The Museum

IC graduate donates priceless art collection to AUB

On July 7, 1928, Khalil Saleeby and his American born wife, Carrie, were returning home from a day at the beach. The childless couple was devoted to each other. Suddenly, two shots rang out in the air. One killed Saleeby and the other killed his wife. In a few seconds, the life of one of the most influential painters of the late 19th and early 20th century ended. The couple’s death sent shock waves throughout the country. Saleeby had been hailed as the founder of the Lebanese Renaissance. His paintings – especially of Lebanese rural life - were gaining much importance in the international art arena. He was also a particularly controversial painter, one that introduced the figurative paintings of nudes into the still restrictive Lebanese society. The world of art had attracted Saleeby since his boyhood days in his hometown village of Btalloun near the summer resort of Bhamdoun. He would spend his time in the family orchards drawing endlessly with the butts of burned matches. After repeatedly discouraging their only child from ‘wasting’ time drawing, his parents finally sent him to Beirut to attend the American and British missionary schools. But that didn’t stop the young Saleeby from drawing. While attending the Syrian Protestant College (now AUB), he would draw his classmates and sceneries of the mountains and the sea – for a fee. By the time he graduated in 1890, he had earned enough to travel and study in Edinburgh. From there he moved to the US, where he met and married the love of his life, Carrie. In 1900, the couple moved to Lebanon. In Beirut, he set up an Atelier just across from AUB’s main gate (today’s McDonalds) and became the teacher and mentor of then still novice artists, including Omar Onsi and César Gemayel. Nostalgic for his hometown, he purchased a piece of land and built his dream home. It was this move that eventually killed him. A dispute over water erupted between him and his neighbors. A dispute that somehow couldn’t be resolved. In anger, Saleeby blocked the water which ran through his land and stubbornly refused to backtrack. And so it was on that fateful July day that thugs from his village gunned him and Carrie down. Saleeby was 58 years old. His killers were caught. One was sentenced to death and the others served prison time. Forty years later, Dr. Samir Saleeby ‘43 opened the door of his clinic to see an older man at his doorstep. The IC graduate was a renowned physician and was running his own hospital (Saleeby Hospital in Ashrafieh and is credited with being the first doctor to do a corneal transplant operation in the country and has since performed hundreds of them. On that day, however, the doctor didn’t

have any operations scheduled and was in his clinic. He looked closely at the man standing at his doorstep. A hat hid most of his face but Saleeby could still clearly see his features. “I am one of those who killed Khalil Saleeby,” the man said slowly. “We didn’t realize what a loss he was. We didn’t know. I am here to ask for your forgiveness.” Samir Saleeby was stupefied. He had grown up hearing about his famous artist cousin. His father, Shaheen, was especially affected by the death of Khalil. Soon after the artists’ death, he painstakingly bought all of the paintings that he could find. “We need to keep his work together,” he would tell his son. So it was that Samir Saleeby grew up around the paintings. “I would stare at them for hours,” he said. “I knew and loved each and every one.” As the years passed, the lives of the two men – Khalil and Samir - somehow interweaved. For during his years studying in Paris, Samir met a successful Lebanese painter by the name of César Gemayel who promptly took Samir under his wings. The reason was that the painter was a former student of Khalil Saleeby’s. And here the story unfolds: Gemayel was working at a pharmacy located in Martyr’s Square. As Khalil was in the pharmacy one day, he noticed the young boy drawing on a table nearby. The drawings, he noted, were superb from one so young. Then and there he took César under his tutelage. (Gemayel went on to become one of the leading and pioneering painters and the co-founder of the Lebanese Academy of Fine Arts (ALBA).) As Samir began to know his cousin better, the paintings – now bequeathed to him upon his father’s death – took on more meaning. He himself began to seek out more of Khalil’s paintings. During the civil war, he sent the collection for safekeeping to London but brought them back soon after the war ended. Soon enough, he began to receive offers for his now priceless collection. The first was in 1982 from a Japanese company. Would he accept $33 million dollars for the collection? Saleeby refused. “I don’t want the money,” he responded. “This is Lebanese heritage. I will give it to you for free if you agree to build a museum for them in Beirut.” The offers kept coming. Saleeby kept making the same request. By now, the value of the collection had become worth millions. In 1990, AUB contacted him. “Build a museum which is accessible to the public and I will give them to you,” said Saleeby. It was easier said than done. But a few years later, a deal was reached: AUB will turn an entire floor in Post Hall into an art museum. Meanwhile, the paintings will be housed in the Mayfair residence with – as per Saleeby’s request - free access to the public. In June 2012, The Rose and Shaheen Saleeby Museum opened its doors to display over 60 of Khalil Saleeby’s paintings and several other known artists. “I want to leave something behind,” said Saleeby. “This is my legacy to Lebanon. Money? What do I need it for? I have everything I need. My children have all they need. A museum for my collection is all I ever wanted. This is my gift to the Lebanese people.”

The Khalil Saleeby exhibition is currently on display at the Mayfair Residence on Sidani Street.