The Royal Show Programme 2022

A new comedy about running out of patients

Written by and starring Lindzi Germain & Angela Simms Additional Material by Cal McCrystal Directed by Cal McCrystal • Designed by Mark Walters

Souvenir Programme

LIVERPOOL’S ROYAL COURT PRESENTS

BY

GERRY LINFORD

A tartanic adventure from the writer of Yellow Breck Road

29 April to 28 May 2022 Tickets from £14

0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv

Welcome To

Hello and welcome to Liverpool’s Royal Court and this

NHS Foundation Trust so at one point during the run there will be 1,000

performance of The Royal.

NHS staff in here having a ball. It is the least that they deserve. We’ve

Way back in 2016 we thought that we would celebrate the opening of a

warned our front of house staff too!

brand new, state of the art hospital in this great city of ours by producing

Back to tonight and the show that you have come to see. This is a visit to

a play about the building and the hard-working staff within. The opening

The Royal that you will be glad you made – even if it does leave you in

was delayed by a year so we brought the show back in 2017 to make

stitches. Enjoy!

sure that we kept up with current events. Well, here we are in 2022

Kevin Fearon

celebrating the opening of a brand new, state of the art…

Chief Executive

I will never forget how this show came about. It was at the guest night

Liverpoool’s Royal Court

of Shed, a great show written by two of our regular male cast, and Lindzi came and collared me by the bar. She asked me why we hadn’t produced a show written by one of the many talented women who work here. I said that if she wrote one then we would. A couple of months later and after a lot of hard work by Lindzi and her co-writer Angela, we were looking at draft one and it was on sale!

We managed to snare the brilliant director, Cal McCrystal. Cal finds comedy in almost any situation so we knew that this project was right up his street. Since then he has been working in London and Hollywood as well as directing the incredible Gifford’s Circus. We are delighted to have him back here with us.

As well as writing the show, Lindzi and Angela are starring in it alongside familiar Royal Court faces Lynn Francis (Mam I’m ‘Ere!), Danny O’Brien (Pharaoh ’Cross The Mersey) and Alan Stocks (Father O’Flaherty Saves Our Souls). Also, there is a Royal Court acting debut for Joe MatthewMorris who has written a new show we will be presenting in the Studio later this year. Talented young man.

I think all of us have always had immense pride in the NHS but I think that these last two years have made us love them a little bit more.

The response of those charged with our care on the front line of the pandemic has left us speechless and full of respect and admiration. We would like to dedicate this run of The Royal to them, a recognition of their hard work and commitment when we all needed them most. We have given a performance to them via the Liverpool University Hospitals

Liverpool’s Royal Court presents

The Royal

by Lindzi Germain & Angela Simms • Additional Material by Cal McCrystal Directed by Cal McCrystal • Designed by Mark Walters • Lighting Designer Ian Scott • Sound Designer Kate Harvey • Video Designer Jamie

Jenkin Wardrobe Supervisor Marie Jones • Movement Director Beverley Edmunds

Returning To The Royal

A Q&A with Lindzi Germain and Angela Simms, the stars and writers of The Royal

got their own mad little stories.

Angela Simms: I think the level of special effects in this show is something quite different than any other show that we’ve had on because its massive! It’s like a big action movie and it is really special to witness it. It’s very impressive!

What can the audience expect from the show?

Lindzi Germain: They can expect two hours of escape, of having a laugh and forgetting about their worries. Everyone’s got a story about the Royal, or they’ve worked there, or know someone who has worked there, or they’ve been a patient, or a visitor. So, everyone’s

she’d broke her leg and me and

because if they’ve not been in the

my dad would just sit there and

Royal, they’ve had some sort of

look at everyone coming in and

experience in the hospital.

out, patients, visitors and staff.

We were watching the new hospital being built and he said, “You want to write a pay about this place Lindz” and I was like,

Speaking of staff members, where any of the characters developed or based of anyone in particular?

“That’s it!”

Lindzi: The characters are

When did you first come up

I phoned Angela, one of my best

caricatures! Maureen from the

with the idea of the play?

mates, and said, “Look, come and

morgue (played by Lynn Francis),

Lindzi: I complained to the boss

help me write this play, this is what

she’s not based on anyone, but

of the Royal Court, Kevin Fearon,

it’s about,” and we wrote it in her

the amount of people who go

and told him there weren’t enough

kitchen!

“have you based that character off

plays about women, for women

Angela: There’s so much scope

written by women where women

in a hospital. There’s so many

Angela: I think we knew who

are the heroines within the stories.

characters. It’s so transient

we were casting when we were

I was quite drunk though, so I

the amount of people that

developing the characters and we

think he was trying to get rid of

come through it, but The Royal

played it to everybody’s strengths.

me! He said, “Write your own!”

particularly focuses on the

I’m not a million miles away from

so I said I will! Anyway, my mum

different members of staff.

Florence to be fair, she’s a bit ditsy

was in hospital six years ago now,

It’s just familiar to everybody

but she’s nice enough.

me?”

How important was it to get the original cast back together?

Lindzi: It was mega important that we got everyone back and we’ve got Joe (MatthewMorris, playing Mrs Llwellyen) this year, it’s good fun!

Angela: We’re glad everyone’s back, they’re so familiar with the show. It is so technical and it’s not easy so getting it ready has been brilliant.

Have you had to change a lot since the last show in 2017?

Angela: Some cultural references but aside from that it’s so physical that it’s universally funny, so we haven’t had to change a great deal script wise.

What would you say to someone who wants to write a play for the Royal Court?

Angela: The Royal Court it is probably the premier theatre in the city in terms of developing new work. They have a writing programme called Stage Write - a lot of those plays have been showcased in the Studio. Joe actually was on the Stage Write programme last year and his play Offered Up is on in the Studio this summer, so the Royal Court give people excellent opportunities. If you’ve got an idea, you’re not entirely sure how to develop it, get on the Stage Write programme. Don’t leave it in your head - write it down! What’s the worst that can happen?

What do you think makes the show connect with the audience?

Lindzi: I think people connect with it because you know The Royal hospital is just part of our city. When you speak to nurses, every nurse will say to you how they trained there or they work there or they know someone working there, it’s just such a massive part of every single family’s life. If you haven’t been a patient, you’ve been a visitor or you’ve

How have rehearsals been and is it fun working with Cal (McCrystal, director)?

Lindzi: Cal McCrystal is amazing. I was jumping for joy when we got him last time and to get him back again was just unbelievable, but he said there was no way he wasn’t going to come back.

Angela: He just sees things that other people don’t see. If there’s a joke to be had, Cal will find it. He’s brilliant!

Lindzi: He put something in the other day and he said, ‘I heard about this 30 years ago and I’ve always wanted to get it in a show and I’ve never been able to find a space, this is the space for it’. He’s hilarious.

had to go for an appointment for something, everyone knows exactly

For more information on the Stage Write programme, visit

what it’s like. So there’s some little inside jokes as well within the show

liverpoolsroyalcourt.com/community/stagewrite

that are specifically for the doctors and nurses and staff.

Life In Theatre and

Liverpool’s Royal Court proudly present

The smash hit summer show is back!

r Written and D irected by Stephen Fletche

10 June to 9 July 2022 Tickets from £14

0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv

Talent Development

Liverpool’s Royal Court continues on its journey to work towards talent development across the city

Maurice Bessman

Music Access All Areas

Boisterous Stage Write

There is no doubt Liverpool is renowned for its wealth of talent but we, along with the rest of our city’s theatre organisations and institutions, recognise we need to do more to ensure we are accessible, engaging and aspirational if we are to be truly representative and inclusive of the communities we serve. It is a long-term continuing process and funding is key as is working together with the theatres across the region.

Over the past three years we have laid down the foundations, initiating our plans for meaningful and real change. This includes the theatre’s programming, engagement, accessibility and relationships with artistes, communities, creatives, individuals, institutions, organisations, Schools/FE. We are working towards ensuring our talent development programmes are applicable, realistic and robust.

Listening and engaging in the first instance to a wide cross section of creatives and communities – recognising and taking ownership of our failure to be fully inclusive and to take a proactive approach to ensure there is inclusivity and diversity across the sector A brief look at a few of our talent development projects so far:

Community Music AAA (Access All Areas) is a partnership project together with three grassroots organisations: Positive Impact, Capoeira For All, and Catalyst performing arts supported by funding from Youth Music. Children and young people aged 6 – 25 can access free musical instruments, musical theatre, hip hop, dance, singing, drama and performance

Raw Talent Young people from our youth theatre continue to have access to auditions and employment opportunities – during the past 3 years, 6 young people have been cast in Terriers, written by Maurice Bessman touring to schools and venues across the country.

More recently working with Fury films, 120 young people aged 15 – 25 from across the city took part in audition workshops for the film of Terriers at Fire Fit in South Liverpool, MYA’s Space in Bootle and The Vibe in Huyton. 8 young people will be working with the Director to support the script development.

Mentoring This is a pilot programme supported by PH Holt Trust and Curious Minds – eight mentors from the creative industries have been paired with mentees – providing support, guidance and shadowing opportunities in acting, marketing, production, directing, writing, set design, and music skills.

This talent development initiative will support eight young black, asian and minority artistes and creatives develop their skills as they progress through the industry.

Programming Our Boisterous Theatre strand of programming brought us a main house production of Bouncers, in August and September introducing four new actors to the main house stage – and new audiences to the theatre.

The Alternative Black Cabaret Showcase – now a regular bi-monthly show presenting some of the best black comedians and singers on the circuit and with a platform to showcase emerging and existing local talent.

Co-production with Red Ladder in September/October, with a cast of professional actors and 20 members of our community choir.

Stagewrite – our new writing classes/workshops to encourage and support new writers to develop their work to full production.

We continue on our journey with a number of other talent development initiatives in progress as a matter of priority to ensure we remain accessible, adaptable and continually listen and learn. It will take time and investment and with your continuing support for all we do. We will make a difference.

A GREAT PLACE TO EAT AND DRINK WITH FRIENDS IN THE HEART OF THE CITY CENTRE

PRE-THEATRE MENU AVAILABLE 4PM TO 7PM MONDAY TO SATURDAY 2 COURSES FOR £18

3 COURSES FOR £22

89 Roe St, Liverpool, L1 1EP 0151 702 5891 courtyardbk.co.uk

/courtyardbk

@courtyardbk

@courtyard_bk

A fresh, new, innovative and relevant youth theatre company based at the iconic Royal Court Theatre designed by young people for young people.

The Royal Court Youth Theatre delivers a range of opportunities free of charge for young people aged 11 – 25 from every part of the City.

If you are interested in a career in the arts or just looking for something to do, come along to one of our sessions or workshops. You will learn about everything from acting to stage management; fundraising to writing scripts.

Do you know a young person who has a passion for theatre, acting, singing, dancing or writing? Tell them to complete an expression of interest form by visiting liverpoolsroyalcourt.com/youth-theatre Alternatively you can call 0151 702 5892 or email education@royalcourttrust.org Everybody is welcome at the Royal Court Youth Theatre, there are no auditions or waiting lists to join.

The

Eleanor Rathbone Foundation

Rehearsal Photos

Cast & Company

Cast Lynn Francis Lindzi Germain Joe Matthew-Morris

Mo McGuire Teresa McDonald Mrs Llewellyn

Danny O’Brien

Patrick O’Shaughnessy

Angela Simms

Florence Davis

Alan Stocks

Walter Bush

Company Lindzi Germain & Angela Simms

Writers

Cal McCrystal

Director

Mark Walters

Designer

Ian Scott

Lighting Designer

Kate Harvey

Sound Designer

Jamie Jenkin

Video Designer

Beverley Edmunds Gary Kane

Movement Director Stunt Co-Ordinaor

Sean Gannon

Production Manager

Andrew Lock

Resident Stage Manager

Steph Carter

Deputy Stage Manager

Amy Whalley

Assistant Stage Manager

Marie Jones

Wardrobe Supervisor

James Haining

LX Programmer

Helena Harvey

LX Op

Liam McGrath Jake Pendleton Kieron Smith Princess Snowzie Rose

Sound Op Sound No. 2 Stage Crew Dresser

Set by Sightlines Mick Bawden

Workshop Manager

Johnathan Defty Michael Gray Mick Gunnigle

Carpenters

Jennifer Baron

Head Painter

Christopher McCourt

Painter

Cast Biographies Beserker Boys, Virgin Express, Desperate Scousewives, Merry Ding Dong, Scouse Pacific, Scouse of the Antarctic, Scouse of the

Lynn Francis Mo McGuire

Rising Sun, Pharoah ‘Cross The Mersey, Scouse Nativity, Mam I’m ‘Ere, Sex In Suburbia (tour), YNWA (Royal Court and tour), A Fistful of Collars, Little Scouse on the Prairie, Her Benny, The King & I, King Lear, Our Bessie, Reds & Blues, Scouse Cinderella, Lost

Liverpool born Lynn trained at Sandown College.

Soul 2 and Achy Breaky Bride. Peter Pan, Cinderella, Snow White,

Since leaving college she has worked continually in theatre, television

Robin Hood and Babes In The Wood.

and film. Theatre credits include: Desperate Scousewives 1 & 2,

TV and film credits include:

Psychic Sybal (Theatre Royal St Helens), Four Girls In A Caravan

Tin Star with Tim Roth. Bella in Clink (5Star), The Way We Are

(Theatre Royal St Helens), Waiting For Gateaux (touring), Tuppence

(Feature film), Lynda La Plante’s Above Suspicion (ITV), Les’ Liverpool

to Cross the Mersey (Liverpool Empire, 2005 and 2007), What

(BBC), Bodies II (ITV), Common As Muck (ITV), Emmerdale (Yorkshire

Was it Like in the War Nan? (Unity Theatre), Oliver (Neptune Theatre

TV), Prime Suspect (ITV), Dave Kirby’s 15 Minutes That Shook The

Liverpool), Ebony’s Album (Neptune Theatre Liverpool), Accidental

World, Gwladys in Reds & Blues: The Ballad of Dixie & Kenny,

Death of an Anarchist (Bluecoat Theatre), Her Benny (Liverpool

Adam (Short film) and Shooting Fish (short).

Empire), Midsummer Nights Dream (touring), My Fair Lady

Writing credits include:

(touring), The Salon, Reds And Blues - The Musical, Ladies Day and

The Royal, Mother’s Pride, Lindzi Germain Merseymouth stand up

Hitchhikers Guide To Fazakerly (Royal Court Liverpool).

show, Women With Balls.

Television and Film credits include:

Voiceover work includes:

Reds and Blues: The Ballad Of Dixie and Kenny (Miracle Productions

Lindzi is the voice of Atomic Olga in the brand new computer game Evil

UK), Colour Blind, a film directed by Lenny Henry, Charlie Noades

Geniuses 2.

RIP (film), The Lie is Dead (feature film), One Fine Sunday (short

Lindzi is one of the presenters on The Guide Liverpool and has her own

film), Dead Drunk (short film), Dave Dot, Demo Man (BBC), No

vlog page Mersey Mouth.

Marks (Channel 4), I’ve Got a Bad Feeling About This (Haphazard Productions)

Throughout lockdown Lindzi kept herself busy performing live on Facebook in ‘The Virchy’ and with her own Wake And Shake and

Lynn has appeared in various pantos across the country including

Storytime Live. She says, “I just wanted to keep everyone’s spirits up a

Empress of China: Aladdin (Southampton and Runcorn), Fairy

little especially the children. I’ve made hundreds of friends big and small

Godmother in Cinderella (Southport), Genie of the Lamp in Aladdin

many of whom I am yet to meet.”

(York), and the Wicked Queen in Snow White (Torquay and Runcorn).

In May this year Lindzi also set up a private wall on Facebook just

Lynn is thrilled to have been part of this wonderful journey with Lindzi

for women called Peri/Meno Queens 👑 it’s a place for women to

Germain and Angela Varley , and performing in The Royal and dedicates

learn, educate, laugh and cry to love and to support each other while

her performance to the amazing Doctors, Nurses and staff of the Royal

going threw what can be the most horrendous time of there lives The

Liverpool Hospital and the NHS .

Menopause. To date she has over 4,000 members!

Lindzi Germain Teresa McDonald Lindzi is one of our city’s well known character actors and is one of the Royal Court’s regulars - so much so she doesn’t even take her stuff home any more!

Theatre credits include: The Scouse Sleeping Beauty, Ellen & Rigby, Royal Court Selection Box, Night Collar, Council Depot Blues, Lost Soul, Down Our Street, The Royal, A Midsummer Night’s Dream, Twopence To Cross The Mersey, Alehouse, The Entertainer, Bon Voyage,

Joe Matthew-Morris Mrs Llewellyn Joe is a Liverpool born actor, writer and musician with years of stage experience in various genres. When he’s not treading the boards he can be found flogging tickets in the box office.

Roles include Benwick/Elliott in Persusaion Transposed (Nonesuch Theatre) Young Man in horror classic Veronica’s Room (Twisted Nerve Theatre) and Malvolio in Twelth Night (Purplecoat Productions). Ever since a boy he’s dreamed of playing a doddering old lady, honest. This is his Royal Court debut and he hopes you enjoy the show!

Danny O’Brien

Alan Stocks

Patrick O’Shaugnessy

Walter Bush

Danny O’Brien has become a regular fixture at the Royal Court - this will

Alan trained at RADA.

be his eleventh time here.

Theatre credits include:

He has appeared in some of the Court’s biggest hits including: Stags

Measure for Measure, The Two Gentlemen of Verona and the

And Hens, Lost Soul, Night Collar, The Salon, Noises Off and

Merchant of Venice (Royal Shakespeare Company); Twelfth Night

Bouncers. He has also been travelling around the northwest, most

(Lyric Belfast); End of the Food Chain (Stephen Joseph Theatre) and

recently playing Bob in Rita, Sue And Bob Too at the Theatre Royal St.

Nervous Breakdown (Warehouse Theatre). He recently toured Tartuffe

Helens. He has also just finished a run of the award winning and critically

on an ETT national tour, A Barry White Christmas (Liverpool Echo

acclaimed Rainbow Connection and has recently been touring Europe

Arena). Dennis in Calendar Girls (touring). Credits for the Everyman &

in One Night In Istanbul which started at the Liverpool Echo Arena.

Playhouse include: Midsummer Nights Dream, Hope Place, Twelfth

He was last seen at the Court in Pharaoh ‘Cross The Mersey and has just

Night, Held, A Streetcar Named Desire, Tartuffe, Flint Street

taken part in the Everyword Festival at the Everyman.

Nativity, Sleeping Beauty, Love at a Loss, ‘Tis Pity She’s A Whore,

Danny was most recently in The Star at the Liverpool Playhouse playing

Wild Wild Women, Trojan Women and Dead Heavy Fantastic.

Arthur Crown.

Merry Ding Dong, Little Scouse On The Prairie, Scouse Pacific, A

Danny’s other credits include: The Long Shot, The King Of Edge Hill, The Wedding, House Of Anubis, Scrims and Good Cop. Danny would like to dedicate his performance to his three beautiful girls, Pearl Edie and Melissa x Follow Danny on Twitter: @dannydannyo28

Fistful Of Collars, Funny Money, Night Collar, Reds And Blues The Musical, Slappers And Slapheads, Ladies Night, Mam! I’m ‘Ere! , Father O’Flaherty Saves Our Souls and Scouse of the Rising Sun (Royal Court Liverpool).

Television credits include: Moving On, Phone Shop, Casualty 1907, Kingdom, Robin Hood, Ghost Boat, Blue Blood, Wire in the Blood, The Plan Man, Rome, Merseybeat, This Little Life, Auf Wiedersehen Pet, City Central, Dad, Drop the Dead Donkey, Murder in Mind, North Square,

Angela Simms Florence

Sins, Dockers, This Life, Wycliffe, Grushko, The Day Today, Soldier Soldier, Conviction, Between the Lines, Sweet Nothing and You Me And Him amongst others. He recently filmed an episode of Vera to be televised next month.

Angela has been performing for several years, starting with the New

Film credits include:

Everyman Youth Theatre; she then went on to train in The Stella Adler

Memory of Water, The Birthday Girl, Under Suspicion, Trigger

Studio of Acting in NYC.

Puller, The Pond and Look At Me I’m Beautiful.

Theatre Credits include:

Radio credits include:

Ladies Day, The Hitchhiker’s Guide To Fazakerley, Canoeing For Beginners and Special Measures at Liverpool’s Royal Court. Other work includes playing Sally in If The Shoe Fits on The Epstein Theatre.

She also played the character Shelly in the play Rainbow Connection written by Joanne Sherryden. Angela played ‘Sue’ in Rita Sue and Bob Too at the Theatre Royal St Helens which received good notices. She has recently had a radio credit playing Cheryl in Tontine for BBC Radio Four, which was written by Karen Brown and starred Alison Steadman. Angela devised her own sketch comedy for the character ‘Beverly Bogg’ in The Ransom Family.

Angela has co-written The Royal and is thrilled to have it brought back.

Angela would like to dedicate this performance to her daughter Holly.

Tartuffe and The Ladykillers.

Company Biographies Cal McCrystal Director Cal was born in Belfast. Working for many years as an actor, he trained at RSAMD and at École Philippe Gaulier. He was Comedy Director for the National Theatre’s award-winning West End and Broadway hit, One Man, Two Guvnors and the RSC’s Don Quixote. He directed Iolanthe at English National Opera, Drama At Inish at the Abbey Theatre, Dublin, Le Comte Ory for Garsington Opera and he returned to ENO recently to direct HMS Pinafore.

Circus work includes Cirque du Soleil’s Varekai and Zumanity, Circus Knie in Zurich and the hit Las Vegas shows Opium at the Cosmopolitan and Atomic Saloon at the Venetian. Since 2012 Cal has been director of Giffords Circus creating a new show for them each year.

Mark started his design career as an associate designer at the Courtyard Theatre in Hereford where he spent over five years working with artistic director Jonathan Stone.

Mark has a close association with Wakefield Theatre Royal and has worked with writer and director John Godber on All The Fun Of The Fight and Sculptures Surprise tour as well as many other shows.

Other set and costume designs include Hot Flush UK tour, Our House UK national tour and many other shows, nationally. Mark has also designed 10 pantomimes for the Adam Smith Theatre into Kirkcaldy.

Mark has become well known for his pantomime designs up and down the country over the past 15 years Mark has designed set and costumes for over 40 pantomimes. Into 2010 Mark formed Glitter, a new pantomime set, costume and props hire company. This unique company has a vast portfolio of Mark’s designs and is now supplying to theatres and theatre companies throughout the UK. www.glitterpantomimes.co.uk

He regularly directs in British Repertory and has created countless international touring shows for comedy troupes such as Spymonkey, Peepolykus and The Mighty Boosh. For The Royal Court Cal has also directed Canoeing For Beginners and Scouse Nativity.

Cal works recurrently as a comedy consultant for the film industry. Titles include The Dictator, The Worlds End, Man Up, The Nice Guys, The Amazing Spider-Man 2, Matilda, Dora And The Lost City Of Gold, Wonka, Paddington 1 and Paddington 2 (in which he also appears as Sir Geoffrey Wilcott).

TV work includes Ant & Dec’s Saturday Night Takeaway, Inside No. 9, MTV Europe Video Awards and Comedy Cuts.

Mark Walters Designer

Ian Scott Lighting Designer Ian has designed the lighting for many shows at the Royal Court including Brick Up 2: The Wrath Of Ann Twacky, Lost Soul, Scouse of the Rising Sun, Father O’Flaherty Saves Our Souls, A Fistful Of Collars,The Royal, Down The Dock Road, Scouse Of The Antarctic, Bouncers, The Hitchhiker’s Guide To Fazakerley, A Nightmare on Lime Street, Our Day Out, Scouse Pacific, On The Ledge, Eight Miles High, Council Depot Blues and Ladies Day. In 2012 he designed the set and lighting for the Lodestar/Royal Court coproductions of Macbeth and A Midsummer Night’s Dream.

Other projects include: The Solid Life Of Sugar Water (Graeae & Theatre Royal Plymouth), The Joke (Will Adamsdale / Fuel & Unity

Mark is a British theatre set and costume designer who trained at Rose

Theatre), Owen Wingrave (Aldeburgh and Edinburgh International

Bruford College, London.

Festivals), Curlew River (Barbican / Lincoln Centre, New York), Fawlty

In 2005 Mark was appointed Head Of Design at the Queens Theatre in

Towers Live (Rosslyn Packer Theatre, Sydney), Marco Polo (Bergen

Hornchurch working alongside artistic director Bob Carlton on over 30 productions. During his time here he has also worked with writer and director Chris Bond on his place Sweeney Todd, The Heather Brothers on their new musical Camp Horror, and was nominated for Best Set Design on the new actor musician version of The Rocky Horror Show.

Mark is also designed nine in-house pantomimes to date.

In 2008 Mark was also appointed Resident Designer at the Royal Court Theatre in Liverpool. During his time here he worked closely with writer Willy Russell on his shows Shirley Valentine, Stags And Hens The Remix, and a new version of Our Day Out The Musical. Other designs include Merry Ding Dong, A Fistful Of Collars, Scouse Pacific, A Nightmare On Lime Street, Reds And Blues The Musical, Lucky Numbers, You’ll Never Walk Alone, Little Scouse On The Prairie, The Salon, Sons Of The Desert, Sex In The Suburbs and recently Mam I’m ‘Ere.

National Opera), Where The Wild Things Are/Higgelty Piggelty Pop (Aldeburgh Festival, Los Angeles Philharmonic & Barbican), The Victorian in the Wall (Will Adamsdale/Fuel), The Ugly Spirit (Fittings/ South Bank), Touch Me (Coisceim Dance Theatre), Blok/Eko (The Wrestling School), The 39 Steps (10th Anniversary UK Tour) and Reasons To Be Cheerful (Graeae).

Kate Harvey Sound Designer

Court Selection Box, The Scouse Sleeping Beauty, The Menlove Avenue Murder Mystery and Girls Don’t Play Guitars (Liverpool’s Royal Court); Masquerade and Knee Deep In Promises (Liverpool’s Royal Court Studio); Cured (Liverpool’s Royal Court in association with

I’ve been working in technical theatre for around 16 years and have

DaDaFest & Unlimited); The Dream Team and VR Family (Liverpool’s

spent most of that working specifically in sound after starting my career

Royal Court Youth Theatre); Macbeth and A Midsummer Night’s Dream

doing work experience in the sound department at Blackpool Opera

(Liverpool Shakespeare Festival); Scouse: A Comedy Of Terrors (Dome

House. After working on a variety of events/productions in the past, I

Liverpool); Judy & Liza (National and International Tour); YNWA (Alterean

always love coming back to theatre design and mixing theatre shows.

Productions, international tour); The Big I Am (Liverpool Everyman); Celtic

A list of credits include:

The Musical (Alterean Productions, Pavilion Theatre Glasgow), The Salford

Corporate/Outdoor : Labour, Conservative, NUT, TUC conferencing.

Docker (Salford Community Theatre, Lighthouse Salford) and Peter Pan

Various exhibitions. Symphony in the Park (Hoghton Tower).

(Storyhouse Chester).

TV: Stan James World Match Dartsplay, Sky Sports broadcasts,

Marie Jones

Strictly Ballroom, Danny La Rue, Spirit of Shankly (Granada DVD).

Cruises : P&O World Cruises, Island Cruises, Celebrity.

Arena : Hot Ice (Stageworks Worldwide Productions); YNWA (Alterean Media).

Music: The Christians, Chesney Hawkes, Sinita, Slade, Bad Manners, Toyah, Limahl, Cream UK Tour, Petula Clarke, Bobby Crush, East 17, Liberty X. Comedy: Jason Mansford, Peter Kay, Roy Walker, Norman Wisdom, Jim Bowen, Brian Conley, Brendan O’Carroll, Paddy McGuiness.

Live Theatre: Jane McDonald (Empress Ballroom); Aladdin and Sleeping Beauty (King Georges Hall, Blackburn); Mystique (Stageworks); Original TV Comedians (Blackpool Opera House); Paul Zerdin (Paradise Room Blackpool); Flags (Manchester Exchange; Mam I’m Ere (Life in Theatre); Eight Miles High, Lucky Numbers, Council Depot Blues, Funny Money, Ladies Day, Scouse of the Pacific, Bouncers, Night Collar, Our Day Out, The Salon, Shirley Valentine, Sex in the Surburbs, Reds and Blues, Hitchhikers Guide to Fazakerley, Ladies Night, Lennon, Noises Off, Scouse of the Antarctic, Canoeing for Beginners, Brick Up The Mersey Tunnels and Down The Dock Road (Royal Court Liverpool); Twopence to cross the Mersey (Pulse Records).

Jamie Jenkin Video Designer

Costume Supervisor Marie studied fashion and then moved on to theatre costume interpretation at Mabel Fletcher College. Marie’s work as a freelance costumier has included costumes for Oldham Coliseum, The Royal Exchange, West Yorkshire Playhouse, Jimmy McGovern’s film Liam, Beyond Friendship for Mersey Television and the many pantomime dames who have appeared on the Everyman stage.

She has worked extensively at the Liverpool Everyman and Playhouse and has recently been employed as full time Wardrobe Supervisor. Most recently Marie’s work at the Everyman and Playhouse has included: Much Ado About Nothing, The Electric Hills, The Flint Street Nativity, The Tempest, Unprotected, Billy Liar, Who’s Afraid of Virginia Woolfe, Urban Legend, Fly, Breezeblock Park, The Entertainer, Still Life And The Astonished Heart, Ma Rainey’s Black Bottom, The Anniversary, Dr Faustus, The May Queen, Cruel Sea and All My Sons.

Marie’s other credits include: Brick Up The Mersey Tunnels, Lost Soul, Good Golly Miss Molly, Stags and Hens - The Remix, On The Ledge, Misery, Eight Miles High, Council Depot Blues, Night Collar, Dirty Dusting, Shirley Valentine, Our Day Out - The Musical, The Salon, Funny Money, Merry Ding Dong, A Fistul Of Collars, Lucky Numbers, Lennon, Scouse Pacific, You’ll Never Walk Alone, Little Scouse on the Prairie, Reds And Blues - The Musical, Ladies Day, Bouncers, Scouse Of The Antarctic, Pharaoh

Jamie is the in-house graphic and video designer at Liverpool’s Royal Court.

‘Cross The Mersey and Down The Dock Road for Royal Court

Starting as marketing assistant at the theatre in 2005, he has designed

Liverpool, Brouhaha International Street Festival, Working Class Hero on

artwork for over 100 shows.

the recent Imagine DVD, Costume Supervisor for many shows at LIPA,

Video Designs for Theatre include:

The Splash Project at MYPT and Twopence To Cross The Mersey at

Willy Russell’s Our Day Out - The Musical, A Fistul Of Collars, Lennon, Ladies Day, Hitchhikers Guide to Fazakerley, Ladies Night, Canoeing for Beginners, The Scouse Nativity, Father O’Flaherty Saves Our Souls, A Miracle On Great Homer Street, Home, Going Halves, The Royal, The Scouse Cinderella, My Fairfield Lady, Royal

the Liverpool Empire.

By Kevin Fearon and Cal McCrystal • Director Cal McCrystal

23 September to 29 October 2022 Tickets from £14

0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv

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Royal Court Staff

Executive Producer Kevin Fearon

Kitchen

Chief Executive Gillian Miller

Head Chef David Assall

Finance Director Kevin Dunn

Sous Chef Kyle Wardale

Producer Jess Bolger

Chefs Jay Quinn and Daniel Ambrose

Head of Marketing Iain Christie Executive Chef David Assall Finance Officer Alison Ward Head of Audience Experience Thomas Wright In-House Designer Jamie Jenkin Assistant Producer Clare Carlucci

Kitchen Porters Debbie Chisam, Billie Chisam, Nick Watson, Daniel Dunn, Louise Dodd and Declan Redmond

Front of House House Manager Kathryn Heffron Courtyard Manager Emma Keig

Head of Technical & Production Sean Gannon

FOH Supervisors Kathy Hutson, Megan Franey &

Resident Stage Manager Andrew Lock

Calum Norbury

Marketing Officer Kofi Ohene-Djan

Bar Supervisor Paul Imrie

Social Media Officer Clara Mbirimi

Bar Team Leader Joe Woods

Chief LX Jamie Haining Box Office & Sales Manager Lauren Macauley Acting Box Office Manager Laura Lees Head of Theatre Engagement Miriam Mussa HR & Wellness Officer Maria Schumann Participation Project(s) Manager Uma Ramanathan Costume Supervisor Marie Jones Workshop Manager Mick Bawden Finance Administrator Izzie Litwin Admin Assistant Phil McLoughlin Youth Theatre Leader Zain Salim Community Choir Master Jay McWinen

Box Office Assistants Finn Goulden-Jennings, Carl Lees, Amelia Maguire, Anna Miller, Joe Morris, Pat O’Neill, Susan Segar, Angela Varley and Karen Young

Stage Door Allan Dodd & John Evans.

Royal Court Supporters

Front of House Staff Hazel Bawden, Beth Baccino, Kaya Bell, Jacob Bee, Cameron Brown, Colette Burgess, Louis Carney Smith, Aisling Davis, Carl Dillon, Ellie jo Dunn, Audrey Flynn, Jeanette Franey, Beth Fry, Michael Hall, Michael Hardy, Kathryn Heffron, Jennifer Heffron, Kathy Hutson, Jake Jones, Emma Laverty, Phil Lyne, Cora Mason, Sam Massen, Lukas Matuzevicius, Phil McLoughlin, Faye Mcutcheon, Mia Molloy, Alison Myers, Ciara Naughton, Joe O’Neil, Jake Pendleton, Jamie Peacock, Millie Quayle, Declan Redmond, Odessa Walsh, Hannah Wright, Amy Wright , Gina Zotova, Alex Williams and Sven Key, Cleaners Cleaning Supervisor: Debbie Chisam, Billie Chisam, Carla Cole, Joanne Kinsella, Kevin Tristram and Nick Watson.

And a big thank you to all of our security staff for their hard work throughout the year.

By Nicky Allt • Production created and originally directed by Bob Eaton • Director Howard Gray Lighting Designer Ian Scott • Sound Designer Kate Harvey • Video Designer Jamie Jenkin

29 July 2022 - 27 August 2022 Tickets from £14

0151 709 4321 liverpoolsroyalcourt.com /royalcourtliv @royalcourtliv @royalcourtliv