Unit F Catalogue 2015

F UNIT

Poly-Occupancy Catalogue 2014-2015

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Unit F 2014-2015

POLY-OCCUPANCY Tutors: Catrina Stewart & Hugh McEwen With Ronnie MacLellan & Adrian Robinson

Now that we live in cities which are growing at an unprecedented rate due to migration and globalisation, there is the need to accommodate varied ways of living. Through hybridisation, re-appraisal and overlapping typologies, cities can accommodate the huge influx of inhabitants and adapt for the future. Our investigation this year was directed at dwellings and the different uses and approaches to living space that result from different nationalities, climates and societies.

Our site for the year was Elephant and Castle, which for many years has been the site for radical changes in the way people live. The home is a site of family, financial and religious importance, it is a way to represent one’s social status, identity and colours. It can be a workplace and a place for the production of food, energy and water - in this way a dwelling can provide you with everything you need to survive. Students were asked to come up with exciting new hybrid buildings that incorporate public and community spaces, weaving the different elements together into the city of London

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Poly-Occupancy

Brief

Year 3 :

Year 2 :

Alastair Johnson Aaliyah Juman Alice Kaiser Carys Payne Hannah Parr Jessica Wandless Joyce Asante Naomi Billing Natthakit Khowkittipaiboon Nicholas Sheum Phot Tongsuthi Wing Yin Ip

Aman Kapoor Abdulmajid Basha Callum Graham Daniela Larbalestier Eunbi Choi Freja Brown Graham Davis Joy Mulandi Miranta Lafi Sandra Skjolde Shahad Halawani Sophia Edwards Toyosi Adenuga

Guest Critics : Alice Labourel (All Design), Eddie Blake (Sam Jacob Studio), Omar Ghazal (Charles Avery), Stefanos Roimpas (OMA), Graham Burn (AHMM), Luke Jones (Mill & Jones), Nina Shen-Poblete (Store) and Freddy Tuppen (Store)

Special Thanks : Alice Labourel (All Design), Sam Jacob and the British Pavilion (Venice Biennale)

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ALASTAIR JOHNSON E-MAIL: afjohnson1@hotmail.co.uk WEBSITE: alastairgrubbson.tumblr.com

RECLAIMING THE THRONE A house that is centered around the toilet, the building uses energy harnessed from the toilet to grow acanthus plants, reminiscent from tile work found inside Victorian bathrooms. These plants filter grey water on separate levels, making is suitable for uses around house including water for the toilet, whilst the plants can be used to create herbal remedies and medicines. The toilet performs as a self-sufficient power source that becomes the heart of the household.

PERSPECTIVE FINAL// Reclaiming the Throne

Perspective// Reclaiming The Throne.

UV Light

Steel growing frame

Water collection / distribution

Steel structure

Filtering Materials//

Circulation platforms

Ceramic

Rock

Bark Shavings

Filter Pots Platform//

Filtering Pots//

Nano tubes//

Toilet/ Building Flush//

Filtering materials//

Perspective of ‘Reclaiming the Throne’.

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Alastair Johnson

Reclaiming the Throne

PUBLIC NUISANCE Within Elephant & Castle, popular crimes and illegalities such as busking, free running, guerilla gardening and graffiti, challenge the concept of public space and crime. I argue that these crimes require a separate legal system to cater for the social nature of these crimes, as current courts do not separate their differences. My proposal is a new court system designed around these four crimes, whilst acting as a training ground for my four user groups to practice their activity legally. There are four court rooms catering for each crime, whilst there is a crown court and magistrate courts to act as a direct comparison between the two systems. In the future my proposal for a new court system will cast the old into an obsolete state, changing the programs of the crown and magistrate courts into storage rooms for case law. To allow the four user groups to practice, there is a guerilla garden that uses the train turbulence to send seeds grown on the platform into the air to pollenate greater London. Whilst there is a print press to allow the graffiti artists to print their designs and pin them onto the cork cladded exteriors of the courts to contract publicity and feedback.

Opening ceremony of Public Nuisance

Buskers’ court opening - a rush for entry!

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Elevation showing Public Nuisance growth - 2025

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Public Nuisance sectional model

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Alastair Johnson

Public Nuisance

Final plan of public level

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CARYS PAYNE E-MAIL: caryspayne93@gmail.com WEBSITE: caryspayne.tumblr.com

A HOME AND WORKSHOP FOR WILLIAM MORRIS Multi-layered structures protect the heart of this home: the bathroom. Exploration of the primary shapes within Morris’ Borage pattern inspired a convoluting, sculpted form which draws the eye upwards. The walls are built using handmade curved clay bricks. These are glazed in gold lustre so that the whole bathroom glistens.

Mrs. Morris about to take the plunge!

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Carys Payne

A Home and Workshop for William Morris

MILK BAR CHURCH Post-war architecture in Poland sought to create a new identity for the country after years of changing occupation. The 1950s and ‘60s used concrete to create organic and angular forms with formal and structural simplicity. At the same time in Britain there was similar exploration and development.

In 2004 Poland joined the European Union and the UK thus saw an influx of Polish immigrants, many of whom have settled in London. Mamuska! is the only bar mleczny in London, serving traditional Polish food which is both delicious and affordable. Planned demolition of the 1965 Elephant and Castle Shopping Centre leaves Mamuska! in search of a new home. It now finds itself beside a 19th century C. of E. church by Soane. Despite the huge increase of Polish residents in London, 89% of whom are Roman Catholic, there is still a distinct lack of places for worship. The ritualistic experience of dining at the bar mleczny is juxtaposed and integrated with the ritual of worship in the Milk Bar Church.

GERTRUDE

ERMINTRUDE

Food service section

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Morning service at The Milk Bar Church Ground floor plan.

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Carys Payne

Milk Bar Church

Morning light into the delivery chamber

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HANNAH PARR E-MAIL: hannahparr22@me.com WEBSITE: pea-ch-ee.tumblr.com

THE CARPET DWELLING The carpet dwelling explores the use of carpet in the home. The domestic environment is subjected to a lot of mishaps.

This project maps out the history of spills by ‘repairing’ the carpet with tiles. The home will eventually be covered in different tiles that represent different types of spillages.

Inhabited section

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Hannah Parr

The Carpet Dwelling

THE BEER THERMAE In the 1800’s Nursery Row Park was used to grow hops to sustain Elephant and Castle’s brewing industry. The beer thermae re-establishes the site with this purpose. The building accommodates a brewery, fully integrated with a thermae spa. Bath houses were once abundant in Elephant and Castle, but the demand has continuously diminished.

Temperature is essential for both programs, the bathing pools will be heated by the copper brewing kettles and the sauna will harvest the steam created in the brewing process. This project aims to reform the bath house into a recreational environment where the residents can enjoy a pint, a game of chess and relax.

Long section through the public space of Beer Thermae

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Final model of The Beer Thermae

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Steaming brewing tanks separating workers’ platform

Hannah Parr

The Beer Thermae

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Ground floor plan of thermae baths

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JESSICA WANDLESS E-MAIL: jess-wandless93@hotmail.co.uk WEBSITE: jesswandless.allyou.net/3631043/home

CORRIDOR FOR MOTHER AND BABY Through observing the Aylesbury Estate in Elephant and Castle, it was discovered that the corridors had been designed to enable two mothers and their prams to walk side by side each other. With this idea, the project developed with further research on the allocated element of architecture: circulation/corridor. The concepts of public and private space is a focal point to the development of this project which is represented within the model through materiality, scale, decoration and wall thickness.

Model of Corridor for mother and baby (Top: Perspective with roof; Middle: Perspective without roof; Bottom: Plan view.)

Axonometric of Corridor for mother and baby

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Jessica Wandless

Corridor for Mother and Baby

ELEPHANT COVERED MARKET The program intention is to relocate and rehome the businesses along the Walworth road that are at threat from displacement and gentrification through the regeneration of Elephant and Castle, namely the Heygate and Aylesbury Estates, into a permanent work/live as well as community space. Produce is sold and made in the Covered Market.

Produce is made in the transparent craft rooms on the first floor, allowing the public to see how the produce is made, and an opportunity for community cohesion through socialising between the residents and others living in the area. ‘The Elephant Pound’ as well as un-used residential living spaces can be rented out to make the project sustainable longterm. The main focus of the project is to maintain the areas integral fabric and social/historical background of the area.

The covered market provides a space for the community to meet and socialise, removing the stigma between the rich north and poor south of Elephant and Castle whilst providing a permanent space to live and work that is not at threat of displacement and gentrification.

Model of Elephant Covered Market

Render showing Elephant Covered Market in relation to Walworth Road

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Day Time Section in Context

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Jessica Wandless

Elephant Covered Market

Cross Section in Context

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NATTHAKIT KHOWKITTIPAIBOON E-MAIL: natthakitk@me.com WEBSITE: natthakitk.com

MADE BY BEES Proceeded from a study of an architectural element: walls, this project explores natural manufacturing techniques by honeybees and the material properties of beeswax along with its composites, which could be utilised to construct ever-changing spaces that focuses on supporting a symbiotic relationship between people and bees that is sustainable and beneficial to both inhabitants.

Mead brewery section

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Natthakit Khowkittipaiboon

Made by Bees

THE ELEPHANT EXCHANGE During times of economic crisis and austerity where new developments ended up marginalising the underprivileged instead of closing the inequality gap, pawn brokers, cash loan institutions, casinos, and book makers are on a rise.

This project proposes a place that encourages a change in the economic direction of Elephant and Castle. A building which would generate an increase in business activities that could maintain the diversity of Newington in terms of small, independent businesses as opposed to the homogeneity that would arrive with large franchises. This intervention involving local stock exchange aims to return Elephant and Castle back to the thriving area that it once was.

The Elephant Exchange: Envisioning the American dream in Elephant and Castle model (Above: Plan view; Below: Perspectival view)

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Section cut through trading floor

Section cut through the market place

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Natthakit Khowkittipaiboon

The Elephant Exchange

Market floor plan

Fabric spaces exterior

Billboard floor framework

Axonometric projection of the Elephant Exchange

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NAOMI BILLING E-MAIL: 12071664@brookes.ac.uk

CINEMATIC STATION A new station for Walworth high street and connection to the East Street Market, this station will also be an archive for the area. Using the principles of French cinema veritĂŠ (a style of reality documentary making) the structure will both provoke and be the set for the archival footage filmed that will then be edited by an in-house editing team and then played to the public through the cinema on site.

Site section through Elephant and Castle

Long section through the Cinematic Station

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Naomi Billing

Cinematic Station

Plan of the Cinematic Station

Process model of the Cinematic Station

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PHOT TONGSUTHI E-MAIL : phot.tongsuthi@gmail.com WEBSITE : pea-tee.tumblr.com

ARMENTS SELF BUILD Instigated by the large scale housing regeneration taking place in Elephant & Castle, this project focuses on the eviction of those who currently live in the Aylesbury Estate. My project proposes an alternative housing strategy for those evicted through means on an aquatic master plan across the road from the estate, on Burgess Park Lake.

At the forefront of the scheme is a relocation and design of Arments, a local Pie, Mash & Eel shop. Provided with its own eel farm and smokery on site, Arments proposes to become the heart of the floating village; promoting the traditional consumption of eels as food, further expansion of the lake for the floating dwellings are provided for by the potential income generated.

Eel-centric masterplan model, 1:500 (Above: Plan view; Below: Elevation view.)

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Phot Tongsuthi

Arments Self Build

Pie, Mash & Eel cross section

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Eel farm and smokery programme perspective

Pie, Mash & Eel internal perspectve

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Phot Tongsuthi

Arments Self Build

Brass cladded eel smokery detail model

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WING YIN IP E-MAIL: wingyinipwinnie@gmail.com WEBSITE: hahawini.tumblr.com

BAL-COMMUNAL In order to reunite the community in Elephant & Castle, balconies are transformed as an essential social space to trade and communicate between neighbours and passers-by. The use of caramel is implemented within the structure of the balconies to form a visual, social network among the façade of the living estate.

Model of the chef balcony - Frankie’s (Top: Front elevation; Bottom: Caramel panels on balcony.)

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Model of the inhabited Bal-communal vision

Wing Yin Ip

Bal-communal

THE FOOD GUILD The project seeks to introduce a new model of food banks into Elephant and Castle in order to provide the necessary aid to those living below the breadline. The Food Guild aims to provide as a food bank as well as training and support with an integrated cooking school and cafĂŠ. A highlight to the design is appropriating the requirements of food preservation and storage architecturally so that spaces become defined experientially and environmentally by the specific conditions of each food.

Ground floor plan of The Food Guild - Food Bank level

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Section cutting through storage - smokery columns and cooking school kitchens

Back elevation of model showing cafĂŠ and cooking school above food bank

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Wing Yin Ip

The Food Guild

Axonometric of The Food Guild

Model of The Food Guild - ETFE wall with polycarbonate corridors

Plan view of model

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ABDULMAJID BASHA THE SPECIAL ELEPHANT & CASTLE NURSERY The project aims to create a safe and cheerful indoor and outdoor nursery environment in which children can play, connect to nature and develop their abilities. The nursery offers a range of activities, determined by the spaces, from the passive and sedentary Quiet Room to active, noisy Dancing Room. Finally, the nursery, with its special programme, aims to tackle the obesity problem in the UK by getting the children actively involved in the production of healthy and organic fruits and vegetables.

Perspective drawing of The Special Elephant & Castle Nursery

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Abdulmajid Basha

The Special Elephant & Castle Nursery

Final Plan of The Special Elephant & Castle Nursery

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CALLUM GRAHAM WINDOWS AND REFLECTIONS The project explores the reflective phenomena of glass as a means of forming a sense of privacy and framing the building such that you can only see into the building at certain angles.

Isometric of Community Refraction

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Callum Graham

Community Refraction

COMMUNITY REFRACTION My project is about bringing the four surrounding communities together in one building. It also aims to solve the problem of small, overcrowded houses in the area. The building is a crèche for the local children with offices that are available to rent; the idea being that the parents can go and work a clean, quiet office environment, having dropped their children off at the crèche. Therese is also a classroom, where the grandparents can go to learn how to use technology and the Internet, and an Internet cafe where everyone reconvenes when they are finished.

Sectional Model of Community Refraction

Community Refraction perspective

View of Community Refraction

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DANIELA LARBALESTIER E-MAIL: daniela.larbalestier@gmail.com

WALWORTH FLORAL MARKET The aim of my building is to provide an escape from the busy city into a favoured peaceful and quiet environment.

The program includes free floral design workshops to create flower arrangements for events in Southwark, and the growing of flowers and trees to produce natural remedies. Furthermore, the existing flower market on the site is also incorporated into the new building, as well as a dwelling for the shopkeeper. Part of the design strategy included reviewing site opportunities and constraints (e.g. solar access, existing buildings, space on site, etc.)in order to achieve the appropriate integration of the new building into the surroundings. Additionally, adequate materials for the building envelope were investigated to create a suitable indoor environment for growing flowers and trees.

Final Plan of Walworth Floral Market

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Daniela Larbalestier

Walworth Floral Market

Walworth Floral Market final section

Perspective of Floral Market

Isometric of flower storage design

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EUNBI CHOI E-MAIL: choi.eunbi91@gmail.com

ECHELONS The focus of this project was based on the element of architecture: Stairs. The project explored how stairs divide or connect spaces and people. The building serves as a dining house and a wedding venue in order to show how people work differently in the same space.

Model perspective with sketch overlay of the Echelons

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Eunbi Choi

The Visible Scents

THE VISIBLE SCENTS This project started with the question of how to make the site more vibrant and colourful. To address this issue, I chose the medium of scents. The principal programmes of the building are a perfume making workshop and a flower shop.

There is also a rooftop garden to collect flowers and petals for both programmes.

Final model of The Visable Scents

The Visable Scents 1st floor final plan

Final Section of The Visable Scents releasing perfume.

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FREJA BROWN E-MAIL: freja.brown@btinternet.com

CARNAVAL 365 The proposal is a Carnaval Arts centre for the local Brazilian and Latin American community - specifically samba dance and costume composition. It has ‘transformation facilities’ - namely a studio for the design and fabrication of carnaval costumes and changing rooms for the samba dancers (who wear the costumes produced in the same building). It also features exhibition spaces: the archive space on the ground floor (for old costumes) and the main rehearsal space; the street above the street. The idea behind this was that the carnaval would take place on East Street every day of the year, but only once a year at ground level. The space is a recreation of the street below but with controlled conditions for rehearsal. On Carnaval Day, the building is turned inside-out, with the dancers taking to the street be-low and spectators being provided with a clear, elevated view from the balcony, walkway and glazed rehearsal space.

Sketch encapturing the Carnaval atmosphere in Elephant & Castle

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Freja Brown

Carnaval 365

Collage of proposal during the carnival

Final section of Carnival 365

Final section of Carnival 365

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GRAHAM DAVIS PULLENS TEA CONCLAVE A detailed study of traditional Japanese architecture, inspired by the Venice Biennale, revealed a cultural affinity between a particular British and Japanese tradition; having personal and business meetings over tea. Realising that the immediate context of my site was a large public garden, enabled the design to utilise the Japanese idealism of connecting man and nature through a relaxing setting and tea. Taking advantage of these elements and hybridising both meeting and market place, allowed the creation of a space that connects the Pullens Yards with the public on a far more frequent basis than is currently possible.

Render of Pullens Tea Conclave

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Graham Davis

Pullen Tea Conclave

Final plan 1st level of Pullens Tea Conclave

Final Section of Pullens Tea Conclave

Axonometric showing structure

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JOY MULANDI E-MAIL: ihavefoundjoy@gmail.com WEBSITE: ihavefoundjoy.tumblr.com

EAST STREET COMMUNITY SAUNAS The saunas (wet and dry) are a place for individuals and families in the community to go and be rejuvenated, whilst catching up with each other on the week. Unemployed people in the area can get involved with building saunas as word demand from the community for these saunas increases. They will learn carpentry as they learn how to construct the saunas. Saunas are constructed by steam-bending wood, which is left in the steam rooms. With new developments bringing more affluent people area, people will begin to buy saunas. Employment in the work-shop will increase as the demand for custom-made saunas increases.

Sectional Perspective of East Street Community Saunas

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Joy Mulandi

East Street Community Saunas

Inhabited process models

Process model on site

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Sketch of East Street Market

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Joy Mulandi

East Street Community Saunas

Final Plan of East Street Community Saunas

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MIRANTA LAFI E-MAIL: mirlaf2000@hotmail.com

INHABITING THE CEILING This project aimed to created a house, combining colour and shadow, to cause shifts in atmosphere and change in emotion from room to room.

Final Model of the inhabited ceiling

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Miranta Lafi

A Hungarian Community Centre

A HUNGARIAN COMMUNITY CENTRE My project is a Hungarian culture centre which combines the working environment with the home. The tile workshop, in conjunction with the Palinka workshop, produce elements that bring the local Hungarian community together; allowing them to meet over a cup of their nation-al drink and to appreciate the Hungarian-style tiles manufactured there. All the spaces meet in the centre of the lime kiln; an pre-existing building on the site. This provides a central space, al-lowing the families to meet and come together. It also visually connects all the rooms of the building. The public spaces are enclosed with glass walls that are derived from the form of a Palinka glass. The private space is chunkier and made out of limestone. The limestone is used as a material rooted in the history of the site. The building’s roof is inspired by the old traditional Hungarian roofs that consisted of shiny and colourful tiles.

Final section of the Hungarian Community Centre

Final model of the Hungarian Community Centre

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SANDRA SKJOLDE E-MAIL: sandraskjolde@gmail.com

A HOUSE FOR A LIFETIME This project investigates an element of the dwelling and how it can inform a way of living. The project is based around the disabled access and how a ramp can become a central part of a dwelling that is adapted for a disabled character or a person that is in risk of becoming multi disabled. The project is informed by the idea of using colours, textures, patterns and adjustable elements in the house to make it more accessible and adaptable as you live to grow older.

an of House

Short section inhabited

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Sandra Skjolde

Embracing the Making in Pullens

EMBRACING THE MAKING IN PULLENS This project focuses on the Pullens Yards’ old live/work studios (in Elephant and Castle) and the long history of making in the area. In these yards, manufacturing is kept private most of the year rather than being accessible to the public.

The concept is to have a building on the site to embrace and represent this industry of making. The program highlights the forgotten language of making things by hand, in a modern society where machines has taken over the production within certain industries. By exploring the method of making through three chosen industries: the metal smith, the potter and the weaver, as well as re-interpreting the making through individual workshops in the building, elements such as large scale panels, textiles and fabric cast concrete forms will be manu-factured. The building becomes both an exterior exhibition, as well as a building merchant shop and a workshop for creating large scale objects and weather testing. A second program focuses on the use of the fabric to create fabric cast concrete elements.

Section model of workshop spaces

Concept collage of a frame wall constructed of panels

Section of weaving activities

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SOPHIA EDWARDS E-MAIL: Sophiaedwards95@hotmail.co.uk

THE DOMESTIC DATA CENTER Having researched the element of storage, I decided to look further into the idea of data storage and privatisation.

I wanted to create a utopian concept of a world where our data has to be controlled within our own minimum requirement dwelling. Therefore a data centre was designed around a central core that monitored the data and projected around the dwelling so that the resident was constantly surrounded by their own use of data.

Axonometric

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Sophia Edwards

Confessunity

CONFESSUNITY This project reacts to the topic of gentrification within the area of Elephant and Castle, particularly within the Aylesbury Estate. I noticed that there was a lack of community within the area, in terms of broadcasting and free speech, which led me to research the acoustics surrounding my site. I decided on the idea of an acoustic wall through precedents that explored acoustic reverberation along with the materials associated with stress relief, confessing and broadcasting. I wanted to incorporate the characters of the Aylesbury Estate and therefore based each space around the response of a certain character and the situation that they may possibly be in. As the area is quite deprived, my spaces linked to the emotions that I had seen present in protests and in the everyday life of the people that reside in the area.

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THE CONFESSUNITY WALL Section 1:50

1. The Acoustic Wall (Listen) 2. The Anechoic Chamber (Reflect) 3. The Polycarbonate Punching Wall (Relief) 4. The Confession Booths (Confess) 5. The Brass Broadcasting Cones (Broadcast) 6. The Paper Aeroplane Balcony (Release) N

THE CONFESSUNITY WALL

Ground Floor Plan 1:50

1. The Acoustic Wall (Listen)

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2. The Anechoic Chamber (Reflect)

Final Plan of Confessunity

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Final Section of Confessunity

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Published by the School of Architecture, Oxford Brookes University Printed in England Copyright 2014 School of Architecture, Oxford Brookes University. All Rights Reserved.

No part of this publication may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopy, recording or any information storage and retrieval system without permission in writing from the publisher.

Founded in 1927, the School of Architecture at Oxford Brookes has established an international reputation for the quality of both its research and its teaching. As one of the largest architecture schools in the UK, with around 600 students and 70 staff, it plays a leading role in defining the national, and international, agenda in design education and research. This year we welcomed around 100 new students from home and overseas onto the undergraduate architecture course, plus 30 onto the interior architecture BA and around 120 onto the diploma in architecture and masters programmes. In addition there are some 40 students on the M.Phil/PhD programme.

Matt Gaskin, Head of School For a full range of programmes and modules, please see the Oxford Brookes University Undergraduate and Postgraduate Guides.

School of Architecture Oxford Brookes University Headington Campus Gipsy Lane Oxford, OX3 0BP architecture-enquiry@brookes.ac.uk www.architecture.brookes.ac.uk

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Oxford Brookes University Undergraduate Unit F Catalogue 2014-2015

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