The project “evolving dronescapes” is a result of the joint work of the brothers Simon and Tobias Lanz. It combines installational aspects with experimental interfaces, in the process deconstructing the traditional pipe organ. At the heart of the work are the organ-like wind instruments constructed by Simon Lanz.
Tobias Lanz has composed a performance for and with these instruments for his bachelor thesis in sound arts at the Bern University of Applied Sciences. It addresses the perception of organs as traditional church instruments. The physical presence and the tonal connections between the instrument and the room play a central role in the performance.
