary directing. In 2013 she got a scholarship from the Moroccon government to study at Summer University in La Femis.

In the frame of this programme she directed her awarded short film Thanks God It’s Friday, Anachronic Memories or the Friday Noon Couscous (selected at Sao Paulo short film Mostra/Malmo Film festival/ Beirut Short Film Festival/ Africa Movie Academy Awards, etc). She is now developing her documentary, The Mother of All Lies, for which she got numerous supports in writing and development such as: Archidoc, Africadoc, Locarno, Fidadoc and the Robert Bosh Film Prize for international cooperation, Eurodoc 2018 and the Producers Lab co-organized by Doha Film Institute and EAVE.

Aleksandr Elkan Alexander Elkan was born in 1987, living the majority of his life in Novosibirsk. He graduated from the Faculty of Cinematography, and spent a long time working in a studio which IDFAcademy Program Guide

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makes commercial movies and adverts. He moved to Moscow in 2013 and began to try himself at documentary filmmaking. Since 2016, he has been studying at the Marina Razbezhkinaand Mikhail Ugarov School of Documentary Cinema and Theatre.

Tomáš Elšík Tomas Elšík (1986, Czech Republic) graduated from college in Písek, department of directing and the film editing at FAMU. With medium-length film Message from Dement he graduated and won the award for documentary editing at FAMUFEST 2013. In the same year, he participated in the Ex Orientein as the position of assistant lecturer Grozjaně. From 2013 to 2014 he was an assistant of Andrija Zafranovićon during the film Honey Night (directed by I.Trajkov). In 2016 he edited a feature film Snowing! directed by Kristina Nedvědová. Tomas has worked on various documentary films (Sugar Blues- director Andrea Culková, Girl Power- director Sany etc.) and also many different documentary TV series. His first feature-length documentary Central Bus Station premiered at Sheffield Doc/Fest 2018.

Ksenia Elyan Born in Moscow, Ksenia has been a professional editor since 2000. She also works as a film director andDoP. In 2010 she graduated from Moscow’s Marina Razbezhkina Documentary School. Her debut mid-length documentary UncleVova premiered at Russia’s Artdocfestin 2010. As a DoP she also participated in such projects as The Term (2014) and My Friend Boris Nemtsov (2016). How Big Is the Galaxy? is Ksenia’s full-length documentary debut.

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Sharelly Emanuelson Sharelly Emanuelson (1986) is a filmmaker based in the Dutch Caribbean.

She acquired her B.A. in Audiovisual Media from the School of Arts, Utrecht, and a M.A. in Artistic Research at the Royal Academy of Art, The Hague. Her documentary film SuSolo IPlayanan (2010) won an audience award at the Africa in the Picture Film Festival (2012) and was screened at several film festivals. Sharelly’s recent work several films: the first about the visual artist Geerdine Kuijpers, Welterusten Papa about father/daughter relationships, and Yamada about a 40-year old musical group. This year IBB invited her to create JUNI as a collaboration in their residency programme. It formed part of the CIFFR 2018, soon to be screened at the Trinidad & Tobago Film festival.

Moreover, she founded “Uniarte”, an NPO on Curacao and The Netherlands that contributes to a fertile and sustainable environment for art to flourish in modern Caribbean.

María Silvia Esteve As an Argentine, born in Guatemala, María Silvia Esteve studied Film at the University of Buenos Aires, where she was also a teacher for five years.

As a filmmaker she has worked both for film and television, and has written and directed short films selected at different festivals. Her debut feature film Silvia was selected for BAL (BAFICI 2017), and the DocMontevideo Rough Cut Lab, with João Moreira Salles and EduardoEscorel. The film won at the FIDBA DOCLAB: WIP 2017 for Best Argentinian Project, was given the Walla Collective for Best Project-ArchéatDocLisboa2017, won at the FEMCINE 8: WIP, and the Postproduction Coral Award in the 39th Habana Film Festival.

Silvia’s World Premiere is at IDFA this year.

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Maxime Faure Maxime grew up in a small village in Finistère, the Land’s End of Brittany, France, surrounded by cornfields and farms. In his teens, he discovered his passion: “I started filming my kid sister in her own environment.” Everything was improvised: a curtain rod served as a crane, a skateboard for the dolly shots... After graduating from high school, it was only natural for him to study film in France and Canada.

There, he discovered documentaries. Maxime was convinced: this was his path. After directing several short documentaries in North America, Maxime won the France Télévisions Infracourts award with his film Unrest, shot in Ukraine. With this first feature-lenght project, Maxime has been awarded with the SCAM Brouillon d’un rêve grant and the 2017 Fondation Lagardère audiovisual grant.

Tamta Gabrichidze Tamta Gabrichidze is a freelancer film director/ producer/scriptwriter with more than ten years of experience working in television and film industry. Tamta was born in Georgia, Tbilisi.

She earned bachelor’s degree in Film directing at Film and Theatre State University of Georgia. Later she continued studies as PR at Georgian institute of public affairs. She has directed several short films. Tamta has worked on many international film productions, as different crew positions (assistant director, assistant producer, vision mixer, costume supervisor, scriptwriter, director, and producer). She collaborates with different companies - among them Georgian Public Broadcaster. Her latest film The Trader-Sovdagari is the winner of several film festivals, among them Sundance, Hotdocs (2017). Also it’s a first Georgian documentary distributed by Netflix worldwide.

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Dana Gelman Dana Gelman was born in 1986, and lives and works in Tel Aviv, Israel. She graduated in 2014 from the Photography department of Bezalel Academy of Art and Design in Jerusalem (BFA). During her studies she directed, produced and shot a short documentary Wonderful Here (2014). Currently she is studying at The Steve Tisch School of Film & TV, Tel Aviv University (MFA), during which she created 2 short documentaries - James Is Leaving (2017) and “Backwards” (2018). She is also working as a freelance cinematographer and video editor.

Alina Gorlova Alina Gorlova is a director and film editor. She was born and lives in Ukraine.

She graduated from the Karpenko-Kary Kyiv National University of Theatre, Film and TV. She directs documentaries but is also experienced in making fiction shorts, social and commercial ads. In 2016 Alina presented her first feature-length documentary Kholodny Yar. A short version (60 minutes) of the film was presented at the Odesa IFF (Ukraine) and Artdocfest (Moscow, Russia). Her last film No obvious signs got 4 awards at the international competition at Docudays Ua 2018 festival and it’s internationally premiered during DOK Leipzig 2018.

IDFA Bertha Co-Production fund supported Alina’s last documentary project Between two wars.

Albina Griniute Albina was born in Vilnius, Lithuania. She studied audiovisual media in the Baltic Film and Media School (Tallinn, Estonia). Participant of IDFAcademy Program Guide

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various film workshops, such as Berlinale Talent Campus, Cine-Boat (Finland), Interaction (Serbia), among others. She is a documentary filmmaker currently working on her second feature documentary.

Iván Guarnizo Ivan Guarnizo has developed his main work as an editor of awarded feature films and as a director and cinematographer of small and experimental works. As an editor he has worked in international awarded films including among others Patient by Jorge Caballero (IDFA 2015 - official feature selection, 2016 Malaga Film Festival: Best Director and many more), Not All is Vigil

by Hermes Paralluelo (2014 San Sebastian official selection - new directors -, 2015 Mar del Plata Film Festival Official Selection Signis award -, 2015 Fenix Awards: Nominated for Best Documentary & Documentary Photography, and more). He also has been editor and cinematographer for Rovira Beleta, Pending Chronicle by Lara Mateo for Spanish TV. As a director he has small films, documentaries and music videos which can be watched on his Vimeo account: https://vimeo.com/ ivanguarnizo.

Miriam Guttmann Miriam Guttmann (1994) is a published photographer and ambitious young documentary maker, based in Amsterdam. At the age of seventeen, her photography series Young Masters and Loss gained the attention of the press and a number of renowned curators. Her photography work was exhibited in FOAM, Fotofestival Naarden, Corrosia Almere, DoubleTree Hilton hotel and Art’otel 5&33. In her work she is treating taboo breaking subjects with a clear visual focus: And That’s All I Can Say about a mortician, Joy about female sexuality and A

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Syrian Odyssey which attempts to humanize the tragic, often abstracted story of displacement. While her work appears to be subtle, it is provocative at the same time. Her graduation film Seeds of Deceit revolves around Dr. Jan Karbaat, the most successful fertility doctor in The Netherlands during the 1980s and 90s, who clandestinely used his own semen to impregnate the women he so-called “treated”.

Selina Håkansson Selina Håkansson is a Swedish/Dutch film editor and filmmaker. She has directed several shorts that premiered at international festivals such as ZagrebDox and were broadcasted in The Netherlands. Her edited works have been screened and awarded Internationally. She has completed an MA in film editing from The National Film & TV School with the support from Anders Sandrews Stiftelse. With experience in documentary, fiction and animation she has been working as a freelance editor and filmmaker since 2012 and is currently making her first feature documentary as director.

Emil Næsby Hansen Emil works in the field of documentaryfilm, and explores people, places and the energy between them.

Emil was born in 1986 in Skive in Denmark, and currently lives in a small village north of Copenhagen. He directed the shortmovies Freight train (Danish: Godstog) and Guf, before he started at the alternative filmschool Super16 in Copenhagen, where he graduated in 2014. His first year film Thy as a State of Mind was nominated for the best documentary in Ekko Shortlist Award 2014. The Two of Us, is his debutfilm and has its international premiere at IDFA 2018.

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Adam Hanuljak Adam was born in Dunajská Streda, Slovakia, 1980.

He received his doctor artis doctor degree from a Documentary film directing at the Academy of Performing Arts, Bratislava, Slovakia in 2017. In 2010 he graduated from a Science of Religions at the Faculty of Arts at Comenius University, Bratislava, Slovakia. In 2010 Hanuljak was one of the three founding members of non-profit organization DogDocs, which aims on documentary filmmaking, audio-visual education and dance movies production, collaborating with contemporary theatre companies from Slovakia on various video-projections. Since the beginning of Hanuljak’s professional career he directed three feature films and several short movies. His movie About Young Parents 2 won an audience price at the One World Festival in 2012, Bratislava, Slovakia and movie Crazy Against Nation first price Cinematik.doc at International Film Festival Cinematik 2018, Piesťany, as the best documentary movie from Slovakia.

Daniel Hegarty Daniel Hegarty is Head of Production at Marmalade Films, the documentary production company he established in 2008 with Director/Producer Tanya Doyle. A native of Dublin, Daniel has built a broad portfolio of experience in production and post-production from shorts to TV series and feature length documentaries working in Ireland and internationally. Daniel is a member of the Board of Directors of Griffith College and the Factual & Entertainment Committee of Screen Producers Ireland. He is an alumnus of the Doc/Fest & Skillset Future Producers Programme. As Head of Production at Marmalade Films Daniel is responsible for driving Marmalade’s core focus: Creative Documentaries.

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Manuel Inacker Born in Siegen, Germany in 1989, Manuel Inacker is a German-Croatian director. Graduating in politics, sociology and philosophy at the University of Erfurt and at Bosphorus University in Istanbul, he has lived in various countries including China, Australia and Turkey and is currently based in Berlin. He has been studying feature and documentary film directing at the Film University Babelsberg Konrad Wolf since 2014. His first short film Cocoon was screened at San Diego Film Festival 2015, his debut documentary short Pallasseum - Invisible City was invited to Berlin International Film Festival 2016.

His new short film La Bestia - Train Of The Unknowns was shot in Mexico and screened at DOK.fest Munich and IDFA 2018. Manuel is currently developing two feature length film projects, one documentary and one fictional project based on autobiographical accounts and memories set in Germany and Croatia.

Marion Isaacs Marion Isaacs is a curator and producer with extensive experience in the narration of stories across diverse media including documentary film, exhibitions and museums, and digital platforms. Marion’s varied career has led her into the TV and documentary production and heritage worlds, where she has also worked as an executive producer, project manager, researcher and writer. She has been involved in prominent museum and exhibition projects, has undertaken extensive writing and research work for various organisations and boasts a growing repertoire of film work.

Highlights include film work for the Hapo Museum at Freedom Park (SA), the Samora Machel Museum (SA) and the Matola Museum (Mozambique); and work as producer on an IDFAcademy Program Guide

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Oliver Hermanus documentary about Aids denialism in SA (2018 release). These experiences have afforded Marion a sustained focus on the historical, socio-political and cultural dimensions of SA life. Marion holds an Master’s degree in African Studies from Oxford University.

Lesya Kalynska Lesya Kalynska is an award-winning director, writer, and producer.

Originally from Ukraine, she currently lives in New York City, where she earned a MFA in directing and writing at NYU and founded her production company Pomegranate Studios. Her film The Balloonist featured renowned Georgian actor Kakhi Kavsadze and was screened widely, winning the Best Student Film Award at Hope and Dreams IFF (New Jersey). Her producing debut The Debt, directed by Levan Koguashvili, was selected at Sundance and Tribeca Film Festival. It won prestigious awards, including the production award at First Run Film Festival (NYC). She also directed a Ukrainian TV documentary series Top Secret Level 18; (co-)produced Salt in The Air by Enrico Cullen and Ukrainian Lessons by Ruslan Batytskyj, and directed Helen, which premiered at Odessa IFF. Since 2013 Kalynska has been working on Bullet Catcher about the Maidan protests in Kyiv that led to the Revolution of Dignity and resulted in the war in the Eastern Ukraine.

Sarah Kaskas Sarah Kaskas is an award winning film maker whose work centers around themes of identity and social issues, using dynamic imagery and sounds. She received her MFA in Cinematic Arts in 2011. Her thesis short film, Fugue (2011), toured several festivals before being

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sold to BBC Arabic’s ‘Alternative Cinema’. In 2013, her animated short film Wanderland won an award at the Co-Production Forum at the Stuttgart International Animation Festival and was nominated for the Robert Bosch Film Prize in 2014. In 2016, Sarah co-directed Bread and Tea, which opened Iran’s Cinéma Vérité Festival and also won Best Short Documentary. In 2018, Sarah released her first feature documentary Underdown which will have its world premiere at IDFA. Underdown won several supporting grants including Doha Film Institute, Rosa Luxemburg and CineGouna Springboard. Sarah currently resides in Beirut and is an Assistant Professor of Film at the Lebanese American University.

Antonia Kilian Antonia was born in 1986 in Kassel. She studied Visual Communication and Art and Media at the Berlin University of Arts, where she directed short documentaries and experimental movies that were screened at international festivals and art exhibitions. She is also a freelance graphic designer and photographer, and continuously developed her knowledge as a DoP through working at a film equipment rental company and providing camera assistance in photo studios and film productions.

Since 2013, she is a cinematography student at Film University in Babelsberg Potsdam and at ISA in Havana, and has worked as a DoP for fiction and documentary films that were screened at numerous festivals.

The Other Side Of The River is her debut as director. Since 2018 she is based between Kassel, Berlin and Athens and runs her own production company “Pink Shadow Films”.

Her scholarships are: Germany scholarship, DAAD, Gucci Tribeca; Workshops: ExOriente, IDFA Summer School.

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Ewa Kochańska Ewa Kochańska born in Cracow graduated from the Faculty of Theatrology at the Jagiellonian University and Directing Department of Warsaw Film School in 2014. Equally important for her personal development has been the involvement in the scouting movement.

She is a director, scriptwriter and experienced drama teacher working with youth and children. Her film etudes shown at festivals in Poland and abroad received several awards.

Compulsory Figures her full-length documentary debut presented at IDFA was developed during the documentary course DOK PRO at Wajda School and DOC LAB POLAND. The film refers to the personal experience of the director, who in her childhood practiced gymnastics and figure skating, and now is the mother of an adult daughter. Today, the second passion of the director besides filming is tango.

Daniela König Daniela König was born in 1990 in Germany to a Russian mother. She gathered her first journalism experiences in high school, when interviewing concentration camp survivor and author Kurt Wolff. She studied Media Design at the Bauhaus University, and subsequently frequently travelled to the Middle East for sociopolitical documentary- and magazine material. In 2013 she received the Bauhaus Institut Film Fund Prize for Peace To Those Who Try, set in Israel and Palestine.

UN Women assigned her to document the lives of Syrian women and their families in refugee camp Zaatari (Jordan). In 2016 she filmed a documentary on the big business of the refugee crisis on Lesbos, Greece. She is now regularly filming for her first feature documentary Waterproof (Kloos&Co. Medien,

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Berlin), premiering in 2019. It won Award for ‘Best Female Driven Documentary’ at Dok. Leipzig 2017 and was selected at ‘Docs in Progress’ in Cannes 2018. Daniela also works as a women’s Martial Arts and Self-Defense instructor.

Alisa Kovalenko Alisa Kovalenko is an award-winning Ukrainian director, born in 1987.

She studied journalism and then graduated from Karpenko-Kary University of Kyiv and Andrzej-Wajda School in Warsaw, specialising in documentary and cinema. Following her debut Sister Zo, screened at several festivals, Alisa was caught in the turmoil of the Ukrainian revolution in 2014 and the subsequent war in Eastern Ukraine. Her second documentary resulted from her journey through the bloody events, where she was tormented by the tension between filming/observing and participating. Alisa in Warland premiered at IDFA 2015; it was featured at dozens of international festivals and won three awards.

In the past two years, Alisa has been filming Home Games; the film premiered at Sheffield Doc/Fest 2018 and won the award of the Best European documentary at the Odesa IFF 2018. She is also the editorial director of a ten-part TV documentary series Beautiful Game about women’s football in Ukraine.

Emil Kramhøft Dinsen Emil Kramhøft Dinsen graduated from the Danish Film School Super16 in 2014. He has since then been working as an independent producer and director and founded his own production company Wergeland Film in 2017. With creative independency and originality is the highest priority Wergeland Film has become successful in developing and producing both IDFAcademy Program Guide

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uncompromising, poetic and raw documentaries as well as high-end commercials and large-scale campaigns. Wergeland Film is driven by great ideas, visions and stories without compromising visionary ideas with conventional reservations about format, genre and platforms. This year Emil debuted as a producer with his first feature documentary The Two of Us directed by his partner Emil Næsby Hansen (also IDFA Academy participant). The documentary was top 5 most watched film on CPH:DOX 2018 and gained top reviews and recognition in Denmark. The Two of Us is officially selected for this year’s IDFA program ’Luminous’.

Kristýna Květová Kristýna Květová graduated from Film Academy in Prague, department of production. In 2015, she produced her first feature “Road-Movie” by Martin Jelínek, which premiered in debut competition at Black Nights IFF. With her other projects, she has attended Short Film Corner at Cannes, Ex Oriente, East-West Talent Lab, MFI Script2Film or Midpoint Script Development and Producer’s Network in Cannes. She is EURODOC graduate.

She pitched her projects at EurimagesLab at KVIFF or Thessaloniki Crossroads CoProduction Market. In 2016, she founded her own production company Cinémotif Films.

She has one project in post-production, first feature-length documentary-fiction film

by Johana Švarcová The Sound Is Innocent co-produced by Films de Force Majeur and Punkchart Films. She also has two other films in pre-production: first feature by Swiss director Fiona Ziegler Lost in Paradise co-produced by Cognito Films and also her documentary debut with the working title Burned, co-produced by Beauvoir Films.

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Vera Lacková Vera Lacková is film director and founder of production company Media Voice, and studied media studies and journalism in Brno at the Masaryk University. She is one of the few established Roma filmmakers in Europe. Her creative work focuses on Roma community and human rights. She has also participated in an international documentary film project Europe: A Homeland For The Roma and she also directed documentary short movie Alica.

The documentary movie How I Became a Partisan is her feature debut.

Milos Ljubomirovic Milos Ljubomirovic graduated from Faculty of Organizational Sciences in Belgrade, and afterwards finished his Master studies from Faculty of Dramatic Arts (Film and TV production program). He won seven national and international awards for his short films, four of them with his Master’s thesis that he both produced and directed – short film Shadows.

Faculty of Dramatic Arts awarded that film with ‘Dejan Kosanović Award’ for best film in Master studies. He is also a Sarajevo Talent Campus alumni. In April 2018 he finished two short films: fiction film The Call and documentary My Brother On Eighteen Wheels.

Ellénore Loehr Ellénore was born in 1984; studied arts and languages in France and Italy (20042006). She then worked as an assistant director for some years, specifically for documentaries (working with Alessandra Celesia and Zeugma Films).

In 2012, she made my first documentary

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Honey and magnesia (37’), shot in Romania.

She lived in China, shooting her first feature length documentary Léo, Loulou, Jeanne and the others. After returning, she didn’t find a producer to adopt the film and finance post-production. It was put aside; she did another feature length Once upon a time in Shanghai, Hamlet and Ophelia..., about the work of a French theater director, Daniel Mesguich, and is setting up a production company with Marianne Picquenard in Paris.

Looking at the world, at the others, and telling the stories of people through the eye of a camera has always been her motivation.

Rafał Łysak Rafal is a graduate of the Wajda School (DocPro program) and Łódź Film School (Acting department). He has been interested in movies since his childhood, and has made several independent productions, among them a film titled “Łysak” which won the main award at the Kiloff Festival at Katowice. Unconditional love is his first professional production. The film won first prize in polish competition at 58. Krakow Film Festiwal. Currently is developing new documentary Third time lucky, which is a part of this year DOC LAB POLAND program.

Jan Melikant Jan was born in 1984 in Spišská Nová Ves and studied “Theory and History of Film” at the Masaryk University in Brno and “Film and Television Production and Distribution” at the Academy of Performing Arts in Bratislava. He has been working in the Slovak film and TV industry since 2008, and successful short films include Veľké pranie (Big laundering) – festival Áčko 2008 – best fiction film, Krátke trate (Short cuts) – festival Áčko 2011 – best

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production, Ja som baník, kto je viac? (I’m a miner, who is more?) – festival Áčko 2012 – best fiction film, Grand Prix, IGRIC for student film, nominations at the Prix Europe Festival in Berlin, and NEU/NOW festival in Amsterdam, Jasná myself (Pure mind) – broadcasted in RTVS and TA3. In 2008 Jan was executive producer of a Slovak DVD about freestyle skiing, starting the internet TV project POME.sk (2009-2013).

Matheus Mello Mattheus Mello is specialised in Film Production from the International School of Film and TV EICTV, Cuba in 2018. In 2015 has graduated in International Relations at the University of Coimbra, Portugal. In 2013, he became involved with film production. At first, participating in the development of public policies, but later, he was soon hired to work as an executive production assistant in his first feature film that premieres in Locarno. In Cuba, he has produced several fiction and documentary short films in various co-productions, among them Momentum, a video installation that has been officially selected

by Festival DVDanza 2017 in Cuba and I am, a creative documentary that received the Special Prize of the Student Jury at the IDFA 2017 and was in the official selection at FICCI 2018 and GIFF 2018. His latest documentary Back Home has participated of pitching session at DocMontevideo 2018 among others.

Nazima Mintjes After she completed Arts, Culture and Entertainment in Amsterdam in 2009 (for which she did an internship as production manager at theatre company de Kazerne) Nazima started studying Media, Information and Communication at the HvA. After her internship as production assistant IDFAcademy Program Guide

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at Witfilm, she remained in the organisation and started working as a producer in 2014. In 2015 she completed her studies at the HvA. In addition to being a producer, Nazima is responsible for post-production and is co-responsible for the finances at Witfilm.

Maria Møller Kjeldgaard Maria Møller Kjeldgaard graduated from the independent film school Super16 in 2016 as a producer; was also the Vice President of the association, and holds a Master in Film Studies from Copenhagen University. She was an assistant producer at the Danish film production company Nimbus Film, and afterwards she went on an exchange study at Queen Mary University London. Maria established her own Danish production company Manna Film in 2013, focusing on young talent with strong personal voices. Her first feature film, Songs in the Sun premiered at Slamdance 2018 and she has several fiction and documentary feature films in development. Besides having participated at MIDPOINT Short and NISI MASA’s European Short Pitch, she was a part of Young Nordic Producers Club 2016 in Cannes, in 2017 she was a part of ACE Producers Training Days Nordic Focus and in 2018 she’s a part of the producer network, MAIA Workshop.

Maksym Nakonechnyi Maksym Nakonechnyi got the Bachelors degree in directing in 2012 in Karpenko-Kary Kyiv National university of theatre, cinema and TV. Worked on different TV projects for several years, then founded an independent production company “Tabor” with his friends, which now produces documentaries and fiction films. Among the films of Tabor there

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are Berlinale67 Generation14Plus Grand-Prix winner feature doc School#3 and DokLeipzig 2018 international competition participant No obvious signs. Maksym personally shot several fiction shorts as a director and in 2018 started Between two wars feature doc as a producer, which is now a Ukrainian-Latvian coproduction, expected to be released at 2019.

Guevara Namer Guevara is a Kurdish Syrian photographer and documentary filmmaker based in Berlin. Her film Morning Fears, Night Chants premiered at IDFA (2012) and was broadcasted on Al Arabiyya and ARTE (2013). She worked as the production manager and line producer of several Syrian documentary films, such as Return to Homs (2013) and Silvered Water, Syria Self-Portrait (2014).

Namer is a co-founder of DOX BOX e.V based in Berlin association to support documentary filmmakers from the Arab world. Her last photography involvement was in AKAKurdistann

by Susan Meiselas, Barcelona 2017.

Nara Normande Nara Normande was born in Guaxuma, Brazil and later moved to Recife, where a new generation of Brazilian directors was about to rise. In 2014, she co-directed with Tião a live action fiction, “Sem Coração”, that received the Illy Prize of best short film at Director’s Fortnight in Cannes. In 2018, her newest film Guaxuma mixes several animation techniques and was selected to Annecy, Toronto and IDFA. She is developing two features, A Garça co-directed

by Tião and produced by Emilie Lesclaux (Aquarius), and Terra Nua, a fantastic film that mixes several languages.

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Huang Pang-Chuan Huang Pang-Chuang was born in 1988 in Taiwan and graduated in graphic design. He then immersed himself in cinema in France, at Paris 3 Sorbonne Nouvelle. He is inspired by his diverse practical experiences, to create an ambiguity between documentary and fiction.

All his work contains three elements: memory, travel and traditional film technology. His first film Return has been presented at major film events in Europe and Asia. This film has already won The Grand Prix in ClermontFerrand. His second film Last Year When the Train Passed by has been selected at Locarno Festival 2018, Pardi di Domani, international competition section, and IDFA.

Finn Paul Finn Paul’s practice draws from the quotidian to make queer bonds and sociality into art. Born in Bellflower, CA in 1981, he currently lives in Los Angeles and works as a Housing Case Manager for chronically homeless adults. His films addresses themes of historiography, selfhood, and truth-telling in and out of the context of queer and trans communities and in an enactment towards healing and the ways radical honesty can confluence in everyday, commonplace means, he takes up his own identity as a locus for the complexities and traumas of the lives inextricably bound with his: friends, family, and the array of social texts that influence queer and trans culture.

Working as an artist and programmer, his work has screened at Outfest LA, Mix NYC, Frameline SF, AntiMatter, Anthology Film Archives, ATA, and the Athens International Film Festival.

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Martin Páv Martin Páv graduated at the Directing Department at FAMU in Prague.

Currently he is finishing his studies at the Department of Asian Studies and International relations at MUP in Prague.

His feature debut called Vote for Kibera was supported by the Czech Cinematography Fund and will be distributed in cinemas this autumn. He received another funding for his second feature documentary called Wolves on the Borders! which is currently in the production phase.

Laura Peetoom In 2010 Laura obtained a bachelor’s degree in Media - Film and TV Production with an extra minor at the University of Chengdu, China where she made a short documentary as part of her graduation project. After her studies she worked as a producer for Endemol (Shine), NL Film, Bos Bros BV, Human Factor and TVBV for a number of years. For the latter she co-produced the documentary Oud & Nieuw Onder Vuur by Melvin Simons.

During this time, she followed the training for Documentary Producer in 2016/2017 at a private school - Amsterdam Film School.

Shortly thereafter she started working at Zeppers Film & TV on a number of projects among which The Good Terrorist directed by Robert Oey, Treasures of Crimea directed by Oeke Hoogendijk, Picture Edward Crawford directed by Jaap van Hoewijk and The Kiev Files directed by Walter Stokman.

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Nisha Platzer Nisha Platzer, born in 1988, is a filmmaker and photographer from Vancouver, Canada. She began storytelling through theatre; acting and later through directing plays such as The Laramie Project and The Vagina Monologues. She holds a Communication Studies/Film degree from Concordia University in Montreal and a Masters in Documentary from the International School of Cinema and TV in Cuba. She is the writer/ director of short films that have screened at festivals on three continents. In addition, she has attended artist residencies in Colombia, Canada and the United States. Her experience ranges from documentary distribution to making hand-made experimental films on celluloid, to writing and directing narrative shorts and music videos. Nisha intends to implement her experimental film practice in the visual storytelling of documentary and narrative films.

Ewa Podgórska Born in 1981, Ewa has graduated from the National Film School in Łódź (PWSFTviT) as well as University of Łódź, majoring in film theory and journalism (MA Degree). She has also graduated from DOK PRO, a documentary program at Wajda School. Her short film “Love” was released on DVD with the best school films.

Her debut, The Chicken And The Egg had its world premiere on Festival Film de Femmes in Paris. Simultaneously, she published articles in the most renowned film magazines in Poland.

She wrote series of articles about working methods of documentary directors. She was a participant of Doc Lab Poland, Co-production Meeting in Leipzig in 2015 and Docu Talents from the East in 2016. She has just finished her mid-length documentary debut Sailing In The Dark about blind sailors. The film was supported by the Polish Film Institute.

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to create a video for The Response Project.

Aside his creative work, Cameron is an Assistant Professor at Villanova University.

Karel Poupě Karel is a creative producer. He joined PINK in 2013. His main interest is in cross-media projects and feature documentary films. He has developed and produced (in the position of creative and/or executive producer) various different projects: Touch Me Not (2018, dir. Adina Pintilie), When the War Comes (2018, documentary film, dir. Jan Gebert), Byeway (2014, documentary film, dir. Ivo Bystřičan), Enkel (2013, mid-length art film, dir. Mark Ther), music videos for The Tap Tap band and several multimedia exhibition: Prague of Charles IV. (2017, House at the Golden Ring), Prague on Fire (2017, The New Mill Water Tower), Museum of New Generation (2015, Ždár nad Sázavou Castle).

Cameron G. Quevedo Cameron G. Quevedo is an award-winning filmmaker and video artist based in Philadelphia.

He holds Master’s degrees in Film Production, Indigenous Documentary Film, and Ethnomusicology. His work explores themes of cultural decay, social erosion, humankind’s relationship to the land, and existentialism. His 2016 film, El Tucán, was screened widely across North-America and received “Best International Latino Short” at the Latino Film Market 2017. His most recent film, Atmahaú Pakmát, will premiere at DOK Leipzig in October 2018 and was described as “Massively historical” and “The documentary that Donald Trump doesn’t want you to see!” He was inducted at the Film Society at Lincoln Center’s Artist Academy, and his work has been supported by various renowned foundations. Cameron has been an artist-in residence at the Vermont Studio Center, I-Park Foundation, Woodstock Byrdcliffe Guild, and Art Farm, and was recently invited

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Bojana Radulovic Bojana Radulovic was born in 1983 in Podgorica, Montenegro. She is a Specialist Graduate from the Faculty of Visual Arts at University Mediteran, Podgorica. Then, with a thesis on ‘Performing Arts as a Multimedia Act’, she received a Master’s degree with a grand distinction in 2018 at KASK School of Arts in Gent Belgium. Bojana has over the years internationally participated in numerous intermedia exhibitions as well as art residencies and proved three multimedia performance successes: Illegal performance, Air Doll and Grave, exhibited in Amsterdam, Belgrade, Ptuj, Zadar, Brooklyn New York, Athens, Maribor, Ostrava, and Zagreb. As a producer with her company Code Blue Production, founded in 2014, she has reached prestigious festival premieres of Venice, Locarno, Rotterdam, Berlinale and Sarajevo. She is a Sarajevo Talent Campus and Berlinale Talents alumni. Separation, Vivid Dreams is her debut film, which had its world premiere at Dok Leipzig Next Master and competes at IDFAParadocs.

Lucie Rego Holding a master’s Degree in audiovisual production, Lucie has been assisting the European and International Affairs Department, and more specifically, the World Cinema Fund at CNC (France). She then joined the French Embassy of China in Beijing to assist the Cultural Attachée with the organisation of visual art exhibitions, before several experiences in French production such as Alcatraz Films and Aurora Films, which specialise in short

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films production management. In 2016 Lucie founded the company Hutong Productions with her associate Pauline Tran Van Lieu. In 2018, Lucie was a participant of Eurodoc, a workshop for documentary producers where she was selected with the film Yatim.

Otto Reuschel Otto’s background is very particular: he grew amongst three different languages and cultures as his mother was born in Yugoslavia; his father was born in West Germany; his sister was born in Croatia, while he was born and raised in Italy after commencement of the Yugoslavia war. At age 18, he travelled to Mexico, filming a documentary on an indigenous village, then moved to Berlin. He collaborated with Roma Trialin on Balkan Onions and In Between (2015), about the situation of Balkan people after the Kosovo war.

His most recent work, RISKI (2017), about a group of young people in Melilla, a Spanish enclave in North Africa, was screened at over 20 IFFs and won 3 prizes. Otto is working on a new documentary Drajcici. A village at the edge of Europe. (pre-production), selected at international workshops and pitchings like Balkan Documentary Center, DocsBarcelona and Balkan Pitch. Otto worked with Ubulibri, Stemal Entertainment, Insolita Film, Nefertiti Films, and Pilgrim Production.

Fatma Riahi

producer in the Production Unit where she also assumed her duties as producer. She was the commissioning editor of a number of documentaries from all around the world since inception and contributed to their development into ready-to-broadcast films.

In 2018 Fatma directed her first feature documentary: Al-Ghiyab (Absence). The project has been selected at the First Appearance Competition of International Documentary Film Festival Amsterdam.

Maria del Mar Rosario Maria del Mar graduated in 2014 from Columbia University in New York City with a Bachelor of Arts in Creative Nonfiction and Film Studies.

While studying at Columbia, she worked for Saturday Night Live (NBC Network) at the script department and the film unit. In 2015 she started an MFA at The City College of New York after learning Chantal Akerman was teaching there. Unfortunately, that year she passed away. Consequently, Maria left for Cuba to study at the International School of Film and Television in San Antonio de los Baños, Cuba (EICTV), graduating in documentary directing. She is now working on her fiction thesis film for The City College and will graduate with an MFA in December 2018.

She was selected as one of the four fellows for the IFP-Marcie Bloom Fellowship in Film 2018-2019. She lives and works in New York, and hopes to expand more of her work into her native Puerto Rico.

Fatma Riahi studied cinema and television technologies at Manouba University in Tunisia. Her first short film and graduation project was titled Mashghoul (Busy). In 2011, she directed a TV documentary named Tunisia… The Revolution Continues, produced by Al-Jazeera Documentary Channel. Later that year, Fatma joined Al-Jazeera Media as an assistant IDFAcademy Program Guide

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Arya Rothe Arya Rothe (India, 1990) is a film maker based in India. She received her Master’s degree in 2016 from DocNomads, a documentary directing program taking place in three European countries: Portugal, Hungary and Belgium.

She was a scholarship student, fully funded by the European Union’s EACEA. Before DocNomads, she was studying at FAMU National Film School of Czech Republic. After her return to India, she co-founded ‘NoCut Film Collective’ with her classmates from Romania and Italy. They are developing their first feature length documentary in India.

Mohamed Sabbah Mohamed, born in 1990, is a film director from Beirut, Lebanon. His films deal with impossible love, body relationships, death and family; while observing Beirut, his biggest inspiration.

Mohamed completed fiction feature, Chronic, in 2017. His previous short films – Awakening, The Return and Where There Is Nothing But Water - have been selected and won prizes in several local and international festivals.

Mohamed received his MA in filmmaking with a distinction in 2014 from ALBA-UOB (Académie Libanaise des Beaux-Arts), where he currently teaches. He also participated in the international class at Film Academy Baden-Württemberg in Germany in 2015, as part of a scholarship program by Robert Bosch Stiftung, and continues to take part in several programs and workshops in Lebanon and abroad.

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Corina Schwingruber Ilić Corina was born in 1981.

She lives and works in Lucerne (Switzerland) and Belgrade (Serbia). From 2004-2006 she attended University of Fine Art in Basel and Academy of Fine Arts, Belgrade; from 2006-2009 she attended University of Art & Design Lucerne, in Video department.

Since 2010 she works as a filmmaker and editor. In 2017 she co-founded ‘Pro Short’ (Short Film Association Switzerland). Her short documentaries, such as All Inclusive (2018), Ins Holz (In The Woods) (2017, Codirected with Thomas Horat), Just Another Day In Egypt (2015, Co-directed with Nikola Ilić), Kod Ćoška (Down On The Corner) (2013, Co-directed with Nikola Ilić) and Baggern (Tons Of Passion) (2011) were shown at many festivals and won several awards all over the world. She currently works on her first feature documentary Dida (co-directed with Nikola Ilić), produced by Dschoint Ventschr, based in Zurich, Switzerland.

Dagmar Sedlackova Sedlackova graduated from the Department of Film Studies at Charles University in Prague and from the Department of Production at Prague’s FAMU. During her studies she produced the short film Cagey Tigers, directed

by Aramisova, which was up for an award in the Cinéfondation category in Cannes in 2011. In 2014, she joined the independent production company MasterFilm s.r.o. as a producer. Her production debut was the documentary film The Dangerous World of Doctor Doleček by Kristyna Bartosova, which had its world premiere at the DOK LEIPZIG 2015 festival and received recognition at the 19thMFDF Jihlava Film Festival, where it was

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awarded a special mention in the First Lights category and was nominated for the Silver Eye Award. She has since developed and produced numerous short and feature length projects, which have received acclaim on the festival circuit, such as at IFF Rotterdam, IFF Karlovy Vary, Dox Leipzig, IFF Locarno.

Roy Seerden During Roy’s (1990) Graphic Design studies, he specialized in concept, photography, and aesthetics. After graduating in 2009, he worked at several creative agencies and as a retoucher, designer and assistant for a number of photographers. Due to his love for documentaries and his widespread interests, Roy ultimately started studying at The Netherlands Film Academy. He created, amongst others, Just a Neighbor (Weinig van Elkaar)– a portrait of three neighbours whom were forced to interact for their first time. In his third year, he directed Grass Ice Asphalt (Gras IJs Asfalt), an autobiographic film of a boy’s dream that takes a different turn during each phase of his life. Roy is ambitious to keep creating divergent films – those in which the design and narrative elements meaningfully merge, and result in an authentic experience, consistent with the uniqueness of a subject.

Eloy Domínguez Serén Eloy Domínguez Serén was born in 1985 in Simes (Galicia, Spain). Before debuting as a film maker he worked as a film critic for both radio and press, becoming a member of the Youth Jury at 67th Biennale di Venezia in 2010. In 2012 he moved to Sweden, where he made his first short film Pettring. In 2014 he released two new projects, the short film In The New Sky and the mid-length film JetLag (premiered at FID Marseille). His film No Cow on the Ice IDFAcademy Program Guide

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premiered in 2015 at Visions du Réeland won several awards, while his two most recent works, the short films Yellow Brick Road and Rust, have premiered at JihlavaI DFF and FID Marseille, respectively. He was also selected to participate at Berlinale Talents 2017. Along with that project, he is currently working on The Darker it Gets, a Swedish production shot in the Arctic Circle.

Karna Sigurtardottir Karna Sigurdardottir is a director and producer born in Iceland. She graduated in 2008 from Victoria University in New Zealand with BDes (Honors) in Industrial Design with a focus on dramaturgy in film and theater. Karna has worked as a documentary director and producer since 2009. She is the director and producer of 690 Vopnafjörður, a documentary about an isolated village in East Iceland.

Karna has produced film projects for Nelly Ben Hayoun and was the cinematographer of The International Space Orchestra filmed at NASA Aimes in California. Karna is a mentor at Iceland Academy of the Arts and has been a guest teacher at universities such as HFBK, Germany and the Danish Design School, and is the director and project manager of Designs from Nowhere, which received the Icelandic Design Award in 2014. Karna currently works as a cultural manager in East Iceland along with directing and producing documentaries.

Ricardo Soto Ricardo Soto studied film direction at Centro de Capacitacion Cinematografica. As a new director, he has been selected to participate in programs such as Berlinale Talents, Filmmakers Academy of the Festival del Film Locarno, Talent Demo of the Camerimage

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Festival and MexiCannes (GIFF in cooperation with Cinéfondation Cannes). He has been a two-time program scholarship winner of Conversiones by the FONCA in Mexico and received the Artistic Residence 24/7 in Berlin by the Nipkow Programm, Goethe Institut, GIFF and Medienboard Berlin Brandenburg.

He is currently developing fiction and documentary projects.

Juna Suleiman Juna Suleiman, 37, is a filmmaker and visual artist from Nazareth currently residing in Haifa. Juna completed her studies in film and television at Tel Aviv University; she is a former fellow at Akademie Schloss Solitude artist residency in Germany, and has participated in various workshops including Greenhouse and MEDA film workshop in Morocco and Euromed Audiovisual in Haifa. Her first documentary film Bed and Breakfast was screened at various film festivals in Europe and the US, and won an award for best documentary in the Doc Aviv festival (2007). Juna has also worked as a casting director for notable feature films including The Time that Remains by Elia Suleiman, and Omar by Hany Abu Asaad.

Elina Talvensaari Elina Talvensaari was born in 1978. She is an anthropologist­-turnedfilmmaker from Helsinki.

She graduated in 2007 from Helsinki University majoring in sociology and anthropology. Her love of film and art however stimulated her to study documentary film at Aalto University. Her anthropological background remains present in her films, questioning our thoughts and habits. Talvensaari’s short film How To Pick Berries opened the 67th Venice Film Festival; was nominated for EFA’s best short film 2012, and was

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presented in IDFA’s Female Gaze program in 2014, selected by fifteen international female directors, including Pirjo Honkasalo.

Her graduation film Purity and Danger (2016) on Finnish sex workers was a creative experiment on how to present protagonists whom cannot display their faces, and it won the Critic’s Choice Award at Docpoint Film Festival 2017. Talvensaari is currently working on her first feature length documentary Lady Time, which highlights the micro-­historical approach and women’s view on history, and presents a more personal approach to film.

Laura Maria Vandewynckel Laura Vandewynckel (1986) graduated as a Germanic Philologer at Ghent University in 2008. She then trained as a director in Dramatic Arts and animation film maker at the RITCS School of Arts Brussels.

In 2013 she completed her stop-motion film What’s On and graduated with Paradise in 2014. Paradise, a critical reflection on the ethics of tourism, received several awards at international festivals and was selected for the Cinéfondation Cannes and Toronto Film Festival. Her short Pharmakos (2017) was supported by the Cinéfondation and Greek Film Center and was selected in Italy, Belgium and Greece. Currently she works as a director, actor and puppeteer for film and TV series.

She is developing an animated short film and VR installation LeCrépuscule and a feature hybrid documentary Pharmakoi on scapegoat mechanisms. Both projects are supported by Flanders Audiovisual Fund.

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Nicole Vögele Born in 1983 in Gretzenbach (Switzerland).

In 2002 she got her first job at the Swiss National Television. Over the last 16 years she has been working as a journalist and reporter for several magazines and documentary formats. In 2010 Nicole Vögele enrolled at the Baden-Württemberg Film Academy studying documentary filmmaking. Her first short MrsLoosli was awarded at Visions du Réel2013. Her second short Into the Innards, an experimental mountain essay, was shown at DOK Leipzig the same year. 2014 nebel premiered at Berlinale where it received an honorable mention. The experimental documentary has been screened at numerous international festivals. 2018 Nicole Vögele finished her first feature Closing Time. The film premiered at Locarno Film Festival where it received the Special Jury Prize and the Cinelab Award. Closing Time is now going on its international festival journey starting at IDFA in Amsterdam.

Maxence Voiseux Maxence was born in Ardennes in 1988. He studied science at École Centrale d’Electronique in Paris; then Documentary Film at the Université de Paris VII, specialising in directing and editing. Maxence’s thesis film, Des hommes et des bêtes, explores the passing of heritage from father to son. It received acclaim and was selected at Filmer le Travail in Poitiers and FIPA in Biarritz. Maxence works as a film editor, collaborating with François Caillat on films including Lettres sur l’engagement. He directed short fiction Cliché brûlé and documentaries Le Dernier Socialiste on political activism and Les Héritiers which follows up the Jourdel family in his thesis film and received the Intangible Heritage IDFAcademy Program Guide

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Award at Cinéma du Réel. Il était une fois en Artois explores the world of horse racing.

Currently, Maxence is writing his first fiction feature Printemps Boucher, which received a writing grant from the Beaumarchais-SACD Foundation and is currently being workshopped. Gabin follows the youngest member of the Jourdel family.

Fan Wu Fan Wu is a Taiwanese independent filmmaker.

Her previous directorial works can be seen in galleries, festivals and TV. In 2018, her co-writing project Under the Stars won the IDFA Award in Docs By The Sea, Indonesia. She is currently developing her first feature XiXi, which was the official selection of Docs Port Incheon, Korea. Fan received her MA in documentary directing from DocNomads (Portugal, Hungary, Belgium) and BA in Sociology from National Taiwan University. She also has backgrounds in literature and anthropology.

Spending childhood with her big extended Taiwanese family in a small house, she learned the complexity of human relationships. The challenge and beauty of coexistence has become her core interests when making films.

Luis Alejandro Yero Luis is a Cuban filmmaker born in 1989, with a degree in Journalism and trained as a documentary director at the International Film and Television School of San Antonio de los Baños (EICTV).

His short films have been shown in several countries across Europe and Latin America.

He has participated at various festivals like IDFA, Jihlava, Mar del Plata, FICUNAM, Olhar de Cinema, Malaga, Documenta Madrid, among others. He currently develops his first feature film The New Eden, and concludes the filming of A la orilla.

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Aleksander Zalewski Aleksander Zalewski – born in 1986, Warsaw. He studied film directing at the University of Silesia in Katowice. He was a finalist in the dramaturgy-directing contest for Hunting For Butterflies, and he was the co-director and co-writer of the children’s play The Rebellious Bus. He has also directed the documentary-reportage television series Sports Clubs of the Capital. He is an experienced AD and Second AD having worked on feature films, documentaries and theatre productions.

Mingying Zhou Mingying Zhou was Born in ChangSha, China in 1989.

He graduated from the Sichuan Fine Arts Institute in 2012; his graduation work The National Art Test was shortlisted for the Luo Zhongli Art Scholarship. The work The Land of Peach Blossoms was permanently collected by the Central Academy of Fine Arts, and will be screened at IDFA 2018. He is working and living in ChongQing and Guangzhou now.

Jessie Zinn Jessie Zinn is an award winning writer/director from Cape Town. Her work revolves around spaces and memory in post-democratic South Africa, with an emphasis on hybrid documentary work that blends elements of fiction and reality together. Her films have screened at Visions Du Reel, Encounters International Film Festival and Durban International Film Festival. Her film Umva was selected for Visions Du Reel Film Festival and screened at MoMA doc fortnight in 2018. Her most recent short film Can I Please Go to the

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Bathroom? won the second prize of the Youth Jury Award at the Encounters Documentary Film Festival. She is a an alumni of Berlinale Talents (2018) and has pitched as part of the official selection for the Visions Du Reel Pitching Forum (2017) and the Durban Film Mart (2017). In 2018 she was selected as a ‘Mail & Guardian 200 Young South African’.

René van Zundert René is a director of documentary projects and video clips, and a photographer. He interned at editor Albert Markus and graduated from the Willem de Kooning Academy in 2011. His graduation film Hard voor de Hal was selected for various festivals (IDFA, Play, and Go Short –Nijmegen). At the latter, it is received the Best Dutch Film award. Afterwards, he created the praised documentary Thuisprikkers in collaboration with Vice. For years, Rotterdam-Southside has been his permanent work location. In his films, René aims to portray raw subject that reflect real life and the perception of young people in this area, who are less visible in (youth) documentaries. In his latest short youth documentary 180CC, selected at IDFA 2018, we see how main character José (12), a charismatic boy with a troubled past, struggles with issues that are at the core of all children: choosing between right and wrong and independently choosing a path.

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IDFA 2018 Films by IDFAcademy Participants The highlighted screenings are accessible with a free ticket you can obtain from the IDFAcademy Information Desk everyday until 13:00. Other tickets for all screenings and events can be obtained on our website, via the IDFA App, and at the festival box offices during the festival. For more information, see Industry Practical Information, page 80.

180cc René van Zundert (Netherlands, 2018, 17 min.)

immigration office for the tiny chance that they’ll be granted a refugee status.

Beastmode, A Social Experiment Vanessa Amante & Manuel III Mesina (Philippines, 2018, 90 min.) Frontlight

A playful examination of violence, sensationalism and manipulation against the backdrop of the “Drug War” being fought by President Rodrigo Duterte of the Philippines.

Kids & Docs Competition

Beside the Water, 1999-2004

Through life’s ups and downs, Jose wants to be the best stunt cyclist in Rotterdam.

Finn Paul (United States, 2018, 12 min.)

A Haunted Past Fatma Riahi (Tunisia & Qatar, 2018, 90 min.)

First Appearance

A personal portrait of a broken TunisianBosnian family. Ex-prisoner and ex-jihadist Tawfik has been left alone to take care of his three teenage daughters.

All Inclusive Corina Schwingruber Ilić (Switzerland, 2018, 10 min.)

Short Documentary

In this provocative video essay, queer artist Finn Paul mixes up sexual discovery, community formation and the isolation of desert landscapes in a collection of erotic snapshots.

By Then Matthieu Dibelius (France, 2018, 45 min.) Luminous

Taxi driver Kofi steers his regular customers through a changing Paris, as the car radio reports on the new reality of France.

Short Documentary

Closing Time

A witty short about the consumption and entertainment driven life on board a luxury cruise ship.

Nicole Vögele (Switzerland & Germany, 2018, 116 min.)

At Midnight Plays A Dance-Tune Roy Seerden (Netherlands, 2018, 30 min.)

First Appearance

A hypnotic and playful observation of a couple working nights in a snack bar at an anonymous junction in Taipei.

Student Documentary

Compulsory Figures

When Roy Seerden’s mother dies, there’s no holding him back. Sex, drugs, roaming through the night: his life transforms into a bundle of energy, grief and detachment.

Ewa Kochańska (Poland, 2018, 71 min.) Luminous

Backwards Dana Gelman (Israel, 2018, 16 min.)

Marina is determined that her daughter Julia is going to be a figure skater. Here in Poland, her family has opportunities that they simply didn’t have in Ukraine.

Constructions

Student Documentary

Pablo Cruceño (Argentina & Qatar, 2018, 78 min.)

The refugee crisis encapsulated in a single night: a crowd of people wait in front of the

First Appearance

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This disarmingly frank portrait of a restless

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boy and the adults in his life is an intimate look at tenderness and parental love in uncertain times.

How Big Is the Galaxy?

Ksenia Elyan (Russia & Estonia, 2018, 72 min.)

Luminous

Zakhar is a seven-year-old boy living in the remote north of Siberia. This year, a teacher is moving in with his family to homeschool him.

Diagnosis Ewa Podgórska (Poland, 2018, 78 min.)

First Appearance

Disorienting images of a city blend with therapy sessions in which deep memories and emotions come to the surface. What kind of animal is the city?

Kabul, City in the Wind Aboozar Amini (Netherlands, The, Afghanistan, Japan & Germany, 2018, 88 min.) First Appearance / IDFA Bertha Fund

A bus driver and two brothers struggle to keep their heads above water in Kabul, a city still regularly struck by terrorist attacks.

Freedom Fields Naziha Arebi (Libya, United Kingdom, Netherlands, The, United States, Lebanon, Qatar & Canada, 2018, 97 min.) Best of Fests / IDFA Bertha Fund

La Bonita

Women’s football faces huge opposition in Libya but a group of ambitious players fight for autonomy, on and off the field.

Maria del Mar Rosario (Cuba & Puerto Rico, 2018, 18 min.) Student Documentary

Close-up shots without commentary of often painful cosmetic treatments reveal how heavily women can be burdened by the dictates of beauty.

Guaxuma Nara Normande (France & Brazil, 2018, 15 min.)

Short Documentary

Filmmaker Nara Normande uses a remarkable blend of animation techniques to recall happier times on the beaches of her childhood.

Hamada Eloy Domínguez Serén (Sweden, Norway & Germany, 2018, 88 min.) First Appearance

A humorous, bittersweet portrait of three uncompromising twentysomethings cut off from the world in a refugee camp in the Sahara desert.

La Bestia – Train of the Unknowns Manuel Inacker (Germany, 2018, 24 min.) Short / Student Documentary

Casa del Migrante provides a temporary safe haven for migrants heading to the United States, before they jump on the freight train known as La Bestia.

Last Year When the Train Passed by Huang Pang-Chuan (France, 2018, 17 min.)

Student Documentary

A filmmaker visits people in places he photographed from the train a year before, and finds moving, dramatic and sometimes comical stories.

Hey, Bro! Aleksandr Elkan (Russia, 2018, 72 min.)

Student Documentary

Two young friends test the boundaries of the civilized world on an alcohol-fuelled trip that connects a succession of summer nights.

Mussolini’s Sister Juna Suleiman (Israel, 2018, 70 min.) First Appearance

Within the small world of the elderly Hiam, large themes such as arranged marriage, loneliness and racism are explored in an original way.

Home Games Alisa Kovalenko (France, Ukraine & Poland, 2018, 86 min.) Best of Fests / IDFA Bertha Fund

An intimate portrait of a talented soccer player who tries to keep her life on track despite a troubled home life.

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Seeds of Deceit

The Land of Peach Blossoms

Miriam Guttmann (Netherlands, 2018, 21 min.)

Mingying Zhou (China, 2018, 99 min.)

Student Documentary

First Appearance

Fertility doctor Jan Karbaat helped dozens of women get pregnant. It was only after his death that they discovered how.

A unique live-event restaurant in Chongqing holds a mirror to China. How long will the staff submit to the company philosophy with its authoritarian collectivism?

Separation, Vivid Dreams Bojana Radulovic (Montenegro & Belgium, 2018, 19 min.)

The Olden Heralds

Paradocs

Luis Alejandro Yero (Cuba, 2018, 23 min.)

Rootless despite having a home: like her house in Montenegro, Bojana Radulović feels at the mercy of international developments and political changes.

Silvia

Student Documentary

An elderly couple leading a simple existence in the Cuban countryside watches an old TV set that’s thrusting a new political era into their lives.

María Silvia Esteve (Argentina & Chile, 2018, 103 min.)

The Sound of Masks

First Appearance

Sara Gouveia (South Africa & Portugal, 2018, 70 min.)

A poetic family chronicle in which a diplomat’s daughter and her sisters try to come to grips with the tragic life of their mother.

Swatted

Luminous / IDFA Bertha Fund

Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer, takes us on a journey through Mozambique’s past and present.

Ismaël Joffroy Chandoutis (France, 2018, 21 min.)

The Two of Us

Student Documentary

Emil Næsby Hansen (Denmark, 2018, 66 min.)

A disturbing but beautiful visual meditation on “swatting,” a gaming phenomenon in the borderland between virtuality and reality.

The First Motion of the Immovable Sebastiano d’Ayala Valva (France & Italy, 2018, 81

Luminous

This moving and intimate portrait of two Danish teenagers captures every confusing, numbing, attractive and repulsive moment of first love.

min.) First Appearance

Unconditional Love

Composer Giacinto Scelsi believed his work came to him from the gods. Discover the mysterious beauty of his world and his music.

Short Documentary

The Greatest Sacrifice Eyad Aljarod (Syria, United Kingdom & Lebanon, 2018,

Rafał Łysak (Poland, 2018, 40 min.)

The love between the deeply religious 80-year-old Teresa and her grandson Rafal is put to the test when he tells her he’s gay.

96 min.) First Appearance

Underdown

Over the course of 3 years, film maker Eyad Aljarod records how peaceful protest turns into deadly conflict in his Syrian hometown Saraqeb.

Sarah Kaskas (Lebanon, Qatar & Germany, 2018, 72

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min.) Luminous

A powerful film set in the concrete jungle of Beirut, Lebanon, where three people are struggling to survive.

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IDFAcademy Harvest IDFA strives to fulfil a major role in the progress of the documentary world and in the fostering of new talent in the field of documentary. IDFA’s efforts are twofold: on the one hand, the festival provides an international platform and audience; on the other, it seeks to educate and support emerging documentary makers to enable them to achieve the goals they’re aiming for. IDFA presents the results of workshops and training courses in the form of brand-new films. This facilitates an exchange between debut directors, audiences and the established international field. The IDFA program sections that focus on displaying first films are the Student Competition and First Appearance, however, emerging talent is also to be found amongst other program sections.

IDFAcademy Harvest is the label attached to the documentaries originating in one of the IDFAcademy workshops or training programs.

These programs are the IDFAcademy & NPO Fund Workshop, the Kids & Docs Workshop, and IDFAcademy Summer School.

The IDFAcademy Summer School is an intensive six-day training program enables participants to develop and rewrite their draft documentary plans in a program for Script Development or Editing Consultancy, whilst accompanied by eight esteemed professionals whom are willing to share their experience and knowledge. This year’s tutoring professionals at the 2018 IDFAcademy Summer School included Gema Juárez Allen, Niels Pagh Andersen, Menno Boerema, Katja Dringenberg, Gitte Hansen, Aliona van der Horst, Pawel Lozinski, and Jesper Osmund.

is linked to a producer and receives €5,000 to develop a teaser. During IDFA, the film plans and teasers will be presented to Dutch public broadcasters. During this meeting, a jury grants the Karen de Bok Talent Award to the most promising film plan, consisting of €25,000 plus another €5,000 for a new teaser, as a means of developing his or her project.

During the Kids & Docs Workshop the participants develop their plan guided by an experienced filmmaker. During the 2018 edition, director Ester Gould was the tutor, and she will also present a session at this year’s edition of IDFAcademy. Her film “A Strange Love Affair with Ego” premiered at IDFA last year and is featured in this year’s Me program section. “Strike a Pose”, “Shout” and “Starring David” were, amongst others, also screened at IDFA. Aside from this tutor, guest lecturers elucidate various aspects of development and production. The workshop focuses on the participants’ artistic development, challenges them to create projects that take the genre of youth docs to new places, and invites them to work together as colleagues. Every director is linked to a Dutch public broadcaster from the outset. If they get the chance to go into production, the resulting films are finished later in the year and screened at both Cinekid and IDFA before being broadcasted through the Dutch public broadcasters’ children’s channel Zapp.

The IDFAcademy & NPO Fund Workshop allows six Dutch documentary talents to develop a film plan for a 50-60 minute documentary in text and images. The participants have been tutored by directors Marjoleine Boonstra and Tom Fassaert. Each filmmaker

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180cc René van Zundert

Selected for IDFA 2018 Kids & Docs Workshop 2017 The Man Who Looked Beyond the

Horizon

Martijn Blekendaal (The Netherlands, 19 min.)

Kids & Docs Competition

A playfully edited documentary investigating the disappearance of a man who proves to have left behind something more special than just a mystery.

2017 Skip and the Rhythm Rangers Olivier Garcia (The Netherlands, 15 min.)

Kids & Docs Competition

Dance is the most important thing in 14-yearold Skip’s life—even if that means being teased by classmates who think dancing is for girls.

IDFAcademy Summer School 2018 A Haunted Past Fatma Riahi (Tunisia, Qatar, 90 min.) First Appearance

A personal portrait of a broken TunisianBosnian family. Ex-prisoner and ex-jihadist Tawfik has been left alone to take care of his three teenage daughters.

2015/2017 The Sound of Masks Sara Gouveia (South Africa & Portugal, 70 min.)

Luminous / IDFA Bertha Fund

Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer, takes us on a journey through Mozambique’s past and present.

2017 Home Games Alisa Kovalenko (France, Ukraine & Poland, 86 min.)

2018 180cc

Best of Fests / IDFA Bertha Fund

René van Zundert (The Netherlands, 17 min.)

An intimate portrait of a talented soccer player who tries to keep her life on track despite a troubled home life.

Kids & Docs Competition

Through life’s ups and downs, Jose wants to be the best stunt cyclist in Rotterdam.

IDFAcademy Program Guide

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Tickets for all screenings and events can be obtained on our website, via the IDFA App, and at the festival box offices during the festival. Pass-holders can also acquire tickets

Tickets

November 13, 12:00-21:00 – Tulip Meeting Room November 14-22, 9:00-21:00 – Tulip Meeting Room November 23-24, 9:00-21:00 – Vide Meeting Room November 25, 10:00-14:00 – Vide Meeting Room

Dates

NH Carlton Hotel Vijzelstraat 4 1017 HK Amsterdam

Location

Here, accredited guests can pick up their festival pass, obtain tickets and get general information about the festival.

Guest Desk & Guest Box Office

Industry Practical Information • As a pass-holder you have access to the Industry Screenings, Industry Talks, and various social events. No ticket is needed; first come, first served. You will need tickets for all other paid screenings and events.

• You can get up to 10 complimentary tickets for regular screenings starting October 29 at 12:00 at www.idfa.nl. Additionally, these pass-holders can order free tickets for screenings on the same day or the following day, if available.

• Tickets for special screenings can be obtained at a discounted rate by all pass-holders.

• To purchase tickets, go to IDFA.nl and log into your MyIDFA account. Find the film you wish to see using the search feature or through the Program Schedule and choose your ticket(s). These will be uploaded to your pass.

• Please have your pass ready before entering the screenings.

• To avoid empty seats, please cancel your ticket if you can’t make it to a screening.

Complimentary tickets can easily be returned. You can do this through your MyIDFA account at idfa.nl or through the IDFA app by clicking the “cancel transaction” button.

IDFAcademy/DocLab Academy/ Festival Pass-Holders

at the Guest Box Office. It is not possible to make reservations by telephone.

The Industry Office is your one-stop hub for IDFA’s services and program for film professionals. An extensive program of sessions, talks and consultancies inspire and keep you

Industry Office

• Company profiles, strand profiles, biographies and contact information of accredited guests through www.idfa.nl. See more at: https://www.idfa.nl/en/collection/ guestlist

Doors open - 20:00 | Awards Ceremony 20:45-22:15 | Documentary Ball - 22:3002:00

Your pass also provides access to • The Awards Ceremony and Documentary Ball on Wednesday, November 21

Discounts • All IDFA pass-holders get a 50% discount on entry at the Stedelijk Museum Amsterdam • All IDFA pass-holders get a €2.50 discount on entry to the EYE Film Museum’s exhibition “Ryoji Ikeda”

• If a screening is sold out, pass-holders can queue at the entrance to fill any “no show” seats. There are signs at every entrance marking where to wait. No ticket is needed; first come, first served.

• There will be no admission after the starting time.

IDFAcademy/DocLab Academy Program Guide

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November 15-21, 9:30-13:00 & 14:00-18:00

At the Industry Desk, we can help you with any questions regarding our program for professionals. We guide you through the industry side of the festival, connect you with other professionals in various disciplines, and keep you informed about our array of talks, meetings and sessions. Members of the press can also request a room to conduct interviews.

Industry Desk

up-to-date on the latest developments in the documentary industry. Located at the NH Carlton hotel, the Industry Office is open to all pass holders to meet up, network and do business.

The complete program can be found on our website, in the program guide, and in the IDFA App. November 16-19 | Pathé Tuschinski and Pathé De Munt

Films from the IDFA Competition for Feature-length Documentary, the IDFA Competition for First Appearance, and the IDFA Competition for Dutch Documentary are screened during Press & Industry Screenings. You don’t need a ticket to attend these screenings, but you will be required to present your IDFA pass at the door. Seating is on a first-come-first-serve basis. The Press & Industry Screenings include several documentaries that were pitched at previous editions of the IDFA Forum.

Press & Industry Screenings

Various types of talks and sessions bring you up to speed on the latest developments in the industry. The Industry Sessions and Industry Talks at De Brakke Grond cover a broad range of topics. The newly introduced Filmmaker Talks put renowned filmmakers in the spotlight with hour-long conversations and master classes about their work.

Alongside the talks IDFA is organizing, there are a number of Industry Talks and Industry Sessions hosted by partner organizations.

Talks and Sessions

Doc Talks at IDFA You get a chance to meet the filmmakers after nearly all the films in the IDFA program, at Q&A sessions after screenings. But several dozen films get a special focus in Doc Talks.

Directors, protagonists, and specialized moderators are on hand to engage in deeper discussions about the issues that the films address. Several of these are part of the theme programs Me and Space.

Various days and times, following selected screenings. See IDFA Program Guide. Ticket required

Side Program | Industry Office

Nov 15-25, 9:00-18:00 | NH Carlton Hotel, E-floor

A convenient and comfortable open space with a Wi-Fi connection for all accredited guests to work individually and communally.

Industry workspace

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The Industry Office offers a diverse range of meetups which include expert round tables in our Meet the Expert program, summits in

Industry Meetups

Filmmaker Talks: November 15-21

Various experts share their knowledge with small groups of participants in hour-long sessions guided by a moderator, offering professionals knowledge on different subjects and creating networking opportunities. Accredited guests can register for the sessions one day in advance at the Industry

Meet the Experts

Industry Talks: November 17-21

Industry Sessions: November 16-21

the NH Carlton, Compagnie Theater, and De Rode Hoed, and invitation-only Think Tanks that deep dive into the subjects discussed in the Industry Talks.

Detailed information and locations are available on idfa.nl.

Walk-in Consultancies Documentary experts Jannie Langbroek, Marijke Rawie, and Esther van Driesum are on hand for daily walk-in consultancies, answering questions about various aspects of the documentary industry, such as potential co-production partners, funding possibilities, pitching a project, or finding a sales agent. Walk in and book your consultancy.

Nov 15-21 | 10:00-17:00 NH Carlton, Rossini

Nov 16-21, 10:00-18:00 | NH Carlton, E-floor

Pre-registered Consultancies Renowned industry experts are on hand for consultancies focusing on a different subject every day, such as handling film rights, impact producing, educational distribution, and much more. Book your one-on-one meeting a day in advance at the Industry Desk.

The Industry Office offers two types of consultancies: pre-registered one-on-one meetings with experts in a specific field, and walk-in consultancies offering general advice. Detailed information and availability for all consultants is available at the Industry Desk and on our website.

Industry Consultancies

Nov 18-21, 13:30-14:30 | NH Carlton, Caruso

Desk. See our website for full details.

IDFAcademy/DocLab Academy Program Guide

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Vegan restaurant Wednesday to Sunday 12:00-22:00 Albert Cuypstraat 208 +31 6 45 72 81 07

Hearth

Vegan/Vegetarian restaurant Open daily 12:00-23:00 Bilderdijkstraat 65-67 +31 20 722 0804

Meatless District

Eat & Drink Suggestions

November 15 – 16, 18:00 – 19:30 | Café de Jaren November 17 – 21, 18:00 – 19.30 | Zuiderkerk Open to all pass holders

All IDFA guests are invited to meet and exchange ideas at the daily Guests Meet Guests cocktail hour. The cocktail hour is being held at two different locations.

Guests Meet Guests

Other

Steakhouse Sunday to Thursday 12:00-3:00, Kitchen open until 2:00 Friday & Saturday 12:00 - 04:00, Kitchen open until 3:00 Thorbeckeplein 2 +31 20 622 47 94

De Nachtwacht

French restaurant Sunday to Thursday 09:00-03:00 Friday & Saturday 09:00 - 04:00, Kitchen open until 23:00 Rokin 81/83 & Nes 96 +31 20 620 24 42

Café de Paris

Italian restaurant Open daily 12:00-23:00 Amstel 2 +31 20 423 36 81

Incanto

Vegetarian restaurant Monday to Thursday 13:00-21:00 Saenredamstraat 67 +31 20 470 7190

Olive&Cookie

Fish restaurant Open daily 17:00-23:00 Utrechtsestraat 41-45 +31 20 622 63 76

Sluizer

French kitchen, with live music Monday to Thursday 11:00 - 01:00 Friday & Saturday 11:00 – 03:00 Sunday 12:00 – 01:00 Gebed Zonder End 5 +31 20 624 20 57

Kapitein Zeppos

Late night dinner, with lots of meat Sunday to Thursday 18:00-3:00, Kitchen open until 2:00 Friday & Saturday 18:00-4:00, Kitchen open until 3:00 Handboogstraat 17A /HS +31 20 233 71 60

Cannibale Royale

To find other restaurants in Amsterdam, visit https://en.iens.nl/

Sushi restaurant Monday to Sunday 16:00 - 22:15 Reguliersdwarsstraat 131 +31 20 528 52 08

Tomo Sushi

Indonesian restaurant Open daily 17:00 – 22.30 Rembrandtplein 42 +31 20 623 73 29

Indrapura

French kitchen Open daily 18:00 – 22:00 Nes 49 +31 20 758 52 75

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IDFAcademy Program Guide

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Notes

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Notes

IDFAcademy Program Guide

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