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HopArt 2018

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HopArt 2018


In considering the selection for the HopArt 2018 Catalog, I looked to artist James Luna for inspiration. A Guggenheim Fellowship recipient that exhibited at museums such as MoMA, the New Museum, the Whitney, and LACMA, Luna was a highly respected installation and performance artist, photographer, and writer known for challenging predominant perceptions of Native Americans. He drew from his Puyukitchum, Ipai, and Mexican American Indian heritages to confront stereotypes and colonial dynamics through his art. James Luna passed away recently on March 4th, 2018. I’m compelled to take this opportunity and pay some small tribute to a personal hero. I also feel that Luna’s legacy is an ideal lens through which to consider artwork selection. This isn’t to say I sought out thematic resonance with Luna’s work; although there is a long history of alignment between art and activism, I don’t intend to imply that every artist need champion some cause. Rather, I mean to emphasize that strong artwork requires vulnerability and risk taking to question perceptions of the world around us and of ourselves. Whether it was in concept, form, medium, or technique, the final artwork selections spoke to me in terms of taking some type of risk. I looked for a sense of extending beyond what was initially assumed by or expected of the artist. In some cases, I favored experimentation over impressive execution, though these are certainly not mutually exclusive categories. Every submission was compelling in some aspect; it is only fair to state that jurying is a challenging exercise in subjectivity. “I truly live in two worlds. This ‘two world’ concept once posed too much ambiguity for me, as I felt torn as to whom I was. In maturity I have come to find it the source of my power.” - James Luna I offer the above quote as a response to the level of ambition and translation that permeates the artwork I had the pleasure of considering. In Luna’s case, the two worlds he worked to reconcile were that of Native American identity and “mainstream” society. In the cases of your wonderful pieces, I experienced generative tensions between worlds of light and dark, analog and digital, form and function, internal self and public persona. It may be that individuals who engage with art making learn to bridge worlds. Or perhaps it’s that individuals already inclined to be conduits gravitate towards creative expression. I suspect it’s a bit of both: an innate quality honed by practice. It’s clear that all of you have this quality and I sincerely hope that you continue with creative practice well beyond this catalog. Regardless of the vocations you pursue, remember this source of power. Our many worlds always need to have their perceptions challenged. David Kim is an artist, biologist, member of the art collective Biome Arts, and Co-Works Program Manager for interdisciplinary making-research at the Rhode Island School of Design.


Grace Lim, Digital Art

Meera Parthasarathy, Photography I

Ana Amaral, Studio Art III

Hop-Art 2018 1


Kyle Kauzens, AP Studio Art

2


Junqiong Qui, AP Studio Art

Grace Liu, Studio Art I

Grace Liu, Photography II

Julia Underdah, Studio Art I

Hop-Art 2018 3


Brittany Forsmo, Photography II

Grace Schacterle, Studio Art IV

4

Amelia Hagberg, Fab Lab


Sarah Weissinger, Studio Art II

Brittany Forsmo, Independent Study in Photography

Hop-Art 2018 5


Megan Canfield, Studio Art III

6


Charlotte Pickard, Digital Art

Lily Rooney, Digital Art

Emily Dembinski, AP Studio Art

Hop-Art 2018 7


Amanda Kelly, Studio Art I

Usayd Sheikh, Graphic Design

Allison Bird, Ceramics

Jacob Sullivan, Fab Lab

8


Patrick Webb, Independent Study in Photography

Hop-Art 2018 9


Brittany Forsmo, Photography II

Nathan Thomas, Digital Photography

10


Hanna Ianelli, Studio Art II

Lily Kasper, Studio Art II

Hop-Art 2018 11


Zhuofan Ma, AP Studio Art

Nicholas DePatie, Graphic Design

12


Robbie Bernardin, Studio Art 1

Linnea Pappas-Buyers, Studio Art II

Olivia O’Connor, Studio Art I

Hop-Art 2018 13


Nicholas DePatie, Graphic Design

Eleri Schutte, Studio Art I 14


Madeline Strickland, Digital Photography

Sammy Robert, AP Studio Art

Hop-Art 2018 15


Hayden VanBeek, Graphic Design

16


Julia MacDonald, Digital Photography

Suneeta Tandon, Studio Art III

Hop-Art 2018 17


Linnea Pappas-Buyers, Studio Art II

Julia Lerner, Studio Art I

18


Grace Lehman, Photography II

Jack Micallef, Digital Photography

Hop-Art 2018 19


Nora Drechsler, Photography II

Jacob Weinstock, Photography I

20


Stephanie Kapelos, Studio Art I

Sara Weissinger, Studio Art II

Hop-Art 2018 21


Abby Brown, Photography II

Nora Drechsler, Photography II

22


Abby Casady, Studio Art I

Caroline Connell, Studio Art I

Julia Underdah, Photography II

Hop-Art 2018 23


Nate Morissey, Digital Art

Ben Warndahl, AP Studio Art

24

Kristina Weldon, Studio Art IV


Tess Greenwood, Ceramics

Rachel Bachman, Digital Photography

Hop-Art 2018 25


GUEST JUROR: David Kim

Co-Works Program Manager RHODE ISLAND SCHOOL OF DESIGN

FACULTY:

Kris Kellenberger Colleen Gianino Christine Enos Sterling Worrell Sara Williams

FEATURED WORKS FROM: Studio Art Photography Ceramics Digital Art Graphic Design Fab Lab

COVER IMAGE:

Helen Aghababian, Class of 2018

Funded by the:

Hopkinton Parent Teachers Association

HHS Art Department 90 Hayden Rowe Street Hopkinton, MA 01748

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