Hollywood Memorabilia Auction 53 Lookbook

HOLLYWOOD MEMORABILIA AUCTION Auction 53 | 78 Lots | July 26, 2025

Holes (2003) LOT #42 & 43 “Stanley Yelnats”Treasure Chests

Original Props & Costumes from Film & Television 1

ANTIQUE GOYARD TRUNK

SEE PAGE 26

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HOLLYWOOD MEMORABILIA AUCTION Welcome to Auction 53, a thrilling collection of screen-used props, wardrobe pieces, set dressing, and cinematic treasures—many hitting the auction block for the very first time. This catalog showcases one-of-a-kind artifacts from beloved films and television productions, each hand-selected for its authenticity, provenance, and impact on pop culture history.

From gritty Western classics and buried Disney gems to bold modern-day collectibles, Auction 53 is a celebration of the iconic and unforgettable. Whether you’re a seasoned collector or a passionate fan, there’s something here waiting to become part of your story.

ABOUT ICONS OF POP CULTURE Icons of Pop Culture is a leading auction house specializing in authentic film and television memorabilia.

With decades of experience in the entertainment industry, we are passionate about preserving the legacy of Hollywood through the objects that shaped it—props, costumes, set pieces, and behind-the-scenes rarities.

What began as a boutique destination for collectors has grown into a trusted source for studios, insiders, and fans around the world. Our team is made up of seasoned archivists, collectors, and creatives who live and breathe pop culture—and we’re committed to connecting these extraordinary pieces with the people who appreciate them most.

Every item we offer is more than a collectible—it’s a tangible piece of entertainment history.

Jurassic Park - Amber Mosquito Prop-Inspired Crew Gift

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S.W.A.T. (2003) - “S.W.A.T.” Shirt – 53-784 This is an original shirt acquired by the production of the film “S.W.A.T.”. The shirt is not a replica; It is an actual piece acquired by the production for use by various actors as “S.W.A.T. Team Members”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Talladega Nights: The Ballad of Ricky Bobby “Wonder Bread” Hat – 53-854 This “Wonder Bread” hat was acquired by the production of the film Talladega Nights: The Ballad of Ricky Bobby. The hat is not a replica; it is an actual piece acquired by the production for use by various actors during filming.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Talladega Nights: The Ballad of Ricky Bobby Nascar Official Costume – 53-740 This is an original costume acquired by the production of the film “Talladega Nights: The Ballad of Ricky Bobby”. This costume is not a replica; it is an actual piece acquired by the production for use by various extras as a “Nascar Official”. The costume consists of the following pieces: •A white button front shirt with black and yellow trim, with Nascar Official detailing •A pair of black pants with “Nextel Cup Series” down the sides The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Zombieland – Columbus’ (Jesse Eisenberg) Costume – 53-786 This is an original costume acquired by the production of the film “Zombieland”. This costume is not a replica; it is an actual piece acquired by the production for use by Jesse Eisenberg as “Columbus”. The costume consists of the following pieces: •A long sleeve button front shirt •A pair of brown corduroy pants The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Afterparty (TV) - Prop Chair Backs - 53-802 This is a set of two original prop chair backs used as set dressing in the fictional film X Marks the Murder Spot, a meta movie-within-a-show featured in Season 2 of The Afterparty. These black fabric chair backs boldly display the title “X Marks the Murder Spot” in striking red and white, designed to mimic the gritty, high-stakes tone of a classic murder mystery thriller. The fictional film includes appearances—real and referenced—by a star-studded ensemble: Keke Palmer as Danner, Daniel Radcliffe as Xavier (appearing only in onset posters), Gemma Chan as Zoë, Elijah Wood as Yasper, and Jaleel White, who plays Aniq’s rival and Danner’s fiancé. These pieces are a clever nod to Hollywood behind-the-scenes culture, blending fiction and production design in a memorable and collectible way.

Charlie’s Angels – Sabina Wilson’s (Kristen Stewart) Lab Coat – 53-799 This lab coat was acquired by the production of the film Charlie’s Angels. The lab coat is not a replica; it is an actual piece acquired by the production for use by Kristen Stewart as “Sabina Wilson. The coat is made of cream-colored cotton with a modern, tailored silhouette and a sleek, minimal design. It features two front hip pockets, a shallow chest pocket, and a notched lapel collar. The back of the coat includes a fabric belt sewn into the side seams that crosses in the rear. A standout design element is the pixelated red pattern printed across the back shoulders, giving the garment a tech-inspired visual identity. The left sleeve features the “BROK Industries” logo in red.

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Apocalypse Now – Original Production Used Call Sheet “This is an original production used call sheet dated Monday April 19, 1976. The single sided paper details the requirements of the days shoot, including the various actors needed for filming. The call sheet measures 8.5” x 11”.

The item(s) may have varying levels of wear and/or studio distressing, please see the listing images for exact condition.”

Justified: City Primeval - Production Used Chair Back - 53-803 This is a production-used cast chair back from the television series Justified: City Primeval.

Custom-made for use during the production, the double-sided black canvas features the show’s title in bold white block letters on one side and the word “Cast” elegantly printed on the reverse. These chair backs are iconic staples on film and television sets, designating seating for principal actors and crew. Light wear from use on set adds to the authenticity and appeal of this collectible piece from the Justified revival series starring Timothy Olyphant. A must-have for fans of the show or collectors of behind-thescenes television memorabilia.

I Know What You Did Last Summer Fish Hats - 53-849 These fish hats were acquired by the production for use by various extras during filming. The hats are made of foam, painted green with pink accents and an elastic chin strap is attached.

Each hat measures 20.5” x 7.75”.

The item(s) may have varying levels of wear and/or studio distressing, please see the listing images for exact condition.

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Back to the Future Original Production Used Storyboard An original production used storyboard print featuring the shot of Doc as he races to connect the cables. The storyboard details the shot requirements of the scene and was used by Kevin Pike and his team during the production. The page has minor wear consistent with use, but remains in good condition. This is not a handdrawn page, but production used print.

The item(s) may have varying levels of wear and/or studio distressing, please see the listing images for exact condition.

Cobra Kai (TV) – Daniel LaRusso’s (Ralph Macchio) Shirt - CK-746 This is an original shirt acquired by the production of the television series “Cobra Kai”. The shirt is not a replica; it is an actual piece acquired by the production for use by Ralph Macchio as “Daniel LaRusso” in the season two episode titled “Fire and Ice”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Cobra Kai (TV) – Johnny Lawrence’s (William Zabka) Costume - CK-737 This is an original costume acquired by the production of the series “Cobra Kai” This costume is not a replica; it is an actual piece acquired by the production for use by William Zabka as “Johnny Lawrence” in the season five episode titled “Downward Spiral”.

The costume consists of the following pieces: • Olive green “Top Gun” coveralls • A white t-shirt • A pair of black combat boots • A production used costume tag The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Cobra Kai (TV) – Daniel LaRusso’s (Ralph Macchio) Jacket & Shirt - CK-781 This is an original jacket and shirt acquired by the production of the television series “Cobra Kai”. The jacket and shirt are not replicas; they are actual pieces acquired by the production for use by Ralph Macchio as “Daniel LaRusso” in the season two episode titled “No Mercy”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Cobra Kai (TV) – Kenny’s Stunt “Cobra Kai” Costume - CK-747 This is an original costume acquired by the production of the series “Cobra Kai” This costume is not a replica; it is an actual piece acquired by the production for use by Dallas Young’s stunt double as “Kenny” in the season four episode titled “Minefields”. The costume consists of the following pieces: • A “Cobra Kai” shirt •A pair of black pants with red and yellow trim • A production used costume tag The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

No Hard Feelings - Production Used Chair Back - 53-806 This is an original cast chair back used during the production of the 2023 comedy film No Hard Feelings, starring Jennifer Lawrence. The double-sided chair back features the film’s distinctive title logo on one side, complete with a minimalist fishing hook graphic playfully dangling from the typography. The reverse side features the word “Cast,” indicating its on-set use by a principal performer. Constructed of durable black canvas, the chair back was part of the official production gear used behind the scenes and serves as a unique keepsake from this raunchy, heartfelt coming-of-age comedy.

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Cobra Kai (TV) – Kenny’s Stunt “Cobra Kai” Tournament Gi - CK-744 This is an original costume acquired by the production of the series “Cobra Kai” This costume is not a replica; it is an actual piece acquired by the production for use by Dallas Young’s stunt double as “Kenny” in the season four episodes titled “The Fall” and “The Rise”.

The costume consists of the following pieces: • A black with gold trim “Cobra Kai” Gi top •A pair of black Karate Gi pants • A black belt • Two production used costume tags The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

No Hard Feelings – “Lobster Claw” Shirt – 53-753 This “Lobster Claw” shirt was acquired by the production of the film “No Hard Feelings”.

The shirt is not a replica; it is an actual piece acquired by the production for use by various actors. This red short-sleeve polo shirt features the embroidered logo for the fictional “Lobster Claw” restaurant located in Montauk, NY—a key setting in the film where several characters, including Jennifer Lawrence’s character Maddie, are seen working.

Manufactured by UltraClub, this XS-size classic polo was one of several made for the production and features a vibrant lobster graphic and stylized text on the left chest. Though multiple cast members wore this style shirt in the film, it remains an instantly recognizable piece of the movie’s playful coastal setting and workingclass charm.

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Jurassic Park - Amber Mosquito Prop-Inspired Crew Gift - 53-848 Inspired by one of the most iconic visuals in cinematic history, this resin “amber mosquito” prop was created as a special gift for members of the film crew of Jurassic Park. Measuring approximately 5” x 3.75” x 2”, this beautifully crafted piece features a realistic mosquito suspended in amber atop a textured, petrified tree trunk base—faithfully recreating the legendary source of dinosaur DNA from the film’s unforgettable “Mr. DNA” sequence.

While not used on screen, this piece was produced in the style of the props seen in the lab scenes, where scientists extract prehistoric blood from amber to clone dinosaurs—serving as the scientific foundation of John Hammond’s bold vision. With its vivid amber coloration and detailed sculpt, the item was designed to honor the creative team who brought Jurassic Park to life.

Crew gifts like this are cherished rarities, especially when tied to a film as influential and beloved as Jurassic Park. A striking display piece and a meaningful artifact of film history, it captures the magic and mystery that captivated audiences around the world.

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Jurassic Park – Original Mr. DNA Animation Drawing This animation pencil drawing was created by the production for use during the “Mr. DNA” cartoon that played for visitors of Jurassic Park.

The drawing features “Mr. DNA” standing about 2.5” tall. Overall measurement is 12.5” x 10.5”.

The item(s) may have varying levels of wear and/or studio distressing, please see the listing images for exact condition.

Jurassic Park – Original Mr. DNA Animation Drawing - 53-816 This animation pencil drawing was created by the production for use during the “Mr. DNA” cartoon that played for visitors of Jurassic Park.

The drawing features “Mr. DNA” standing about 5.5” tall. Overall measurement is 12.5” x 10.5”.

The item(s) may have varying levels of wear and/or studio distressing, please see the listing images for exact condition.

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All the Pretty Horses – John Grady Cole’s (Matt Damon) Prison Costume – 53-745 This is an original costume acquired by the production of the film “All the Pretty Horses”.

This costume is not a replica; it is an actual piece acquired by the production for use by Matt Damon as “John Grady Cole”. The costume is distressed and consists of the following pieces: •A long sleeve button front prison shirt •A pair of matching prison pants •A production used costume tag The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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The Equalizer – Home Mart Employee Apron – 53-793 This apron was acquired by the production of the film The Equalizer. The apron is not a replica; it is an actual piece acquired by the production for use by an extra during filming. Made of dark gray cotton fabric, the apron features a halter neck and tie-back design, with dual waist-level pockets on the front. The chest bears the printed text “home mart – Just Build It.” in yellow and white, referencing the fictional hardware store featured in the film. Above the logo, the phrase “Hello, my name is” is printed, with the name “Smitty” handwritten in black marker beneath it. This piece shows minor signs of production use and remains in good condition.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Equalizer – Home Mart Employee Shirt – 53-795 This shirt was acquired by the production of the film The Equalizer. The shirt is not a replica; it is an actual piece acquired by the production for use by an extra during filming. The polo is a bright yellow Gildan Ultra Cotton shirt, size XL, and features an embroidered “home mart” logo patch on the left chest, representing the fictional hardware store featured prominently in the film. The shirt is constructed of 100% preshrunk cotton and was made in Honduras. It exhibits minor signs of production wear and use, consistent with its intended on-screen appearance.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Equalizer – Home Mart Employee Vest – 53-796 This vest was acquired by the production of the film The Equalizer. The vest is not a replica; it is an actual piece acquired by the production for use by an extra during filming.

The vest is made of lightweight yellow mesh fabric with a zip-up front and features two lower front pockets. A stitched “home mart” patch is affixed to the left chest.

The breathable material and open-weave construction suggest it was intended to replicate a retail workwear safety vest, typical of big-box home improvement stores. Some minor wear is visible from production use.

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Babylon – Prop Oversized Partygoer Head This oversized head was custom-made by Los Angeles-based artist Kim Baise for the production of the film Babylon. The head is not a replica; it is an actual piece acquired by the production for use by an extra at Jack Conrad’s (Brad Pitt) extravagant party.

Crafted in Baise’s signature papier-mâché style, this large-scale wearable head is a bold and surreal representation of a green-skinned, cartoonishly exaggerated face with oversized black lips, dramatic eyebrows, and wide eyes accentuated with long black lashes. The head features sculpted black hair and is adorned with a leafy green printed scarf around the base. The interior is reinforced with a white PVC frame and lined with fabric ties to secure it on the wearer. The interior bears a handwritten label reading “Kim Baise,” identifying the artist.

Measuring an impressive 53” tall by approximately 28” wide and 28” deep, this piece is both a functional costume element and an unmistakable piece of visual art. It exhibits expected wear from production use, particularly around the base, but remains in overall good condition. This is a standout artifact from one of the film’s most chaotic and visually striking scenes.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Breaking Bad (TV) – Walter White’s (Bryan Cranston) Shoes This is an original pair of shoes acquired by the production of the television series Breaking Bad. The shoes are not replicas; they are actual pieces acquired by the production for use by Bryan Cranston as “Walter White” in various episodes of the series. The shoes are Clarks Wallabee boots in a light beige suede with classic moccasinstyle stitching, crepe rubber soles, and two-eyelet lacing. Visible wear on the soles and minor creasing to the suede are consistent with on-set use, making them a fantastic example of Walter White’s understated but iconic wardrobe.

Better Call Saul (TV) – Ernesto’s Shirt & Tie – 53-787 This is an original shirt and tie acquired by the production of the television series “Better Call Saul”. The shirt and tie are not replicas; they are actual pieces acquired by the production for use by John Christian Love as “Ernesto” in the season three episode titled “Mabel”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Better Call Saul (TV) – Jimmy McGill’s (Bob Odenkirk) Custom-Made Shirt – 53-783 This shirt was custom-made by Anto Beverly Hills for use by Bob Odenkirk as “Jimmy McGill”. The Anto Beverly Hills shirt, features Bob Odenkirk’s initials on the tag and is dated Jan 2017.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Better Call Saul (TV) – Kim Wexler’s (Rhea Seehorn) Heels This is an original pair of heels acquired by the production of the television series “Better Call Saul”. The heels are not replicas; they are actual pieces acquired by the production for use by Rhea Seehorn as “Kim Wexler” in various episodes of the series. The heels are black leather pointed-toe pumps featuring a modest stiletto heel, tan leather insoles, and a sleek, classic silhouette.

One of the shoes is a 1/2 size different from the other, suggesting they were either intentionally used that way for comfort or performance, or were mixed up by the production after filming.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Better Call Saul (TV) – Lalo Salamanca’s (Tony Dalton) Costume – 53-785 This is an original costume acquired by the production of the series “Better Call Saul” This costume is not a replica; it is an actual piece acquired by the production for use by Tony Dalton as “Lalo Salamanca” in the season five episode titled “Bad Choice Road”. The costume consists of the following pieces: •A long-sleeve button-up shirt by Tasso Elba, boasting a rich burgundy base with an eye-catching paisley pattern •A pair of dark charcoal flat-front dress pants by Perry Ellis Portfolio •Three production used costume tags

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Better Call Saul (TV) – Mike Ehrmantraut’s “Cocaine” Sneakers - 53-846 This pair of prop sneakers were custom-made by the production for use as set dressing in the season three episode titled “Sunk Costs”. The red and white high-tops are heavily distressed, with visible wear and a simulated bullet hole on the toe, matching the film-worn aesthetic in the episode’s opening scene, where the weathered sneakers hang over a power line.

Mike Ehrmantraut tosses the sneakers atop the line of a deserted highway just before a Los Pollos Hermanos drug truck rounds the corner. The worn, static pair sways until the laces snap and the shoes plummet to the road.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Better Call Saul (TV) – Mike Ehrmantraut’s (Jonathan Banks) Jacket - 53-748 This is an original jacket acquired by the production of the television series “Better Call Saul”. The jacket is not a replica; it is an actual piece acquired by the production for use by Jonathan Banks as “Mike Ehrmantraut” in various episodes of the series.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Better Call Saul (TV) – Nacho Varga’s (Michael Mando) Hoodie - 53-743 This is an original hoodie acquired by the production of the television series “Better Call Saul”. The hoodie is not a replica; It is an actual piece acquired by the production for use by Michael Mando as “Nacho Varga” in the season two episode titled “Klick”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Better Call Saul (TV) – Nacho Varga’s (Michael Mando) Jacket - 53-782 This is an original jacket acquired by the production of the television series “Better Call Saul”. The jacket is not a replica; It is an actual piece acquired by the production for use by Michael Mando as “Nacho Varga” in various episodes of the series.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Better Call Saul (TV) – Saul Goodman’s Stunt Costume - 53-742 This is an original costume acquired by the production of the series “Better Call Saul” This costume is not a replica; it is an actual piece acquired by the production for use by Bob Odenkirk’s stuntman and photo-double as “Saul Goodman” in the season five episode titled “Bagman”. The costume consists of the following pieces: •A blue two-piece suit (Jacket & pants) •A long sleeve button front dress shirt •A tie •A pair of socks

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Big George Foreman – George Foreman’s (Khris Davis) Boxing Robe – 53-792 This boxing robe was custom-made by the production of the film “Big George Foreman”. The robe is not a replica; it is an actual piece acquired by the production for use by Khris Davis as “George Foreman”.

Constructed of a white satin-like material with striking red satin trim, the robe features wide lapels, three red stripes running down each sleeve, and matching red trim along the cuffs and hem. The back of the robe is boldly emblazoned with “GEORGE FOREMAN” in large red embroidered letters.

A matching red satin belt is included, attached at the waist for closure. The interior collar shows light wear from use during production. A wardrobe tag is included with handwritten notes referencing the film’s working title Heart of a Lion, the scene set at the Toronto Maple Leaf Gardens, and identifies this robe as part of a stunt-fight sequence.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Big George Foreman – George Foreman’s (Khris Davis) Boxing Trunks – 53-790 This pair of boxing trunks were custom-made by the production of the film “Big George Foreman”. The trunks are not a replica; they are an actual piece acquired by the production for use by Khris Davis as “George Foreman”.

The trunks are crafted from vibrant red satin and feature a classic design with a thick white elastic waistband bearing the iconic Everlast label stitched at the front. A black stripe runs down the outer side of each leg, adding contrast and authenticity to the period look. Inside the waistband is a sewn-in label with “George Foreman” handwritten in ink, confirming character use. A production wardrobe tag accompanying the shorts notes their use in a scene depicting a 1972 fight in which Foreman scores a knockout, and indicates use for fight and stunt sequences. A reference photo of the shorts in use is attached to the tag. The shorts show minor wear from production handling but remain in excellent condition.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Bronco Billy – Bronco Billy’s (Clint Eastwood) Gun Belt and Holsters – 53-853 This is the custom-designed gun belt and dual holster rig created for and worn by Clint Eastwood in his role as the sharpshooting, circus-running cowboy Bronco Billy in the 1980 comedy Bronco Billy. Crafted from black leather, this striking piece features intricate white floral inlays on each holster and comes complete with original leg ties and cartridge loops along the back. The heavy-duty belt shows light production wear and fine distressing consistent with use during filming, adding to its rugged charm. Worn by Eastwood as he embodied the idealistic, modern-day cowboy determined to bring old-school values to a new generation, this distinctive Western rig is a signature piece from one of his most heartfelt and personal films.

Clint Eastwood is one of American cinema’s most enduring and iconic figures, an actor, director, and producer whose influence spans decades.

To own his screen-used Gun Belt and Holsters is an exceedingly rare opportunity. Whether you’re a fan of Eastwood’s Westerns, his directorial work, or his legacy as a cultural icon, this belt and holster set represents a tangible connection to the man and the myth. A centerpiece-worthy artifact from a truly one-of-a-kind film and film legend.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Bronco Billy – Bronco Billy’s (Clint Eastwood) Suitcase – 53-759 This vintage-style suitcase was custom-made for Clint Eastwood in his starring role as “Bronco Billy” in the 1980 western of the same name. Measuring approximately 24” x 16” x 9.5”, the suitcase features rugged leather-like construction with aged straps, metal buckle hardware, and the hand-tooled name “Bronco Billy” accented with floral embellishments on both sides—designed to reflect the bold, showman persona of Eastwood’s character.

Although not seen in the final cut of the film, this piece originates from the same trusted source as the screen-used gun belt and holsters, making it a meaningful production-linked artifact. The interior is lined in classic striped fabric and shows appropriate signs of age and production wear. Whether displayed as a stand-alone piece or paired with other Bronco Billy items, this suitcase offers a rare connection to one of Clint Eastwood’s most unconventional and heartfelt films.

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Frasier (TV - 2023) – Antique Goyard Trunk – 53-857 This exceptional antique Goyard cabin trunk (measuring 36” x 21” x 13”) was acquired by the production for use by Kelsey Grammer as “Dr. Frasier Crane” and Anders Keith as “David Crane” in the season one episode titled “The Good Father.” In addition to its use on screen, the trunk was prominently featured in the promotional campaign for the series, appearing in key marketing materials and posters. Careful examination reveals distinctive markings and wear patterns that match exactly with those seen in the promotional materials and on-screen scenes, verifying it as the exact hero trunk used in the series.

This rare example of Goyard’s craftsmanship dates to the early 20th century and reflects the iconic style and durability that has made the brand a symbol of refined travel since the 1800s. The trunk features Goyard’s signature hand-painted chevron canvas in dark tones, accented by reinforced brass hardware, wooden slats, and deep brown leather trim.

The sides are branded with stenciled markings including “RUE SAINT-HONORÉ PARIS,” adding to its authenticity and unique character. The trunk also bears a brass handle plate stamped “E. GOYARD PARIS” and retains an original brass destination plaque marked “MONTE-CARLO—BIARRITZ,” suggesting a life of high society travel.

The interior of the trunk is just as striking, lined in vibrant orange quilted satin with lattice ribbon trim, still in exceptional condition and visually stunning. The aged patina, dents, and travel scuffs across the wood, brass, and leather not only highlight its use over time but also make this a true piece of functional history.

Goyard, founded originally as the House of Martin in 1792, is one of the world’s oldest trunk and luxury leather goods manufacturers. The business was renamed in 1853 after being passed down to François Goyard, who began as an apprentice in 1845. Known for its dedication to handcraftsmanship, Goyard served the packing and travel needs of European nobility, aristocrats, and tastemakers throughout the 19th and 20th centuries. This trunk stands as a testament to that legacy and offers collectors a tangible link between timeless fashion, historical craftsmanship, and modern pop culture.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Holes - “Stanley Yelnats” Treasure Chest - 53-758 This is the original, screen-matched treasure chest featured in the 2003 Disney film Holes, seen during a flashback sequence involving Stanley Yelnats Sr. (played by Allan Kolman) and the infamous outlaw Kissin’ Kate Barlow (Patricia Arquette). Custom-made for the production, the chest appears in a key moment when it is stolen

by Kate from Yelnats Sr., not to be confused with the buried treasure chest recovered later in the film.

The trunk measures approximately 24” x 17” x 11.5” and features a curved lid, sturdy leather straps, metal buckles, and a distressed leather finish. A prominent metal nameplate on the front reads “STANLEY YELNATS,” and the piece includes a patterned interior. The unique wear, scratches, and patina match exactly with its onscreen appearance, making this an unmistakable screen-used artifact.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Holes - “Stanley Yelnats” Aged Buried Treasure Chest - 53-757 This is the production-distressed treasure chest created for the 2003 Disney film Holes, used in scenes depicting the buried family fortune of Stanley Yelnats.

Measuring approximately 24” x 17” x 11.5”, the wooden and leather-bound chest features a metal nameplate reading “Stanley Yelnats” and showcases extensive studio-applied aging, including faux dirt, cracking, corrosion, and weathering to simulate decades underground.

This version of the chest appears during the pivotal sequence when Stanley Yelnats (Shia LaBeouf) and Zero (Khleo Thomas) uncover the long-lost treasure beneath the dried-up lakebed. Unlike the cleaner version seen in earlier flashbacks, this chest was specifically designed to look as though it had been hidden away for generations, contributing to one of the film’s most memorable moments. A visually striking prop with excellent distressing, this chest is a tangible connection to the film’s themes of fate, redemption, and buried legacy.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Hook – “Pirate Wench” Dress – 53-797 This is an original “Pirate Wench” costume worn in Steven Spielberg’s 1991 fantasy adventure Hook, starring Robin Williams and Dustin Hoffman. Designed to bring Neverland’s seedy pirate port to life, this dress is a dazzling example of the film’s colorful and theatrical costume design.

The dress features a structured, brown satin corset bodice with hand-stitched distressing, decorative lacing, and period-style piping. It is paired with an extravagant puffsleeve blouse in vibrant shades of red, orange, magenta, and gold, leading into a flowing, multicolored striped skirt with an intentionally weathered hem—perfectly capturing the whimsical, gritty aesthetic of the pirates’ world.

Inside the bodice is a Columbia Studios label and production barcode tag, further confirming its authenticity and studio origin. A standout piece from the elaborate world of Hook, this screen-used costume is ideal for collectors of classic fantasy films, fans of Spielberg’s work, or admirers of bold costume craftsmanship.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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The Amazing Spider-Man – Peter Parker’s (Andrew Garfield) Jacket – 53-791 This jacket was acquired by the production of the film “The Amazing Spider-Man”. The jacket is not a replica; it is an actual piece acquired by the production for use by Andrew Garfield as “Peter Parker”. This gray bomber-style jacket reflects Peter’s rugged, everyday streetwear look. Made of distressed gray material, the jacket features zippered chest pockets, front zip closure, and ribbed cuffs and hem.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Amazing Spider-Man – The Lizard / Dr. Curt Connors’ Distressed Oscorp Lab Coat – 53-780 This Oscorp lab coat was acquired by the production of the film “The Amazing SpiderMan”. The lab coat is not a replica; it is an actual piece acquired by the production for use by Rhys Ifans as “The Lizard / Dr. Curt Connors”.

The lab coat is distressed and weathered for use in the sewer scenes.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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The Amazing Spider-Man 2 – Aunt May’s (Sally Field) Sweater – 53-800 This sweater was acquired by the production of the film “The Amazing Spider-Man 2”. The sweater is not a replica; it is an actual piece acquired by the production for use by Sally Field as “Aunt May”. The light pink cardigan sweater is made of a soft knit material and features a classic V-neck design with a full front button closure. It has ribbed cuffs and waistband for a tailored fit.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Amazing Spider-Man 2 – Electro’s (Jamie Foxx) Lighting Effect Costume– 53-798 This is an original costume acquired by the production of the film The Amazing SpiderMan 2. This costume is not a replica; it is an actual piece acquired by the production for use by Jamie Foxx as “Electro.”

The costume consists of the following pieces: •A heavily distressed black zip-up hoodie with faux burn holes and grime added throughout, including LED light strips sewn into the interior of the hood. The LEDs were designed to illuminate the inside of the hood as a practical lighting effect during filming.

While the lights and wiring remain intact, the power source is no longer present and the lights have not been tested.

•A pair of distressed blue jeans by Levi’s, also exhibiting dirt and wear from production use.

The costume shows clear signs of wear from filming and is an excellent representation of Electro’s early transformation look in the movie.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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The Amazing Spider-Man 2 – Felicia’s (Felicity Jones) Costume – 53-760 This sweater was acquired by the production of the film “The Amazing Spider-Man 2”. The sweater is not a replica; it is an actual piece acquired by the production for use by Sally Field as “Aunt May”. The light pink cardigan sweater is made of a soft knit material and features a classic V-neck design with a full front button closure. It has ribbed cuffs and waistband for a tailored fit.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

The Amazing Spider-Man 2 – Gwen Stacy’s (Emma Stone) Costume – 53-751 This is an original costume acquired by the production of the film The Amazing SpiderMan 2. This costume is not a replica; it is an actual piece acquired by the production for use by Emma Stone as “Gwen Stacy”.

The costume consists of the following pieces: •Teal cropped wool-blend blazer by Chloé (size 36) •Navy blue floral-print blouse by Steven Alan (size P) •Dark wash skinny jeans by Rag & Bone/JEAN (size 26) •Pair of pale pink leather lace-up oxford shoes by Manolo Blahnik (size 38) •Olive green textured knit beret by Fish and Whistles •Brown leather crossbody satchel-style purse •A Production used costume tag This costume was also used by Emma Stone during photo shoots with Andrew Garfield in his Spider-Man Costume.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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The Amazing Spider-Man – Peter Parker’s Stunt Costume – 53-565 This is an original costume acquired by the production of the film The Amazing Spider-Man. This costume is not a replica; it is an actual piece acquired by the production for use by Andrew Garfield’s stuntman as “Peter Parker.”

This complete screen-used costume was worn in the memorable sequence where Peter Parker hunts down his uncle’s killer and falls through the roof of a boxing gym, where he ultimately sees the poster that inspires him to create his Spider-Man suit. The look captures Peter’s raw, street-level vigilante phase and is layered with deliberate styling that reflects his gritty transformation.

The outfit consists of: •A distressed olive-green hooded jacket (labeled Vince, size Medium) with a brown and green camouflage lining. This lightweight, casual piece reflects Peter’s blend-into-thecrowd anonymity during his nighttime search.

•A charcoal gray Ramones T-shirt (labeled “1-2-3-4,” size Small) featuring the iconic band logo. This shirt adds a rebellious edge and plays into Peter’s punk-inspired outsider aesthetic.

•A navy blue thermal long sleeve shirt (with production distressing and labeled for use in stunt scenes by David Elson), providing layering and visual depth.

•Black five-pocket jeans (by M&C, labeled “Maus & Crafted”) with a slightly tapered fit, rolled cuffs, and a worn-in texture—suitable for the physicality of the chase scenes.

•A black knit beanie, turned up at the edge, matching his low-profile vigilante look.

•A pair of custom hand-painted Nike sneakers, in black, gray, and white. These NIKEiD shoes were uniquely altered by the costume team to appear scuffed and broken-in for authenticity.

All elements match the detailed wardrobe continuity tag, which confirms its use in scenes 80, 81, and 82, including rooftop and alley sequences and the interior of the abandoned theater. The costume is directly tied to a pivotal turning point in Peter Parker’s journey and is an exceptional screen-worn piece from the early evolution of Spider-Man. The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Morbius - Milo’s (Matt Smith) Walking Cane - 53-750 This is an original walking cane acquired by the production of the film “Morbius”.

The cane is not a replica; It is an actual piece acquired by the production for use by Matt Smith as “Milo”. This striking 37” walking cane features a captivating serpent handle crafted from translucent green resin.

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Napoleon – Napoleon Bonaparte’s (Joaquin Phoenix) Vest - 53-756 This vest was custom-made by the production of the film “Napoleon”. The vest is not a replica; it is an actual piece acquired by the production for use by Joaquin Phoenix as “Napoleon Bonaparte”.

This is a custom-made waistcoat created for use by Joaquin Phoenix in his role as Napoleon Bonaparte in Ridley Scott’s historical epic Napoleon (2023).

Tailored in a light beige fabric with a high standing collar, cloth-covered buttons, and two front flap pockets, the vest reflects the refined military-meetsaristocracy aesthetic of the late 18th and early 19th century.

The back of the vest features a linen panel with dual ties for a fitted silhouette, and the entire piece is meticulously constructed to match the formal uniform of a Chasseur à Cheval—the elite cavalry unit Napoleon once commanded. This particular vest is labeled as “Waistcoat – Large Size 3 of 3,” as noted on the original production tag identifying it for the character of Napoleon, portrayed by Joaquin Phoenix, for use across various scenes.

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Napoleon – Napoleon Bonaparte’s Stunt Tricorn Hat - 53-814 This tricorn hat was custom-made by the production of the film Napoleon. The hat is not a replica; it is an actual piece acquired by the production for use

by Joaquin Phoenix’s stunt double as “Napoleon Bonaparte.” Crafted from distressed faux hide and fully lined, this period-style hat was worn by Joaquin Phoenix’s stunt double during one of the film’s early sequences in which Napoleon rides along the British fortifications in disguise as a carpenter. Marked with internal costumer’s notes identifying the piece for “Napoleon – Carpenter in Disguise,” this hat represents an important moment in the character’s tactical ingenuity. A gritty, cinematic piece from a film steeped in power and rebellion.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Once Upon a Time in... Hollywood - Brad Pitt’s Screen-Matched Six-Piece Luggage Set - 53-832 This iconic six-piece luggage set was used on screen

by Brad Pitt in Quentin Tarantino’s Once Upon a Time in... Hollywood. The vintage-style trunks are seen in multiple key scenes as Cliff Booth (Pitt) returns from Italy with Rick Dalton (Leonardo DiCaprio) and Francesca Capucci (Lorenza Izzo). Cliff is prominently shown pushing the cart stacked with these exact cases through the airport, driving them through the streets of Los Angeles, and later in Rick’s home. Most memorably, the luggage appears front and center in the award campaign image used to promote Pitt’s Oscar-winning performance, where the film’s logo was digitally added to the largest trunk for marketing purposes.

Each case in the set screen-matches to those seen in the film, complete with distinctive wear, scuffs.

Measuring from 14.5” to 48” across, these tan and black hard-case trunks are not only striking periodaccurate props, they’re also directly tied to Pitt’s Academy Award win for Best Supporting Actor. With props from Tarantino’s films being exceptionally scarce, this screen-matched, hero-used luggage set is a rare and highly desirable piece of Hollywood history.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Spider-Man: Homecoming – Adrian Toomes’ (Michael Keaton) Costume – 53-789 This is an original costume acquired by the production of the film Spider-Man: Homecoming. This costume is not a replica; it is an actual piece acquired by the production for use by Michael Keaton as “Adrian Toomes”. The costume consists of the following pieces: •Navy blue utility-style zip jacket by Lindbergh (size M) •Dark navy polo shirt by Lacoste, Classic Fit (size 5/US M) •Pair of Levi’s 505 blue jeans (waist 30, length 32) This screen-worn ensemble is seen during the pivotal Staten Island Ferry sequence, one of the film’s most intense action scenes. Worn by Keaton in his portrayal of the calculating and resourceful Adrian Toomes, a.k.a. the Vulture, this costume reflects his everyday civilian look.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Spider-Man: Homecoming – Adrian Toomes’ (Michael Keaton) Shirt – 53-752 This shirt was acquired by the production of the film “Spider-Man: Homecoming”. The shirt is not a replica; it is an actual piece acquired by the production for use by Michael Keaton as “Adrian Toomes”.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Spider-Man: Homecoming – Ned’s (Jacob Batalon) Shirt – 53-794 This shirt was acquired by the production of the film “Spider-Man: Homecoming”. The shirt is not a replica; it is an actual piece acquired by the production for use by Jacob Batalon as “Ned”. The shirt is a light heather gray crew neck T-shirt by Lucky Brand (size XL) and features a playful graphic of a roaring bear with the text: “DANGER – I AM A HUGGER” printed across the front.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Spider-Man: Homecoming – Peter Parker’s (Tom Holland) Shirt - 53-755 This shirt was acquired by the production of the film “Spider-Man: Homecoming”. The shirt is not a replica; it is an actual piece acquired by the production for use by Tom Holland as “Peter Parker”. This lightweight, longsleeve button-up shirt features a subtle navy and gray plaid pattern and was worn during key moments as Peter balances his high school life with his secret identity as Spider-Man. The shirt is notably seen when Peter travels to Washington, D.C. with his academic decathlon team and later as he and Ned attempt to hack the “Training Wheels Protocol” on his upgraded Spider-Man suit.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Starship Troopers – Uniform Beret – 53-855 This beret was acquired by the production of the film Starship Troopers. The beret is not a replica; it is an actual piece acquired by the production for use by various actors during filming.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

Tales from the Crypt: Demon Knight - “Wormwood New Mexico” Sign – 53-666 This two-piece sign was custom-made by the production of the film Tales from the Crypt: Demon Knight. The sign is not a replica; it is an actual piece acquired by the production for use as set dressing as Brayker, played by William Sadler, walks into the town of “Wormwood” while evading “The Collector,” played by Billy Zane, early in the film.

The sign consists of two separate plywood panels, both hand-painted and heavily weathered to evoke the eerie, decaying charm of the fictional town. The top portion of the sign reads “Welcome to Wormwood, New Mexico” with bright yellow block letters flanked by hand-painted desert flowers and a cheerful green caterpillar, a grimly ironic contrast to the town’s fate. The bottom portion completes the greeting with the phrase: “Good Neighbors Are Our Best Natural Resource.”

Together, the two pieces measure an impressive 72” wide, with the top section standing 40” tall and the bottom 12” tall.

The aged, cracked paint and distressed surface seen in the film are still clearly visible, including screen-matched damage along the edges, cracks in the painted lettering, and splintered wear throughout, offering unmistakable confirmation of its use on screen. Images from the film further verify this one-of-a-kind artifact’s appearance in the film.

This rare and visually striking sign remains an iconic piece of horror film history, instantly recognizable to fans of the cult classic and a perfect display centerpiece.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Tarot – Prop Lottery Scratch-Off Ticket - 53-659 This is a 5” x 3.75” prop lottery scratch-off ticket created for use during the production of the 2024 horror film Tarot. Titled “Greatest of All Time” and styled with bold purple tones, gold coins, stacks of cash, and a striking golden goat emblem, the ticket features a 3-match win format with twelve scratch-off circles. While this specific piece was not the hero version seen on screen, it was one of several made for the production and served as a backup for the pivotal scene in which Lucas (played by Wolfgang Novogratz) returns to the car holding a winning ticket, an eerie moment that ties directly into his supernatural Tarot reading.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Tarot – Prop Newspaper - 53-663 This is a custom-printed prop newspaper created for use during the production of the 2024 horror film Tarot. The chilling piece features a bold headline in the horoscope section that reads “YOU DIE TODAY,” accompanied by a photograph of Lucas (played by Wolfgang Novogratz), whose fate is sealed shortly thereafter.

Though this particular copy is a back-up, it was printed alongside the hero version that appears on screen—briefly shown soaked and lying in water just before Lucas is terrorized by the eerie Hermit figure and meets his end in a restricted section of a train station.

The moment is a direct manifestation of his earlier Tarot reading, making this newspaper an ominous and symbolic artifact from one of the film’s most pivotal scenes.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Tarot – Prop Tarot Card Box - 53-807 This eerie and weathered prop box was custom-made for use in the supernatural horror film Tarot (2024). Crafted from light weight wood and expertly finished to resemble ancient charred wood, the box features a prominent occult-style circle engraved on the lid, complete with zodiac signs, a pentagram, and mystical glyphs at the center. Measuring approximately 7” x 5” x 2.5”, the box was designed to house tarot cards and includes a production-removed side panel—possibly for access, concealment, or a special effect.

The interior is hollow and dark, adding to its arcane aesthetic. A chilling artifact from the set, this piece perfectly captures the film’s unsettling mysticism.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Tarot – Prop Tarot Cards - 53-655 This is a visually striking set of 13 prop tarot cards used during the production of the 2024 horror film Tarot. Each card measures approximately 5.75” x 3.25” and features haunting imagery with a dark and surreal aesthetic, perfectly capturing the film’s unsettling tone.

The cards depict classic arcana like The Magician, Death, and The Empress, rendered with eerie, grotesque details that elevate them beyond traditional tarot decks into something far more macabre. The reverse sides display cryptic red sigils that evoke ancient, supernatural forces, enhancing the occult atmosphere. An exceptional piece of horror movie memorabilia.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

The Doors – Jim Morrison’s (Val Kilmer) Python Skin Luggage – 53-858w The Doors – Jim Morrison’s (Val Kilmer) Python Skin Luggage – 53-858 This three-piece set of luggage was acquired by the production of the film The Doors. The luggage are not replicas; they are actual pieces acquired by the production for use by Val Kilmer as “Jim Morrison” and as set dressing in his hotel rooms.

This striking vintage luggage set consists of three rigid cases wrapped in an impressive faux-python skin finish, giving each piece a bold, rock-n-roll edge that perfectly complements the excess and mystique of Jim Morrison’s character.

Each case features matching woven reptile-style handles, aged metal latches, and hardware that shows authentic wear from age and handling. The interiors are equally evocative, ranging from soft, worn fabric compartments and straps to a tailored system of loops and pouches designed for travel accessories—adding both practicality and period style.

The cases measure approximately 25.5” x 16” x 8.25”, 22” x 14” x 7”, and 20” x 14” x 6.25”, and display well stacked or individually. With their unique texture and moody palette, this set embodies the spirit of late ‘60s hedonism and remains a stylish artifact from Oliver Stone’s iconic biopic.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Jumanji – Prop Parrish Shoe Box – 53-850 This custom-made prop shoe box was created for use during the production of the 1995 fantasy adventure film Jumanji, starring Robin Williams. Measuring approximately 13” x 6.5” x 4.75”, the box features the distinctive “Parrish Shoes” branding—complete with the vintage striped design and company logo.

Boxes like this appear in a pivotal scene when Alan Parrish, played by Williams, returns to the longabandoned Parrish Shoe Company, a once-bustling factory owned by his family, now left in ruins after his mysterious disappearance. The moment is rich in symbolism, as Alan confronts the ghost of his past amid dust-covered remnants of his former life, including these boxes, which are scattered across the dilapidated factory floor. The imagery reinforces the emotional weight of time lost and the legacy of a family business in decline.

An instantly recognizable piece tied to a beloved and visually iconic sequence, this box is a rare and tangible connection to one of Jumanji’s most emotional and atmospheric scenes.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Bullet Train – Ladybug’s (Brad Pitt) Distressed Shirt - 53-61 This shirt was acquired by the production for use by Brad Pitt as “Ladybug”. This style outfit is also featured on the film’s movie poster and several of the promotional photos.

The shirt is distressed with studio blood staining.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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White House Down – President Sawyer’s (Jamie Foxx) Outfit This is an original costume acquired by the production of the film “White House Down” This costume is not a replica; it is an actual piece acquired by the production for use by Jamie Foxx as “President Sawyer”.

The costume consists of the following pieces: • A suit jacket with American Flag pin attached to the left chest. The jacket is marked “Jamie Fox” on the inner pocket.

• A matching pair of pants that are marked “2. President – W/gusset” • A long sleeve button front dress shirt • Tie The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition. All inner wardrobe tags have been photographed to offer insight into size and use. If tags are absent from the photographs, it indicates that they were removed by the studio, and no size information is available.

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Iron Man – Tony Stark’s Prop “Arc-Lens Analyzer” – 53-805 This is an original, custom-fabricated prop from the 2008 Marvel Studios blockbuster Iron Man, starring Robert Downey Jr. as the iconic Tony Stark. This unique handheld device was designed specifically for the film and seen on screen during a pivotal workshop scene. As Tony Stark monitors global news coverage of the Ten Rings’ siege on the village of Gulmira, this device rests on his workbench— part of the intricate tools used in crafting the first Iron Man suit.

Constructed with incredible detail by the Iron Man prop team, the piece features a sleek metallic handle, exposed micro wiring, precision-machined parts, and a large mounted glass lens framed in a futuristic stabilizing rig.

Its form hints at a hybrid of scientific utility and prototype weaponry, perfectly embodying the gritty genius of Stark’s early tech. Illuminated component and visible circuitry 50

suggest a device meant to focus, refine, or calibrate highenergy components, possibly arc reactor-related systems.

Measuring approximately 10” x 6.5” x 3.5”, this prop is made of metal, plastic, resin, and glass components.

It remains in excellent production-used condition with expected signs of handling from its time on set.

A rare and instantly recognizable piece from the workshop of one of the MCU’s most beloved heroes, the “Arc-Lens Analyzer” is a must-have for serious collectors of Marvel cinematic history.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Uncharted – “Lost Treasure” Props – 53-801 This set of “Lost Treasure” props were custom-made by the production of the film Uncharted. The props are not replicas; they are actual pieces acquired by the production for use by Tom Holland as “Nathan Drake,” Mark Wahlberg as “Victor Sullivan,” and as set dressing.

Included are two distinct resin pieces designed to resemble ancient golden relics: • The first is a sculpted mask-like artifact with pronounced facial features and two large upward-sweeping horns, measuring approximately 5” x 2.5” x 1”.

• The second features a stylized figure with tribal-like etching and a crest-style headdress, measuring approximately 5” x 4.5” x 0.5”.

Both pieces exhibit a gold-toned finish and intentionally aged surface texture to enhance their ancient, mythical appearance, consistent with the treasure-hunting theme of the film.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Uncharted – Nathan Drake’s “Lost Treasure” Shield – 53-809 This large piece of “Lost Treasure” was custom-made by the production of the film Uncharted. The prop is not a replica; it is an actual piece acquired by the production for use by Tom Holland as “Nathan Drake.” This 23.5” resin disc features an elaborately detailed Aztec-style face with sunburst-like rays encircling its perimeter.

The raised facial features include exaggerated circular eyes, a broad nose, and a grinning mouth with triangular teeth, giving it an imposing and ancient ceremonial appearance. Molded to resemble aged gold, the surface has an intentionally weathered patina. It was used as a makeshift shield by Nathan Drake to deflect bullets during the climactic final battle aboard the pirate ships. The reverse side is smooth and contoured.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Uncharted – Nathan Drake’s (Tom Holland) Hero Aged Watch This watch was acquired by the production of the film Uncharted.

The watch is not a replica; it is an actual piece acquired by the production for use by Tom Holland as “Nathan Drake.” This screenused Fossil chronograph watch features a stainless steel case with a distressed silver-tone dial and a worn genuine leather band with stitched accents and metal rivets. The crystal has been deliberately aged and heavily scratched by the prop department to reflect the wear and tear of Drake’s globetrotting adventures. The watch is housed in a custom vintage-style metal tin, labeled by the production as “NATE AGED” and “HERO WATCH,” indicating it was one of the hero props used in close-up or featured scenes. This rugged timepiece captures the essence of Drake’s character—worn, reliable, and built for action.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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Uncharted – Nathan Drake’s (Tom Holland) Stunt Necklace – 53-843 This necklace was custom-made by the production of the film Uncharted. The necklace is not a replica; it is an actual piece acquired by the production for use by Tom Holland and/or his stunt double as “Nathan Drake.” The necklace features a weathered brown leather cord and a metallic ring etched with Latin text, including the phrase “Sic Parvis Magna,” which translates to “Greatness from Small Beginnings.” This phrase is a key piece of the mythology surrounding Nathan Drake’s character and originally belonged to his ancestor, Sir Francis Drake. The ring serves as both a symbolic heirloom and a functional artifact, playing a central role in the film’s storyline as a clue in the hunt for the lost treasure of Ferdinand Magellan. Worn by Drake throughout the movie, the necklace is a defining part of his costume and character identity.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Uncharted – Prop “La Cruz de la Hermandad” (Blue) – 53-847 This prop “La Cruz de la Hermandad” (The Cross of Brotherhood) was custom-made by the production of the film Uncharted.

The cross is not a replica; it is an actual piece acquired by the production for use by Tom Holland as “Nathan Drake” and Sophia Ali as “Chloe Frazer.” The cross is made of resin and measures 8” x 4.75” x .5”. It also has a magnet embedded into the bottom section.

The cross features an ornate double-barred design with detailed engraved patterns throughout. Each tip is adorned with a faux blue gem set in a gold-toned crown-like setting, and the face is accented with small green faux jewels. The surface has been expertly aged and textured by the production to simulate the appearance of an ancient, valuable artifact, fitting for its role as one of the film’s key treasure-hunting relics.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

Uncharted – Prop “La Cruz de la Hermandad” (Red) – 53-859 This prop “La Cruz de la Hermandad” (The Cross of Brotherhood) was custom-made by the production of the film Uncharted.

The cross is not a replica; it is an actual piece acquired by the production for use by Tom Holland as “Nathan Drake” and Sophia Ali as “Chloe Frazer.” The cross is made of rubber and measures 8” x 4.75” x .5”. The cross features an ornate double-barred design with detailed engraved patterns throughout. Each tip is adorned with a faux red gem set in a gold-toned crown-like setting, and the face is accented with small faux jewels. The surface has been expertly aged and textured by the production to simulate the appearance of an ancient, valuable artifact, fitting for its role as one of the film’s key treasure-hunting relics.

The item(s) may exhibit varying levels of wear and studio distressing, as detailed in the listing images that provide an accurate representation of the condition.

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