Skip to main content

Hormazd Vakharia - Architectural Portfolio - 2019

Page 1

ARCHITECTURAL PORTFOLIO : Hormazd Vakharia

- 2019


1 - Design Dissertation a - Royal Enfeild - Sculp

ng the legacy - Museum & Corp. Head-Quarters

Pgs. 1-10

a. - THE MODULAR

BikingSpirit (Retail store)

Bangalore , India

Pgs. 13-14

Mumbai , India

Pgs. 15-16

Bangalore , India

Pgs. 17-20

Bangalore , India

Pgs. 21-22

Chennai , India

Pgs. 23-24

Mumbai , India

Pgs. 25-26

Pune, India

Pgs. 27-28

Mumbai , India

Pgs. 29-30

Mumbai & Chennai , India

Pgs. 31-32

6th sememster

Pgs. 33-34

4th sememster

Pgs. 35

5th sememster

Pgs. 36

8th sememster

Pgs. 37-38

b. - STERILE LINES

Noya inc. : Corp. head office

- NATURAL ABSTRACTION Sherlock’s Pub -

d. - PRODUCT DESIGN

‘akro’ Motorcycle accessories

e. - PUBLIC DOMAIN

-

Palladium Mall

f.

- THE OBJECT / PIECE Pa Pa Ya - Asian Bistro

g. - THE COMBINATION

Farzi Café - (Rest. & Pub)

h. - THE DETAIL

Indiabulls art gallery

I.

- THE TIE Pizza Express & Wireroom

URBAN STUDIO

c.

VILLAGE STUDIO

2 - Professional Works -

3 - Academics a. - City Cultural center (organic steel structures)

b. - Elevated monorail sta

on

(Form based design)

c.

- High Density Housing Complex (Vierendeel Girders)

d. - Ulve - Urban Township (’Car-Free’ Urban Design )

e. - Miscellaneous

(Model making & Adv. Travel )

Pgs. 39-40

RIZVI COLLEGE OF ARCHITECTURE

INDEX :


DESIGN DISSERTATION [SEMESTER 10 -NOV. 2013]

ROYAL ENFIELD Sculpting the Legacy

[Museum + Head-quarters]

Honours : Highest marks obtained in Design Dissertation in R.C.A. for academic year - 2013-14 Highest marks obtained in Design Dissertation in history of R.C.A. Highest marks obtained in Design Dissertation in Mumbai university for 2013-14 Highest Overall aggregate marks obtained in 5th year in R.C.A. for that year Highest Overall aggregate marks obtained in 5th year in Mumbai Univ for that year Shortlisted in top 10 in Thesis design competition, in west zone, India. NIASA . 2013-2014


Experience gallery

Wall of tanks

A touch and feel experience of a running bike. Requirements: Bikes on Display (classic 500 / thunderbird 500/ classic thunder/ machismo 500/ standard 350) 15m of wall display

A vast array of ‘Çut’ motorcycle tanks spread across a blank wall. Requirements: 60 tanks, 15 x 4 arrangement. 20 m long of wall required.

Test ride

Visual Design

Bookings

Mechanical Development

Store management. (Nat+Int. Nat.)

Quality Control

Sales and distribution (Nat+Int. Nat.)

Public Relations Engine Development

public domain (trade/shares/ mutual fund inv.)

Public Relations (Nat+Int. Nat.)

Showroom Dyno Testing

Accounts/ sales & Finance (Nat+Int. Nat.)

Advertisment/ mass media (Nat+Int. Nat.)

Workshop

Army-Bike section

Public Feedback

Data Processing

“Build your own Bike” Interactive display A display that lets the visitor assemble a bike. Customization of every detail of the bike will be available. This interactive display will also engage children. 4-5 self standing touch screen displays. (each 1x1 m min) Bench/ desk display (4 m )

A section dedicated to m0torcycles designed for the national defence forces, state police etc. Bikes that have been used during battles will be displayed with relevant historical documentation. Requirements: 6 bikes on display of various departments and sections of state police and indian army and navy 3 bikes revived back from action on the front lines 30 m wall space for display. 5 self standing displays of mannequins in uniform associated with the bikes Projection area where actual footage of the army police will be looped.

R&D

SALES

CORPORATE HEAD - QUARTERS MUSEUM VISIT

EXPLORE

Engine room A display of the evolution of engines Documentation of working of engine An Engine running on a dynamo.

Vintage bike section A section dedicated to the evolution of the motorbikes,its transformation from bicycles to motor bikes. Additional historical data and sample mounted bikes Requirements: 20 m of wall display min, 6 bikes on display

Requirements: Wall of broken engine parts (10 m) mounted engines 14pc. ( 7 types of engines 4 self standing displays for four sample engines to run.

Visitors info

Experience gallery

Family centre

Wall of tanks

Group tours

Build ur bike-

(school/clubs/ groups)

Dealers/ sales

Main gallery

Archives Calendar events

(interactive display)

Club riding gallery

Track riding Track training

Custom chopper gallery

Temporary exhibits

Movie screenings

Training /lectures/ av/ workshop

Do-it-yourself-training

Site visits Field trips

The journey of Royal Enfield

Vintage bike gallery

Army bike gallery

Programmes/ tours

Engine room customization garage

Racing history

Family lounge

Kids section

Historical archives Research & Development

Motorcycle art gallery

gallery

Motorcycle Art gallery A one of a kind gallery, in the biking world, it will exhibit various forms of art, from paintings to posters, and sculptures to abstracts, even have a facility for video screenings. Requirements: 30 m wall display 15 m island displays 6 stand-alone displays Open double-heighted display spaces 6-8 bikes display

DESIGN PROGRAM- 1 - [A] [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

3.


Export / Trade /Customs international Finance/ currency exchange

Common recreation zones Equipment & Stores

Internal audit

inter-national trade dept

Inter- National Management

Server Room

National Management

Electronic Data Processing [E.D.P] Human Resources

House Keeping

Museum Curator

Office Cafeteria

Web Development (Nat+Int. Nat.)

MANAGEMENT

EXECUTIVE

Custom chop-shop A garage where Royal Enfield mechanics will work on customization projects, along with visitors registered for the same . These projects will follow a constantly changing participatory model where visitors can keep coming back to contribute to the projects with the assistance of the mechanics. The garage will also serve as an additional experimentation space for the R&D dept. situated above it. Requirements:  4 working stations 4 tool cabinet sets  Wheel and rim lacing machine And Tyre fitting machine  Pneumatic lift  Main display turntable for finished projects  Rest area and changing areas for visitors  Viewing area for passing visitors

Temporary Exhibits Events and special exhibitions can be arranged in these spaces scattered all accross the museum. Consisting of everything from a semi open space to open and outdoor exhibit spaces, that can host all types of special events Temporary pavilions can be designed uniquely for each exhibit. Requirements: 100-150 sq m of covered and semi covered space. Spill out to outdoor space

Custom Choppers gallery A gallery of customized choppers, that will display to what extent, the limits of customization can be pushed and how versatile the bikes are.

Kids Zone This section of the museum is designed to engage young visitors. The section can also be a drop off area for children, if needed, while the adults explore the rest of the museum where they can spend an afternoon playing and having fun.

E A T

EVENTS

Requirements: 6 mini bikes for children to let loose and play with. A dedicated play area (eg. ball pit /rest area etc...) Bike toys and figurines Small leather gear and biker clothes for the children to dress up for pictures Little collectables and mint condition scale models of vintage/ current bikes (for the child within the adults)

SHOP The “Journey” of RE

Moto-bar restaurant

Lounge Recreation zone-kids

Food events Biker BBQ + Grill family lounge Drive-in café

Let out space to public/clubs etc

Souvenier shop

Host events/ meets/dinners

Memorebelia and equipment

Host company planned events Start point for R.E rides/rallies

Gear + Toys + Collectables

Official merchandise

Museum Curator

Clubs Riding Gallery/ Touring Culture A section dedicated to motorcycle touring culture. A displays the various clubs and groups acreoss the county. Photographic and vedio display with information of their upcoming trips. Requirements: 60 m display space 20 m table display 3 Interactive displays 4 “touring” bikes displayed video projection area

A documentation of the history of the company. A chronological display of the evolution of the company and its motorcycles. A pictorial display of photographs and copies of the Papers and documents back from its birth in Chennai. Requirements:  35 -40 m wall display  20 m table display  4 self standing cases for company agreements and original documentation.

Main Bike gallery Consists mainly of five individual galleries inter-twined with all the other dedicated exhibits .. the exhibits can be as varied as the spaces themselves and can keep rotating and changing from time to time. Even the ancillary spaces and connectors to have such exhibits dotted along them. Exhibits will contain bikes from all the ages Original bicycle company (british raaj) : 3-4 bikes War time gun manufacturers bike : 2-3 bikes Bikes from the 1950-1980’s : 6-8 bikes Bikes from the 1980-2000’s : 6-8 bikes Bikes from 2000 – present day : 4-5 bikes Future concept bike displays : 2-3 bikes

Family Lounge The family lounge is where all the visitors can rest. it also serves as a foyer and spill out for the amphitheatre. It shall include a lounge, with a snacks and drinks counter. A little play zone to keep the mini bikers occupied Requirements: Snacks counter /Lounge -50 covers/Play zone ,Rest

Amphitheatre A space, where enthusiasts can gather for special events, shows or screenings. Club members can hold meetings or dinners here. Requirements: 150 seating semi open amphitheatre Semi covered spaces about the periphery

zone

Historical Archives This section will contain an archive and library, along with displays of some historical artefacts and bikes. Journals documenting the growth of Enfield as a company.

Shopping A Shop where visitors can purchase both souvenirs and biking gear. Requirements: Sservice 50 shoppers / souveniers/ collectors eddtn articles/ misc. will include sale of riding gear/accessores/luggage/spares etc.

Food Glorious Food! Requirements: Moto-bar : 15-20 bar stools, / 50 seating tables / Biker bar Restaurant: Fully equipped kitchen/ 150 seating tables/ 50 outdoor table seating Lounge: 25 sofa Loungers/ bar and snacks counter/ 20 small coffee tables

DESIGN PROGRAM- 1 - [B] [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

4.


PLAN AT GROUND LEVEL - +0.0 m.

PLAN AT FIRST LEVEL - +6m.

[1:600 ]

[1:600 ] The design explored various responses to the condition of the road. It also evolved around the of the views from beyond the backwaters. The design also takes into consideration, an appropriate response to the waters edge. The process evolved around a clear understanding of the paradoxical relationship between the two primary entities of the programme: the museum and the corporate headquarters. The design attempts to create multiple routes of movement and thus not control how the visitor experiences the spaces; thereby making itan exploratory journey. The Form creates a progression form a Monolith to a fragmented composite, thus achieving relationships between the within and the without of the building.

KEY PLAN OF SITE AT GROUND LEVEL [1:1500 ]

DESIGN DETAILS - LEVEL PLANS -1 [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

5.


PLAN AT LEVEL 2 - +11m.

PLAN AT ROOF LEVEL - +24 m.

[1:600 ]

[1:600 ]

Conceptual view, of the idea of detaching the museum from the main land, making it appear almost ‘floating’ in the water. with the existing back waters, and by creating a foreground of water, the structure appears to be placed on display itself, floating on a pedestal of water. Conceptual plan showing access and connectivity to the “detached” structure.

KEY PLAN OF SITE AT ROOF LEVEL [1:1500 ]

DESIGN DETAILS - LEVEL PLANS -2 [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

6.


DESIGN CONCEPTS: -

Section explaining the ceilings and level in the shopping areas and archives. and also explains levels of the R.E. bike parking,...

Section explaining the roof top amphitheatre and fragmented roof structure

Conceptual section through the company showroom Emphasizing the visual connectivity between the E.C.R. and the showroom.

Conceptual diagram of the museum and H.Q., explaining volumes and cavities formed within the structure.

SECTION B-B’ [Through The Central Spine Of Museum]

Conceptual view from BBQ pit, of light filtering down through the central bay, illuminating the landscaped central pavilion.

Conceptual section of the “stairway to heaven” gallery, s how ing its mas s flowing over the lower levels and thus providing infinity views of the ocean from above the treeline

Conceptual sketch showing one possibility of the company revealing new models and special motorbikes to the media or general public. where the bike can rise out of the water in the main central courtyard, and with the correct sound and lighting, the ambiance can be set to be almost ethereal.

SECTION D-D’ -

SECTION E-E’ -

[Through ‘Stairway To Heaven’ Gallery]

[Through Museum And Company Showroom]

DESIGN SECTIONS - 1 - [A] [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

[1:300]

7.


Self study diagram trying to understand intersecting volumes and planes of the design

Self study diagram trying to understand overall volumes and lines flowing into one another within the form.

Conceptual idea of raising the form off the ground, thus creating a large cavity underneath the structure while the building drops back down beyond it, thereby letting the landscape flow seamlessly in and out of the structure

SECTION B-B’ [Through The Central Spine Of Museum]

SECTIONAL ELEVATION A-A’ [Through Museum And Corp.H.Q.]

DESIGN SECTIONS - 1 - [B] [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

[1:300]

8.


SECTION G-G’ -

SECTION F-F’ -

[Through Corp. H.Q. Cantilevered Arm]

[Through Corp. H.Q. Cafeteria Arm]

SECTION C-C’ [Through Entrance And The Central Court]

[Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

DESIGN SECTIONS - 2 [1:300]

9.


Conceptual Attempt to accentuate the hinge in the structure.

PLAN - LVL 1

PLAN - LVL 3

PLAN - LVL 2

PLAN - LVL 4

Plan showing staggering of floor plates in the Corp. H.Q. as levels rise, thus creating dynamic balcony spaces on every level, accessed by shaded finned corridors

PLAN - LVL 5

PLAN - LVL 6

PLAN - LVL 7

PLAN - LVL 8

CORP. H.Q. DESIGN DETAIL LVL. PLANS [Museum+ Head-quarters]

ROYAL ENFIELD Sculpting the Legacy

[1:400]

10.


HORMAZD VAKHARIA

CURATED PROFESSIONAL WORKS village studio is a Mumbai based, young mul -disciplinary architectural firm, that focuses on experimental architecture and design, with our fundamentals based on a strong belief in priori zing the process of design rather than just the result.

EXPERIMENTS IN DESIGN

The studio’s beliefs lie in working with unique design concepts interwoven with design philosophies and cri cal ques oning to conceptualize and generate spaces with mul ple layers that evoke a sense of awe, while s ll balancing form and func onality.

SPACIAL EXPERIENCE RE-CONFIGURATION

The studio has also dabbled in custom artworks, sculptural commissions and product design of equipment and accessories for the motorcycling industry.

V I L L A G E

Sterile Lines:

Natural Abstraction :

Product Design :

THE MODULAR : An experiment in Developing a modular system for customized Re-configura on of mul ple retail display op ons.

STERILE LINES : An experiment in combining minimalist design with dynamic geometric elements to provide a hierarchy of space.

FORM ABSTRACTION: An experiment in abstrac on of typical form using metal and stone. The shape of the house has been morphed along with the material choices to create Natural yet Visually dynamic and engaging spaces.

Village Studio’s work for Design and produc on of accessories and parts for the Motorcycle gear brand “akro”. To be produced and packaged and sold to retail

BikingSpirit (Retail Store)

Noya Office

Sherlock’s Pub

akro

Pgs. 13-14

Pgs. 15-16

Pgs. 17-20

Pgs. 21-22

The Modular

11

S T U D I O


VILLAGE STUDIO: DURATION - MAY 2017 - TILL PRESENT ROLE - PRINCIPLE ARCHITECT (founder)

URBAN STUDIO DURATION - JAN 2015 - APRIL 2017 ROLE - SENIOR ARCHITECT. PROJECTS LEAD

U R B A N

S T U D I O

Public Domain

The Object / Piece:

The Combination

The Detail:

The Tie

PUBLIC DOMAIN: Experien al Design spaces created using interac ve effect based design combined with fluidity of materials as a public exploratory structure

OBJECT / PIECE : A singular piece that is arranged and repeated to curate perspec ve and also curates the scale of the space

Differn al COMBINATION: a variety of elements designed to be reoriented to re-configure spacial experience or even usage

DEVELOPMENT OF A DETAIL that allows for endless Reconfigura on of spaces. resul ng in a constantly changing dynamic spacial experience each me.

UNIFYING ELEMENT: A singular element used to visually or physically unify a mul tude of unique individual experien al spaces.

Art gallery, Mumbai

Pizza Express, Bandra Wireroom, Chennai

Pgs. 29-30

Pgs. 31-32

Palladium Mall, Chennai Pgs. 23-24

Pa Pa Ya, Mumbai Pgs. 25-26

Farzi Café -

Pune

Pgs. 27-28

12


The Modular: An experiment in Developing a modular system for customized Re-conďŹ gura on of mul ple retail display op ons.

BikingSpirit (Retail Store) Project Type - Interior design of retail store for motorcycle gear, parts and accessories Project Size - 780 S Loca on - Bangalore , India Status - Completed Role - Principal Architect & designer

The brief called for the expansion of a small retail store selling motorcycling equipment and gear. The inventory was this extremely varied in sizes and volumes, and even in the method in which some items needed to be displayed.

Interlocking MS shelves - Modules

Wooden shelves - modules

Wall Mounted Grid - various moun ng / hanging modules

Being a rental property, the owner required the ability to move shop and simply re-install the same system elsewhere. regardless of the changes in shape or size of the new plan.

For this, a UNIVERSAL FIXING SYSTEM was required which could then have various MODULAR hangers / shelves / and other display systems to allow for an endless arrangement of items . This allows the client to customize his display as per his convenience, or based on stocks, obscure sizing or however he pleases. This setup, consis ng of wall brackets and modular interchangeable shelves can also be dismantled and re-set in any shape or size of plan available. 13

Cube-Grid Junc on Detail

Wall-Grid Moun ng Op ons


Modular wooden shelving on interchangeable modular wall-grid

Bill-Desk wall eleva on

Interlocking metal shelves arranged within MS cube-grid framework as required

‘Floa ng’ central column with various moun ng systems

New expansion design plan of store

“Jacket wall” - mounted on heavy-guage struts onto wall-mounted modular system

Original plan of store 14


Sterile Lines: An experiment in combining minimalist design with dynamic geometric elements to provide a hierarchy of space.

Noya Office

Conference room rear wall Eleva on

Project Type - Interior Design of commercial office for Noya Lifestyles Inc. Project Size - 2800 S Loca on - Mumbai , India Status - Completed Role - Principal Architect (collabora on with interior designer, Sana Shaikh)

Conference side wall - room divider with storage The triangular geometry starts small in one corner, and is tessellated as it changes size and scale to eventually move off the wall and become an open-ended room divider with internal storage and display op ons.

The brief called for a simple corporate head office space to be constructed for a bath linen manufacturer. The space had to accommodate 8-10 staff, and the 3 partner’s cabins. A conference/mee ng room with a pantry was also required to be fit. The site, being in ght corner of a building barely fit the requirements, but with a li le planning a very minimal style was selected to abstract upon the cleanliness factor of the linen. while splashes of colour and simple geometric elements were developed to form func onal par ons with storage to direct the movement through an experien al entry space, and also to set a hierarchy of space

Conference room divider with storage & Display 15

Plan


Panoramic view of en re floor-space. The office follows a simple open plan to op mize the triangular plan shape, and take advantage of the panoramic views.

3 m i n i m a l Manager’s Cabins

The 3 main cabins were designed to be absolutely minimal wooden framed cubes with unbroken white side walls, reserving a few select pastel colours, only to provide a unique iden ty to each cabin.

Open-plan office 16


Natural Abstraction : An experiment in abstrac on of typical form using metal and stone. The shape of the house has been morphed along with the material choices to create Natural yet Visually dynamic and engaging spaces.

Sherlock’s Pub Project Type - Architectural & interior design retrofit over vintage bungalow for corporate branded chain of pubs. Project Size - 11,200 S Loca on - Bangalore , India Status - Under construc on (comple on - June 2019)

Roadside View

Designed around the concept of a typical Bri sh industrial-era , illegal be ng bar, the pub is designed to have a very rus c ‘thrown-together’ kind of appearance. Adap ve reuse of construc on materials has been given importance throughout the space, forming part of the furniture and also the most of the built forms or ‘elements’ that compose the holis c design. The structure itself is a 40 Yr. old exis ng bungalow that has been almost completely hollowed out to form larger dining halls, while leading the guest through a long winding corridor full of puzzles, hidden doorways, and ar facts to build an addi onal layer of intrigue into the design experience.

The abstract shed form has a perforated concrete skin composed of aspecific arrangement of these two unique modules

Plan 17

3D view of Concrete screen to clad the outer shell.

The design is further broken down to 4 basic shapesX - O - + which are used to hide a coded message into the facade design itself.


The overall form of the design consists of a large portal frame structure built over the exis ng structure , enclosing massive volume of space inside. This frame is then simply covered with large precast concrete perforated panels specially designed and moulded for this project. the panels themselves are composed of individual shapes that all come together to form a coded message built into the design of the building itself. The con nuity of the perforated exterior shell is broken by two large ‘A’ frames breaking through the skin of the building in a single large pane of glass. This provides an extremely ‘outdoorsy’ dining experience with an intricate play of shadows cast from the pa erns during the day.. while at night the en re structure glows outward with a warm yellow glow of the interior lights on most nights. On nights with events the special ligh ng and sound shows held on the terrace will spill over onto the busy public street catching everyone’s eyes framed perfectly between the surrounding buildings.

Longitudinal Sec on

Front Eleva on

Rear side - Sec onal Eleva on

18


Terrace & Lo Level View overlooking stage area with jackfruit Tree breaking into the structure

Site Mock-Up Of final Concrete screen which will form the outer skin of the Steel Structure

Keeping true to its load bearing construc on, all the window openings are masonry arches that integrate into the new structural scheme All the openings are framed using heavy metal built-up plates unique to each loca on , these industrial frames are filled with various translucent an que bo le glass, and wired glasses to give the desired effect

Corridor-End Arch 19

Internal Arch with MS Built-up frame


Various intricate details have been developed for all areas, big and small. This detailing is essen al in integra ng tradi onal building construc on techniques,and also to conceal ambient and design ligh ng features into the structure itself. The end result is a space more true to the 1920's era it is designed around, with a majority of the suppor ng tech hidden away from the guests.

Typical ‘Strip-Sec on’ through front facade Current status of construc on comple on : - road side view

Stone Arch inset into brick wall - rear side

3d view of proposed backyard design (under construc on currently) 20


PRODUCT DESIGN: Village Studio’s work for Design and produc on of accessories and parts for the Motorcycle gear brand “akro”. To be produced and packaged and sold to retail customers.

akro : Factory Stock KTM RC 390

As an avid Motorcycle Tourer, we have spent many months on the road alone with our vehicles. This gives us a unique perspec ve about the shortcomings of available equipment and accessories.

akro Fibre-glass fairing

akro aims to redesign products based on our own personal experiences to give the customer a be er end result in terms of ease of use, prac cality and value for money as quality standards are set extremely high. Product List 1. KTM 390RC- Ultra Light Wt. Fiber-glass Race Fairing

akro Fibreglass fairing

2. Tool roll Bag- Tuff Cordura construc on 3. Swing-arm Spools- Milled from 6061-T6 aluminium 4. Paddock Stand- Modular design for Flat-Packing 5. Handle-Bar End Weights- High Density S.S alloy solid 6. Rear View Mirror Extenders- CnC milled Aluminium 7. Aux. Light Wiring Harness- waterproof (Mil. Spec.) 8. Race Equipment Trolley bag - One bag to fit it all! 9. Race-Suit Carrying Case - Tough yet Vented Tex le 10. Luggage Tie-Downs : 1 ton break strength straps 11. Tank + Saddle + Seat Mounted, interchangable modular luggage systems 21

Original tail end to be reduced by 6" by removing the stock tail-lamps and full seat and replacing it with a hollow fibreglass shell. -- Total reduc on = 8 Kg.-This Page: Akro - Ultra Light Race Fairing Designed and built to keep the weight at a minimum, The en re race body is built as a ‘loaddesigned’ fiberglass shell. with technical guidance from “Mr. Zamir M.” a “Micro-lite Plane” Manufacturer. Modifica ons to the form have been made to reduce drag and increase leverage during track manoeuvres. Total wt. reduc on from original =6% of total weight = 8 KG

Fibre-glass tank ‘wings’ For extra leverage on track turning

Special “cutoff tail-end” design detail


akro Paddock stand Prototype tes ng

Final Packaging for retail

Akro Tool-Roll Bag

3D Model & Drawings

Spools in produc on Milling process Le : Motorcycle Paddock Stand - Designed segmental to breakdown for transport & Pits & also flat-packing. Built using a triangular truss loading system to li the heaviest of ‘superbikes’ at upwards of 300 Kgs.

Top: Akro Tool-Roll Bag - built from 600D Cordura . Its rugged construc on can handle even heavy tools rubbing against the fabric when packed. Specially designed keeping road-side working ease in mind, while s ll maximizing capacity to carry tools

akro Paddock stand Prototype tes ng

Top: Motorcycle Swing-Arm Spools - Milled from 6061-T6 Aircra grade Aluminum- Solid 30 mm dia rod . Spools Act as adapters to receive the Paddock Stand Mount for service / inspec on.

22


Reflec ve Zone

Public Domain

Projec on Zone Central atrium

Mall Corridor

PUBLIC DOMAIN: Experien al design spaces created using interac ve effect based design, combined with fluidity of materials as a public exploratory structure

Reflec ve Zone

Retail stores

Retail stores

Sec on through central atrium

Palladium Mall, Chennai Project Type - Full interior and exterior design for Palladium Mall. Project Size - 125000 S Loca on - Chennai , India Status - Completed Role - Project team lead architect (in charge of design development and execu on)

The design focuses on “cleaning-up” the visual clu er of services and other bits that normally plague public malls. Fluidity and con nuity of surfaces and materials being the primary focus. The ceilings are made to flow in flat unbroken concentric rings achieved by “tucking-in” all the necessary services into a single black line that flows unbroken across the en re floor , crea ng a very bold and contras ng play of lines and edges.

Services Strip detail

Pen-rose mirror pieces cover the en re vaulted ceiling to create an intera c ve everchanging design

Central atrium The Palladium Mall , Chennai, was conceptualized to provide a pla orm for some of the worlds most luxurious brands to showcase their products, and as such the en re mall has been conceptualized as an interac ve art installa on that exudes a sense of luxury.

Reflec ve Zone

The main atriums were designed on an ideology of trea ng the design of these central spaces as large art installa ons using a simple play of light and reflec ons. Divided up into 2 types of installa ons, reflec ve and Key Plan Projec ve - the reflec ve zones are made up of bronze of mall mirrors cut in a penrose geometry, to allow the mirrors to flow freely over an organic curved dome, resul ng in distorted ‘coloured-blob’ reflec ons of all the people, and ac vity below. This installa on is constantly morphing and pulsa ng in real- me as the people move about their own paths. The reflec ve installa ons lead you to the main central atrium node, which has mul ple concentric rings that are all part of a programable light and sound show, for which the en re ceiling has been projec on-mapped, 23

Projec on Zone (Central atrium)

Reflec ve Zone

The users spacial experience is based on an effect generated by i t s s u r ro u n d i n g s o r governed by a set of rules resul ng in various outcomes.


e

The usually dead walls of the mall facade were clad in a zinc skin, formed in a scale line geometry that begins completely flat and then slowly grows out of the building forming a three dimensional form that becomes a programable part of a light and sound show installa on built permanently into the building.

Main entry to the mall conceptualized as a grand art piece with a unique security and airlock lobby

Programable colour changing ligh ng over the facade . 3-D conceptualiza on of form

Air-Lock Lobby - Sculptural fins, form visual barricades to provide adequate privacy while s ll forming a grand entrance

Typical slab edge profile and railing detail that runs con nuously from each floor , & down the escalator to the lower floor maintaining the cun nuous fluidity of the form.

Typical slab edge profile and inclined full-glass railing detail that is a key feature of Finished Sculptural the design. installa on 24


The Object / Piece:

Pa Pa Ya, Mumbai Project Type - Interior design of an experimental fine-dining restaurant Project Size - 3200 S Loca on - Mumbai , India Status - Completed Role - Project team lead architect (in charge of design development and execu on) Malls in general provide mostly windowless awkward spaces to work within, The design was thus made to be “intrinsic” , focussing on the spacial experience within. Experimental Molecular Gastronomy being the cuisine served, the idea of a “molecular-chain” was abstracted into a single geometric cuboid (doe-decahedron) which could ‘link-up’ with one another in 6 axis’ into long chains that governed the movement and scale of the interior space, forming unique dining experiences throughout. The cuboids themselves are formed of 6 unique modules that broke the visual repe on making the flow and appear completely unique at every loca on. The walls being a canvas for the dynamic drama provided by the “cuboids”, were designed as a simple rough texture, that acts as a plain canvas for the otherwise dynamic design form. In keeping with this, a simple colour transforma on and blending has been done, as the wine red colour changes to a deep purple from one end of the restaurant to the other. 25

UNIQUE CUBOID MODULES

OBJECT / PIECE : A singular piece that is arranged and repeated to curate perspec ve and also curates the scale of the space

Forma on of a single Doedecahedron cuboid

6 Unique modules

3D render View

Link up to form chains Cuboid Chains forming cozy dining spaces

Of endless combina ons

Which are used to curate volumes and spaces in all 3 axis

Flower Vines Projec on mapped on Cuboids


These cuboids were then further layered with an assortment of unique perforated faces which when layered with a system of l i g h n g , ge n e rate d i nt r i cate shadow pa erns burs ng through the cubes and onto the walls.

Plan showing cuboid chains

An addi onal digital layer of Projec ons were ‘Mapped’ over the cuboids to create a dynamic and interrac ve table experience. The en re space comes to life with projec ons designed to make the ‘cuboids’ glow and pulsate with lines, pa erns & even videos, projected precisely onto the edges and faces of the cuboids, transforming the en re space.

Different perfora on pa erns stamped into each face

The movement of cuboids in all 3 axis’ generate different spacial experiences

3D Design development

Table ambiance with projec on mapped cubes 26


Light filtering in through the concrete screen facade

The Combination DIFFERENTIAL COMBINATION: a variety of elements designed to be reoriented to re-congure spacial experience or even usage

Farzi Café -

Pune

A “Tuesday lunch” medium density setup

Project Type - Interior & Product design of a Restaurant and Pub Project Size - 4500 Sft & 7500 Sft Location - Mumbai & Pune, India Status - Completed Role - Project team lead architect (in charge of design development and execution)

Designed around the concept of re-configura on of spaces. The Restaurants were designed using a number of elements and details that allowed for the layout to be completely changed and reoriented depending on the day of the week, or crowds present at any given me.

Central floor-space cleared off chairs for a live-band / event setup

The tables themselves were designed with an internal screw mechanism to change the height from sea ng to standing tables as required. While the en re table se ngs were built on pla orms with wheels to be easily re-arrangable. Mul ple pla orms could come together in in unique arrangements to maintain a visual density of the space even on an empty day.

Heights of the screw-tables can change from sea ng to standing based on the night High Density sea ng layout 27

Event - Standing table layout

Low Density sea ng layout


The understanding that a restaurant or pub func ons completely different on a Saturday evening v/s a Tuesday evening. and even from lunch to dinner services, was the basis of the design. The layouts could be modified to accommodate various capaci es of people while ensuring the space does not look empty, even with only a few tables filled. While on a weekend event, the layout changes to maximize the number of people it can accommodate by a lateral shi in sea ng to the periphery and remove seats to fit more standing tables.

Pla orms spread out to evenly fill space

Pla orms move to sides, leaving the center open

Copper frame sea ng assembly

Modular cushions to adjust height based on table se ng

An addi onal layer of large Copper frames sea ngs were designed and built , suspended from tracks mounted to the ceiling, so they too can be used in various loca ons as required to control the density of the space.

Pla orms move to center to add visual mass

The various elements that dynamically move to allow re-configura on of spaces 28


The Detail: DEVELOPMENT OF A DETAIL that allows for endless Re-configura on of spaces. resul ng in a constantly changing dynamic spacial experience each me.

Art Gallery, Mumbai Project Type - Interior design of an Art Gallery Project Size - 9000 S Loca on - Mumbai , India Status - Completed Role - Part of the Project team (in charge of detail R&D & development) The Site was a major governing factor for the design. A large open space with columns was the blank canvas provided to us. As the gallery was meant to exhibit various forms of art, ranging in any and every size and shape imaginable, it was cri cal that the space itself served as an endlessly changing pla orm that could be organised to fit any kind of installa on or exhibi on as needed.

This allows the space to be endlessly rearranged in any permuta on-combina on required using simple logical design details. The bearings too were en rely conceptualized keeping in mind simplicity of construc on, cost of execu on and ease of use, using standard metal sec ons and frames and wheels, rather than using complicated engineering.

29

Top: X-ray view of art display boxes - Showing conceptual movementrange and conceptual bearing with rail and guide system.

Le & right : Various permuta ons of possible arrangements of movable boxes to curate the movement and flow of visitors through the space


This was achieved by the development of a singular detail of a large rolling bearing , built in situ around the columns . The columns act as a pivot, around which each a simple steel frame mass (on wheels) could be moved back and forth or even rotated in any degree. to curate the volumes of the space and to govern a unique movement and ow through the exhibi on as required for each exhibit.

Arrangement - 1

Exploded view of c o m p l e t e movement bearing system and lightbox build-up

Arrangement - 2

Arrangement - 3

Arrangement - 4 30


Conceptual Axo view of suspended concrete screen

The Tie UNIFYING ELEMENT: A singular element used to visually or physically unify a mul tude of unique individual experien al spaces.

Pizza Express, Bandra Wireroom, Chennai Project Type - Interior & Product design of a Restaurant and Pub Project Size - 3800 S & 3400 S Loca on - Mumbai & Chennai Status - Completed Role - Project team lead architect (in charge of

Individual le modules

In certain Scenarios, the available site has various factors, from columns and beams to varying ceiling heights etc, that restrain the possibili es of design and layout. This can develop into a very fragmented space that could come across as disjointed or accidental. It is also some mes a design requirement to create varied table experiences, However in such cases the spaces can be configured using an element that flows through or encompasses the space in its en rety. This element acts as a e member unifying the space visually or physically or both. In the case of pizza express, the space is held together by an abstrac on of a grid, developed from studying the pa erns and propor ons of the handcra ed doors and windows which were a common feature in the surrounding context of Heritage homes found in the locality. This grid encompasses the en re space, and visually unifies the en re space, even as it flows out beyond the extent of the space and into the yard and about a lilly-pond on the exterior. the grid is composed mainly of specially designed and cast concrete les however they change materials based on loca on, including wood, marble and glass les over the windows. 31

Typical wall eleva on


The Wireroom, Chennai was plagued with an awkward plan with varying ceiling heights and volumes. the design uses an element of woven steel cables , abstracted from the famous local ‘kancheepuram’ woven silks. This weave of steel cables unify the space and the inconsistencies of the plan, drama cally changing how the user ‘experiences’ the space. These cables are designed u s i n g a s i m p l e sy s t e m o f h a n g e rs a n d counterweights to maintain tension in the cables while s ll being true to the design.

The reflec ve table tops replicate the same dynamism of the ceiling even as you look down

Pizza Express - Mumbai Plan Layout Showing suspended concrete le screen, that holds the en re space in one design language

The Wire-Room, Chennai. Plan layout showing extent of ‘woven strings’ suspended from the ceiling

Brass finished steel cables weave across the ceiling while the central naive is held with suspended brass Plumb- weights 32


Academic Work : CITY CULTURAL CENTER , (KHARGHAR). - Rizvi College of Architecture, Mumbai - 6th semester : - Architectural Design Studio An experiment in organic flowing steel structures with a living green skin. The design is intended to blend in seamlessly with the land, an organic steel shell supporting a green living wall system, wraps itself around the skeleton of the spaces within, thus giving the appearance of a vast contoured hill covered with lawn and slight vegetation and has dynamic concrete punctures disappearing into the hillside. As the topography unwinds itself the green-scape appears to rise up off the ground forming a cascading arch allowing the visitor to virtually cut under the site and come out on the other side. The centre is aimed to be a very free boundaryless space which merges seamlessly with the footpath surrounding it on three sides. Making it appear almost as if it was a natural hillock upon which visitors can explore their way about this cultural melting pot and share ideas and interact with other visitors, all while being oriented to accentuate a view of the mountain ranges which are in the background of the public square. [which is also the centre stage for large scale public art]

The structure is designed to be open and fluid, in terms of movement, so that the visitors can walk over the structure and use the a m p h i t h e at re / g re e n spaces on the building

33

The structure li s up from the ground allowing free movement through the site connec ng both ends through a massive, natural looking archway / cavern

The natural living skin of the facade flows around the structural framework crea ng a fluid undula ng mass reminiscent of the surrounding hills and landscape


Sec on through the ‘suspended dormitory ’ which allows for connec vity to the central gathering space

Entrance level plan - Lvl 2

The flowing green skin forming a hilly landscape shall make the mass ‘disappear’

The building should appear like a natural face of a hillock to visually be more subtle

South- side view of commercial office block li ed off the ground

Sec on through the main commercial office block which financially supports the running and maintenance of the en re Public center

Sec on through the ‘suspended dormitory ’ corridor and Main Auditorium and external amphitheatre sea ng built into the strucure itself

34


Academic Work : ELEVATED MONORAIL STATION - Rizvi College of Architecture, Mumbai - 4th semester : - Architectural Design Studio An experiment in form- based design development

View of proposed public garden below suspended sta on

Taking inspira on from the human form, the idea was to give back to the city what it needs the most. open public green spaces, by crea ng a vast column free space below the sta on by suspending the sta on from a number of ‘Mega-columns’. The concept is based on the mechanics of the human body involved in li ing heavy loads and understanding the load-transfer from the body to the ground. The major roadway has been taken underground where safe unloading areas have been provided, connec ng directly to the sta on and public park above. The form of the sta on itself is meant to be very delicate and light, being just a vast tubular truss shaded by horizontal fins within certain segments to create a very light ‘arcade in the sky’ feel to it.

Conceptual load transfer diagram

3 -D Massing detail

Lateral sec on 3 -D Massing overview

Longitudinal sec on 35


Academic Work : HIGH DENSITY HOUSING COMPLEX - Rizvi College of Architecture, Mumbai - 5 th semester : - Architectural Design Studio An experiment in vierendeel structural systems - stacked villas, with private backyards The driving factor behind the design was to not just create houses, but homes. Regardless of what your income status is, a house needs to feel personal and an owner needs to feel that sense of belonging to make it a home, and this was achieved by crea ng each residence stacked correctly to provide a front ‘green space’ and even a back yard. Which residents could consider as their very own bungalows with their own private gardens stacked on top of another.

An external staircase connects all the residences

Sec onal eleva on through external stairwell

Structurally the form is comprised of a modular extendable vierendeel girder system, which is completely self-suppor ng and structurally sound and even provide column free spaces within each unit to allow for complete liberty of design internally. Each level pivots about a central core running services and u li es to each unit, thus resul ng in a very dynamic overall design, that truly symbolises the phrase, order in chaos. With private green corners for all residents, and clima cally designed for cross ven la on and adequate insula on, owners can truly call these tranquil spaces amidst the chaos of the city, their home.

Masterplan

Typical plan @ Lvl 2 & 5

Typical plan @ Penthouse

Typical plan @ Lvl 1 & 4

Typical plan @ Lvl 3 & 6

The “W” shaped orienta on of the individual houses were inten onally “opened-up” to provide wide open views for all

Hand made Model 1:100 36


Academic Work : ULVE , URBAN TOWNSHIP , (MUMBAI). - Rizvi College of Architecture, Mumbai - 8th semester : - Architectural Design Studio Car Free - A quest in urban planning

3 -D Massing model of township - Birds-eye view Birds-eye view of commercial complex including offices / recrea on /cinema and an en re mall - rising out of the landscape

The Design brief was to plan, design and detail a Neighbourhood of Roughly a square kilometre in area. The site would include residen al spaces for all economic segments of society, It would also contain green open spaces ,office buildings, ins tu ons and ameni es and also commercial centres like a hotel, a mall and mul plex to cater to all the needs of the neighbourhood. My approach to this problem was to create a completely ‘Car-free’ pedestrianized neighbourhood,which would be a module for future developments. All such “neighbourhoods” are connected by a mass transit system, thus elimina ng the need to take a personal vehicle while travelling between neighbourhoods.

Conceptual zoning of an individual CAR-FREE Neighbourhood

Car-free doesn’t mean car-less, access is provided to each residen al building via peripheral roads along the boundaries of the neighbourhood. However the internal roads are reserved for pedestrians mainly. [except emergency vehicles]. The network of pedestrian pathways criss-crosses its way about mul ple gardens and green zones and eventually spills out into a public plaza which is the forefront for the mall and mul plex. The structure of the mul plex is submerged into the hill, making the boundary between the built and the un-built blurred from within the community, while from the periphery the centre has a solid stone and glass façade not giving the slightest clue of the hidden world on the other side.

37

Mul ple such “neighbourhoods can be connected using a mass transit system toprovide an op on or a car free city


3 -D Massing model of township

Masterplan of township

1 of 4 Designs for High-income residences - with 3 BHK Layouts

Red = Vehicular accessible roads Blue = cycle/Pedestrian-only roads

1 of 3 Designs for Medium-income residences - with 1 - 2 BHK Layouts

1 of 3 Designs for Low-income residences - with 0 - 1 BHK Layouts 38


Miscellaneous : Pictures of my personal Travels and adventures which give us tremendous exposure and experiences , And also images of my Hobby for building intricate and detailed physical models , Private Residence Beachouse Commissioned 4th year Model

Corporate oďŹƒce

Private Residence Beachouse -

Commissioned Thesis Model

Private Residence Farmhouse

Commissioned Thesis Model 39

Private Residence Cabin in the woods


Camping in Raigad, Maharashtra

Lamayuru - spring me

Nubra Valley Beacon valley

Nothern Himalayas Indo-Tibet border

High al tude Desert 40


Turn static files into dynamic content formats.

Create a flipbook
Hormazd Vakharia - Architectural Portfolio - 2019 by Hormazd Vakharia - Issuu