Hubbard Street Dance Chicago Spotlight Ball 45: All Kinds of Beautiful

ALL KINDS OF BEAUTIFUL

A NOTE FROM OUR LEADERS Welcome to Hubbard Street Dance Chicago’s 45th Anniversary Spotlight Ball: All Kinds of Beautiful!

It is an honor to have you with us for a momentous occasion celebrating 45 incredible years of groundbreaking contemporary dance. This milestone anniversary also marks our triumphant return—to touring, to sold-out performances coast to coast, to expanded classroom programming, and to in-person studio events. What a wonderful feeling to be BACK... and we could not have done it without your unwavering support.

As the nation’s leading contemporary dance organization and a visionary launching pad for choreographers and dancers alike, we are proud to share that this year has been enriched by: n

S ix world premieres by visiting choreographers, plus the announcement that globally-renowned choreographer Aszure Barton will be Hubbard Street Dance Chicago’s Resident Artist for the next three seasons—a move that will infuse exciting new work into our dynamic existing repertory;

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O ur award-winning education programming in classrooms, via community events, and through in-person and virtual student matinees. More than 4,000 students engaged with expertly prepared learning materials, used creative movement to connect with peers and access self-expression, and discovered valuable tools for integrating their bodies and brains, priming them for learning;

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O ur top-tier summer intensive programs that train young dancers from around the globe and invigorate the future of contemporary dance. We embraced creativity and accessibility by holding a social media challenge for 2023 applicants, allowing finalists to bypass the usual audition process and “win” a spot this summer;

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A nd so much more that we’ll showcase at tonight’s Spotlight Ball!

We are grateful for your presence and your support on this joyous evening. Proceeds from the Spotlight Ball directly impact the important work above and help Hubbard Street Dance Chicago change lives through dance.

Thank you again for being here and please enjoy!

David McDermott Executive Director

Linda-Denise Fisher-Harrell Artistic Director

Cover image: Hubbard Street Dancers Alexandria Best, Aaron Choate, Michele Dooley, and Simone Stevens in Love Infinite by Randy Duncan. Photo by Michelle Reid.

IN-THEATER PROGRAM At Hubbard Street Dance Chicago, we bring artists, art, and audiences together to enrich, engage, educate, and change lives through the experience of dance. The program this evening will showcase the many parts of our organization that make us unique and feature a mix of video, live remarks, live performances by the artists of Hubbard Street, and a Paddle Raise.

ASL Interpretation is provided by Makeda Duncan and our Paddle Raise is facilitated by Jason Lamoreaux of Lamoreaux Auction & Appraisal LLC.

Coltrane’s Favorite Things Lar Lubovitch, Chore ography Jonathan E. Alsberry, Stager John Coltrane, Richard Rodgers and Oscar Hammerstein II, Music Jackson Pollock, Scenery Jack Mehler, Lighting Design Music: My Favorite Things. Music by Richard Rodgers. Lyrics by Oscar Hammerstein II. This selection is used by special arrangement with Rodgers & Hammerstein: A Concord Company, www.concord.com. All Rights Reserved.

Coltrane’s Favorite Things was commissioned in part by Ronald E. Creamer Jr., Elysabeth Kleinhans, W. Patrick McMullan III, Maxine Pollak, Dale L. Ponikvar and Lewis R. Steinberg.

Autumn Rhythm (Number 30), 1950. Jackson Pollock (American, 1912-1956). Enamel on canvas, H. 105, W. 207 in. (266.7 x 525.8 cm), George A. Hearn Fund, 1957 (57.92) © 2010 The Pollock-Krasner Foundation/Artists Rights Society (ARS) New York. Location: The Metropolitan Museum of Art, New York, NY, U.S.A. Photo credit: Image copyright © The Metropolitan Museum of Art / Art Resource, NY Choreography copyright © Lar Lubovitch 2010

Georgia Lou Conte, Choreography Sandi J. Cooksey & Craig D. Black, Jr., Stagers Hoagy Carmichael, Music Robert Christen, Original Lighting Design Todd Clark, Lighting Recreation Jackson Lowell, Costume Design Music by Hoagy Carmichael: Georgia, as performed by Willie Nelson, from the album Stardust, recorded by Legacy Recordings, as published by Peermusic III LTD. Rose From the Blues was commissioned for Hubbard Street Dance Chicago by Matrix: Midland Festival of the Arts, Humanities and Sciences, Midland, Michigan.

Love Infinite (excerpt) Randy Duncan, Choreographer Ira Antelis, Music Luis Razo, Costume Design Dustin L. Derry, Lighting Design Music: Love Infinite by Ira Antelis. Arranged and produced by Ira Antelis. Mixed and co-produced by Rick Fritz. Keyboards, drum programming, strings, synth: Ira Antelis. Poetry and spoken word: I sadat. Featured lead vocalists: Susanna McCullom, Stevie Robinson, Jacob Najafi. Background vocals: Landon Pigg, Gary Pigg, Jeff Morrow, Susanna McCullom, Stevie Robinson, Ira Antelis. Clavichord and horns: Jimmy Nichols. Bass: Alan Berliant. Additional percussion, drums, synth: Vince Lawrence. Lead cello: Elizabeth Anderson. Cellists: Margaret Daly, Richard Yeo, Mark Anderson.

Show Pony Kyle Abraham, Choreography Jlin, Music Fritz Masten, Costume Design Dan Scully, Lighting Design Music: Hatshepsut by Jerrilynn Patton from the album Black Origami.

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CHOREOGRAPHERS KYLE ABRAHAM is a 2013 MacArthur Fellow who began his dance training at the Civic Light Opera Academy and the Creative and Performing Arts High School in Pittsburgh, Pennsylvania.

He continued his dance studies in New York, receiving a BFA from SUNY Purchase and an MFA from NYU Tisch School of the Arts, an honorary Doctorate in Fine Arts from Washington Jefferson College, and is currently serving as a visiting professor in residence at UCLA. In November 2012, Abraham was named the newly appointed New York Live Arts Resident Commissioned Artist for 2012–2014. Just one month later, Alvin Ailey American Dance Theater premiered Abraham’s newest work, Another Night, at New York’s City Center to rave reviews. That same year, Abraham was named the 2012 Jacob’s Pillow Dance Award recipient and 2012 USA Ford Fellow, before serving as a choreographic contributor for Beyoncé’s 2013 British Vogue cover shoot. Abraham received a prestigious Bessie Award for Outstanding Performance in Dance for his work in The Radio Show, and a Princess Grace Award for Choreography in 2010. The previous year, he was selected as one of Dance Magazine’s 25 To Watch for 2009, and received a Jerome Travel and Study Grant in 2008. His choreography has been presented throughout the United States and abroad, most recently at Fall for Dance Festival at New York’s City Center, Lincoln Center, Brooklyn Academy of Music, The Joyce Theater, The Los Angeles Music Center, Jacob’s Pillow Dance Festival, Théâtre de la Ville, Maison de la Danse, Tanz Im August, On The Boards, Danspace Project, Dance Theater Workshop, Bates Dance Festival, Harlem Stage, Montreal, Italy, Germany, Sweden, France, Jordan, Ecuador, Dublin’s Project Arts Center, The Okinawa Prefectural Museum & Art Museum located in Okinawa Japan, The Andy Warhol Museum, The Byham and The Kelly-Strayhorn Theater in his hometown of Pittsburgh, PA. In addition to performing and developing new works for his company, A.I.M, Abraham recently premiered Untitled America, a 3-part commissioned work for the Alvin Ailey American Dance Theater and finished touring The Serpent and The Smoke, a new pas de deux for himself and acclaimed Bessie Award-winning and former New York City Ballet Principal Dancer Wendy Whelan as part of Restless Creature and choreographed for the feature-length film, The Book of Henry with acclaimed director, Colin Trevorrow. Abraham recently premiered a solo work for American Ballet Theater principle, Misty Copeland in October 2019.

LOU CONTE, HSDC Founder, established the Lou Conte Dance Studio in Chicago in 1974 after a performing career including Broadway musicals. In 1977, he founded what is now Hubbard Street Dance Chicago with four dancers performing at senior citizens’ homes in Chicago. Originally the company’s sole choreographer, he developed relationships with worldrenowned choreographers as the company began to grow, adding bodies of work by a variety of artists. These relationships transformed HSDC into the internationally acclaimed repertoire company it is today. In the 1980s, Conte brought in several works by Lynne Taylor-Corbett, Margo Sappington and Daniel Ezralow. He continued to build HSDC’s repertoire by forging a key partnership with Twyla Tharp in the 1990s, acquiring seven of her works including an original work for the company. Conte further expanded the company’s repertoire to include European choreographers Jirí Kylián and Nacho Duato and Israeli choreographer Ohad Naharin. These long-term relationships, along with Conte’s participation in selecting the company’s subsequent artistic director, paved the way for HSDC’s future. Throughout his 23 years as the company’s artistic director, Conte received numerous awards including the Chicago Dance Coalition’s inaugural Ruth Page Artistic Achievement Award in 1986, the Sidney R. Yates Arts Advocacy Award in 1995 and the Chicagoan of the Year award by Chicago magazine in 1999. He has been credited by many for helping raise Chicago’s international cultural profile and for creating a climate for dance in the city, where the art form now thrives.

Left: (counterclockwise) Hubbard Street Dancer Jacqueline Burnett. Photo by Michelle Reid, styling by Imani Sade. Hubbard Street Dancers Michele Dooley and Alexandria Best in B/olero by Ohad Naharin. Photo by Steven Pisano. Hubbard Street Dancer Aaron Choate with students at Saratoga Performing Arts Center. Photo by David Schultz. Hubbard Street Summer Intensive dancers. Photo by Michelle Reid.

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RANDY DUNCAN, a native of Chicago, who began his dance training with Ms. Geraldine Johnson and credits much of his artistic development with Harriet Ross, has the unique privilege to be a three-time recipient of Chicago’s prestigious Ruth Page Award for Outstanding Choreographer of the Year. For 19 years, Randy danced and upon the untimely death of Joseph Holmes, served as the Artistic Director of The Joseph Holmes Chicago Dance Theatre. He has received numerous awards including the Artistic Achievement Award from the Chicago National Association of Dance Masters, three Black Theatre Alliance Awards, and the Gay Chicago Magazine After Dark Award. He earned an American Choreography Award Nomination for his choreography in the blockbuster movie Save the Last Dance, starring Julia Stiles. Mr. Duncan’s work has been seen in the companies of Joffrey Ballet, Giordano Jazz Dance Chicago, Ballet Met, and many others.

He has created choreography for such theatres as the Goodman, Manhattan Theatre Club, South Coast Repertory, Actor’s Theatre, Court Theatre, Oregon Shakespeare Festival, Washington Shakespeare Theatre, and Portland Opera. Most recently, Randy’s work can be seen in season four of Showtime’s The Chi. For the past 29 years he has been on the faculty of The Chicago Academy for the Arts, where he now serves as Dance Department Chair and received the 2019 Faculty Legacy Award. Randy has been choreographing the finale for Chicago’s annual Dance for Life Gala since 1994 and has received the 2013 AIDS Foundation Chicago Civic Leadership Award for his work with Dance for Life. He sits on the board of Chicago Dancers United, and is a proud member of Actors’ Equity and the Stage, Directors, and Choreographers Union.

LAR LUBOVITCH is one of America’s most versatile and widely seen choreographers.

He founded the Lar Lubovitch Dance Company in 1968. Over the course of 53 years, it has gained an international reputation as one of America’s top dance companies, produced more than 120 dances and performed before millions across the U.S. and over 40 countries. Many other major companies throughout the world have performed the company’s dances, including American Ballet Theatre, New York City Ballet, San Francisco Ballet, Paris Opera Ballet, Royal Danish Ballet, Alvin Ailey American Dance Theater, the Joffrey Ballet, Martha Graham Dance Company, and more. Lubovitch has created ice-dancing works for Olympians John Curry, Peggy Fleming, Dorothy Hamill, Brian Orser, JoJo Starbuck, and Paul Wylie, and he has created feature-length ice-dance specials for TV: The Planets for A&E (nominated for an International Emmy Award, a Cable AceAward, and a Grammy Award) and The Sleeping Beauty for PBS and Anglia TV, Great Britain. His theater and film work includes Sondheim/Lapine’s Into the Woods (Tony Award nomination), The Red Shoes (Astaire Award), the Tony Award-winning revival of The King and I (on Broadway and in London’s West End), Disney’s Hunchback of Notre Dame in Berlin, and Robert Altman’s movie The Company (American Choreography Award). In 2016, he premiered The Bronze Horseman, based on the Pushkin poem, for the Mikhailovsky Ballet in Russia. In 1987, he conceived Dancing for Life, which took place at Lincoln Center. It was the first response by the dance community to the AIDS crisis, raising over one million dollars. Together with Jay Franke, in 2007 Lubovitch created the Chicago Dancing Festival, in collaboration with the City of Chicago and the Museum of Contemporary Art. It presented 10 seasons entirely free to the public. Recent awards: 2007 named Chicagoan of the Year by the Chicago Tribune; 2008 named similarly by Chicago Magazine; 2011 designated a Ford Fellow by United States Artists and received the Dance/USA Honors Award; 2012 his dance Crisis Variations awarded the Prix Benois de la Danse for outstanding choreography at the Bolshoi Theatre; 2013 honored for lifetime achievement by the American Dance Guild; 2014 awarded an honorary doctorate by The Juilliard School; 2016 received the Scripps/American Dance Festival Award for lifetime achievement and the Dance Magazine Award, named one of America’s Irreplaceable Dance Treasures by the Dance Heritage Coalition and appointed a Distinguished Professor at UC/Irvine. In honor of his company’s 50th anniversary, in 2018 he was presented with the Martha Graham Award for lifetime achievement.

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LEADERSHIP

JONATHAN E. ALSBERRY (Sr. Rehearsal Director & Director of Summer Intensives) from Normal, IL is a dance educator, creator, and coach focused on inspiring excellence and joy in the study of Ballet, Jazz, and Modern techniques with a constant dedication to the exploration of artistry and the creative process. Jonathan began dancing with his mother Lyndetta and went on to graduate from The Chicago Academy for the Arts where he has since been a guest faculty member. In 2006 he received his BFA from The Juilliard School where he met Aszure Barton. Jonathan, a.k.a “Jojo,” is now dancer, rehearsal director, and creative collaborator with Aszure Barton & Artists and has assisted Mrs. Barton in over a dozen creations including Alvin Ailey American Dance Theater, Bayerische Staatsballett, and Hubbard Street Dance Chicago. In 2007, Jonathan also joined the Lar Lubovitch Dance Company and is currently a performer, rehearsal director and teaching artist with the company.

He has shared two tours with Mikhail Baryshnikov’s “Hell’s Kitchen Dance” as well as “Evolution” with Alessandra Ferri and Herman Cornejo. Other credits include The Chase Brock Experience, Daniel Gwirtzman Dance Company, Luna Negra Dance Theater, Nilas Martins Dance Company, and Eisenhower Dance Ensemble. Since 2007, Jonathan has been teaching, coaching, and creating work at various educational institutions including Arts Umbrella, Harvard University, University of California at Irvine, Springboard Danse Montreal, Ballet Hispánico, and University of Southern California.

LINDA-DENISE FISHER-HARRELL (Artistic Director) ascended to this role in 2021, after an extraordinary career as a professional dance artist and educator. Linda-Denise was born in Baltimore, Maryland, and began her dance training at the Baltimore School for the Arts under the guidance of Sylvester Campbell and Stephanie Powell. She was an apprentice with the Capitol Ballet in Washington D.C. and a full fellowship student at The Ailey School. While a student at The Juilliard School, she was invited by Hubbard Street founder Lou Conte to join the main company at the age of 19, thus beginning her professional dance career. After three seasons with Hubbard Street, Linda-Denise became a Principal Dancer with the Alvin Ailey American Dance Theater, under the direction of Judith Jamison. During her 13-year tenure with the company, Linda-Denise performed all over the world and was featured in the works of Alvin Ailey, Robert Battle, Talley Beatty, Ron K. Brown, John Butler, Donald Byrd, Ulysses Dove, George Faison, Rennie Harris, Geoffrey Holder, Judith Jamison, Louis Johnson, Alonzo King, Lar Lubovitch, Donald McKayle, Elisa Monte, Jennifer Muller, David Parsons, and Dwight Rhoden. Linda-Denise was invited to give a number of special performances throughout her career, including the White House State Dinner in honor of the President of Kenya, Mwai Kibaki, and the 12th Annual Kennedy Center Gala with Nancy Wilson and Liza Minelli. Linda-Denise led a distinguished career as a dance educator in her home town of Baltimore where, beginning in 2005, she was a Professor of Dance at Towson University and on the faculty of Baltimore School for the Arts. Her research and scholarship in continuing the Ailey legacy within the Towson University and Greater Baltimore community has resulted in the Ailey II residencies from 2011–2019 hosted by Towson University and the establishment of AileyCamp Baltimore at Towson University in 2014, where she served as Director. Ms. Linda-Denise holds a Master of Fine Arts Degree in dance from Hollins University and is an ABT® Certified Teacher. As a scholar, her entry “Alvin Ailey” has been published by the Routledge Encyclopedia of Modernism. Linda-Denise and her husband have three children.

CRAIG D. BLACK JR. (Rehearsal Director) from San Jose, CA is the Rehearsal Director of Hubbard Street Dance Chicago. He was appointed to this role in 2022 for the company’s 45th Anniversary Sapphire Season. At the age of ten, Craig began dancing at South Bay Dance Center and continued his dance training at Abraham Lincoln High School for the Performing and Visual Arts. In 2011, Craig received his BFA from The Juilliard School. He obtained additional training at Springboard Danse Montréal, Nederlands Dans Theater, and the School at Jacob’s Pillow. Craig is a recipient of the 2010 Princess Grace Award in Dance as well as the 2011 Lorna Strassler Award for Student Excellence from the School at Jacob’s Pillow. For six seasons Craig performed and toured with Aspen Santa Fe Ballet under the direction of Tom Mossbrucker and Jean-Philippe Malaty. In 2017, Craig joined Hubbard Street Dance Chicago where he danced for five seasons before transitioning into the Rehearsal Director position. He has had the privilege of dancing works by Kyle Abraham, Aszure Barton, Cherice Barton, Rena Butler, Alejandro Cerrudo, Peter Chu, Nacho Duato, Jorma Elo, William Forsythe, Jirí Kylián, Fernando Melo, Robyn Mineko Williams, Ohad Naharin, Crystal Pite, and Cayetano Soto Ramirez among many others. Craig has had the pleasure of co-choreographing and rehearsal directing Cardi B and Offset’s 2019 BET Awards performance. Craig is a passionate teacher and mentor. He is certified in IMAGE TECH for Dancers™ introductory through advanced level. Craig is on faculty for Dupree Dance and has served as guest faculty for the Hubbard Street Professional Program, Steps on Broadway, Peridance Center, The Joffrey Academy, and New York City Dance Alliance.

DAVID MCDERMOTT (Executive Director) most recently served as the First Deputy Commissioner at the City of Chicago’s Department of Cultural Affairs and Special Events. In this role, David managed the day-to-day operations of the department and played instrumental roles in major initiatives such as creating the Chicago Cultural Plan, revitalizing the Taste of Chicago, and ensured the success of the Chicago Architecture Biennial. Prior to his employment with the City, David led the Senator Durbin’s Department of Community Outreach, served as Senator’s Political Director, and has managed political campaigns at the congressional, county, and municipal levels. David recently completed a fellowship at the University of Chicago’s Civic Leadership Academy and holds a degree in Public Policy from Trinity College at the University of Dublin.

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BOARD OF DIRECTORS

STAFF

Board of Directors Steven Collens Chair

Linda-Denise Fisher-Harrell Artistic Director

Kristin Conley President Camille E. Rudge Treasurer Jodi Patt Secretary Larry Gilbert Immediate Past Chair, VP of Development Yasmine Winkler VP of Membership Ross B. Bricker Heather Caruso Mara S. Georges Ronda Joubert Solange Sandy Lloyd Jasminka Milpak Marc Miller Debra Moritz Alison L. Richards

Life Directors John W. Ballantine+ Corinne Brophy Meg Callahan Edythe R. Cloonan++* Pam Crutchfield Sondra Berman Epstein+* Stanley M. Freehling* Charles R. Gardner Paul Gignilliat Sandra P. Guthman+ Gail Kalver James Mabie++* Marie E. O’Connor++* Byron Pollock++* Timothy Schwertfeger++ Jack D. Tovin Randy White William N. Wood Prince+ + Past Board Chair ++ Past Board President *In Memoriam

David McDermott Executive Director Artistic Staff Jonathan E. Alsberry Senior Rehearsal Director & Director of Summer Intensives Craig D. Black, Jr. Rehearsal Director Krista Ellensohn Manager of Training Operations Administrative Staff Abby Olson General Manager Jessica Adler, Belina Mizrahi, and Corinne Kibler, Arts FMS Financial Management Services

Students taking class with Hubbard Street Dancer Alysia Johnson. Photo courtesy of Marshall University.

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External Affairs Katie Grogan Director of Development Melissa Rosenberg Individual Giving Manager

Education Special Projects Michelle Modrzejewski June Tanoue

Nikki Horwitz Grants Coordinator

Production Harrison Pearse Burke Director of Production

Erik Kaiko Director of Marketing & Communications

Kate Darby Stage Manager and Head of Props

Megan Moran Manager of Marketing & Communications

Casey Doyle Head of Audio

Youth, Education, and Community Programs Eboné Harden Director of Education Teaching Artist Faculty Jamie Brunson Rebeca G. Griffin Anne Kasdorf Danielle “Dani” Kfoury Daisy Rueda Julia Rzonca Molly Strom Desiree “Desi” VanDyke

Jack Horwitch Head Electrician Kevin Upham Head Carpenter and Stage Operations

2022–23 COMPANY DANCERS Biographies available at hubbardstreetdance.com

Alexandria Best

Jacqueline Burnett*

Aaron Choate

Morgan Clune

Michele Dooley

Abdiel Figueroa Reyes*

Elliot Hammans

Jack Henderson

Alysia Johnson*

Shota Miyoshi

David Schultz*

Simone Stevens

Cyrie Topete

Matt Wenckowski

*Denotes Princess Grace Award Recipient Company headshots by Frank Ishman.

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A SPECIAL THANK YOU TO OUR SPOTLIGHT BALL SPONSORS! Gold Sponsors The Collens Family Larry and Marla Gilbert

Silver Sponsors Ross Bricker and Nina Vinik, Jenner & Block LLP Meg and Tim Callahan CIBC ITW Solange Sandy Lloyd Kristen Otterson

Bronze Sponsors Joyce Chelberg Kristin Conley and Andrew Sudds Charlie Gardner and Patti Eylar GCM Grosvenor Georges & Synowiecki Ltd. Marc Miller and Chris Horsman Debra and Blake Moritz Abby O’Neil and Carroll Joynes and the Harris Theater Team PPM America, Inc./Jackson National Life Insurance Alison Richards Sheli and Burton Rosenberg Camille Rudge Yasmine and George Winkler

SPECIAL THANK YOU:

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PADDLE RAISE Support Hubbard Street Dance Chicago during this evening’s paddle raise. $10,000—Artistic Leadership & Legacy Honor Hubbard Street’s legacy as a leading cultural institution for 45 years. HSDC has always been at the forefront of contemporary dance, and we strive to continue our history of excellence by promoting diversity in our repertory and our roster of artists to better reflect and inspire the City of Chicago.

$1,000—Dancer Healthcare and Wellness Dance is a physically punishing art and Hubbard Street is committed to providing full healthcare benefits year-round to our company dancers. In addition, we provide daily physical therapy on rehearsal days and additional massage and therapy before performances. Hubbard Street tours roughly two full months out of every year, in addition to a demanding performance schedule here in Chicago. Help us keep our dancers moving at their peak strength and agility.

$5,000—Groundbreaking Choreography Sponsor the acquisition of groundbreaking new choreography and support new talent through Hubbard Street’s choreography fellowships and artist residencies.

$500—Community Impact Champion Hubbard Street’s outreach initiatives and community programs. Donations ensure we can offer $15 tickets to every performance, all season long and broadcast beloved works in our repertory to audiences everywhere. Our Community Week provides public access to HSDC artist instruction free of charge throughout the season.

$2,500—Field-leading Education and Adaptive Dance Programs Support Hubbard Street’s field-leading and award-winning Education Programs that provide free dance education to more than 900 students annually in Chicago Public Schools, teacher professional development opportunities, and access to Hubbard Street performances and classes. Our Adaptive Dance programs, the Parkinson’s Project and the Autism Project, welcome people of all ages and abilities and help them experience the joy and power of dance.

GIVE ANY AMOUNT AT ANY TIME! No amount is too large or too small to support Hubbard Street. Whether it’s $25 or $25,000 we are truly grateful for your contribution. Use the QR code below to give your gift at any point this evening or text “SPOTLIGHTBALL” to 53-555.

OR Fill out the paddle raise form to the right and return to a staff member:

We welcome your participation at any level. Please ask a member of the staff if you need assistance. Thank you!

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SIGNATURE Hubbard Street Dance Chicago (FEIN 36-2950283) is a 501(c)3 non-profit organization. Since no goods or services were provided in exchange for this gift, it is fully tax-eductible to the extent provided by law. A receipt for your contribution will be mailed to you. All payments are due by August 1, 2023.

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