Beijing LiLiuyi Theatre Studio: The Tragedy of Hamlet, Prince of Denmark - 47th Hong Kong Arts Festi

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。

林鄭月娥 香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world.

This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination.

I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines.

Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more.

I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success.

I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。

查懋成 香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts.

I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage.

Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival.

This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage.

I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes.

Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤 香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations.

HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few.

HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

HKAF invests heavily in arts education for young people.

Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

北京李六乙戲劇工作室

《哈姆雷特》 Beijing Li Liuyi Theatre Studio

The Tragedy of Hamlet, Prince of Denmark 7-9 3月 MAR

香港文化中心大劇院 Grand Theatre, Hong Kong Cultural Centre 演出長約 3 小時 30 分鐘，包括一節中場休息 Approximately 3 hours and 30 minutes including one interval 普通話演出，附中、英文字幕 Performed in Putonghua with Chinese and English surtitles

封面照片 Cover Photograph: © 張曦

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《哈姆雷特》

The Tragedy of Hamlet, Prince of Denmark 編劇 莎士比亞

Playwright William Shakespeare

中文翻譯 李健鳴

Chinese Translation Li Jianming

導演及燈光設計 李六乙

Director and Lighting Designer Li Liuyi

舞美設計 米高．西門

Set Designer Michael Simon

服裝及造型設計 張叔平

Costume and Makeup Designer William Chang Suk-ping

燈光設計 鄧文

Lighting Designer Deng Wen

作曲 周娟

Composer Zhou Juan

音響設計 劉勃

Sound Designer Liu Bo

劇本顧問 安娜．格文

Literary Consultant Anna Girvan

翻譯編輯 翁世卉

Translation Editor Weng Shihui

北京李六乙戲劇工作室與英國皇家莎士比亞劇團「莎劇舞台本翻譯計劃」共同呈現 A project by Beijing Li Liuyi Theatre Studio in association with the Royal Shakespeare Company's "Shakespeare Folio Translation Project" 《哈姆雷特》由北京李六乙戲劇工作室出品製作，新加坡濱海藝術中心與香港藝術節聯合委約 The Tragedy of Hamlet, Prince of Denmark is produced by Beijing Li Liuyi Theatre Studio and co-commissioned

by Esplanade – Theatres on the Bay, Singapore and Hong Kong Arts Festival

11

角色及演出 Cast 哈姆雷特 Hamlet 胡軍 Hu Jun 克勞蒂斯（丹麥國王）、鬼魂 Claudius (King of Denmark), The Ghost 濮存昕 Pu Cunxin 皇后葛楚、奧菲利亞 盧芳

Queen Gertrude, Ophelia Lu Fang

雷亞提斯 Laertes 荊浩 Jing Hao 郝睿修 Horatio 苗馳 Miao Chi 普洛涅斯 Polonius 李士龍 Li Shilong 戲班班主、掘墓人 強巴才丹

Player King, Gravedigger Jampa Tseten

羅森格蘭茲、勃那多、巴普蒂斯塔、 福丁布朗、牧師 井溪

Rosencrantz, Bernardo, Baptista, Fortinbras, Priest Jing Xi

吉爾登斯坦、馬塞魯斯、奧斯里克 富鵬栩

Guildenstern, Marcellus, Osric Fu Pengxiu

歌者 Singer 九九 Jiu Jiu 弗曼德、魯西阿努斯、侍者 楊晨峰

Voltimand, Lucianus, Servant Yang Chenfeng

樂手 Musician 林陳頡頏 Lin Chenxiehang

藝術節加料節目

9.3（六 Sat）12:00nn-1:00pm Arts Chat: Director Li Liuyi’s Interpretation of Shakespeare

藝術對談室︰導演李六乙的莎士比亞

Podium Workshop, Hong Kong Cultural Centre

香港文化中心平台工作室 導演李六乙將分享今次《哈姆雷特》的製作心得

Director Li Liuyi will share insights on re-interpreting Shakespeare's classic

普通話主講

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製作團隊 燈光設計助理 王懷萱 周芷會 服裝統籌 呂鳳珊 服裝設計助理 胡雲強 鄭雪 服裝管理 鄭亮 譚文科 音響師 樂凱 馮濤 化妝統籌 李曉晨 化妝 蔡蔡 夢宇

Production Team 技術管理 喻言 舞台監督 李建興 技術支援 常鈺金 場記 楊晨峰 宣傳統籌 李爽 攝影 史春陽 媒體聯絡 艾豆兒 平面設計 曦烽社

Lighting Design Assistants Wang Huaixuan Echo Zhou Costume Coordinator Lv Fengshan Costume Design Assistants Hu Yunqiang Zheng Xue Costume Management Zheng Liang Tan Wenke Sound Technicians Lekai Feng Tao Make-up Coordinator Li Xiaochen

Technological Management Yu Yan Stage Management Li Jianxing Technical Support Chang Yujin Script Clerk Yang Chenfeng Publicity Coordinator Li Shuang Photographer Shi Chunyang Public Relations Aidou'er Graphic Designer ZHANGXI STUDIO

製作人 張閩宜

Make-up Caicai Meng Yu

裝置統籌 宋舒彭

製作經理 張鶴

Stage Installation Coordinator Song Shupeng

Production Manager Zhang He

裝置管理 婁晨光 毛來發 孟令超

製作助理 侯芳

Stage Installation Lou Chenguang Mao Laifa Meng Lingchao

Production Assistant Hou Fang

道具設計 李建興 道具統籌 孟帆

舞美製作 浙江佳合文化科技 股份有限公司 北京鑫元之河舞臺藝 術設計有限責任公司

Props Designer Li Jianxing Props Coordinator Meng Fan

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Producer Zhang Minyi

Set Production Zhejiang Joinus Cultural Technology Co.,Ltd. Beijing Xinyuanzhihe Stage Culture Co.,Ltd.

故事大綱

Synopsis 年輕的丹麥王子哈姆雷特學成歸來，得知了 令他震驚的消息：他的父親哈姆雷特國王最 近去世，而母親葛楚則已再婚，嫁給繼任的 新國王：父親的弟弟克勞蒂斯。同時，國內 的動盪也讓鄰國的外敵福丁布朗蠢蠢欲動， 意圖入侵。 一晚，哈姆雷特父親的鬼魂出現在他面前； 鬼魂指控克勞蒂斯謀殺了他，並敦促哈姆雷 特為他復仇。這一幕也是之後一系列復仇事 件的開端。 哈姆雷特得知了驚天秘密後，開始懷疑自 己，漸漸疏遠舊友羅森格蘭茲和吉爾登斯 坦，甚至是初戀情人奧菲利亞。他假扮瘋 癲，試圖找到克勞蒂斯謀殺父親的證據。僅 憑忠實的夥伴郝睿修的幫助，他說服了一組 巡演的戲班，在克勞蒂斯和葛楚面前重演父 親的被殺一事，希望讓克勞蒂斯因悔恨而承 認自己的罪行。 一次，哈姆雷特在與母親激烈爭執時，聽到 異響，發現有人在監聽。他斷定監聽者是克 勞蒂斯，便用刀將之刺死，卻發現殺死的居 然是普洛涅斯，即奧菲利亞和雷亞提斯的父 親。 克勞蒂斯擔心哈姆雷特會威脅到自己，下令 將他逮捕並流放到英格蘭，企圖於當地殺人 滅口。但哈姆雷特成功逃過一劫，回到故 土。 奧菲利亞被哈姆雷特拒絕後，又聽聞父親的 死訊，失去理智，最終溺斃。她的哥哥雷亞 提斯在盛怒之下來到宮廷，想要找出殺害父 親的兇手。克勞蒂斯誘使他相信哈姆雷特正 是兇手，並承諾幫助他為父報仇。

Young Hamlet, Prince of Denmark, returns home from his studies to discover the earth-shattering news that his father, the late King Hamlet, recently passed away, and his mother, Gertrude, has re-married the late King’s brother, Claudius, who has now assumed the throne. The resultant instability has also led to threats of invasion by a solider from a neighbouring state, Fortinbras.

Late one night, the ghost of Hamlet's father appears to him, accusing Claudius of his murder and urging Hamlet to avenge his death. This sets in motion a train of events that destroys both family and state.

No longer able to trust his own senses, the loyalty of his old friends Rosencrantz and Guildenstern, or even the affections of his young love, Ophelia, Hamlet feigns madness in an attempt to gather proof that the ghost is telling the truth. Aided only by his most loyal companion, Horatio, he persuades a travelling band of actors to re-enact the story of his father's murder in front of Claudius and Gertrude, hoping that Claudius will be so stirred by remorse that he will confess his crime.

During an intense encounter with his mother, Hamlet hears a noise and realises that they are being spied upon. In a rage, he stabs the hidden eavesdropper, believing it to be Claudius. Instead he discovers it is the King's advisor, Polonius, father to both Ophelia and her brother Laertes. Polonius dies.

Afraid of what Hamlet might do next, Claudius has him arrested and dispatched to England under guard, where he has arranged to have Hamlet murdered. Hamlet escapes and returns to his homeland.

Ophelia, having been violently rejected by Hamlet, hears that her father has been murdered. She loses her mind and eventually drowns herself. Her brother, Laertes, returns to court at the head of an angry mob, determined to find out the truth. Claudius convinces

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得知哈姆雷特逃脫並回到丹麥後，克勞蒂斯 鼓勵雷亞提斯與哈姆雷特決鬥，並暗示他如 何在對決中殺死哈姆雷特而不引起懷疑。他 還準備了後備計劃，打算將一杯毒酒獻給哈 姆雷特。但葛楚卻不小心喝下了這杯毒酒而 身亡。 在決鬥中，哈姆雷特被蘸了毒藥的劍所傷； 其後，雙方交換了劍，故雷亞提斯也被毒劍 刺傷。雷亞提斯在臨死之際，意識到自己被 克勞蒂斯操控，決定坦白一切，並且原諒哈 姆雷特。 雷亞提斯死後，哈姆雷特明白自己也即將死 去，他終於履行了父親的願望，向克勞蒂斯 復仇，逼迫克勞蒂斯喝下毒酒，毒藥很快見 效。而哈姆雷特在臨死前，叮囑郝睿修要把 自己的故事準確地傳達給後世。 在丹麥王室分崩離析之際，年輕的福丁布朗 帶著大軍進入宮殿，意圖取代這個被背叛、 謀殺和復仇摧毀的王國。 摘自英國皇家莎士比亞劇團公司網站 經公司允許轉載

him that Hamlet is the only guilty party and agrees to help Laertes gain revenge.

On learning of Hamlet's escape and return to his homeland, Claudius convinces Laertes to challenge Hamlet to a fencing match and advises Laertes on how to kill Hamlet during the duel without arousing suspicion. As a back-up plan, Claudius also poisons a glass of wine, which he intends to offer to Hamlet.

Gertrude, however, drinks from the glass first and dies.

During the duel, Hamlet is slightly wounded by Laertes, who has tipped his sword with a deadly poison. In the ensuing tussle, the swords get switched and Hamlet also wounds Laertes with the poisoned one. Realising that he is about to die, and that Claudius has manipulated the situation, Laertes confesses everything, forgives Hamlet and dies.

As the poison takes hold and he realises that he too is about to die, Hamlet finally carries through his dead father's wish for revenge. He forces Claudius to drink the remaining poisoned wine, which quickly takes effect.

With his dying breath, Hamlet asks Horatio to ensure that his story is told accurately.

Young Fortinbras arrives at the head of his army, ready to assume control of a state whose royal family has been destroyed by betrayal, murder and revenge.

Excerpt from the Royal Shakespeare Company website.

Reproduced with permission from the company.

© 龔勳

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《哈姆雷特》起源

On the Origins of Hamlet 《哈姆雷特》是莎士比亞最知名的悲劇作品之 一。劇本約創作於 1 601 年，當時莎士比亞還在 編寫《第十二夜》。 《哈姆雷特》直接取材於早期一部關於丹麥王 子為父復仇的故事。雖然其印刷文本已經不復 存在，但十六世紀晚期的文獻資料證明其受歡 迎程度，以及劇中出現過大喊要報復的幽靈。 學術界一般認為，《哈姆雷特》這早期版本的 作者是托馬斯．基德；他以編寫復仇劇《西班 牙悲劇》而聞名。《西班牙悲劇》曾在十六世 紀後期轟動一時，因為劇目滿足了當時的人對 陰謀、流血和靈異事物的想像與渴望。 而《哈姆雷特》的詳細情節，則可以追溯至更 早的源頭：十二世紀的斯堪的納維亞半島的一 個傳奇。故事講述丹麥統治者被自己的兄弟殺 害後，其皇后迅即與該兄弟結婚；而王子則假 扮瘋癲，在前往英格蘭的路上改寫了下令處死 他的信件，並歸來為父親報仇。丹麥學者薩克 索．格拉瑪提庫斯在《丹麥人的事跡》中以手 稿形式記錄了這個故事，最終於 1514 年出版。 摘自英國皇家莎士比亞劇團公司網站 經公司允許轉載

Hamlet, one of Shakespeare’s most commonly known tragedies, was most likely composed in 1601. At this time, Shakespeare was also writing Twelfth Night.

The immediate source of Hamlet is an earlier play dramatising the same story of Hamlet, the Danish prince on a path to avenge his father. No printed text of this play survives, but references from the late 16th century testify to its popularity and to the presence of a ghost crying out for revenge.

There is general scholarly agreement that the author of this early version of Hamlet was Thomas Kyd, known for his authorship of the revenge drama The Spanish Tragedy. This play was a huge theatrical hit in the late 16th century, satiating the contemporary thirst for intrigue, bloodshed and ghostly presences.

The plot of Hamlet, however, is based on an even earlier source dated to the 12th century: an ancient saga of Scandinavia recorded in manuscript form by the Danish scholar, Saxo Grammaticus, in his Historia Danica, and finally printed in 1514. It is the story of the murder of a Danish ruler by his brother (Fengo), swiftly followed by the marriage of the widowed queen (Gerutha) to the murderous brother, the assumed madness of the dead king's son (Amleth) and his voyage to England, during which he alters the letters bearing his death warrant, and from which he returns to avenge himself upon his father's killer.

Excerpt from the Royal Shakespeare Company website.

Reproduced with permission from the company.

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《哈姆雷特》新一頁

Hamlet Turns a New Page 此版《哈姆雷特》是李健鳴專門為李六乙這部 新作重譯的版本。新譯本並不拘泥於文學的演 繹，或一味以傳統意義的「美」來表現莎士比 亞的詩句。我們嘗試尋找一種當代舞台語言的 節奏，來表達莎劇中高度提煉的語言，並創作 出讓演員在台上說得響亮的台詞譯文，藉此傳 遞台詞含意、力道和動作，及表達人物立體的 深度和戲劇張力。這是翻譯李健鳴老師、導演 李六乙和演員在排練中不斷挖掘、分析、推翻、 再創造而打磨出來的。 皇家莎士比亞劇團自 2 0 16 年啟動「莎劇舞台本 翻譯計劃」以來，已在 2 015 年與上海話劇藝術 中心共同呈現《亨利五世》的新譯本；2017 年

This version of Hamlet is a new translation by Li Jianming specifically dedicated to Li Liuyi’s reinterpretation of the play; it is not bound by literary interpretations, nor is it obsessed with presenting the traditional notion of “beauty” in Shakespeare’s poetry. We search for a rhythm of contemporary theatre language to express the highly refined language of Shakespeare’s plays; we search for a translation with which the actors can convey their lines with resonant meaning, power and movement and express the depth and dramatic tension behind their characters. Through constant digging, analysis and re-creation during rehearsals, this translation is the polished result of the collective efforts by translator Li Jianming, director Li Liuyi and the actors.

新譯本《李爾王》由李六乙導演、濮存昕主演， 並在國家大劇院首演；2 018 年 8 月由濮存昕主 演的《暴風雨》由國家大劇院製作並首演；同 年 1 0 月喜劇《第十二夜》在廣州話劇藝術中心 上演。希望我們對莎劇翻譯的新探索，能創作 出適合戲劇呈現、便於演員演繹、使之能普及 觀眾的欣賞，讓莎士比亞在中國變得更易親近。 翁世卉 英國皇家莎士比亞劇團 「莎劇舞台本翻譯計劃」項目主管

Since the commencement of the “Shakespeare Folio Translation Project” in 2016, the Royal Shakespeare Company has collaborated with Shanghai Dramatic Arts Center on presenting a new translation of Henry V (2015). Other collaborations include: King Lear directed by Li Liuyi and starring Pu Cunxin (2017, National Centre for Performing Arts); The Tempest starring Pu Cunxin (2018, National Centre for Performing Arts); and the comedy Twelfth Night (2018, Guangzhou Dramatic Arts Center). We hope our exploration in translation of Shakespeare’s plays will create a theatrical realisation that facilitates actors’ interpretations and the audience’s appreciation, and draws people from China closer to the seminal playwright.

Weng Shihui Project Manager of Shakespeare Folio Translation Project, Royal Shakespeare Company

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導演的話

Director’s Note 香港是我重要的舞台。回歸前我就來到了這 裏。 香港藝術節對我更是友愛有嘉：從中央芭蕾 舞團的芭蕾舞劇《牡丹亭》、日本及中國國 家話劇院聯合委約製作的《下周村》，到今 天的《哈姆雷特》。我很榮幸這是一個國際 舞台，有多元進步的人文情懷，有格調高雅 的藝術視野，有寬容欣賞力的觀眾，有專業 職業的管理營運……非常感謝香港藝術節！ 《哈姆雷特》一定不會讓你們失望的，因為 這是一群獨立優秀的藝術家創造的成果。所 以，請允許我在這裏再次熱烈的感謝演員以 及幕後所有參與創作的藝術家！是他們無私 的奉獻幫助我實現了一個戲劇導演的夢想。

Hong Kong has been an important stage for me. Even before the Handover, I had already been here.

HKAF has also been kind to me: from The Peony Pavilion (National Ballet of China), to Lost Village (National Theatre Companies of Japan and China) to today’s production of Hamlet. I am honoured to bring this production to this international stage, with diverse talents, an elegant artistic vision, an open-minded audience, and professional management…My deepest thanks to the HKAF! Hamlet will not disappoint you, as it is the creation of a group of independent and talented artists. Therefore, I must once again thank the actors and actresses, as well as all the artists that have participated in the production behind the stage. It is their selfless contribution that has helped me achieve my dreams as a theatre director.

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非常感謝英國皇家莎士比亞劇團與李六乙工 作室的合作，是他們的「莎劇舞台本翻譯計 劃」讓這夢想成真。 非常感謝國家大劇院的支持，使我們的新版 《哈姆雷特》得以上演。

19 9 0 年 大 導 林 兆 華 先 生 的《 哈 姆 雷 特 1990》是 1949 年以後中國戲劇舞台上真正 意義上的《哈姆雷特》，為中國戲劇增添了 國際意義和價值。廿八年過去了，很短，很 長。世界發生了翻天的變化，中國亦然。《哈 姆雷特》沒變，還是莎士比亞的。 今天，他成為了我們的、我的、中國的、國 際的。只能是這樣，意義才能成為意義，哈 姆雷特才能成為明天……我們的工作才有價 值。

My sincere thanks to the Royal Shakespeare Company for collaborating with my company. Their “Shakespeare Folio Translation Project” gave birth to this new vision.

My sincere thanks to the National Centre for the Performing Arts, which gave us a home for the world premiere in Beijing of our new production.

The great master director Lin Zhaohua’s 1990 version, Hamlet 1990, was the first Hamlet in a real sense on the Chinese stage post-1949. He brought international vision and values to Chinese theatre. Twenty-eight years have passed—so short, yet so long. The world has changed beyond recognition. China, too has changed. Only Hamlet remains unchanged; he still belongs to Shakespeare.

Today, he becomes ours; he becomes mine. He belongs to China; he belongs to the world. This is the only way for meaning to find new meaning, and for Hamlet to become tomorrow. Our work becomes valuable.

© 王小京

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「西方的沒落」已近百年。「西方民主與文 明危機」在於西方事實上已經不能確信自己 的目標（李奧．施特勞斯）。當今世界的主 流戲劇在面對經典藝術時，透過對「經典」 的「解構」、「重組」及「顛覆」，藝術家 於台上表現極端自我的主體性。主觀自我的 這些重新「構作」顛覆，成為了「不能確信 自己的目標」的靈魂絕望，這種絕望成為了 一種普遍的形式。這是人類的困境、藝術的 困 境， 我 們 生 活 其 中， 不 能 輕 視， 無 法 擺 脫……正是這一困境激勵我們回到古典。回 到古典、蘇格拉底、柏拉圖、古代希臘文明 質樸的文化精神。興許這能為我們當代開啟 靈魂的覺悟，收拾絕望的靈魂！否則，靈魂 的淪落、絕望和混亂將繼續…… 莎士比亞回到了古典，創造了一個痛苦的靈 魂引領者。哈姆雷特的悲劇主要在於「靈魂 的失序」。最後，他要郝睿修好好地活下去， 向後人講述他的故事：一個靈魂痛苦的思想 家……構建了西方精神文化思想史。 我們需要有靈魂嗎？ 我們需要有智慧嗎？

“The crisis of the West” has lasted almost a hundred years. The so-called crises of Western democracy and civilization lie in the notion that the West has lost "its faith in reason’s ability to validate its highest aim” (Leo Strauss). Now, when mainstream theatre approaches the classics, the extreme subjectivities of artists have led to staging approaches that “deconstruct”, “reconstruct” or “subvert” these classics. These “subjective selves” who reconstruct classics become the collective desperate soul who has lost "its faith in reason’s ability to validate its highest aims”. This desperation is becoming a general phenomenon. This is a predicament for humankind, for the arts. We can neither ignore nor escape our life within its confines. It is this predicament that inspires us to return to the classics, to Socrates, to Plato, to the spirit of ancient Greece’s civilization. Perhaps, this might reawaken our souls and save us from our desperation.

Otherwise, the chaos of the lost and despairing souls will continue…

Shakespeare returned to the classics himself to create a suffering spiritual leader. The tragedy of Hamlet lies in its “chaos of the soul”. In the end, he asks Horatio to live on and tell his story: a suffering soul, a suffering thinker…constructing the Western cultural, ideological and philosohpical history.

Do we need a soul?

Do we need wisdom?

Do we need morals?

Do we think?

Do we suffer?

Are we happy?

Hamlet is…

Tomorrow, Hamlet will still be…

Eternal Hamlet…

我們需要有德性嗎？ 我們思想嗎？ 我們痛苦嗎？ 我們幸福嗎？ 哈姆雷特在…… 明天哈姆雷特還在…… 永遠的哈姆雷特…… 在還是不在，這是一個問題。

To be, or not to be: that is the question. 謝謝道蘭先生、翁世卉小姐、李健鳴老師及 林偉瑜教授！還有許多支持及幫助我的朋 友！

My thanks to Mr Gregory Doran, Miss Weng Shihui, Ms Li Jianming and Professor Lin Weiyu! And to all my friends who have supported me!

李六乙

Li Liuyi

2019 年 1 月 19 日

19 January 2019

© 李春光

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© 李春光

攀登戲劇的珠穆朗瑪峰

Scaling the Stage's Mount Everest

© 李春光

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談到近二十年具爭議性的中國話劇先鋒導演， 不少人會浮現李六乙的名字，這多少與他的創 作較專注於藝術的探索與未來性，而非迎合觀 眾的欣賞慣性有關係。這位被譽為最懂戲曲的 話劇導演，創作種類與產量豐富，並且風格多 變，至今已有超過五十個舞台作品。 這代表要概括他的風格並非易事，他有抽象、 拼貼、無法歸類的實驗作品，也有寫實風格的 創作，更擅於營造中國式的空靈美學與意境。 在這些百變風格下，他的創作核心是九十年代 以來發展的「純粹戲劇」概念，簡言之是專注 於人的本質與精神性的探求。此一探求直接導 引出他作品中的幾個重要特徵：追求人的多重 意識的表演方式、創造既純粹且無限的劇場空 間想像、寂緩沉靜的舞台節奏等。這些特性都 與當前高度物質化、科技化傾向的劇場相悖。

2 0 1 7 年，李六乙與英國皇家莎士比亞劇團「莎 劇舞台本翻譯計劃」合作上演《李爾王》，票 房極為成功，並被多篇評論盛讚該劇舞台「所 有元素都能說話」、精準的表演、具哲學深度 的當代詮釋等，李六乙也因該劇獲得 2018 年上 海靜安「壹戲劇大賞」的最佳導演。這一方面 顯示當代話劇觀眾對這種沉靜的戲劇表現接受 度漸增，另一方面或許也意味着，李六乙追求 的純粹精神性，在某種程度上反映當代中國人 的內在渴求。《李爾王》的成功與愉快合作經 驗，帶來了他與皇莎的第二部莎劇《哈姆雷特》 （2018 年 11 月北京首演）。李六乙認為對世界 導演而言，《哈姆雷特》就如同珠穆朗瑪峰般， 是一生必須攻克的高山，而要真正達到頂峰， 甚至要付出「生命的代價」。

When speaking of China’s controversial, avant-garde directors over the past 20 years, Li Liuyi’s name springs to mind for many. This is perhaps because Li has devoted his work to exploring art and its futurity rather than attempting to cater to the conventional tastes of theatre-goers. Reputedly the drama director who best understands Chinese opera, Li is known for the volume, variety and stylistic diversity of his theatrical works, which now number over fifty.

Li’s style is difficult to generalise: his productions range from abstract, collage-like or plainly unclassifiable experimental works to realist creations and those with the ethereal aesthetics of Chinese culture, at which he excels. Underpinning these manifold styles is the unifying concept of “Pure Theatre”, an ideal that Li has been developing in his works since the 1990s. Put simply, the concept focusses on exploring the very nature and spirituality of humankind, a pursuit that has given rise to some major features of Li’s works: a quest for modes of representing humanity’s multi-layered consciousness, the creation of a pure yet unbound theatrical spatial imagination, and a rhythm of acting that is quiet, calm and composed. These characteristics run counter to the trends towards materialisation and technological dependency in theatres today.

In 2017, Li worked with the Royal Shakespeare Company (RSC) as part of its Shakespeare Folio Translation Project on a production of King Lear. A box-office hit, the play was praised by critics for its precise acting, philosophical depth, contemporary rendering and a stage design in which “all elements could speak”. For his part in the success, Li earned the Best Director Award at Shanghai’s Jing'an Modern Drama Valley One Drama Awards in 2018. On one

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1990 年林兆華執導的《哈姆雷特 1990》在中國 話劇界締造傳奇般的地位，他以「人人都是哈 姆雷特」的導演主題帶來了角色換位的特殊形 式，有時觀眾分不清誰是哈姆雷特、國王、普 洛涅斯，使人物的生存處境普遍化了；劇中掘 墓人亦被提升為冷峻諷刺的時代評論人，此一 詮釋呼應了當時的時代氛圍和人們的生存處境。 藝術創作上深受林兆華影響、但又極有獨立意 識的李六乙，自然有種強烈的「走自己的路」 意志。

hand, this shows that the audience of modern drama in China is becoming more receptive to Li’s quiet manner of stage presentation; on the other, it signifies that Li’s pursuit of pure spirituality to some extent reflects the inner yearnings of Chinese people today. With the success of King Lear and his happy part in that joint effort, Li soon began work with the RSC on a second Shakespearean classic— Hamlet —which premiered in November 2018 in Beijing. To Li, Hamlet is to stage directors worldwide what Mount Everest is to ambitious mountaineers—the summit to be scaled in one’s lifetime, a goal to be attained even “at the cost of one’s life”.

In 1990, an earlier version of Hamlet directed

by Lin Zhaohua attained legendary status in China’s theatrical circles. Lin’s directorial concept— “Everyone is Hamlet”—led to a peculiar roleswapping technique, at times making it difficult for the audience to differentiate between Hamlet, Claudius and Polonius onstage. The plights of individual characters were thus made to fit people in general, with the Gravediggers in Hamlet upgraded to sarcastic critics of the times. Such a rendering by Lin did well to represent the milieu of that epoch. Now, despite a strong influence from Lin, Li Liuyi remains naturally independent-minded in “going his own way”.

In a rare fashion, Li’s own version of Hamlet features a role-swap between Gertrude and Ophelia, with both female roles played simultaneously by actress

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李六乙版《哈姆雷特》少見地以皇后葛楚和奧 菲利亞作為導演的重點，並由近年合作最多、 最能體現李六乙表演觀的女演員盧芳，同時演 出這兩個女性角色。李六乙表示，這種表演將 不是一人分飾二角的簡單變換，而是「似是而 非」、「在與不在」的多重共存和綜合狀態。 他將藉由盧芳扮演的角色，綜合狀態折射出眾 多人物的精神現象，而哈姆雷特的愛、瘋狂與 扭曲的生命狀態，也將直接體現在這兩個女性 角色上，因此當她們合二為一，可看到哈姆雷 特經歷了從正常、瘋狂、到癲狂、至變態的情 感旅程的本質。 雖然李六乙勇於嘗試前衛多變的戲劇形式，但 和其他擅於運用舞美和多媒體等前瞻技術來創 造新形式的先鋒導演相比，他對藉由演員的表 演來完成戲劇形式創新更感興趣。這使他作品 中的先鋒性，總帶有質樸的手作感，並意味着 演員表演的難度甚高，但這也說明了，為何與 這位導演合作的，均為當今一流演員。此次李 六乙版《哈姆雷特》中的主演包括胡軍、濮存 昕、盧芳、荊浩等，都是他多年合作的演員， 從另一方面來看，這些著名演員多次與李六乙 這般勇於藝術探索和冒險的導演合作，顯示他 們同樣是擁有攀登戲劇高峰意志的藝術家。 林偉瑜 原文刊於香港藝術節 2019 年之《閱藝》雜誌

Lu Fang. A frequent collaborator with Li in recent years, Lu is best suited to embody the director’s concept of acting. Such acting means more than a simple trick of one person playing two roles, Li explains. The actress will assume a mirage-like identity in which the presence and absence of the two characters are mixed into coexistence.

Through the double roles played by Lu, the director attempts to provide a holistic picture of the mental states of many characters; in particular, Hamlet’s love, madness, and warped reality will be directly reflected in the performances of Gertrude and Ophelia. As the two female roles merge into one, the audience can witness the essence of Hamlet’s emotional journey from normalcy to madness, derangement and, ultimately, utter perversity.

Compared with his avant-garde peers skilled at creating new formats through stage design and multimedia technology, Li is more interested in innovating through the players’ acting, although he is ever brave to try on various avant-garde ideas and forms. This lends a plain, hand-crafted feel to his works and suggests a tough prerequisite for quality acting, explaining why all those working under Li’s directorship are first-class actors and actresses in China today. Leading roles in Li’s version of Hamlet are played by Hu Jun, Pu Cunxin, Lu Fang and Jing Hao, among others, all of whom have worked for years with the director. Much like their director, the entire cast of Li Liuyi’s Hamlet are like-minded devotees of art, inspired to scale new heights in theatrical performance.

Lin Weiyu Article originally published in HKAF’s 2019 FestMag

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To be, or not to be, that is the question

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「在還是不在，就是這個問題」 李健鳴 譯

「生存還是毀滅，這是一個值得考慮的問題」 朱生豪 譯

「死後還是存在，還是不存在，— 這是問題」 梁實秋 譯

「活下去還是不活，這是個問題」 卞之琳 譯

「是存在還是消亡，— 問題的所在」 孫大雨 譯

「要不要這樣過日子，真是難了」 許淵沖 譯

© 李春光

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莎士比亞

William Shakespeare 編劇 Playwright

莎士比亞（1564 - 1616）享年五十二歲，生前寫 下約三十七部戲劇、一百五十四首十四行詩及 兩首長敘事詩，這都讓英語世界的文學作品更 為豐富。 莎士比亞於 1564 年 4 月生於英格蘭埃文河畔的 斯特拉特褔鎮，1582 年與安尼．哈法威爾結婚， 並在 1 5 88 年遷往倫敦，藉着演員和編劇的身分 踏上成名之路。1 5 9 4 年，他加入張伯倫爵士演 員工會，在肖迪奇的玫瑰和帷幕劇院兼任演員 和編劇。工會其後獲得英皇詹姆士一世的贊助， 易名為英皇御前演員工會。1599 年，工會遷到 新建成的環球劇院。然而在 1596 年，莎士比亞 已經是倫敦著名的編劇，更於三十五歲時投資 環球劇院，並時常粉墨登場。

1580 年代末至 1913 年間，相信是莎士比亞創作 最多作品的時期，爾後他便退出倫敦的生活圈， 返回斯特拉特褔，並於 1616 年逝世。

1 6 2 3 年，莎士比亞戲劇全集首部對開本出版， 成為莎士比亞作品出版和研究的重要轉捩點。其 友人本．瓊森在書中序言道出莎士比亞的影響 「不屬於一個時代，而屬於世世代代。」他的 戲劇作品翻譯成多種語言，而且表演次數遠遠 超過其他所有戲劇家。莎士比亞的作品於十九 世紀傳入中國，我們現在沿用的稱謂「莎士比 亞」是由梁啟超首創。

William Shakespeare (1564–1616) lived for 52 years.

In that time, he produced approximately 37 plays, 154 sonnets and two narrative poems, which together form the greatest body of work in the English language.

Shakespeare was born in April 1564 in Stratfordupon-Avon. In 1582, he married Anne Hathaway, and by 1588, he had moved to London to pursue success as an actor and a playwright. In 1594, he became a charter member of a group of actors known as the Lord Chamberlain’s Men, working in Shoreditch as an actor and author of plays at the Rose and Curtain Theatres; after winning the sponsorship of King James I, the group changed its name to the King’s Men. In 1599, the company moved to the newly built Globe Theatre. By 1596, Shakespeare was recognized as the leading London playwright and, at the age of 35, he invested money in the Globe, where he was also a member of the acting troupe. Shakespeare is believed to have produced much of his work between the late 1580s and 1613, after which he retired from London life to Stratford and died in 1616.

The First Folio of Shakespeare’s plays was published in 1623, an important turning point for the publication and study of his works. In the preface of that First Folio, Shakespeare’s friend Ben Jonson wrote that the playwright’s influence was “not of an age, but for all time”. His plays have since been translated into every major living language and are performed more often than those of any other playwright. In China, his works were first introduced in the 19th century, where his name was translated by the respected intellectual, Liang Qichao.

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李六乙

Li Liuyi 導演及燈光設計 Director and Lighting Designer

李六乙是北京人民藝術劇院導演及劇作家，曾 於中國藝術研究院戲曲研究所潛心研究中國戲 曲長達八年，執導多個富有中國地域特色的劇 種。李六乙先後創作六十多部作品，包括話劇、 戲曲、歌劇、芭蕾舞劇等，多次應邀赴世界眾 多頂尖國際藝術節演出，並接受委約創作。他 創建「純粹戲劇」理論，在不斷應用中日臻成 熟。

2 0 0 9 年，李六乙受歐洲文化首都林茲市邀請執 導《微笑之國》，該劇於林茲州立劇院首演； 其後受荷蘭藝術節委約，上演改編劇作「巾幗 英雄三部曲」—《花木蘭》、《梁紅玉》、《穆 桂英》；2 0 1 2 年，為中央芭蕾舞團創作的《牡 丹亭》獲邀至愛丁堡國際藝術節搬演，其後於

2 0 1 6 年到沙德勒之井劇院演出；其編導的《一 桌二椅》亦曾搬演至倫敦國際戲劇節。李六乙 過去亦與香港藝術節緊密合作。 主要話劇作品包括《北京人》、《非常麻將》、 《家》、《小城之春》、《安蒂岡妮》、《伊 底帕斯王》、《被縛的普羅米修斯》、《凡尼 亞舅舅》、《櫻桃園》、川話版《茶館》及《李 爾王》等；主要歌劇作品有《微笑之國》、《原 野》、《大地之歌》、《日出》；芭蕾舞劇《牡 丹亭》；京劇「巾幗英雄三部曲」以及《金鎖記》 等。他亦負責個人作品的舞美及燈光設計。 李六乙先後創作二十多部作品，其著作《李六 乙純粹戲劇．劇本集》由人民文學出版社出版， 並譯作多種語言出版發行。

Li Liuyi is a director and playwright from the Beijing People’s Art Theatre and the artistic director of his own company, Beijing Li Liuyi Theatre Studio.

He was trained in Chinese opera and developed his own theory of ‘‘Pure Theatre’’. Li has received commissions from festivals across the world.

Over the course of his career, he has made 60 productions ranging from Chinese classical opera to theatre, western opera and ballet.

In 2009, Li was invited by the city of Linz, European Capital of Culture, to direct The Land of Smiles (Linz State Theater). He was later commissioned by the Holland Festival for a stage adaptation of "The Heroine Trilogy" including Mulan, Liang Hongyu and Mu Guiying. In 2012, Li’s Peony Pavilion for the National Ballet of China was invited to Edinburgh International Festival; in 2016, it toured to Sadler’s Wells, London. One Table, Two Chairs, a play written and directed by Li, was invited to the LIFT Festival in London. In the past, Li he also collaborated closely with the Hong Kong Arts Festival.

Li Liuyi’s primary theatre credits include: Peking Man, Extraordinary Mahjong, Spring in a Small Town, Antigone,Oedipus the King, Prometheus Bound, Uncle Vanya, The Cherry Orchard, Teahouse and King Lear. His opera credits include: The Land of Smiles, Wilderness, Song of the Earth, Sunrise and the ballet Peony Pavilion. His Chinese opera credits include: "The Heroine Trilogy" and The Golden Cangue, among others. Li also designs props and lighting for his own work.

Li has created more than 20 works. His book Li Liuyi’s Pure Theatre: Collected Works was published by the People’s Literature Publishing House, translated into many languages and available worldwide.

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（左起）胡軍、濮存昕 、盧芳 (Left to Right) Hu Jun, Pu Cunxin, Lu Fang

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胡軍

哈姆雷特

Hu Jun Hamlet 胡 軍 是 北 京 人 民 藝 術 劇 院 演 員、 國 家 一 級 演 員， 畢 業 於 中 央 戲 劇 學 院 表 演 系。 憑 藉《 東 宮 西 宮 》 獲 義 大 利 TAORMTMA 電影節最佳男主角獎；憑藉電影《藍宇》獲得第七屆香港電影金紫荊獎最佳男主角獎，並入圍第 38 屆 金馬獎最佳男主角。主演電視劇《天龍八部》飾喬峰、《楚漢風雲》飾項羽、《西安事變》飾張學良等；主演電影《赤 壁》、《救火英雄》、《上海王》、《音樂家》、《戰神紀》及《影》等。胡軍主演眾多話劇作品，如《運菜升降 機》、《打野鴨》、《禿頭歌女》《等待戈多》、《羅慕路斯大帝》、《哈姆雷特 1990》、《魚人》、《鳥人》、 《陽臺》、《軍用列車》、《保爾柯察金》及《原野》（小劇場）等，近年亦主演話劇《原野》、《人民公敵》。 Hu Jun is a National Class One Performer currently on the cast of the Beijing People’s Art Theatre. He graduated from the Central Academy of Drama, where he studied acting. His performance in East Palace, West Palace won him the Italy Taormina Film Festival Award for Best Actor. He received the 7th Golden Bauhinia Award for Best Actor and was nominee for Best Actor at the 38th Golden Horse Awards for his performance in Lan Yu. On TV, he starred as Qiao Feng in the drama Tian Long Ba Bu, Xiang Yu in The Story of Han Dynasty and Zhang Xueliang in The Xi’an Incident. He played a leading role in the films Red Cliff, As the Light Goes Out, Lord of Shanghai and Musicians, among others. He has been performing in plays including The Dumb Waiter, Waiting for Godot, Romulus the Great, Hamlet 1990 (directed by Lin Zhaohua), The Fishman, Birdman, Military Train, Pavel Korchagin and Wilderness. In recent years, he has taken up the lead role in Wilderness and An Enemy of the People.

濮存昕

克勞蒂斯（丹麥國王）、鬼魂

Pu Cunxin

Claudius (King of Denmark), The Ghost

濮存昕是北京人民藝術劇院演員、國家一級演員、中國文學藝術界聯合會副主席、中國戲劇家協會主席。代表作包 括話劇《雷雨》、《哈姆雷特 1990》（林兆華執導）、《李白》、《茶館》、《風月無邊》、《白鹿原》、《建築 大師》、《大將軍寇流蘭》、《家》、《凡尼亞舅舅》、《暴風雨》、《李爾王》等；電視劇《英雄無悔》、《光 榮之旅》、《公安局長》及《推拿》等；電影《魯迅》、《一輪明月》、《洗澡》及《最愛》等作品。濮存昕曾獲 中國話劇金獅獎、文華獎及中國電影華表獎等獎項。他受聘為中國愛滋病宣傳員，設立「濮存昕愛心公益基金」。 Pu Cunxin is a National Class One Performer currently on the cast of the Beijing People’s Art Theatre. Pu is vice president of the China Federation of Literary and Art Circles and president of the Chinese Theatre Association. As a performer, Pu is a household name in China. His representative works include plays like Thunderstorm, Hamlet 1990 (directed by Lin Zhaohua), Li Bai, Tea House, White Deer Plain, The Master Builder, Coriolanus, Family, Uncle Vanya, The Tempest and King Lear. His television and film works include: See Without Looking, Lu Xun, Shower and Life is a Miracle, among others. Pu has won the Golden Lion Award, Wenhua Splendour Award, Huabiao Film Award and numerous others. Pu is also actively involved in public welfare issues. He is a goodwill ambassador in China’s campaign against HIV/AIDS and has set up a personal fund to help children from affected families.

盧芳

皇后葛楚、奧菲利亞

Lu Fang

Queen Gertrude, Ophelia

盧芳是北京人民藝術劇院演員、國家一級演員、中國話劇金獅獎獲得者，畢業於中央戲劇學院表演系。盧芳的台 詞功力一直是業內外人士誇讚的模範，多年來持續與林兆華和李六乙兩位導演合作，曾主演多部話劇的女角，如 《茶館》中的小丁寶、《白鹿原》中的小娥、《大將軍寇流蘭》中的維吉妮婭；李六乙執導的《軍用列車》中的 拉弗拉、《家》中的瑞玨、《安蒂岡妮》中的安蒂岡妮、《伊底帕斯王》中的先知、《推銷員之死》中的琳達、 《小城之春》中的周玉紋、《凡尼亞舅舅》中的葉蓮娜、《櫻桃園》中的柳苞芙及《李爾王》中的瑞根等。 Lu Fang is a National Class One Performer currently on the cast of the Beijing People’s Art Theatre. Lu graduated from the Central Academy of Drama, where she studied acting. Acclaimed by industry professionals and the public alike, Lu has worked for years with directors Lin Zhaohua and Li Liuyi. She played starring roles such as Little Ding Bao in Tea House, Xiao E in White Deer Plain, and Virginia in Coriolanus. In plays directed by Li Liuyi, Lu starred as Ravera in Military Train, Rui Yu in Family, Antigone in Antigone, Prophet in Oedipus the King, Linda in Death of a Salesman, Zhou Yuwen in Spring in a Small Town, Yelena in Uncle Vanya, Lyubov in The Cherry Orchard and Regan in King Lear. Lu is a winner of the Golden Lion Award.

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荊浩 雷亞提斯

Jing Hao Laertes 荊浩是北京人民藝術劇院演員，畢業於上海戲劇學院表演系。他在北京人藝的多部作 品中出演主要角色，如《白鹿原》中的白孝文、《窩頭會館》中的苑江淼、《家》中 的覺新、《大將軍寇流蘭》中的奧菲狄奧斯、《鳥人》中的丁保羅及《推銷員之死》 中的比夫等。他也在《安蒂岡妮》中飾演海蒙、《小城之春》中飾演戴禮言、《李爾 王》中飾演愛德格。其他影視作品包括《歲歲年年柿柿紅》、《那些年我們正年輕》、 《一代名相陳廷敬》、《老娘淚》及《變臉》。近年他亦涉獵編導領域。 Jing Hao graduated from the Shanghai Theatre Academy, where he studied acting. He is currently on the cast of the Beijing People’s Art Theatre, where he has performed leading roles as Bai Xiaowen in White Deer Plain, Yuan Jiangmiao in Wotou Courtyard, Jue Xin in Family, Aufidius in Coriolanus, and Biff in Death of a Salesman. He also played the roles of Haemon in Antigone, Dai Liyan in Spring in a Small Town and Edgar in King Lear. Jing has performed in several TV dramas and, in recent years, has dipped into the field of writing and directing.

苗馳 郝睿修

Miao Chi Horatio 苗馳是北京人民藝術劇院演員，畢業於中央戲劇學院導演系。他在北京人藝主演《北 京人》、《阮玲玉》及《家》等大劇場作品，其他作品包括詩劇《口供》、話劇《我 這一輩子》、《市井三國》、《天下第一樓》；電視劇《漕運碼頭》、《花千骨》、《致 青春》、《極速青春》及《國寶奇旅》；電影《啤酒花》、《精武風雲》及《四大名捕》 等。憑電影《糖豆八部》獲得第十九屆北京大學生電影節電視電影最佳男演員獎。 Miao Chi graduated from the Central Academy of Drama, where he studied directing. He is on the cast of the Beijing People’s Art Theatre, where he has played leading roles in such largescale productions as Peking Man, Ruan Lingyu and The Family, among others. Additionally, he has performed in the dramas Confession, This Life of Mine, City of the Three Kingdoms and Top Restaurant; television shows Cao Yun Ma Tou, The Journey of Flower, So Young, Speed and Guo Bao Qi Nü; films Hopfen, Legend of the Fist and The Four, among others. He received the Television and Film Best Actor Award at the 19th Beijing College Student Film Festival for his performance in the film Candy Hero.

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李士龍 普洛涅斯

Li Shilong Polonius 李士龍是北京人民藝術劇院演員、國家一級演員、中國戲劇家協會會員。李士龍出演 過《蔡文姬》的左賢王、《推銷員之死》的比夫、《狗兒爺涅槃》的李萬江、《趙氏 孤兒》的趙盾、《白鹿原》的鹿三、《家》的高克明及《安提戈涅》的先知等舞台角 色。其他代表作品包括電影《鴉片戰爭》及電視劇《狄仁傑》。 Li Shilong is an actor from the Beijing People’s Art Theatre and a National Class One Performer.

He is also a member of the China Theatre Association. Li has portrayed roles like the Wise Prince of the Left in Lady Wenji, Biff in Death of a Salesman, Li Wanjiang in Gou Erye’s Nirvana, Zhao Dun in The Orphan of Zhao, Lu San in White Deer Plain, Gao Keming in The Family and the Prophet in Antigone, among others. He has also performed in the film The Opium War and the television show Amazing Detective Di Renjie.

強巴才丹 戲班班主、掘墓人

Jampa Tseten Player King, Gravedigger 強巴才丹是北京李六乙戲劇工作室演員，畢業於北京電影學院表演系。他在李六乙執 導的話劇《李爾王》、《被縛的普羅米修斯》、《小城之春》、《櫻桃園》、《伊底 帕斯王》及《安蒂岡妮》中擔當主要角色。強巴才丹曾參演電影《我要你開花》及電 視劇《我只喜歡你》等作品。 Jampa Tseten is an actor from the Beijing Li Liuyi Theatre Studio. He graduated from the Performance Institute of the Beijing Film Academy. Of works directed by Li Liuyi, he has played key roles in King Lear, Prometheus Bound, Spring in a Small Town, The Cherry Orchid, Oedipus the King and Antigone. Jampa Tseten has also appeared in the film Déjà Vu and television show Le Coup de Foudre.

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井溪 羅森格蘭茲、勃那多、巴普蒂斯塔、福丁布朗、牧師

Jing Xi Rosencrantz, Bernardo, Baptista, Fortinbras, Priest 井溪是北京李六乙戲劇工作室演員，畢業於北京電影學院表演系。參演並擔任主要角 色的話劇作品包括《安蒂岡妮》、《伊底帕斯王》、《被縛的普羅米修斯》及《櫻桃 園》等；影視作品包括《洪湖赤衛隊》、《走火》、《白色毒網》、《永遠的媽媽》、 《愛的保鏢》、《妙警追蹤》及《夢境》等。 Jing Xi is an actor from the Beijing Li Liuyi Theatre Studio. He graduated from the Performance Institute of the Beijing Film Academy. He has participated and played the main characters of theatre works including Antigone, Oedipus the King, Prometheus Bound and The Cherry Orchid.

His works in film and television include Red Guards on Honghu Lake, Zou Huo, Baise Duwang, Yong Yuan De Mama, Love’s Bodyguard, Police Hunt Criminals and Dreamland.

富鵬栩 吉爾登斯坦、馬塞魯斯、奧斯里克

Fu Pengxu Guildenstern, Marcellus, Osric 富鵬栩是北京李六乙戲劇工作室演員、南京大學文學院研究生。參演並擔任主要角色 的話劇作品包括《安蒂岡妮》、《伊底帕斯王》、《被縛的普羅米修斯》、《李爾王》 及《暴風雨》等；影視作品包括《一路夫妻》、《迷局》、《橙》及《思美人》等。 Fu Pengxu is an actor from the Beijing Li Liuyi Theatre Studio. He is a fellow of the Faculty of Arts at Nanjing University. Fu has played the main role in theatre productions such as Antigone, Oedipus the King, Prometheus Bound, King Lear and The Tempest. His film and television credits include Couple Forever, Puzzle, The Absent and Song of the Phoenix.

九九 歌者

Jiu Jiu Singer 九九，十七歲，高中生。愛好音樂、戲劇、馬術。曾參演北京人藝話劇《櫻桃園》。 Jiu Jiu, aged 17, is a high school student. She loves music, theatre drama and equestrian sports.

She previously participated in the Beijing People’s Art Theatre’s production of The Cherry Orchard.

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李健鳴 譯者

Li Jianming Translator 李健鳴長期從事德語教育和翻譯工作，因愛好涉足戲劇，曾翻譯《布萊希特傳》及布 萊希特的劇作、理論書籍，並參與戲劇實踐多年。近年翻譯的作品有《萊辛戲劇七 種》；當代戲劇《白色的房間》、《毒》、《大門之外》；編劇並導演的作品有《三 個女人》、《愛情的印象》（改編自史鐵生先生的小說《務虛筆記》）；創作劇本《屋 頂上的奧菲利亞》；改編小說《圍城》、《趙氏孤兒》和《等待戈多》。 Li Jianming has long been engaged in German education and translation work; she became involved in theatre out of a passion for the medium. She translated Brecht: A Biography and other plays and theoretical books written by Bertolt Brecht, and has participated in drama practice programs for many years. Her recent translated works include Lessings sieben Theaterstücke and the modern plays Weißer Raum, Gif and Draußen vor der Tür. Her playwright and director credits include Three Women and Impressions of Love (adapted from Shi Tiesheng’s novel Notes on Principles). She is the creator behind the play Ophelia on the Roof and adaptor of the novels Fortress Besieged, The Orphan of Zhao and Waiting for Godot.

米高．西門 舞美設計

Michael Simon Set Designer 米高．西門是瑞士籍德國設計師和導演，涉及芭蕾、戲劇、歌劇領域。1 9 8 2 年起與 編舞基利安和弗西斯合作創作《肢體定理》、《輝夜姬》及《疊石》等作品。他曾為 導演皮埃爾．奧迪的威爾第歌劇《尤利西斯歸鄉記》擔任舞台設計。其他代表作有： 阿姆斯特丹歌劇院《寫給維梅爾的信》、法蘭西喜劇院《題德多》、李六乙執導的芭 蕾舞劇《牡丹亭》及話劇《李爾王》等。他也曾為多部莎士比亞戲劇擔任舞美設計， 如《第十二夜》、《仲夏夜之夢》及《李察三世》等。從《犯罪要素》開始，西門開 始執導自己的舞蹈作品，之後與作曲家戈貝爾斯共同創作《牛頓賭場》、《羅馬狗》、 《黃色樂章》等作品。他首部執導作品是 1994 年在多特蒙德上演的《黑騎士》，此後， 他在柏林邵賓納劇院、維也納城堡劇院、杜塞爾多夫歌劇院等劇院執導戲劇作品並擔 任設計。 Michael Simon is a Swiss–German designer and director for ballet, drama and opera. Since 1982, he has been working with the choreographers Jiri Kylian and William Forsythe on works including Limb's Theorem, Kaguya-hime, Stepping Stones, and many other works. As stage designer for opera, he first worked with director Pierre Audi for Claudio Monteverdi's Il ritorno d’Ulisse in patria. Other works include: Writing to Vermeer, produced by Peter Greenaway (Dutch National Opera; Tête d'or (Comédie Française); the ballet The Peony Pavilion; and King Lear, directed by Li Liuyi. Simon has been scenic designer for several of Shakespeare’s plays, including Twelfth Night, A Midsummer Night's Dream, Macbeth and Richard III. Simon started directing his own projects with Elements of Crime. He co-produced with composer Heiner Goebbels Newton’s Casino and Roman Dogs. Since his debut as drama director with Black Rider (1994) in Dortmund, he has been invited to theaters like the Schaubühne Berlin, Burgtheater Wien and Düsseldorfer Schauspielhaus to direct and design.

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張叔平 服裝及造型設計

William Chang Suk-ping Costume and Makeup Designer 張叔平是香港電影美術指導及服裝設計師。多次獲得香港電影金像獎最佳美術指導， 曾四奪金像獎、兩奪金馬獎，憑藉《花樣年華》獲頒戛納電影節最佳藝術成就獎、第 53 屆康城影展技術大獎。2014 年憑藉電影《一代宗師》獲第 86 屆奧斯卡金像獎最佳 服裝設計提名。張叔平是香港導演王家衛所有電影的美術指導，並在《旺角卡門》裏 兼任演員，從《東邪西毒》開始擔任王家衛所有電影的剪輯師。擔任美術指導的代表 作如《藍宇》、《花樣年華》、《春光乍泄》、《東邪西毒》、《重慶森林》、《旺 角卡門》等；擔任剪輯的代表作如《花樣年華》、《春光乍泄》、《墮落天使》、《重 慶森林》等；擔任服裝設計的代表作如《倩女幽魂 II：人間道》( 1 9 9 0 )、《笑傲江湖 II：東方不敗》(1992)、《新天龍八部之天山童姥》(1994)。 William Chang Suk-ping is a Hong Kong art director and costume designer. Chang received the Technical Grand Prize at the 2000 Cannes Film Festival and has won the Best Art Direction Award and Best Costume & Make-Up Design Award at the Hong Kong Film Awards and Golden Horse Film Festival on multiple occasions. In 2014, he received an Academy Award nomination for Best Costume Design for his work on The Grandmaster. Chang has participated in all of Wong Kar Wai's films as art director. He played a starring role in As Tears Go By, and has worked as film editor on Wong Kar Wai’s films since Ashes of Time. His works as art director include Lan Yu (dir.

Stanley Kwan) and In the Mood for Love, Happy Together, Ashes of Time, Chungking Express and As Tears Go By (all Wong Kar-wai). He edited In the Mood for Love, Happy Together and Chungking Express. He served as costume designer on A Chinese Ghost Story II (1990) and The Legend of the Swordsman (1992), directed by Ching Siu-tung; and The Dragon Chronicles: The Maidens of Heavenly Mountain (1994), directed by Andy Chin Wing-keung.

鄧文 燈光設計

Deng Wen Lighting Designer 鄧文畢業於中央戲劇學院舞台美術系。主要作品包括德國卡塞爾文獻展中國藝術家展 開幕演出；中央芭蕾舞團《牡丹亭》、《小美人魚》；舞台劇《驚鴻一瞥貝克特》、 《刺客》、《2047 對話預言》；歌劇《一江春水》；漂移式多維體驗劇《知音號》等。 鄧文 2012 年獲頒國家藝術院團演出季最佳燈光設計獎，成為中國獲此殊榮最年輕的 設計師；2015 年獲中國十佳青年燈光設計獎。他不僅在舞台燈光設計領域表現出色， 在戲劇美術、數位多媒體等視覺藝術設計方面也有獨特創造。 Deng Wen graduated from the Central Academy of Drama majoring in stage design. His major works include: the opening of the Chinese artists’ exhibition at Kassel Documenta in Germany; the National Ballet of China’s The Peony Pavilion and The Little Mermaid; the theatre plays Beckett: En Bref, The Assassin and 2047 Apologue; the opera The Spring River; and the immersive floating theatre ZhiYinHao. Deng was awarded Best Lighting Design at the National Art Company Performing Season, and became the youngest designer in China to receive this award. Apart from his outstanding work in stage lighting design, he also creates visual designs for theatre and multimedia.

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周娟 作曲

Zhou Juan Composer 周娟是中央音樂學院作曲系副教授、美國密蘇里大學坎薩斯城音樂舞蹈學院音樂藝術 博士。主要作品有管弦樂《天涯》、管樂隊《幕啟》、歌劇《悟空》、音樂劇《命運 之選擇》、合唱《愛的康塔塔》、民族管弦樂《半緣君》、大型室內樂《敦煌》、民 樂重奏《覺路 ‧ 花落人間》、話劇配樂《伊底帕斯王》、京劇配樂《金鎖記》及《浣 花吟》等。周娟的作品曾兩次獲中國音樂金鐘獎、美國作曲家、作家和出版社聯合會 古爾德青年作曲家獎首獎、第十七和十八屆文華獎、愛德格．斯諾獎等。她接受委約 和合作的團體包括：萊比錫巴赫音樂節、坎薩斯城合唱團（格林美獎得獎者）、荷蘭 新樂團及德國古音樂節等。 Zhou Juan is an Associate Professor in the Composition Department of the Central Conservatory of Music. She is also a Music Professor at the University of Missouri – Kansas City’s Conservatory of Music and Dance. Her major works include the orchestral work End of Heaven, the wind orchestra piece Before “Curtain!”, the opera Wu Kong I, the musical The Choice of Destiny, the duet Love’s Cantata, the folk orchestral work Half for Your Sake, the large chamber work Dun Huang, the folk ensemble piece Illuminating Road – Ethereal Flower Among Human Life, and scores for the drama Oedipus the King and the Peking operas The Golden Cangue and The Song of Huan Hua. Zhou’s work has twice been awarded the Chinese Golden Bell Award for Music; other accolades include the American Society of Composers Award, the Authors and Publishers’ Morton Gould Young Composer Award, the 17th and 18th Wenhua Awards and the Edgar Snow Award. She has accepted offers to collaborate with companies such as the Bachfest Leipzig, the Grammy Award-winning band Kansas, Nieuw Ensemble and Festival Alte Musik Knechtsteden.

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李六乙戲劇工作室

Li Liuyi Theatre Studio 北京李六乙戲劇工作室是專門為實現「純粹戲 劇」而成立的職業戲劇工作室，由李六乙導演 擔任藝術總監，工作室旨在︰ 發揚古典美學自由無邊之精神神話； 書寫當代生活心靈真實之生命現象； 堅持獨立意識詩學品質之純粹戲劇； 享受快樂生活平常自在之非常平常。 北京李六乙工作室曾排演《非常麻將》、《一 桌二椅》、《再見》等小劇場作品；《莊周試 妻》、《小城之春》、《李爾王》等大劇場作 品。2 0 1 2 年啟動「李六乙．中國製造」戲劇計 劃，排演三部古希臘悲劇《伊底帕斯王》、《安 蒂岡妮》和《被縛的普羅米修斯》，以及昆曲 《偶人記》、新京劇「巾幗英雄三部曲」的《花 木蘭》、《梁紅玉》和《穆桂英》等戲曲作品。 工作室出品製作的劇碼曾受邀於荷蘭藝術節、 歐羅巴利亞藝術節、香港藝術節、日本利賀戲 劇節等藝術盛事中演出。

Beijing Li Liuyi Theatre Studio is a professional institute dedicated to the actualization of "Pure Theatre". Li Liuyi is the studio’s artistic director.

The aims of the studio are to extol the legend of the free, unbounded spirit found in classical aesthetics, to decipher the vital signs of a beating heart in the world of contemporary living, to uphold the autonomy of pure theatre underpinned by poetics, and enjoy the simple, everyday things that turn the ordinary into the extraordinary.

The studio rehearsed and performed Extraordinary Mahjong, One Table, Two Chairs, Chuang Tzu Tests His Wife, Spring in a Small Town and King Lear, among others. In 2012, Li initiated a project to make three Ancient Greek tragedies: Oedipus the King, Antigone and Prometheus Bound. The studio’s Chinese opera credits include: The Heroine Trilogy – Mulan, Liang Hongyu and Mu Guiying. The studio has received commissions from Holland Festival, Europalia International Art Festival, Hong Kong Arts Festival, Toga Festival and other festivals worldwide.

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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited

•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian

•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan

青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive!

•中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATrON

永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會 主席 委員

財務委員會 主席 委員 發展委員會 主席 副主席 委員

顧問

名譽法律顧問 核數師

查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所

香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍 林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff

香港藝術節@牛棚 - 藝術共生創造社 HKAF@Cattle Depot Creative Hub

報名及登記 Booking and registration: www.hkartsfestivalplus.org

藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院 華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake

by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return?

- A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團 小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團 《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert

by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》 作曲：周龍 | 編劇：林曉英

香港中樂團 《九千年的邂逅》

時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團

爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲 《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

TK

2-3/3 9-10/3

雲門舞集 45 週年 林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團 《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團 《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作 羅伯特．利柏殊創作及演出 《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列 《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團 《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團 《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室 《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團 《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾 《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團 《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village