Cine Fan Sep/Oct 2021 Programme

CINE FAN Sep Oct 2021 // Satyajit Ray, the Humanist Poet 百年哲人 薩耶哲雷 // Emir Kusturica, the Magical Surrealist 超現實的魔幻圖像 庫斯圖里卡 // The River 錦繡恆河 // Salaam Bombay! 街童 // The Darjeeling Limited 大吉利是有限公司 // Stromboli 火山邊緣之戀 // Never on

Sep Oct 2021

Sunday 痴漢嬌娃 // The Bird with the Crystal Plumage 摧花手 // Deep Red 嚇壞人

CIne fan 百年哲人

資助機構 Financially Supported by

薩耶哲雷

主辦 Presented by

Satyajit Ray, the Humanist Poet

Sep Oct 2021

TK

IS

大館賽馬會立方 JC Cube, Tai Kwun 中環荷李活道10號 10 Hollywood Road, Central

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wanchai

2

9

10

12

18

23

Satyajit Ray, the Humanist Poet 百年哲人 薩耶哲雷

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

Back to the Screen 銀幕再現

Emir Kusturica, the Magical Surrealist 超現實的魔幻圖像 庫斯圖里卡

The Golden Age 黃金時代

Ticketing Information 購票須知

20

24

The Taste of Cult 「溝」口味

Screening Schedule 放映時間表

影片放映格式請參閱Cine Fan網頁 Screening format information please refer to the Cine Fan website 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

Sep Oct 2021

TK

IS

大館賽馬會立方 JC Cube, Tai Kwun 中環荷李活道10號 10 Hollywood Road, Central

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wanchai

2

9

10

12

18

23

Satyajit Ray, the Humanist Poet 百年哲人 薩耶哲雷

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

Back to the Screen 銀幕再現

Emir Kusturica, the Magical Surrealist 超現實的魔幻圖像 庫斯圖里卡

The Golden Age 黃金時代

Ticketing Information 購票須知

20

24

The Taste of Cult 「溝」口味

Screening Schedule 放映時間表

影片放映格式請參閱Cine Fan網頁 Screening format information please refer to the Cine Fan website 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

澤 明 曾 說， 如 果 沒 看 過 薩 耶 哲 雷

（1921-1992） 的 電 影， 就 好 比 人 生

在世沒見過太陽月亮。

由嶄露鋒芒的「阿培三部曲」開始，印度電 影大師薩耶哲雷執導了近四十部作品，以深

厚 的 人 文 關 懷 見 稱。 他 在 印 度 流 行 的 歌 舞 商 業 片 以 外 另 闢 蹊 徑， 專 注 拍 攝 孟 加 拉 語 電影，因協助《錦繡恆河》（1951）勘景而

獲 尚 雷 諾 亞 鼓 勵， 並 深 受 意 大 利 新 寫 實 主

義 影 響， 從 第 昔 加 的《 單 車 竊 賊 》（1948） 得到啟發，於是執起導筒，把《大路之歌》

（1955） 小 說 改 編 成 電 影。 在 資 金 緊 絀 下， 的 製 作 團 隊， 以 實 景 拍 攝， 成 就 了「 阿 培 三部曲」的影史經典。

除了詩意和寫實、對人性的洞察，薩耶哲雷

對女性角色的細膩刻劃亦為人稱道，《大城 市》（1963）中擔當起職務的家庭主婦，或 是《無膽情人》（1965）裏勇於面對舊愛的

茶 園 女 主 人， 都 突 顯 女 性 的 柔 韌 力 量， 兼 具 深 刻 的 社 會 觀 察 和 批 判。 他 不 只 拍 文 藝

片，也嘗試其他電影類型，例如諷刺喜劇、 懸疑偵探、甚至想過拍外星人題材，只是計

劃 最 終 告 吹。 他 的 祖 父 和 父 親 都 是 兒 童 文 學 作 家， 他 曾 把 祖 父 原 創 的 童 話 故 事 拍 成

《撞鬼樂師歷險記》（1969）。將印度文豪泰

戈 爾 的 小 說 改 編 成《 寂 寞 的 妻 子 》（1964） 和《 家 園 與 世 界 》（1984）， 薩 耶 哲 雷 細 膩 的 戲 劇 調 度， 更 反 映 其 對 社 會、 政 治 以 至 歷 史 的 獨 到 見 解， 透 過 光 影 把 文 學 昇 華 至 另一層次。

薩耶哲雷堪稱創作全才，身兼導演、編劇、 作 曲 等 崗 位， 他 從 平 面 廣 告 設 計 出 身， 連

電影海報設計都一手包辦。離世近三十年，

他 仍 是 國 際 影 壇 上 最 受 敬 重 的 印 度 導 演， 亦是唯一獲奧斯卡終身成就獎的印度電影

工作者。今年正值薩耶哲雷誕生百年紀念， 是 次 精 選 十 部 傑 作， 展 現 大 師 作 品 的 藝 術 靈光。

giant from world cinema's golden age, Satyajit Ray (1921-1992) personified the era's belief in films as a universal medium capable of transcending cultural barriers to express the shared human experience.

Ray's humanism was premised upon faith in the individual, struggling with one’s conscience to steer an ethical course between tradition and modernity in difficult times and a changing society: however subjected to doubt, this belief yielded an affirmatory vision that embraces life even as it acknowledges obstacles in its path.

While synonymous with Indian cinema for some, Ray's efforts represented the attempts by Bengali filmmakers like Mrinal Sen or Ritwik Ghatak to produce independent realist dramas known as "parallel cinema" in a country whose movie industry was dominated by commercial, Hindi-language Bollywood musicals. Indeed, Ray was only inspired to make films after encountering Jean Renoir during the production of The River (1951) and seeing Vittorio De Sica’s Bicycle Thieves (1948).

Italian neorealism hugely impacted Ray: the observational style, use of non-professionals, and documentary-like, on-location photography all made their way into his cinema, now painstakingly restored to recreate the near-tactile photographic textures possible on celluloid that are a part of his visual poetry.

In a newly independent India, Ray's subject was nothing less than his nation’s development or modernisation: journeys from rural villages to urban centres, women's emancipation, changes in social status or structure, as seen through individuals' lives. True to his Bengali roots and family background, Ray excelled especially in literary adaptations of authors like Tagore or Banerjee.

Although he continued making films and received an Honorary Academy Award for his lifetime achievement shortly before his death in his beloved Calcutta, his artistic peak belongs to the ’50s and ’60s: an eloquent humanism that remains a distant beacon for our uncertain, postmodern present.

Satyajit Ray,

the Humanist Poet

薩耶哲雷

起用非職業演員及幾乎全無電影拍攝經驗

A

百年哲人

黑

澤 明 曾 說， 如 果 沒 看 過 薩 耶 哲 雷

（1921-1992） 的 電 影， 就 好 比 人 生

在世沒見過太陽月亮。

由嶄露鋒芒的「阿培三部曲」開始，印度電 影大師薩耶哲雷執導了近四十部作品，以深

厚 的 人 文 關 懷 見 稱。 他 在 印 度 流 行 的 歌 舞 商 業 片 以 外 另 闢 蹊 徑， 專 注 拍 攝 孟 加 拉 語 電影，因協助《錦繡恆河》（1951）勘景而

獲 尚 雷 諾 亞 鼓 勵， 並 深 受 意 大 利 新 寫 實 主

義 影 響， 從 第 昔 加 的《 單 車 竊 賊 》（1948） 得到啟發，於是執起導筒，把《大路之歌》

（1955） 小 說 改 編 成 電 影。 在 資 金 緊 絀 下， 的 製 作 團 隊， 以 實 景 拍 攝， 成 就 了「 阿 培 三部曲」的影史經典。

除了詩意和寫實、對人性的洞察，薩耶哲雷

對女性角色的細膩刻劃亦為人稱道，《大城 市》（1963）中擔當起職務的家庭主婦，或 是《無膽情人》（1965）裏勇於面對舊愛的

茶 園 女 主 人， 都 突 顯 女 性 的 柔 韌 力 量， 兼 具 深 刻 的 社 會 觀 察 和 批 判。 他 不 只 拍 文 藝

片，也嘗試其他電影類型，例如諷刺喜劇、 懸疑偵探、甚至想過拍外星人題材，只是計

劃 最 終 告 吹。 他 的 祖 父 和 父 親 都 是 兒 童 文 學 作 家， 他 曾 把 祖 父 原 創 的 童 話 故 事 拍 成

《撞鬼樂師歷險記》（1969）。將印度文豪泰

戈 爾 的 小 說 改 編 成《 寂 寞 的 妻 子 》（1964） 和《 家 園 與 世 界 》（1984）， 薩 耶 哲 雷 細 膩 的 戲 劇 調 度， 更 反 映 其 對 社 會、 政 治 以 至 歷 史 的 獨 到 見 解， 透 過 光 影 把 文 學 昇 華 至 另一層次。

薩耶哲雷堪稱創作全才，身兼導演、編劇、 作 曲 等 崗 位， 他 從 平 面 廣 告 設 計 出 身， 連

電影海報設計都一手包辦。離世近三十年，

他 仍 是 國 際 影 壇 上 最 受 敬 重 的 印 度 導 演， 亦是唯一獲奧斯卡終身成就獎的印度電影

工作者。今年正值薩耶哲雷誕生百年紀念， 是 次 精 選 十 部 傑 作， 展 現 大 師 作 品 的 藝 術 靈光。

giant from world cinema's golden age, Satyajit Ray (1921-1992) personified the era's belief in films as a universal medium capable of transcending cultural barriers to express the shared human experience.

Ray's humanism was premised upon faith in the individual, struggling with one’s conscience to steer an ethical course between tradition and modernity in difficult times and a changing society: however subjected to doubt, this belief yielded an affirmatory vision that embraces life even as it acknowledges obstacles in its path.

While synonymous with Indian cinema for some, Ray's efforts represented the attempts by Bengali filmmakers like Mrinal Sen or Ritwik Ghatak to produce independent realist dramas known as "parallel cinema" in a country whose movie industry was dominated by commercial, Hindi-language Bollywood musicals. Indeed, Ray was only inspired to make films after encountering Jean Renoir during the production of The River (1951) and seeing Vittorio De Sica’s Bicycle Thieves (1948).

Italian neorealism hugely impacted Ray: the observational style, use of non-professionals, and documentary-like, on-location photography all made their way into his cinema, now painstakingly restored to recreate the near-tactile photographic textures possible on celluloid that are a part of his visual poetry.

In a newly independent India, Ray's subject was nothing less than his nation’s development or modernisation: journeys from rural villages to urban centres, women's emancipation, changes in social status or structure, as seen through individuals' lives. True to his Bengali roots and family background, Ray excelled especially in literary adaptations of authors like Tagore or Banerjee.

Although he continued making films and received an Honorary Academy Award for his lifetime achievement shortly before his death in his beloved Calcutta, his artistic peak belongs to the ’50s and ’60s: an eloquent humanism that remains a distant beacon for our uncertain, postmodern present.

Satyajit Ray,

the Humanist Poet

薩耶哲雷

起用非職業演員及幾乎全無電影拍攝經驗

A

百年哲人

黑

Song of the Little Road 印度 India 1955 125min

Cast: Kanu Banerjee, Karuna Banerjee,

Subir Banerjee, Uma Das Gupta

大路之歌

(Pather Panchali)

康城影展最佳人道電影 Cannes Film Festival: Best Human Document Award

1992《視與聲》史上最偉大電影第六位 #6 in Sight and Sound’s 1992 Greatest Films of All Time Poll

映後談講者登徒 Film talk with Thomas Shin

11.9 17:00 AC

23.10

Courtesy & Produced By: Information & Cultural Affairs Department, Government of West Bengal, India

14:30 TK

The Unvanquished

不屈者 （又名：大河之歌） (Aparajito)

印度 India 1956 110min

Cast: Smaran Ghosal, Pinaki Sen Gupta,

Karuna Banerjee, Kanu Banerjee 威尼斯影展最佳電影金獅獎、 國際影評人聯盟獎 Venice Film Festival: Golden Lion Best Film and FIPRESCI Prize

4

11.9 19:45 AC

23.10 18:00 TK

將窮鄉小子阿培的平凡故事，以樸實影

世襲貴族住在宮殿般的大宅，愛好傳統音

像昇華為詩意洋溢、感染力滿懷之作，

樂，常在家舉行奢華音樂會款待親朋。可

榮登最偉大電影的殿堂，百年不衰。薩耶

是這位沒落地主不善打理家業，不惜變賣

哲雷初試啼聲一鳴驚人，以意大利新寫實

妻子首飾也要維護尊貴顯赫氣派。音樂室

主義之風，拂出了植根於印度土壤的濃厚

的天花吊燈，見證時代更迭，經商致富的

情感與人文關懷。以二十世紀初的偏鄉為

暴發階級乘勢而起。三場音樂會，反映豪

背景，刻劃阿培屈居破屋之童年歲月，在

門大戶由盛而衰，卻仍沉醉於末世浮華不

貧困中不失生趣與希望，道出人生無常與

願醒。蟋蟀溺在杯中，蜘蛛爬上肖像，薩

生命堅韌。西塔琴演奏家拉維山卡的配樂

耶哲雷以豐富意象，生動譜出驕矜貴族的

如泣如訴，首次掌鏡的攝影師舒寶拉圖米

末路悲歌。荷索讚譽影片的美，影評人羅

達拉的影像畫中有詩；火車意象貫穿整個

渣伊拔更認為片中主角的自負與頑固，堪

「阿培三部曲」，小姊弟追看火車一幕，

與李爾王相提並論。

尤令人難忘。 Ray first became interested in Bibhutibhushan Banerjee's novel about growing up in rural Bengal after illustrating an edition as a graphic designer.

The experience of working for Jean Renoir on The River (1951) and a viewing of Bicycle Thieves (1948) eventually prompted Ray to adapt it for his debut. Meticulously storyboarding his shots, Ray and young cinematographer Subrata Mitra filmed intermittently for about three years as he raised funds for the project.

The result was a masterpiece that provides a moving account of childhood attuned to the rhythms of nature while celebrating life despite the ominous presence of mortality, underpinned

by Ravi Shankar’s sitar music.

「阿培三部曲」壓卷之作，以離合聚散的

曲即摘下威尼斯影展金獅獎殊榮，是三大

流轉，詠嘆死生乃夜旦之常。步入複雜的

影展唯一奪得最高榮譽的續集電影。隨父

成人世界，阿培寄情寫作之餘，要獨對生

母遷居恆河河畔古城，阿培轉眼已是少

活的千頭萬緒：沒錢升學、房東催租、工

年。當祭司的父親因病離世，他需在繼承

作更難找。獲邀參加婚禮，豈料新郎突然

父業與離家升學之間作艱難抉擇。火車從

發瘋，阿培被情急鄉親選中為後補夫婿，

鄉郊駛向城市，他獨自踏上成長旅程，卻

趕及吉時前完婚。嚐到新婚甜蜜，雖貧亦

憂母子分離將成永訣。親人離世，群鳥驚

樂，只是風急鐵路冷，回頭已是天人永

起，螢火蟲紛飛，意境哀婉動人。薩耶哲

隔。薩耶哲雷凝練的電影語言更見渾然天

雷年幼喪父，與母親相依為命，與在歷練

成，以哲人之眼觀照生命的重重磨難與悲

中成長的阿培心靈共通；溫厚鏡頭下母子

喜無奈；父子間的怨恨與愧疚，終在孩子

間真摰而複雜的情感細膩延綿，超越地域

的笑臉裏，輕輕化解了。

Ray teamed up once again with cinematographer Subrata Mitra and musician Ravi Shankar for the sequel to Song of the Little Road that follows young Apu as his family moves to Varanasi and later receives a scholarship to study in Calcutta. Death continues to cast shadows eclipsed by Apu's eagerness to embrace life and see the world.

The emotional honesty to Ray's poetic depiction of the mother-son relationship has won him many admirers, from Kurosawa Akira (whose Throne of Blood [1957] lost to The Unvanquished at Venice) to fellow Bengali filmmaker Mrinal Sen.

音樂室

(Jalsaghar) 印度 India 1958 100min

Cast: Chhabi Biswas, Gangapada Bose,

Kali Sarkar, Padma Devi 莫斯科電影節最佳作曲人獎 Moscow International Film Festival: Best Composer

In his chronicle of India's modernisation, Ray reserved great sympathy for those in society displaced by changes attributed to the forces of history and progress. The Music Room tells the haunting story of a landlord who proudly holds onto his aristocratic heritage when confronted with the philistinism of the nouveau riche after the zamindari system is abolished, obsessively lavishing his wealth on sumptuous concerts of Indian classical music to the neglects of his family and estate. Acclaimed by Werner Herzog, "It's of phenomenal beauty and Ray really knew how to use music and create a drama around music."

承接《大路之歌》的鋒芒，阿培的第二部

文化，觸動人心。

The Music Room

The conflict between life and death takes centre stage in the poignant conclusion to Ray's celebrated Apu trilogy. Now a young adult, Apu finds himself entered into a marriage. When unexpected tragedy strikes, however, Apu turns his back on life until a friend intervenes.

The World of Apu , which was screened for the U.S. President John F. Kennedy in 1961, marked the debuts of Sharmila Tagore (distantly related to Rabindranath) and the late Soumitra Chatterjee, both of whom would go on to star in numerous films by Ray.

12.9 17:15 AC

2.10 15:15 AC

The World of Apu

阿培的世界 （又名：大樹之歌） (Apur Sansar)

印度 India 1959 106 min

Cast: Soumitra Chatterjee, Sharmila Tagore,

Swapan Mukherjee, Alok Chakravarty 美國國家評論協會最佳外語片 USA National Board of Review: Best Foreign Language Film

23.10 20:45 TK

5

Song of the Little Road 印度 India 1955 125min

Cast: Kanu Banerjee, Karuna Banerjee,

Subir Banerjee, Uma Das Gupta

大路之歌

(Pather Panchali)

康城影展最佳人道電影 Cannes Film Festival: Best Human Document Award

1992《視與聲》史上最偉大電影第六位 #6 in Sight and Sound’s 1992 Greatest Films of All Time Poll

映後談講者登徒 Film talk with Thomas Shin

11.9 17:00 AC

23.10

Courtesy & Produced By: Information & Cultural Affairs Department, Government of West Bengal, India

14:30 TK

The Unvanquished

不屈者 （又名：大河之歌） (Aparajito)

印度 India 1956 110min

Cast: Smaran Ghosal, Pinaki Sen Gupta,

Karuna Banerjee, Kanu Banerjee 威尼斯影展最佳電影金獅獎、 國際影評人聯盟獎 Venice Film Festival: Golden Lion Best Film and FIPRESCI Prize

4

11.9 19:45 AC

23.10 18:00 TK

將窮鄉小子阿培的平凡故事，以樸實影

世襲貴族住在宮殿般的大宅，愛好傳統音

像昇華為詩意洋溢、感染力滿懷之作，

樂，常在家舉行奢華音樂會款待親朋。可

榮登最偉大電影的殿堂，百年不衰。薩耶

是這位沒落地主不善打理家業，不惜變賣

哲雷初試啼聲一鳴驚人，以意大利新寫實

妻子首飾也要維護尊貴顯赫氣派。音樂室

主義之風，拂出了植根於印度土壤的濃厚

的天花吊燈，見證時代更迭，經商致富的

情感與人文關懷。以二十世紀初的偏鄉為

暴發階級乘勢而起。三場音樂會，反映豪

背景，刻劃阿培屈居破屋之童年歲月，在

門大戶由盛而衰，卻仍沉醉於末世浮華不

貧困中不失生趣與希望，道出人生無常與

願醒。蟋蟀溺在杯中，蜘蛛爬上肖像，薩

生命堅韌。西塔琴演奏家拉維山卡的配樂

耶哲雷以豐富意象，生動譜出驕矜貴族的

如泣如訴，首次掌鏡的攝影師舒寶拉圖米

末路悲歌。荷索讚譽影片的美，影評人羅

達拉的影像畫中有詩；火車意象貫穿整個

渣伊拔更認為片中主角的自負與頑固，堪

「阿培三部曲」，小姊弟追看火車一幕，

與李爾王相提並論。

尤令人難忘。 Ray first became interested in Bibhutibhushan Banerjee's novel about growing up in rural Bengal after illustrating an edition as a graphic designer.

The experience of working for Jean Renoir on The River (1951) and a viewing of Bicycle Thieves (1948) eventually prompted Ray to adapt it for his debut. Meticulously storyboarding his shots, Ray and young cinematographer Subrata Mitra filmed intermittently for about three years as he raised funds for the project.

The result was a masterpiece that provides a moving account of childhood attuned to the rhythms of nature while celebrating life despite the ominous presence of mortality, underpinned

by Ravi Shankar’s sitar music.

「阿培三部曲」壓卷之作，以離合聚散的

曲即摘下威尼斯影展金獅獎殊榮，是三大

流轉，詠嘆死生乃夜旦之常。步入複雜的

影展唯一奪得最高榮譽的續集電影。隨父

成人世界，阿培寄情寫作之餘，要獨對生

母遷居恆河河畔古城，阿培轉眼已是少

活的千頭萬緒：沒錢升學、房東催租、工

年。當祭司的父親因病離世，他需在繼承

作更難找。獲邀參加婚禮，豈料新郎突然

父業與離家升學之間作艱難抉擇。火車從

發瘋，阿培被情急鄉親選中為後補夫婿，

鄉郊駛向城市，他獨自踏上成長旅程，卻

趕及吉時前完婚。嚐到新婚甜蜜，雖貧亦

憂母子分離將成永訣。親人離世，群鳥驚

樂，只是風急鐵路冷，回頭已是天人永

起，螢火蟲紛飛，意境哀婉動人。薩耶哲

隔。薩耶哲雷凝練的電影語言更見渾然天

雷年幼喪父，與母親相依為命，與在歷練

成，以哲人之眼觀照生命的重重磨難與悲

中成長的阿培心靈共通；溫厚鏡頭下母子

喜無奈；父子間的怨恨與愧疚，終在孩子

間真摰而複雜的情感細膩延綿，超越地域

的笑臉裏，輕輕化解了。

Ray teamed up once again with cinematographer Subrata Mitra and musician Ravi Shankar for the sequel to Song of the Little Road that follows young Apu as his family moves to Varanasi and later receives a scholarship to study in Calcutta. Death continues to cast shadows eclipsed by Apu's eagerness to embrace life and see the world.

The emotional honesty to Ray's poetic depiction of the mother-son relationship has won him many admirers, from Kurosawa Akira (whose Throne of Blood [1957] lost to The Unvanquished at Venice) to fellow Bengali filmmaker Mrinal Sen.

音樂室

(Jalsaghar) 印度 India 1958 100min

Cast: Chhabi Biswas, Gangapada Bose,

Kali Sarkar, Padma Devi 莫斯科電影節最佳作曲人獎 Moscow International Film Festival: Best Composer

In his chronicle of India's modernisation, Ray reserved great sympathy for those in society displaced by changes attributed to the forces of history and progress. The Music Room tells the haunting story of a landlord who proudly holds onto his aristocratic heritage when confronted with the philistinism of the nouveau riche after the zamindari system is abolished, obsessively lavishing his wealth on sumptuous concerts of Indian classical music to the neglects of his family and estate. Acclaimed by Werner Herzog, "It's of phenomenal beauty and Ray really knew how to use music and create a drama around music."

承接《大路之歌》的鋒芒，阿培的第二部

文化，觸動人心。

The Music Room

The conflict between life and death takes centre stage in the poignant conclusion to Ray's celebrated Apu trilogy. Now a young adult, Apu finds himself entered into a marriage. When unexpected tragedy strikes, however, Apu turns his back on life until a friend intervenes.

The World of Apu , which was screened for the U.S. President John F. Kennedy in 1961, marked the debuts of Sharmila Tagore (distantly related to Rabindranath) and the late Soumitra Chatterjee, both of whom would go on to star in numerous films by Ray.

12.9 17:15 AC

2.10 15:15 AC

The World of Apu

阿培的世界 （又名：大樹之歌） (Apur Sansar)

印度 India 1959 106 min

Cast: Soumitra Chatterjee, Sharmila Tagore,

Swapan Mukherjee, Alok Chakravarty 美國國家評論協會最佳外語片 USA National Board of Review: Best Foreign Language Film

23.10 20:45 TK

5

The Goddess

女神

(Devi)

印度 India 1960 99min

Cast: Sharmila Tagore, Chhabi Biswas,

Soumitra Chatterjee 康城影展競賽影片 Cannes Film Festival: In Competition

31.10 17:30 TK

The Big City 大城市

(Mahanagar) 印度 India 1963 131min

Cast: Madhabi Mukherjee, Anil Chatterjee,

Haradhan Bannerjee 柏林影展最佳導演銀熊獎 Berlin International Film Festival: Silver Bear for Best Director

6

12.9 19:30 AC

3.10 14:00 AC

The Lonely Wife

貴族地主信奉迦梨女神，信到走火入魔，

在大宅過着優渥生活，備受冷落的妻子只

聲稱夢見新抱是女神托世，人間悲劇由此

能以望遠鏡窺看街上人來人往的熱鬧。丈

而起。在城市念書的兒子急趕回來，想要

夫忙於辦報針砭時局，堂弟有若旋風捲

力挽狂瀾，妄自尊大的老父卻不為所動。

至，吹動她重拾文學愛好。籠中金絲雀難

年輕新抱亦陷於神蹟疑雲，個性漸被湮

得遇上志趣相投的知音，翻起內心激情，

沒，思疑頭上真有光環，能夠起死回生。

令夫妻關係暗生裂縫。改編泰戈爾短篇小

被哥普拉譽為薩耶哲雷最佳作品，伊力卡

說，薩耶哲雷自視為最滿意的巔峰之作，

山形容為菲林上的詩。攝影師舒寶拉圖米

借殖民時期一段三角關係，寄寓對政治、

達拉的光影運用更上層樓，影片善用關鍵

文化、階級以至個人情慾的所思所感。花

時刻的沉默無言，以恰到好處的敘事節

園鞦韆一搖一擺的情感蕩漾，夫妻雙手凝

奏，針對父權宰制和民間迷信，作出了擲

在半空的哀頓沉重，在錯落有致的動靜之

地有聲的控訴。

間，沉澱意味深長的餘韻。

What Elia Kazan described as "poetry on celluloid" is an achingly beautiful yet poignantly haunting film examining blind faith and crushing superstition in the waning days of India’s feudal system. In a masterfully told story about a wealthy landowner who is convinced that his daughter-in-law is the reincarnation of the goddess Kalia, Ray took a profound look at the world of patriarchal power and fanatical religiosity which is devastating to the lives of the young women and their families. His stylised compositions and chiaroscuro lighting cast an unforgiving shadow on a domestic tragedy intoxicated by decadence.

Ray's favourite pick of his own films that he felt was the least compromised, The Lonely Wife is an exquisite period adaptation of Tagore’s The Broken Nest whose interiors were shot entirely on soundstages with a meticulous naturalism.

Lonely wife Charulata is married to the wealthy founder of a political newspaper whose neglect leads to a relationship developing between her and his free-spirited cousin, an aspiring poet who inspires her to put pen to paper.

Meanwhile, unbeknownst to her, her brother schemes to swindle her husband of his wealth.

For the second year in a row, Ray won the Best Director award at Berlinale.

活在大城市總有艱難時刻，銀行小職員是

編劇驅車到郊外尋找靈感，汽車中途拋錨

家中經濟支柱，上有高堂下有妻兒，獨力

維修需時，熱情豪爽的茶園主人邀他回家

The Coward

撐起一家六口，生活捉襟見肘。妻子決定

暫宿一宵，卻發現園主妻子竟是前度情

出外工作幫補家計，職場新鮮人由戰戰兢

人。深閨寂寞有誰憐，輾轉難眠憶起舊日

兢到熟能生巧，漸漸從推銷工作中找到信

溫馨，卻因優柔寡斷錯失良緣，眼前人早

心和樂趣。丈夫本來給予支持，只是老爺

已不再親近，前度情侶如何修補過去？逝

固執守舊，男人玻璃心不堪一擊，妻子如

去感情又如何留得住？薩耶哲雷與《寂寞

履薄冰，卻總是在維護家人尊嚴。薩耶哲

的妻子》兩位主角再度合作，再寫三角關

雷着眼傳統價值和新思維的衝突與調和，

係，以女性的堅強主動，對照男主角的懦

不賣慘不煽情，敏銳觀察新時代女性獨立

弱退縮。儘管園主說話滔滔不絕，精妙之

意識覺醒，還可有不為五斗米折腰的堅

處都在言語之外。篇幅短小但精悍，畫面

持。

構圖格外引人入勝。

The first of Ray's films set in modern-day Calcutta, The Big City is a tale of female emancipation about a lower middle-class housewife who joins the workforce and evolves into an independent woman. Ray observes the effects her actions have on three generations of the same family, even as he offers a portrait of the contemporary Indian woman caught between modernity and tradition. Madhabi Mukherjee stars, while the movie also marks the debut of Jaya Bhaduri (as the housewife's young sister-in-law), later a Bollywood sensation and wife of Amitabh Bachchan.

In an elegantly succinct chamber piece, Ray created an indelible portrait of a man’s selfdelusion. It only takes a day to reveal a successful screenwriter’s tragic cowardice, when his broken car leads him to a surprise reunion with his deserted lover, now married to a tea estate owner. Allowing himself to be intimidated by the social codes, he who eagers to recapture his missed opportunities can only drown in regret and loneliness. Engrossing crucial moments in silent gaze, Ray sings the praises of a courageous woman who has the strength to forgive and forget.

寂寞的妻子 (Charulata)

印度 India 1964 117min

Cast: Madhabi Mukherjee, Shailen Mukherjee,

Soumitra Chatterjee 柏林影展最佳導演銀熊獎 Berlin International Film Festival: Silver Bear for Best Director

映後談講者陳志華 Film talk with Ernest Chan

18.9 14:30 IS

17.10 17:05 IS

無膽情人 (Kapurush)

19.9 印度 India 1965 74min

Cast: Soumitra Chatterjee, Madhabi Mukherjee,

Haradhan Bannerjee 威尼斯影展競賽影片 Venice Film Festival: In Competition

17:30 IS

2.10 17:30 AC

7

The Goddess

女神

(Devi)

印度 India 1960 99min

Cast: Sharmila Tagore, Chhabi Biswas,

Soumitra Chatterjee 康城影展競賽影片 Cannes Film Festival: In Competition

31.10 17:30 TK

The Big City 大城市

(Mahanagar) 印度 India 1963 131min

Cast: Madhabi Mukherjee, Anil Chatterjee,

Haradhan Bannerjee 柏林影展最佳導演銀熊獎 Berlin International Film Festival: Silver Bear for Best Director

6

12.9 19:30 AC

3.10 14:00 AC

The Lonely Wife

貴族地主信奉迦梨女神，信到走火入魔，

在大宅過着優渥生活，備受冷落的妻子只

聲稱夢見新抱是女神托世，人間悲劇由此

能以望遠鏡窺看街上人來人往的熱鬧。丈

而起。在城市念書的兒子急趕回來，想要

夫忙於辦報針砭時局，堂弟有若旋風捲

力挽狂瀾，妄自尊大的老父卻不為所動。

至，吹動她重拾文學愛好。籠中金絲雀難

年輕新抱亦陷於神蹟疑雲，個性漸被湮

得遇上志趣相投的知音，翻起內心激情，

沒，思疑頭上真有光環，能夠起死回生。

令夫妻關係暗生裂縫。改編泰戈爾短篇小

被哥普拉譽為薩耶哲雷最佳作品，伊力卡

說，薩耶哲雷自視為最滿意的巔峰之作，

山形容為菲林上的詩。攝影師舒寶拉圖米

借殖民時期一段三角關係，寄寓對政治、

達拉的光影運用更上層樓，影片善用關鍵

文化、階級以至個人情慾的所思所感。花

時刻的沉默無言，以恰到好處的敘事節

園鞦韆一搖一擺的情感蕩漾，夫妻雙手凝

奏，針對父權宰制和民間迷信，作出了擲

在半空的哀頓沉重，在錯落有致的動靜之

地有聲的控訴。

間，沉澱意味深長的餘韻。

What Elia Kazan described as "poetry on celluloid" is an achingly beautiful yet poignantly haunting film examining blind faith and crushing superstition in the waning days of India’s feudal system. In a masterfully told story about a wealthy landowner who is convinced that his daughter-in-law is the reincarnation of the goddess Kalia, Ray took a profound look at the world of patriarchal power and fanatical religiosity which is devastating to the lives of the young women and their families. His stylised compositions and chiaroscuro lighting cast an unforgiving shadow on a domestic tragedy intoxicated by decadence.

Ray's favourite pick of his own films that he felt was the least compromised, The Lonely Wife is an exquisite period adaptation of Tagore’s The Broken Nest whose interiors were shot entirely on soundstages with a meticulous naturalism.

Lonely wife Charulata is married to the wealthy founder of a political newspaper whose neglect leads to a relationship developing between her and his free-spirited cousin, an aspiring poet who inspires her to put pen to paper.

Meanwhile, unbeknownst to her, her brother schemes to swindle her husband of his wealth.

For the second year in a row, Ray won the Best Director award at Berlinale.

活在大城市總有艱難時刻，銀行小職員是

編劇驅車到郊外尋找靈感，汽車中途拋錨

家中經濟支柱，上有高堂下有妻兒，獨力

維修需時，熱情豪爽的茶園主人邀他回家

The Coward

撐起一家六口，生活捉襟見肘。妻子決定

暫宿一宵，卻發現園主妻子竟是前度情

出外工作幫補家計，職場新鮮人由戰戰兢

人。深閨寂寞有誰憐，輾轉難眠憶起舊日

兢到熟能生巧，漸漸從推銷工作中找到信

溫馨，卻因優柔寡斷錯失良緣，眼前人早

心和樂趣。丈夫本來給予支持，只是老爺

已不再親近，前度情侶如何修補過去？逝

固執守舊，男人玻璃心不堪一擊，妻子如

去感情又如何留得住？薩耶哲雷與《寂寞

履薄冰，卻總是在維護家人尊嚴。薩耶哲

的妻子》兩位主角再度合作，再寫三角關

雷着眼傳統價值和新思維的衝突與調和，

係，以女性的堅強主動，對照男主角的懦

不賣慘不煽情，敏銳觀察新時代女性獨立

弱退縮。儘管園主說話滔滔不絕，精妙之

意識覺醒，還可有不為五斗米折腰的堅

處都在言語之外。篇幅短小但精悍，畫面

持。

構圖格外引人入勝。

The first of Ray's films set in modern-day Calcutta, The Big City is a tale of female emancipation about a lower middle-class housewife who joins the workforce and evolves into an independent woman. Ray observes the effects her actions have on three generations of the same family, even as he offers a portrait of the contemporary Indian woman caught between modernity and tradition. Madhabi Mukherjee stars, while the movie also marks the debut of Jaya Bhaduri (as the housewife's young sister-in-law), later a Bollywood sensation and wife of Amitabh Bachchan.

In an elegantly succinct chamber piece, Ray created an indelible portrait of a man’s selfdelusion. It only takes a day to reveal a successful screenwriter’s tragic cowardice, when his broken car leads him to a surprise reunion with his deserted lover, now married to a tea estate owner. Allowing himself to be intimidated by the social codes, he who eagers to recapture his missed opportunities can only drown in regret and loneliness. Engrossing crucial moments in silent gaze, Ray sings the praises of a courageous woman who has the strength to forgive and forget.

寂寞的妻子 (Charulata)

印度 India 1964 117min

Cast: Madhabi Mukherjee, Shailen Mukherjee,

Soumitra Chatterjee 柏林影展最佳導演銀熊獎 Berlin International Film Festival: Silver Bear for Best Director

映後談講者陳志華 Film talk with Ernest Chan

18.9 14:30 IS

17.10 17:05 IS

無膽情人 (Kapurush)

19.9 印度 India 1965 74min

Cast: Soumitra Chatterjee, Madhabi Mukherjee,

Haradhan Bannerjee 威尼斯影展競賽影片 Venice Film Festival: In Competition

17:30 IS

2.10 17:30 AC

7

當 紅 小 生 片 約 不 絕， 心 裏 有 苦 卻 無 人 知 曉。他臨時決定前往首都領獎，皆因負面 新 聞 見 報， 唯 有 避 之 則 吉。 買 不 到 機 票， 只好坐通宵火車，與人共享包廂。明星現 身自然備受矚目，年輕女編輯在友人慫恿 下冒昧採訪。一天的火車旅程，在女性凝 視 下， 竟 令 他 卸 下 主 角 光 環， 憶 起 往 事， 山》（1962）之後第二個原創劇本，由現

The River

實 裏 的 明 星 飾 演 銀 幕 下 的 明 星， 超 現 實

恆河汩汩而流，千古不休，見證人間生死事，只若來回返轉，輕重一

坦露內心寂寞與焦慮。薩耶哲雷繼《一重

夢 境 跟《 野 草 莓 》（1957） 和《 八 部 半 》 （1963）可謂異曲同工。

The Hero

人民英雄

(Nayak)

印度 India 1966 120min

Cast: Uttam Kumar, Sharmila Tagore 柏林影展特別表揚 Berlin International Film Festival: Special Recognition

18.9 17:20 IS

16.10 14:40 IS

錦繡恆河

On a train ride to Delhi, a matinee idol is confronted with his past as he recalls the development of his career to the editor of a women's magazine. Working exceptionally from his original screenplay as opposed to his usual practice of adapting pre-existing literature, Ray also departed on The Hero from his preferred mode of straightforward observational realism by incorporating a host of formal and stylistic touches associated with European art films from the period by Bergman and Fellini, ranging from a flashback narrative structure to dramatically stylised, surrealistic dream sequences.

如，實相自現。尚雷諾亞改編英國傳奇文學家蕾瑪高登同名著作，借年 輕美國軍官介入旅印英籍家庭的情事，就成長與愛、大地與人文的常青 主題交出一份璀璨奪目的成績表。除了動人的故事，影機攝下的河畔居 民生活點滴、東西文化的衝突與互融，均深深撼動當年觀眾。薩耶哲雷 於拍攝期間邂逅尚雷諾亞，輾轉出任副導演，組織了日後的創作班底， 固為影史美談，影片更在半個世紀後激發韋斯安德遜下定決心，也拍一 部印度電影探索心靈之秘，乃有了《大吉利是有限公司》。 Jean Renoir’s first romance shot in Technicolor has been hailed by Martin Scorsese and Eric Rohmer as one of the most beautiful colour films ever made, and launched a new era of portraying India on screen. Based on a novel by Rumer Godden, the French master’s sublime drama chronicles a year in which the emotional lives of three upper middle-class young women are turned upside down with the arrival of a handsome American. Filming on location in India with young Satyajit Ray as assistant director, this timeless masterpiece, like the holy river in Bengal, has its rhythm of life that flows through “the cycles of birth and death and regeneration, and the transitory beauty of the world”.

Restored by Academy Film Archive, in association with the BFI and Janus Films, with restoration funding provided by the Hollywood Foreign Press Association and The Film Foundation.

尚雷諾亞

Jean Renoir

法國France／印度India／美國USA

1951 99min Cast: Patricia Walters, Nora Swinburne,

Esmond Knight, Arthur Shields

威尼斯影展國際奬 Venice Film Festival: International Award

映後談講者登徒 Film talk with Thomas Shin

9.10 20:15 AC

31.10 14:30 TK

薩耶哲雷後期力作，開拍期間心臟病發， 幸得兒子協力完成拍攝。劇本初稿早於 四十年代寫好，改編泰戈爾原著小說，將 《寂寞的妻子》主題進一步發展。上世紀 初，殖民政府強推孟加拉分治，引發社會 動盪，抵制英國貨的政治運動興起。置身 大時代，年輕妻子陷於三角戀，一邊是家 中溫柔敦厚的貴族丈夫，一邊是對世界熱 情激進的運動領袖。表面寫感情糾結，其 實在反映當時社會矛盾，女性處於兩個男 人間的抉擇，實則也是對不同政治取態的 批判反思。

The Home and the World

家園與世界 (Ghare-Baire)

印度 India 1984 132min

Cast: Soumitra Chatterjee, Victor Banerjee,

Swatilekha Chatterjee 康城影展競賽影片 Cannes Film Festival: In Competition

19.9 19:15 IS

Courtesy & Produced By: National Film Development Corporation Limited, India

8

10.10 19:00 AC

Taking 35 years to adapt his beloved Rabindranath Tagore’s novel to the screen, Ray was nearly unable to complete the film due to two massive heart attacks. The romantictriangle tale revolves between a progressive husband and his traditional wife, whose arranged marriage turns into a love match after overcoming the trial of her fleeting infatuation with a nationalist revolutionary. It’s a love story in close-up and a sociopolitical commentary of India’s troubled era in long-shot, punctuated with “conversations in golden light and shadows” that “have their kind of voltage” as described by Pauline Kael. (本片的放映拷貝並非修復版本） (The film will be screened with an unrestored print)

9

當 紅 小 生 片 約 不 絕， 心 裏 有 苦 卻 無 人 知 曉。他臨時決定前往首都領獎，皆因負面 新 聞 見 報， 唯 有 避 之 則 吉。 買 不 到 機 票， 只好坐通宵火車，與人共享包廂。明星現 身自然備受矚目，年輕女編輯在友人慫恿 下冒昧採訪。一天的火車旅程，在女性凝 視 下， 竟 令 他 卸 下 主 角 光 環， 憶 起 往 事， 山》（1962）之後第二個原創劇本，由現

The River

實 裏 的 明 星 飾 演 銀 幕 下 的 明 星， 超 現 實

恆河汩汩而流，千古不休，見證人間生死事，只若來回返轉，輕重一

坦露內心寂寞與焦慮。薩耶哲雷繼《一重

夢 境 跟《 野 草 莓 》（1957） 和《 八 部 半 》 （1963）可謂異曲同工。

The Hero

人民英雄

(Nayak)

印度 India 1966 120min

Cast: Uttam Kumar, Sharmila Tagore 柏林影展特別表揚 Berlin International Film Festival: Special Recognition

18.9 17:20 IS

16.10 14:40 IS

錦繡恆河

On a train ride to Delhi, a matinee idol is confronted with his past as he recalls the development of his career to the editor of a women's magazine. Working exceptionally from his original screenplay as opposed to his usual practice of adapting pre-existing literature, Ray also departed on The Hero from his preferred mode of straightforward observational realism by incorporating a host of formal and stylistic touches associated with European art films from the period by Bergman and Fellini, ranging from a flashback narrative structure to dramatically stylised, surrealistic dream sequences.

如，實相自現。尚雷諾亞改編英國傳奇文學家蕾瑪高登同名著作，借年 輕美國軍官介入旅印英籍家庭的情事，就成長與愛、大地與人文的常青 主題交出一份璀璨奪目的成績表。除了動人的故事，影機攝下的河畔居 民生活點滴、東西文化的衝突與互融，均深深撼動當年觀眾。薩耶哲雷 於拍攝期間邂逅尚雷諾亞，輾轉出任副導演，組織了日後的創作班底， 固為影史美談，影片更在半個世紀後激發韋斯安德遜下定決心，也拍一 部印度電影探索心靈之秘，乃有了《大吉利是有限公司》。 Jean Renoir’s first romance shot in Technicolor has been hailed by Martin Scorsese and Eric Rohmer as one of the most beautiful colour films ever made, and launched a new era of portraying India on screen. Based on a novel by Rumer Godden, the French master’s sublime drama chronicles a year in which the emotional lives of three upper middle-class young women are turned upside down with the arrival of a handsome American. Filming on location in India with young Satyajit Ray as assistant director, this timeless masterpiece, like the holy river in Bengal, has its rhythm of life that flows through “the cycles of birth and death and regeneration, and the transitory beauty of the world”.

Restored by Academy Film Archive, in association with the BFI and Janus Films, with restoration funding provided by the Hollywood Foreign Press Association and The Film Foundation.

尚雷諾亞

Jean Renoir

法國France／印度India／美國USA

1951 99min Cast: Patricia Walters, Nora Swinburne,

Esmond Knight, Arthur Shields

威尼斯影展國際奬 Venice Film Festival: International Award

映後談講者登徒 Film talk with Thomas Shin

9.10 20:15 AC

31.10 14:30 TK

薩耶哲雷後期力作，開拍期間心臟病發， 幸得兒子協力完成拍攝。劇本初稿早於 四十年代寫好，改編泰戈爾原著小說，將 《寂寞的妻子》主題進一步發展。上世紀 初，殖民政府強推孟加拉分治，引發社會 動盪，抵制英國貨的政治運動興起。置身 大時代，年輕妻子陷於三角戀，一邊是家 中溫柔敦厚的貴族丈夫，一邊是對世界熱 情激進的運動領袖。表面寫感情糾結，其 實在反映當時社會矛盾，女性處於兩個男 人間的抉擇，實則也是對不同政治取態的 批判反思。

The Home and the World

家園與世界 (Ghare-Baire)

印度 India 1984 132min

Cast: Soumitra Chatterjee, Victor Banerjee,

Swatilekha Chatterjee 康城影展競賽影片 Cannes Film Festival: In Competition

19.9 19:15 IS

Courtesy & Produced By: National Film Development Corporation Limited, India

8

10.10 19:00 AC

Taking 35 years to adapt his beloved Rabindranath Tagore’s novel to the screen, Ray was nearly unable to complete the film due to two massive heart attacks. The romantictriangle tale revolves between a progressive husband and his traditional wife, whose arranged marriage turns into a love match after overcoming the trial of her fleeting infatuation with a nationalist revolutionary. It’s a love story in close-up and a sociopolitical commentary of India’s troubled era in long-shot, punctuated with “conversations in golden light and shadows” that “have their kind of voltage” as described by Pauline Kael. (本片的放映拷貝並非修復版本） (The film will be screened with an unrestored print)

9

Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

街童（又名：孟買風情畫） Salaam Bombay!

位處印度繁喧熱鬧的最大城市街頭，暗角隱藏着太多悲傷故事。因 縱火鬧事被母親趕走，必須賺錢還債的鄉村小子，輾轉流落孟買淪 為街童，身無長物，為了討活什麼也得幹。小偷、毒販、妓女、癮 君子在他身邊打轉，一窮二白是他們最大公因數，與虎謀皮是無可 奈何的生存競賽。於無常跟前，邪惡沒有排斥的餘地，遇境而遷是 他們最廉價的策略，迎來的也只可能是背叛、失落以至無止境的被 離棄。一部廣徵孟買街童演回他們自己的寫實主義巨構，在美拉娜 兒鏡下，首尾緊扣，主題鮮明，人文關懷滿溢，一舉摘下康城影展 金攝影機獎。 A companion piece to Hector Babenco's Pixote (1980), Mira Nair’s first fiction feature constitutes another neorealism masterpiece that takes an unsentimental yet striking look at the hard knock lives of street children in Bombay. From the spirit and through the extraordinary performances of real-life slum youngsters, this social exposé follows the misadventures of Krishna, a young boy who becomes a street child in the city after he is abandoned by a travelling circus. Under the constant threat of adults who exploit him, Krishna’s effort to go home is thwarted at every turn.

Winner of the Camera d’Or at Cannes, this 1988 story has lost none of its throbbing vitality and powerful reflection on our world today.

美拉娜兒 Mira Nair

印度 India 1988 110min Cast: Shafiq Syed, Raghubir Yadav,

Aneeta Kanwar, Irrfan Khan 康城影展金攝影機獎 Cannes Film Festival: Caméra d'Or

奧斯卡金像獎最佳外語片提名 Academy Awards: Best Foreign Language Film nomination

映後談講者喬奕思 Film talk with Joyce Yang

12.9 14:45 AC

25.9 19:40 IS

8.10

CINE FAN ONLINE

Courtesy & Produced By: National Film Development Corporation Limited, India

大吉利是有限公司 The Darjeeling Limited

三兄弟帶着揮不走的父權陰影登上「大吉利是有限公司」豪華列車， 開始一段天竺和解靈性之旅，無奈彼此誤會與過去創傷太深，旅程未 半，已拳腳相向，被趕下車。隱居深山的母親可會是解開他們心結的 終極鑰匙？喜歡《布達佩斯大酒店》的會在這裡找到不一樣的韋斯 安德遜；對稱畫面、動靜對比、明亮色彩的風格外，他更悉力開展徐 疾有致的敘事空間，讓公路電影翻出更多層次。奧雲韋遜、艾哲倫保 迪、標梅利與安芝莉嘉侯絲頓固然猶如眾星拱月向薩耶哲雷致敬，印

韋斯安德遜

Wes Anderson

美國 USA 2007 104min Cast: Owen Wilson, Adrien Brody,

Jason Schwartzman

威尼斯影展競賽電影 Venice Film Festival: In Competition

度在安德遜鏡下超越了故事背景，引用着大師的配樂作品，散發出異 域推移的奇妙光華。 Distraught by their father’s death and their mother’s disappearance, three estranged brothers agree to meet in India for a spiritual voyage aboard a luxury train, but their distrust and immaturity keep threatening to derail their journey to enlightenment. Inspired by Jean Renoir’s The River and Satyajit Ray’s films, Wes Anderson shot his offbeat sibling rivalry comedy almost entirely on location in India, which included converting a real train into a film set. Vibrant colours and chaotic aura of the nation as well as music from Ray’s films prove to be a perfect match with the eccentrically charming style of the American auteur, who achieved startling new maturity in this perplexing drama full of happy surprises.

10

11.9 14:45 AC

10.10 16:40 AC

11

Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

街童（又名：孟買風情畫） Salaam Bombay!

位處印度繁喧熱鬧的最大城市街頭，暗角隱藏着太多悲傷故事。因 縱火鬧事被母親趕走，必須賺錢還債的鄉村小子，輾轉流落孟買淪 為街童，身無長物，為了討活什麼也得幹。小偷、毒販、妓女、癮 君子在他身邊打轉，一窮二白是他們最大公因數，與虎謀皮是無可 奈何的生存競賽。於無常跟前，邪惡沒有排斥的餘地，遇境而遷是 他們最廉價的策略，迎來的也只可能是背叛、失落以至無止境的被 離棄。一部廣徵孟買街童演回他們自己的寫實主義巨構，在美拉娜 兒鏡下，首尾緊扣，主題鮮明，人文關懷滿溢，一舉摘下康城影展 金攝影機獎。 A companion piece to Hector Babenco's Pixote (1980), Mira Nair’s first fiction feature constitutes another neorealism masterpiece that takes an unsentimental yet striking look at the hard knock lives of street children in Bombay. From the spirit and through the extraordinary performances of real-life slum youngsters, this social exposé follows the misadventures of Krishna, a young boy who becomes a street child in the city after he is abandoned by a travelling circus. Under the constant threat of adults who exploit him, Krishna’s effort to go home is thwarted at every turn.

Winner of the Camera d’Or at Cannes, this 1988 story has lost none of its throbbing vitality and powerful reflection on our world today.

美拉娜兒 Mira Nair

印度 India 1988 110min Cast: Shafiq Syed, Raghubir Yadav,

Aneeta Kanwar, Irrfan Khan 康城影展金攝影機獎 Cannes Film Festival: Caméra d'Or

奧斯卡金像獎最佳外語片提名 Academy Awards: Best Foreign Language Film nomination

映後談講者喬奕思 Film talk with Joyce Yang

12.9 14:45 AC

25.9 19:40 IS

8.10

CINE FAN ONLINE

Courtesy & Produced By: National Film Development Corporation Limited, India

大吉利是有限公司 The Darjeeling Limited

三兄弟帶着揮不走的父權陰影登上「大吉利是有限公司」豪華列車， 開始一段天竺和解靈性之旅，無奈彼此誤會與過去創傷太深，旅程未 半，已拳腳相向，被趕下車。隱居深山的母親可會是解開他們心結的 終極鑰匙？喜歡《布達佩斯大酒店》的會在這裡找到不一樣的韋斯 安德遜；對稱畫面、動靜對比、明亮色彩的風格外，他更悉力開展徐 疾有致的敘事空間，讓公路電影翻出更多層次。奧雲韋遜、艾哲倫保 迪、標梅利與安芝莉嘉侯絲頓固然猶如眾星拱月向薩耶哲雷致敬，印

韋斯安德遜

Wes Anderson

美國 USA 2007 104min Cast: Owen Wilson, Adrien Brody,

Jason Schwartzman

威尼斯影展競賽電影 Venice Film Festival: In Competition

度在安德遜鏡下超越了故事背景，引用着大師的配樂作品，散發出異 域推移的奇妙光華。 Distraught by their father’s death and their mother’s disappearance, three estranged brothers agree to meet in India for a spiritual voyage aboard a luxury train, but their distrust and immaturity keep threatening to derail their journey to enlightenment. Inspired by Jean Renoir’s The River and Satyajit Ray’s films, Wes Anderson shot his offbeat sibling rivalry comedy almost entirely on location in India, which included converting a real train into a film set. Vibrant colours and chaotic aura of the nation as well as music from Ray’s films prove to be a perfect match with the eccentrically charming style of the American auteur, who achieved startling new maturity in this perplexing drama full of happy surprises.

10

11.9 14:45 AC

10.10 16:40 AC

11

從

前有一個國家⋯⋯南斯拉夫，如今在地圖上 已 不 復 存 在， 卻 於 庫 斯 圖 里 卡 的 電 影 裏 永

恆刻銘。1954 年出生於薩拉熱窩的波斯尼亞穆斯

林家庭，這位才華洋溢的叛逆獨生子以不拘一格 的黑色幽默對祖國的極權荒謬冷嘲熱諷，憑首作

《 薩 拉 熱 窩 少 年 夢 》（1981）， 到《 爸 爸 離 家 上 班

去》（1985）及《迷失歲月》（1988）等，四十之 齡已橫掃各大影展殊榮，近乎百發百中。

戰火內外連爆，國家四分五裂，天之驕子憑《沒 有 天 空 的 都 市 》（1995） 再 度 戴 上 康 城 金 棕 櫚 獎

頂着一頭狂傲亂髪，獨愛偏鋒人物，由共產信徒、 黑道梟雄以至口吃的動物管理員，在簽名式的澎 湃熱情、喧鬧狂亂裏自由放任。大魚飛天、驢子

殉情、黑貓白貓觀照吉卜賽的浪蕩與狂野，還有

猩猩炸開地下世界的謊言與荒謬；當中飛禽走獸

的癲喪笑謔戰爭與極權肆虐下顛簸瘋狂的眾生相， 諷刺意味不下於奧威爾的尖刻寓言。

親米諾舍維奇的政治立場招來四面楚歌，庫斯圖

里卡索性以銅管樂與手風琴的張狂抗衡炮聲雷雷， 飛 入 超 現 實 魔 幻 世 界， 鼓 奏 悲 歡 與 希 望。 狂 歌

的 珍 稀 桂 冠， 登 上 事 業 頂 峰， 反 落 得 左 右 不 是

《飛夢奇緣》（1993）及《黑貓白貓》（1998）的

人則認為他偏袒穆斯林，各方抨擊令他一度聲言

事 業。 把《 生 命 是 奇 蹟 》（2004） 在 塞 爾 維 亞 鄉

人：波斯尼亞人視其電影為背叛同胞，塞爾維亞 引退。把父親之死歸咎戰禍，他此後拒絕踏足這 片曾引以為傲的國土。

O

nce upon a time there was a country...

Yugoslavia was forever lost in the wars. Yet, in

the magical surrealist cinema of Emir Kusturica, its history and people are eternally enshrined.

Born in 1954, Kusturica grew up an only child in a secular Muslim family in Sarajevo. His artistic genius for black satirical comedy was fully recognised by the time he was 40, garnering most of the major awards the film world has to offer with his directorial debut

Do You Remember Dolly Bell? (1981), and hits like When Father was Away on Business (1985) and Time of the Gypsies (1988), which are celebrated for their Balkanist farce marked by slapstick and subversive cynicism. Underground (1995), his famously inflammatory take on Yugoslav history remains his crowning achievement, making him one of the few auteurs to have won the Palme d’Or twice.

Yet, baffled by the embittered battles with his fellow Bosnian and Serbian countrymen, he once announced to quit filmmaking, and later disconnected himself, never setting foot in Sarajevo again.

怪雞浪漫，更加入「無煙大樂隊」，以音樂為第二

郊的佈景擴建成木頭鎮，舉辦電影及音樂節，在

沒有疆界的藝術土壤上，讓生命的奇蹟生生不息。

Defined by their intoxicating passion and chaotic craze, his films often feature characters on the margins: diehard communist, amoral outlaws and even stuttering zookeeper. No matter how brutal and dire the circumstances they are in, these adamant humans are charged with frenzied, raucous energy to face the unimaginable with joy, hope and lunacy, animated by screwball antics and above all, rapturous music featuring the No Smoking Orchestra, his gypsy-punkrock band. Whimsical turkeys, levitating fish and flocks of geese tromp around everywhere in the scenes of bombing attacks, pillow talks, weddings and funerals alike, playing their roles as in Orwellian parables for a world in disarray.

Kicking politics aside, Kusturica shifts from a controversial satirist to a surrealist romantic, conjuring up hilarious and sentimental dreams for star-crossed lovers in Arizona Dream (1993) and Black Cat, White Cat (1998). Building a village out of nothing for Life is a Miracle (2004), the cultural saviour reimagines his lost city – a land of films and music that will never vanish on the atlas of art.

從

前有一個國家⋯⋯南斯拉夫，如今在地圖上 已 不 復 存 在， 卻 於 庫 斯 圖 里 卡 的 電 影 裏 永

恆刻銘。1954 年出生於薩拉熱窩的波斯尼亞穆斯

林家庭，這位才華洋溢的叛逆獨生子以不拘一格 的黑色幽默對祖國的極權荒謬冷嘲熱諷，憑首作

《 薩 拉 熱 窩 少 年 夢 》（1981）， 到《 爸 爸 離 家 上 班

去》（1985）及《迷失歲月》（1988）等，四十之 齡已橫掃各大影展殊榮，近乎百發百中。

戰火內外連爆，國家四分五裂，天之驕子憑《沒 有 天 空 的 都 市 》（1995） 再 度 戴 上 康 城 金 棕 櫚 獎

頂着一頭狂傲亂髪，獨愛偏鋒人物，由共產信徒、 黑道梟雄以至口吃的動物管理員，在簽名式的澎 湃熱情、喧鬧狂亂裏自由放任。大魚飛天、驢子

殉情、黑貓白貓觀照吉卜賽的浪蕩與狂野，還有

猩猩炸開地下世界的謊言與荒謬；當中飛禽走獸

的癲喪笑謔戰爭與極權肆虐下顛簸瘋狂的眾生相， 諷刺意味不下於奧威爾的尖刻寓言。

親米諾舍維奇的政治立場招來四面楚歌，庫斯圖

里卡索性以銅管樂與手風琴的張狂抗衡炮聲雷雷， 飛 入 超 現 實 魔 幻 世 界， 鼓 奏 悲 歡 與 希 望。 狂 歌

的 珍 稀 桂 冠， 登 上 事 業 頂 峰， 反 落 得 左 右 不 是

《飛夢奇緣》（1993）及《黑貓白貓》（1998）的

人則認為他偏袒穆斯林，各方抨擊令他一度聲言

事 業。 把《 生 命 是 奇 蹟 》（2004） 在 塞 爾 維 亞 鄉

人：波斯尼亞人視其電影為背叛同胞，塞爾維亞 引退。把父親之死歸咎戰禍，他此後拒絕踏足這 片曾引以為傲的國土。

O

nce upon a time there was a country...

Yugoslavia was forever lost in the wars. Yet, in

the magical surrealist cinema of Emir Kusturica, its history and people are eternally enshrined.

Born in 1954, Kusturica grew up an only child in a secular Muslim family in Sarajevo. His artistic genius for black satirical comedy was fully recognised by the time he was 40, garnering most of the major awards the film world has to offer with his directorial debut

Do You Remember Dolly Bell? (1981), and hits like When Father was Away on Business (1985) and Time of the Gypsies (1988), which are celebrated for their Balkanist farce marked by slapstick and subversive cynicism. Underground (1995), his famously inflammatory take on Yugoslav history remains his crowning achievement, making him one of the few auteurs to have won the Palme d’Or twice.

Yet, baffled by the embittered battles with his fellow Bosnian and Serbian countrymen, he once announced to quit filmmaking, and later disconnected himself, never setting foot in Sarajevo again.

怪雞浪漫，更加入「無煙大樂隊」，以音樂為第二

郊的佈景擴建成木頭鎮，舉辦電影及音樂節，在

沒有疆界的藝術土壤上，讓生命的奇蹟生生不息。

Defined by their intoxicating passion and chaotic craze, his films often feature characters on the margins: diehard communist, amoral outlaws and even stuttering zookeeper. No matter how brutal and dire the circumstances they are in, these adamant humans are charged with frenzied, raucous energy to face the unimaginable with joy, hope and lunacy, animated by screwball antics and above all, rapturous music featuring the No Smoking Orchestra, his gypsy-punkrock band. Whimsical turkeys, levitating fish and flocks of geese tromp around everywhere in the scenes of bombing attacks, pillow talks, weddings and funerals alike, playing their roles as in Orwellian parables for a world in disarray.

Kicking politics aside, Kusturica shifts from a controversial satirist to a surrealist romantic, conjuring up hilarious and sentimental dreams for star-crossed lovers in Arizona Dream (1993) and Black Cat, White Cat (1998). Building a village out of nothing for Life is a Miracle (2004), the cultural saviour reimagines his lost city – a land of films and music that will never vanish on the atlas of art.

Do You Remember Dolly Bell?

薩拉熱窩少年夢 (Sjecas li se, Dolly Bell)

南斯拉夫 Yugoslavia 1981 110min

Cast: Slavko Stimac, Slobodan Aligrudic, Ljiljana Blagojevic 威尼斯影展最佳首作獎、國際影評人聯盟獎及OCIC榮譽獎 Venice Film Festival: Best First Work, FIPRESCI Prize, OCIC Award - Honorable Mention

在鐵托紅旗飄揚的六十年代，酗酒嚴父堅信上樓

能以信仰治病、以念力移物，然而被上帝離棄的

有望共產美夢必會成真，兒子卻寧願與古惑仔

吉卜賽人，只能帶着天賦流浪。誤信黑幫教父會

吸煙夾band看意大利B級片。自練催眠術哄不了

為瘸腿妹妹醫治，純樸少年被帶到意大利「學

小兔，倒欺騙自己相信「天天向上，明天會更

藝」，由街頭偷呃拐騙漸升為坐堂少帥。回鄉已

好」。面對被操縱妓女Dolly Bell的愛慾誘惑，由

是壞了的人，不信初戀女友腹中是親生骨肉，只

靦腆以對到終完成人之禮，可惜父親來不及見證

埋頭於販賣小孩勾當。破屋懸浮、新娘凌空、隔

烏托邦實現已一命嗚呼。庫斯圖里卡將自身的青

空飛叉報仇，庫斯圖里卡將魔幻現實飄盪於吉卜

春迷濛與慾望直射入薩拉熱窩少年夢，點撥出時

賽野性狂歌，在流離裏笑看信仰失落下的迷亂與

代的混沌與虛無，在威尼斯影展大放異彩奪下最

癲狂；一隻火雞自來自去婚禮喪禮，把善惡死生

佳首作獎，舉重若輕的黑色冷諷早見大師功架。

與人間荒謬都看得通通透透。

Aloof from his father’s conviction in Communist idealism, Dino prefers to fall in with a band of petty crooks and be hooked on the glamour of gangster films. Practising hypnosis that fails on rabbits, he succeeds in anesthetising himself by believing “Every day I’m getting better and better”, and finally comes into his manhood through his romantic infatuations with young prostitute Dolly Bell. A bittersweet coming-of-age tale interweaving the political uproar of 1960’s Sarajevo, Kusturica’s semi-autobiographical debut manifests a sardonic sensibility that defines his dazzling directorial style, recognised by Venice as Best First Work.

Shifting away from bleakly nostalgic satire, Kusturica draws a parallel with Luis Buñuel’s Los Olvidados , conjuring surrealist vision to capture the delirious joy and desperation of the Yugoslavian gypsies under rollicking accordion music and eclectic imagery. The tragic-comedy traces how an innocent, telekinetic boy devoted to his faith-healing grandmother and crippled sister descents into a Godfather’s accomplice engaging in exploitative crime in Italy. Punctuated with an amazing turkey, this turbulent drama is as spontaneous and mesmerising as its gypsy heroes who are under the spell of life’s gifts and misgivings.

18.9 20:00 IS

15.10

CINE FAN ONLINE

16.10 17:15 IS

Time of the Gypsies

迷失歲月

(Dom za vesanje)

南斯拉夫 Yugoslavia 1988 142min

Cast: Davor Dujmovic, Bora Todorovic, Ljubica Adzovic 康城影展最佳導演奬 Cannes Film Festival: Best Director

不識時務嘲諷一句「同情列寧」，可能未及與身居

子非魚卻知魚無所不知，奉行躺平主義的尊尼特普

共產黨要職的大舅爭風吃醋來得致命。馬沙被送往

幻想成飛魚神遊阿拉斯加，卻被載到荒漠亞利桑

勞改營，小馬力被告知爸爸離家上班去，夜夜夢遊

那。粉紅舅父謝利路易半生夢想把所賣轎車疊起來

時倒比大人看得更澄明。整古做怪令父母久別重逢

可讓他攀上月球；發明星夢的表哥雲遜加勞把《教

但難以溫存，又要阻止風流爸爸拈花惹草；與鄰家

父》對白倒背如流。周旋兩女之間，風流寡婦菲丹

女孩兩小無猜，情竇初開卻要嘗到生離死別。滲溢

娜慧渴望飛往天上，與她勢成水火的繼女莉莉泰萊

捷克新浪潮之風，庫斯圖里卡透過六歲男孩之眼，

則嚮往自殺輪迴變成烏龜。重演《奪魄驚魂》經典

以家庭波折觀照南斯拉夫與蘇聯決裂後的社會動

一幕向希治閣致敬之餘不無諷謔，庫斯圖里卡只此

盪，黑色幽默裏機鋒處處而未忘人間溫潤，平地一

一部美國製作，將荷里活成規反轉再反轉。發一場

聲雷摘下康城金棕櫚獎。

大美國夢，不要問，只要信。

Told through the consciousness of a six-year old boy, Kusturica’s surprising Palme d’Or winner is an affectionate social satire offering a revealing glimpse of Yugoslavia’s tumultuous political transition after breaking up with the Soviet Union. The twist of fate for young Malik comes when he is told that his father is “away on business”, a euphemism for being sent to a labour camp for his alleged Stalinist sympathies – or rather, his promiscuity. In his sleepwalking, Malik shows his remarkable talent for interrupting his father’s licentious acts, and his spirit as adventurous as his father’s libido.

Crafting his magical realism onto brash Arizona landscapes, Kusturica’s first and only American film embraces a liberating lunacy that dares the Hollywood conventions of cookie-cutter filmmaking. Starring Johnny Depp as an unambitious fish warden, the droll psychodrama lets magic happen as he becomes embroiled in the lives of four weirdos: his uncle selling pink Cadillacs, his movie-mad cousin parroting De Niro’s best-loved lines, a deranged widow dreaming to fly, and her stepdaughter wishing to reincarnate as a turtle.

Maddeningly indulgent and eccentric, it’s more than a fish levitating through the great American dream.

When Father was Away on Business

爸爸離家上班去

(Otac na sluzbenom putu)

南斯拉夫 Yugoslavia 1985 136min

Cast: Moreno De Bartoli, Miki Manojlovic, Mirjana Karanovic 康城影展金棕櫚獎及國際影評人聯盟獎 Cannes Film Festival: Palme d'Or and FIPRESCI Prize

19.9 14:30 IS

14

16.10 19:45 IS

奧斯卡金像獎最佳外語片提名 Academy Awards: Best Foreign Language Film nomination

映後談講者朗天 Film talk with Long Tin

26.9 15:00 IS

17.10 19:35 IS

2.10 19:15 AC

22.10

CINE FAN ONLINE

24.10 19:15 TK

Arizona Dream

飛夢奇緣

美國 USA／法國 France 1993 140min

Cast: Johnny Depp, Jerry Lewis, Faye Dunaway,

Lili Taylor, Vincent Gallo

柏林影展評審團特別獎 Berlin International Film Festival: Special Jury Prize

15

Do You Remember Dolly Bell?

薩拉熱窩少年夢 (Sjecas li se, Dolly Bell)

南斯拉夫 Yugoslavia 1981 110min

Cast: Slavko Stimac, Slobodan Aligrudic, Ljiljana Blagojevic 威尼斯影展最佳首作獎、國際影評人聯盟獎及OCIC榮譽獎 Venice Film Festival: Best First Work, FIPRESCI Prize, OCIC Award - Honorable Mention

在鐵托紅旗飄揚的六十年代，酗酒嚴父堅信上樓

能以信仰治病、以念力移物，然而被上帝離棄的

有望共產美夢必會成真，兒子卻寧願與古惑仔

吉卜賽人，只能帶着天賦流浪。誤信黑幫教父會

吸煙夾band看意大利B級片。自練催眠術哄不了

為瘸腿妹妹醫治，純樸少年被帶到意大利「學

小兔，倒欺騙自己相信「天天向上，明天會更

藝」，由街頭偷呃拐騙漸升為坐堂少帥。回鄉已

好」。面對被操縱妓女Dolly Bell的愛慾誘惑，由

是壞了的人，不信初戀女友腹中是親生骨肉，只

靦腆以對到終完成人之禮，可惜父親來不及見證

埋頭於販賣小孩勾當。破屋懸浮、新娘凌空、隔

烏托邦實現已一命嗚呼。庫斯圖里卡將自身的青

空飛叉報仇，庫斯圖里卡將魔幻現實飄盪於吉卜

春迷濛與慾望直射入薩拉熱窩少年夢，點撥出時

賽野性狂歌，在流離裏笑看信仰失落下的迷亂與

代的混沌與虛無，在威尼斯影展大放異彩奪下最

癲狂；一隻火雞自來自去婚禮喪禮，把善惡死生

佳首作獎，舉重若輕的黑色冷諷早見大師功架。

與人間荒謬都看得通通透透。

Aloof from his father’s conviction in Communist idealism, Dino prefers to fall in with a band of petty crooks and be hooked on the glamour of gangster films. Practising hypnosis that fails on rabbits, he succeeds in anesthetising himself by believing “Every day I’m getting better and better”, and finally comes into his manhood through his romantic infatuations with young prostitute Dolly Bell. A bittersweet coming-of-age tale interweaving the political uproar of 1960’s Sarajevo, Kusturica’s semi-autobiographical debut manifests a sardonic sensibility that defines his dazzling directorial style, recognised by Venice as Best First Work.

Shifting away from bleakly nostalgic satire, Kusturica draws a parallel with Luis Buñuel’s Los Olvidados , conjuring surrealist vision to capture the delirious joy and desperation of the Yugoslavian gypsies under rollicking accordion music and eclectic imagery. The tragic-comedy traces how an innocent, telekinetic boy devoted to his faith-healing grandmother and crippled sister descents into a Godfather’s accomplice engaging in exploitative crime in Italy. Punctuated with an amazing turkey, this turbulent drama is as spontaneous and mesmerising as its gypsy heroes who are under the spell of life’s gifts and misgivings.

18.9 20:00 IS

15.10

CINE FAN ONLINE

16.10 17:15 IS

Time of the Gypsies

迷失歲月

(Dom za vesanje)

南斯拉夫 Yugoslavia 1988 142min

Cast: Davor Dujmovic, Bora Todorovic, Ljubica Adzovic 康城影展最佳導演奬 Cannes Film Festival: Best Director

不識時務嘲諷一句「同情列寧」，可能未及與身居

子非魚卻知魚無所不知，奉行躺平主義的尊尼特普

共產黨要職的大舅爭風吃醋來得致命。馬沙被送往

幻想成飛魚神遊阿拉斯加，卻被載到荒漠亞利桑

勞改營，小馬力被告知爸爸離家上班去，夜夜夢遊

那。粉紅舅父謝利路易半生夢想把所賣轎車疊起來

時倒比大人看得更澄明。整古做怪令父母久別重逢

可讓他攀上月球；發明星夢的表哥雲遜加勞把《教

但難以溫存，又要阻止風流爸爸拈花惹草；與鄰家

父》對白倒背如流。周旋兩女之間，風流寡婦菲丹

女孩兩小無猜，情竇初開卻要嘗到生離死別。滲溢

娜慧渴望飛往天上，與她勢成水火的繼女莉莉泰萊

捷克新浪潮之風，庫斯圖里卡透過六歲男孩之眼，

則嚮往自殺輪迴變成烏龜。重演《奪魄驚魂》經典

以家庭波折觀照南斯拉夫與蘇聯決裂後的社會動

一幕向希治閣致敬之餘不無諷謔，庫斯圖里卡只此

盪，黑色幽默裏機鋒處處而未忘人間溫潤，平地一

一部美國製作，將荷里活成規反轉再反轉。發一場

聲雷摘下康城金棕櫚獎。

大美國夢，不要問，只要信。

Told through the consciousness of a six-year old boy, Kusturica’s surprising Palme d’Or winner is an affectionate social satire offering a revealing glimpse of Yugoslavia’s tumultuous political transition after breaking up with the Soviet Union. The twist of fate for young Malik comes when he is told that his father is “away on business”, a euphemism for being sent to a labour camp for his alleged Stalinist sympathies – or rather, his promiscuity. In his sleepwalking, Malik shows his remarkable talent for interrupting his father’s licentious acts, and his spirit as adventurous as his father’s libido.

Crafting his magical realism onto brash Arizona landscapes, Kusturica’s first and only American film embraces a liberating lunacy that dares the Hollywood conventions of cookie-cutter filmmaking. Starring Johnny Depp as an unambitious fish warden, the droll psychodrama lets magic happen as he becomes embroiled in the lives of four weirdos: his uncle selling pink Cadillacs, his movie-mad cousin parroting De Niro’s best-loved lines, a deranged widow dreaming to fly, and her stepdaughter wishing to reincarnate as a turtle.

Maddeningly indulgent and eccentric, it’s more than a fish levitating through the great American dream.

When Father was Away on Business

爸爸離家上班去

(Otac na sluzbenom putu)

南斯拉夫 Yugoslavia 1985 136min

Cast: Moreno De Bartoli, Miki Manojlovic, Mirjana Karanovic 康城影展金棕櫚獎及國際影評人聯盟獎 Cannes Film Festival: Palme d'Or and FIPRESCI Prize

19.9 14:30 IS

14

16.10 19:45 IS

奧斯卡金像獎最佳外語片提名 Academy Awards: Best Foreign Language Film nomination

映後談講者朗天 Film talk with Long Tin

26.9 15:00 IS

17.10 19:35 IS

2.10 19:15 AC

22.10

CINE FAN ONLINE

24.10 19:15 TK

Arizona Dream

飛夢奇緣

美國 USA／法國 France 1993 140min

Cast: Johnny Depp, Jerry Lewis, Faye Dunaway,

Lili Taylor, Vincent Gallo

柏林影展評審團特別獎 Berlin International Film Festival: Special Jury Prize

15

Underground

沒有天空的都市

南斯拉夫 Yugoslavia／法國 France 1995 164min

Cast: Miki Manojlovic, Lazar Ristovski, Mirjana Jokovic, Slavko Stimac 康城影展金棕櫚獎 Cannes Film Festival: Palme d'Or

橫跨南斯拉夫半世紀歷史的巔峰作，讓庫斯圖里卡

戰爭本就荒謬絕倫，不如索性癲狂到底！工程師

躋身兩奪金棕櫚獎的神壇，卻被齊澤克狠批為「以

一條心建造鐵路貫通波斯尼亞和塞爾維亞，不料

西方目光凝視好戰的瘋狂國度」。二戰烽火下發國

炮彈飛來令工程腰斬，癲喪女高音老婆跟指揮走

難財，共黨兄弟陰差陽錯成了革命英雄。勇武者被

佬，足球新星兒子更遭敵軍俘虜。穆斯林美女被

騙在地下世界聽着〈莉莉瑪蓮〉製造兵器「繼續

捉來交換人質，兩人卻在槍林彈雨下擦出愛火。

戰鬥」，權謀者在地上偷天換日財色兼收，販賣軍

在床上夢幻飛天去不了理想國澳洲，目送受傷的

火變為鐵托身邊紅人。戰爭去了又來，日月換了新

茱麗葉遠去，羅密歐躺臥路軌只求火車了斷相思

天；猩猩炸破荒謬，連電影的虛幻亦化作飛灰，只

之苦。向法蘭基勃拉《莫負少年頭》致敬之作，

有美麗謊言永恆不滅。化悲憤為狂笑，為分崩離析

庫斯圖里卡以歡鬧音樂抗衡炮聲隆隆，殉情驢子

的祖國刻下愛恨綿綿的墓誌銘。

企定路軌搶鏡，場場有戲的貓狗為死雀張牙舞

A satirical epic about the decline of Yugoslavia, Kusturica’s second Palme d’Or winner still looks delirious in its excess with its awe-inspiring artistic vision that melds tragedy with optimism. Taking an allencompassing perspective from World War II to the Balkan wars, this sprawling allegory is communicated powerfully through the trials and tribulations of two anti-Nazi arms dealers who become accidental revolutionary heroes. Laced with outrageous dark humour and unspeakable pain and suffering, it strings out the deception of communism that keeps its people in ignorance – but only takes a chimp to blast it out.

26.9 映後談講者朗天 Film talk with Long Tin

18:00 IS

24.10 15:30 TK

爪，更堪玩味。

Life is a Miracle

生命是奇蹟 (Zivot je cudo)

塞爾維亞 Serbia 2004 154min

Cast: Slavko Stimac, Natasa Tapuskovic, Vesna Trivalic, Goran Jevtic

凱撒獎最佳歐洲聯盟電影 César Awards: Best European Union Film 康城影展競賽影片 Cannes Film Festival: In Competition

War is madness; Kusturica’s way to stay sane is encapsulating life-affirming craziness – and his gypsy techno-pop music – in a Romeo and Juliet tale. Set around the Bosnian War, the compelling satire focuses on a Serbian railway engineer, whose world comes crashing down when he becomes enamored with a lovely Muslim hostage who is to be exchanged for his captured son. Enshrouding anti-war overtones in his trademark operatic excesses, fantastical flights and rollicking humour, this blistering romance affirms that life is a miracle – made possible by a seemingly lovelorn and suicidal donkey.

9.10 17:00 AC

30.10 14:30 TK

不管黑貓白貓，捉到「銀獅」就是好貓！自肥老爸 為走私燃油向惡霸借錢，點知被起尾注，錢賺不成

街童

反欠下一屁股債。惡霸為求快快嫁掉五尺差半寸孻 妹，向欠債老爸兒子迫婚；偏偏準新郎愛上餐館喪 美女，準新娘亦只想嫁個有緣人。為讓路婚禮祖父

Salaam Bombay!

08-10.10

都要「死埋一邊」，新娘乘機走佬引發兩幫火拼雞 飛狗走。原為《沒有天空的都市》裏吉卜賽音樂人 拍的紀錄片，失驚無神變成瘋狂想像與野鵝齊飛的 荒誕喜劇；天馬行空的魔幻奇趣，還以為費里尼翻 生再展絕技！ Forget politics altogether, simply enjoy the sheer glee of the larger-than-life characters and their misadventures!

Kusturica’s idea of making a documentary about the gypsy musicians in Underground flourishes into a kitsch farce in a frenetic mixture of slapstick and folklore, revolving around two gypsy rival patriarchs and their unruly families enmeshed in a chaotic wedding, two corpses on ice in an attic, and a “Happy End”. Bestowed with Venice accolades, this Felliniesque fantasy crammed with riotously funny humans and flying geese celebrates life in its wildest imagination.

Black Cat, White Cat

黑貓白貓

(Crna macka, beli macor)

南斯拉夫 Yugoslavia／法國 France／德國 Germany 1998 130min

9.10 14:15 AC

16

30.10 17:55 TK

Cast: Bajram Severdzan, Srdan Todorovic, Branka Katic 威尼斯影展最佳導演銀獅獎 Venice Film Festival: Silver Lion Best Director

薩拉熱窩少年夢

Do You Remember Dolly Bell?

15-17.10

迷失歲月

Time of the Gypsies 22-24.10 每個網上節目放映期長達 72 小時（影片開始播放後，須於 24 小時內觀看） Each film will be available for viewing for 72 hours (Once the viewing starts, the purchased content can only be accessed within 24 hours)

17

Underground

沒有天空的都市

南斯拉夫 Yugoslavia／法國 France 1995 164min

Cast: Miki Manojlovic, Lazar Ristovski, Mirjana Jokovic, Slavko Stimac 康城影展金棕櫚獎 Cannes Film Festival: Palme d'Or

橫跨南斯拉夫半世紀歷史的巔峰作，讓庫斯圖里卡

戰爭本就荒謬絕倫，不如索性癲狂到底！工程師

躋身兩奪金棕櫚獎的神壇，卻被齊澤克狠批為「以

一條心建造鐵路貫通波斯尼亞和塞爾維亞，不料

西方目光凝視好戰的瘋狂國度」。二戰烽火下發國

炮彈飛來令工程腰斬，癲喪女高音老婆跟指揮走

難財，共黨兄弟陰差陽錯成了革命英雄。勇武者被

佬，足球新星兒子更遭敵軍俘虜。穆斯林美女被

騙在地下世界聽着〈莉莉瑪蓮〉製造兵器「繼續

捉來交換人質，兩人卻在槍林彈雨下擦出愛火。

戰鬥」，權謀者在地上偷天換日財色兼收，販賣軍

在床上夢幻飛天去不了理想國澳洲，目送受傷的

火變為鐵托身邊紅人。戰爭去了又來，日月換了新

茱麗葉遠去，羅密歐躺臥路軌只求火車了斷相思

天；猩猩炸破荒謬，連電影的虛幻亦化作飛灰，只

之苦。向法蘭基勃拉《莫負少年頭》致敬之作，

有美麗謊言永恆不滅。化悲憤為狂笑，為分崩離析

庫斯圖里卡以歡鬧音樂抗衡炮聲隆隆，殉情驢子

的祖國刻下愛恨綿綿的墓誌銘。

企定路軌搶鏡，場場有戲的貓狗為死雀張牙舞

A satirical epic about the decline of Yugoslavia, Kusturica’s second Palme d’Or winner still looks delirious in its excess with its awe-inspiring artistic vision that melds tragedy with optimism. Taking an allencompassing perspective from World War II to the Balkan wars, this sprawling allegory is communicated powerfully through the trials and tribulations of two anti-Nazi arms dealers who become accidental revolutionary heroes. Laced with outrageous dark humour and unspeakable pain and suffering, it strings out the deception of communism that keeps its people in ignorance – but only takes a chimp to blast it out.

26.9 映後談講者朗天 Film talk with Long Tin

18:00 IS

24.10 15:30 TK

爪，更堪玩味。

Life is a Miracle

生命是奇蹟 (Zivot je cudo)

塞爾維亞 Serbia 2004 154min

Cast: Slavko Stimac, Natasa Tapuskovic, Vesna Trivalic, Goran Jevtic

凱撒獎最佳歐洲聯盟電影 César Awards: Best European Union Film 康城影展競賽影片 Cannes Film Festival: In Competition

War is madness; Kusturica’s way to stay sane is encapsulating life-affirming craziness – and his gypsy techno-pop music – in a Romeo and Juliet tale. Set around the Bosnian War, the compelling satire focuses on a Serbian railway engineer, whose world comes crashing down when he becomes enamored with a lovely Muslim hostage who is to be exchanged for his captured son. Enshrouding anti-war overtones in his trademark operatic excesses, fantastical flights and rollicking humour, this blistering romance affirms that life is a miracle – made possible by a seemingly lovelorn and suicidal donkey.

9.10 17:00 AC

30.10 14:30 TK

不管黑貓白貓，捉到「銀獅」就是好貓！自肥老爸 為走私燃油向惡霸借錢，點知被起尾注，錢賺不成

街童

反欠下一屁股債。惡霸為求快快嫁掉五尺差半寸孻 妹，向欠債老爸兒子迫婚；偏偏準新郎愛上餐館喪 美女，準新娘亦只想嫁個有緣人。為讓路婚禮祖父

Salaam Bombay!

08-10.10

都要「死埋一邊」，新娘乘機走佬引發兩幫火拼雞 飛狗走。原為《沒有天空的都市》裏吉卜賽音樂人 拍的紀錄片，失驚無神變成瘋狂想像與野鵝齊飛的 荒誕喜劇；天馬行空的魔幻奇趣，還以為費里尼翻 生再展絕技！ Forget politics altogether, simply enjoy the sheer glee of the larger-than-life characters and their misadventures!

Kusturica’s idea of making a documentary about the gypsy musicians in Underground flourishes into a kitsch farce in a frenetic mixture of slapstick and folklore, revolving around two gypsy rival patriarchs and their unruly families enmeshed in a chaotic wedding, two corpses on ice in an attic, and a “Happy End”. Bestowed with Venice accolades, this Felliniesque fantasy crammed with riotously funny humans and flying geese celebrates life in its wildest imagination.

Black Cat, White Cat

黑貓白貓

(Crna macka, beli macor)

南斯拉夫 Yugoslavia／法國 France／德國 Germany 1998 130min

9.10 14:15 AC

16

30.10 17:55 TK

Cast: Bajram Severdzan, Srdan Todorovic, Branka Katic 威尼斯影展最佳導演銀獅獎 Venice Film Festival: Silver Lion Best Director

薩拉熱窩少年夢

Do You Remember Dolly Bell?

15-17.10

迷失歲月

Time of the Gypsies 22-24.10 每個網上節目放映期長達 72 小時（影片開始播放後，須於 24 小時內觀看） Each film will be available for viewing for 72 hours (Once the viewing starts, the purchased content can only be accessed within 24 hours)

17

火山邊緣之戀（港譯：蕩漾春心）

痴漢嬌娃（港譯：痴漢淫娃）

在納粹扣留營與火山島之間，卡琳選擇嫁給火山島漁夫開展新生，

這位痴漢不是色狼，只是被傳統觀念縛死的古老石山。自稱從美國

但很快便發現那裏鳥獸罕至，無論花多少氣力融入其中，生活始終

來希臘尋找真理，一頭栽進崇尚獨立自由、不假權貴辭色的性格妓

平淡枯燥，酷熱天氣更令她陷入瘋狂。寂寞妻子用盡方法望逃出生

女懷抱，宛如迷途羔羊不知所措。在他心中伊人就是希臘由盛入衰

天，瀕臨崩潰走到火山邊緣，竟令她大徹大悟。羅塞里尼為這新寫

的破敗象徵，等待理性的洗禮與拯救；但對一眾愛她惜她的當地

實主義經典拍下大量當地居民真實生活點滴，實情是英格烈褒曼看

男士來說，她只是個不折不扣的真女人。朱里斯達辛自編自導自演

過羅塞里尼的「戰爭三部曲」後，主動寫信冀能合作，終爭贏其舊

離地書獃子，喜感十足，嘗試融入希臘文化卻碰得一鼻子灰，如入

情人安娜夢茵兒當上女主角，更與他發生婚外情，並珠胎暗結。夢

寶山空手回。女神美蓮娜梅高麗憑本片顛倒眾生，榮登康城影后寶

茵兒遊說威廉德圖在鄰島同步拍攝《火山慾燄》，鬧出火山片雙胞

座，及後更成為達辛夫人；風靡全球的主題歌被翻唱無數，鄧麗君

胎，成為一時佳話。

與鄧寄塵的版本各有其趣。

In their first ever collaboration initiated by his then-future wife Ingrid Bergman, Roberto Rossellini cast the eminent actress as Karin, a Lithuanian refugee who marries an Italian fisherman to escape the internment camp.

Moving to his home island of Stromboli, Karin finds herself entrapped in harsh landscapes as well as the hostility from the conservative islanders.

Frustrated at her stultifying marriage, she is determined to flee from the isle, even at the risk of her life on the edge of the live volcano. Though scandalous at the time for their extramarital affair, Stromboli stands on its own as a sobering tale of a woman crushed by xenophobia and conservatism, yet resolute in searching for emancipation.

You can kiss her from Monday to Saturday. But Sunday? Ilya is the happy hooker of Piraeus, who wields surprising control over her clientele. When American philhellene Homer arrives in the Greek island, he is enamoured with Ilya’s beauty but disgusted by her freewheeling ways. While he tries to put her on a path of morality, she also attempts to loosen him up. Jules Dassin’s delightful twist on Pygmalion tackles a woman’s sexual agency in bold ways.

Nominated for four Academy Awards – including Best Actress for his thenfuture wife Melina Mercouri – this off-beat romantic comedy, which led to scandals for its “immoral story” at the time of release, gave us one of the catchiest Greek dramas and most popular title songs ever composed.

Stromboli (Stromboli, terra di Dio) 羅塞里尼

Roberto Rossellini

意大利 Italy／美國 USA 1950 106min Cast: Ingrid Bergman, Mario Vitale,

Renzo Cesana 威尼斯影展競賽電影 Venice Film Festival: In Competition

映後談講者林瀚光 Film talk with Derek Lam

3.10 16:45 AC

18

17.10 14:30 IS

Never On Sunday (Pote tin Kyriaki) 朱里斯達辛

Jules Dassin

希臘 Greece／美國 USA 1960 94min Cast: Melina Mercouri, Jules Dassin,

Giorgos Foundas 康城影展女主角獎 Cannes Film Festival: Best Actress

奧斯卡金像獎最佳原創歌曲獎 Academy Awards: Best Music, Original Song

3.10 19:15 AC

10.10 14:15 AC

19

火山邊緣之戀（港譯：蕩漾春心）

痴漢嬌娃（港譯：痴漢淫娃）

在納粹扣留營與火山島之間，卡琳選擇嫁給火山島漁夫開展新生，

這位痴漢不是色狼，只是被傳統觀念縛死的古老石山。自稱從美國

但很快便發現那裏鳥獸罕至，無論花多少氣力融入其中，生活始終

來希臘尋找真理，一頭栽進崇尚獨立自由、不假權貴辭色的性格妓

平淡枯燥，酷熱天氣更令她陷入瘋狂。寂寞妻子用盡方法望逃出生

女懷抱，宛如迷途羔羊不知所措。在他心中伊人就是希臘由盛入衰

天，瀕臨崩潰走到火山邊緣，竟令她大徹大悟。羅塞里尼為這新寫

的破敗象徵，等待理性的洗禮與拯救；但對一眾愛她惜她的當地

實主義經典拍下大量當地居民真實生活點滴，實情是英格烈褒曼看

男士來說，她只是個不折不扣的真女人。朱里斯達辛自編自導自演

過羅塞里尼的「戰爭三部曲」後，主動寫信冀能合作，終爭贏其舊

離地書獃子，喜感十足，嘗試融入希臘文化卻碰得一鼻子灰，如入

情人安娜夢茵兒當上女主角，更與他發生婚外情，並珠胎暗結。夢

寶山空手回。女神美蓮娜梅高麗憑本片顛倒眾生，榮登康城影后寶

茵兒遊說威廉德圖在鄰島同步拍攝《火山慾燄》，鬧出火山片雙胞

座，及後更成為達辛夫人；風靡全球的主題歌被翻唱無數，鄧麗君

胎，成為一時佳話。

與鄧寄塵的版本各有其趣。

In their first ever collaboration initiated by his then-future wife Ingrid Bergman, Roberto Rossellini cast the eminent actress as Karin, a Lithuanian refugee who marries an Italian fisherman to escape the internment camp.

Moving to his home island of Stromboli, Karin finds herself entrapped in harsh landscapes as well as the hostility from the conservative islanders.

Frustrated at her stultifying marriage, she is determined to flee from the isle, even at the risk of her life on the edge of the live volcano. Though scandalous at the time for their extramarital affair, Stromboli stands on its own as a sobering tale of a woman crushed by xenophobia and conservatism, yet resolute in searching for emancipation.

You can kiss her from Monday to Saturday. But Sunday? Ilya is the happy hooker of Piraeus, who wields surprising control over her clientele. When American philhellene Homer arrives in the Greek island, he is enamoured with Ilya’s beauty but disgusted by her freewheeling ways. While he tries to put her on a path of morality, she also attempts to loosen him up. Jules Dassin’s delightful twist on Pygmalion tackles a woman’s sexual agency in bold ways.

Nominated for four Academy Awards – including Best Actress for his thenfuture wife Melina Mercouri – this off-beat romantic comedy, which led to scandals for its “immoral story” at the time of release, gave us one of the catchiest Greek dramas and most popular title songs ever composed.

Stromboli (Stromboli, terra di Dio) 羅塞里尼

Roberto Rossellini

意大利 Italy／美國 USA 1950 106min Cast: Ingrid Bergman, Mario Vitale,

Renzo Cesana 威尼斯影展競賽電影 Venice Film Festival: In Competition

映後談講者林瀚光 Film talk with Derek Lam

3.10 16:45 AC

18

17.10 14:30 IS

Never On Sunday (Pote tin Kyriaki) 朱里斯達辛

Jules Dassin

希臘 Greece／美國 USA 1960 94min Cast: Melina Mercouri, Jules Dassin,

Giorgos Foundas 康城影展女主角獎 Cannes Film Festival: Best Actress

奧斯卡金像獎最佳原創歌曲獎 Academy Awards: Best Music, Original Song

3.10 19:15 AC

10.10 14:15 AC

19

Cult f o e t s The Ta

摧花手

嚇壞人

The Bird with the Crystal Plumage

Deep Red

(L'uccello dalle piume di cristallo)

花醉春風未覺，人困窗隔撲朔。在羅馬度假的作家偶爾經過畫廊， 目睹雨衣怪客持刀襲擊老闆娘，事後佳人倖免，惟懸疑未解，並從 此捲入連場腥風血雨。想協助警察追捕摧花連環殺手，誰料自身難 保，更被壓在大型雕塑下，岌岌可危。上承希治閣的驚慄聖手戴利 奧阿真圖初試啼聲，即憑緊湊的運鏡、俐落的剪接直面陰暗的人性 現實，捕捉殘酷的致命真相。以受害女子為目標的跟拍組鏡，緊接

(Profondo rosso) 戴利奧阿真圖

靈媒預言惡魔將至，但仍難逃一劫，鋼琴師意外目睹慘劇，被捲入

Dario Argento

意大利 Italy／西德 West Germany 1970 96min Cast: Tony Musante, Suzy Kendall,

Enrico Maria Salerno

連環血案。兇手步步進逼，待救不如自救，與女記者合力追查，發 現真兇原來正在左右……「鉛黃電影」代表作，恐怖大師戴利奧阿 真圖在《陰風陣陣》之前以腥紅布幔打開序幕，大玩主觀視點、性 別混淆等，以無盡血色包藏犯罪、懸疑、情色、虐殺等元素刺激神 經，啟發後來的美式砍殺電影。《春光乍洩》的大衛漢明斯再次為

利刀陳列與穿上黑皮手套的手部特寫，阿真圖在七十年代意大利盛

真相頻撲，在大膽運鏡及Goblin的前衛搖滾音樂下，帶領觀眾闖入

極一時的「鉛黃電影」基礎上逐步建立鮮明的個人風格，成就電影

殺機四伏的兇案現場。時年十五的塔倫天奴看罷被嚇壞，終身難

史上暴力美學一大經典示例。

忘。

Credited with popularising the Italian giallo genre, Dario Argento’s directoral debut, the first film of his acclaimed Animal Trilogy, earned him the reputation as the Italian Hitchcock. A reworking of Fredric Brown’s murder mystery novel The Screaming Mimi , the film follows an American writer who becomes obsessed with chasing a serial murderer after witnessing one of the attacks. It’s easy to see how Argento’s immensely entertaining, psychologically gripping and sometimes wickedly funny whodunit is a clear influence on the slasher genre that Hollywood integrated into its mainstream years later.

After witnessing the murder of his neighbour, jazz pianist Marcus becomes caught up in the killer’s twisted game of cat-and-mouse. Before turning into a victim, he must trace the clues to expose the murderer. Made during the height of the giallo craze in Italy before Suspiria , Deep Red exemplifies the gripping horror contrived by the genre’s typical elements – the obsessive hero, the methodical murderer, sex-ploitation and a surprising comic touch.

Presenting a compelling narrative in striking visual compositions and a music score by Goblin, Argento elevates the genre to the peak of popularity and draws his cult followers – among them Quentin Tarantino, who “was rattled to the bone” as a teenager.

20

25.9 14:30 IS

30.10 20:50 TK

戴利奧阿真圖 Dario Argento

意大利 Italy 1975 130min Cast: David Hemmings, Daria Nicolodi,

Macha Méril, Gabriele Lavia, Clara Calamai SITGES加泰羅尼亞國際奇幻電影節最佳導演獎 SITGES - International Fantastic Film Festival of Catalonia: Best Director

映後談講者黃可欣 Film talk with Mimi Wong

25.9 16:40 IS

31.10 20:00 TK

21

Cult f o e t s The Ta

摧花手

嚇壞人

The Bird with the Crystal Plumage

Deep Red

(L'uccello dalle piume di cristallo)

花醉春風未覺，人困窗隔撲朔。在羅馬度假的作家偶爾經過畫廊， 目睹雨衣怪客持刀襲擊老闆娘，事後佳人倖免，惟懸疑未解，並從 此捲入連場腥風血雨。想協助警察追捕摧花連環殺手，誰料自身難 保，更被壓在大型雕塑下，岌岌可危。上承希治閣的驚慄聖手戴利 奧阿真圖初試啼聲，即憑緊湊的運鏡、俐落的剪接直面陰暗的人性 現實，捕捉殘酷的致命真相。以受害女子為目標的跟拍組鏡，緊接

(Profondo rosso) 戴利奧阿真圖

靈媒預言惡魔將至，但仍難逃一劫，鋼琴師意外目睹慘劇，被捲入

Dario Argento

意大利 Italy／西德 West Germany 1970 96min Cast: Tony Musante, Suzy Kendall,

Enrico Maria Salerno

連環血案。兇手步步進逼，待救不如自救，與女記者合力追查，發 現真兇原來正在左右……「鉛黃電影」代表作，恐怖大師戴利奧阿 真圖在《陰風陣陣》之前以腥紅布幔打開序幕，大玩主觀視點、性 別混淆等，以無盡血色包藏犯罪、懸疑、情色、虐殺等元素刺激神 經，啟發後來的美式砍殺電影。《春光乍洩》的大衛漢明斯再次為

利刀陳列與穿上黑皮手套的手部特寫，阿真圖在七十年代意大利盛

真相頻撲，在大膽運鏡及Goblin的前衛搖滾音樂下，帶領觀眾闖入

極一時的「鉛黃電影」基礎上逐步建立鮮明的個人風格，成就電影

殺機四伏的兇案現場。時年十五的塔倫天奴看罷被嚇壞，終身難

史上暴力美學一大經典示例。

忘。

Credited with popularising the Italian giallo genre, Dario Argento’s directoral debut, the first film of his acclaimed Animal Trilogy, earned him the reputation as the Italian Hitchcock. A reworking of Fredric Brown’s murder mystery novel The Screaming Mimi , the film follows an American writer who becomes obsessed with chasing a serial murderer after witnessing one of the attacks. It’s easy to see how Argento’s immensely entertaining, psychologically gripping and sometimes wickedly funny whodunit is a clear influence on the slasher genre that Hollywood integrated into its mainstream years later.

After witnessing the murder of his neighbour, jazz pianist Marcus becomes caught up in the killer’s twisted game of cat-and-mouse. Before turning into a victim, he must trace the clues to expose the murderer. Made during the height of the giallo craze in Italy before Suspiria , Deep Red exemplifies the gripping horror contrived by the genre’s typical elements – the obsessive hero, the methodical murderer, sex-ploitation and a surprising comic touch.

Presenting a compelling narrative in striking visual compositions and a music score by Goblin, Argento elevates the genre to the peak of popularity and draws his cult followers – among them Quentin Tarantino, who “was rattled to the bone” as a teenager.

20

25.9 14:30 IS

30.10 20:50 TK

戴利奧阿真圖 Dario Argento

意大利 Italy 1975 130min Cast: David Hemmings, Daria Nicolodi,

Macha Méril, Gabriele Lavia, Clara Calamai SITGES加泰羅尼亞國際奇幻電影節最佳導演獎 SITGES - International Fantastic Film Festival of Catalonia: Best Director

映後談講者黃可欣 Film talk with Mimi Wong

25.9 16:40 IS

31.10 20:00 TK

21

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2021年8月18日起於城市售票網公開發售

Tickets available from 18 August 2021 onwards at URBTIX 票價 Ticket Price

網上購票 Internet Booking： cinefan.com.hk / www.urbtix.hk

$100

《沒有天空的都市》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Underground at Emperor Cinemas iSQUARE

信用卡電話購票 Credit Card Telephone Booking： 2111 5999

$90

《沒有天空的都市》於大館之放映場次 及《生命是奇蹟》 Underground at Tai Kwun and Life is a Miracle

流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

$85

於英皇戲院 尖沙咀 iSQUARE 放映之場次 Screenings at Emperor Cinemas iSQUARE

$75

於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun

CINE FAN ONLINE 門票於2021年9月17日起於cinefan.com.hk公開發售 * 由於電影節發燒友2020年四、五月，六、七月及 九、十月 節目因新型冠狀病毒疫情而取消，原定2020年底到期之Cine Fan會員會籍，有效期將自動延長至2021年12月31日。 In the view of the cancellation of Cine Fan Apr/May, Jun/ Jul & Sep/Oct programmes, Cine Fan 2020 Privilege Scheme will be extended to 31 December 2021.

CINE FAN ONLINE tickets available from 17 September 2021 onwards at cinefan.com.hk

票務查詢 Ticketing Enquiries：3761 6661

$50

CINE FAN ONLINE 票價 Ticket Price

* 網上平台訂票指南及使用條款，請參閱 cinefan.com.hk。 Please refer to the Booking Guide and Terms & Conditions at cinefan.com.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

電影節發燒友會員 HKIFF Cine Fan Privilege

七折優惠 30% discount

電影節發燒友學生會員 Cine Fan Student Privilege ^

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

「港樂會」+ /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、

Dance, Kids Card 會員 @ /「進念之友」+ /「中樂摯友會」+ / 藝穗會會員 @ / Perfect Cup 卡會員 @ + Hong Kong Philharmonic Orchestra Club Bravo Members / Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra+/ Fringe Club Members@ / Perfect Cup Card Members@

^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。觀眾可於電影放映當日到英皇戲院網站、流動應用程式及放映場地票房購票剩餘門票，售完即止。 Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets will be available only at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. 每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable. HKIFFS is not responsible for any lost ticket.

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

退票及節目更改

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2021年11月30日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.com.hk）上填寫電子表格，或下載實體版本。

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 30 November 2021. Ticket holders may fill out refund application form online or downloaded from Cine Fan website (cinefan.com.hk). For cancellation of screening, alternative arrangement would be announced.

自助取票服務 Ticketing Collection Service

惡劣天氣之放映安排

顧客選擇自助取票服務提取門票，可於8月19日開始， 攜帶交易使用的信用卡在購票通自助取票機刷卡提取 門票，或親臨任何一間城市售票網售票處的售票櫃檯 憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 19 August onwards.

電影分級制 The Film Classification

適合任何年齡人士 Suitable for All Ages

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

兒童不宜 Not Suitable for Children

青少年及兒童不宜 Not Suitable for Young Persons and Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.com.hk / 2970 3300 / info@hkiff.org.hk

22

Follow us

HKIFFS

23

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2021年8月18日起於城市售票網公開發售

Tickets available from 18 August 2021 onwards at URBTIX 票價 Ticket Price

網上購票 Internet Booking： cinefan.com.hk / www.urbtix.hk

$100

《沒有天空的都市》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Underground at Emperor Cinemas iSQUARE

信用卡電話購票 Credit Card Telephone Booking： 2111 5999

$90

《沒有天空的都市》於大館之放映場次 及《生命是奇蹟》 Underground at Tai Kwun and Life is a Miracle

流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

$85

於英皇戲院 尖沙咀 iSQUARE 放映之場次 Screenings at Emperor Cinemas iSQUARE

$75

於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun

CINE FAN ONLINE 門票於2021年9月17日起於cinefan.com.hk公開發售 * 由於電影節發燒友2020年四、五月，六、七月及 九、十月 節目因新型冠狀病毒疫情而取消，原定2020年底到期之Cine Fan會員會籍，有效期將自動延長至2021年12月31日。 In the view of the cancellation of Cine Fan Apr/May, Jun/ Jul & Sep/Oct programmes, Cine Fan 2020 Privilege Scheme will be extended to 31 December 2021.

CINE FAN ONLINE tickets available from 17 September 2021 onwards at cinefan.com.hk

票務查詢 Ticketing Enquiries：3761 6661

$50

CINE FAN ONLINE 票價 Ticket Price

* 網上平台訂票指南及使用條款，請參閱 cinefan.com.hk。 Please refer to the Booking Guide and Terms & Conditions at cinefan.com.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

電影節發燒友會員 HKIFF Cine Fan Privilege

七折優惠 30% discount

電影節發燒友學生會員 Cine Fan Student Privilege ^

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

「港樂會」+ /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、

Dance, Kids Card 會員 @ /「進念之友」+ /「中樂摯友會」+ / 藝穗會會員 @ / Perfect Cup 卡會員 @ + Hong Kong Philharmonic Orchestra Club Bravo Members / Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra+/ Fringe Club Members@ / Perfect Cup Card Members@

^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。觀眾可於電影放映當日到英皇戲院網站、流動應用程式及放映場地票房購票剩餘門票，售完即止。 Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets will be available only at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. 每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable. HKIFFS is not responsible for any lost ticket.

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

退票及節目更改

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2021年11月30日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.com.hk）上填寫電子表格，或下載實體版本。

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 30 November 2021. Ticket holders may fill out refund application form online or downloaded from Cine Fan website (cinefan.com.hk). For cancellation of screening, alternative arrangement would be announced.

自助取票服務 Ticketing Collection Service

惡劣天氣之放映安排

顧客選擇自助取票服務提取門票，可於8月19日開始， 攜帶交易使用的信用卡在購票通自助取票機刷卡提取 門票，或親臨任何一間城市售票網售票處的售票櫃檯 憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 19 August onwards.

電影分級制 The Film Classification

適合任何年齡人士 Suitable for All Ages

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

兒童不宜 Not Suitable for Children

青少年及兒童不宜 Not Suitable for Young Persons and Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.com.hk / 2970 3300 / info@hkiff.org.hk

22

Follow us

HKIFFS

23

放映時間表

SCREENING SCHEDULE SEPTEMBER 九月

OCTOBER 十月

14:45 AC

17:00 AC

19:45 AC

14:15 AC

17:00 AC

20:15 AC

大吉利是有限公司

大路之歌

不屈者

黑貓白貓

生命是奇蹟

錦繡恆河

09

六 Sat

The Darjeeling Limited

Song of the Little Road The Unvanquished

Black Cat, White Cat

The River

六 Sat

12

14:45 AC

17:15 AC

19:30 AC

14:15 AC

16:40 AC

19:00 AC

街童

音樂室

大城市

痴漢嬌娃

大吉利是有限公司

家園與世界

Salaam Bombay!

The Music Room

The Big City

Never on Sunday

The Darjeeling Limited

The Home and the World

14:30 IS

17:20 IS

20:00 IS

寂寞的妻子

人民英雄

薩拉熱窩少年夢

The Lonely Wife

The Hero

Do You Remember Dolly Bell?

11

日 Sun

18 六 Sat

19 日 Sun

25 六 Sat

26 日 Sun

24

Do You Remember Dolly Bell?

17:30 IS

19:15 IS

14:40 IS

17:15 IS

19:45 IS

無膽情人

家園與世界

人民英雄

薩拉熱窩少年夢

爸爸離家上班去

When Father was Away on Business

The Coward

The Home and the World

The Hero

Do You Remember Dolly Bell?

When Father was Away on Business

14:30 IS

16:40 IS

19:40 IS

14:30 IS

17:05 IS

19:35 IS

摧花手

嚇壞人

街童

火山邊緣之戀

寂寞的妻子

飛夢奇緣

The Bird with the Crystal Plumage

Deep Red

Salaam Bombay!

Stromboli

The Lonely Wife

Arizona Dream

15:00 IS

18:00 IS

飛夢奇緣

沒有天空的都市

Arizona Dream

Underground

22.10 00:00 - 24.10 23:59 迷失歲月

17:30 AC

19:15 AC

音樂室

無膽情人

迷失歲月

六 Sat

The Music Room

The Coward

Time of the Gypsies

14:00 AC

16:45 AC

19:15 AC

大城市

火山邊緣之戀

痴漢嬌娃

The Big City

Stromboli

Never on Sunday

08

08.10 00:00 - 10.10 23:59

五 Fri

Salaam Bombay!

街童

10 日 Sun

15 五 Fri

16 六 Sat

17 日 Sun

22 五 Fri

Time of the Gypsies

15:15 AC

映後談 Film Talk

薩拉熱窩少年夢

爸爸離家上班去

02

日 Sun

15.10 00:00 - 17.10 23:59

14:30 IS

OCTOBER 十月

03

Life is a Miracle

14:30 TK

18:00 TK

20:45 TK

大路之歌

不屈者

阿培的世界

Song of the Little Road

The Unvanquished

The World of Apu

15:30 TK

19:15 TK

沒有天空的都市

迷失歲月

Underground

Time of the Gypsies

14:30 TK

17:55 TK

20:50 TK

生命是奇蹟

黑貓白貓

摧花手

Life is a Miracle

Black Cat, White Cat

The Bird with the Crystal Plumage

14:30 TK

17:30 TK

20:00 TK

錦繡恆河

女神

嚇壞人

The River

The Goddess

Deep Red

23 六 Sat

24 日 Sun

30 六 Sat

31 日 Sun

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre TK 大館賽馬會立方 JC Cube, Tai Kwun IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE

25

放映時間表

SCREENING SCHEDULE SEPTEMBER 九月

OCTOBER 十月

14:45 AC

17:00 AC

19:45 AC

14:15 AC

17:00 AC

20:15 AC

大吉利是有限公司

大路之歌

不屈者

黑貓白貓

生命是奇蹟

錦繡恆河

09

六 Sat

The Darjeeling Limited

Song of the Little Road The Unvanquished

Black Cat, White Cat

The River

六 Sat

12

14:45 AC

17:15 AC

19:30 AC

14:15 AC

16:40 AC

19:00 AC

街童

音樂室

大城市

痴漢嬌娃

大吉利是有限公司

家園與世界

Salaam Bombay!

The Music Room

The Big City

Never on Sunday

The Darjeeling Limited

The Home and the World

14:30 IS

17:20 IS

20:00 IS

寂寞的妻子

人民英雄

薩拉熱窩少年夢

The Lonely Wife

The Hero

Do You Remember Dolly Bell?

11

日 Sun

18 六 Sat

19 日 Sun

25 六 Sat

26 六 Sat

24

Do You Remember Dolly Bell?

17:30 IS

19:15 IS

14:40 IS

17:15 IS

19:45 IS

無膽情人

家園與世界

人民英雄

薩拉熱窩少年夢

爸爸離家上班去

When Father was Away on Business

The Coward

The Home and the World

The Hero

Do You Remember Dolly Bell?

When Father was Away on Business

14:30 IS

16:40 IS

19:40 IS

14:30 IS

17:05 IS

19:35 IS

摧花手

嚇壞人

街童

火山邊緣之戀

寂寞的妻子

飛夢奇緣

The Bird with the Crystal Plumage

Deep Red

Salaam Bombay!

Stromboli

The Lonely Wife

Arizona Dream

15:00 IS

18:00 IS

飛夢奇緣

沒有天空的都市

Arizona Dream

Underground

22.10 00:00 - 24.10 23:59 迷失歲月

17:30 AC

19:15 AC

音樂室

無膽情人

迷失歲月

六 Sat

The Music Room

The Coward

Time of the Gypsies

14:00 AC

16:45 AC

19:15 AC

大城市

火山邊緣之戀

痴漢嬌娃

The Big City

Stromboli

Never on Sunday

08

08.10 00:00 - 10.10 23:59

五 Fri

Salaam Bombay!

街童

10 日 Sun

15 五 Fri

16 六 Sat

17 日 Sun

22 五 Fri

Time of the Gypsies

15:15 AC

映後談 Film Talk

薩拉熱窩少年夢

爸爸離家上班去

02

日 Sun

15.10 00:00 - 17.10 23:59

14:30 IS

OCTOBER 十月

03

Life is a Miracle

14:30 TK

18:00 TK

20:45 TK

大路之歌

不屈者

阿培的世界

Song of the Little Road

The Unvanquished

The World of Apu

15:30 TK

19:15 TK

沒有天空的都市

迷失歲月

Underground

Time of the Gypsies

14:30 TK

17:55 TK

20:50 TK

生命是奇蹟

黑貓白貓

摧花手

Life is a Miracle

Black Cat, White Cat

The Bird with the Crystal Plumage

14:30 TK

17:30 TK

20:00 TK

錦繡恆河

女神

嚇壞人

The River

The Goddess

Deep Red

23 六 Sat

24 日 Sun

30 六 Sat

31 日 Sun

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre TK 大館賽馬會立方 JC Cube, Tai Kwun IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE

25

CINE FAN Sep Oct 2021 // Satyajit Ray, the Humanist Poet 百年哲人 薩耶哲雷 // Emir Kusturica, the Magical Surrealist 超現實的魔幻圖像 庫斯圖里卡 // The River 錦繡恆河 // Salaam Bombay! 街童 // The Darjeeling Limited 大吉利是有限公司 // Stromboli 火山邊緣之戀 // Never on

Sep Oct 2021

Sunday 痴漢嬌娃 // The Bird with the Crystal Plumage 摧花手 // Deep Red 嚇壞人

CIne fan 百年哲人

資助機構 Financially Supported by

薩耶哲雷

主辦 Presented by

Satyajit Ray, the Humanist Poet