國際黑盒劇場節2016 小冊子

G

香港 O

N

H

NG KO

人

Performer Studio

九

鄭

阿姆斯特丹劇團 Toneelgroep Amsterdam

莫比斯圓環創作公社 Möbius Strip Theatre

的後代

G KONG

DS

N

×

香港

×

T

AI

臺灣

威爾斯

the 9 fridas

ALES ×

T

RLA

27-30.10 W

荷蘭 NE

HE

15-23.10

N

15-17.4

O

La voix humaine

芙烈達

Descendants of the Eunuch Admiral

WAN × H

土方巽舞踏研究場 White Room Research Collective

SO U

PA N

之

劇団 B 級遊擊隊 BKYUYUGEKITAI

R

Creative VaQi 크리에이티브 바키

N

ONG

K

×

JA PA

香港

之後

10-13.11 日本

顏 Asagao

KO

房間

White Room

3-6.11

TH

EA

南韓

日本 JA

× H NG O

Before After

17-20.11

國際黑盒劇場節2016策劃 Curator, International Black Box Festival 2016

馮蔚衡 Fung Wai Hang

我在此謹代表香港話劇團歡迎所有參節的藝術家和他們的劇作，包括 在今年 4 月已率先亮相、由阿姆斯特丹劇團演出的《人聲》，此劇除了 獲得觀眾的熱烈迴響外，更為國際黑盒劇場節掀起序幕。緊接下來的 10 月和 11 月，香港觀眾將可於本團黑盒劇場，觀賞來自威爾斯及臺 灣、日本、南韓和香港的精彩製作，部份演出更是跨地域合作，也可 視為國際劇場創意火花交織的文化交流！ 國際黑盒劇場節 2016 的主題是「文本霓虹 — 折射人文光譜」。顧名思 義，演出呈現了戲劇文本不同的形式，例如經典的演繹、新文本的寫 法、突破的結構，以至集體創作等。當代存在著複雜的情感關係，乃 至人與人、國與國之間迥異的思維模式，在國際黑盒劇場節中將以廣 闊的想像和創意，引領觀眾探索人文精神的多元面貌。 除了演出外，我們也很重視創作人的「現身說法」，今屆國際黑盒劇場 節設有不同類型的工作坊及講座，由參節的戲劇工作者親自介紹他們 創作的理念和心得，以至分享他們獨特的創作方法，供香港同業作研 習之用，機會實在難逢！ 衷心感謝所有國際黑盒劇場節的伙伴機構，特別是荷蘭領事館、英國 文化協會和香港演藝學院戲劇學院的大力支持。我熱切期待香港觀眾 踴躍參與，在黑盒劇場感受「劇場全球化」的懾人魅力！

Hong Kong Repertory Theatre is honoured to present another lineup this year. Our selections feature renowned directors, playwrights and professors as well as accomplished young practitioners from around the world. A total of six highly anticipated, stylistically different productions will be presented in Hong Kong!

On behalf of the HKREP, I’d like to extend a warm welcome to our visiting artists and their productions, including the Toneelgroep Amsterdam that already graced our stage in April with La voix humaine to tremendous acclaim. La voix humaine was a prelude to our International Black Box Festival. In October and November, audiences can enjoy wonderful productions from Wales / Taiwan, Japan, South Korea and Hong Kong, some of which are collaborations across different regions. They are the products of cultural encounters resulting in a multitude of creative synergy!

The theme of this year’s Black Box Festival is “The Colours of Humanity”.

Our offerings include a variety of dramatic treatments, from classic translations to exploration of new writing, from breakthroughs in dramatic structure to works created collectively. We live in an age of complicated emotions and relationships that affect not only the nature of human connection but also our thinking beyond national boundaries. We aim to provide our audiences with a wide vista where imagination and creativity roam free among the many facets of our collective, civilized spirit.

Our Festival has always presented supplemental activities to our live performances. Because it’s imperative that creators be given channels to “share their stories”, we have organized a series of workshops and talks providing a platform for visiting artists to talk about their creations and concepts firsthand. These are rare opportunities for Hong Kong’s theatre practitioners and enthusiasts to learn from others!

Photo_Pow@Bluer．Fashion_Harrison Wong

繼 2014 年，香港話劇團很榮幸再度舉辦國際黑盒劇場節。今屆國際黑 盒劇場節匯聚了蜚聲國際的導演、編劇、教授和年輕有為的劇場工作 者，並帶來了六齣風格各異、卻同樣精彩的劇場佳作，教人期待！

香港話劇團國際黑盒劇場節 2016 ： 文本霓虹 ― 折射人文光譜 HKREP International Black Box Festival 2016: The Colours of Humanity Following the success of our International Black Box Festival in 2014, the

I must express my gratitude to partner institutions that make this Black Box Festival possible, especially the Netherlands Consulate General in Hong Kong, the British Council and the School of Drama of the Hong Kong Academy for Performing Arts. I look forward with much eagerness to greeting our audiences as they enter our own Black Box Theatre, when they come face-to-face with the irresistible charm of “global theatre”!

陳敢權 Anthony Chan 藝術總監 Artistic Director 3

製作及演出 Produced and performed by

第八屆香港小劇場獎 The 8th Hong Kong Theatre Libre 最佳導演提名 Nomination for Best Director

for

m

e 香港 r Stud Hon io gK ong

Descendants of the Eunuch Admiral

2015年改編版本製作 2015 adapted version produced by

15 - 23 .

10 .

2016

Photo by 香港演藝學院 The Hong Kong Academy for Performing Arts

Per

更多資訊 further info

新加坡劇場之父郭寶崑經典名著 新一代菁英重新演繹 A timeless classic by Kuo Pao-kun, a forefather of Singaporean theatre Brought on stage again by a rising star cast and crew 編劇 Playwright

郭寶崑 Kuo Pao-kun 「我越來越發現，自己確確實實跟他是休戚相關、一脈相承的，

導演 / 改編 / 形體編導 Director / Adaptation / Movement Director

我根本就是這位太監大帥的後代！」 一齣關於政治與閹割的作品，《鄭和的後代》描寫 15 世紀鄭和 艦隊七次下西洋時，作為太監被去勢引起的身體與心靈的強烈 衝擊，比喻現代人類在社會競爭的非人性壓迫下，別無選擇地 自我閹割與被閹割。 面對大海，鄭和尋覓的是什麼？面對大時代的變遷，我們如何 自處？

黃龍斌 Tony Wong▲ 演出 Cast

“...the more I discover, the more I am convinced that we were related, that I had to be a descendant of the Eunuch Admiral.”

胡浚浩 黎樂恆 陳嘉茵 黃庭姍 陳庭軒 梁仲恆 翁煒桐 陳衍彤 袁浩楊 李俊霖 Wu Tsun Ho Marcus, Lai Lok Hang Luke, Chan Ka Yan Karen, Jessica Wong, Chan Ting Hin Henry, Leung Chung Hang, Yung Wai Tung Pink, Chan Hin Tung, Yuen Ho Yeung, Li Chun Lam James

A powerful work about castration and politics, Descendants of the Eunuch Admiral recounts the legacy of the man responsible for China’s most extensive maritime expeditions in the 15th century, the legendary eunuch, Admiral Zheng He. Using the metaphor of castration, parallels are drawn between the power struggles of court eunuchs and the displacement of modern human beings who make sacrifices in their lives in order to survive in the highly competitive and industrious society.

Mon 一

《明報》石琪

“Tony Wong takes up the roles of director, adaptation and movement director in re-creating this play. The dancy treatment of body movement is particularly outstanding. The big group of actors and actresses perform well, and they create a strong dynamics and excellent music.”

Sek Kei, Mingpao Daily

Thu 四

Fri 五

Sat 六

15 18

19

20

21

8pm*

8pm*

8pm*

8pm

22 3pm 8pm

$200 *$180 平日票價 Weekday Special（不設劃位 Free Seating） # 設演後座談會 With post-performance talk

香港話劇團黑盒劇場 HKREP Black Box

（上環文娛中心 8/F Sheung Wan Civic Centre） 粵語演出 Presented in Cantonese

全劇長約1小時15分鐘，不設中場休息 Approximately 1 hr 15 mins without intermission ▲

5

Wed 三

8pm#

What was Zheng He searching from the sea? What do we desire from our position in society?

「黃龍斌身兼導演、改編、形體編導再創作，而以舞蹈式形體處理最突出，大批男女演員亦佳，構成強勁動 感和優異樂韻。」

Tue 二

蒙香港演藝學院允准參與製作 With kind permission of The Hong Kong Academy for Performing Arts

Sun 日

16

3pm#

23 3pm

製作及演出 Produced and performed by

威爾

莫比

斯

×

斯圓

環 臺灣 創作 公 × 香港 社 M Wa öbiu s les × T Strip aiw an Thea tr ×H ong e Kon g

贊助 Sponsors

27 - 30 .

10 .

2016

Photo by 李欣哲 Lee Hsin-che

the 9 fridas

更多資訊 further info

《九面芙烈達》是一幅馬賽克圖像，以連串的印象與故事拼貼 墨西哥藝術家芙烈達．卡蘿（1907-1954）的一生，以及劇中 人物「F」通過馬雅九層地獄的虛構旅程。幾個詠頌隊中的人 物在旅程中伴隨著「F」，他們和「F」一樣，都是芙烈達．卡 蘿，卻也都不是她本人，不過他們的故事和芙烈達生平中的真 實事件相互呼應 ： 被背叛的妻子、社運分子、因車禍嚴重傷 殘的青少年、時尚名人、奮力掙扎的藝術家…… 《九面芙烈 達》由 威 爾 斯 編 劇 凱 特．奧 萊 莉 編 寫，並 由 提倡 「身心合一」表演而著名的導演菲利浦．薩里利教授執導，他 將會帶領臺灣和香港的演員，向觀眾展現芙烈達的不同面貌。 此作品並非傳統傳記，是以新文本敘事劇場形式，透過獨白、 對話、影像和旁白創建和審視芙烈達的一生。

破格創新作品 舞台上展現墨西哥女畫家傳奇華麗的一生 無不驚艷 The legend of Mexican artist Frida Kahlo’s brought boldly to the live stage The 9 fridas is a mosaic, a collage of impressions and stories reflecting the life of Mexican artist Frida Kahlo (1907-1954) and the fictional journey of ‘F’ through the 9 Hells of the Mayan Underworld. ‘F’ is accompanied by a chorus of figures who, like her, are and are not Frida Kahlo, but whose stories echo actual events from Frida’s life: the betrayed wife, the political activist, the teenager severely disabled in a road accident, the fashion icon, the struggling artist...

編劇 Playwright

凱特．奧萊莉 Kaite O’Reilly 翻譯 Translation

陳佾均 Betty Chen

The 9 fridas is written by playwright Kaite O’Reilly from Wales and directed by Prof. Phillip Zarrilli who has developed a system of actor training emphasising psychophysical acting. He will lead a cast of performers from Taiwan and Hong Kong to bring to life the different faces of the world’s most famous female artist, Frida Kahlo. The 9 fridas is not simply a traditional biographical work, but a new writing form of narrative theatre utilizing soliloquy, dialogue, video footage and narration to create and examine the artist’s struggles in life, and to shed light on situations today.

導演 Director

菲利浦．薩里利 Phillip Zarrilli 演出 Cast

梁菲倚 鄭志忠 陳柏廷 馬英妮 張藝生 Faye Leong, Cheng Chih-chung, Chen Po-ting, Ma Ying-ni, Alex Cheung 聯合演出 Co-starred

馮蔚衡 Fung Wai Hang 錄像演出 Video Performers

林子恆 謝盈萱 陳慧勻 Longlong Lin, Hsieh Ying-shiuan, Pun Chen 「 《九面芙烈達》並非傳統傳記故事，而是藉由肢體有障礙的演員、跨性別裝扮、片段式的影像與聲音，像馬賽克一樣試圖拼貼出卡蘿不斷重新創 造、詮釋自我的面貌。」 《台灣醒報》范捷茵

Mon 一

Tue 二

Wed 三

“The 9 fridas is not a conventional biography, but a portrayal of Kahlo re-invented and self-interpreted, through a collage of fragmented images and sounds, by disabled actors and of cross-dressing.”

Fan Jie-yin, Awakening News Network

Sat 六

Sun 日

27

28

29

30

8pm

8pm

8pm

3pm#

（不設劃位 Free Seating） # 設演後座談會 With post-performance talk

國立臺北藝術大學戲劇學系專任講師 于善祿

Yu Shan-lu, Lecturer, Department of Theatre Arts, Taipei National University of the Arts

Fri 五

$280

「這些層層疊疊的框與幕，一方面呼應了 Frida Kahlo 的藝術生命，另一方面也預示了劇 本敘事的拼貼組裝、相互滲透，建構起劇作家對 Frida Kahlo 的總體印象。」 “All these overlapping layers of frames and curtains, on the one hand, echo with Frida Kahlo’s artistic life, and, on the other hand, foretell the script to be a collage of narratives assembled together and permeated through each other, in order to construct an overall image that the playwright has for Frida Kahlo.”

Thu 四

香港話劇團黑盒劇場 HKREP Black Box

（上環文娛中心 8/F Sheung Wan Civic Centre） 本節目為2014臺北藝術節委託製作 World premiere production commissioned by Taipei Arts Festival 2014

7

國語演出 附中文字幕 Presented in Mandarin with Chinese surtitles 全劇長約2小時，不設中場休息 Approximately 2 hrs without intermission

5pm

製作及演出 Produced and performed by

劇団

B級

遊擊

隊

BK

YU

YU

GE

KI 日本 TAI Jap an

3. - 6 11 .

2016

Photo by 佐藤元紀 Sato Motomori

Asagao

更多資訊 further info

《脫皮爸爸》編劇佃典彥全新作品 訴說一段離奇曲折的夫妻關係 Written and performed by playwright Tsukuda Norihiko of Shed Skin A tale of a strange marriage full of unexpected twists

丈夫出外公幹半年後回家，發現家中空無一人。前一晚，他明 明還在跟太太通電話。 突然出現的地產經紀帶來一個秘密，令丈夫大感不惑。 牽牛花生滿屋和天花板，看來屋已經丟空了一段日子。妻子究 竟身在何方？ 《朝顏》是佃典彥特地為參與是次國際黑盒劇場節而創作的全 新戲碼，編劇之餘更親自擔綱演出。故事時空穿插、片段交 錯、情節荒誕，當中不乏幽默諷刺，同時滲出絲絲無奈。

After working away from home for six months, a husband returns, only to find that the house is empty. Last night, he was still speaking to his wife on the phone. An estate agent appears all of a sudden, revealing a secret in the process. The husband is left in even greater confusion.

The wall and the ceiling are overgrown with morning glory vines, suggesting that the house has been left vacant for a while. Is his wife whom he hasn’t seen for a long time still in the house, or is she gone for good?

Asagao is a new work created by playwright Tsukuda Norihiko for International Black Box Festival 2016. Time, space and fragments of events cross over each other; underneath the sharp sarcasm behind a series of absurd events is a lingering sense of helplessness.

編劇 Playwright

佃典彥 Tsukuda Norihiko 導演 Director

神谷尚吾 Kamiya Shogo 演出 Cast

佃典彥 山口未知 吉村公佑 Tsukuda Norihiko, Yamaguchi Michi, Yoshimura Kousuke

Mon 一

Tue 二

Wed 三

Thu 四

Fri 五

3

4

8pm

8pm

Sat 六

5

3pm# 8pm

$280

（不設劃位 Free Seating） # 設演後座談會 With post-performance talk

香港話劇團黑盒劇場 HKREP Black Box

（上環文娛中心 8/F Sheung Wan Civic Centre）

日語演出 附中文字幕 Presented in Japanese with Chinese surtitles 全劇長約1小時20分鐘，不設中場休息 Approximately 1 hr 20 mins without intermission

9

Sun 日

6 5pm

主辦、製作及演出 Presented, produced & performed by

土方

巽舞

踏研

Wh

ite

R

o 日本 om R × esea 香港 rch Jap Coll e an × H ctive ong Kon g

White Room

10 - 13 .

11 .

2016

Photo by Alfred Zanini (left), Maximillian Cheng (right)

究場

更多資訊 further info

白房間內風光正茂，夢遊少女踏著冰雹、化成霧霾來尋找你。 一場揭示皮膚底下誰是誰的解剖，哈姆雷特在談天使的排序， 小白蛇又從地心攀進她的小腿，從雲朵爬進她的額角。榮格一 邊廂翻開他對人性原型的分析，土方巽問門生 ：「你是人嗎？ ……你如何能確定？似乎人和自己的肉體是距離最遠的東西。」 七個病人共舞於白房間內，通過她 / 他們的洪水和幽谷，烏托 邦原來已經近在咫尺。

舞踏 x 文本 以舞踏的形式聆聽榮格七位病人的心底話語 Butoh x Text Seven patients in a white room, a spectrum of madness converge into a sharp white beam of deep love and humanity

Seven patients in a white room, each in a plead to stand tall in the darkness. Their burning desires loom. An electric creature lives in my body. I don’t know how to come back from a dream. A lady is watching my struggle from the top of a hill. Someone else, this person is always blaming me, always in a phone call. Don’t step on my shadow! Haha, that’s right, I am a very bad girl. My body is an instrument. Do you know the pain? Within these four walls, how will they fair by themselves?

Their worlds, a spectrum of madness, converge into a sharp white beam of deep love and humanity. And beyond these four walls, where will the eyes of the world rest?

文本 / 導演 Text / Director

和栗由紀夫 Waguri Yukio 演出 Cast

和栗由紀夫 黃碧琪 陳麗珠 周可凡 朱詠家 林沛濂 謝嘉豪 戚惠致 Waguri Yukio, Rebecca Wong, Bonni Chan, Hofan Chau, Dorothy Chu, Anson Lam, Tse Kar Ho Tomas, Wilson Chik

Mon 一

Tue 二

Wed 三

Thu 四

Fri 五

10

11

8pm

8pm

Sat 六

12

3pm# 8pm

Sun 日

13 5pm

$280

（不設劃位 Free Seating） # 設演後座談會 With post-performance talk

香港話劇團黑盒劇場 HKREP Black Box

（上環文娛中心 8/F Sheung Wan Civic Centre）

粵語及英語演出 附中英文字幕 Presented in Cantonese & English with Chinese & English surtitles

11

製作及演出 Produced and performed by

第35屆國際戲劇協會英熙戲劇獎 2016 The 35th ITI Annual Young-hee Theatre Award 2016 韓國戲劇評論 2015 年度七大作品 Top 7 Theatre of 2015, The Korean Theatre Review

Cre

國際演藝評論家協會（韓國分會）2015 年度三大作品 Top 3 Theatre of 2015, International Association of Theatre Critics (Korea)

韓國戲劇獎 2015 最佳新進導演、最佳新進演員 Best Young Director, Best Young Actress, Korean Theatre Awards 2015

東亞戲劇獎 2015 最佳新進女演員 Best Young Actress, Dong–A Theatre Awards 2015

ativ

eV aQ

i크

리에

이 南韓 티브 바 Sou 키 th K ore a

委約及聯合製作 Commissioned and Co-Produced by

協辦 In Association with

17 - 20 .

11 .

2016

影音贊助 Audio Visual Sponsor

Photo by Doosan Art Center

Before After

更多資訊 further info

南韓得獎青年導演與演員攜手創作 回溯世越號沉船意外 探究災難後社會創傷 Award-winning South Korean director and actors join forces To examine the social consequences of the accident and tragedy of MV Sewol

《之前之後》以時間分段，講述災難前後社會上的轉變。災難 降臨，天崩地裂，把周遭一切分割成兩個世界。是什麼讓我們 感受到此災難對自身生活的影響？ 成秀娟目睹罹患癌症的父親逐步走近死亡 ； 蔡山河的朋友離 世後，他感到有所虧欠 ； 張誠益受襲後幾乎失明，落入恐懼 無助當中 ； 金達軒在 2014 年 4 月 16 日於喜馬拉雅山上遠足 ； 羅景敏翻看從前的日記，回首往昔 ； 張修珍戲劇化政府的行 動和感受。 一樁大事件與幾個人物在事件前後的經歷相互交錯。同時，台 上「我」的經歷，竟與「你」所處身的空間驟然相遇。

「一個提出大量疑問的劇場很容易流於平面和生硬，但 VaQi 的作品卻 總是那麼引人入勝。」 “A play with many questions can easily be flat and stilted, but VaQi’s work is always fascinating.”

Jae-yul Ko, SisaIN

「李敬誠對於我們身處的世界有著非比尋常的敏銳洞察力。」

Hak-soo Moon《京鄉報》

Before After is divided into sections based on time. It shows the changes that occur before and after a devastating event. A time before and after is created after a tragic, irreversible event. What experiences do we go through that make us realize that an event has affected “our” lives? The play Before After begins by answering this question.

編劇 Playwright

集體創作 Collective devised work 導演 Director

李敬誠 Kyung-sung Lee

Soo-yeon Sung has gradually witnessed the death of her father who has cancer. San-ha Chae feels indebted after his friend’s death.

Sung-ik Jang, who has almost lost his sight due to the assault he suffers in the hands of the government, has fallen into a state of helplessness. Da-huin Kim is trekking in the Himalayas on April 16, 2014. Kyung-min Na retraces those times gone by from his diary and memories. Su-jin Jang dramatizes the actions and feelings of the government.

The play uses a pivotal event in our society that intersects with before and after events that occur in different people’s lives. What happens as a point in “my” time on stage suddenly meets “your” space.

戲劇指導 Dramaturgy

全康希 Kang-hee Jeon 演出 Cast

張誠益 羅景敏 張修珍 成秀娟 蔡山河 金達軒 Sung-ik Jang, Kyung-min Na, Su-jin Jang, Soo-yeon Sung, San-ha Chae, Da-huin Kim

Mon 一

Tue 二

Wed 三

“Kyung-sung Lee has a remarkably keen insight into the world we live in.”

Thu 四

Fri 五

17

18

8pm

8pm

Sat 六

Sun 日

19

20

3pm# 8pm

Hak-soo Moon, Kyunghyang Newspaper

$280

（不設劃位 Free Seating） # 設演後座談會 With post-performance talk

「令人炫目的新實驗示範，通過將劇場與傳媒材料的精彩結合，擴展劇 場語言……」

香港話劇團黑盒劇場 HKREP Black Box

（上環文娛中心 8/F Sheung Wan Civic Centre）

“A dazzling display of new experiment. Expended theatrical language through fabulous mixture of theatre and media materials...”

韓語演出 附中文字幕 Presented in Korean with Chinese surtitles

E-daily

全劇長約1小時40分鐘，不設中場休息 Approximately 1 hr 40 mins without intermission

13

5pm

工作坊 Workshop

合辦 Co-organized by

演員和舞者的奧菲莉亞 — 從 舞踏譜通往文本演繹 A Performer’s Words: Awakening Text through Butoh-fu 舞踏譜是舞踏始創人土方巽記錄舞蹈動作的特有方法，以語 言啟發表演者進入細緻的想像時間和空間，以創造肢體動作 和意象。 在工作坊內，我們先一起探訪以史坦尼斯拉夫斯基體系的文 本演繹路徑，從人物的心理分析出發，以台詞和行動傳遞一 個活的當下。 之後，我們便跳進舞踏譜的世界，從一系列不同的肢體指引 和控制，進入更深層和直接的身體連繫，享受傳達文本的自 由和多樣性，感受語言在劇場內的真正力量和意義。 Butoh notation (Butoh-fu) is a method of choreography that uses words to create an imaginative time and space, physicalizing imagery through words.

During the workshop, we will (re)visit the psychological approach towards text / script performance as outlined by the Stanislavsky system of acting - character objectives, given circumstances and the moment of fresh impulses in an imaginary reality. Then we will plunge into the world of Butoh-fu, seeking a visceral and poetic connection through its refined bodily perimeters, so as to experience a new freedom and richness in delivering text and awaken the true power of language in the theatre.

導師 ： 陳麗珠 Instructor: Bonni Chan 1) 13.9.2016（二 Tue）7:30pm – 10:30pm

日期 / 時間 Date / Time

導師 ： 和栗由紀夫 Instructor: Waguri Yukio 2) 16.9.2016（五 Fri） 12nn – 7pm 3) 17.9.2016（六 Sat） 12nn – 7pm （包括一小時休息時間 including one hour break） 名額 Quota

16

語言 Medium of Instruction

13.9.2016 粵語 Cantonese 16-17.9.2016 英語 English

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

$1,500

截止報名日期 Closing Date for Application

6.9.2016（二 Tue）

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws1（報名時請附上簡歷 Please enclose a brief CV）

陳麗珠 Bonni Chan

和栗由紀夫 Waguri Yukio

進劇場聯合藝術總監。畢業於香港芭蕾舞學院，隨後於 香港演藝學院攻讀戲劇，連續三年獲校內最傑出女演員 獎。畢業後，加入香港話劇團。1991 年赴倫敦深造， 92 年與紀文舜成立進劇場，在英國及歐洲等地進行創 作及教學。95 年回港，繼續創作及導演所有進劇場的 原創劇目，並分別憑《魚戰役溫柔》及《闖進一棵橡樹 的年輪》獲香港舞台劇獎最佳女主角 ； 亦憑《4.48 精 神崩潰》獲香港小劇場獎最佳女主角。自 01 年起隨美 莉茵．費花接受魁根斯方法的訓練。 Bonni Chan is the Co-Artistic Director of Theatre du Pif. She graduated from the Hong Kong Academy of Ballet and went on to study acting at the Hong Kong Academy for Performing Arts, winning the Best Actress of the Year award for three consecutive years. After graduating, she joined the Hong Kong Repertory Theatre and performed in a number of productions. In 1991 she moved to London to study with various teachers, and in 1992 founded Theatre du Pif with Sean Curran. Since returning to Hong Kong in 1995, she has continued to devise and direct Theatre du Pif’s over twenty original productions locally and abroad. She was awarded Best Actress for Fish Heads and Tales – a tender war and The Oak Tree – An Odyssey at the Hong Kong Drama Awards and for 4.48 Psychosis at the Hong Kong Theatre Libre.

14

和栗由紀夫為舞踏大師土方巽的門生及石棉館之首席男 舞者，有四十年豐富的舞踏經驗。他以優秀的舞踏技 巧、具深度的舞踏表現功力，以及纖細微妙銳美的舞踏 身形而著名。多年來致力將舞踏的當代身體性與古典精 神性結合、研究其多重變化，通過身體意象，創造了舞 踏新的可能性 — 舞踏是一種深具未來性的肢體表演藝 術。 此外，和栗由紀夫繼承和發展了土方巽系統的「舞踏 譜」，注重與其他藝術家的流派合作。他在 1998 年出版了 《舞踏花伝》，提出重新評估土方巽舞踏系統的機會。目前，除 了各種演出活動，和栗由紀夫長年於日本國內及世界各地的大學和 研究機構帶領舞踏工作坊與講座。 Waguri Yukio started dancing in Hijikata Tatsumi’s company in 1972 and was the male principal dancer from 1972 to 1978. Since his stage debut in Hijikata’s piece 27 Nights for Four Seasons (1973), Waguri has kept numerous notes on Hijikata’s teaching method and choreography, which now constitutes the bulk of his own butoh-fu exploration and teachings as the artistic director and founder of Kohzensha Butoh Company.

His main focus while choreographing or teaching is on transforming oneself through imagery rather than the mere ‘doing’ of movement. Waguri's own dance is often said to be as solid as crystal, lithe and smart as a leopard, subtle and light as a willow. His performances are tightly choreographed from butoh-fu rather than improvisational. In 2004, Waguri published a video, Butoh Kaden, which has been well-received from both scholars and theatre practitioners as it was first of its kind unveiling the essence of Hijikata’s Butoh notation and choreographic methods.

主辦 Organized by

日期 / 時間 Date / Time

22.10.2016（六 Sat）4:30pm – 7pm

講者 Speakers

和栗由紀夫 Waguri Yukio 區永東教授（美國伊利諾斯州大學心理學博士、現任香港中文大學心理學系副教授） Prof. Winton Au (Ph.D. Psychology, University of Illinois at Urbana-Champaign, U.S.A , Associate Professor, Department of Psychology, CUHK) 邱垂德教授（國立臺灣大學臨床心理學博士、現任香港中文大學心理學系助理教授） Prof. Chiu Chui-de (Ph.D., National Taiwan University, Assistant Professor, Department of Psychology, CUHK)

名額 Quota

60（先到先得 First come, first served）

語言 Medium of Instruction

粵語及英語 Cantonese and English

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

免費 Free

網上報名 Online Enrollment

bit.ly/thewhiteroomsymposium

查詢 Enquiries

林小姐 Ms Lam 9761 1778

座談會 Symposium

舞踏 x 瘋狂 White Room Symposium: Butoh x Madness

4:30pm - 6pm 第一節 ： 介紹土方巽系統的「舞踏譜」、錄像放映《舞踏花伝》 Session 1: An introduction to Hijikata’s method of choreography, Butoh-fu (Including the screening of Butoh Kaden) 6pm - 7pm 第二節 ： 《白房間》文本的誕生、舞踏和瘋狂怎樣扯上關係 Session 2: Madness, Butoh and Clinical Psychology - The inspiration behind the White Room and its mad characters from the view of Butoh and clinical psychology

15

工作坊 Workshop

合辦 Co-organized by

擦出創意之火 ： 《九面芙烈達》 The Creative Spark: the 9 fridas

日期 / 時間 Date / Time

25.10.2016（二 Tue） 7pm - 10pm 29.10.2016（六 Sat） 10am - 1pm

導師 Instructor

凱特．奧萊莉 Kaite O'Reilly

名額 Quota

10

語言 Medium of Instruction

英語 English

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

$600

截止報名日期 Closing Date for Application

30.9.2016（五 Fri）

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws3（報名時請附上簡歷 Please enclose a brief CV）

靈感從何而來？怎樣由一個靈感出發，將之發展成一個完整 的劇本？ 本工作坊將以如何由照片及自傳式的紀錄裡找尋靈感，探索 不同的出發點，再演變成演出文本。

凱特．奧萊莉

劇作家凱特．奧萊莉將會指導參加者一系列的寫作練習 ： 由 角色導向的獨白、對話到詠頌隊頌唱，一起經歷一次《九面 芙烈達》的寫作旅程。更會引用《九面芙烈達》的一些選 段，解構並疏理當中的寫作過程。參加者將會領略新的寫作 技巧，並明白如何刺激思維，燃點那創意之火。

凱特．奧萊莉曾獲得碧姬．蘭姆賽劇本獎和《曼徹斯特晚報》年度最佳劇本獎， 她為威爾斯國家劇院新編古希臘悲劇作家埃斯庫羅斯的《波斯人》更獲得泰德． 休斯詩歌新作獎。於 2012 年，她的作品《水中失重》獲得奧林匹克文化節的委 約，由威爾斯國家劇院製作，於南岸中心上演 ； 這項演出是倫敦奧運和殘障奧 運藝術節目之一。 她的劇作譯本於 14 年在愛沙尼亞、比利時和臺灣上演 ； 新作《花女》也曾在 英國巡迴演出。《女僕遊戲》於 15 年初，由韓國陽光劇社、愛爾蘭蓋特卡拉殊 劇團和威爾斯拉赫納斯劇團合作，並在卡迪夫首演。在 16 年 3 月，她的作品 《舒適》由菲利浦．薩里利執導，並在威爾斯千禧中心首演。《九面芙烈達》和其 他涉及人類差異與殘疾身份題材的劇本，集結於《非一般劇本給非一般演員》一 書中，由奧伯倫出版社發行。

Where do ideas come from? How do we take an initial seed and grow it into a full length play?

These workshops explore different starting points when writing for performance, finding inspiration in visual images and biographical materials to ignite the creative spark.

個人網址: www.kaiteoreilly.com 發表關於創意與創作經歷的網上日誌: www.kaiteoreilly.wordpress.com Twitter: @kaiteoreilly

Participants will be guided through a series of writing exercises, from character-driven monologues, dialogue, to choral work, exploring processes used to create Kaite O’Reilly’s the 9 fridas.

Selected extracts will be explored and deconstructed, revealing and demystifying process. Participants will leave with new skills and an understanding of how to stimulate ideas and generate material for creative writing.

16

日期 / 時間 Date / Time

30.10.2016（日 Sun）1pm-3pm

講者 Speaker

凱特．奧萊莉 Kaite O'Reilly

名額 Quota

40（先到先得 First come, first served）

語言 Medium of Instruction

英語 English

地點 Venue

合辦 Co-organized by

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

免費 Free

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws4

講座 Talk

語言無障礙 ：共融演出 In Any Language: Inclusive Performance 英國得獎劇作家、知名展能藝術推手凱特．奧萊莉將會分享 她二十五年來在共融藝術領域的創作與經驗。講座將會介紹 英國展能文化的框架，回顧凱特．奧萊莉製作的多個共融演 出作品，以及分享她與聽障藝術家的合作經驗。講者亦會透 過錄像片段詮釋如何利用口述 ／ 視覺的語言實踐她的「通達 美學」，以《水中失重》 （威爾斯國家劇院 ／ 南岸中心 )、《花 女》及其他收錄在她的劇本集《非一般劇本給非一般演員》 的作品為例子。講座亦設問答環節，講者將與大家討論實踐 方法及對未來共融劇場的展望。

Kaite O’Reilly Kaite O’Reilly has won many awards for her work including the Peggy Ramsay Award, M.E.N. best play of the year and the Ted Hughes Award for New Works in Poetry for her new version of Aeschylus’s Persians for National Theatre Wales. In 2012 she received a Cultural Olympiad Commission for In Water I’m Weightless produced by National Theatre Wales at Southbank Centre as part of the official festival celebrating the London Olympic and Paralympics.

In 2014 she had productions in translation in Estonia, Belgium, Taiwan and a UK tour of Woman of Flowers. Playing ‘the Maids’ with Theatre P’Yut (Korea), Gaitkrash (Ireland) and The Llanarth Group (Wales) premiered in Cardiff in early 2015, and Cosy premiered in March 2016 at the Wales Millennium Centre, also directed by Phillip Zarrilli. This script, and others around human difference and disability are published in Atypical Plays for Atypical Actors, published by Oberon Books.

In this demonstration, playwright and theatre maker Kaite O’Reilly will talk about her work over twenty five years in inclusive practice.

A leading figure in the UK’s disability arts scene, and an award-winning ‘mainstream’ playwright, she will reflect on her work within disability culture, collaborations between hearing and deaf artists, and in inclusive productions. She will show video examples of her use of the ‘aesthetics of access’ from In Water I’m Weightless (National Theatre Wales / Southbank Centre / Unlimited Festival), spoken / visual languages in Woman of Flowers and other work from her selected inclusive plays Atypical Plays for Atypical Actors (Oberon). There will be an opportunity for questions and discussion about best practice and what she views as the future of theatre: inclusive performance.

Further information www.kaiteoreilly.com She blogs about creativity and process at www.kaiteoreilly.wordpress.com or on twitter @kaiteoreilly

17

工作坊 Workshop

經典文本的蛻變過程 The Transformation of Classic Texts 透過是次工作坊，黃龍斌導演將闡釋他如何從新加坡劇場之 父郭寶崑先生的經典文本《鄭和的後代》中取材，借用其中 的文字及情景，對照今天的社會現象，並以形體和說話重塑 故事脈絡，演繹成獨特的版本。導演將帶領參加者一起經歷 從文字轉化成行動的過程。 Director Tony Wong will explain how he uses the forefather of Singaporean theatre, Kuo Pao-kun’s classic text Descendants of the Eunuch Admiral as the basis for his own work, of how he borrows texts and settings to reflect on today’s circumstances.

He will demonstrate how, in his unique adaptation, movements and dialogue are used to reshape the story’s plotlines. Tony will take participants through the process of how texts became transformed as actions.

日期 / 時間 Date / Time

16.10.2016（日 Sun）11am - 2pm

導師 Instructor

黃龍斌 Tony Wong

名額 Quota

16

語言 Medium of Instruction

粵語 Cantonese

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

$300

截止報名日期 Closing Date for Application

30.9.2016（五 Fri）

備註 Remarks

本工作坊有大量肢體活動，參加者請衡量身體狀況。 This workshop requires a large amount of physical movements. Participants are advised to consider his / her own physical condition before enrolling.

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws5（報名時請附上簡歷 Please enclose a brief CV）

黃龍斌 Tony Wong 現為香港演藝學院戲劇學院表演系講師。2008 年獲香 港戲劇協會獎學金到澳洲留學，於澳洲國家戲劇藝術學 院獲得碩士學位，主修形體 ； 1997 年畢業於香港演藝 學院戲劇學院，獲藝術學士（榮譽）學位，主修表演 ； 同年加入中英劇團任全職演員，期間曾於多個演出擔 綱，包括 ：《丁燈》、《小謫紅塵》、《仲夏夜之夢》、《煉 金術士》及《始皇最後的日子》等。 在編劇、導演、演出及編舞上各有成績，集創作和演出 於一身，風格獨特。曾參與超過九十個製作，近作有為香 港演藝學院《鄭和的後代》任導演、改編及形體編導、《仲夏夜 之夢》及《秀才與劊子手》任導演及編舞、《貓城夏秋冬》及《馴悍 記》任編舞、《造謠學堂》任導演 ； 中英劇團《多次元戀愛》及《搏命兩頭騰》 任導演、音樂劇《戇大人》任導演及編舞、《莫札特之死》任副導演及演員、 《威尼斯商人》及《天才一瞬》任演員 ； Performer Studio《真話》、《單身大哂》、 《單身大哂》 （哂命版）、《天下無双》 （香港、新加坡及澳門演出）任編劇、導演、 演員及編舞 ； 香港話劇團《櫻桃園》任編舞、《李察三世》任編舞及形體搏擊 指導 ； 澳洲悉尼話劇團 Gallipoli 任助理形體指導 ； 澳洲國家戲劇藝術學院 X 任 編劇、導演、演員及編舞。 04 年獲第一屆香港舞台劇界傑出專業精神獎 ； 06 年憑《二人前、2 人後》榮 獲第十五屆香港舞台劇獎最佳導演（喜劇 ／ 鬧劇）及獲提名最佳男主角（喜劇 ／ 鬧劇）。此外亦憑《單身大晒》 （晒命版）獲第二十一屆香港舞台劇獎最佳男 主角（喜劇 ／ 鬧劇）提名 ； 憑《秀才與劊子手》、中英劇團《搏命兩頭騰》及 音樂劇《戇大人》分別獲第二十二、二十三及二十五屆香港舞台劇獎最佳導演 （喜劇 ／ 鬧劇）提名 ； 憑《鄭和的後代》獲第八屆香港小劇場獎最佳導演提 名。

18

Tony Wong graduated from the Hong Kong Academy for Performing Arts (HKAPA) in 1997 with a Bachelor of Fine Arts (Honours) degree majoring in acting. He then joined the Chung Ying Theatre as a full-time actor, he played in such productions as Aladdin, A Tale of an Evanescent Mortal, The Midsummer Night’s Dream, The Alchemist and The First Emperor’s Last Day. A recipient of Hong Kong Federation of Drama Societies Scholarship to pursue his graduate studies in Australia, graduating with a master’s degree from the National Institute of Dramatic Art in Sydney, where he majored in movement studies. He currently serves as a lecturer in acting at the HKAPA. Tony has received recognition as a playwright, director, actor and choreographer, his multi-faceted talents making him a unique artist. To date, he has participated in more than ninety productions. Among his recent works are HKAPA’s Descendants of the Eunuch Admiral (director, adaptation and movement director), The Midsummer Night’s Dream, The Scholar and the Executioner (director and choreographer), My Days in Cat Town and The Taming of the Shrew (choreographer), The School for Scandal (director). His work with the Chung Ying Theatre includes Possible Worlds and The 39 Steps (director), The Government Inspector (director and choreographer), Amadeus (assistant director and actor), The Merchant of Venice and Flowers for Algernon (actor). He has played the multiple roles of playwright, director, actor and choreographer for Performer Studio’s Invincible Truth, Singlology, Moments in the Palm of Your Hand (Hong Kong, Singapore and Macau performances). He also was choreographer for the Hong Kong Repertory Theatre’s The Cherry Orchard and dance and stage combat choreographer for Richard III. He had also served as assistant movement director for Gallipoli for the Sydney Theatre Company. While at the National Institute of Dramatic Art, he wrote, directed, performed and choreographed in X. In 2004, Tony won an Actor Award at the Hong Kong Professional Awards. In 2006, he was awarded for Best Director (Comedy/Farce) and nominated Best Actor (Comedy/Farce) for Two of Us. At the 21st Hong Kong Drama Awards, he was nominated for Best Actor (Comedy/Farce) for Singlology. At the 22nd, 23rd, and 25th Hong Kong Drama Awards, he was nominated as Best Director (Comedy/Farce) for The Scholar and the Executioner, The 39 Steps and The Government Officials respectively. He was recently nominated as Best Director at the 8th Hong Kong Theatre Libre for Descendants of the Eunuch Admiral.

講座 Talk

日期 / 時間 Date / Time

6.11.2016（日 Sun）12nn-2pm

講者 Speaker

佃典彥 Tsukuda Norihiko

名額 Quota

50（先到先得 First come, first served）

語言 Medium of Instruction

日語 Japanese（設粵語傳譯 With Interpretation in Cantonese）

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

免費 Free

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws6

佃典彥的創作法則 Ways of Tsukuda Norihiko’s Creative Writing 著名劇作家佃典彥先生將暢談他的寫作心得，分享如何透過 文字選擇、概念整理、想像來構成他作品的風格。

佃典彥 Tsukuda Norihiko 1964 年出生於日本名古屋市，是一名劇作家及演員。 現為劇團 B 級遊擊隊領導人及日本劇作家協會會員。 擅於創作在日常生活中不可能發生，但在他的作品中會 突然發生的荒誕劇。除舞台劇外，亦創作了不少電影、 電視、電台廣播劇等劇本，同時亦創作大量以小學生為 對象的兒童劇。 主要作品包括 ：《土管》、《KAN－KAN 男》及《脫皮爸 爸》。 曾獲得的主要獎項包括 ： 第三屆名古屋市文化振興賞、第四屆 讀賣演劇大賞優秀作品賞、第五十屆岸田國士戲曲賞—《脫皮爸爸》。2013 年度 名古屋市民藝術祭賞—《滿月練習題》。

Playwright and actor Tsukuda Norihiko was born in Nagoya in 1964. A member of the Japan Playwrights Association, he co-founded the Bkyuyugekitai , where he currently serves as director.

Tsukuda has a keen eye for the absurdity of everyday life, creating outlandish situations that exceed people’s imagination. Apart from stage plays, he has written for television, film and radio. He has also penned numerous works targeted to school-age children.

Tsukuda’s major works include Dokan, Kan kan otoko and Shed Skin.

Among his accolades are the 3rd Nagoya City Culture Promotion Award, 4th Yomiuri Theater Award for Best Play and the 50th Kishida Prize for Drama for Shed Skin. In 2013, he received the Nagoya Citizen’s Art Award for Full Moon Exercise.

19

Celebrated playwright Tsukuda Norihiko will introduce the textual choices, dramatic concepts and innovative thinking behind his unique creations.

工作坊 Workshop

在日常中尋找演出文字與素材 Finding Performance Materials in Everyday Life

日期 / 時間 Date / Time

20.11.2016 （日 Sun） 10am - 4pm （包括一小時休息時間 including one hour break）

導師 Instructor

李敬誠 Kyung-sung Lee

名額 Quota

16

語言 Medium of Instruction

英語 English

地點 Venue

香港話劇團 1 號排練室 HKREP Rehearsal Hall No.1 （上環文娛中心 6/F Sheung Wan Civic Centre）

收費 Fee

$300

截止報名日期 Closing Date for Application

30.9.2016（五 Fri）

網上報名 Online Enrollment

www.hkrep.com/ibb2016_ws7（報名時請附上簡歷 Please enclose a brief CV）

李敬誠是首爾炙手可熱的青年導演，擅長透過日常素材帶領 集體創作，於舞台上重新演繹生活中不同的故事。 Kyung-sung Lee is currently one of the Seoul’s hottest young directors. He is most noted for engaging in collective creation, using everyday materials on stage, depicting different stories drawn from real life.

10am – 12nn 第一節 - 講座 First session - Talk 《之前之後》的導演和演員將分享他們集體創作的過程和介紹 Creative VaQi 的作品。 Presentation on the work and context of Creative VaQi. 1pm – 4 pm 第二節 動態實踐 Second session - Movement workshop for creating text a) 從日常生活的觀察及體會中發掘題材，然後轉化成屬於你的演出 文本。 Creating your own materials as performance text through observation and reflection on everyday life.

李敬誠 Kyung-sung Lee 1983 年在瑞士巴塞爾出生。畢業於南韓中央大學戲劇 系，主修導演，及後在倫敦大學皇家中央演講與藝術學 院取得碩士學位。 他於 2007 年創辦 Creative VaQi，並擔任藝術總監。其作 品包括《移動展覽》 （09 年）、《桑丘夢》 （10 年愛丁堡 國際藝穗節參節節目）、《江南歷史》 （11 年）及 13-14 年的「劇院練習」系列，系列中最新一劇在首爾演出。 李敬誠是一位富有才華的導演，他善於利用感官舞台語 言來凸顯現今社會問題。他亦致力於解構劇種、探索多媒體， 以及減低對文本的依賴性。反過來說，他利用精準的、富有批評 意識的心態，同時積極地運用媒體、裝置與表演，盡量擴大多感官表達訊息的可 能性。 10 年憑《我們移動您的沙發》獲東亞戲劇獎新概念戲劇獎及 14 年獲斗山蓮崗 獎。此外，亦憑《之前之後》分別獲韓國戲劇獎 2015 最佳新進導演及 2016 年 第 35 屆國際戲劇協會英熙戲劇獎。

b) 尋找適合的演出平台，創造屬於自己的演繹風格。 Creating a platform where your material is presented or performed.

How do you meet the others with your stories? Finding your own tactic of encountering as a form.

20

Born in Basel, Switzerland in 1983, Kyung-sung Lee studied directing at Seoul’s Chung-Ang University before undertaking postgraduate studies at Royal Central School of Speech and Drama in London.

He founded Creative VaQi in 2007 and serves as Artistic Director since then. Past works include Mobile Exhibition (2009), The Dream of Sancho (2010) (which took part in the Edinburgh Festival Fringe), The History of Gangnam (2011), and the Theatre Practice series (2013-2014), the most recent of which was performed in Seoul.

Lee is a director with exceptional ability. He utilizes a diverse range of sensory stage language to convey the problems that confronting the modern society. He engages in genre-deconstructing, multimedia experiments and reduces dependence on text. In turn of maximizing the possibilities of a message’s multisensory transmissibility with an exacting and critical mindset while actively utilizing media, installation, and performance.

He was awarded the 35th ITI Annual Young-hee Theatre Award 2016 and Best Young Director at Korean Theatre Awards 2015 for Before After, Doosan Artist Award 2014, and New Conception Theatre Award at Dong-A Theatre Awards 2010 for Let Us Move Your Sofa.

門票於城市售票網公開發售 Tickets now available at URBTIX 購票優惠 Ticket Discounts 85 折優惠 15% Discount

演出門票 Tickets

• 香港話劇團「好友營」會員 HKREP Pals 半價優惠 50% Discount • 六十歲或以上人士 Senior citizens aged 60 and above • 全日制學生（優惠票數量有限，售完即止 ) Full-time students (limited quota) • 殘疾人士與看護人 （香港話劇團會為輪椅使用者作特別安排以便入場，請輪椅使用者於購票前致電 3103 5900 與本團聯絡）

工作坊及講座報名 Workshops and Talks 網上報名 Online Enrollment www.hkrep.com/ibb2016

優惠 Discount 香港話劇團「好友營」會員可享 9 折優惠 10% Discount for HKREP Pals

People with disabilities and the minder (Please contact HKREP before purchasing tickets if wheelchair seats are required. (Tel: 3103 5900))

票務查詢 Ticketing Enquiries

3761 6661

信用卡訂票 Credit Card Booking

2111 5999

網上訂票 Online Booking

www.urbtix.hk

節目查詢 Programme Enquiries

3103 5900

Mobile App Booking 流動應用程式購票

購票優惠詳情，請瀏覽香港話劇團網頁 Please refer to the HKREP website for details of other ticket discounts

My URBTIX

(Android & iPhone/iPad)

遲到或中途離場觀眾將不可進場 No latecomers will be admitted

Designed by Terrenz@atVis

適合六歲或以上人士觀看 For ages 6 and above

工作坊查詢 Workshop Enquiries 3103 5911

媒體伙伴 Media Partners