5-Iss2_Feb'13

Shop Dine Live Work Stay

Time honoured

Celebrating 180 years of Jaeger-LeCoultre

Dressed for success

Produced in International Media Production Zone

Why Kiton’s handstitched suits are Napoli’s most coveted classics

Born in Saxony in 1994.

The LANGE 1.

This is probably the most acclaimed wristwatch in recent history. It inspired Lange’s master watchmakers to develop the LANGE 1 TIME ZONE.

From the very rst day, the Lng 1 opeed up ew horizos i timekeep-

the Lng 1 T Zn. This masterpiece is at home everywhere, be it

i ad acquaited the world with the leedary perfectio of Lae watch-

Achorae, Berli, New York or Tokyo. Because i additio to the mai

maki artistry. The, it ispired Lae to develop a most useful watch that

dial that eerally displays home time, the watch has a smaller auxil-

escorts its ower as a depedable compaio o trips aroud the lobe:

iary dial that, o demad, idicates the curret time i ay of the world’s

At home around the world in 2012.

The LANGE 1 TIME ZONE. Without losing track of home time, this masterpiece displays the local time in all 24 time zones around the globe.

24 time zoes with pushbutto coveiece. The positio of the rotati

How late is it at the destiatio where I will lad i a few hours? Ca I still

city ri shows which time zoe is bei displayed. Moreover, both

call my family at home at this hour? Ad it eve whiles the time away – as

dials feature a day/iht idicator. With these ad other assets, the Lng 1

the ower proudly admires its maicet mechaical movemet, cosum-

T Zn aswers all time-related questios the moder omad may pose.

mately ished i the traditioal maer. By had. www.lange-soehne.com

You are cordially ivited to discover the collectio at: A. Lange & Söhne Boutique Abu Dhabi · Aveue at Etihad Towers, Tel. +97 2 665 05 88, abudhabi@lae-soehe.ae A. Lange & Söhne Boutique Dubai · Dubai Mall, Tel. +97 4 325 39 23, dubai@lae-soehe.ae

/3

Contents / 11

/ 33

/ 39

/ 43

/ 47

Shop

Dine

Live

Work

Stay

Antonio De Matteis, CEO of legendary Neapolitan tailor Kiton reveals the tricks of the trade, while we showcase the famous faces of Givenchy’s spring/ summer campaign.

Those with an appetite for fresh, full-flavoured seafood should head to Scott’s, the latest addition to Jumeirah at Etihad Towers’ gastronomic delights. Budding chefs, meanwhile, should try their hand at creating fois gras kebbeh, signature dish at Lebanese eatery Li Beirut.

Jenn and Spencer Brown invite us up to their artfilled Etihad Towers apartment, and we spotlight the spring season’s most colourful décor pieces.

How do you create a stylish, functional office space? An interior design expert shows us how.

We reveal how Jumeirah at Etihad Towers is redefining luxury – all in the pursuit of making you smile. Plus, those looking for respite from city life will find solace in our guide to the hotel’s relaxing hot-spots.

HOT Media Head Office 2515 Al Shatha Tower Dubai Media City Dubai Tel: +971 (0)4 364 2876 Fax: +971 (0)4 369 7494

Managing Director Victoria Thatcher

Editor Hazel Plush

Editorial Director John Thatcher

Designer Adam Sneade

Advertisement Director Chris Capstick

Designer / Illustrator Vanessa Arnaud

Kate Moss for Givenchy spring/ summer 2013

Production Manager Haneef Abdul

/5

On behalf of HH Sheikh Suroor Bin Mohamed Al Nahyan and Mr. Sami Al Khuwaiter, welcome to the second issue of 5, the official magazine of Etihad Towers.

To reflect the development’s uniquely luxurious mix of residential, retail, hospitality and commercial offerings, this issue’s editorial is equally diverse.

Fashion-forward readers should turn to our interview with Antonio De Matteis, CEO of Kiton – one of Italy’s most feted tailors.

He reveals what it takes to lead the familyowned marque into the future, and the secret of maintaining that prized luxury edge.

Much closer to home, projects director of Etihad Towers, Mr. Sami Al Khuwaiter himself, shares what it takes to bring such an ambitious vision to life: a truly inspirational story. Meanwhile, you may have noticed there’s a new name in town: Scott’s, the Abu Dhabi outpost of the iconic London restaurant, which has found a home right here. After feasting on fresh seafood, we visit Etihad Towers residents Jenn and Spencer Brown for a taste of the high life.

We hope you enjoy this issue and we look forward to welcoming you to Etihad Towers.

Richard Foulds Property Manager Etihad Towers

Etihad Towers Head Office, Etihad Towers, West Corniche, Abu Dhabi, United Arab Emirates Tel: 800 384 4238 Fax: +971 (0)2 645 7737

6\

A vision of glory

In 2005, His Highness Sheikh Suroor Bin Mohamed Al Nahyan had a vision: an elegant, luxurious development that would represent his dream for the future of Abu Dhabi. Incorporating design expertise from the Middle East and around the world, the finished piece would be a residential, commercial and hospitality hub. Eight years, AED4 billion, and countless feats of engineering later, that vision is a reality.

Mr Sami Al Khuwaiter, projects director of Sheikh Suroor Projects Department (SSPD), shares his story...

Issue Two / 2013

I

remember when Etihad Towers was just a concept on paper. I can recall those moments when as a design team we moved a line here and there, changed materials and altered aspects in a part of the development.

My offices are here, and sometimes I walk around the building, just to absorb the energy it produces.

In all, it took six years to make the vision a reality; we started in 2005, and opened in 2011. The actual construction time was only 47 months, however. This sort of project totally immerses you. You have to be focused, committed and driven.

The smallest details were very important to us throughout the project. We spent many hours looking into the tiniest elements to ensure the end result was perfect. We were working with an international team of people who have a lot of global experience, and we simply brought that expertise to Abu Dhabi.

We are all very proud of Etihad Towers – it is exactly as we envisaged. All through the project, we felt we were doing something exciting, romantic and beautiful. We wanted to make it comfortable as well as functional.

In Arabic culture it is custom to use many colours and textures, with lavish finishes like gold, but we wanted to go beyond that to

/7

‘This project has set the stAndArd for elegance and luxury in Abu Dhabi’

> Above: Etihad Towers cuts a dynamic figure on the Ras Al Akhdar skyline > right, from top: Opulent office space in Tower 3; The towers form a dramatic entrance; Glittering views of Abu Dhabi Corniche

provide a new level of luxury that considered different aspects. We didn’t want it to be ostentatious or traditional, but exciting and setting a new precedent. Our vision was of a simple, relaxing space that was in harmony with the surrounding views and environment.

Nature was very important – we wanted to incorporate all of the elements, to bring the external landscape into the building itself.

As you tour the towers you will see many feminine and subtle touches in the design.

For the concept design, we chose from six different architects, and DBI from Australia were successful. They created the interior, exterior and landscape. We chose their design because it was innovative; we felt they understood what we wanted to deliver. I like to work with architects that don’t recycle ideas, that bring unique, realistic offers to the table. They always wanted to do more, do

8\ < Below: Mr Sami Al Khuwaiter of SSPD; Etihad Towers viewed from above

better things, change their existing designs to improve them. You wouldn’t believe it – the first design was beautiful, but after three months DBI came to us asking if they could make some changes as they were not totally happy. They wanted the opportunity to perfect the design. They bought into our ethos early: their passion, innovation, and commitment were perfect.

This project has set the standard for elegance and luxury in Abu Dhabi. We spent many hours with the architects when briefing them: we wanted the exterior

Images » Supplied; Nasir Rauf, nasirrauf.com

‘Now, we have to move forward, to look to the future’

Issue Two / 2013

architecture to be elegant, simple and classy.

For us, the architecture must be balanced to remain aesthetically beautiful 24 hours a day and in different light conditions. Some projects use artificial lights to look good at night, but we wanted this to be striking at all times of the day.

We are now working on the extension of Abu Dhabi Mall – it will provide a mix of residential and serviced apartments, and also some high-end food and beverage options. In addition, we have the Saadiyat Island Resort; I will be focusing more on that with the aim of creating something unique and beautiful.

Etihad Towers consumed my energy, my life. Many years back, I worked like this on Abu Dhabi Trade Centre too, and on an investment project for the government. I sometimes think I haven’t had a good rest since the mid-nineties. Perhaps now is the time for a rest… That said, I am very excited about Saadiyat Island and what we can and will deliver, so who knows what the future may hold?

It is part of our vision for Abu Dhabi to use expertise from all over the world and bring something new to the region. To share your experiences around can be one of your strengths, otherwise it’s like marching on the spot: you’re moving, but you’re not progressing. Now, we have to move forward, to look to the future.”

/ 11

Shop Bulgari Serpenti carry bag: the reinvention of a legend

It’s one of the most striking icons of the jewellery world: the piercing eyes, the delicate scales, the twisting coils of gold and precious gems. Ever since Elizabeth Taylor appeared drenched in Bulgari serpents on the set of Cleopatra, the Serpenti motif has been synonymous with impeccable taste and

fine craftsmanship. The design was borne of the 1920s Art Deco love affair with snakelike forms, and has been reinvented for every generation since – this year, enter the Serpenti carry bag, a timeless combination of karung and calf leather, adorned with signature trimmings. Cobalt blue and mulberry colours

take inspiration from nature, bringing this season’s hues to the fore. Simple yet intricate, this is an essential addition to every discerning Bulgari lover’s collection.

« Shop at Bulgari, Podium 2, Avenue at Etihad Towers

12 \

Cut above the rest Kiton is no average family business.

Since its inception in 1968, the Naples-based brand has presented the finest in Neapolitan tailoring.

Its bespoke range is legendary, boasting the most flattering forms and the finest materials – only the highest-grade low-micron wools will do. The brightest of this starstudded line-up is the K50 suit, a $50,000 opus in merino wool which only master tailor Enzo D’Oris is trusted to create.

Meanwhile, the ready-to-wear collections are also instant classics, imbued with a level of elegance and confidence that only half a century of experience can bestow. As the spring/ summer 2013 collection was flown to boutiques all over the globe, 5 spoke to CEO Antonio De Matteis – nephew of founder Ciro Paone – who, from the brand’s Napoli home, explained the secrets of Kiton’s successes.

Issue Two / 2013

/ 13

“I grew up surrounded by the family business, but I didn’t know I would end up working for it. One day, I asked my uncle for suggestions about my career. Soon after, I started working with him. Previously, I knew only a few things about him and the brand, but I quickly learned to appreciate all that he had built. I believe that our growth is a natural process, and of course Kiton is still a family company. We have been lucky enough to take our culture and philosophy all over the world.

Nowadays, this family name is present in all of the most important markets, with monobrand stores too. Our strong roots have helped to make Kiton wellknown throughout the world.”

14 \

“Our motto is ‘The best of the best plus one’: it really encapsulates what Kiton is about. Whether we are making shoes or eyewear or fragrances, the quest for perfection will always be at the heart of our tailoring and accessories. We try to be faithful to our philosophy in every product. In an industry driven by fast results, it can be difficult – but we are never unfaithful to quality. This idea is not only a priority for our company – it is an obsession. Never be satisfied; you must always improve what you do from every point of view.”

Issue Two / 2013

/ 15

“The Neapolitan jacket follows the body, not vice versa. That’s the secret.

Every tailoring school has its good features. Today, the Italian discipline – especially the Neapolitan one – is recognised as the best one, the most contemporary and advanced. Discretion is our way of being; we do little advertising. We embrace this philosophy and never communicate our customers’ names. But today, something great is happening: our customers are asking us to use their image to advertise the Kiton brand. The last four campaigns have featured Kiton customers from around the world as the protagonist.

They are like celebrities to us.”

« Shop at Kiton, Podium 1, Avenue at Etihad Towers

16 \ Ring the changes Embrace the haute joaillerie trend for daring designs with Van Cleef & Arpels’ between-the-finger rings

Virevolte White gold and round diamonds

The sweet briar roses that blossomed in Yves Piaget’s childhood home inspired a life-long love of the flower, and are a talisman of the jewellery maker’s passion for purity. The Piaget Rose collection pays homage to the natural beauty, with intricate rose motifs adorning each of the collection’s striking designs.

The Limelight Garden Party necklace is a stunning example, featuring no fewer than 396 brilliant-cut diamonds, rainbow aquamarines, and a delicate rose clasp.

Lotus White gold and round diamonds

> Versace couture has long been synonymous with daring motifs and vibrant hues – an aesthetic that has earned it a place atop many a fashion editor’s wishlist. Here at 5, we can’t get enough of the new Atelier Versace jewellery collection; after its Parisian debut at the start of the season, its fine forms have been spotted on the red carpet and catwalks alike – and these gold twisted torsion earrings with pave set diamonds and suspended precious gemstones are the stars of the show every time.

Two Butterfly White gold, yellow gold, yellow sapphires, round and marquise-cut diamonds

Socrate White gold and round diamonds

Issue Two / 2013

/ 17

> Fusing animalinspired forms with the finest cut diamonds and precious stones, Cartier’s Naturellement line is a timeless ode to Mother Nature. The Parrots Motif brooch is no exception; the beautiful bird has long adorned the jewellery house’s designs – and who could resist the vibrant emeralds and glittering diamonds?

Or the intricate shapes honed from white gold?

Simply divine.

« All pieces available in Avenue at Etihad Towers.

18 \

The test of time

This year, Jaeger-LeCoultre celebrates 180 years of impeccable service.

Hazel Plush charts the watchmaker’s rise from humble beginnings to international acclaim – a tale of triumph against the odds ≤ Left: Grande Reverso Ultra Thin Duoface > Opposite, clockwise from top left: 1928 Grande Complication pocket watch; 1850 Royal Hunter-type pocket watch; 1870 Huntertype pocket watch with complete calendar; 1920 Ultra Thin Minute Repeater

W

hen Pierre LeCoultre moved to the wilds of Geneva’s Vallée de Joux in 1559, who could have imagined it would one day become the epicentre of some of the world’s most luxurious marques? Deep in the forest, LeCoultre’s only neighbours were wolves and bears – but this was the adventure he had craved after city life. Over the next 30 years, this lonely pioneer would construct houses, grow crops, and begin to establish a small rural village: Le Sentier. He built a family, too – and as the community’s population grew, the LeCoultre name was entwined with its roots.

Ten generations after Pierre laid the foundations of the village, Antoine LeCoultre took up his forefather’s vision. An industrious metallurgist, he made his name in the early 1800s crafting music boxes and pioneering the razor blade industry, but his thirst for knowledge led him to mechanical art – and, eventually, watchmaking. These were humble beginnings: one by one, he mastered the craftsmanship of a movement’s components, and eventually founded the Vallée de Joux’s first watchmaking workshop in 1833.

Innovation was in LeCoultre’s blood, and as he continued his learning he invented a host of ground-breaking machines – all designed to aid the watchmaking process. From a pinion-cutting device to the Millionometer – the first instrument in history to measure the micron – LeCoultre’s creations paved the way for modern-day horology.

By 1866, the small workshop had become a fully-fledged ‘manufacture’, named

Issue Two / 2013

/ 19

‘Between 1860 and 1900, 350 different Calibres were created – a lineup whose complications included the wOrld’s first minute repeaters’

20 \ LeCoultre & Cie, with a 500-strong staff of engineers and artisans. LeCoultre’s son Elie joined his father, and the forward-thinking pair developed the first mechanically-aided production processes. Between 1860 and 1900, no fewer than 350 different calibres were created – a line-up whose complications included the world’s first minute repeaters.

After the death of LeCoultre Senior in 1881, Elie and his son Jacques-David took up the gauntlet, and the word of the industrious Vallée de Joux family spread throughout Europe. Their test came in 1903, when Parisbased watchmaker Edmond Jaeger challenged his Swiss counterparts to produce the ultra-thin movements he had designed; true to form, the pair were unable to resist. The collaboration resulted in the thinnest pocket watch in the world, the LeCoultre Calibre 145, and an extraordinary collection of ultra-thin wristwatches. All were a raging success, and the Jaeger-LeCoultre brand was born.

Yet again, the watchmakers were pioneering the horology industry. Wristwatches were a new idea which met widely with distain: men didn’t want to wear this outwardly feminine adornment, and engineers were alarmed by the mechanical challenges that they posed.

But Jaeger-LeCoultre continued in their quest, undaunted, transforming the much-maligned concept into European society’s latest essential purchase.

With Jaeger’s vision and LeCoultre’s craftsmanship, the new marque was unstoppable, and by the 1920s their sights were set on world renown. These were the days when the sun never set on the British Empire, and – riding on the coat tails of its European neighbour – Jaeger-LeCoultre ventured to the global stage. While visiting retailers in India, company distributor César de Trey encountered a group of colonial army officers, aficionados of both polo and fine timepieces. Through de Trey, they challenged the watchmakers to produce a chronograph that could withstand the impacts sustained in a polo game. Word spread back to Europe, and the Reverso design was duly unveiled in 1931. An ingenious carrier could be positioned to protect the glass face from hard knocks, and the stylised rectangular face became an icon of the Art Deco period.

Once again, Jaeger-LeCoultre had captured the zeitgeist.

The watchmaker’s Calibre 101 also seized the world’s attention: measuring just 14mm long, 4.8mm wide and 3.4mm thick, it was the smallest mechanical movement ever constructed. Once assembled, it weighed just one gram – and, incredibly, it still holds the title for the world’s smallest movement, over 85 years after its inception.

Issue Two / 2013

22 \

‘The marque’s 180th anniversary has inspired a plethora of retrospective pieces – all adorned with signature inventive tweaks’ Another icon of this prolific period is the Atmos clock, a concept that even nonconnoisseurs will recognise. The ingenious free-standing timepiece is powered solely by fluctuations in atmospheric pressure – a change of just one degree is sufficient to power the movement for two full days – and, understandably, society couldn’t get enough.

High on this wave of success, JaegerLeCoultre seemed unstoppable, but the Second World War struck with devastating effect. Production of complicated timepieces ceased, and the future of the luxury goods market looked dark. Indeed, after the war ended, the concept of luxury had changed: efficiency and durability were now the watchwords of taste, and the discerning customer wanted a timepiece that could withstand his adventurous pursuits.

Focus turned to resilience and stability: could a timepiece survive high impacts, magnetic fields, water? Chronometric precision was still atop the agenda, but now the action man was king. Jaeger-LeCoultre responded in true pioneering style with the Memovox, an automatic timepiece with alarm function, driven by the Calibre 815.

Its popularity was sustained throughout Issue Two / 2013

the post-war years, sparking a number of modifications – none more pioneering than the Deep Sea model, the world’s first divers’ alarm watch. A symbol of the era’s exploratory spirit, its design is still inspirational today.

In the 1970s, the rise of quartz technology signalled the death of many a watchmaking workshop. The demand for mechanical watches was over – after all, who would want to pay thousands for a toilsome, fragile machine? Quartz was both cheap and reliable, and the public lapped it up: Jaeger-LeCoultre was thrust into uncertain territory. They were turbulent times, but the future was secured with the 630 MecaQuartz Calibre – a combination of traditional engineering and new technology. The hybrid movement resulted in one of history’s smallest chronographs, and where other watchmakers had faltered, Jaeger-LeCoultre thrived once again.

The world fell back in love with mechanical timepieces during the 1990s, a period of widespread prosperity and nostalgia for traditional crafts and techniques. Naturally, the brand was able to step up to the mark, drawing on over a century of expertise to

/ 23 hone the Master Control line – an ambitious range which balanced classicism with innovation. Featuring a perpetual calendar, tourbillon and minute repeater, the pinnacle of the collection marked a great stride in technical expertise.

The Reverso line welcomed a new generation, too: a dazzling array of tourbillon, minute repeater, retrograde chronograph and perpetual calendar secured it a spot in the watchmaking limelight.

Demand outstripped supply, and both the pink gold and platinum designs flew from the shelves of boutiques all over the world.

Meanwhile, variants of the model were equally popular: the Duo model displayed the time in two zones – perfect for the power-dressing business traveller – and the Reverso Duetto catered for a growing female customer base.

The enduring popularity of JaegerLeCoultre timepieces knows no bounds, it seems. Since the year 2000, the manufacture has created over 80 new calibres, and Antoine LeCoultre’s passion for innovation lives on in the arm-length list of patents.

Modern connoisseurs will recognise the Gyrotourbillon 1, the marque’s first Grand Complication wristwatch, as an essential addition to every discerning collector’s hoard. Featuring a tourbillon gravitating on two axes, a perpetual calendar with double retrograde indicators and eight days’ power reserve, its production marked a new era in fine watchmaking.

Today, the Jaeger-LeCoultre name is synonymous with the utmost precision and innovation, and the marque’s focus has now turned to history. Its 180th anniversary this year has inspired, naturally, a plethora of retrospective pieces – all adorned with signature inventive tweaks. At January’s Salon International de la Haute Horlogerie in Geneva – an essential event for all discerning timepiece collectors – all eyes were on the Jaeger-LeCoultre stand.

In a ten-piece edition, the new generation of Atmos clocks was revealed: inspired by Gustav Klimt’s The Waiting, the timepiece combines artistic skill with precision horology – a triumph of marquetry and engineering. Meanwhile, in the wristwatch category, a Master Ultra Thin Jubilee takes up the title of the world’s thinnest mechanical manually-wound watch.

Measuring just 4.05mm thick, it’s a reminder of Antoine LeCoultre’s passion for creating the slenderest of designs – a quest which remains at the heart of the brand. In reference to the 180th anniversary, the date 1833 is engraved beneath the logo, and the range is limited to a modest 180 pieces.

The jewel in the crown of the new collections is, undoubtedly, the Master Grande Traditional Gyrotourbillon 3 Jubilee.

A direct descendant of the Gyrotourbillon 1, this new design is reminiscent of the pocket watch aesthetic, while featuring a plethora of sensational mechanical feats. The absence of an upper bridge allows the wearer to witness all of the treasures that lie beneath the sapphire reverse. The Calibre 176 combines the gyrotourbillon with a digital-display chronograph function – a feat of precision watchmaking that would no doubt have enthralled its muse, Antoine LeCoultre.

Such focus on the past demonstrates just how far this treasured marque has progressed, and highlights the strengths of its roots. After all, every timepiece that has captivated horologists over the years has been designed, produced and perfected a stone’s throw from where Pierre LeCoultre bought his very first plot of land. With a story that dates back to the very foundation of the Vallée de Joux, this truly is a watchmaker with history at its heart.

« Shop at Jaeger-LeCoultre, Podium 2, Avenue at Etihad Towers

< Opposite, from top: Atmos Marqueterie L’Attente; Master Grande traditional Gyrotourbillon 3 Jubile > Above: Master Ultra Thin 1907 < Below: Grande Reverso Lady Ultra Thin Duetto Duo

24 \

Model behaviour

> Jose Maria Manzanares, acclaimed Spanish matador and favourite model of the fashion elite. Success is in his blood: the Manzanares family have been champion bullfighters for three generations

Issue Two / 2013

When Givenchy creative director Riccardo Tisci casted the brandâ&#x20AC;&#x2122;s SS13 campaign, he called on his best friends to model the pieces.

The result? An international line-up of modern movers and shakers

/ 25

> Serbian artist Marina Abramovic, whose creations have revolutionised the New York creative scene. Her work has been exhibited in the Guggenheim Museum and Museum of Modern Art; she describes herself as the â&#x20AC;&#x2DC;grandmother of performance artâ&#x20AC;&#x2122;

26 \

> Italian catwalk model Mariacarla Boscono, who has fronted shows for the likes of Chanel and Yves Saint Laurent.

She also posed for Givenchy with her four-month-old daughter Marialucas.

Issue Two / 2013

/ 27

> Artist Jared Buckhiester, whose illustrations and sculptures focus on US pop culture and the awkwardness of youth. He is tipped for great success in 2013

ÂŤ Shop at Givenchy, Podium 1, Avenue at Etihad Towers

28 \

The next generation In January, some of the world’s finest watchmakers revealed their latest designs at Geneva’s Salon International de la Haute Horlogerie.

5 highlights this year’s most treasured timepieces > IWC, Ingenieur Perpetual Calendar Digital Date-Month

< A. Lange & Söhne, Grand Complication

IWC’s 2013 Ingenieur collection is all about speed: taking inspiration from the brand’s new partnership with the Mercedes AMG Petronas Formula One team, this latest design is the first choice for the discerning motorsports fan.

A unique interpretation of the hybrid boost button enables the mechanisms to store energy for when it’s needed most, fuelling the perpetual calendar and digital date display. Those seeking a distinctive timepiece should invest in the Ingenieur sports model, which features carbon fibre, ceramic and titanium materials – just like the Formula One cars themselves.

Limited to a mere six pieces, this latest release from East Germany’s sole fine watchmaker is the ultimate in limited edition timepieces.

Powered by three mainspring barrels, the outstanding array of complications includes a chiming mechanism with grand and small strikes, a minute repeater, splitseconds chronograph with minute counter and jumping seconds, and a perpetual calendar with moonphase display. The chronograph is accurate to one-fifth of a second, and the perpetual calendar is attuned to leap years. Indeed, the calendar needn’t be altered until the year 2100, when it should be adjusted by just one day.

An incredible investment to pass to the next generation.

< Cartier, Green Beryl and Diamonds watch Part stunning bracelet, part graceful timepiece, this striking creation is a true masterpiece. Part of Les Heures Fabuleuses, the latest haute joaillerie line to showcase playful yet decadent designs, the quartzpowered watch features 18-carat rhodium-plated white gold, set with brilliant-cut diamonds and a green beryl stone. Its Cartier contemporaries include bold flora and fauna-inspired designs: perfect for a lady who loves to make a statement.

Issue Two / 2013

/ 29

< Piaget, Rose Gold Cuff watch Set with no fewer than 194 brilliant-cut diamonds, this dazzling timepiece represents glamour of the highest order. The simple movement, powered by the Piaget 56P quartz technology, is juxtaposed against the intricacies of the hand-crafted bracelet. A discreet mother of pearl face is flanked by four rows of diamonds, transforming this essential timepiece into an irresistible piece of jewellery. Reminiscent of the work of a couturier, the rose gold strap showcases the workmanship of Piaget’s talented chainmakers – a true mark of distinction and unbridled luxury.

‘Paying homage to chronograph inventor NIColas RIeusseC, this striking timepiece has tRaNsfoRMeD the traditional watch face’

> Roger Dubuis, excalibur Quatuor in silicon

> Montblanc, Nicolas Rieussec Rising Hours

2005 saw the launch of the powerful Excalibur range, a selection of timepieces inspired by courage and honour. This year, the Excalibur Quatuor in Silicon joins the ranks – a highly sought-after chronograph, of which only three have been made. In a revolution of tourbillon technology, four sprung balances compensate for wrist movement quickly – what the traditional tourbillon takes a minute to achieve, the Excalibur Quatuor does instantly. Measuring 48mm and constructed of almost indestructible silicon (it’s half the weight of titanium, yet four times harder) this is a sturdy piece, ready to take on the rigours of life.

The latest addition to the range that pays homage to chronograph inventor Nicolas Rieussec, this striking timepiece has transformed the traditional watch face. Its hands never move: instead, a series of discs – a signature of the Nicolas Rieussec line – rotate to display the date and time in two geographical zones. A day/night indication is new to the display: numerals are pale blue at night, and black during the day. The 43mm case is honed from 18-carat red gold, and mounted on an alligator-leather strap.

« All timepieces available in Avenue at Etihad Towers.

30 \

Avenue at Etihad Towers Your easy-reference guide to Abu Dhabi’s home of luxury brands

11

10

9

8 7

23

Main

12 15

16

17

Valet Parking

14

13 24

ATM

Escalators

22

21

20

18

19

6

6 LIFT

VIP Entrance

1

3

Valet Parking

2

Podium 1 19.

4.

13.

11.

7.

6.

20.

1.

Bally Boss Hugo Boss Breguet Canali Ermenegildo Zegna Fauchon Le Café Giuseppe Zanotti Givenchy

Issue two / 2013

21.

17.

10.

8.

3.

18.

22.

14.

HerveLeger IWC Schaffhausen J.M. Weston Kiton Lanvin Manolo Blahnik Montblanc Porsche Design

16.

9.

2.

12.

23.

24.

Roger Dubuis Stefano Ricci Tom Ford Vertu Paul Café Waitrose

4

5

LIF

T

Main

/ 31

35

34

33

32

31 30

Main Entrance

37

29

36

Valet Parking

39 38

Access to Jumeirah Hotel Escalators

28

6 T

LIF

LIFT

Main Entrance ATM

LIF

25

Podium 2 38.

28.

30.

25.

26.

34.

27.

39.

A. Lange & Söhne Bvlgari Burberry Cartier Chloé De Grisogono Hermès Jaeger-Lecoultre

37.

33.

36.

31.

35.

29.

32.

Officine Panerai Piaget Rolex Salvatore Ferragamo Stephane Rolland Van Cleef & Arpels Versace

26

27

T

/ 33

Dine Tip for the top

Image » Nasir Rauf, nasirrauf.com

Head to the pinnacle of Etihad Towers to experience the capital’s ultimate afternoon tea

If you’re searching for a fine spot in which to indulge, look no further than the Observation Deck at 300.

Perched 300 metres above sea level, this elegant eatery combines delicate nibbles with 360° views of the city and coast – a spectacular recipe for truly memorable dining.

Reserve a table for ‘Tea at the Towers on High’, and you’ll be treated to an array of delights: think TWG’s Grand Crus Prestige blends – the most refined of refreshments – with dainty sandwiches and wickedly rich cupcakes. Come nightfall, welcome the sunset with the signature Etihad Sparkler, a fruity mocktail of fresh raspberries, strawberries and passion fruit.

What better way to toast another beautiful day in the capital?

« Dine at The Observation Deck at 300, Level 74, Jumeirah at Etihad Towers. 02 811 5555

34 \

The

perfect catch Direct from London’s Mayfair, Scott’s brings the world’s finest seafood right to your table – literally.

5 meets the man at its helm

‘there’s such a lot you can do with seafood... so much to play with’

Issue two / 2013

he asks with a grin. “There’s such a lot that you can do with seafood; yes, meat is very versatile, but with fish you have so much more to play with…”

After a childhood spent feasting on the local catch, Chef Carl craved a career in food.

He became the first schoolboy in South Africa to study home economics – “First I had to convince the governors that my intentions were honest,” he chuckles – before journeying to the UK, honing his skills in the kitchens of the Glasgow Hilton and London’s Le Caprice. He returned to South Africa years later, to lead the cuisine at the feted Mount Nelson Hotel – and work on that love of seafood.

Just six months ago, he ventured to the UAE capital. or Chef Carl Tischart, When Scott’s opened in cooking seafood isn’t January of this year, Chef Carl just a passion – it’s was the obvious choice for chef part of his identity. de cuisine. Its name synonymous Born in South Africa, with fine fish and seafood, the where the Atlantic collides eatery is the latest to grace with the Indian Ocean and the Etihad Towers – and, like Chef mountains boast bounteous streams, he grew up with world- Carl, it hails from afar: its roots class ingredients on his doorstep. are in London, where its 161“Where else can give you such a year history secures it as a true great background on warm-water, gastronomic legend. Here in cold-water and fresh-water fish?” Abu Dhabi, however, the doors

f

Images » Nasir Rauf, nasirrauf.com

/ 35

opened just a few months ago – and it’s already making waves in this capital’s dining scene.

It’s a bright afternoon in late January, and the sleek dining area glitters with natural light.

Soft jazz accompanies the tinkle of cutlery, and turquoise waters lap at the timber-decked terrace (the entire restaurant is raised on stilts, hovering atop the Arabian Gulf like a ritzy wooden vessel).

Fresh from the lunchtime service, Chef Carl puts the finishing touches to one of the eatery’s most frequently-ordered dishes: smoked haddock. He places the fillet on a bed of colcannon – buttery mashed potato flecked with spring onion and cabbage – before balancing a poached egg on top and covering the lot with a smooth mustard sauce. As I sink my fork into the creamy concoction I can’t help but smile.

A gorgeous, thick mess unfurls, but the flavours are delicate.

The smokiness of the haddock plays against the soft yolk, the mustardy tang cutting through the cream: this is comfort food with a five-star twist.

The haddock is one of the many dishes that adorn both the London and Abu Dhabi menus, part of a signature line-up that has proven popular in both cities. “We will always stay true to the Scott’s name,” says Chef Carl, “so we serve much of the London menu. However, we’ve introduced a number of Arabic twists too: here we serve battered hammour [from a sustainable source], and grilled kingfish fresh from the Gulf. The squid, prawns and sardines are local too – wherever we can use a local product, we will.”

The European base of the menu requires a daily delivery of fresh fish from the continent, however – no mean feat when the docks of choice are some

6,000 kilometres away. “The European catch comes in to the port on a Saturday morning, is sorted, and put on a plane in the afternoon. It’s ready to serve for lunch the following day. It’s a tricky method, but we know our guests don’t want to eat fish that’s just been grabbed from a freezer. The lobster and clams are still moving when we get them.”

It’s time for my second dish: a simple fillet of cod, flown in specially last night, with equallyfresh asparagus and shrimp dressing. The fish is soft, with a flaky, meaty texture, and is topped with a crispy skin. Again, the ingredients are left to their own devices, the subtle flavours unmasked. “It’s honest food,” I venture, and Chef Carl nods.

“Every dish starts with the fish,” he says, “and we don’t want to dress it up too much. Anyone can serve frozen, out-of-season food: we’re in contact with our

suppliers every day to see what they have fresh, and I think that always shines through.”

As we walk back through the restaurant, Chef Carl smiles at a man at the head of a table of four. “That’s his fifth time here this week,” he whispers. “I’m beginning to recognise a lot of guests already, so we must be doing something right.” As for me, I can’t think of any stronger seal of approval.

« Dine at Scott’s, beach area, Jumeirah at Etihad Towers.

02 811 5666

> Above, clockwise from top left: Fillet of cod; Seared scallops; Octopus carpaccio; Chef Carl in the kitchen; Scott’s reception area < opposite page: The oyster bar

36 \

Tradition with a twist Fusing Lebanese flavours with global influences, Li Beirut’s chef de cuisine Jouni Ibrahim is a pioneer of modern Arabic cuisine. Here, he shares the story behind his signature creation, fois gras kebbeh

A

t Li Beirut our goal is to provide the ultimate in dining experiences that salute the traditions and tastes of Arabic cuisine from the past, but takes them into the contemporary world.

The fois gras kebbeh is an excellent example of this unique approach, in which well-known favourites have been modernised, creating new tastes and unique presentation. This dish is more intricate than traditional kebbeh: guests will start with the familiar flavour, but then will be taken on a journey into the future. Many of us learned to make kebbeh as children, in the home, so it is naturally infused with much nostalgia. With the introduction of fois gras, the dish is brought up to date; every time I make it I am saying ‘this is my proud heritage, and this is the bold new future where I want to take it’.

With all of our dishes this is the case – they combine emotions of pride, responsibility and joy.”

Issue two / 2013

‘This is my proud heritage, and this is the bold new future where I want to take it’ Recipe 1. Wash the bulgar wheat, pat dry, and combine with the lamb, salt, spices, lemon zest, onion and mint. Mix in a food processor until a rough dough forms, then divide into 40g balls.

2. Season the fois gras with salt and pepper, and stuff inside the kebbeh balls. Deep fry the balls until they turn brown, then cut them in half and roast in a hot oven for three minutes.

3. Serve on a bed of walnut chutney, with caramelised pears and a garnish of cress.

- 1.3kg white bulgar wheat - Leg of lamb, cubed - 50g salt - 5g fresh lemons, zested - 100g white onions, roughly chopped - 20g ground cinnamon - 15g Lebanese mixed spices - 40g ground cumin - 40g fresh mint - 40g fois gras

« Dine at Li Beirut, Podium Level 2, Jumeirah at Etihad Towers. 02 811 5666

INDULGE

Avenue at Etihad Towers is dedicated to exclusive luxur y and home to the world’s most desirable brands. Immerse yourself in Abu Dhabi’s most sophisticated boutique retail destination and indulge in the joy of living and shopping. w w w.AvenueAtEtihadTowers.ae A . L A N G E & S Ö H N E • BA L LY • B o S S H U G o B o S S • B R E G U E T • BV L G A R I • B U R B E R RY • CA N A L I • CA R T I E R • C H L o é • D E G R I S o G o N o E R M E N E G I L D o Z E G N A • FAU C H o N L E CA F é • G I U S E P P E Z A N o T T I • G I V E N C H Y • H E R M È S • H E RV E L E G E R • I W C s Ch A f f h AU s E N JA E G E R - L E Co U LT R E • J . M . W E S To N • K I To N • L A N V I N • M A N o L o B L A H N I K • M o N T B L A N C • o F F I C I N E PA N E R A I • P I AG E T • P o R S C H E D E S I G N Ro G E R D U BU I S • Ro L E X • SA LVATo R E F E R R AGA M o • S T E FA N o R I CCI • S T E P H A N E Ro L L A N D • To M F o R D • VA N CL E E F & A R P E L S • VE R SACE • VE R T U

/ 39

Live < Marni Kimono rug, The Rug CoMpany

<Cushion, FenDi Casa

> Comforter, VeRsaCe hoMe

Use lilac for a luscious, feminine feel

Be bold with sunshine hues > Togo sofas, Ligne RoseT

>Cushion, Missoni hoMe < Vanitas slim table, VeRsaCe hoMe

< Vivienne Westwood cushion, The Rug CoMpany

The futureâ&#x20AC;&#x2122;s bright This spring, let colour do the talking

Energise interiors with spicy orange

> stool, FenDi Casa

Make a splash with feisty magenta < Bowl, FenDi Casa

ÂŤ Live at Etihad Towers. Call 800 384 4238 for residential leasing enquiries

40 \

O

ne of the most daunting aspects of relocating is the aftermath: when all the fuss and upheaval is over, what do you do with everything? Will that huge timber armoire fit after all? Will that artwork fade on the south-facing wall? When Jenn and Spencer Brown arrived in Abu Dhabi from their native Canada, their furniture was still en route – “When we first moved in, we camped on a sofa bed,” says Spencer with a smile, “we had a tentative vision of how everything would fit, but it was quite daunting.”

Just one year later, everything about the couple’s apartment feels like home. That Canadian furniture fits like a dream, and there’s a quirky vintage aesthetic thanks to Jenn’s love of interiors styling. “I’ve found some little hidden treasures in the markets in Abu Dhabi,” she says. “They’re tucked away, close to the fish markets; you can get some wonderful pieces.”

Rattan baskets, rustic vases and a Issue two / 2013

Style in the city By filling their elegant Etihad Towers apartment with treasured interiors pieces, Jenn and Spencer Brown have created a truly unique living space. Here, they invite us into their home beautiful woven rug bring colour and Arabian influence to the space, but there’s an international style here too: paintings – all of them sentimental – adorn the walls, alongside vintage maps and quaint photo frames.

“I love trawling through online design store etsy.com” says Jenn, “You’re supporting the artist directly, which is so nice – everything is interesting, with a story. Closer to home, we love THE One for furnishings. The blank canvas of a new build was scary at first, but it has allowed us to do so much.”

While settling in, the young couple have enjoyed discovering

all that Etihad Towers has to offer. The outdoor leisure area is a favourite hang-out – “it’s beautiful, we’ve even tried stargazing from the poolside,” says Jenn – and at weekends Jumeirah at Etihad Towers has dining options aplenty. “We love Nahaam and Quest,” says Spencer. “If you visit regularly, the staff recognise you – it really enhances the experience.

Also, it has widened our social circle: we’ve met lots of other residents in the Lobby Bar and built some close friendships.

There’s a lovely atmosphere, it’s very friendly. Our neighbours are a mix of families, singles and

couples, with people from all over the world. That’s the great thing about this development – everyone wants to live here.”

Through their circle of friends, Jenn and Spencer have seen how other families have put their stamp on the space: “Everyone we know in the building has very different styles,” says Jenn. “It all seems to work really well, though – it’s a great neutral base” At the weekends, Ras Al Akhdar offers entertainment galore: “We can walk to Marina Mall, and the beach is right on our doorstep,” says Spencer.

“On Fridays there’s a lovely buzz about the place, and the park

Images » Nasir Rauf, nasirrauf.com

/ 41

opposite the Corniche is full of families having picnics. There are bike paths and pedestrian areas planned too, which we’re really looking forward to.”

The couple enjoy entertaining, and have hosted friends and family from Canada – “they’re blown away by how beautiful the development is,” says Spencer.

One of the most spectacular features, however, is the view from the couple’s living room. “From here you can see Emirates Palace, the Gulf, and the construction of the new presidential palace,” says Jenn.

“It’s an incredible view, and it has been wonderful to see the changing skyline over the last year. At night, the lights of Emirates Palace are incredible – it’s enchanting. We have front-row seats for the fireworks, too: we’ll be making dinner, and suddenly we have an incredible firework display outside our window! When I wake up in the morning I still look out of the window and think ‘I can’t believe that this is my view’. We feel so lucky to live here.”

< Opposite: Jenn and Spencer take a seat > This page: The dining area, office, living room and master bedroom

‘The blank canvas was scary at first, but it has allowed us to do sO much...’

42 \

Virtual reality

Always on the move? Browse and buy essential amenities on the go with Etihad Towers’ new online concierge

N

obody knows a city like a topnotch concierge, but what if you had all that knowledge at your fingertips? Soon, guests and tenants of Etihad Towers will have just that, with an online application that will reveal all you need to know about Abu Dhabi, and put you in touch with the essential services and amenities.

Compatible with both Mac and PC computers, the application will provide an online directory of key contacts so you can Issue Two / 2013

browse and buy at your leisure. Better yet, you’ll be provided with login details, so you won’t have to search for your preferred services. From favourite florists to the weekly shop, you’ll have them all to hand.

But what sets Concierge at Etihad Towers apart from a traditional service, or a quick Google search? Chris Haines, technical director at Evolvin, the software development company behind the virtual concierge, explains: “Tenants will be able to use their computers from the comfort of their own

homes, or in work, to order supplies and services. They will also be able to interact with the landlord, sending and receiving messages about the building and their tenancies.”

The application will go live this spring, but a suite of software is planned for the following months, including services that will enable tenants to pay for utilities quickly, and receive exclusive offers from the services listed in the directory. Life in the city will never be the same again.

/ 43

Work Grand designs

For international architecture firm Gensler, only one Abu Dhabi development shared their vision for the future. Hazel Plush takes a look at the capital’s new creative hub

S

tepping in to Gensler Abu Dhabi’s headquarters, it’s easy to see why the international design firm chose Etihad Towers as its location. With sweeping views over the azure Arabian Gulf waters and the bustling Corniche, it’s a far cry from the company’s humble beginnings; when the global corporation launched its Abu Dhabi branch in 2008, Gensler’s managing director Tareq Abu-Sukheila was based in a converted residential building.

When I arrive at the firm, it’s the morning after the office launch party – to celebrate, the lights atop Etihad Towers became ‘Gensler red’ – announcing to the city that the company has arrived. “This is at our level,” Tareq says gesturing to the open-plan space. “If you walked into a Gensler office

44 \ ≤ Previous page: Gensler’s open-plan office and meeting space > Right, from top: Tareq Abu-Sukheila, managing director of Gensler Abu Dhabi; The view from the Gensler offices

Issue Two / 2013

‘The view, the location - they really feel like a Gift to everyone’ beautiful – we have an apartment in the hotel that we keep for visitors’ use, too. They can stay there, eat in the fantastic restaurants, and we have the gym and facilities at our disposal. Later this year we’ll be using the conference facilities at the hotel, as our board meeting is a very large event.”

The launch of Gensler’s new Abu Dhabi abode is the start of a new era for the company, a boost that has excited both Tareq and his staff: “I don’t think you can ever relax,” he says with a shrug; “you have to

keep going, like an engine. I do feel a huge sense of achievement though – I wanted to make the vision work, and so far it has. I want this office to be the hub of Gensler’s activity in the Middle East and Africa; we are planning to open a base in Kuwait and reestablish our license in Dubai, but this will be the centre. I can’t think of a better location from which to make that dream a reality.”

« Work at Etihad Towers. Call 800 384 4238 for office leasing enquiries.

Images » Nasir Rauf, nasirrauf.com

anywhere else in the world, you would see this standard. This is where we want to be – it reflects our ethos as a company, and our vision for the future.”

That future looks busy – last night was also the unveiling of the firm’s designs for the new National Bank of Abu Dhabi headquarters, the latest in a line of architecture commissions that range from the Marriott Hotel in Bloom Central to a retail hub in Kuwait. “Our aim is to have up to 100 design professionals working here to serve the region,” says Tareq. “We have 30 people working in this office, but we intend to grow to 60 people soon. We currently take up twothirds of this floor, but we have first refusal on the rest – and it’s a great place from which to grow.” There’s already a buzz in the office, with blueprints fixed to the walls, employees chatting through design briefs, and a to-scale model of the National Bank of Abu Dhabi headquarters project standing proud in the entrance.

The company made the move to Etihad Towers from a temporary office in Abu Dhabi – a transition that Tareq says has rejuvenated the staff. “The view, the location – they really feel like a gift to everyone. We wouldn’t be here without the hard work and commitment of the people in the office, and this has been a fantastic way to show their value.” Deciding on the new base was a long process – Trust Tower, Capital Gate and Sowwah Square were the other main contenders – but the result is clear: “This is a productive, creative environment that puts people at ease,” says Tareq. “The development really adds value – it’s selfcontained, and there is a real sense of arrival.

This just goes to reinforce how ‘space’ can influence one’s overall experience; out of everywhere in Abu Dhabi, Etihad Towers ranked number one for efficiency, location and property management.”

When it comes to entertaining clients, Jumeirah at Etihad Towers is perfectlyplaced, and you can often find Tareq holding meetings in Nahaam – “I eat in the hotel restaurants around three times a week,” he admits with a smile. “The surroundings are

/ 45

How to design the perfect office

Identity It is always important to communicate a company’s brand, culture and values throughout its space, but we’re now seeing this in a less literal sense than before.

Venture beyond brand colours and themes: it’s important to design a space that connects with your employees and clients in a much more meaningful and engaging way. Values like transparency, trust and collaboration can be reflected through the floor plan, furniture and technology.

Technology

Schiavello’s Nick Tennant has created business interiors for clients all over the world. Here, he shares the essential elements of a functional, future-proof space

Whether you need a minimalist, retro, organic or futuristic aesthetic, thoughtful integration of technology is the cornerstone of high-quality design. Plan your requirements very early on in the design process so you can create a space that not only supports everything from video conferencing to cloud printing, but also – most importantly – conceals cables and wires.

Images » Schiavello; Shutterstock

Flexibility Gone are the days of a one-sizefits-all approach to office layouts.

By incorporating more loose, freestanding furniture into your design, you can respond to the need for greater flexibility. Rather than build static meeting spaces, use high-backed sofas that can help to block out ambient noise and provide a meeting space that Performance can be quickly adapted to meet The quality of office space plays people’s requirements. a vast role in inspiring people to out-perform the competition, and is a tool to attract and retain Adaptability Prepare your space for the future the best talent. Look beyond by creating an agile environment conventional, corporate aesthetics – for example, hospitality design that can respond to market is ideal for active, collaborative conditions and the changing areas, while residential or needs of your workforce. education-style approaches Consider using furniture can be used to create inspiring solutions that can be easily spaces that aid concentration. adapted, moved, and changed For sociable spaces, think café or to support different working airport lounge rather than a lunch styles and densities. Anticipate room or kitchen. future needs now to ensure that changes will be as cost-effective and simple as possible. « schiavello-uae.com

Living at... Etihad Towers, Abu Dhabi • • • • • • • •

Fully fitted kitchens Leisure facilities 14 Food & Beverage outlets Waitrose Supermarket opening soon No leasing fees Competitively priced 75% leased Concierge Service

FOR LEASING ENQUIRIES: Call us at 800 384 4238 Or email us at etihadleasing@aswaqms.ae Visit Etihad Towers Leasing Office at Etihad Towers, Tower 5, Level 1.

Open from Sunday to Saturday 9:00am to 6:00pm www.etihadtowers.ae

/ 47

stay Service with a smile How Jumeirah at Etihad Towers is reinventing luxury

In a city brimming with lavish hotels and residences, how does one of the world’s finest names stay a cut above the rest? That’s the challenge posed to Jumeirah at Etihad Towers, whose worldrenowned association with top-notch hospitality puts it at the fore of Abu Dhabi’s fivestar hotels.

“Notions of luxury continue to evolve and hoteliers must evolve with it,” says Doris Greif, general manager of Jumeirah at Etihad Towers. “We recognise luxury as moments comprising various components, each of exceptional quality, and measure it by how often we can bring a smile to the guest’s face. Ability to pleasantly surprise, often conveyed with small amounts of subtle humour, has proven extremely successful.”

Those little moments of joy add up to a truly sumptuous stay – and personal touches give character and charm to each guest’s experience. Look closely at your hotel room’s artwork and you’ll have

a unique glimpse into His Highness Sheikh Suroor bin Mohamed Al Nahyan’s private photography collection, which depicts life in Abu Dhabi during the 1950s and ’60s. Gaze at the elevator interiors to discover hundreds of spellbinding semiprecious stones, or peerless views of the glittering Arabian Gulf.

Designed to engage all of the senses, these smile-making moments can be found in the simplest of places.

A coffee break in the Lobby Lounge is made unique by a sprinkle of the Jumeirah at Etihad Towers coffee spice – a mysterious blend of cardamom and cinnamon that often has guests asking for the recipe. Try it atop a freshly-made ‘Camelccino’ for a true Emirati experience. Of course, we can’t reveal all of the sumptuous touches, but we can guarantee you’ll find them at every turn… « Stay at Jumeirah at Etihad Towers.

Tel: 02 811 5888 for room reservations

48 \

5 ways to recharge your batteries at Jumeirah at Etihad Towers...

Give tired tresses a treat Using new technology from hair care specialist Kérastase, onsite salon ST Beauty will soothe your ailing locks with its new Kerathermie treatment. A scalp massage calms aching muscles while a hot oil balm replaces lost nutrients.

Bathe in natural beauty Sample the Talise Spa Tranquility Ritual for all-over rejuvenation. Soak in the splendour of a floral bath, before receiving a 60-minute massage and 60-minute facial of your choice.

Restful results guaranteed...

Drink in fanciful sights over tea Sip gourmet blends, fresh from top-notch French favourite Fauchon Le Café, amongst the nearby Avenue at Etihad Towers boutiques. The perfect respite after an eventful spree, or a restful post from which to watch the capital’s well-heeled elite pass by.

Soak up rejuvenating rays While the weather allows, revel in soothing sunlight from the comfort of a water-side sun lounger. With three pools and a stretch of secluded private beach, there’s always a sunny spot just a short stroll away.

Seek solace in the Royal Etihad Suite Commanding the entire 60th floor to itself, this lavish abode is a truly luxurious hideaway.

Take your pick from four private bed chambers, or stretch out in one of the multiple lounges, while a discreet butler caters to your every whim.

Issue two / 2013

The Audi A8 L. Always first class.

The newly developed 4.0 TFSI quattro V8 engine - just one more feature that makes the Audi A8 L a vehicle of distinction. With the highest standards in cabin luxury and 420 hp taking you from 0 to 100 km/h in 4.7 seconds, this is a vehicle that has it all, tailored to those who have it all.

Audi Connect Online Service | MMI navigation system plus with MMI touch | rear seat entertainment | reclining rear seat rearview camera | Pre sense system | Bang & Olufsen sound system | standard Audi Complete package: 3 year warranty 5 year / 105,000 km service | 24 hour road side assist

Ali & Sons Co. L.L.C. (Motor Division)

Exclusive Dealer for the Emirate of Abu Dhabi Abu Dhabi Showroom, Corniche Road, Tel.: 02 6658000 Al Ain Showroom & Service Centre, Tel.: 03 7210066 www.audi-abudhabi.com