Cine Fan Nov/Dec 2021 Programme

CINE FAN Nov Dec 2021 // Masumura Yasuzo, the Sensual Provocateur 好色一代男 增村保造 // StanisIaw Lem, The Futuristic Philosopher 史丹尼士羅林的未來哲學 // Kieslowski: The Serendipity

of Life 奇斯洛夫斯基：人生偶拾 // The Collector 蝴蝶春夢 // Blind Beast 盲獸 // That Cold Day in

the Park 落花有意 // Bonjour Tristesse 玉樓春劫 // Eva 伊娃 // THX 1138 五百年後 // Invasion of

CIne fan 增村保造

Masumura Yasuzo,

好色一代男

Nov Dec 2021

the Body Snatchers 天外奪命花

the Sensual Provocateur

主辦 Presented by

資助機構 Financially Supported by

Nov Dec 2021

2

TK

IS

大館賽馬會立方 JC Cube, Tai Kwun 中環荷李活道10號 10 Hollywood Road, Central

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wanchai

10

Masumura Yasuzo, The Taste of Cult the Sensual Provocateur 「溝」口味 好色一代男 增村保造

14

18

26

31

The Golden Age 黃金時代

StanisIaw Lem, The Futuristic Philosopher 史丹尼士羅林的 未來哲學

Kieslowski: The Serendipity of Life 奇斯洛夫斯基： 人生偶拾

Ticketing Information 購票須知

12

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

32 Screening Schedule 放映時間表

24 Back to the Screen 銀幕再現

影片放映格式請參閱Cine Fan網頁 For screening format information, please refer to the Cine Fan website. 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

節目夥伴 Programme Partner

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

Nov Dec 2021

2

TK

IS

大館賽馬會立方 JC Cube, Tai Kwun 中環荷李活道10號 10 Hollywood Road, Central

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wanchai

10

Masumura Yasuzo, The Taste of Cult the Sensual Provocateur 「溝」口味 好色一代男 增村保造

14

18

26

31

The Golden Age 黃金時代

StanisIaw Lem, The Futuristic Philosopher 史丹尼士羅林的 未來哲學

Kieslowski: The Serendipity of Life 奇斯洛夫斯基： 人生偶拾

Ticketing Information 購票須知

12

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

32 Screening Schedule 放映時間表

24 Back to the Screen 銀幕再現

影片放映格式請參閱Cine Fan網頁 For screening format information, please refer to the Cine Fan website. 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

節目夥伴 Programme Partner

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

好色一代男 增村保造

Masumura Yasuzo, the Sensual Provocateur

Celebrating lunacy in the films of Masumura Yasuzo (192486) is, essentially, an exploration of transgressive individuality and political freedom in the realm of sex and eroticism in Japanese cinema.

性和慾望，是增村保造（1924-86）

電影的圖騰。觀之僅見情色，是只緣

身在此山中；若然昭見革命，則已識 廬山真面目。

增村曾留學羅馬電影實驗中心，並據說

接受過安東尼奧尼、費里尼及維斯康堤 的授課。回國後，他重返大映片廠先後

任溝口健二和市川崑的助導，卻不避諱 批評日本電影是「非現實的唯美主義冥

想的結果」。深受意大利新寫實主義影

響，首作《吻》以糅合大和文化與歐美

時尚的前衛風格另闢蹊徑，創作軌跡貫

徹着對戰後日本社會的批判與電影改革

的省思。影評家Jonathan Rosenbaum

將他與德格拉斯薛克及尼古拉斯雷等美國

名導相提並論，大島渚及今村昌平等亦深 受其影響，從而創領日本電影新浪潮。

捨棄傳統日本電影詩意美學的感性氣質， 增村鏡頭下的女性是擁抱強烈個人意識的

主體。若尾文子完美展現這種「慾望與民

主主義結合」的氣韻：為求真愛而殺夫的

少婦、擺弄同異性愛的魔女、以靈肉普渡 傷兵的天使，皆體現忠於自我的情感；無

論藉性愛達致操控甚而毀滅，抑或在虐人 自虐中尋求虛無快感以至政治自由，慾望

迸發的火花，令人着迷。

擅長把文豪的翩翩美文轉化為流麗影像，大

江健三郞在《偽大學生》的社會批判、開高

健在《巨人與玩具》對商戰的嘲諷、江戶川

亂步在《盲獸》的詭譎色相，透過他獨特的

詮釋，展現種種社會生態與人性本質更見深

刻。谷崎潤一郎的靡麗情色，與增村的放浪 鏡頭更是天作之合；《卍》及《刺青》超越

文字想像而直觸感官神經，透過若尾文子集 誘惑與毁滅於一身的美，映照日本文化中性

與死的曖昧互纏。

「無約束的慾望並不存在，暴露慾望的人只 被 視 作 瘋 狂 …… 我 希 望 創 造 一 個 瘋 子 ， 不 理

© KADOKAWA CORPORATION

別人想法，展示自我慾望而不感羞恥。」畢生 五十八部電影以赤祼祼的瘋狂解放慾望；好色

一代男，我自行我道。

The cinematic adventure of the aesthetic maverick can be traced upon his study at the Centro Sperimentale di Cinematografia, where Antonioni, Fellini and Visconti were said to be among his teachers. Returning to Japan to work at the Daiei studio as an assistant to Mizoguchi Kenji and then Ichikawa Kon, he is determined to strip away the sentimentality and lyricism prevailing Japanese cinema, envisioning to reveal the contradictions of life in postwar Japan. Pioneered in his directorial debut, Kisses , his radical fusion of eastern sensibility and western modernity erected a distinctive universe that presents an indictment of social injustice while celebrating liberation of body and soul. Renowned US critic Jonathan Rosenbaum noted how Masumura’s subverted melodramas echoed the critical works by Douglas Sirk and Nicholas Ray. Inspired by his fearless lead in reforming cinema, Oshima Nagisa and Imamura Shohei heralded the 1960s Japanese New Wave.

Ranging from eroticism, capitalist satire, anti-war to gender politics, Masumura's canon is encompassing, deliriously enchanting and challenging in equal measure.

He specialised in transforming literary works by celebrated authors, including Oe Kenzaburo, Edogawa Ranpo and Tanizaki Junichiro into riveting dramas with his awe-inspiring visual inventiveness. Embodying his lifelong themes of sexuality and independence is the luscious Wakao Ayako, who exquisitely portrayed the new Japanese woman embracing a passion for truth and a daring expression of naked desires – be it a manipulating lady of erotic obsessions, an irresistible femme fatale who awakens blind imperialism, or an angelic military nurse offering her body for consolation.

She stands for what meant to be a human, against a repressive and conformist society.

“There is no such thing as non-restricted desire. A person who thoroughly discloses his or her desire can only be considered mad… I want to create a mad person who expresses his or her desire without shame, regardless of what people think.” In his dazzling body of 58 films, Masumura’s madness transgresses the restraint of desires, opening up a new dimension to regain sight of our true mind.

鳴謝 Acknowledgements

好色一代男 增村保造

Masumura Yasuzo, the Sensual Provocateur

Celebrating lunacy in the films of Masumura Yasuzo (192486) is, essentially, an exploration of transgressive individuality and political freedom in the realm of sex and eroticism in Japanese cinema.

性和慾望，是增村保造（1924-86）

電影的圖騰。觀之僅見情色，是只緣

身在此山中；若然昭見革命，則已識 廬山真面目。

增村曾留學羅馬電影實驗中心，並據說

接受過安東尼奧尼、費里尼及維斯康堤 的授課。回國後，他重返大映片廠先後

任溝口健二和市川崑的助導，卻不避諱 批評日本電影是「非現實的唯美主義冥

想的結果」。深受意大利新寫實主義影

響，首作《吻》以糅合大和文化與歐美

時尚的前衛風格另闢蹊徑，創作軌跡貫

徹着對戰後日本社會的批判與電影改革

的省思。影評家Jonathan Rosenbaum

將他與德格拉斯薛克及尼古拉斯雷等美國

名導相提並論，大島渚及今村昌平等亦深 受其影響，從而創領日本電影新浪潮。

捨棄傳統日本電影詩意美學的感性氣質， 增村鏡頭下的女性是擁抱強烈個人意識的

主體。若尾文子完美展現這種「慾望與民

主主義結合」的氣韻：為求真愛而殺夫的

少婦、擺弄同異性愛的魔女、以靈肉普渡 傷兵的天使，皆體現忠於自我的情感；無

論藉性愛達致操控甚而毀滅，抑或在虐人 自虐中尋求虛無快感以至政治自由，慾望

迸發的火花，令人着迷。

擅長把文豪的翩翩美文轉化為流麗影像，大

江健三郞在《偽大學生》的社會批判、開高

健在《巨人與玩具》對商戰的嘲諷、江戶川

亂步在《盲獸》的詭譎色相，透過他獨特的

詮釋，展現種種社會生態與人性本質更見深

刻。谷崎潤一郎的靡麗情色，與增村的放浪 鏡頭更是天作之合；《卍》及《刺青》超越

文字想像而直觸感官神經，透過若尾文子集 誘惑與毁滅於一身的美，映照日本文化中性

與死的曖昧互纏。

「無約束的慾望並不存在，暴露慾望的人只 被 視 作 瘋 狂 …… 我 希 望 創 造 一 個 瘋 子 ， 不 理

© KADOKAWA CORPORATION

別人想法，展示自我慾望而不感羞恥。」畢生 五十八部電影以赤祼祼的瘋狂解放慾望；好色

一代男，我自行我道。

The cinematic adventure of the aesthetic maverick can be traced upon his study at the Centro Sperimentale di Cinematografia, where Antonioni, Fellini and Visconti were said to be among his teachers. Returning to Japan to work at the Daiei studio as an assistant to Mizoguchi Kenji and then Ichikawa Kon, he is determined to strip away the sentimentality and lyricism prevailing Japanese cinema, envisioning to reveal the contradictions of life in postwar Japan. Pioneered in his directorial debut, Kisses , his radical fusion of eastern sensibility and western modernity erected a distinctive universe that presents an indictment of social injustice while celebrating liberation of body and soul. Renowned US critic Jonathan Rosenbaum noted how Masumura’s subverted melodramas echoed the critical works by Douglas Sirk and Nicholas Ray. Inspired by his fearless lead in reforming cinema, Oshima Nagisa and Imamura Shohei heralded the 1960s Japanese New Wave.

Ranging from eroticism, capitalist satire, anti-war to gender politics, Masumura's canon is encompassing, deliriously enchanting and challenging in equal measure.

He specialised in transforming literary works by celebrated authors, including Oe Kenzaburo, Edogawa Ranpo and Tanizaki Junichiro into riveting dramas with his awe-inspiring visual inventiveness. Embodying his lifelong themes of sexuality and independence is the luscious Wakao Ayako, who exquisitely portrayed the new Japanese woman embracing a passion for truth and a daring expression of naked desires – be it a manipulating lady of erotic obsessions, an irresistible femme fatale who awakens blind imperialism, or an angelic military nurse offering her body for consolation.

She stands for what meant to be a human, against a repressive and conformist society.

“There is no such thing as non-restricted desire. A person who thoroughly discloses his or her desire can only be considered mad… I want to create a mad person who expresses his or her desire without shame, regardless of what people think.” In his dazzling body of 58 films, Masumura’s madness transgresses the restraint of desires, opening up a new dimension to regain sight of our true mind.

鳴謝 Acknowledgements

© KADOKAWA CORPORATION

(Kuchizuke)

13.11 17:50 AC

日本 Japan 1957 74min

演員：川口浩、野添瞳、三益愛子

Cast: Kawaguchi Hiroshi, Nozoe Hitomi,

Mimasu Aiko

a.k.a. The Build-Up

日本 Japan 1958 95min

演員：川口浩、野添瞳、高松英郎

Cast: Kawaguchi Hiroshi, Nozoe Hitomi, Takamatsu Hideo

《電影旬報》十大電影第十位 #10 in Kinema Junpo ’s Top 10

27.11 14:30 IS

18.12 17:00 TK

© KADOKAWA CORPORATION

映後座談會講者劉偉霖、王勛 Seminar with William Lau and Geoffrey Wong

4

將日本左翼學生運動火紅的大學校園化為

銳不可擋的強勢力量已登陸日本影壇」。

舞台，對「真理的唯一化」提出連番叩

探望在囚父親而邂逅於監獄，大學生與裸

問。數度名落孫山的青年，偽裝大學生時

模少女暫且放下煩惱，騎上借來的電單

撞上學運領袖被捕，陰差陽錯加入激進學

車，到海邊浪擲借來的一天。愛隨快樂夜

生組織，卻落得左右不是人：警察視他為

盡而逝，纏身是張羅保釋金的惆悵。把意

共黨煽動者，學生則懷疑他是警方線人。

大利新寫實主義之風引渡東來，青春的浮

不是革命就是反革命，青年被學生非法禁

躁夾雜家庭的重擔隨顛動鏡頭潮起潮伏，

錮迫供，終致悲劇收場。低角度鏡頭仰視

撲面而來是新世代壓抑與放縱的真實體

唯我獨尊的思想壟斷，對稱構圖反襯排斥

味。五十年代銀幕罕見的熱吻特寫，為日

異己的專橫，在集體信奉謊言的時代，真

本影史留下熾熱香印。

相只能在瘋狂中被活埋。

What induced Oshima Nagisa to proclaim “a powerful irresistible force has arrived in Japanese Cinema” is Masumura Yasuzo’s debut feature – a moody, unsentimental tale of a fleeting romance. Encountered when visiting their respective fathers in prison, alienated teenage boy and girl bond through their mutual misfortunes, spending a day at the beach on a borrowed motorcycle and on borrowed time.

A stripped down narrative imaginatively shot in liberated camera brimmed with swinging moods and impulsive energy, Kisses left a love mark as a forerunner to the Japanese New Wave.

Transfiguring Nobel laureate Oe Kenzaburo’s novel into a more cynical twist befitting the 1960s landscape of leftist student activism, Masumura crafts a noirish drama permeated with scathing commentary on anarchic mistrust and collective deception. His tragic antihero is a desperate young man who, after failing his entrance exams to a prestigious university, pretends to be a freshman and falls in with a group of student activists. Mistaken as a communist agitator by the cops and as a police informer by the students, he suffers at the hands of both sides, while truth becomes the foremost victim.

偽大學生

A False Student (Nise daigakusei)

13.11 日本 Japan 1960 94min

糖果替代原子彈，戰後日本市場被美式資

一宗攀巖意外，少婦割斷繩索，令丈夫墜

本及消費主義攻佔，三大企業掀起宣傳大

崖身亡。問題是：她是逼不得已，抑或蓄

戰。天真爛牙少女被搏上位的公關看中，

意謀殺？同行的保險經紀，是否與她有

穿上太空衣手執死光槍的海報造型令她一

染？鏡頭隨記者餓狼之眼，窺伺着桃色官

炮而紅。脫去純真披上偶像星光外衣，少

司，將三人錯綜複雜的關係置於眾目審視

女反將急於推高銷售額的公關新貴任意擺

之下。記憶回閃，窮學生為求溫飽嫁予大

佈。弱肉強食才是生存之道，尚餘點點良

學教授後備受冷落，希望擺脫過去，勇於

心的年輕助理，注定在爾虞我詐的商業世

為愛而活卻換來自毀的悲劇命運。玲瓏

界被好友背叛、被愛人嫌棄。以糖衣艷

感官美之上，若尾文子塑造出自主意識與

色、霓虹光影拱照日本經濟奇蹟，對社會

強烈慾望的主體，獲電影評論家佐藤忠男

畸態來一記辛辣嘲諷，躍然跳接出人性價

讚譽為「奠定在增村保造電影世界中女性

值失落下的不安與迷茫。

象徵人物的地位」。

A delectably wicked satire in splashy colours and kitsch knick-knacks, Masumura’s iconoclastic modernist drama takes aim at the absurdity of capitalist mentality amidst Japan’s post-war economic miracle. In the heat of competition among three caramel corporations, a lowerclass girl who is reshaped into a publicity campaign icon preys on her overnight sensation, while the advertising executive hero salvaging his humanity falls victim to intrigues of corporate espionage. A piercing look at the loss of values that comes with political and social reorientation, as bushido spirit gives way to profit over ideals.

A young woman on a mountaineering expedition is accused of murdering her husband. The facts are clear; the doubt is her true motive for cutting the rope – does she aim to benefit from his life insurance and to be with her supposed lover? More than a courtroom suspense of guilty or not guilty captured under voyeuristic camera, Masumura’s existential melodrama impresses with its extraordinary focus and intensity on a woman’s feelings about love and lust. Beautifully conveying suffering womanhood and transgressive femininity, Wakao Ayako’s stellar performance places her in the pantheon of great actresses.

15:30 AC

演員：若尾文子、藤卷潤、藤尾薰紀 Cast: Wakao Ayako, Fujimaki Jun,

14:45 TK

(Kyojin to gangu)

新風，令尚未執導筒的大島渚驚嘆「一股

18.12

巨人與玩具

Giants and Toys

以黑白反差凸顯大江健三郎的凝練文字，

© KADOKAWA CORPORATION

Kisses

增村保造的出道作，飈揚放浪率性的明快

Jerry Fujio

19.12 15:30 TK

© KADOKAWA CORPORATION

吻

妻之告白

A Wife Confesses

(Tsuma wa kokuhaku suru)

日本 Japan 1961 91min

演員：若尾文子、川口浩、小澤榮太郎

Cast: Wakao Ayako, Kawaguchi Hiroshi,

Ozawa Eitaro

電影旬報獎最佳女主角 Kinema Junpo Awards: Best Actress 東京記者協會藍絲帶獎最佳女主角 Blue Ribbon Award: Best Actress

14.11 15:30 AC

19.12 18:00 TK

5

© KADOKAWA CORPORATION

(Kuchizuke)

13.11 17:50 AC

日本 Japan 1957 74min

演員：川口浩、野添瞳、三益愛子

Cast: Kawaguchi Hiroshi, Nozoe Hitomi,

Mimasu Aiko

a.k.a. The Build-Up

日本 Japan 1958 95min

演員：川口浩、野添瞳、高松英郎

Cast: Kawaguchi Hiroshi, Nozoe Hitomi, Takamatsu Hideo

《電影旬報》十大電影第十位 #10 in Kinema Junpo ’s Top 10

27.11 14:30 IS

18.12 17:00 TK

© KADOKAWA CORPORATION

映後座談會講者劉偉霖、王勛 Seminar with William Lau and Geoffrey Wong

4

將日本左翼學生運動火紅的大學校園化為

銳不可擋的強勢力量已登陸日本影壇」。

舞台，對「真理的唯一化」提出連番叩

探望在囚父親而邂逅於監獄，大學生與裸

問。數度名落孫山的青年，偽裝大學生時

模少女暫且放下煩惱，騎上借來的電單

撞上學運領袖被捕，陰差陽錯加入激進學

車，到海邊浪擲借來的一天。愛隨快樂夜

生組織，卻落得左右不是人：警察視他為

盡而逝，纏身是張羅保釋金的惆悵。把意

共黨煽動者，學生則懷疑他是警方線人。

大利新寫實主義之風引渡東來，青春的浮

不是革命就是反革命，青年被學生非法禁

躁夾雜家庭的重擔隨顛動鏡頭潮起潮伏，

錮迫供，終致悲劇收場。低角度鏡頭仰視

撲面而來是新世代壓抑與放縱的真實體

唯我獨尊的思想壟斷，對稱構圖反襯排斥

味。五十年代銀幕罕見的熱吻特寫，為日

異己的專橫，在集體信奉謊言的時代，真

本影史留下熾熱香印。

相只能在瘋狂中被活埋。

What induced Oshima Nagisa to proclaim “a powerful irresistible force has arrived in Japanese Cinema” is Masumura Yasuzo’s debut feature – a moody, unsentimental tale of a fleeting romance. Encountered when visiting their respective fathers in prison, alienated teenage boy and girl bond through their mutual misfortunes, spending a day at the beach on a borrowed motorcycle and on borrowed time.

A stripped down narrative imaginatively shot in liberated camera brimmed with swinging moods and impulsive energy, Kisses left a love mark as a forerunner to the Japanese New Wave.

Transfiguring Nobel laureate Oe Kenzaburo’s novel into a more cynical twist befitting the 1960s landscape of leftist student activism, Masumura crafts a noirish drama permeated with scathing commentary on anarchic mistrust and collective deception. His tragic antihero is a desperate young man who, after failing his entrance exams to a prestigious university, pretends to be a freshman and falls in with a group of student activists. Mistaken as a communist agitator by the cops and as a police informer by the students, he suffers at the hands of both sides, while truth becomes the foremost victim.

偽大學生

A False Student (Nise daigakusei)

13.11 日本 Japan 1960 94min

糖果替代原子彈，戰後日本市場被美式資

一宗攀巖意外，少婦割斷繩索，令丈夫墜

本及消費主義攻佔，三大企業掀起宣傳大

崖身亡。問題是：她是逼不得已，抑或蓄

戰。天真爛牙少女被搏上位的公關看中，

意謀殺？同行的保險經紀，是否與她有

穿上太空衣手執死光槍的海報造型令她一

染？鏡頭隨記者餓狼之眼，窺伺着桃色官

炮而紅。脫去純真披上偶像星光外衣，少

司，將三人錯綜複雜的關係置於眾目審視

女反將急於推高銷售額的公關新貴任意擺

之下。記憶回閃，窮學生為求溫飽嫁予大

佈。弱肉強食才是生存之道，尚餘點點良

學教授後備受冷落，希望擺脫過去，勇於

心的年輕助理，注定在爾虞我詐的商業世

為愛而活卻換來自毀的悲劇命運。玲瓏

界被好友背叛、被愛人嫌棄。以糖衣艷

感官美之上，若尾文子塑造出自主意識與

色、霓虹光影拱照日本經濟奇蹟，對社會

強烈慾望的主體，獲電影評論家佐藤忠男

畸態來一記辛辣嘲諷，躍然跳接出人性價

讚譽為「奠定在增村保造電影世界中女性

值失落下的不安與迷茫。

象徵人物的地位」。

A delectably wicked satire in splashy colours and kitsch knick-knacks, Masumura’s iconoclastic modernist drama takes aim at the absurdity of capitalist mentality amidst Japan’s post-war economic miracle. In the heat of competition among three caramel corporations, a lowerclass girl who is reshaped into a publicity campaign icon preys on her overnight sensation, while the advertising executive hero salvaging his humanity falls victim to intrigues of corporate espionage. A piercing look at the loss of values that comes with political and social reorientation, as bushido spirit gives way to profit over ideals.

A young woman on a mountaineering expedition is accused of murdering her husband. The facts are clear; the doubt is her true motive for cutting the rope – does she aim to benefit from his life insurance and to be with her supposed lover? More than a courtroom suspense of guilty or not guilty captured under voyeuristic camera, Masumura’s existential melodrama impresses with its extraordinary focus and intensity on a woman’s feelings about love and lust. Beautifully conveying suffering womanhood and transgressive femininity, Wakao Ayako’s stellar performance places her in the pantheon of great actresses.

15:30 AC

演員：若尾文子、藤卷潤、藤尾薰紀 Cast: Wakao Ayako, Fujimaki Jun,

14:45 TK

(Kyojin to gangu)

新風，令尚未執導筒的大島渚驚嘆「一股

18.12

巨人與玩具

Giants and Toys

以黑白反差凸顯大江健三郎的凝練文字，

© KADOKAWA CORPORATION

Kisses

增村保造的出道作，飈揚放浪率性的明快

Jerry Fujio

19.12 15:30 TK

© KADOKAWA CORPORATION

吻

妻之告白

A Wife Confesses

(Tsuma wa kokuhaku suru)

日本 Japan 1961 91min

演員：若尾文子、川口浩、小澤榮太郎

Cast: Wakao Ayako, Kawaguchi Hiroshi,

Ozawa Eitaro

電影旬報獎最佳女主角 Kinema Junpo Awards: Best Actress 東京記者協會藍絲帶獎最佳女主角 Blue Ribbon Award: Best Actress

14.11 15:30 AC

19.12 18:00 TK

5

日本 Japan 1964 91min

演員：若尾文子、岸田今日子、船越英二 Cast: Wakao Ayako, Kishida Kyoko,

20.11 17:30 TK

Funakoshi Eiji

26.12 15:00 AC

© KADOKAWA CORPORATION

映後談講者登徒 Film talk with Thomas Shin

清作之妻

「當母親的純愛與性慾混淆時，她會改頭

筆下化為觀音聖像。視光子胴體之美為信

換面，變成典型的谷崎魔女，恍如《刺

仰膜拜，園子神魂顛倒，不能自拔，甘願

青》的女孩。」三島由紀夫對谷崎潤一郎

被她玩弄於股掌之間，甚至與她的小白臉

出道作的精闢點評，放在增村保造鏡頭下

情人舐血為盟，只為留伊人在身邊，反令

的若尾文子身上，益見活靈活現。遭賣到

丈夫亦墜入園子的色誘迷陣。糾纏不清的

妓院的阿艷，被紋身師以自我靈魂在背上

愛慾情結，只能在死亡的終極裏才得以解

刺上人面蜘蛛，彷彿喚醒了魔性。以男人

脫。將谷崎潤一郎字裏行間的旖旎唯美化

鮮血為養份，借肉體騙盡感情與錢財，再

作放任自流的活色生香，增村保造鏡頭下

誘使男僕情夫把好色仇人幹掉。玲瓏女體

的若尾文子一顰一笑勾魂攝魄，岸田今日

下潛藏着黑暗、殘暴與邪惡，在宮川一夫

子為愛迷亂顛沉，悖德與嗜虐的曖昧情

美如浮世繪的光影裏，反客為主的異色報

色，盡得風流。

復把慾望一一吞噬。

Tanizaki Junichiro’s novel of erotic obsessions finds its consummate visualisation under Masumura’s highly stylised framing. Portrayed in feverish intensity, this twisted story of romantic entanglements between four lovers is unfolded in self-reflection by an unfulfilled wife who, overwhelmed with the fleshly beauty of a scheming woman, descends into a web of crossmanipulations, tests of loyalty and suicide pacts.

In a composition imbued with the elegance of a painting, the passionate intricacy of love and desires, playing almost like the pronged arms of the Buddhist Swastika, uncannily radiates with the destructive power of indulgence.

With Shindo Kaneto’s screenplay and Miyagawa Kazuo’s cinematography, Masumura turns Tanizaki Junichiro’s debut novel into a visually arresting tale of vengeance and betrayal.

Delivering another fantastic performance, Wakao plays a young woman who is sold to a geisha house and branded with a spider tattoo, evoking her supernatural thirst for feeding on men and urge for regaining control over her life. In ukiyo-e like imagery infused with darkness, lust and violence, the creation of this fantastically sadistic and resilient woman character is an entrancing blend of power reversal and sexual emancipation.

中日戰爭時期，次郎被選進新成立的陸軍

虛榮，若尾文子把美邪善惡搓揉得水乳

中野學校，與十七位精英學員一同接受特

交融，成就了清作之妻的迷離面相。被賣

務培訓。去掉身份，捨棄愛侶、家庭與未

(Seisaku no tsuma)

作富商情婦的阿兼，回鄉後嘗盡被唾棄的

來，由質疑秘密任務的侵略企圖，到服膺

滋味。叛逆女子竟令模範軍人情根深種，

於長官的愛國熱誠，再蛻變為誓死效忠保

日本 Japan 1965 93min

不理家人反對與她結縭。日俄戰爭爆發，

護學校名譽；首次執行任務，成功潛入英

被徵召入伍的清作執意為國捐軀，萬念俱

國領事館盜得解密手冊後，竟發現未婚妻

灰的妻子唯有以瘋狂一着，換取生命的救

因設法追尋其下落而成了敵方間諜。有別

贖。新藤兼人的劇本在反戰意識之上描繪

於典型反戰故事，增村保造着眼於盲目集

出鄉親屈從威權的窘態，增村保造奔放鏡

體意識的形成；青年滿腔熱情追隨浪漫理

頭下由寂寞而生的狂情，解放與毀滅並

想主義，錯愛的歸宿只有自我與人性盡毀

存，以失明勾喚盲昧的覺醒。

一途，結局只剩下悲慟與無奈。

Contrasted profoundly with the inexorable militarism, Masumura’s unruly romance and riveting sensuality of the rebel lovers ring the bell of awakening against imperialist ideology and blind obedience that infiltrated wartime Japan. Regarded as a fallen woman, the ostracised Okane overcomes her loneliness through the love of Seisaku, the village’s model soldier and bright hope. Her drastic action to prevent her husband from committing selfdestructive mission on the battlefield embraces both the liberating and the destructive power of compelling passion – the most powerful weapon of enlightenment.

One of the first recruits to the Nakano Spy School, Jiro takes on a new identity, and is given military intelligence training to prepare himself for secret espionage assignments. From questioning the imperialist motives to devoting to the colonel’s passion, Jiro is determined to sacrifice his fiancée, who becomes a mole in search for him, to safeguard the honour of the school and the country. Portraying his spy story not as a critique of militarism but of the naivety of youth, Masumura gravely examines how individuals are dehumanised and misguided under the myth of romantic idealism and misplaced love, and arrives at a conclusion that is both chilling and heartrending.

演員：若尾文子、田村高廣、千葉信男

Cast: Wakao Ayako, Tamura Takahiro,

Chiba Nobuo

東京記者協會藍絲帶獎最佳女主角及最佳男配角 Blue Ribbon Awards: Best Actress and Best Supporting Actor

17:45 AC

19.12 20:30 TK

© KADOKAWA CORPORATION

電影旬報獎最佳女主角 Kinema Junpo Awards: Best Actress

14.11

6

刺青 Tattoo

(Irezumi)

27.11 日本 Japan 1966 86min

17:50 IS

演員：若尾文子、長谷川明男、山本學 Cast: Wakao Ayako, Hasegawa Akio,

以義無反顧的耽愛對抗視死如歸的軍國

Seisaku's Wife

© KADOKAWA CORPORATION

Manji

妖嬈的媚眼、嬌柔的朱唇，在貴婦人的畫

Yamamoto Gaku

26.12 19:30 AC

© KADOKAWA CORPORATION

卍 （萬字）

陸軍中野學校

Nakano Spy School (Rikugun Nakano gakko)

20.11 日本 Japan 1966 95min

20:15 TK

演員：市川雷藏、小川真由美、加東大介 Cast: Ichikawa Raizo, Ogawa Mayumi,

Kato Daisuke

26.12 17:10 AC

7

日本 Japan 1964 91min

演員：若尾文子、岸田今日子、船越英二 Cast: Wakao Ayako, Kishida Kyoko,

20.11 17:30 TK

Funakoshi Eiji

26.12 15:00 AC

© KADOKAWA CORPORATION

映後談講者登徒 Film talk with Thomas Shin

清作之妻

「當母親的純愛與性慾混淆時，她會改頭

筆下化為觀音聖像。視光子胴體之美為信

換面，變成典型的谷崎魔女，恍如《刺

仰膜拜，園子神魂顛倒，不能自拔，甘願

青》的女孩。」三島由紀夫對谷崎潤一郎

被她玩弄於股掌之間，甚至與她的小白臉

出道作的精闢點評，放在增村保造鏡頭下

情人舐血為盟，只為留伊人在身邊，反令

的若尾文子身上，益見活靈活現。遭賣到

丈夫亦墜入園子的色誘迷陣。糾纏不清的

妓院的阿艷，被紋身師以自我靈魂在背上

愛慾情結，只能在死亡的終極裏才得以解

刺上人面蜘蛛，彷彿喚醒了魔性。以男人

脫。將谷崎潤一郎字裏行間的旖旎唯美化

鮮血為養份，借肉體騙盡感情與錢財，再

作放任自流的活色生香，增村保造鏡頭下

誘使男僕情夫把好色仇人幹掉。玲瓏女體

的若尾文子一顰一笑勾魂攝魄，岸田今日

下潛藏着黑暗、殘暴與邪惡，在宮川一夫

子為愛迷亂顛沉，悖德與嗜虐的曖昧情

美如浮世繪的光影裏，反客為主的異色報

色，盡得風流。

復把慾望一一吞噬。

Tanizaki Junichiro’s novel of erotic obsessions finds its consummate visualisation under Masumura’s highly stylised framing. Portrayed in feverish intensity, this twisted story of romantic entanglements between four lovers is unfolded in self-reflection by an unfulfilled wife who, overwhelmed with the fleshly beauty of a scheming woman, descends into a web of crossmanipulations, tests of loyalty and suicide pacts.

In a composition imbued with the elegance of a painting, the passionate intricacy of love and desires, playing almost like the pronged arms of the Buddhist Swastika, uncannily radiates with the destructive power of indulgence.

With Shindo Kaneto’s screenplay and Miyagawa Kazuo’s cinematography, Masumura turns Tanizaki Junichiro’s debut novel into a visually arresting tale of vengeance and betrayal.

Delivering another fantastic performance, Wakao plays a young woman who is sold to a geisha house and branded with a spider tattoo, evoking her supernatural thirst for feeding on men and urge for regaining control over her life. In ukiyo-e like imagery infused with darkness, lust and violence, the creation of this fantastically sadistic and resilient woman character is an entrancing blend of power reversal and sexual emancipation.

中日戰爭時期，次郎被選進新成立的陸軍

虛榮，若尾文子把美邪善惡搓揉得水乳

中野學校，與十七位精英學員一同接受特

交融，成就了清作之妻的迷離面相。被賣

務培訓。去掉身份，捨棄愛侶、家庭與未

(Seisaku no tsuma)

作富商情婦的阿兼，回鄉後嘗盡被唾棄的

來，由質疑秘密任務的侵略企圖，到服膺

滋味。叛逆女子竟令模範軍人情根深種，

於長官的愛國熱誠，再蛻變為誓死效忠保

日本 Japan 1965 93min

不理家人反對與她結縭。日俄戰爭爆發，

護學校名譽；首次執行任務，成功潛入英

被徵召入伍的清作執意為國捐軀，萬念俱

國領事館盜得解密手冊後，竟發現未婚妻

灰的妻子唯有以瘋狂一着，換取生命的救

因設法追尋其下落而成了敵方間諜。有別

贖。新藤兼人的劇本在反戰意識之上描繪

於典型反戰故事，增村保造着眼於盲目集

出鄉親屈從威權的窘態，增村保造奔放鏡

體意識的形成；青年滿腔熱情追隨浪漫理

頭下由寂寞而生的狂情，解放與毀滅並

想主義，錯愛的歸宿只有自我與人性盡毀

存，以失明勾喚盲昧的覺醒。

一途，結局只剩下悲慟與無奈。

Contrasted profoundly with the inexorable militarism, Masumura’s unruly romance and riveting sensuality of the rebel lovers ring the bell of awakening against imperialist ideology and blind obedience that infiltrated wartime Japan. Regarded as a fallen woman, the ostracised Okane overcomes her loneliness through the love of Seisaku, the village’s model soldier and bright hope. Her drastic action to prevent her husband from committing selfdestructive mission on the battlefield embraces both the liberating and the destructive power of compelling passion – the most powerful weapon of enlightenment.

One of the first recruits to the Nakano Spy School, Jiro takes on a new identity, and is given military intelligence training to prepare himself for secret espionage assignments. From questioning the imperialist motives to devoting to the colonel’s passion, Jiro is determined to sacrifice his fiancée, who becomes a mole in search for him, to safeguard the honour of the school and the country. Portraying his spy story not as a critique of militarism but of the naivety of youth, Masumura gravely examines how individuals are dehumanised and misguided under the myth of romantic idealism and misplaced love, and arrives at a conclusion that is both chilling and heartrending.

演員：若尾文子、田村高廣、千葉信男

Cast: Wakao Ayako, Tamura Takahiro,

Chiba Nobuo

東京記者協會藍絲帶獎最佳女主角及最佳男配角 Blue Ribbon Awards: Best Actress and Best Supporting Actor

17:45 AC

19.12 20:30 TK

© KADOKAWA CORPORATION

電影旬報獎最佳女主角 Kinema Junpo Awards: Best Actress

14.11

6

刺青 Tattoo

(Irezumi)

27.11 日本 Japan 1966 86min

17:50 IS

演員：若尾文子、長谷川明男、山本學 Cast: Wakao Ayako, Hasegawa Akio,

以義無反顧的耽愛對抗視死如歸的軍國

Seisaku's Wife

© KADOKAWA CORPORATION

Manji

妖嬈的媚眼、嬌柔的朱唇，在貴婦人的畫

Yamamoto Gaku

26.12 19:30 AC

© KADOKAWA CORPORATION

卍 （萬字）

陸軍中野學校

Nakano Spy School (Rikugun Nakano gakko)

20.11 日本 Japan 1966 95min

20:15 TK

演員：市川雷藏、小川真由美、加東大介 Cast: Ichikawa Raizo, Ogawa Mayumi,

Kato Daisuke

26.12 17:10 AC

7

赤色天使

截肢保命的劇痛，未及喪失性能力的恐 懼。被派往天津日本陸軍醫院工作的年輕

The Red Angel

座談會 Seminars

護士，由對強行施暴士兵的寬恕，到為斷 臂傷兵解決性需要，以至最後為愛獻身，

(Akai tenshi)

令以嗎啡自我麻醉致不能人道的軍醫重振 雄風，重拾人性尊嚴。改編有馬賴義偏鋒 之作，幕幕血肉模糊的斷肢手術穿透黑白

21.11 18:00 TK

日本 Japan 1966 95min

被救者殞命，逃不過人世荒謬的愚弄，更

Kawazu Yusuke

是對戰爭最大的嘲諷。

27.12 15:00 AC

© KADOKAWA CORPORATION

照戰爭的殘酷與徒勞。赤色天使以博愛普 渡戰場眾生，以肉體激勵求生意慾，反令

演員：若尾文子、蘆田伸介、川津祐介

Cast: Wakao Ayako, Ashida Shinsuke,

光影帶來極度震撼，以性的暴虐與無能對

華岡青洲之妻

Offering an insight into the gruesome reality of the frontline, Masumura’s stark wartime drama, an adaptation of Arima Yorichika’s novel, examines the conflicts between nationalism and humanity through sexuality.

Stationed at an army hospital during the SinoJapanese war, a young angelic military nurse provides the only source of comfort to her pathetic patients – rescuing her rapist and satisfying the sexual needs of an amputee.

In her unrestrained love, the embittered morphine-addicted surgeon regains his manhood and courage. Shocking, mesmerising and affecting in equal measure, the film exposes the absurdity and impotency of war.

史丹尼士羅林 座談會

Seminar on Stanislaw Lem

7.11

Sun 日 /

4:00-4:45pm

IS

《伊卡利號：航向宇宙終點》放映後 After the screening of Icarus XB 1

講者：藍天雲、黃可欣 Speakers: Grace Ng, Mimi Wong

以江戶時代外科醫學奠基者華岡青洲研究 麻醉藥的過程為骨幹，鏡頭卻聚焦於為其

The Wife of Seishu Hanaoka

成就而犧牲的兩位女性身上。新藤兼人操 刀改編才女有吉佐和子的同名小說，兩大

(Hanaoka Seishu no tsuma)

女優高峰秀子和若尾文子以優雅之姿，把 婆媳的傾軋角力暗藏於眉梢眼角間，互爭

日本 Japan 1967 99min

演員：若尾文子、高峰秀子、市川雷藏

Cast: Wakao Ayako, Takamine Hideko, Ichikawa Raizo

電影旬報獎最佳男主角 Kinema Junpo Awards: Best Actor

20:30 TK

8

以身試藥，甘願以生命作為奪取「女主 人」之位的賭注，也為證明自己僅有的存 在價值。增村保造以凝練冷眼剖開女性綿 裏藏針的心思，還有男性漁人得利的計 算，不着痕跡，卻比切割乳房腫瘤的手術

27.12 17:15 AC

© KADOKAWA CORPORATION

《電影旬報》十大電影第五位 #5 in Kinema Junpo ’s Top 10

21.11

刀更見鋒銳。 Domestic rivalry is skillfully dissected and exposed through the true-life story of the Japanese surgeon in the Edo period who obsessively researched to develop the first general anesthetic. Vying for his affection, his imperious mother and dutiful wife compete to offer themselves as guinea pigs for his experimentation. In rivalling sublime beauty and nuanced performances, Takamine Hideko’s dominance matches Wakao Ayako’s sensitivity in this dizzying tale of devotion and sacrifice. Overtaking a biopic of scientific innovation, Masumura’s restrained lens offers an accomplished study of family dynamics and complexity of the female psyche.

增村保造座談會

Seminar on Masumura Yasuzo

27.11

Sat 六 /

4:05-4:50pm

IS

《巨人與玩具》放映後 After the screening of Giants and Toys

講者：劉偉霖、王勛 Speakers: William Lau, Geoffrey Wong 粵語主講， 憑票入場 Conducted in Cantonese. Admission by ticket

9

赤色天使

截肢保命的劇痛，未及喪失性能力的恐 懼。被派往天津日本陸軍醫院工作的年輕

The Red Angel

座談會 Seminars

護士，由對強行施暴士兵的寬恕，到為斷 臂傷兵解決性需要，以至最後為愛獻身，

(Akai tenshi)

令以嗎啡自我麻醉致不能人道的軍醫重振 雄風，重拾人性尊嚴。改編有馬賴義偏鋒 之作，幕幕血肉模糊的斷肢手術穿透黑白

21.11 18:00 TK

日本 Japan 1966 95min

被救者殞命，逃不過人世荒謬的愚弄，更

Kawazu Yusuke

是對戰爭最大的嘲諷。

27.12 15:00 AC

© KADOKAWA CORPORATION

照戰爭的殘酷與徒勞。赤色天使以博愛普 渡戰場眾生，以肉體激勵求生意慾，反令

演員：若尾文子、蘆田伸介、川津祐介

Cast: Wakao Ayako, Ashida Shinsuke,

光影帶來極度震撼，以性的暴虐與無能對

華岡青洲之妻

Offering an insight into the gruesome reality of the frontline, Masumura’s stark wartime drama, an adaptation of Arima Yorichika’s novel, examines the conflicts between nationalism and humanity through sexuality.

Stationed at an army hospital during the SinoJapanese war, a young angelic military nurse provides the only source of comfort to her pathetic patients – rescuing her rapist and satisfying the sexual needs of an amputee.

In her unrestrained love, the embittered morphine-addicted surgeon regains his manhood and courage. Shocking, mesmerising and affecting in equal measure, the film exposes the absurdity and impotency of war.

史丹尼士羅林 座談會

Seminar on Stanislaw Lem

7.11

Sun 日 /

4:00-4:45pm

IS

《伊卡利號：航向宇宙終點》放映後 After the screening of Icarus XB 1

講者：藍天雲、黃可欣 Speakers: Grace Ng, Mimi Wong

以江戶時代外科醫學奠基者華岡青洲研究 麻醉藥的過程為骨幹，鏡頭卻聚焦於為其

The Wife of Seishu Hanaoka

成就而犧牲的兩位女性身上。新藤兼人操 刀改編才女有吉佐和子的同名小說，兩大

(Hanaoka Seishu no tsuma)

女優高峰秀子和若尾文子以優雅之姿，把 婆媳的傾軋角力暗藏於眉梢眼角間，互爭

日本 Japan 1967 99min

演員：若尾文子、高峰秀子、市川雷藏

Cast: Wakao Ayako, Takamine Hideko, Ichikawa Raizo

電影旬報獎最佳男主角 Kinema Junpo Awards: Best Actor

20:30 TK

8

以身試藥，甘願以生命作為奪取「女主 人」之位的賭注，也為證明自己僅有的存 在價值。增村保造以凝練冷眼剖開女性綿 裏藏針的心思，還有男性漁人得利的計 算，不着痕跡，卻比切割乳房腫瘤的手術

27.12 17:15 AC

© KADOKAWA CORPORATION

《電影旬報》十大電影第五位 #5 in Kinema Junpo ’s Top 10

21.11

刀更見鋒銳。 Domestic rivalry is skillfully dissected and exposed through the true-life story of the Japanese surgeon in the Edo period who obsessively researched to develop the first general anesthetic. Vying for his affection, his imperious mother and dutiful wife compete to offer themselves as guinea pigs for his experimentation. In rivalling sublime beauty and nuanced performances, Takamine Hideko’s dominance matches Wakao Ayako’s sensitivity in this dizzying tale of devotion and sacrifice. Overtaking a biopic of scientific innovation, Masumura’s restrained lens offers an accomplished study of family dynamics and complexity of the female psyche.

增村保造座談會

Seminar on Masumura Yasuzo

27.11

Sat 六 /

4:05-4:50pm

IS

《巨人與玩具》放映後 After the screening of Giants and Toys

講者：劉偉霖、王勛 Speakers: William Lau, Geoffrey Wong 粵語主講， 憑票入場 Conducted in Cantonese. Admission by ticket

9

The Collector ©1965 Columbia Pictures Industries, Inc. All Rights Reserved.

Cult f o e t s The Ta

蝴蝶春夢

盲獸

The Collector 文質彬彬的銀行小職員，以彩金購入荒郊古屋，悉心佈置地窖，讓 心儀的藝術系女生安心入住。費迪一廂情願的夢幻愛情方始，卻是 被綁架禁錮的米蘭達噩夢開端。他以禮相待，盼女神在朝夕相對下 以心相許；她幾度逃脫不果，色誘亦徒勞無功，難逃美麗蝴蝶標本 的相同命運。與《盲獸》禁室虐慾的情色迥異，金像大導威廉韋勒 婉拒《仙樂飄飄處處聞》的主流大製作，以《金枝玉葉》的精緻格 調，呈現約翰符傲思筆下的心理驚慄，平靜中細思極恐。泰倫斯史 丹的優雅痴狂，莎曼泰艾加的恐懼絕望，演繹出收藏者與獵物間的

Blind Beast

(Moju) 威廉韋勒

迷離光影透現江戶川亂步筆下陰鬱而扭曲的異色世界，將觀眾禁錮

William Wyler

英國 UK／美國 USA 1965 119min Cast: Terence Stamp, Samantha Eggar

康城影展最佳男主角奬及最佳女主角奬 Cannes Film Festival: Best Actor and Best Actress 金球獎戲劇組最佳女主角 Golden Globe Awards: Best Actress (Drama)

微妙心理幻變，雙雙榮膺康城影帝影后。 It’s almost shocking to see William Wyler adapting such a creepy, disturbing story, yet a closer look will prove that the consummate artistry and dramatic helmsmanship of the Hollywood maverick is a perfect match to the depth of vision in John Fowles’ bravura debut psychological thriller.

Broadening his obsessive collection from butterflies to girls, a lonely young man abducts and locks an art student in the cellar of his secluded country house, forcing her to reciprocate his love. Terence Stamp and Samantha Eggar turn in remarkably retrained performances accredited at Cannes, translating the elegant freak of the psychopath and the terrifying despair of the captive to sympathetic yet chilling effects in this character study.

10

在佈滿五官、四肢及巨型女體雕像的倉庫，恍如達利的超現實空 間。人體模特兒亞紀遭迷暈綁架，失明按摩師道夫要透過撫摩她的 胴體，雕塑出完美藝術品。借母子情結挑撥離間以求逃脫不果，亞 紀被強暴後墜進性虐沉迷，追求感官刺激的慾望，在死亡中達到極 致的狂喜。在變異形式、詭譎氛圍下，探索人性與獸性的角力：由

増村保造

Masumura Yasuzo

日本 Japan 1969 86min 演員：船越英二、綠魔子、千石規子 Cast: Funakoshi Eiji, Midori Mako,

Sengoku Noriko

被動到操控，從禁閉世界重返母親子宮，以性愛快感及自我摧殘， 解放身體桎梏與慾望壓抑。增村保造挑戰情色尺度的經典作，比 《綑着我，困着我》更離經叛道，並誘發大島渚的《感官世界》。

映後談講者陳志華 Film talk with Ernest Chan

28.11 17:00 IS

11.12 20:00 IS

Transforming the eerie horrific novel of Edogawa Ranpo into a visually inspiring tale of madness and perversion, Masumura forges headlong into the domain of surreal eroticism that prefigures Oshima Nagisa’s In the Realm of the Senses . Set in a Dali-esque artist’s studio covered in sculptured motifs of women’s body parts, a young model finds herself kidnapped and imprisoned as a muse for a blind sculptor who aspires to create his perfect art form. Failing to escape, she gradually succumbs to his uncanny vision and descends into sexual pleasure, as sadomasochistic desires drive the pair towards the ultimate ecstasy and depravity. With an edgy, nightmarish intensity, this outlandish gothic film remains one of the most powerful explorations of art, obsession and debasement.

28.11 14:40 IS

27.12 19:30 AC

11

The Collector ©1965 Columbia Pictures Industries, Inc. All Rights Reserved.

Cult f o e t s The Ta

蝴蝶春夢

盲獸

The Collector 文質彬彬的銀行小職員，以彩金購入荒郊古屋，悉心佈置地窖，讓 心儀的藝術系女生安心入住。費迪一廂情願的夢幻愛情方始，卻是 被綁架禁錮的米蘭達噩夢開端。他以禮相待，盼女神在朝夕相對下 以心相許；她幾度逃脫不果，色誘亦徒勞無功，難逃美麗蝴蝶標本 的相同命運。與《盲獸》禁室虐慾的情色迥異，金像大導威廉韋勒 婉拒《仙樂飄飄處處聞》的主流大製作，以《金枝玉葉》的精緻格 調，呈現約翰符傲思筆下的心理驚慄，平靜中細思極恐。泰倫斯史 丹的優雅痴狂，莎曼泰艾加的恐懼絕望，演繹出收藏者與獵物間的

Blind Beast

(Moju) 威廉韋勒

迷離光影透現江戶川亂步筆下陰鬱而扭曲的異色世界，將觀眾禁錮

William Wyler

英國 UK／美國 USA 1965 119min Cast: Terence Stamp, Samantha Eggar

康城影展最佳男主角奬及最佳女主角奬 Cannes Film Festival: Best Actor and Best Actress 金球獎戲劇組最佳女主角 Golden Globe Awards: Best Actress (Drama)

微妙心理幻變，雙雙榮膺康城影帝影后。 It’s almost shocking to see William Wyler adapting such a creepy, disturbing story, yet a closer look will prove that the consummate artistry and dramatic helmsmanship of the Hollywood maverick is a perfect match to the depth of vision in John Fowles’ bravura debut psychological thriller.

Broadening his obsessive collection from butterflies to girls, a lonely young man abducts and locks an art student in the cellar of his secluded country house, forcing her to reciprocate his love. Terence Stamp and Samantha Eggar turn in remarkably retrained performances accredited at Cannes, translating the elegant freak of the psychopath and the terrifying despair of the captive to sympathetic yet chilling effects in this character study.

10

在佈滿五官、四肢及巨型女體雕像的倉庫，恍如達利的超現實空 間。人體模特兒亞紀遭迷暈綁架，失明按摩師道夫要透過撫摩她的 胴體，雕塑出完美藝術品。借母子情結挑撥離間以求逃脫不果，亞 紀被強暴後墜進性虐沉迷，追求感官刺激的慾望，在死亡中達到極 致的狂喜。在變異形式、詭譎氛圍下，探索人性與獸性的角力：由

増村保造

Masumura Yasuzo

日本 Japan 1969 86min 演員：船越英二、綠魔子、千石規子 Cast: Funakoshi Eiji, Midori Mako,

Sengoku Noriko

被動到操控，從禁閉世界重返母親子宮，以性愛快感及自我摧殘， 解放身體桎梏與慾望壓抑。增村保造挑戰情色尺度的經典作，比 《綑着我，困着我》更離經叛道，並誘發大島渚的《感官世界》。

映後談講者陳志華 Film talk with Ernest Chan

28.11 17:00 IS

11.12 20:00 IS

Transforming the eerie horrific novel of Edogawa Ranpo into a visually inspiring tale of madness and perversion, Masumura forges headlong into the domain of surreal eroticism that prefigures Oshima Nagisa’s In the Realm of the Senses . Set in a Dali-esque artist’s studio covered in sculptured motifs of women’s body parts, a young model finds herself kidnapped and imprisoned as a muse for a blind sculptor who aspires to create his perfect art form. Failing to escape, she gradually succumbs to his uncanny vision and descends into sexual pleasure, as sadomasochistic desires drive the pair towards the ultimate ecstasy and depravity. With an edgy, nightmarish intensity, this outlandish gothic film remains one of the most powerful explorations of art, obsession and debasement.

28.11 14:40 IS

27.12 19:30 AC

11

100 ANNIVERSARY

落花有意

That Cold Day in the Park 《風流軍醫俏護士》為羅拔阿特曼奪得康城金棕櫚獎，鋒頭一時無兩， 原來一年前已偏鋒畢露。千禧角度看法蘭絲是標準毒女，在大宅內窺見 少年獨留公園長櫈淋雨，心生憐惜邀他到客房度宿，第一次鎖上門是戒 備心，第二次第三次則是操控慾昇華。少年表現順從，她待他如流浪 狗，以為掌控權力關係，一旦放低身段即誤判形勢踏上偏執不歸路。攝 影師拉斯路高華斯（《迷幻車手》）撚出阿特曼深愛的長鏡頭，尋常驗 身一場是典範，似輕盈捕捉實則抽離刻劃潛伏心理；紋風不動的戰慄、 失驚無神的恐怖，陸續剖開《幻象》及《三女性》的毒女驚魂。 A wealthy yet lonely woman, Frances meets a young homeless man in the park outside of her house, and invites him in out of the cold. However, her generosity is soon replaced by increasingly erratic and obsessive behaviour, as she attempts to imprison and seduce him against his will. Introducing a number of themes that maverick director Robert Altman would go on to explore further in Images and

3 Women , this unsettling psychological drama paints an unnerving portrait of a thoroughly modern woman, wrestling to take control of her life and the world around her.

Preserved by UCLA Film & Television Archive in cooperation with Paramount Pictures with funding provided by the Hollywood Foreign Press Association and The Film Foundation.

羅拔阿特曼

Robert Altman

美國USA／加拿大Canada

1969 102min Cast: Sandy Dennis, Michael Burns,

Susanne Benton 康城影展 Cannes Film Festival

映後談講者朗天 Film talk with Long Tin

28.11 20:00 IS

11.12 17:10 IS

C

M

Y

CM

MY

CY

CMY

K

12

© by Tomasz Lem

100 ANNIVERSARY

落花有意

That Cold Day in the Park 《風流軍醫俏護士》為羅拔阿特曼奪得康城金棕櫚獎，鋒頭一時無兩， 原來一年前已偏鋒畢露。千禧角度看法蘭絲是標準毒女，在大宅內窺見 少年獨留公園長櫈淋雨，心生憐惜邀他到客房度宿，第一次鎖上門是戒 備心，第二次第三次則是操控慾昇華。少年表現順從，她待他如流浪 狗，以為掌控權力關係，一旦放低身段即誤判形勢踏上偏執不歸路。攝 影師拉斯路高華斯（《迷幻車手》）撚出阿特曼深愛的長鏡頭，尋常驗 身一場是典範，似輕盈捕捉實則抽離刻劃潛伏心理；紋風不動的戰慄、 失驚無神的恐怖，陸續剖開《幻象》及《三女性》的毒女驚魂。 A wealthy yet lonely woman, Frances meets a young homeless man in the park outside of her house, and invites him in out of the cold. However, her generosity is soon replaced by increasingly erratic and obsessive behaviour, as she attempts to imprison and seduce him against his will. Introducing a number of themes that maverick director Robert Altman would go on to explore further in Images and

3 Women , this unsettling psychological drama paints an unnerving portrait of a thoroughly modern woman, wrestling to take control of her life and the world around her.

Preserved by UCLA Film & Television Archive in cooperation with Paramount Pictures with funding provided by the Hollywood Foreign Press Association and The Film Foundation.

羅拔阿特曼

Robert Altman

美國USA／加拿大Canada

1969 102min Cast: Sandy Dennis, Michael Burns,

Susanne Benton 康城影展 Cannes Film Festival

映後談講者朗天 Film talk with Long Tin

28.11 20:00 IS

11.12 17:10 IS

C

M

Y

CM

MY

CY

CMY

K

12

© by Tomasz Lem

Bonjour Tristesse ©1958 Columbia Pictures Industries, Inc. All Rights Reserved.

玉樓春劫（又名：日安憂鬱） Bonjour Tristesse

美麗就是任性。珍茜寶在岳圖柏林明加鏡頭下的放浪形骸是那麼理 所當然，令尚盧高達一見難忘，《斷了氣》的法國新浪潮女神如是

Eva a.k.a. Eve

衛尼雲快活度假，不料優雅的時裝設計師狄寶娜嘉驀地來訪更將成

美麗就是無情。珍摩露老早已警告別愛上她，偏偏這個來自威爾斯

為繼母。自由被限、父親被搶，她略施小計欲扭轉形勢，是情有可

岳圖柏林明加

原吧？蔚藍海岸的回憶五彩繽紛，當下的巴黎卻只有灰濛幽暗。暑

Otto Preminger

英國 UK／美國 USA 1958 94min Cast: Jean Seberg, David Niven,

Deborah Kerr

映後談講者鄧小樺 Film talk with Tang Siu-wa

21.11 15:30 TK

14

5.12 14:45 IS

伊娃

寶活現不覊少女的陽光氣息與日影下的幽曖陰霾。本與風流父親大

誕生。十九歲的莎岡寫成震驚文壇的處女作《日安憂鬱》，由珍茜

假去了又來，放縱享樂依然，愧疚卻無從迴避；青春揮霍過後，困 於記憶圍牆，斯人獨憔悴。 The hedonistic summer of frivolous girl Cecile and her philandering father Raymond is interrupted by the arrival of Anne, a straitlaced fashion designer who sets to become her stepmother. Agonised by her rivalry in their flirtatiously intimate father-daughter relationship and the loss of her outrageous freedom, Cecile conceives a childish scheme to exact revenge. Veering between the monochromatic present in Paris and colourful recollection of the French Riviera vacation, Preminger’s stylised melodrama extracts the last ounce of pathos from the scandalous novel by Françoise Sagan. Nailing Cecile’s brittle impetuosity and intoxicating melancholy completely, Jean Seberg’s performance impressed upon Jean-Luc Godard, who later turned the young star into an icon of the French New Wave in Breathless .

的作家新貴，因著作改編成電影參展一炮而紅，在威尼斯意氣風 發，遇上眼中只有金錢和享樂的法國交際花，一頭栽進她的誘惑懷 抱。不惜背叛忠貞妻子，甚至向她坦承自己是欺世盜名的作家，卻 只換來她的睥睨與唾棄。一貫對現世悲觀、對愛情不屑，約瑟羅西 鏡頭下的伊甸園一開始便告幻想破滅；Billie Holiday的幽怨爵士樂

約瑟羅西

Joseph Losey

法國 France／意大利 Italy 1962 126min Cast: Jeanne Moreau, Stanley Baker, Virna Lisi 威尼斯影展競賽片 Venice Film Festival: In Competition

曲不斷輪唱，聖馬可廣場上教堂鐘聲響徹迴盪，是為珍摩露魅惑與 冷酷的自由靈魂召喚膜拜，抑或儆醒救贖？當年公映被剪得體無完 膚，新修復版補完近二十分鐘，更貼近導演的創作初衷。 Who can resist the bewildering seductive Jeanne Moreau? The self-indulgent and unsympathetic French temptress is magnetic to the phony Welsh novelist, who is overwhelmed by his flashy wealth and fame in Venice. Ensnared into her amour fou, all chic and lovely, he abandons his fiancée, and falls for her loveless love. A sleek look at a heartless affair in baroque style, this romantic drama of the Lost Eden, now restored to the most complete version known to exist, never loses sight of Joseph Losey’s constant themes of despondency, misanthropy and disenchantment. The film undoubtedly belongs to Moreau, whose free-spirited charm resonates with Billie Holiday’s deeply moving jazz ballads, and the church bells ringing solemnly over Piazza San Marco.

映後談講者林瀚光 Film talk with Derek Lam

20.11 14:30 TK

5.12 17:15 IS

15

Bonjour Tristesse ©1958 Columbia Pictures Industries, Inc. All Rights Reserved.

玉樓春劫（又名：日安憂鬱） Bonjour Tristesse

美麗就是任性。珍茜寶在岳圖柏林明加鏡頭下的放浪形骸是那麼理 所當然，令尚盧高達一見難忘，《斷了氣》的法國新浪潮女神如是

Eva a.k.a. Eve

衛尼雲快活度假，不料優雅的時裝設計師狄寶娜嘉驀地來訪更將成

美麗就是無情。珍摩露老早已警告別愛上她，偏偏這個來自威爾斯

為繼母。自由被限、父親被搶，她略施小計欲扭轉形勢，是情有可

岳圖柏林明加

原吧？蔚藍海岸的回憶五彩繽紛，當下的巴黎卻只有灰濛幽暗。暑

Otto Preminger

英國 UK／美國 USA 1958 94min Cast: Jean Seberg, David Niven,

Deborah Kerr

映後談講者鄧小樺 Film talk with Tang Siu-wa

21.11 15:30 TK

14

5.12 14:45 IS

伊娃

寶活現不覊少女的陽光氣息與日影下的幽曖陰霾。本與風流父親大

誕生。十九歲的莎岡寫成震驚文壇的處女作《日安憂鬱》，由珍茜

假去了又來，放縱享樂依然，愧疚卻無從迴避；青春揮霍過後，困 於記憶圍牆，斯人獨憔悴。 The hedonistic summer of frivolous girl Cecile and her philandering father Raymond is interrupted by the arrival of Anne, a straitlaced fashion designer who sets to become her stepmother. Agonised by her rivalry in their flirtatiously intimate father-daughter relationship and the loss of her outrageous freedom, Cecile conceives a childish scheme to exact revenge. Veering between the monochromatic present in Paris and colourful recollection of the French Riviera vacation, Preminger’s stylised melodrama extracts the last ounce of pathos from the scandalous novel by Françoise Sagan. Nailing Cecile’s brittle impetuosity and intoxicating melancholy completely, Jean Seberg’s performance impressed upon Jean-Luc Godard, who later turned the young star into an icon of the French New Wave in Breathless .

的作家新貴，因著作改編成電影參展一炮而紅，在威尼斯意氣風 發，遇上眼中只有金錢和享樂的法國交際花，一頭栽進她的誘惑懷 抱。不惜背叛忠貞妻子，甚至向她坦承自己是欺世盜名的作家，卻 只換來她的睥睨與唾棄。一貫對現世悲觀、對愛情不屑，約瑟羅西 鏡頭下的伊甸園一開始便告幻想破滅；Billie Holiday的幽怨爵士樂

約瑟羅西

Joseph Losey

法國 France／意大利 Italy 1962 126min Cast: Jeanne Moreau, Stanley Baker, Virna Lisi 威尼斯影展競賽片 Venice Film Festival: In Competition

曲不斷輪唱，聖馬可廣場上教堂鐘聲響徹迴盪，是為珍摩露魅惑與 冷酷的自由靈魂召喚膜拜，抑或儆醒救贖？當年公映被剪得體無完 膚，新修復版補完近二十分鐘，更貼近導演的創作初衷。 Who can resist the bewildering seductive Jeanne Moreau? The self-indulgent and unsympathetic French temptress is magnetic to the phony Welsh novelist, who is overwhelmed by his flashy wealth and fame in Venice. Ensnared into her amour fou, all chic and lovely, he abandons his fiancée, and falls for her loveless love. A sleek look at a heartless affair in baroque style, this romantic drama of the Lost Eden, now restored to the most complete version known to exist, never loses sight of Joseph Losey’s constant themes of despondency, misanthropy and disenchantment. The film undoubtedly belongs to Moreau, whose free-spirited charm resonates with Billie Holiday’s deeply moving jazz ballads, and the church bells ringing solemnly over Piazza San Marco.

映後談講者林瀚光 Film talk with Derek Lam

20.11 14:30 TK

5.12 17:15 IS

15

Hospital of the Transfiguration Solaris

Icarus XB 1

Pilot Pirx's Inquest Solaris

Hospital of the Transfiguration Solaris

Icarus XB 1

Pilot Pirx's Inquest Solaris

因為一片會思考的海洋，波蘭科幻小說作家史丹

擁有猶太人血統，自小便沉迷製造假證件偽地圖

這位文壇怪傑擅長結合科技和童話元素，不斷挑

受過共產政權統治的洗禮，史丹尼士羅林並不相

里斯》兩度被改編成電影，塔可夫斯基與史提芬

捕。他沒有順從父親的期望進入杏林，反而開始發

界，沉浸的遠不止於奇詭眩麗的情節，還包括充

他那寫實主義與科幻並存的國度，對未來世界提

尼 士 羅 林（1921-2006） 廣 為 世 人 認 識，《 索 拉

蘇德堡均大名鼎鼎，偏偏他對兩部電影都不感滿 意，因為他的世界浩瀚而深邃，幻化多變而若即 若離，即使是駕馭光影功力十足的電影大師，也 未必可以與之如如相應。

的史丹尼士羅林，小時全家就憑假護照逃過納粹搜 表詩作、小說和評論。由於他的寫實小說無法順利

通過波蘭共產黨的審查，於是開始專注創作科幻小

說，處女短篇作《來自火星的人》一鳴驚人，也為 世人打開一道影響深遠的科幻宇宙之門。

戰 科 幻 類 型 本 身 的 限 制。 讀 者 進 入 他 的 敘 事 世 斥哲意的想像、令人浮想聯翩的暗示。他作品的 主題，由否定與外星生命溝通的可能、思辯科技 知識的發展與制約、展示倫理的缺失與弱點，到 人文的終結，往往於悲觀中摻入深刻的反思，旨

不在提供撥亂反正的良方，而在批判人性之餘令

信絕對真理的存在，一切都在歷史之中，因而在 出疑問，什麼都有因緣，同時什麼都有可能。正

是這種超越限制的自由想像，令他的作品成為各

電 影 作 者 爭 相 改 編 的 對 象。 為 了 嘉 許 他 的 成 就， 波蘭國會將 2021 年命名為「史丹尼士羅林年」。

讀者意識自身的限制和價值。

S t a n i s L a w

L e m ,

A giant in the Polish literature world whose work most frequently adapted to film, Stanisław Lem (1921-2006) belongs in the pantheon of the greatest science fiction writers. Comprising a rich collection of novels, stories and essays on futurology and philosophy, his oeuvre – including his most celebrated work Solaris – has inspired generations of artists and filmmakers. In celebration of the centennial of his birth in 2021, declared as

T h e

the Year of Stanisław Lem in Poland, this tribute series is a recognition to the far-reaching influence of his work on cinema.

What elevated Lem as a visionary writer is his ability to go beyond the artificial allure of science fiction, looking beyond fantastical gadgets to examine the ethical and philosophical impacts surrounding the ramifications of scientific innovations have on the human experience. Solaris was adapted by both Andrei Tarkovsky and Steven Soderbergh – in 1972 and 2002 respectively – into introspective meditation on the nature of

f u t u r i s t i c memory. Pilot Pirx's Inquest argued that the flaws of human nature can be superior to the calculated perfections of technology. Far ahead of his time, many of the debates in Lem’s works that provoke intellectual thoughts about the uncertain future are even more relevant today, as our world is rushing towards dehumanised technological solutions in the cyber age.

Having lived under the Polish communist regime with his writings subjected to stringent censorship, Lem used his fantastical ideas for stories of otherplanet societies as allegories of totalitarianism, of

P h i l o s o p h e r chaos and the aimlessness of history, and of the vulnerability of human civilisation. Pessimistic in nature, yet at times positive or grotesquely funny, Lem’s humanistic and psychological approach to science fiction has inspired filmmakers such as Stanley Kubrick and George Lucas in their radical, mind-bending takes on the genre. In this regard, Lem’s legacy is more than his great linguistic and futuristic invention – he was a philosopher who found humanity in science.

節目夥伴 Programme Partner

因為一片會思考的海洋，波蘭科幻小說作家史丹

擁有猶太人血統，自小便沉迷製造假證件偽地圖

這位文壇怪傑擅長結合科技和童話元素，不斷挑

受過共產政權統治的洗禮，史丹尼士羅林並不相

里斯》兩度被改編成電影，塔可夫斯基與史提芬

捕。他沒有順從父親的期望進入杏林，反而開始發

界，沉浸的遠不止於奇詭眩麗的情節，還包括充

他那寫實主義與科幻並存的國度，對未來世界提

尼 士 羅 林（1921-2006） 廣 為 世 人 認 識，《 索 拉

蘇德堡均大名鼎鼎，偏偏他對兩部電影都不感滿 意，因為他的世界浩瀚而深邃，幻化多變而若即 若離，即使是駕馭光影功力十足的電影大師，也 未必可以與之如如相應。

的史丹尼士羅林，小時全家就憑假護照逃過納粹搜 表詩作、小說和評論。由於他的寫實小說無法順利

通過波蘭共產黨的審查，於是開始專注創作科幻小

說，處女短篇作《來自火星的人》一鳴驚人，也為 世人打開一道影響深遠的科幻宇宙之門。

戰 科 幻 類 型 本 身 的 限 制。 讀 者 進 入 他 的 敘 事 世 斥哲意的想像、令人浮想聯翩的暗示。他作品的 主題，由否定與外星生命溝通的可能、思辯科技 知識的發展與制約、展示倫理的缺失與弱點，到 人文的終結，往往於悲觀中摻入深刻的反思，旨

不在提供撥亂反正的良方，而在批判人性之餘令

信絕對真理的存在，一切都在歷史之中，因而在 出疑問，什麼都有因緣，同時什麼都有可能。正

是這種超越限制的自由想像，令他的作品成為各

電 影 作 者 爭 相 改 編 的 對 象。 為 了 嘉 許 他 的 成 就， 波蘭國會將 2021 年命名為「史丹尼士羅林年」。

讀者意識自身的限制和價值。

S t a n i s L a w

L e m ,

A giant in the Polish literature world whose work most frequently adapted to film, Stanisław Lem (1921-2006) belongs in the pantheon of the greatest science fiction writers. Comprising a rich collection of novels, stories and essays on futurology and philosophy, his oeuvre – including his most celebrated work Solaris – has inspired generations of artists and filmmakers. In celebration of the centennial of his birth in 2021, declared as

T h e

the Year of Stanisław Lem in Poland, this tribute series is a recognition to the far-reaching influence of his work on cinema.

What elevated Lem as a visionary writer is his ability to go beyond the artificial allure of science fiction, looking beyond fantastical gadgets to examine the ethical and philosophical impacts surrounding the ramifications of scientific innovations have on the human experience. Solaris was adapted by both Andrei Tarkovsky and Steven Soderbergh – in 1972 and 2002 respectively – into introspective meditation on the nature of

f u t u r i s t i c memory. Pilot Pirx's Inquest argued that the flaws of human nature can be superior to the calculated perfections of technology. Far ahead of his time, many of the debates in Lem’s works that provoke intellectual thoughts about the uncertain future are even more relevant today, as our world is rushing towards dehumanised technological solutions in the cyber age.

Having lived under the Polish communist regime with his writings subjected to stringent censorship, Lem used his fantastical ideas for stories of otherplanet societies as allegories of totalitarianism, of

P h i l o s o p h e r chaos and the aimlessness of history, and of the vulnerability of human civilisation. Pessimistic in nature, yet at times positive or grotesquely funny, Lem’s humanistic and psychological approach to science fiction has inspired filmmakers such as Stanley Kubrick and George Lucas in their radical, mind-bending takes on the genre. In this regard, Lem’s legacy is more than his great linguistic and futuristic invention – he was a philosopher who found humanity in science.

節目夥伴 Programme Partner

Icarus XB 1 伊卡利號：航向宇宙終點 (Ikarie XB 1)

恩德烈波勒

Jindrich Polák

捷克斯洛伐克 Czechoslovakia 1963 88min

「地球沒了，地球從不存在！」瘋子在太空艙內尖

二次大戰結束前兩年，年輕醫生來到波蘭一家精神

叫，揭開了太空探險的面紗—神秘、驚險而究極

病院掛單，那裏收留的精神分裂症患者部份已被斷

瘋狂。公元2163年，太空總署派遣宇宙飛船伊卡

為無藥可救，醫護人員也顯得陰陽怪氣，難以捉

利號到天外星系探索生命軌跡，四十名船員需要面

摸。院長和他大談政治問題；自認不凡的詩人卻自

對意想不到的挑戰，包括核武廢艦、死亡之星和精

願入院接受「治療」；有腦癌病人被當作精神病人

神崩潰的手足。簡約冷峻的太空船場景，裹住各種

醫治，醫院上下一塌糊塗。然後蓋世太保來了，開

壓抑的好奇與恐懼，散發比《2001太空漫遊》與

始進行人種篩選，醫生如泥菩薩過江，自身難保。

《星球梭那里斯》更早的宇航想像，開拓史丹尼士

改編自史丹尼士羅林早期作品，自傳式題材或許對

羅林形容為「社會現實主義時代摘錄」的原作精

波蘭社會的影射過於真實，甫出版即被禁，直接刺

神，成就了冷戰時期的科幻電影經典。

激他日後轉寫科幻小說言志。

In the year 2163, a multinational crew of 40 men and women are sent to a mysterious “White Planet” on the starship Ikarie XB-1. Boldly venturing into the unknown space, the crew faces crises, including a Cold War satellite with nuclear warheads that could kill them all. Inspired by Lem’s The Magellanic Cloud , which was initially censored for his critical view of the communist regime, the Czech Republic’s first sci-fi film is a pioneering cinematic exploration that predates even iconic space voyage stories like the original Star Trek TV series and 2001: A Space Odyssey .

Partly drawn from his experience as a medical student, this early realist novel by Lem suffered from censorship, which led him to focus on science fiction hereafter.

Director Edward Żebrowski’s adaptation follows a young doctor in a rural mental hospital who struggles to uphold his ideals among an eccentric staff. However, discussions of moral dilemmas are thrown out the window when the Nazis descend upon the hospital.

Going from an offbeat medical drama to a powerful ending that echoes with the gruesome history, this psychological drama is an unnerving journey about the dangers of totalitarianism in all forms.

Cast: Zdenek Stepánek, Radovan Lukavsky,

Dana Medricka, Miroslav Machacek

7.11

14:30 IS

映後座談會講者藍天雲、黃可欣 Seminar with Grace Ng and Mimi Wong

4.12 14:30 IS

10.12

12.12 17:15 IS

CINE FAN ONLINE

可憐情事空切，曾見海作桑田。一片懂得思考的海

人類由猿猴進化而來，下一代會成為更新更強的物

洋，把愚昧自大的人類送到覺悟的邊緣。史丹尼士

種，抑或遲早被他物取代？聯合國為求答案，於是

羅林的科幻原著刻劃人類對浩瀚宇宙知也無涯的慨

安排「非線性」人工智能機械人與線性思考的人類

嘆，在塔可夫斯基的哲思鏡頭下轉化為人對內在情

進行一趟太空探險之旅。皮克斯獲委任為指揮官，

感避而遠之的沉思。帶着一身遺憾的心理學家被徵

事前被隱瞞麾下船員誰是非人，結果因下屬違令導

塔可夫斯基

召到星球梭那里斯太空站；等待他的是同僚自殺、

致大部分船員意外喪生，皮克斯反被調查問責。影

蘇聯 Soviet Union 1972 167min

層出不窮的怪事和離開了十年的亡妻。一切彷彿可

片由史丹尼士羅林的短篇擴寫而成，朝人性致以最

以重新開始，然又戛然而止。究竟該回地球去還是

深刻的詰問與肯定。《潛行者》主角亞歷山大凱達

留在太空？科學難解的虛幻，沉澱在真實的罪疚與

諾夫斯基精彩演繹出猶豫顧慮以至愧疚悔恨，完美

悔過，過渡到《潛行者》去。

機械人亦無可比擬。

Andrei Tarkovsky chose to adapt Stanisław Lem's 1961 novel in an attempt to pivot the sci-fi genre away from obsession with technology to stories with deeper emotional depth. Set on a space station orbiting a planet named Solaris, the film follows a psychologist who is tasked to investigate the strange events that left the space station in shambles. He is visited by a replica of his late wife, an apparition created by the planet. Philosophical and quietly absorbing, Tarkovsky’s profound interpretation reaches far beyond the realms of the future, into visions enfolding the mysteries of death and rebirth, vanity and redemption.

Based on The Inquest from Lem’s Tales of Pirx the Pilot novel series, this space adventure thriller sees the titular spaceship pilot facing an inquest to spell out the tragic accident that derailed a space mission with a secret goal to explore the feasibility of the androids replacing their human crew members on spaceflights. Though nostalgic in aesthetics, Lem’s intended argument – whether the hesitation and doubts in human nature make humanity superior to the perceived perfection of robots – remains just as intriguing today while similar debates over artificial intelligence rage on in our world.

Solaris 星球梭那里斯 (Solyaris)

Andrei Tarkovsky

Cast: Donatas Banionis, Natalya Bondarchuk 康城影展評審團大獎及國際影評人聯盟奬 Cannes Film Festival: Grand Prize of the Jury & FIPRESCI Prize

6.11 14:30 IS

20

18.12 19:30 TK

Hospital of the Transfiguration 整容醫院 (Szpital Przemienienia)

愛德華薛布斯基

Edward Zebrowski

波蘭 Poland 1979 90min

Cast: Piotr Dejmek, Jerzy Binczycki, Henryk Bista

羅迦諾電影節特別表揚獎 Locarno International Film Festival: Special Mention

Pilot Pirx's Inquest 機師的審訊 (Test pilota Pirxa)

馬力派斯特

Marek Piestrak

波蘭 Poland／蘇聯 Soviet Union 1979 99min

Cast: Sergei Desnitsky, Vladimir Ivashov, Aleksandr Kaydanovskiy

13.11 19:50 AC

21

Icarus XB 1 伊卡利號：航向宇宙終點 (Ikarie XB 1)

恩德烈波勒

Jindrich Polák

捷克斯洛伐克 Czechoslovakia 1963 88min

「地球沒了，地球從不存在！」瘋子在太空艙內尖

二次大戰結束前兩年，年輕醫生來到波蘭一家精神

叫，揭開了太空探險的面紗—神秘、驚險而究極

病院掛單，那裏收留的精神分裂症患者部份已被斷

瘋狂。公元2163年，太空總署派遣宇宙飛船伊卡

為無藥可救，醫護人員也顯得陰陽怪氣，難以捉

利號到天外星系探索生命軌跡，四十名船員需要面

摸。院長和他大談政治問題；自認不凡的詩人卻自

對意想不到的挑戰，包括核武廢艦、死亡之星和精

願入院接受「治療」；有腦癌病人被當作精神病人

神崩潰的手足。簡約冷峻的太空船場景，裹住各種

醫治，醫院上下一塌糊塗。然後蓋世太保來了，開

壓抑的好奇與恐懼，散發比《2001太空漫遊》與

始進行人種篩選，醫生如泥菩薩過江，自身難保。

《星球梭那里斯》更早的宇航想像，開拓史丹尼士

改編自史丹尼士羅林早期作品，自傳式題材或許對

羅林形容為「社會現實主義時代摘錄」的原作精

波蘭社會的影射過於真實，甫出版即被禁，直接刺

神，成就了冷戰時期的科幻電影經典。

激他日後轉寫科幻小說言志。

In the year 2163, a multinational crew of 40 men and women are sent to a mysterious “White Planet” on the starship Ikarie XB-1. Boldly venturing into the unknown space, the crew faces crises, including a Cold War satellite with nuclear warheads that could kill them all. Inspired by Lem’s The Magellanic Cloud , which was initially censored for his critical view of the communist regime, the Czech Republic’s first sci-fi film is a pioneering cinematic exploration that predates even iconic space voyage stories like the original Star Trek TV series and 2001: A Space Odyssey .

Partly drawn from his experience as a medical student, this early realist novel by Lem suffered from censorship, which led him to focus on science fiction hereafter.

Director Edward Żebrowski’s adaptation follows a young doctor in a rural mental hospital who struggles to uphold his ideals among an eccentric staff. However, discussions of moral dilemmas are thrown out the window when the Nazis descend upon the hospital.

Going from an offbeat medical drama to a powerful ending that echoes with the gruesome history, this psychological drama is an unnerving journey about the dangers of totalitarianism in all forms.

Cast: Zdenek Stepánek, Radovan Lukavsky,

Dana Medricka, Miroslav Machacek

7.11

14:30 IS

映後座談會講者藍天雲、黃可欣 Seminar with Grace Ng and Mimi Wong

4.12 14:30 IS

10.12

12.12 17:15 IS

CINE FAN ONLINE

可憐情事空切，曾見海作桑田。一片懂得思考的海

人類由猿猴進化而來，下一代會成為更新更強的物

洋，把愚昧自大的人類送到覺悟的邊緣。史丹尼士

種，抑或遲早被他物取代？聯合國為求答案，於是

羅林的科幻原著刻劃人類對浩瀚宇宙知也無涯的慨

安排「非線性」人工智能機械人與線性思考的人類

嘆，在塔可夫斯基的哲思鏡頭下轉化為人對內在情

進行一趟太空探險之旅。皮克斯獲委任為指揮官，

感避而遠之的沉思。帶着一身遺憾的心理學家被徵

事前被隱瞞麾下船員誰是非人，結果因下屬違令導

塔可夫斯基

召到星球梭那里斯太空站；等待他的是同僚自殺、

致大部分船員意外喪生，皮克斯反被調查問責。影

蘇聯 Soviet Union 1972 167min

層出不窮的怪事和離開了十年的亡妻。一切彷彿可

片由史丹尼士羅林的短篇擴寫而成，朝人性致以最

以重新開始，然又戛然而止。究竟該回地球去還是

深刻的詰問與肯定。《潛行者》主角亞歷山大凱達

留在太空？科學難解的虛幻，沉澱在真實的罪疚與

諾夫斯基精彩演繹出猶豫顧慮以至愧疚悔恨，完美

悔過，過渡到《潛行者》去。

機械人亦無可比擬。

Andrei Tarkovsky chose to adapt Stanisław Lem's 1961 novel in an attempt to pivot the sci-fi genre away from obsession with technology to stories with deeper emotional depth. Set on a space station orbiting a planet named Solaris, the film follows a psychologist who is tasked to investigate the strange events that left the space station in shambles. He is visited by a replica of his late wife, an apparition created by the planet. Philosophical and quietly absorbing, Tarkovsky’s profound interpretation reaches far beyond the realms of the future, into visions enfolding the mysteries of death and rebirth, vanity and redemption.

Based on The Inquest from Lem’s Tales of Pirx the Pilot novel series, this space adventure thriller sees the titular spaceship pilot facing an inquest to spell out the tragic accident that derailed a space mission with a secret goal to explore the feasibility of the androids replacing their human crew members on spaceflights. Though nostalgic in aesthetics, Lem’s intended argument – whether the hesitation and doubts in human nature make humanity superior to the perceived perfection of robots – remains just as intriguing today while similar debates over artificial intelligence rage on in our world.

Solaris 星球梭那里斯 (Solyaris)

Andrei Tarkovsky

Cast: Donatas Banionis, Natalya Bondarchuk 康城影展評審團大獎及國際影評人聯盟奬 Cannes Film Festival: Grand Prize of the Jury & FIPRESCI Prize

6.11 14:30 IS

20

18.12 19:30 TK

Hospital of the Transfiguration 整容醫院 (Szpital Przemienienia)

愛德華薛布斯基

Edward Zebrowski

波蘭 Poland 1979 90min

Cast: Piotr Dejmek, Jerzy Binczycki, Henryk Bista

羅迦諾電影節特別表揚獎 Locarno International Film Festival: Special Mention

Pilot Pirx's Inquest 機師的審訊 (Test pilota Pirxa)

馬力派斯特

Marek Piestrak

波蘭 Poland／蘇聯 Soviet Union 1979 99min

Cast: Sergei Desnitsky, Vladimir Ivashov, Aleksandr Kaydanovskiy

13.11 19:50 AC

21

塔可夫斯基的《星球梭那里斯》贏得萬千影迷讚

Solaris ©2002 Twentieth Century Fox Film Corporation.

All rights reserved.

賞，卻始終得不到史丹尼士羅林加持。三十年後占

Solaris 星球索拉羅斯

史提芬蘇德堡

Steven Soderbergh 美國 USA 2002 99min

Cast: George Clooney, Natascha McElhone, Viola Davis 柏林影展競賽電影 Berlin International Film Festival: In Competition

The Congress 動漫影后

士金馬倫和蘇德堡矢志重拍，務求更忠於原作。這 次換成佐治古尼登上魔幻的太空站，一樣重遇亡 妻，從虛虛實實裏重新面對過去的錯誤與傷痛。新 版減弱了父權掙扎，卻強化了科幻設施的操作與說 明，甚至解釋了男主角最後何以「跌入」星球，在 命運和自由之間，選擇自己的去路。蘇德堡嘗試以 更世俗的角度思考生死倫理課題，將原著人之為人 的存在焦慮貼地呈現。

Lem's Universe in Shorts 史丹尼士羅林的奇幻短札 波蘭 Poland／英國 UK 1968-2016 79min

14.11

Produced by James Cameron, indie maverick Steven Soderbergh’s reinterpretation of Stanisław Lem’s novel retains the basic setup of the story but eschews the deafening silence of Tarkovsky’s adaptation for a streamlined narrative and a pulsating score by Cliff Martinez. Yet, the second cinematic incarnation of the novel is no less philosophical or evocative than its predecessor, offering a patient meditation of memory and identity that is elevated by the powerful performances of its stars. While George Clooney’s fame did not benefit the box office at the time of release, Soderbergh’s uncompromising vision in this thought-provoking sci-fi deserves a second look.

6.11 18:10 IS

20:00 AC

4.12 16:30 IS

12.12 14:45 IS

生機有時，璀璨有時。當科技可以把整個人的音容 姿態完全複製，上載到虛擬時空，人就在珍惜當下 與永生之間擺蕩。影壇天后羅賓活麗為了籌集巨款 治療患上不治之症的兒子，同意出賣自己的數碼影

阿里科曼

像，以及由此影像主演的動畫作品版權。二十年過

以色列 Israel／德國 Germany／波蘭 Poland 2013 122min

面臨的選擇已超越她所能承受。《與魔共舞》導演

歐洲電影奬最佳動畫 European Film Award: Best European Animated Feature Film

《未來學大會》，真人與動畫完美結合，獲歐洲電

Ari Folman

Cast: Robin Wright, Harvey Keitel, Jon Hamm 康城影展導演雙周 Cannes Film Festival: Directors’ Fortnight

去，新技術令尋求續約的她走進更深層次的噩夢， 阿里科曼改編史丹尼士羅林諷刺烏托邦社會虛妄的 影獎最佳動畫。 In an alternate reality, actress Robin Wright is facing a slow career decline because of her age and her unreliable nature. When a movie studio offers to buy her likeness to create a digital version of her that will stay forever young in computer-created films, the new technology creates a future world where identity and reality become dangerously fluid. Inspired by Lem’s dystopian novel The Futurological Congress , this dizzying and formally bold hybrid of live-action and animation by the award-winning director of Waltz with Bashir envisions a futuristic world not too unlike our own, where fantasy offers a bleak escape from reality.

一次嚴重交通意外後，《千層變形記》（波蘭， 1968）內賽車手兄弟變成多重器官移植的載 體。何謂完整生命、自我的瓦解與重建⋯⋯種種 嚴肅問題，來到某一點忽然變得萬分可笑。華意 達完美展示了悲喜劇的精彩轉換，更是史丹尼士 羅林罕有地滿意的改編作品。木偶動畫大師奎爾 兄弟以《面具》（波蘭／英國，2010）披示美 女殺手機械人的情感自白，在思索自己身份的同 時，對殺人指令感到疑惑，踏上心靈的不歸路也 是獲得人性認證的開端。布洛茲絲卡的《海鐸普 王的顧問》（波蘭，2016）以「為國王孕育接 班人」的顧問鬥法為經，袖珍哲學的觀念衝擊為 緯，擴充了荒謬的意義地平線。

7.11 17:15 IS

22

4.12 18:30 IS

Lem’s short stories have also provided a wealth of material for filmmakers in other mediums. Based on a screenplay

by Lem himself, Andrzej Wajda’s Layer Cake (1968) is a darkly comedic tale that imagines a world in which organ transplants are so routine that people’s legal identities become twisted in an impossible knot. Beautifully imagined by the iconic Quay Brothers, Mask (2010) tells the tale of a robot assassin who must choose between its mission or its love for its target, entangled with the conscious struggle between order and humanity. Finally, whimsical stop-motion short The Advisors of King Hydrops (2016)

by Natalia Brozynska sees the king's advisors desperately compete to manipulate the newborn prince through programming which ends up in absurdity.

17.12

CINE FAN ONLINE

23

塔可夫斯基的《星球梭那里斯》贏得萬千影迷讚

Solaris ©2002 Twentieth Century Fox Film Corporation.

All rights reserved.

賞，卻始終得不到史丹尼士羅林加持。三十年後占

Solaris 星球索拉羅斯

史提芬蘇德堡

Steven Soderbergh 美國 USA 2002 99min

Cast: George Clooney, Natascha McElhone, Viola Davis 柏林影展競賽電影 Berlin International Film Festival: In Competition

The Congress 動漫影后

士金馬倫和蘇德堡矢志重拍，務求更忠於原作。這 次換成佐治古尼登上魔幻的太空站，一樣重遇亡 妻，從虛虛實實裏重新面對過去的錯誤與傷痛。新 版減弱了父權掙扎，卻強化了科幻設施的操作與說 明，甚至解釋了男主角最後何以「跌入」星球，在 命運和自由之間，選擇自己的去路。蘇德堡嘗試以 更世俗的角度思考生死倫理課題，將原著人之為人 的存在焦慮貼地呈現。

Lem's Universe in Shorts 史丹尼士羅林的奇幻短札 波蘭 Poland／英國 UK 1968-2016 79min

14.11

Produced by James Cameron, indie maverick Steven Soderbergh’s reinterpretation of Stanisław Lem’s novel retains the basic setup of the story but eschews the deafening silence of Tarkovsky’s adaptation for a streamlined narrative and a pulsating score by Cliff Martinez. Yet, the second cinematic incarnation of the novel is no less philosophical or evocative than its predecessor, offering a patient meditation of memory and identity that is elevated by the powerful performances of its stars. While George Clooney’s fame did not benefit the box office at the time of release, Soderbergh’s uncompromising vision in this thought-provoking sci-fi deserves a second look.

6.11 18:10 IS

20:00 AC

4.12 16:30 IS

12.12 14:45 IS

生機有時，璀璨有時。當科技可以把整個人的音容 姿態完全複製，上載到虛擬時空，人就在珍惜當下 與永生之間擺蕩。影壇天后羅賓活麗為了籌集巨款 治療患上不治之症的兒子，同意出賣自己的數碼影

阿里科曼

像，以及由此影像主演的動畫作品版權。二十年過

以色列 Israel／德國 Germany／波蘭 Poland 2013 122min

面臨的選擇已超越她所能承受。《與魔共舞》導演

歐洲電影奬最佳動畫 European Film Award: Best European Animated Feature Film

《未來學大會》，真人與動畫完美結合，獲歐洲電

Ari Folman

Cast: Robin Wright, Harvey Keitel, Jon Hamm 康城影展導演雙周 Cannes Film Festival: Directors’ Fortnight

去，新技術令尋求續約的她走進更深層次的噩夢， 阿里科曼改編史丹尼士羅林諷刺烏托邦社會虛妄的 影獎最佳動畫。 In an alternate reality, actress Robin Wright is facing a slow career decline because of her age and her unreliable nature. When a movie studio offers to buy her likeness to create a digital version of her that will stay forever young in computer-created films, the new technology creates a future world where identity and reality become dangerously fluid. Inspired by Lem’s dystopian novel The Futurological Congress , this dizzying and formally bold hybrid of live-action and animation by the award-winning director of Waltz with Bashir envisions a futuristic world not too unlike our own, where fantasy offers a bleak escape from reality.

一次嚴重交通意外後，《千層變形記》（波蘭， 1968）內賽車手兄弟變成多重器官移植的載 體。何謂完整生命、自我的瓦解與重建⋯⋯種種 嚴肅問題，來到某一點忽然變得萬分可笑。華意 達完美展示了悲喜劇的精彩轉換，更是史丹尼士 羅林罕有地滿意的改編作品。木偶動畫大師奎爾 兄弟以《面具》（波蘭／英國，2010）披示美 女殺手機械人的情感自白，在思索自己身份的同 時，對殺人指令感到疑惑，踏上心靈的不歸路也 是獲得人性認證的開端。布洛茲絲卡的《海鐸普 王的顧問》（波蘭，2016）以「為國王孕育接 班人」的顧問鬥法為經，袖珍哲學的觀念衝擊為 緯，擴充了荒謬的意義地平線。

7.11 17:15 IS

22

4.12 18:30 IS

Lem’s short stories have also provided a wealth of material for filmmakers in other mediums. Based on a screenplay

by Lem himself, Andrzej Wajda’s Layer Cake (1968) is a darkly comedic tale that imagines a world in which organ transplants are so routine that people’s legal identities become twisted in an impossible knot. Beautifully imagined by the iconic Quay Brothers, Mask (2010) tells the tale of a robot assassin who must choose between its mission or its love for its target, entangled with the conscious struggle between order and humanity. Finally, whimsical stop-motion short The Advisors of King Hydrops (2016)

by Natalia Brozynska sees the king's advisors desperately compete to manipulate the newborn prince through programming which ends up in absurdity.

17.12

CINE FAN ONLINE

23

Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

五百年後（導演版）

THX 1138 (The George Lucas Director’s Cut) 出「科技vs人類」的命題，探問未來的未來。徹底禁慾、不斷歌頌生 產和消費，人人剃光頭以凸顯同一性的人類文明。看不見盡頭的禁 閉空間竟有絕處逢生的機緣、無處不在的監控卻又受制於荒謬的經 濟預算……到頭來，片首對1939年的《廿五世紀宇宙戰爭》（Buck

Rogers ）的致敬意不在塑造另一個太空英雄畢羅渣士，羅拔杜華只是 回到基點的平凡男子，見證着人類文明步向黃昏的存活形態。適逢 問世五十周年，此魯卡斯剪輯的導演版體現其超越時空的視野，電 影呈現的高遠意境比具體的視覺奇觀更令人拜服。

George Lucas

美國 USA 1971 88min Cast: Robert Duvall, Donald Pleasence,

Maggie McOmie

康城影展導演雙周 Cannes Film Festival: Directors’ Fortnight

映後談講者紀陶 Film talk with Keeto Lam

6.11 20:30 IS

11.12 14:40 IS

THX 1138 ©1971 WBEI

A long time ago in a galaxy far far away, a young Californian filmmaker named George Lucas imagined a chillingly prescient vision of the future, overseen by an automated police force, where drugs are administered to suppress the emotions of the populace. Robert Duvall and Maggie McOmie play two shaven-headed worker drones in this Orwellian hellscape, who embark on a secret, and highly illegal, romance that makes them enemies of the state. Lucas would go on to become arguably the most influential architect of adventure-driven science fiction, but THX 1138 captures him in a rare moment of poetic introspection.

佐治魯卡斯

© 1978 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

還沒拍出《星球大戰》的魯卡斯初執導筒，用反烏托邦科幻故事帶

天外奪命花

Invasion of the Body Snatchers 改編能手菲臘考夫曼迷上1956年唐薛高的黑色科幻經典《人類煞 星》，成就影史上少數享譽的翻拍作。衛生局科學家伊莉莎白撿拾花 苞回家，翌日發現枕邊人舉止異樣，同事馬修遂帶她見著名精神病學 家大衛，逐步發現一切源於外星種子墜落地球，趁人入睡複製身體並 取代舊軀。欠缺感情的複製人說，沒有意志的生活更簡單美好。考夫

菲臘考夫曼

Philip Kaufman

美國 USA 1978 115min Cast: Donald Sutherland, Brooke Adams,

Jeff Goldblum

曼把故事場景由小鎮改為三藩市，以迷離色彩張揚黑色驚慄，對於政 權的抨擊不言而喻。政治黑暗不減當年，當奴修打蘭的驚呼依然震 撼。《變形人魔》謝夫高拔林未化為烏蠅人，先被詭異外星絲蛹糾纏 吞滅，唐薛高與原版男主角奇雲麥卡菲客串現身加持，玩命呼應，更

映後談講者朗天 Film talk with Long Tin

激活後來的新版故事。 A strong contender for the best remake of all time, Philip Kaufman’s paranoia masterpiece relocates the terror of Don Siegel’s 1956 sci-fi classic to the streets of 1970s San Francisco. Donald Sutherland is the strict health inspector who slowly uncovers an emerging epidemic of extra-terrestrial proportions, while all around him, a community of profound progressives appears to dismiss the invasion as little more than the latest New Age fad. From the pod people’s blood-curdling shriek to cinema’s most haunting rendition of “Amazing Grace”, Kaufman ratchets up the tension to a suffocating crescendo, with political undertones imploring his audience to question everything and everyone they think they know.

24

7.11 20:00 IS

27.11 19:55 IS

25

Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

五百年後（導演版）

THX 1138 (The George Lucas Director’s Cut) 出「科技vs人類」的命題，探問未來的未來。徹底禁慾、不斷歌頌生 產和消費，人人剃光頭以凸顯同一性的人類文明。看不見盡頭的禁 閉空間竟有絕處逢生的機緣、無處不在的監控卻又受制於荒謬的經 濟預算……到頭來，片首對1939年的《廿五世紀宇宙戰爭》（Buck

Rogers ）的致敬意不在塑造另一個太空英雄畢羅渣士，羅拔杜華只是 回到基點的平凡男子，見證着人類文明步向黃昏的存活形態。適逢 問世五十周年，此魯卡斯剪輯的導演版體現其超越時空的視野，電 影呈現的高遠意境比具體的視覺奇觀更令人拜服。

George Lucas

美國 USA 1971 88min Cast: Robert Duvall, Donald Pleasence,

Maggie McOmie

康城影展導演雙周 Cannes Film Festival: Directors’ Fortnight

映後談講者紀陶 Film talk with Keeto Lam

6.11 20:30 IS

11.12 14:40 IS

THX 1138 ©1971 WBEI

A long time ago in a galaxy far far away, a young Californian filmmaker named George Lucas imagined a chillingly prescient vision of the future, overseen by an automated police force, where drugs are administered to suppress the emotions of the populace. Robert Duvall and Maggie McOmie play two shaven-headed worker drones in this Orwellian hellscape, who embark on a secret, and highly illegal, romance that makes them enemies of the state. Lucas would go on to become arguably the most influential architect of adventure-driven science fiction, but THX 1138 captures him in a rare moment of poetic introspection.

佐治魯卡斯

© 1978 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

還沒拍出《星球大戰》的魯卡斯初執導筒，用反烏托邦科幻故事帶

天外奪命花

Invasion of the Body Snatchers 改編能手菲臘考夫曼迷上1956年唐薛高的黑色科幻經典《人類煞 星》，成就影史上少數享譽的翻拍作。衛生局科學家伊莉莎白撿拾花 苞回家，翌日發現枕邊人舉止異樣，同事馬修遂帶她見著名精神病學 家大衛，逐步發現一切源於外星種子墜落地球，趁人入睡複製身體並 取代舊軀。欠缺感情的複製人說，沒有意志的生活更簡單美好。考夫

菲臘考夫曼

Philip Kaufman

美國 USA 1978 115min Cast: Donald Sutherland, Brooke Adams,

Jeff Goldblum

曼把故事場景由小鎮改為三藩市，以迷離色彩張揚黑色驚慄，對於政 權的抨擊不言而喻。政治黑暗不減當年，當奴修打蘭的驚呼依然震 撼。《變形人魔》謝夫高拔林未化為烏蠅人，先被詭異外星絲蛹糾纏 吞滅，唐薛高與原版男主角奇雲麥卡菲客串現身加持，玩命呼應，更

映後談講者朗天 Film talk with Long Tin

激活後來的新版故事。 A strong contender for the best remake of all time, Philip Kaufman’s paranoia masterpiece relocates the terror of Don Siegel’s 1956 sci-fi classic to the streets of 1970s San Francisco. Donald Sutherland is the strict health inspector who slowly uncovers an emerging epidemic of extra-terrestrial proportions, while all around him, a community of profound progressives appears to dismiss the invasion as little more than the latest New Age fad. From the pod people’s blood-curdling shriek to cinema’s most haunting rendition of “Amazing Grace”, Kaufman ratchets up the tension to a suffocating crescendo, with political undertones imploring his audience to question everything and everyone they think they know.

24

7.11 20:00 IS

27.11 19:55 IS

25

電 影 課 程 Film Course

第 一 部 份 Part I

「若電影須達致什麼—至少，於我而言—就是有人會 於當中發現自己身影。」奇斯洛夫斯基英年早逝，留下的 電影不多，令人感仰的身影卻無處不在。今年值大師八十 歲冥壽，我們特別以電影課程來懷念致敬。課程分上下兩 部份，先從早期作品去了解其發展，下回再集中分析其最

奇斯洛夫斯基

為人熟識的傑作，探究他如何以電影語言與藝術視野凝思 人生的種種偶然與宿命。 “If film really means to achieve anything – at least, this holds true for me – then it’s that somebody might find him or herself in it.” Polish director Krzysztof Kieslowski, who passed away at 54, left behind an enormous influence that goes beyond his bare number of films. To mark the 80th anniversary of his birth, we have organised this film course, in two parts, which focuses on his early feature films, and then continue to explore his cinematic language and artistic worldview through his most notable and accomplished works.

The Scar 生命的烙印 (Blizna)

波蘭 Poland 1976 106min Cast: Franciszek Pieczka,

Mariusz Dmochowski, Jerzy Stuhr

波蘭電影節評審團特別獎及最佳男主角奬 Polish Film Festival: Special Jury Prize and Best Actor

講者：登徒（影評人及大學兼任講師） Speaker: Thomas Shin (Film critic and part-time university lecturer)

一向盡忠職守的黨員被派去監督興建大型化工廠， 回到闊別多年的家鄉小鎮，打算為當地創就業謀發 展。代價是要摧毀樹林拆遷民居，自然引起民憤， 上級領導卻不理民情好大喜功，夾在中間的主角陷 於兩難孤立無援。奇斯洛夫斯基首部劇情長片，根 據記者撰寫的報告文學改編而成，運用早年拍攝紀 錄片的紀實風格，檢視生命的烙印，反映時代的疤 痕，被歸入波蘭道德焦慮電影運動的大軍。小狗追 車的一幕、開燈關燈的鏡頭，大師作品獨有的詩意 氣質已初露端倪。

Screening + Lecture

(Amator) 波蘭 Poland 1979 112min

Cast: Jerzy Stuhr, Malgorzata Zabkowska,

Ewa Pokas

莫斯科電影節金獎及國際影評人聯盟獎 Moscow International Film Festival: Golden Prize and FIPRESCI Prize

講 + 座

講者：林瀚光博士（香港大學比較文學系講師） Speaker: Dr. Derek Lam (Lecturer in Comparative Literature at the University of Hong Kong)

粵語主講，講座長約五十分鐘 Conducted in Cantonese. Approximately 50-minute lecture

奇斯洛夫斯基課程特刊 Krzysztof Kieslowski Film Course Catalogue 出席講座的觀眾將獲贈課程筆記《奇斯洛夫斯基：人生偶拾》（中文版）乙本 Audience who attends the course is eligible for a complimentary

copy of Kieslowski: The Serendipity of Life (Chinese version only)

26

Unlike the relatively abstract works later in his career, Krzysztof Kieslowski’s first theatrically released feature film is a quiet social realist drama struggling on real conflict. Set during the communist regime, the docudrama follows an honest party man who has been tasked to build a large chemical factory in his hometown. As the factory president, he faces frustrations from his own employees as well as the people in town who oppose to the factory. Among a cast that features many nonprofessional actors, Agnieszka Holland, who is now known as a world-renowned filmmaker, is spotted playing a factory secretary.

影迷

新手爸爸花掉工資購買攝影機，原是為了記錄初生

套票優惠 Package Discount 六堂七折 30% off for 6 sessions 兩堂或以上七五折 25% off for 2 sessions or more

19:30 IS

Camera Buff

The Serendipity of Life

放映

人生偶拾

Kieslowski:

5.11

女兒成長點滴。廠長因利乘便，找他幫工廠拍攝銀 禧花絮。他愈拍愈投入，竟意外獲獎，更積極自學 實踐夢想，矢志成為業餘電影人。神魂顛倒迷上電 影，竟不知不覺冷落妻兒。以鏡頭捕捉真實，卻必 節目夥伴 Programme Partner

須面對紀錄片倫理和審查關卡。奇斯洛夫斯基拍出 國際矚目之作，對電影創作的真誠和社會責任進行 反省沉思，同時不失幽默諷刺。片中提及贊祿西， 還邀得他本人客串亮相。最後一鏡引人深思，反躬 自省拍攝初衷。

12.11 19:30 IS

A fable of innocence lost prefiguring The Decalogue and Three Colours: White (both featuring Jerzy Stuhr), Camera Buff follows a factory worker whose life is transformed by his growing obsession with amateur filmmaking once he acquires an 8mm movie camera to shoot his newborn child. Filip's wellintentioned but naive attempts to mix art and politics as a novice documentarian at his factory end up causing unintended harm, even as his marriage and family life are sacrificed in favour of his consuming hobby. Self-reflexively addressing Kieslowski's own misgivings regarding non-fiction cinema, this ruminative drama also takes us on a Kafkaesque tour of communist Poland's bureaucratic hierarchies.

27

電 影 課 程 Film Course

第 一 部 份 Part I

「若電影須達致什麼—至少，於我而言—就是有人會 於當中發現自己身影。」奇斯洛夫斯基英年早逝，留下的 電影不多，令人感仰的身影卻無處不在。今年值大師八十 歲冥壽，我們特別以電影課程來懷念致敬。課程分上下兩 部份，先從早期作品去了解其發展，下回再集中分析其最

奇斯洛夫斯基

為人熟識的傑作，探究他如何以電影語言與藝術視野凝思 人生的種種偶然與宿命。 “If film really means to achieve anything – at least, this holds true for me – then it’s that somebody might find him or herself in it.” Polish director Krzysztof Kieslowski, who passed away at 54, left behind an enormous influence that goes beyond his bare number of films. To mark the 80th anniversary of his birth, we have organised this film course, in two parts, which focuses on his early feature films, and then continue to explore his cinematic language and artistic worldview through his most notable and accomplished works.

The Scar 生命的烙印 (Blizna)

波蘭 Poland 1976 106min Cast: Franciszek Pieczka,

Mariusz Dmochowski, Jerzy Stuhr

波蘭電影節評審團特別獎及最佳男主角奬 Polish Film Festival: Special Jury Prize and Best Actor

講者：登徒（影評人及大學兼任講師） Speaker: Thomas Shin (Film critic and part-time university lecturer)

一向盡忠職守的黨員被派去監督興建大型化工廠， 回到闊別多年的家鄉小鎮，打算為當地創就業謀發 展。代價是要摧毀樹林拆遷民居，自然引起民憤， 上級領導卻不理民情好大喜功，夾在中間的主角陷 於兩難孤立無援。奇斯洛夫斯基首部劇情長片，根 據記者撰寫的報告文學改編而成，運用早年拍攝紀 錄片的紀實風格，檢視生命的烙印，反映時代的疤 痕，被歸入波蘭道德焦慮電影運動的大軍。小狗追 車的一幕、開燈關燈的鏡頭，大師作品獨有的詩意 氣質已初露端倪。

Screening + Lecture

(Amator) 波蘭 Poland 1979 112min

Cast: Jerzy Stuhr, Malgorzata Zabkowska,

Ewa Pokas

莫斯科電影節金獎及國際影評人聯盟獎 Moscow International Film Festival: Golden Prize and FIPRESCI Prize

講 + 座

講者：林瀚光博士（香港大學比較文學系講師） Speaker: Dr. Derek Lam (Lecturer in Comparative Literature at the University of Hong Kong)

粵語主講，講座長約五十分鐘 Conducted in Cantonese. Approximately 50-minute lecture

奇斯洛夫斯基課程特刊 Krzysztof Kieslowski Film Course Catalogue 出席講座的觀眾將獲贈課程筆記《奇斯洛夫斯基：人生偶拾》（中文版）乙本 Audience who attends the course is eligible for a complimentary

copy of Kieslowski: The Serendipity of Life (Chinese version only)

26

Unlike the relatively abstract works later in his career, Krzysztof Kieslowski’s first theatrically released feature film is a quiet social realist drama struggling on real conflict. Set during the communist regime, the docudrama follows an honest party man who has been tasked to build a large chemical factory in his hometown. As the factory president, he faces frustrations from his own employees as well as the people in town who oppose to the factory. Among a cast that features many nonprofessional actors, Agnieszka Holland, who is now known as a world-renowned filmmaker, is spotted playing a factory secretary.

影迷

新手爸爸花掉工資購買攝影機，原是為了記錄初生

套票優惠 Package Discount 六堂七折 30% off for 6 sessions 兩堂或以上七五折 25% off for 2 sessions or more

19:30 IS

Camera Buff

The Serendipity of Life

放映

人生偶拾

Kieslowski:

5.11

女兒成長點滴。廠長因利乘便，找他幫工廠拍攝銀 禧花絮。他愈拍愈投入，竟意外獲獎，更積極自學 實踐夢想，矢志成為業餘電影人。神魂顛倒迷上電 影，竟不知不覺冷落妻兒。以鏡頭捕捉真實，卻必 節目夥伴 Programme Partner

須面對紀錄片倫理和審查關卡。奇斯洛夫斯基拍出 國際矚目之作，對電影創作的真誠和社會責任進行 反省沉思，同時不失幽默諷刺。片中提及贊祿西， 還邀得他本人客串亮相。最後一鏡引人深思，反躬 自省拍攝初衷。

12.11 19:30 IS

A fable of innocence lost prefiguring The Decalogue and Three Colours: White (both featuring Jerzy Stuhr), Camera Buff follows a factory worker whose life is transformed by his growing obsession with amateur filmmaking once he acquires an 8mm movie camera to shoot his newborn child. Filip's wellintentioned but naive attempts to mix art and politics as a novice documentarian at his factory end up causing unintended harm, even as his marriage and family life are sacrificed in favour of his consuming hobby. Self-reflexively addressing Kieslowski's own misgivings regarding non-fiction cinema, this ruminative drama also takes us on a Kafkaesque tour of communist Poland's bureaucratic hierarchies.

27

No End

无止无终

(Bez Konca)

波蘭 Poland 1985 107min

26.11

洛夫斯基原想拍攝政治審訊紀錄片，在律師好友皮 斯維茲協助下，改成劇情片，亦由此開始他與作曲 家普理斯納的長期合作。專替政治犯打官司的律師 心臟病發身亡，魂魄留在人間，守在妻子旁邊，同 時見證歷史。生前他為罷工工人辯護，接手案件的 大狀卻遊說被告妥協來換取自由。遺孀整理亡夫 遺物，儘管陰陽永隔，更覺愛是永不止息。由《鐵 人》主角飾演律師魂魄，良知與信念不滅的含義不 言而喻。

Jerzy Radziwilowicz

講者：喬奕思（電影研究者、影評人） Speaker: Joyce Yang (Researcher, film critic)

19:30 IS

波蘭實施戒嚴，取締團結工會，成員被拘禁。奇斯

Cast: Grazyna Szapolowska, Aleksander Bardini,

Kieslowski's depiction of Poland under martial law focuses on the widow of a lawyer responsible for the defense of a young dissident. Anticipating Three Colours: Blue , the film homes in on her grieving and sense of personal loss, even as her late husband's ghost – a posthumous presence throughout the film – bears silent witness to her spiritual suffering. Daringly treating a political situation in metaphysical terms (the subject of fierce criticism at the time from the establishment and opposition alike), No End marked the beginning of Kieslowski's lasting partnership with two key collaborators: screenwriter Krzysztof Piesiewicz (himself a trial attorney) and composer Zbigniew Preisner.

Blind Chance 盲打误撞

(Przypadek)

波蘭 Poland 1987 123min

3.12 19:15 IS

男子成功登機，卻突然驚呼，回首人生，原來有三 種可能。他是醫科生，喪父後決定到首都碰運氣。 月台上追火車，趕上與否，命運將徹底改寫：趕上 了就入黨躋身建制，否則可能成為異見人士，也可 能結婚生子不問政治。人如地上滾動的硬幣，似乎 是機遇主宰一切，又冥冥中難逃時代宿命。本片完 成後即遭禁映，五年後重見天日大放異彩。奇斯洛 夫斯基代表作，以別出心裁的三段式結構，探討命 運與抉擇，帶出深刻的辯證與思考，並啟發日後 《疾走羅拉》等電影。

28

Cast: Boguslaw Linda, Tadeusz Lomnicki,

Zbigniew Zapasiewicz

波蘭電影節銀獅獎及最佳男主角 Polish Film Festival: Silver Lions and Best Actor

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

A signature work that exemplifies Kieslowski’s metaphysical vision of spiritual destiny, Blind Chance is a forking-path narrative – inspiring films like Run Lola Run and Sliding Doors – in which the protagonist faces different outcomes depending on whether or not he catches a train: in the first variation, he joins the communist party; in the second, he becomes a member of the underground resistance; in the third, he becomes apolitical and gets an opportunity to lecture abroad. Suppressed by the Polish government for several years before its release, it is praised by Agnieszka Holland as "one of Krzysztof's best films, perhaps even the best and the most original”.

A Short Film About Killing 杀诫

(Krotki film o zabijaniu) 波蘭 Poland 1988 84min

Cast: Miroslaw Baka, Krzysztof Globisz, Jan Tesarz 康城影展評審團獎及國際影評人聯盟獎 Cannes Film Festival: Jury Prize and FIPRESCI Prize

講者：馮美華（獨立文化藝術工作者） Speaker: May Fung (Independent art and cultural worker)

一個準備開工的中年的士司機，一個在街頭蹓躂的 瘦弱少年，一個剛考獲執業資格的律師，因為一宗 兇案，命運交錯在一起。少年殺了的士司機，法庭 把少年判處死刑，律師心生惻隱但無能為力。《十 誡之第五誡》完整版，開場即見水坑裏的鼠屍、被 吊死的貓，加上全片採用偏綠的濾鏡，營造夢魘般 的氛圍。普理斯納的配樂堪稱蕩氣迴腸，奇斯洛夫 斯基與律師出身的編劇拍檔皮斯維茲，透過「不可 殺人」的戒律，反思罪與罰，直視兩者的暴力，拍 成震撼人心的傑作。

17.12 19:30 IS

This feature-length expansion of The Decalogue ’s fifth episode (“Thou shalt not murder”) is a sobering meditation on the ethics of murder and death penalty. The seemingly simple story follows a young boy who senselessly murders a taxi driver, and the idealistic lawyer who seeks to save the murderer’s life on the basis of principle. The dirty sepia-green filter by cinematographer Slawomir Idziak highlights both the story’s bleak nature and the unpalatable look of its setting. Perhaps Kieslowski’s most explicitly political work, the film was said to be integral to the abolishment of the death penalty in Poland.

A Short Film About Love 情诫

(Krotki film o milosci) 波蘭 Poland 1988 87min

Cast: Grazyna Szapolowska, Olaf Lubaszenko,

Stefania Iwinska

聖塞巴斯蒂安電影節評審團特別獎 San Sebastian Film Festival: Special Prize of the Jury

講者：歐嘉麗博士（香港浸會大學電影學院講師） Speaker: Dr. Sonia Au (Lecturer in Academy of Film at Hong Kong Baptist University)

任職郵局的青澀少年內歛沉鬱，每晚用望遠鏡窺看 對面大廈的女畫家，苦苦單戀，不敢示愛，只懂暗 地打擾，早起給她送牛奶，騙她到郵局見面，偷偷 介入她的生活。然而對她來說，與其相信愛情，不 如找不同的男人做愛，對少年純情的愛加以羞辱。 《十誡之第六誡》加長版，奇斯洛夫斯基與《無止 無終》女主角再度合作，把「勿行邪淫」的聖經戒 律，發展成別具韻味的力作。後段轉換視點，要講 的並非因偷窺而起的愛情，而是兩個迷失的靈魂相 遇，結尾尤其意味深長。

10.12 19:30 IS

Tomek is a shy 19-year-old orphan who works as a post office clerk. At night, he spies on Magda, a beautiful mature artist who lives in the flat across from him. A simple case of stalking becomes far more complex when Tomek comes clean to Magda, and the two ends up striking a bond. Featuring additional scenes and an alternate ending, the feature-length expansion of The Decalogue ’s sixth episode (“Thou shalt not commit adultery”) is an unflinchingly unromantic and quietly devastating look at the emotional cruelty of solitude, the hollowness of sex and the universal longing for companionship.

29

No End

无止无终

(Bez Konca)

波蘭 Poland 1985 107min

26.11

洛夫斯基原想拍攝政治審訊紀錄片，在律師好友皮 斯維茲協助下，改成劇情片，亦由此開始他與作曲 家普理斯納的長期合作。專替政治犯打官司的律師 心臟病發身亡，魂魄留在人間，守在妻子旁邊，同 時見證歷史。生前他為罷工工人辯護，接手案件的 大狀卻遊說被告妥協來換取自由。遺孀整理亡夫 遺物，儘管陰陽永隔，更覺愛是永不止息。由《鐵 人》主角飾演律師魂魄，良知與信念不滅的含義不 言而喻。

Jerzy Radziwilowicz

講者：喬奕思（電影研究者、影評人） Speaker: Joyce Yang (Researcher, film critic)

19:30 IS

波蘭實施戒嚴，取締團結工會，成員被拘禁。奇斯

Cast: Grazyna Szapolowska, Aleksander Bardini,

Kieslowski's depiction of Poland under martial law focuses on the widow of a lawyer responsible for the defense of a young dissident. Anticipating Three Colours: Blue , the film homes in on her grieving and sense of personal loss, even as her late husband's ghost – a posthumous presence throughout the film – bears silent witness to her spiritual suffering. Daringly treating a political situation in metaphysical terms (the subject of fierce criticism at the time from the establishment and opposition alike), No End marked the beginning of Kieslowski's lasting partnership with two key collaborators: screenwriter Krzysztof Piesiewicz (himself a trial attorney) and composer Zbigniew Preisner.

Blind Chance 盲打误撞

(Przypadek)

波蘭 Poland 1987 123min

3.12 19:15 IS

男子成功登機，卻突然驚呼，回首人生，原來有三 種可能。他是醫科生，喪父後決定到首都碰運氣。 月台上追火車，趕上與否，命運將徹底改寫：趕上 了就入黨躋身建制，否則可能成為異見人士，也可 能結婚生子不問政治。人如地上滾動的硬幣，似乎 是機遇主宰一切，又冥冥中難逃時代宿命。本片完 成後即遭禁映，五年後重見天日大放異彩。奇斯洛 夫斯基代表作，以別出心裁的三段式結構，探討命 運與抉擇，帶出深刻的辯證與思考，並啟發日後 《疾走羅拉》等電影。

28

Cast: Boguslaw Linda, Tadeusz Lomnicki,

Zbigniew Zapasiewicz

波蘭電影節銀獅獎及最佳男主角 Polish Film Festival: Silver Lions and Best Actor

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

A signature work that exemplifies Kieslowski’s metaphysical vision of spiritual destiny, Blind Chance is a forking-path narrative – inspiring films like Run Lola Run and Sliding Doors – in which the protagonist faces different outcomes depending on whether or not he catches a train: in the first variation, he joins the communist party; in the second, he becomes a member of the underground resistance; in the third, he becomes apolitical and gets an opportunity to lecture abroad. Suppressed by the Polish government for several years before its release, it is praised by Agnieszka Holland as "one of Krzysztof's best films, perhaps even the best and the most original”.

A Short Film About Killing 杀诫

(Krotki film o zabijaniu) 波蘭 Poland 1988 84min

Cast: Miroslaw Baka, Krzysztof Globisz, Jan Tesarz 康城影展評審團獎及國際影評人聯盟獎 Cannes Film Festival: Jury Prize and FIPRESCI Prize

講者：馮美華（獨立文化藝術工作者） Speaker: May Fung (Independent art and cultural worker)

一個準備開工的中年的士司機，一個在街頭蹓躂的 瘦弱少年，一個剛考獲執業資格的律師，因為一宗 兇案，命運交錯在一起。少年殺了的士司機，法庭 把少年判處死刑，律師心生惻隱但無能為力。《十 誡之第五誡》完整版，開場即見水坑裏的鼠屍、被 吊死的貓，加上全片採用偏綠的濾鏡，營造夢魘般 的氛圍。普理斯納的配樂堪稱蕩氣迴腸，奇斯洛夫 斯基與律師出身的編劇拍檔皮斯維茲，透過「不可 殺人」的戒律，反思罪與罰，直視兩者的暴力，拍 成震撼人心的傑作。

17.12 19:30 IS

This feature-length expansion of The Decalogue ’s fifth episode (“Thou shalt not murder”) is a sobering meditation on the ethics of murder and death penalty. The seemingly simple story follows a young boy who senselessly murders a taxi driver, and the idealistic lawyer who seeks to save the murderer’s life on the basis of principle. The dirty sepia-green filter by cinematographer Slawomir Idziak highlights both the story’s bleak nature and the unpalatable look of its setting. Perhaps Kieslowski’s most explicitly political work, the film was said to be integral to the abolishment of the death penalty in Poland.

A Short Film About Love 情诫

(Krotki film o milosci) 波蘭 Poland 1988 87min

Cast: Grazyna Szapolowska, Olaf Lubaszenko,

Stefania Iwinska

聖塞巴斯蒂安電影節評審團特別獎 San Sebastian Film Festival: Special Prize of the Jury

講者：歐嘉麗博士（香港浸會大學電影學院講師） Speaker: Dr. Sonia Au (Lecturer in Academy of Film at Hong Kong Baptist University)

任職郵局的青澀少年內歛沉鬱，每晚用望遠鏡窺看 對面大廈的女畫家，苦苦單戀，不敢示愛，只懂暗 地打擾，早起給她送牛奶，騙她到郵局見面，偷偷 介入她的生活。然而對她來說，與其相信愛情，不 如找不同的男人做愛，對少年純情的愛加以羞辱。 《十誡之第六誡》加長版，奇斯洛夫斯基與《無止 無終》女主角再度合作，把「勿行邪淫」的聖經戒 律，發展成別具韻味的力作。後段轉換視點，要講 的並非因偷窺而起的愛情，而是兩個迷失的靈魂相 遇，結尾尤其意味深長。

10.12 19:30 IS

Tomek is a shy 19-year-old orphan who works as a post office clerk. At night, he spies on Magda, a beautiful mature artist who lives in the flat across from him. A simple case of stalking becomes far more complex when Tomek comes clean to Magda, and the two ends up striking a bond. Featuring additional scenes and an alternate ending, the feature-length expansion of The Decalogue ’s sixth episode (“Thou shalt not commit adultery”) is an unflinchingly unromantic and quietly devastating look at the emotional cruelty of solitude, the hollowness of sex and the universal longing for companionship.

29

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2021年10月13日起於城市售票網公開發售

Tickets available from 13 October 2021 onwards at URBTIX 票價 Ticket Price

$100

「奇斯洛夫斯基：人生偶拾」之場次 "Kieslowski: The Serendipity of Life" Screenings

入會半 * JOIN US AT HALF PRICE * ON OR BEFORE 30 NOV 2021 * 不適用於贊助會員 Not Applicable for Patron Privilege CC

MM

有效期至2021年12月31日 Vaild until 31 Dec 2021

C YY

M CM CM

Y MY MY

CM

CYCY

MY

CMY CMY

CY

KK

CMY

K

HK$60

HK$50

信用卡電話購票 Credit Card Telephone Booking： 2111 5999

$100

《星球梭那里斯》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Solaris (1972) at Emperor Cinemas iSQUARE

2021年11月30日或以前

網上購票 Internet Booking： cinefan.hkiff.org.hk / www.urbtix.hk

流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

$90

《星球梭那里斯》於大館放映之場次 Solaris (1972) at Tai Kwun

$85

於英皇戲院 尖沙咀 iSQUARE 放映之場次 Screenings at Emperor Cinemas iSQUARE

$75

於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun

票務查詢 Ticketing Enquiries：3761 6661

「奇斯洛夫斯基：人生偶拾」電影課程套票優惠：同時購買兩場或以上的電影課程之正價門票可享七五折優惠；同時購買六場電影課程之正價門票可享七折優惠。 Package Discount for “Kieslowski: The Serendipity of Life”: 25% discount to each purchase of 2 or above standard tickets to the film course. 30% discount to each purchase of standard tickets to ALL six film course sessions.

CINE FAN ONLINE 門票於2021年11月17日起於cinefan.hkiff.org.hk公開發售

CINE FAN ONLINE tickets available from 17 November 2021 onwards at cinefan.hkiff.org.hk

$50

CINE FAN ONLINE 票價 Ticket Price

* 網上平台訂票指南及使用條款，請參閱 cinefan.hkiff.org.hk。Please refer to the Booking Guide and Terms & Conditions at cinefan.hkiff.org.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

電影節發燒友會員 HKIFF Cine Fan Privilege

七折優惠 30% discount

電影節發燒友學生會員 Cine Fan Student Privilege ^

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

「港樂會」+ /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、

Dance, Kids Card 會員 @ /「進念之友」+ /「中樂摯友會」+ / 藝穗會會員 @ / Perfect Cup 卡會員 @ Hong Kong Philharmonic Orchestra Club Bravo Members+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra+/ Fringe Club Members@ / Perfect Cup Card Members@

^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。剩餘門票(包括輪椅門票)將於電影放映當日於英皇戲院網站、流動應用程式及放映場地票房供 所有人士購買，售完即止。 Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets, including wheelchair seat ticket, will be released for sale to the general public. These tickets are only available at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. 每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable. HKIFFS is not responsible for any lost ticket.

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

退票及節目更改

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2022年1月28日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.hkiff.org.hk）上填寫電子表格，或下載實體版

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

本。如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 28 January 2022. Ticket holders may fill out refund application form online or downloaded from Cine Fan website (cinefan.hkiff.org.hk). For cancellation of screening, alternative arrangement would be announced.

自助取票服務 Ticketing Collection Service

惡劣天氣之放映安排

顧客選擇自助取票服務提取門票，可於10月14日開 始，攜帶交易使用的信用卡在購票通自助取票機刷卡 提取門票，或親臨任何一間城市售票網售票處的售票 櫃檯憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 14 October onwards.

電影分級制 The Film Classification

適合任何年齡人士 Suitable for All Ages

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

兒童不宜 Not Suitable for Children

青少年及兒童不宜 Not Suitable for Young Persons and Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

30

Follow us

HKIFFS

31

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2021年10月13日起於城市售票網公開發售

Tickets available from 13 October 2021 onwards at URBTIX 票價 Ticket Price

$100

「奇斯洛夫斯基：人生偶拾」之場次 "Kieslowski: The Serendipity of Life" Screenings

入會半 * JOIN US AT HALF PRICE * ON OR BEFORE 30 NOV 2021 * 不適用於贊助會員 Not Applicable for Patron Privilege CC

MM

有效期至2021年12月31日 Vaild until 31 Dec 2021

C YY

M CM CM

Y MY MY

CM

CYCY

MY

CMY CMY

CY

KK

CMY

K

HK$60

HK$50

信用卡電話購票 Credit Card Telephone Booking： 2111 5999

$100

《星球梭那里斯》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Solaris (1972) at Emperor Cinemas iSQUARE

2021年11月30日或以前

網上購票 Internet Booking： cinefan.hkiff.org.hk / www.urbtix.hk

流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

$90

《星球梭那里斯》於大館放映之場次 Solaris (1972) at Tai Kwun

$85

於英皇戲院 尖沙咀 iSQUARE 放映之場次 Screenings at Emperor Cinemas iSQUARE

$75

於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun

票務查詢 Ticketing Enquiries：3761 6661

「奇斯洛夫斯基：人生偶拾」電影課程套票優惠：同時購買兩場或以上的電影課程之正價門票可享七五折優惠；同時購買六場電影課程之正價門票可享七折優惠。 Package Discount for “Kieslowski: The Serendipity of Life”: 25% discount to each purchase of 2 or above standard tickets to the film course. 30% discount to each purchase of standard tickets to ALL six film course sessions.

CINE FAN ONLINE 門票於2021年11月17日起於cinefan.hkiff.org.hk公開發售

CINE FAN ONLINE tickets available from 17 November 2021 onwards at cinefan.hkiff.org.hk

$50

CINE FAN ONLINE 票價 Ticket Price

* 網上平台訂票指南及使用條款，請參閱 cinefan.hkiff.org.hk。Please refer to the Booking Guide and Terms & Conditions at cinefan.hkiff.org.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

電影節發燒友會員 HKIFF Cine Fan Privilege

七折優惠 30% discount

電影節發燒友學生會員 Cine Fan Student Privilege ^

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

「港樂會」+ /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、

Dance, Kids Card 會員 @ /「進念之友」+ /「中樂摯友會」+ / 藝穗會會員 @ / Perfect Cup 卡會員 @ Hong Kong Philharmonic Orchestra Club Bravo Members+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra+/ Fringe Club Members@ / Perfect Cup Card Members@

^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。剩餘門票(包括輪椅門票)將於電影放映當日於英皇戲院網站、流動應用程式及放映場地票房供 所有人士購買，售完即止。 Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets, including wheelchair seat ticket, will be released for sale to the general public. These tickets are only available at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. 每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable. HKIFFS is not responsible for any lost ticket.

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

退票及節目更改

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2022年1月28日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.hkiff.org.hk）上填寫電子表格，或下載實體版

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

本。如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 28 January 2022. Ticket holders may fill out refund application form online or downloaded from Cine Fan website (cinefan.hkiff.org.hk). For cancellation of screening, alternative arrangement would be announced.

自助取票服務 Ticketing Collection Service

惡劣天氣之放映安排

顧客選擇自助取票服務提取門票，可於10月14日開 始，攜帶交易使用的信用卡在購票通自助取票機刷卡 提取門票，或親臨任何一間城市售票網售票處的售票 櫃檯憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 14 October onwards.

電影分級制 The Film Classification

適合任何年齡人士 Suitable for All Ages

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

兒童不宜 Not Suitable for Children

青少年及兒童不宜 Not Suitable for Young Persons and Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

30

Follow us

HKIFFS

31

放映時間表

SCREENING SCHEDULE NOVEMBER 十一月

DECEMBER 十二月

05

19:30 IS

19:15 IS

生命的烙印

盲打誤撞

03

五 Fri

The Scar

Blind Chance

五 Fri

06 六 Sat

07 日 Sun

14:30 IS

18:10 IS

20:30 IS

14:30 IS

16:30 IS

星球梭那里斯

星球索拉羅斯

五百年後

伊卡利號：航向宇宙終點

史丹尼士羅林的奇幻短札 動漫影后

Solaris (1972)

Solaris (2002)

THX 1138

Icarus XB 1

Lem's Universe in Shorts

14:30 IS

16:00 IS

17:15 IS

20:00 IS

14:45 IS

17:15 IS

伊卡利號：航向宇宙終點

史丹尼士羅林座談會

動漫影后

天外奪命花

玉樓春劫

伊娃

Icarus XB 1

Seminar on Stanislaw Lem

The Congress

Invasion of the Body Snatchers

Bonjour Tristesse

Eva

19:30 IS

12

六 Sat

14 日 Sun

20 六 Sat

21 日 Sun

28 日 Sun

伊卡利號：航向宇宙終點

Icarus XB 1

17:50 AC

19:50 AC

19:30 IS

吻

機師的審訊

情誡

A False Student

Kisses

Pilot Pirx's Inquest

A Short Film About Love

15:30 AC

17:45 AC

20:00 AC

14:40 IS

17:10 IS

20:00 IS

妻之告白

清作之妻

史丹尼士羅林的奇幻短札

五百年後

落花有意

蝴蝶春夢

A Wife Confesses

Seisaku's Wife

Lem's Universe in Shorts

THX 1138

That Cold Day in the Park

The Collector

14:30 TK

17:30 TK

20:15 TK

14:45 IS

17:15 IS

伊娃

卍 (萬字)

陸軍中野學校

星球索拉羅斯

整容醫院

Eva

Manji

Nakano Spy School

Solaris (2002)

Hospital of the Transfiguration

15:30 TK

18:00 TK

20:30 TK

玉樓春劫

赤色天使

華岡青洲之妻

Bonjour Tristesse

The Red Angel

The Wife of Seishu Hanaoka

動漫影后

17

The Congress

五 Fri

17.12 00:00 - 19.12 23:59

19:30 IS

無止無終

殺誡

No End

A Short Film About Killing

16:05 IS

17:50 IS

19:55 IS

14:45 TK

17:00 TK

19:30 TK

巨人與玩具

增村保造座談會

刺青

天外奪命花

吻

巨人與玩具

星球梭那里斯

Giants and Toys

Seminar on Masumura Yasuzo

Tattoo

Invasion of the Body Snatchers

Kisses

Giants and Toys

Solaris (1972)

14:40 IS

17:00 IS

20:00 IS

15:30 TK

18:00 TK

20:30 TK

盲獸

蝴蝶春夢

落花有意

偽大學生

妻之告白

清作之妻

Blind Beast

The Collector

That Cold Day in the Park

A False Student

A Wife Confesses

Seisaku's Wife

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre TK 大館賽馬會立方 JC Cube, Tai Kwun IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE

六 Sat

12

19:30 IS

電影課程 Film Course

11

日 Sun

14:30 IS

座談會 Seminar

10 五 Fri

偽大學生

映後談 Film Talk

32

日 Sun

15:30 AC

五 Fri

六 Sat

六 Sat

05

Camera Buff

26 27

04

The Congress

10.12 00:00 - 12.12 23:59

影迷

五 Fri

13

18:30 IS

15:00 AC

17:10 AC

19:30 AC

卍 (萬字)

陸軍中野學校

刺青

Manji

Nakano Spy School

Tattoo

15:00 AC

17:15 AC

19:30 AC

赤色天使

華岡青洲之妻

盲獸

The Red Angel

The Wife of Seishu Hanaoka

Blind Beast

18 六 Sat

19 日 Sun

26 日 Sun

27 一 Mon

33

放映時間表

SCREENING SCHEDULE NOVEMBER 十一月

DECEMBER 十二月

05

19:30 IS

19:15 IS

生命的烙印

盲打誤撞

03

五 Fri

The Scar

Blind Chance

五 Fri

06 六 Sat

07 日 Sun

14:30 IS

18:10 IS

20:30 IS

14:30 IS

16:30 IS

星球梭那里斯

星球索拉羅斯

五百年後

伊卡利號：航向宇宙終點

史丹尼士羅林的奇幻短札 動漫影后

Solaris (1972)

Solaris (2002)

THX 1138

Icarus XB 1

Lem's Universe in Shorts

14:30 IS

16:00 IS

17:15 IS

20:00 IS

14:45 IS

17:15 IS

伊卡利號：航向宇宙終點

史丹尼士羅林座談會

動漫影后

天外奪命花

玉樓春劫

伊娃

Icarus XB 1

Seminar on Stanislaw Lem

The Congress

Invasion of the Body Snatchers

Bonjour Tristesse

Eva

19:30 IS

12

六 Sat

14 日 Sun

20 六 Sat

21 日 Sun

28 日 Sun

伊卡利號：航向宇宙終點

Icarus XB 1

17:50 AC

19:50 AC

19:30 IS

吻

機師的審訊

情誡

A False Student

Kisses

Pilot Pirx's Inquest

A Short Film About Love

15:30 AC

17:45 AC

20:00 AC

14:40 IS

17:10 IS

20:00 IS

妻之告白

清作之妻

史丹尼士羅林的奇幻短札

五百年後

落花有意

蝴蝶春夢

A Wife Confesses

Seisaku's Wife

Lem's Universe in Shorts

THX 1138

That Cold Day in the Park

The Collector

14:30 TK

17:30 TK

20:15 TK

14:45 IS

17:15 IS

伊娃

卍 (萬字)

陸軍中野學校

星球索拉羅斯

整容醫院

Eva

Manji

Nakano Spy School

Solaris (2002)

Hospital of the Transfiguration

15:30 TK

18:00 TK

20:30 TK

玉樓春劫

赤色天使

華岡青洲之妻

Bonjour Tristesse

The Red Angel

The Wife of Seishu Hanaoka

動漫影后

17

The Congress

五 Fri

17.12 00:00 - 19.12 23:59

19:30 IS

無止無終

殺誡

No End

A Short Film About Killing

16:05 IS

17:50 IS

19:55 IS

14:45 TK

17:00 TK

19:30 TK

巨人與玩具

增村保造座談會

刺青

天外奪命花

吻

巨人與玩具

星球梭那里斯

Giants and Toys

Seminar on Masumura Yasuzo

Tattoo

Invasion of the Body Snatchers

Kisses

Giants and Toys

Solaris (1972)

14:40 IS

17:00 IS

20:00 IS

15:30 TK

18:00 TK

20:30 TK

盲獸

蝴蝶春夢

落花有意

偽大學生

妻之告白

清作之妻

Blind Beast

The Collector

That Cold Day in the Park

A False Student

A Wife Confesses

Seisaku's Wife

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre TK 大館賽馬會立方 JC Cube, Tai Kwun IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE

六 Sat

12

19:30 IS

電影課程 Film Course

11

日 Sun

14:30 IS

座談會 Seminar

10 五 Fri

偽大學生

映後談 Film Talk

32

日 Sun

15:30 AC

五 Fri

六 Sat

六 Sat

05

Camera Buff

26 27

04

The Congress

10.12 00:00 - 12.12 23:59

影迷

五 Fri

13

18:30 IS

15:00 AC

17:10 AC

19:30 AC

卍 (萬字)

陸軍中野學校

刺青

Manji

Nakano Spy School

Tattoo

15:00 AC

17:15 AC

19:30 AC

赤色天使

華岡青洲之妻

盲獸

The Red Angel

The Wife of Seishu Hanaoka

Blind Beast

18 六 Sat

19 日 Sun

26 日 Sun

27 一 Mon

33

CINE FAN Nov Dec 2021 // Masumura Yasuzo, the Sensual Provocateur 好色一代男 增村保造 // StanisIaw Lem, The Futuristic Philosopher 史丹尼士羅林的未來哲學 // Kieslowski: The Serendipity

of Life 奇斯洛夫斯基：人生偶拾 // The Collector 蝴蝶春夢 // Blind Beast 盲獸 // That Cold Day in

the Park 落花有意 // Bonjour Tristesse 玉樓春劫 // Eva 伊娃 // THX 1138 五百年後 // Invasion of

CIne fan 增村保造

Masumura Yasuzo,

好色一代男

Nov Dec 2021

the Body Snatchers 天外奪命花

the Sensual Provocateur

主辦 Presented by

資助機構 Financially Supported by