unit F
unit F
public property
catalogue
2015 - 2016
20 16
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ue g o l a cat
Unit F would like to give great thanks to Blissett Print for enabling this catalogue to become a reality
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UNIT F 2015/2016
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F 2015-2016 PUBLIC PROPERTY Unit
Tutors: Hugh McEwen & Catrina Stewart With Greg Nordberg
Unit F has challenged the ideology of privatisation by developing projects for a new civic architecture in Whitechapel. Throughout history, both local and national businesses in the UK have been nationalised for public benefit. Currently these companies, which have been state financed, are being sold off or shrunk in the name of austerity, leading to private profit from them. We believe that the public should benefit from these organisations, and will go one step further. To this end, the unit has developed approaches for a new civic architecture, and used it to nationalise a formerly private business in Whitechapel. A civic piece of architecture is one that has spaces that the public can use, as well as symbolising this use to the public.Via a thorough research structure through the year, students generated a civic architecture from materials, to elements, and into entire buildings. Alongside this, we have built on the historic strength of representation and narrative in Unit F by pushing these aspects through skills workshops. Unit F is interested in projects that change society.
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PUBLIC PROPERTY
BRIEF
Year 3 :
Year 2 :
Paul Bisbrown James Brooks Joshua Brown Dovile Ciapaite Harriet Garbutt Maria Konstantopoulou Minerva Mariotti Olivia Myttion Lucy Norton Mabel Parsons Haydn Read Christine Roman Ilia Strigari Danai Taliadorou Nathan Young
Nicole Akano Francesca Heaver Harry Hinton-Hard Fraser Ingram Tony Le Keith Lyons Moin Rafik Shaun Matthews Dominik Scigala Kevin Wong
Structural tutor : Hugh Groves (ARUP) Rhino tutor : Alastair Johnson Perspective tutor : Tatiana Southey-Bassols Landscape tutor : Maude Pinet Photographer : Richard Stonehouse Guest critics Peter Guillery (Survey of London), Ruth Lang (Central Saint Martins), Luke Alexander Scott, Tomas Klassnik (The Klassnik Corporation), Elizabeth Dow (The Bartlett), Anna Mill, Giles Smith (Assemble), Holly Lewis (We Made That), Chee Kit Lai (Mobile Studio)
Special thanks to Jason Robinson at IBSTOCK for sponsoring our field trip to Vienna and Budapest
UNIT F 2015/2016
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3 UNIT F 2015/2016
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PAUL BISBROWN E-MAIL : paul.bisbrown@hotmail.com PHONE : 07936328083
THE MODEL CITY The project aims to tackle the issues of planning, making the previously unapproachable system more accessible to the public. This will be achieved by using a variety of methods, such as 1:1 facades of proposed plans and an alterable model that will make proposed plans more readable to the public, which the architecture is affecting. Through these methods, a new style of planning will address some of the key issues that is still maintained in planning to achieve a style of planning that the public is involved within.
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PAUL BISBROWN
THE MODEL CITY
1.100 Section
UNIT F 2015/2016
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PAUL BISBROWN
THE MODEL CITY
SEM 1
UNIT F 2015/2016
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JOSHUA BROWN E-MAIL : jfbrown1995@gmail.com PHONE: 07769 221737
THE POLITICAL PLAYGROUND The present political system shows signs of strain and disconnection. Public events that have taken place could have been avoided with the proper education of politicians. A re-construction of the ‘Toynbee Hall’ model proposes political and economic change through practical methods of correction. This reverses the occupy movement, whereby mismanaged institutions are occupied by their own students. The housing of political students, providing public political debates, events, and public facilities will take place within the civic building with the aim of aiding the area and creating a more connected new generation of political elite.
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JOSHUA BROWN
NEW TOYNBEE HALL
UNIT F 2015/2016
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JOSHUA BROWN
NEW TOYNBEE HALL
SEM 1
UNIT F 2015/2016
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DOVILE CIAPAITE E-MAIL : doville.ciapaite@gmail.com PHONE : 07414038211
THE RATION DEPARTMENT OF WHITECHAPEL The project explores the problem of food waste on a local and global scale and introduces rationing of food production and distribution to avoid unnecessary waste. The route wraps around the building allowing users to engage with various government services, such as council tax and household bills, as they join one queue for all services. The top floor works as a government printing press which uses traditional lino cuts to print ration books and propaganda posters. While in the queue, people are educated by the lino cladded walls about healthy nutrition and food waste. The exterior cladding of the building informs the public about the benefits of rationing and the sevices it offers.
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DOVILE CIAPAITE
THE RATION DEPT.
Ration Department of Whitechapel| Printing press South facing elevation 1:50
UNIT F 2015/2016
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DOVILE CIAPAITE
THE RATION DEPT.
SEM 1
UNIT F 2015/2016
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HARRIET GARBUTT E-MAIL : harriet.garbutt@hotmail.co.uk PHONE : 07771 963238
THE PEOPLE’S PRINT HOUSE The People’s Print House is a reaction to the election fraud of Luftur Rahman, and how the freedom of the press exposed this corruption. The investigative journalism of Telegraph reporter Andrew Gilligan demonstrated a triumph of democracy and the power of the people. The People’s Print House therefore aims to emphasise the importance of communication through words and speech. It offers elocution lessons for the community of Whitechapel to gain confidence in public speaking, and also houses a printing press which distributes their local newspaper The Tower Chronicle.
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HARRIET GARBUTT
THE PEOPLE´S PRINT HOUSE
UNIT F 2015/2016
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HARRIET GARBUTT
THE PEOPLE´S PRINT HOUSE
SEM 1
UNIT F 2015/2016
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MARIA KONSTANTOPOULOU E-MAIL : konstantopouloumary@yahoo.com PHONE : 07768191813
THE URBAN RECYCLING FARM Urban Recycling Farm deals with recycling food waste by turning it into carefully processed pig swill or by giving it back to the community as dried or pickled food. It begins with Stepney City Farm’s ‘Pig Idea’ of reducing food waste by processing it as pig food, while accommodating a pig farm which helps sustain a healthy community. The building works around generating a food chain/cycle that is more sustainable and generates little to zero waste. It consists of a pub, a pig petting area, a store, a kitchen and abattoir, food drying and pickling areas and a pig farm. It aims to change the way people see farm animals and show them different ways of generating food while reducing waste, by bringing the farm within the centre of the city.
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MARY KONSTANTOPOULOU
URBAN RECYCLING FARM
UNIT F 2015/2016
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MARY KONSTANTOPOULOU
URBAN RECYCLING FARM
SEM 1
UNIT F 2015/2016
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MINERVA MARIOTTI E-MAIL : minervamariotti@gmail.com PHONE : 07880950281
THE NEW REFRESHMENT ROOM The project aims to tackle the issue of food waste in Whitechapel by converting the unsold fruit from the local market into both alcoholic and non-alcoholic wine. The design aims to communicate the importance of re-using waste in a city, such as London, that generates a great amount of waste daily. The main core of the building, a public auditorium, will act as an educational centre where the local community of Whitechapel can learn about the process of wine-making as an alternative way to see waste. Tickets for the auditorium will be sold in exchange for fruit, encouraging the community to recycle.
Ground Floor Plan 1:100
N
5M
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MINERVA MARIOTTI
THE NEW REFRESHMENT ROOM
Ground Floor Plan 1:100
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5M
FINAL SECTION 1:100
5m
UNIT F 2015/2016
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MINERVA MARIOTTI
THE NEW REFRESHMENT ROOM
SEM 1
䘀椀渀愀氀 最爀漀甀渀搀 昀氀漀漀爀 瀀氀愀渀 㨀㔀
UNIT F 2015/2016
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OLIVIA MYTTION E-MAIL : olivia.myttion@gmail.com PHONE : 07807050910
THE CARBON COLLECTIVE Air pollution in London is an epidemic scarcely recognised, with one in twelve deaths linked to airborne pollutants. therefore the time has come for the government to take action. Located beside the Royal London Hospital, the Carbon Collective is a pilot scheme revolutionising how the city deals with waste air, and provides a much needed Clean Air Zone for vulnerable citizens. Carbon Fixers turn airborne carbon into a commodity, creating cosmetics and selling them onsite. This allows the collective to fund its own development, as it continues to raise awareness and provide a blue print for future polluted air treatments.
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OLIVIA MYTTION
CARBON COLLECTIVE
UNIT F 2015/2016
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LUCY NORTON E-MAIL : Nortonlucy@gmail.com PHONE : 07857881361
RECYCLED SUGAR The East End was once renowned for its many sugar refineries and yet today there is only one. This project proposes a prototype for reopening sugar refineries in Tower Hamlets opposite the site of the last operating refinery in Whitechapel. These refineries will be operating with a subtle difference, refining the sugar from residential food waste. In response to the newly imposed sugar tax, this project aims to reengage the public with their sugar consumption and to critique the implementation of the tax. The ÂŁ520m that sugar tax will generate per year will provide the funding for my building. The large heat output created from refining sugar is also reused for growing tea plants, through hydroponics, for users to buy and consume as an additional income.
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LUCY NORTON
RECYCLED SUGAR
UNIT F 2015/2016
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MABEL PARSONS E-MAIL : mabelsadieparsons@yahoo.co.uk PHONE : 07956965298
THE PUBLIC BARBEQUE Air pollution in London is an epidemic scarcely recognised, with one in twelve deaths linked to airborne pollutants. therefore the time has come for the government to take action. Located beside the Royal London Hospital, the Carbon Collective is a pilot scheme revolutionising how the city deals with waste air, and provides a much needed Clean Air Zone for vulnerable citizens. Carbon Fixers turn airborne carbon into a commodity, creating cosmetics and selling them onsite. This allows the collective to fund its own development, as it continues to raise awareness and provide a blue print for future polluted air treatments.
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MABEL PARSONS
PUBLIC BARBEQUE
UNIT F 2015/2016
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MABEL PARSONS
PUBLIC BARBEQUE
SEM 1
Cones
Reflection and
Plastic bag experimentations Moulding into a plastic bag
1//
2//
Absorption and reflection of sound The cones provide contrasting internal qualities and reflect sound out to the street
0DSSLQJ FRORXU DQDO\VLV RI SODVWLF UHÀHFWLRQV
The lifespan of a performance space
ETFE sheets A 85% light trans 50 years lifespan 0\ SURSRVDO KRZ shorten its lifesp
Unexposed Copper sheets 75-100 years life
Burnt timber 7KH H[WHULRU KDV 80 years lifespan
Steel frame and Foundations are 100 years + lifes
UNIT F 2015/2016
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HAYDN READ E-MAIL : haydnread@outlook.com PHONE : 07539861757
A PLACE TO PLAY A development of my dissertation, ‘No Ball Games Allowed’, A Place To Play holds a new branch of the government’s health and safety department with regards to play. It includes an open playground where the employees learn as the children play, aiming to create a new type of play for the modern city. The central office space is surrounded by play floors, where play is separated into Individual, Open, Traditional, Construction and Learning play. Constructed from concrete and clad in a polyurethane play floor, safe play occurs in an apparently dangerous area, a remark to play in the modern city.
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HAYDN READ
A PLACE TO PLAY
UNIT F 2015/2016
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CHRISTINE ROMAN E-MAIL : christineroman@hotmail.co.uk PHONE : 07719480598
THE LIVING CEMETERY The Living Cemetery, developed from the Romanian Merry Cemetery, explores a new, positive approach to mourning: the celebration, laughter and joyfulness of the departed life. The journey of life is portrayed by the critical study of Francisco Salamone’s cemeteries, through three distinct phases: the citizen (banqueting chapel) the worker, (the crematorium) and death (the celebration tower). The growing population is increasingly stretching the existing death infrastructure to its limit both in demands for space and finances. Future societies must now seek to integrate life and death in an entwined singular typology.
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CHRISTINE ROMAN
LIVING CEMETRY
UNIT F 2015/2016
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Ground Plan 1:50
Key:
Developing from existing nature to create a spritual, positive and strengthening journey through the mourning process
Banqueting Hall Market Crematorium Celebration Hall Flower Bed/s Grass Existing Trees Additional Trees Pathway
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0
1
2 (m)
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CHRISTINE ROMAN
LIVING CEMETRY
3
SEM 1
UNIT F 2015/2016
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ILIA STRIGARI E-MAIL : ilia_strigari@hotmail.com PHONE : 07938598452
CO-OP THEATRE OF WHITECHAPEL A never ending problem in the modern political scene is the controversial topic of the privatisation of prisons. Many claim that the movement which started in the 80s, created a profit-driven environment where prisons are increasingly a source of income and have little to do with training and rehabilitation. The project offers a space that aims to improve the social rehabilitation of ex-convicts by offering a place to work, create and receive counselling. A public co-op theatre, located where the old Royal Theatre was situated, is run by ex-prisoners and will revive the cultural centre of Whitechapel. Reimagining elements of the Panopticon, one can either stand within the view of the public eye, or chose to stay outside of public reach.
Plan First Floor 1:100
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ILIA STRIGARI
CO-OP THEATRE
Axonometric 1:100
Section 1:100
UNIT F 2015/2016
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NATHAN YOUNG E-MAIL : ynathan1993@gmail.com PHONE : 07720987703
THE JAPANESE THERAPY CENTRE The Japanese Therapy Centre aims to provide remedies to the people of Whitechapel in an area of prominent health issues. Therapies such as Kampo medicine, light therapy, and thermal baths are utilised in the building, inspired by their success in Japan. Located next to Europe’s largest hospital, it also provides therapy to the stressed doctors through better working conditions. Thermal baths and a debating chamber provide a work setting that contrasts against the existing stressful and undemocratic environments within the NHS.
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NATHAN YOUNG
JAPANESE THERAPY CENTRE
UNIT F 2015/2016
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NATHAN YOUNG
JAPANESE THERAPY CENTRE
SEM 1
UNIT F 2015/2016
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2 UNIT F 2015/2016
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NICOLE AKANO E-MAIL : nikkiakano@hotmail.co.uk PHONE : 07414653579
CONE COUNSELLING CENTRE Cone Counselling Centre is a mediation centre for cyclists and HGV drivers, intended to reduce road rage between these two groups. Cyclists will access the building via the cycle superhighway, which runs along the front of the site. After visiting the counselling centre, cyclists and HGV drivers should have a better understanding of the problems faced by one another on roads. The building will feature spaces inspired by visibility splays and turning circles, and narrow and exposed spaces. Rooms which allow conversations and debates to take place will also be present to allow the road users to become more considerate of each other, resulting in a reduced amount of road related incidents.
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NICOLE AKANO
CONE COUNSELLING CENTRE
UNIT F 2015/2016
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FRANCESCA HEAVER E-MAIL : fran@orleybarton.com PHONE : 07519635257
TWO IS BETTER THAN ONE The government has put in place various incentives for couples to get married and stay together. This journey begins with receiving financial benefits such as marriage allowance, income tax advice, free gifts, pension advice and inheritance tax. Two Is Better Than One sets out the next step: to support couples as they go through tough times in their marriage by nationalising marriage counseling. The intention is to make counseling less of a taboo and to encourage couples to spend more time with each other.
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FRAN HEAVER
TWO IS BETTER THAN ONE
UNIT F 2015/2016
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FRAN HEAVER
TWO IS BETTER THAN ONE
SEM 1
UNIT F 2015/2016
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HARRY HINTON-HARD E-MAIL : 14046880@brookes.ac.uk PHONE : 07864383359
WHITECHAPEL’S EDUCATIONAL URBAN FARM Whitechapel Road was declared the unhealthiest street in London this year, surveyed by the RSPH, with an increasing number of fast food outlets opening. Low prices and lack of knowledge on nutrition meant that locals would indulge in health inflicting food. Whitechapel’s Educational Urban Farm will address this crisis, educating and equipping the residents with essential cooking skills, a healthy lifestyle and how to grow their own vegetables. The intention is to challenge local fast food outlets with cheap, healthy and authentic Bangladeshi dishes. All produce will be grown on site and maintained by students as part of their education.
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HARRY HINTON-HARD
EDUCATIONAL URBAN FARM
UNIT F 2015/2016
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HARRY HINTON-HARD
EDUCATIONAL URBAN FARM
SEM 1 匀伀唀一䐀 䤀一 匀䌀䔀一䔀匀
㐀 䐀䈀 䄀一䐀 䠀䤀䜀䠀䔀刀Ⰰ 䴀伀匀吀 䌀伀䴀䴀伀一 一伀䤀匀䔀 䘀刀䔀儀唀䔀一䌀夀
㈀ 䐀䈀 䄀一䐀 䰀伀圀䔀刀 Ⰰ 匀伀唀一䐀 䄀䈀匀伀刀䈀吀䤀伀一 䘀刀䔀儀唀䔀一䌀夀
THE WHISPERING ROOM Oasis foam. The triangle shape reflects and absorbs sound
Expandable foam, absorbs excessive sound, and acts as insulation
UV light, acts as a tanning device and lights up fluorescent room
UV died squares act as a sound absorbent and reflects UV light, UV is a water steriliser
Sterilised water, acts as a shower when people enter spa
THE BATH
Algae plants, sterilise water
The cladding aligns to prevent outside viewers from seeing in-whilst still allowing the visitors to see on both sides
Circulation trough ramps allows water to flow-through the building as well-as create a more open design
Carrying on from project 2 with the sound deflective shapes-used in the hallway so as to disorientated the user in the form of acoustics.
The building is placed in the ground so as to act as extra insulation for the ground level water
The rocks are placed in pattern that allows-for a directed water circulation but also-promote conversation
The statue of King Edward the VII provides a representative of the location whilst within the building. Potentially stimulating conversation as tot he location.
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FRASER INGRAM E-MAIL : 14059232@brookes.ac.uk PHONE : 07714 016828
THE ALEPPO ALLEGORY The Aleppo Allegory is a textile centre run by Syrians, building on their historic knowledge of carpet production. The Aleppo Allegory will be the new base for the Syrian industry while the war in Syria is preventing it from existing in their home land. The building focuses on Syrian orphans, as over 50% of refugees are below 15. The children will teach the people of Whitechapel Syrian skills such as weaving, checkers, cooking and general history. This knowledge transfer will help to combine the two communities by breaking existing immigration stereotypes in the UK. At night the public will practice their weaving, and by day the children will weave to deal with their PTSD. The children’s tapestries will be stored in an archive to ensure the war in Syria is never forgotten.
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FRASER INGRAM
ALEPPO ALLEGORY
UNIT F 2015/2016
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FRASER INGRAM
ALEPPO ALLEGORY
SEM 1
UNIT F 2015/2016
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TONY LE E-MAIL : tonyleuk@gmail.com PHONE : 07864203611
A WAGER WITH ALUMINIUM A Wager with Aluminium is a reaction to the changes Tower Hamlets will make to their gambling policy this year. It will act as a prototype in Whitechapel aiming to prevent gambling being a source of crime, ensure gambling is conducted fairly and to protectvulnerable people from being exploited by gambling. Instead of wagering with pounds, the building will circulate a local currency made from recycled aluminium cans, collected from the local area. The currency is then to be gambled with or can be spent on local businesses. The player’s losses will benefit the community as well as educating them on the poor nature of gambling.
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TONY LE
A WAGER WITH ALUMINIUM
UNIT F 2015/2016
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TONY LE
A WAGER WITH ALUMINIUM
SEM 1
UNIT F 2015/2016
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SHAUN MATTHEWS E-MAIL : shaun_matt@hotmail.com PHONE : 07947800228
ELIZABETH LINE DRINKING FOUNTAIN Elizabeth Line Drinking Fountain provides clean drinking water and shower facilities for the community of Whitechapel by collecting the excess water pumped out of the Whitechapel crossrail system. It filters and sterilises the water in an expressive and informative way to the public. The design hopes to reglorify the neglected element of water within modern society, recreating the lost communal aspect from the existing Whitechapel Fountain and nationalising water for the public once again.
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SHAUN MATTHEWS
ELIZABETH LINE DRINKING FOUNTAIN
SECTION B 1:50
UNIT F 2015/2016
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SHAUN MATTHEWS
ELIZABETH LINE DRINKING FOUNTAIN
SEM 1
UNIT F 2015/2016
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DOMINIK SCIGALA E-MAIL : dominik.scigala@gmail.com PHONE : 07709692003
NATIONALISING CO-OPERATION In my first semester project I looked at wax as a building material and how East London beekeeping organisations could work together in a small parliamentary space and a harmonious beekeeping garden, which would include a ground floor cafe with melting wax walls. In the second semester I looked at bringing religious groups together in one parliamentary space where they could help bring about peaceful change. They would help the most in need in society, such as those in poverty, refugees and the homeless, by interecting with each other in a food bank and restaurant.
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DOMINIK SCIGALA
NATIONALISING CO-OPERATION
UNIT F 2015/2016
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KEVIN WONG E-MAIL : 14055564@brookes.ac.uk PHONE : 07988106776
THE SMOKE-FREE CITY The Smoke Free City is a place where people are encouraged and helped to stop smoking. It runs similarly to a factory, where people would enter as smokers and leave as non-smokers. The project presently acts as a protype, which if succesful will be nationaled and funded by the NHS, and then internationalsed to help smokers quit across the globe.
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KEVIN WONG
SMOKE-FREE CITY
UNIT F 2015/2016
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KEVIN WONG
SMOKE-FREE CITY
UNIT F 2015/2016
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unit F tutor
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T
he craft of the architect is mediated through the process of building; it is not direct. This craft is in the approach and process, the drawings and writing of architecture, but could it also be seen in the buildings constructed by worker’s hands, rather than the architect’s? In short, how can architecture be crafted by the architect when it is mediated by construction? It was with a view to finding this crafted quality that we began to explore Vienna, where we first visited the work of Coop Himmelb(l)au. The composition of these structures seemed to owe more to sculpture, and yet, as with sculpture, the necessity of casting and forming led to the use of professional makers and builders. While visiting the Coop Himmelb(l)au studio, the discussion with design partner Karolin Schmidbaur turned naturally to this point. How did they retain the architects hand in the work? WE WERE GIVEN AN ANECDOTE While making a physical model for a certain project, she noticed a particularly alluringly shaped piece of sellotape. The final building ended up with a window that is an exact copy of the original tape. By using analogue means to create, and then digital means to fabricate, the office had enabled a direct translation of the architect’s hand. As illustrated by this, the techniques of the translation through this mediation become so important to maintaining craft. This is through the material control or specification of what is built. It can also be in a more direct way, as we found out. As we toured the Kunsthaus in Graz, we were told an apocryphal story of the architect’s hand. While on a site visit to see the steel frame of the building going up, Peter Cook was so taken with a view up to the Schloss that – mid way through construction - he redirected one of the eyes, the nozzles, of the building to point at the castle’s clock. The craft of an architect was directly translated into the building, in a most unusual way. We had spent the previous term developing a social architecture, following a close reading of John Ruskin. Ruskin directly related the quality of architecture to the evidence of craft in its making. In his mind, if a building had been made with obvious collaboration of labour, then the building was “living architecture”. In this way, there was “value of the appearance of labour upon architecture” as well as value in the functional building itself. This craft like nature is from the builder, but also the architect controlling the production of the architecture they have crafted, and the crafting of the building. These techniques, of both material approach and direct interaction, find themselves exemplified in the work of Hundertwasser. His work crosses the line between art and architecture, which seems so verdant again with the work of Assemble. The direct making of his rchitectural ceramics and the translation of his paintings – one project includes a large scale replica of his hat – into buildings, suggests that it is the techniques and also the position of the architect that enable this approach to be taken. But in Vienna, we also find the exactly opposite approach, that of Hans Hollein or Adolf Loos, where any craft-like quality is absolutely suppressed. Loos, who famously decried ornament as crime, stated that the way workmen added detail to their surroundings was tantamount to graffiti. As such, the quality of craft in the architecture, especially in Ruskin’s terms, is completely lost. Luckily for us however, the craft of making a good cocktail has not been lost in Loos’ American Bar. The Unit F field trip to Vienna and Budapest was generously sponsored by the IBSTOCK brick travel award
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Sponsors
Metropolitan Workshop Architecture + Urbanism
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Published by the School of Architecture, Oxford Brookes University Printed in England Copyright 2016 School of Architecture, Oxford Brookes University. All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopy, recording or any information storage and retrieval system without permission in writing from the publisher. Founded in 1927, the School of Architecture at Oxford Brookes has established an international reputation for the quality of both its research and its teaching. As one of the largest architecture schools in the UK, with around 600 students and 70 staff, it plays a leading role in defining the national, and international, agenda in design education and research. This year we welcomed around 100 new students from home and overseas onto the undergraduate architecture course, plus 30 onto the interior architecture BA and around 120 onto the diploma in architecture and masters programmes. In addition there are some 40 students on the M.Phil/PhD programme. Matt Gaskin, Head of School For a full range of programmes and modules, please see the Oxford Brookes University Undergraduate and Postgraduate Guides. School of Architecture Oxford Brookes University Headington Campus Gipsy Lane Oxford, OX3 0BP architecture-enquiry@brookes.ac.uk www.architecture.brookes.ac.uk
Designed and edited by Harriet Garbutt & Joshua Brown
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