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http://artschool.hkac.org.hk LIFELONG LEARNING FOR ARTS AND CREATIVITY | 創意 •藝術 終 身學習
Higher Diploma in Communication Design
Graphic Graduation Exhibition 5th
—
26th February 2005
以這樣 "■個新課程 的建立 > 整体 學生的 表現令 人滿意 > 尤其是 在字体 基礎上 “ 圖 形掌握 上達到 高水平 。 學生 對畢業 作品習 的選題 ■"如 過往 > 表 現出對 社會的 關懷 > 值 得鼓勵 部份 同學所選的商 業題材 亦有探 討人與 人之間 的關係 ? 這正 切合 設計在 未來世 界發展 的?位與貢獻 0
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藉此 恭賀各 同學得到滿意 的成績 •所 學到的 在未來 事業上 有很大 的幫助 但亦 需繼 續發展 對社會 世界 的關懷 > 盡力 參與公 共事務 用 設計的 力量改 善生活 社會 以至 全世界 。 ?
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劉小康 藝 術學院 榮譽學 術顧問
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"Without their imaginative engagement
& perseveranceÿ
Change
could not have been realized
“
Preface
I believe that the strength of the design projects here in The Art School grows from the way in which one subject matter informs another. It's a kind of cross-pollination. Primarily, students are benefited from each other during brainstorming, discussion and sharing. In a longer term, the process starts in our school and continues in design business, to the culture of the city. Having been engaged in the programme for three years, we accept change and the need to respond as an immutable ?aw. Browse these pages. We have created them in the hope that you will discover unconventional and imaginative ways of combining colour, photographs, illustrations, type, layout, paper, printing techniques to create fresh and visually arresting communications. This book not only presents and explores their design and transformation process, but also reflects their passion and commitment in graphic design.
Amy Chow Programme Coordinator/Lecturer, Applied Arts The Art School, Hong Kong Arts Centre
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設計 現在給 我萬能 的感覺 好 像現今 社會上 世 界上甚 麼事與 物裡都 包含設計的原素在內
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設計 在這個 時間內 是不可 缺少的 如果沒 有設計 的社會 ? 人們的 生活是 甚麼都 很難估 計呢?
所以在 我的國 度內設計是有 很大的 影響力
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而是有 生命的 如果設計者沒 有給予 設計物 的生命 "它"就而失去設計 的意義 設計的 本義除 了完成 它本身 的工作 它本身 都應該 有設計 者的力 量存在 這個想 法就是 讀了這 課程的 我現時 的想法
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而我 自己不停地想 自己本身想用 設計做 什麼呢 ? 如果 只是為 了金錢 ? 我們這些 設計師 根本不 用設計 ? 因為現在 的世界 裡因做 設計而 名成利 就的設 計師也 不足二 三百人 ? 所 以設計 不會給我們帶 來物質 的歡樂 ?
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而我們可以 倣的只 是不停 追問我們自己 可以為 設計做 什麼呢 ?
我 希望每 個設計 者也會不停問 自己這個問題 ■?*
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謝謝 !
At this moment, design gives me sense of invincibility. It is just like our society; almost everything has some kind of design element within them. Design is inseparable in our times;
just imagine a society without designÿ what kind of lives will be living in? Therefore, in my opinion,
design has a very great impact to us. As for me, from learning about design and putting it in practice,
I believe design is not an object, instead it is aliveÿ y\ If a designer does.jlot provide life to what he or she designs, "IT" loses its meanirtg. Design is not just to finish the project itself, but also have the energy that is given by the maker within; and it is the very thing I've learnt from this course. j
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no matter in Hong Kong or the rest of tÿe world, this energy is being ignored bf people. \ / I always questiorr myself "whaft can I go vÿyriy design 禱 ities? 一 If becoming a designef siTO發ly I assume it is pointless, “ because well-known designerÿ 3|e not therefore most likely it cannot ustsa傷 ÿ m Somehow, ÿ
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-ctiorr in area. I can only keep askingÿÿelf the same question; arid which I also the rest tlie dappers cir| ask themselves also!
hope Thank you! Good-bye!
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This course opened my mind, offered me 720 degrees of thinking
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身 體輕了 ’剩著 氣流浮 到天空 上變成 卷積雲 •把陽光'折射 然後 ,~陣•"陣地把積聚在身 上的雨 水落下 。 幻化 成不同 的彩光 眼 界開了 色 彩更多 > 看 得更遠
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witting by the window, Isee the same landscape but different sky. After my threeyear studying in the Art School, I realized ?at a different education method could indeed enormously change a person mind. "Cloud" represents my learning history in the art sdiod:? used to be a bulky cloud shadowing my own sky. i desired learning something new. The feeling encourages me to step into the next level of my professional. I have dropped down the rain and became as light as air. Driven by the air blast and climbing to the upper sky, i receive the sunlight and refract it to different colors. Now, with my eyes opened, and !have leamt more and gone further.
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去 竇踐和 應用美 學理論 ,是我在 這數載學習裡 ,體會最
深 和最想 延續的 使命。 現在 我的設計先重 視設計 的動機和目的 ,才發展 到視覺 傳達 ,加上 一套完 整合理 的計劃 。 ‘;, ’
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我邋 記得遊 學到歡 洲的齎 地體驗 ,親眼看 到對藝術發展 有 代表性 的真跡 ,如 大衛像 、維納斯 女神和 Red blue Chair 等 ,一一 都讓 我更深 體會到 藝術和 生活之 間的關 令 我的信 念更強 。 係之深 ,
Design itself is a part of the life. It brings harmonious. To implement this thought with all the design theory is my mission, and my deepest experience in these years. Today, I pay attention to design purpose and try to come up with a complete and reasonable design system before developing ideas into visual communication.
I still remember my study trip in Europe, I visited and "experience" those significant masterpiece like Michelangelo's "David", Botticelli's "The Birth of Venus", Gerrit Rietveid's "Red Blue Chair" etc. Each of them strengthens my faith that art and life are inseparable.
Realization of Love
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沒 有不變 的東西 ,我信 。 變好變 壞變多 變少變 幻莫測 。 對設計 : 認識 、基礎 變深了 :興趣 、熱誠 、渴求 變濃了 ; 變寬 變廣了 。 思考 的角度 、方式變多了 ; 視野 , 對自己 : 多 了看書 ,看 到自己 的不足 ;多 了信心 ,少 了疑惑的時間 ; 多 了追求 ,追 求知識 的增長 ;多 了堅持 ,少 了妥協 的掙扎 。 最重要 的改變 Impossible變多了 一點點 ,成了 "ÿM POSSIBLE" 窮則變 ,變則通 ,我信 。
I believe therefs nothing carTt be changed.
Changes can be good or bad or more or less...thousands of possibility.
in design aspect: I know
moreÿ
love more, desire more;
I have built a solider base; gained multiangular perspectives and wider horizon;
rm able to provide more solutionÿ in my own aspect:
I read
moreÿ
and read my own weakness;
rm more confidentÿ
less doubting;
I desire more, for more knowledge; lfm more insistenceÿ less struggling;
the most important changes is: be a bit more than Impossible, and become TM POSSIBLE" i believe, turn when there's no way ahead.
Changes make things possible.
“想今日為別人去做
,希望能 做到幫 助別人 ?
77
It's now Thursday night 24 hours before I have to hand in this writing. Under a soft yellow light, I sit before the desk, gazing at an old toy left by a colleague 4 years ago. I feel tranquilly. I pull the handle of the toy to make it turns. Watching its motion, memories flash back In the past, I worked for others. I just thought of disappointing no one. In the past, I did what I liked. I do things from my own point of view. In the past, when result was not good, I felt unhappy. In the past, I regarded my success as only by chance. I had no confidence. In the past, I thought being beautiful means good. In the past, ? felt unhappy. These were the thoughts that used to form my design ideas!
NowWhen I work for others, I want to be really helpful. I still do what I like, but under the circumstances that do not disturb others. When the result is not good, I will not feel depress as I know this is only a small part of my life. When success comes to me, I will take a rest to enjoy it. I think beautiful may not be good. I feel happy. These are the thoughts that formed my present design ideas! The toy was left unconsciously. Changes occur unconsciously.
Thomas Siu
現在 是星期 四晚上—— 在昏黃燈光 映照下 交稿前二十 四小時 。
,我 坐在工 作桌前 ,
看? 四年前 同事留 下來的 舊玩具 ,感 覺平靜 。 我拉動 一下玩 具手掣
,看 它在轉 ,回 想從前
過 去為別 人去做
——
,希望 不會使 人失望 ;
過 去想做 自己喜歡的事 ,從自 己的立場出發 ; 過 去成績 不好時 ,不開心 ;
過去認為得來 的成功 是僥倖
,沒信心 ;
過去認為美 就是好 ,過去不開心
。
這 些影響 了我昔 日的設計想法 !
今日 想今 日為別人去做
想成績 不好時
——
,希望能 做到幫 助別人
:
想做 自己喜歡的事 ,從 沒影響 人出發
;
,不會過 份傷心 ,明白這 只是人 生的一 小段落
:
想得來 的成功 是僥倖
,會放 鬆開心 一陣子 ;
認 為美不就是好
,
想開心 。
這 些引導我今日 的設計想法!
玩 具在不 知不覺 地留下 , 改 變在不 知不覺 地發生
。
簫劍英
Elki, Tam Wai Sheung
course has given me valuable insights into a variety of design subjects and issues, equipping me for the challenges that lie ahead. From a design point of view, every object has its unique beauty. Appreciating it from different perspectives breeds endless steam of imagination.
Through completing this course, I have developed the attitude to observe carefully, think thoroughly, attempt confidently and commit wholeheartedly. Such attitude will certainly be very helpful in my future endeavor. Be it in my career or my life.
這 個課程 讓我對 每 一事一 物也有 了重新 的看法 和理解
。
從 美學角 度來看 , 每一 樣東西 也有它 們不同 的層面 和角度 只 要肯多 加探索 和發掘 , 自然發現不 同層面和角度 也有不 同的美 亦 能給我 無窮無 盡的想 像空間 。
「細心觀察
、多 加思考 、大 膽嘗試 、用心 去做」
是我從 這個課 程中深 深體會 得到的 , 也是我 將來在 設計路 途上的 座佑銘 。
雖然課 程結束 , 但 希望同 學們一 起上路 _ 同設計大家 的未來 。
With this course now draws to a close, I would like to take this opportunity to wish my team, classmates every success in their design careerÿ
Parent & Child Relationship
改變 對 我來? ,改變 是事與 事之間 的不同 。在我的 設計中 , 每一 件設計 作品都 有它的 改 變不是 一個輕 易出現 的詞語 。 概 念和製 作過程 ,並非?改變就 能馬上 改變的 。 所 修 改設計 有時候 會誤改 其意義 ,甚至糟 蹋其存 在價值 。 以無論 設計還 是修改 ,都必先 考慮清 楚該如 何處理 ,其用 處、 效果、 和將 會起到 的影響 。設 計若缺 乏這思考過程 , 其內 容將完 全改變 。在設計人 生中有 很多的 「改變」 ,踏 入 這行業 ,發覺事 情每分 每秒都 在改變 。 好 處是專 業知識 得以不 斷增長 ,壞處 是不能 捉緊改 變中的 一?那 。
改變對 每個人 的成長 都是不 可少的 ,無論是 生活還 是工作 , 關 鍵是個 人的思 想和改 變方向 。
Change For me, change is the alteration from one form to another. Change is not to be taken lightly. Every element designed has its own process and meaning. When a design simply works but a decision of change is made, it is fundamentally wrong. Design is not easy, in fact very difficult. When amended, a design work's essential meaning may be sometimes misinterpreted. Even worse, the value of it may be spoilt. Therefore, before and during working on the design, you must fully consider things such as: how to do it or amend it; what will be the result after amendment; where it is used; and what your design objective is. Without such, your work's meaning is easily altered. You may encounter many changes in your design career. Ever since getting in this field of profession, I have realized that things are changing every single second. On the good side, you gain professional knowledge gradually; on the other, you simply get lost in the ever changing environment. Change is inevitable to everyone, both in one's career and life. The main point is, you get the right direction of change.
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FINAL PROJECT: PARENT & CHILD RELATIONSHIP
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個個都 出盡力 做到最 好?
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經過 大半年 既時間
,終 於完成 Final Project!
大 家心情 由最初 唔係好 緊張去 到越黎 越緊張 ,個 個都出 盡力做 到最好
。
所以每 個同學 都做得 好好!
We finished our final projects! We were getting more and more nervous throughout the process.
Everyone put great effort on the project. So, We are the best! •by nicole-
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Wong Wing Sze
97
Design: a liking turned into love; an occupation turned into a mission I have gained much knowledge about design through these days of learning. My teacher impressed me most with passion and persistence. I graduately felt the charisma and influential power of design, and learned how to appreciate others' work.
I have learned that there are many possibilities in design. I earn a lot in experiments and enjoy a lot through failures. I now believe that design can change the world and improve our lives. This is the mission of a designer after all. With the course coming to
an end, I find myself making a new start. The last course "How far can we go?" gave me a new perspective, letting me see design in a much
wider spectrum than ever before.
設 計於我 ÿ 從喜歡 到熱愛
, 由一份職業 變成一 份使命
。
經過這 段日子 的摸索 和學習 ,我 學到不少知識 ,但 更珍貴 的是感
我亦 體會到 設計的 魅力和 影響力 , 受 到導師對設計的熱誠和堅持 。
並學 懂尊重 和欣賞 別人的 創作。
我 認識到 創作有 無盡的 可能性 ,我從失 敗中汲 取經驗 ,從 過程中 享受 樂趣。 現在 ,我 堅信設 計能改 變世界
、改 善生活
,這是 設計師 的使命
雖然課程 很快便 要結束 ,但我卻 覺得這 是一個 新開始 主題 ÿHow
。
。最後 一課的
far can we go?ÿ 很 有意思 。設計 的實用 意義遠 比想像
中廣闊 ,我從此開闢 了新的 視點。
去年 十一月 ,終 於把從 荷蘭帶 會來的 160棵鬱金 香球根 ,下 種在新 。為 了在香 港的氣候也有 冷凍期 ,它 們已經 霸佔了 達兩個 月之久 ,再配合新買 的花泥 和肥料 ,定時 冰箱長 我三 份一個 澆水和悉心呵護 ,好 不容易 終於等 到一棵嫩芽冒 出頭來 ,就 一心期 待 著這些 鬱金香 開得一片燦爛 的樣子 。 買 回來的花盆中
然而 ,隨著日子過去 ,這芽並 沒有如 期成長 ,反而 被寄生 物纏上 , 枯死了 。 其他球 根也沒有動靜 ,似是對這泥 土上的 世界興趣杳杳 ..... 好生失 望之餘 ,也就由 他去吧 。 而且不 祗一棵 ,所有球 誰 知在某 個早晨 ,在 花盆裡 又看見 了綠色 。 土上佔 了自己 的位子 ,擁擁擠 根都長 出芽來 。 一棵一棵小小 的在泥 雖然它們形 擠 ,有點像 小學生 一起旅 行似的 ,嘰哩哇啦的 在閒聊 。 狀 、顏色和 生長速 度都大 有差別 ,卻 通通都是我的 鬱金香 。 差異, 祗讓它 們更有 自己的個性。
在這四 年的全 職?學 生涯中 ,深深的 體會到 ?育的 責任和 使命感 , 同 時也學 會包容和堅持 ,縱使多 疲累都 不放棄 。 to all my students
be true to yourself! to continue, to grow, to find your frontiers." Bye! Write letters.
When asked to give out an after thought to this year grad students, I have a mix of blessing. I want to thank all of the students and teaching staffs for having the great opportunity to share, to learn and to pass on the creative knowledge of what we call design in these couple years. Being a teacher is not as easy as simply passing one's knowledge to others. A teacher must have the ability to relate to students, to built up trust, to create confidence, to encourage, to instill idea, to tolerate fault and sometime entertain. In design education, there are endless materials arid knowledge to compile. As a design history teacher myself, there are numerous of "isms" to shape our contemporary design and they are only a book-minded skill and waiting for us to experiment and venture. During these fruitful and painful years there are open minds skill students have created along these year among themselves. Ttiis is what I define the attitude towards design, this is where you cannot learn from a book, but students have gained and discovered these element through design education. They may be quite informal, but they sure worth for all of us to remember because these are our valuable learning experience. Allow me to present "The New Isms of Design" in my special poor Chinese and English, and pardon for my grammar and spelling mistake. To show my special field of "New Isms" in informal design education, here I have a listing of examples. Please feel free to add on to the list. 唔係覯 唔覯, 係適合 唔適合 Appropriatism 做 design 要有 Passionism
Dedicatio?ism Grid and no gridism 重做 再重做 Redoism 50個layouts 聽日要 ism Sleeplessism Banism I Impactism No boundaryism Design係唔奇 以?,係培養 ism Design processism 唔好再問! 做做做 ism
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Deadlineism Exploreism Problem solvingism Why should I careism? 設 計師咪 係要做 設計囉 ism Participationism Printer 無色 ism 你明 唔明呀 ism 要有內 及有外 form=contentism 呀?! all in englishism Confusionism Lostism Size and Scaleism 太多 computer effectism No time, no doism 公司 too much workism
零 伍畢業 有兩班 亞 二老三 共一堂 回 望多年 辛酸淚
帶 倦上學 夜歸家 往 昔努力 終結果 今 後共進 新領域
來 日挑戰若艱難 身 旁荊棘 滿路途 雙 腳盡踏 尖石路 牙 關抖震 乏信心
點解要咁做 ism7
謹 記設計 無新舊 唯 有助人 建天地 真 意不怕 壞心腸 良 心設計 定有機
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cdesign 2005 David Chan, Vince Cheung cphoto 2005 Jeff Wong All rights reserved
The Art School, Hong Kong Arts Centre Main Campus 10/F, 2 Harbour Road, Wanchai, Hong Kong
Learning Centre 17M/F, Hopewell Centre, 183 Queen's Road East Wanchai, Hong Kong
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