First Steps - 51st Hong Kong Arts Festival

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華 · 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有：國 際星級女高音安娜 · 涅翠柯與丈夫男 高音尤西夫 · 伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉 · 肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 ；由芭蕾天后娜塔 《尤利西斯歸鄉記》 麗亞 · 奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 ；以及國際鋼琴大賽冠軍劉曉 《趾尖》 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、 「毛俊輝．粵劇情」、 《畫皮》 ( 精 新 版 )， 以 及「短 篇 粵 劇 — 戲 說 ；並帶來其他本地作品，包括 八德」 《飯戲攻心》踏台版、 《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。 大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。 「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina 新知。 「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。 「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。 今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

香港特別行政區行政長官

李家超

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu. As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas.

Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

歡 迎 閣 下 蒞 臨 第 51 屆 香 港 藝 術 節 。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表 演 。 儘 管 網 絡 世 界 無 遠 弗 屆， 親身觀賞演出的體驗依然是無可取 替 。 今 日， 我 很 高 興 能 夠 與 大 家 聚 首 一 堂， 共 同 體 驗 現 場 表 演 的 震撼力 。 藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻 。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家 。 另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目 。我在此向團隊 的每一位成員致謝 。 觀眾的支持及參與對藝術節至關重 要 。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望 。

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world.

Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work.

I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

香港藝術節主席

查懋成

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years.

Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節 。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞 ．前行」為題，表 達了我們隆重回歸舞台的決心 。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位 。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進 。在第 51 屆藝術節中，我們全新演繹大師傑 作、 建 立 跨 界 合 作、 委 約 原 創 作 品，進一步發掘新的創作視野 。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進 。 除 了 出 色 的 表 演， 藝 術 節 亦 舉 辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代 。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰 。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目 。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival.

We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

香港藝術節行政總監

余潔儀

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

forward in this journey of exploration.

Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

Flora Yu Executive Director Hong Kong Arts Festival

香港藝術節 HONG KONG ARTS FESTIVAL 扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活 。

香港藝術節是一所非牟利機構，2022/23 財政年度預計收 入（包 括 第 51 屆 香 港 藝 術 節 及 2023 年「無 限 亮」）約 港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24% 需來自票房收入，約 43% 則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款 。預計餘 下的約 15% 則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助 。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演出， 例如 *：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院 • 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 • 泰利曼、倫 敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也 納愛樂樂團

• 爵士樂及世界音樂：波比 • 麥非年、尤蘇 • 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 • 巴里殊尼哥夫、蕭菲 • 紀蓮、艾甘 • 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 • 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團 • 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 • 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台 。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演 。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀 • 香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等 。

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations.

The HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company • Large-scale special events: World of Wearable Art, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜 ．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等 。

香港藝術節大力投資下一代的藝術教育 。「青少年之友」 成立 30 年來，已為逾 810,000 位本地中學生及大專生提供 藝術體驗活動 。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出 。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10,000 張半價學生票 。 香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸 。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落 。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限 亮」計劃於 2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目 。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for.

(2023 年 1 月更新 Updated Jan 2023)

* 有關香港藝術節的過往節目，可參考以下網頁

Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html 誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡 。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department. 香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

香港藝術節 HONG KONG ARTS FESTIVAL 感謝 would like to thank

獨家贊助 for being the Sole Sponsor of 「賽馬會創藝科媒系列」 《第一步》

Jockey Club InnoArts Series First Steps

©Luster Angle Limited

賽馬會創藝科媒系列 Jockey Club InnoArts Series

《第一步》

FIRST STEPS 10-12.03.2023 10-12.03.2023 / 8pm 11-12.03.2023 / 3pm

西九文化區自由空間大盒 The Box, Freespace, West Kowloon Cultural District 演出長約 50 分鐘，不設中場休息

Approximately 50 minutes with no interval

* 遲到者或中途離場的觀眾將不獲安排進場。

Latecomers and audience members who leave the auditorium will not be admitted.

* 本節目有巨大聲響、重低音聲效、強光、閃光及煙 霧效果。

專訪 Interview

食蟻獸沉浸式藝術工作室

14

與鄭得恩、廖月敏對談

18

《第一步 》創作軌跡

23

食蟻獸沉浸式藝術工作室

25

編創人員簡介

28

舞者簡介

34

製作人員簡介

41

Tamanoir Immersive Studio Conversation with Enoch Cheng and Sudhee Liao The First Steps Creative Timeline Tamanoir Immersive Studio Creative Team Profiles Dancers’ Profiles Production Team Profiles

This production contains loud sound, low frequency bass vibration, strong light, strobe light and smoke effects.

* 適合 12 歲或以上觀眾參與。

Recommended for ages 12 and above.

封面照片 Cover Photograph ©Morgane Rocheteau

敬請關掉所有響鬧及發光裝置 Please switch off all sound-making and light-emitting devices 本場刊採用環保紙張印刷 This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited 如不欲保留本場刊，請於完場後放入場地的回收箱 If you don't wish to keep this booklet, please return it at the admission point

所有作品內容均由主辦單位 / 創作團隊獨立製作，並不代表賽馬會創藝科媒系列及贊助機構之立場或意見 。 All the content of works are independently produced by the organiser/creative team, and do not reflect the views or opinions of the Jockey Club InnoArts Series nor the Sponsor

Legendary Ballerina in

TWO FEET

More than Great Performances!

2 0 23 FE ST I VA L P LU S PROG RA M ME 藝 術 節 加 料 節 目

3/2 五 Fri 5/2 日 Sun 12/2 日 Sun 13/2 一 Mon 18/2 六 Sat

19/2 日 Sun

22/2 三 Wed 24/2 五 Fri

27/2 一 Mon

28/2 二 Tue 1 - 19/3 三-日 Wed - Sun

3/3 五 Fri 5/3 日 Sun

跨越界限——陳詠燊談劇本創作 Sunny Chan on Screenwriting and Playwriting 說說管風琴•說說巴赫 Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇 Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove 「禹•見」鋼琴大師 Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談 Virtues and Morality—Four Cantonese Operas Post-Performance Meet-the-Artist

6/3 一 Mon 8/3 三 Wed

10/3 五 Fri

杜國威經典作品選映——《虎度門》 Hu Du Men Collection of Raymond To’s Classics

杜國威經典作品選映——《劍雪浮生》 A Sentimental Journey Collection of Raymond To’s Classics 杜國威經典作品選映——《南海十三郎》 The Mad Phoenix Collection of Raymond To’s Classics 米歇爾．梵德阿《水之書》演後藝人談 The Book of Water Post-Performance Meet-the-Artist 香港藝術節加料節目 X 大館對談： 古董鋼琴與現代鋼琴 HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會 Antique Piano Recital by Yuan Sheng

韓德兩地的音樂旅途 A Music Journey between Two Cultures – Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談 True Copy Post-Performance Meet-the-Artist 歌劇《尤利西斯歸鄉記》製作解碼展覽 The Making before The Return Exhibition

11/3 六 Sat

12/3 日 Sun 14/3 二 Tue 15/3 三 Wed 16/3 四 Thu

17/3 五 Fri

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談 True Copy Post-Performance Meet-the-Artist 「笙世界 音樂會」演後藝人談 Sheng World Music— Kevin Cheng & Friends Post-Performance Meet-the-Artist

25/3 六 Sat

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods 古鋼琴大師班 Fortepiano Masterclass

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023 Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses Post-Performance Meet-the-Artist 演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023 Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023 Post-Performance Meet-the-Artist 巴赫與我 All I Need is Bach

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist 傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10) In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10) From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

*最新節目資料及安排以「加料節目」網頁公佈作准。 *The latest information and arrangement are subject to the announcement on PLUS webpage.

了解更多 More Details

《第一步》

FIRST STEPS

委約及製作 Commissioned and Produced by

香港藝術節 Hong Kong Arts Festival

導演 Director

伯姆，又名塞繆爾 ‧ 利波爾 * Böme aka Samuel Lepoil*

演出 Performers

每一場的 24 名參與觀眾

24 participating audiences in each performance

戲劇構作、廣東話改編聯合導演 Dramaturge, Adaptation and Associate Director (Cantonese version)

舞者 Dancers

程偉彬 Rex Cheng Wai-pan 何芳婷 Fonteyn Ho Fong-ting 劉柏康 Lau Pak-hong 黃譜誠 Chester Wong 余巧兒 Carmen Yu

聲音演出（廣東話） Voice Talent (Cantonese)

作曲及聲音設計 Composer and Sound Designer

副聲音設計 Associate Sound Designer

燈光設計 Lighting Designer

副燈光設計 Associate Lighting Designer

製作經理 Production Manager

舞台監督及執行舞台監督 Stage Manager and Deputy Stage Manager

尚 · 勒貝勒戈 * Jean Le Bellego*

保羅 · 莫萬 * Paolo Morvan*

魏婉意 Gloria Ngai

排練助理 Rehearsal Assistant

廖月敏 Sudhee Liao

鄭得恩 Enoch Cheng

聲音演出（英語） Voice Talent (English)

卡麗雅‧索曼德 Claire Saumande

副編舞 Associate Choreographer

蔡運華 Shirley Tsoi Wan-wa

黎智勇 Martin Lai Chi-yung

音響及混音 Mixing and Sound Engineer

梁梓楹 Char Leung Chi-ying

麥國輝 Mak Kwok-fai

助理舞台監督 Assistant Stage Manager

范文恩 Fan Man-Yan

梁烯樺 Leung Hei-wa

黃翊豐 Sean Wong

聯合監製 Co-Producers

雷米．拉殊 * Rémi Large* 李玨熙 Michael Lee

外展計劃：文化中心展覽（ 2 月 24 日至 3 月 6 日） Outreach and Education: Exhibition at HK Cultural Centre (24 Feb – 6 Mar 2023)

* 食蟻獸沉浸式藝術工作室

*Tamanoir Immersive Studio

聲語導航 Voice Narrator 魏灝麟（英語）、蔡運華（廣東話）

Hollis Ngai (English), Shirley Tsoi Wan-wa (Cantonese)

15

專訪食蟻獸沉浸式藝術工作室

Interview with Tamanoir Immersive Studio

大音希聲 觸動情感震央

Discover the Sheer Emotional Power of Audio 來自法國的劇團食蟻獸沉浸式藝術工作室的演出素來以運用虛擬實境（ VR ）等互動科技而著稱，但 劇團近來發現最強大的科技早已存在於觀眾的腦海裏，那正是他們的想像力 。

French creative company Tamanoir Immersive Studio earned a reputation with experiences that utilised interactive technology such as virtual reality, but it has discovered that the most powerful technology already comes preinstalled in the minds of its audience members: the imagination.

©Luster Angle Limited

16

工作室由創意總監塞繆爾 ‧ 利 波爾及監製雷米 ‧ 拉殊攜手創 辦，兩人在 2021 至 2022 年上演 《生還者》期間，洞察到想像的 威力。 《生還者》以消逝與回憶 為題，邀請二十至四十位參加 者佩戴耳機，根據聽到的編舞 提示、現場聲境以及自己的內 心獨白，與演出空間及周遭的 觀眾互動，擔當表演者的角色。

而開始利用聲音創作。正如雷 米所說，想像就是最佳的圖像 生成工具 。」

監製拉殊說：「我們在測試《生 還者》其中一個版本時，只利 用聲音元素，演出結束後，有 些參加者淚流滿面，有些則默 然 不 語。 這 些 反 應 在 我 們 過 往 的 VR 體 驗 中 從 未 出 現 過， 我們發現單用聲音，投入感會 更強。」

利波爾說：「這次香港演出的概 念在於『第一步』。過去三年，

工作室以往的作品風格前衛， 往 往 糅 合 沉 浸 式 劇 場、 舞 蹈 及 最 新 科 技， 並 運 用 創 新 的 VR、 增 擴 實 境 技 術 及 光 雕 投 影 創 作， 例 如《叫 我 災 星 少 女》（ 2020 ） 及《狐 狸 之 城》 （ 2021 ），兩部製作皆透過動態 捕捉及 VR 技術築構另類的互動 空間，讓觀眾沉浸其中 。

利波爾擁有互動式設計及劇場 的工作經驗，拉殊則是舞者出 身，後來投身電影業，兩人於 2017 年一同創辦工作室 。2022 年九月，利波爾及拉殊來港籌 備 2023 年香港藝術節的「賽馬 會創藝科媒系列」演出《第一 步》，《閱藝》趁機會與兩人訪 談 。 是 次 製 作 承 襲《生 還 者》 的中心思想，但與前作明顯有 別，並邀得戲劇構作鄭得恩等 本地藝術家協力創作。觀眾購 票時會預先報名成為二十四名 參加者，並於演出時根據耳機 播放的語音指示與專業舞者在 其他觀眾面前一同演出。

我們築起防線應對新型冠狀病 毒， 與 身 邊 人 保 持 距 離。 我 們活在嚴密監控的環境裏，忘 卻了冒險的感覺，也疏於與彼 此傾訴心聲。因此我們想製造 機會讓觀眾在舞台上踏出第一 步，再次體會冒險的滋味。」 拉 殊 補 充 道：「我 們 希 望 參 加 者在舞台上有安全感，感到自 己是當中的一分子，所以一開 始只給他們簡易的指示。隨着 參加者變得更有自信，指示也 變得更開放，容許各種演繹方 法。去到尾聲，他們可以更全 面地表達自己，整個變化是慢 慢進行的。」

撰文：Adam Wright，香港藝術節編輯。 原文刊登於香港藝術節 2023 年之《閱藝》

「原因很簡單：在 VR 體驗，你 眼前所見的就是一切；但戴上 了耳機，你所想像到的都能活 現眼前。即使是再大型的 VR 沉 浸式體驗，都不敵人的想像 。 想 像 的 力 量 是 無 窮 無 盡 的 。」 拉殊續道 。 創意總監利波爾補充，VR 技術 在劇場環境內有其局限，尤其 不便參加者與彼此互動：「我們 想到棄用 VR 技術，另覓方法保 持同等的沉浸及互動程度，因

© Petra Greening

塞繆爾 ‧ 利波爾（左）及雷米 ‧ 拉殊 Samuel Lepoil (left) and Rémi Large 17

headsets, the only limit is your own imagination. This way you can beat the immersion of any VR project, even the biggest ones. But you can't beat your own imagination."

©Luster Angle Limited

This revelation for Tamanoir's co-founders—creative director Samuel Lepoil and producer Rémi Large—came over the previous 12 months while the duo was presenting The Castaways, a self performance about disappearance and memory for 20-40 participants who are guided by a soundscape, internal voices and choreographic cues transmitted via an audio headset to interact with the spaces and people surrounding them.

of The Castaways [using audio only], we found that some people at the end were crying, some were left in complete silence," Large says. "We never saw that before with our VR experiences and we realised that sound alone is way more immersive.

"The explanation is simple.

With VR, you're limited by what you can see. But with audio

Lepoil adds that Tamanoir had noticed the constraints and limits of VR in a theatre setting, particularly in the way that participants could connect with each other. "So the idea was to remove this technology but find a way to keep the same quality of immersion and interactivity.

That's why we started to use sound—as Remi said, the imagination is the best graphical rendering engine available."

Tamanoir was founded in 2017

by Lepoil, who has a background in interactive design and theatre, and Large, who had a previous career as a dancer followed by work in cinema.

FestMag caught up with the friendly Lepoil and Large when

Before then, Tamanoir had incorporated innovations such as virtual and augmented reality, and projection mapping into its cutting edge productions that lay at the intersection of immersive theatre, dance and the latest technology. For example, Call Me Calamity (2020) and City of Foxes (2021) both utilised motion capture and VR to immerse participants into their interactive, alternative worlds.

"But when we tested a prototype 18

©Luster Angle Limited

they were in Hong Kong last September preparing for their 2023 Jockey Club InnoArts Series performances titled First Steps that are a spiritual successor to The Castaways, but with some notable differences. In the Hong Kong shows, created with the assistance of local artists including dramaturgist Enoch Cheng, audience members can register to be a participant when they purchase a ticket. They will be guided on stage by audio cues over headsets and will be joined by professional dancers while they perform in front of other audience members.

"The concept of the Hong Kong shows is about 'first steps'," Lepoil says. "We spent three years in a kind of secure environment putting up defences not only against COVID-19, but also against each other. We have lost touch with what it's like to

take risks and to be open to each other. And so we want to offer the audience, the members of the public, an opportunity to take their first steps on stage as a way to feel once again what it's like to take risks."

Large adds: "We want everyone to feel safe on stage. We want everyone to feel welcome. And so we start with really easy and simple instructions. And after that, when everyone feels more confident, we introduce more of the instructions that are more open to interpretation and people can express themselves more at the end of the experience. But it's gradually evolving during the show."

Text: Adam Wright, HKAF Editor Originally published in the HKAF’s 2023 FestMag

©Luster Angle Limited

19

與鄭得恩、廖月敏對話

Conversation with Enoch Cheng and Sudhee Liao

未知中伸手探步

Stepping into the unknown 來自法國的食蟻獸沉浸式藝術工作室，與擔當戲劇構作、廣東話改編聯合導演的鄭得恩、副編舞廖月 敏等香港藝術家一起創作《第一步》。這是一場結合舞蹈與沉浸式互動體驗的嶄新演出，二十四位參 與觀眾在台上，戴着耳機，聽取指令，與五位專業舞者一起展開各種動作，讓二百多個座位觀眾欣賞 一場不一樣的劇場演出 。

Together with Tamanoir Immersive Studio, Hong Kong artists Enoch Cheng and Sudhee Liao have created First Steps, a seminal performance that combines dance with an interactive immersive experience. Presented

by Cheng as Dramaturge, Adapter and Associate Director (Cantonese version) and Sudhee Liao as Associate Choreographer, First Steps invites 24 participating audience members to join five professional dancers on stage and share something quite remarkable. The participants are asked to put on headphones and unfurl into a series of movements as they follow audio instructions, while the 200 spectating audience members remain in their seats and watch the performance unfold. 真實的情緒

對本地受眾以至參與者而言， 是名副其實的「第一步」，也是 一場跨地域合作，當中的文化 差異、語言不同、操作困難、 素 人 參 與、 期 待 落 差 等 等， 構 成 演 出 難 度 之 大， 可 想 而 知，鄭得恩不得不承認：「超大 挑戰 ！」

這當然不是一般的素人演出 。 鄭 得 恩 解 釋：「坊 間 的 素 人 演 出，無論有多『素』，他們也有 一定程度的訓練，然後上台， 他們知道自己要做甚麼，而且 願意，即使被邀請，但擁有主 動權。」但《第一步》的參與觀 眾，則是買票進場，他們不知 道自己將會接受甚麼、做些甚 麼，「就像買了票去主題樂園， 然而卻不知道這是否一個『樂 園』。」所以參與者的情緒、身 體是真實的，無論演出好不好 看， 都 是 真 實 的，「就 算 我 們 22

假設失敗，他們的反應都是真 實的 。」

與鄭得恩合作多年的廖月敏， 笑言最初接觸這個項目時，覺 得 很 特 別， 概 念 有 趣，「這 不 是一般的舞蹈演出，更像是身 體移動，有自發性的成份，較 感受性、體驗性 。觀眾不僅可 以參與，也可作座上客。」正 因為項目有趣、具挑戰性，吸 引她參與其中 。廖月敏於新加 坡出生及成長，早年來港修讀 香港演藝學院現代舞系，至今 居港逾十年，擁有多元文化及 成長背景 。於兩地合作的《第 一步》擔當副編舞，她的工作 便是宏觀整個畫面，處理和調 動專業舞者和二十四位參與觀 眾的身體動作等細節，就連音 樂、 燈 光， 都 要 兼 顧，「我 首 先 不 會 稱 之 為『跳 舞』， 事 實 上舞蹈的定義很模糊，『行行企 企』算不算 ？ 轉兩、三圈才算

是 ？」所以參與觀眾不必擔心 懂 不 懂 跳 舞，「男 女 老 少 都 做 得到 。」

鄭得恩是一位多媒介藝術家， 創 作 範 疇 涉 獵 流 動 影 像、 裝 置、舞蹈、劇場、策展、表演 及活動等等，這次參與《第一 步》的創作，他首先要做大量 資料搜集、文本分析等工夫， 然後提煉精粹和動機，並設計 一 個 讓 大 家 溝 通 的 框 架， 互 相聆聽。 他另一重要工作，是把來自法 文指令的英文翻譯及改編至中 文，加以潤飾，讓參與者聆聽 指 示 後 作 反 應。 儘 管 他 早 年 獲倫敦大學金匠學院創意書寫 碩士，對語言、語感等觸覺敏 銳，但談到指令的傳達，亦苦 笑說甚有難度，他們會做到清 晰， 但 這 跟 精 準 不 一 樣，「譬 如『舉手』，如果大家舉手的高

©Luster Angle Limited

度不協調，那會不會好看 ？ 但 換另一角度去看，如果一切協 調，都可以很難看 。另外，怎 樣令他們接受指令，但不是一 個『機 械 人』？」至 於 參 與 者 會否來不及去聽、理解不了內 容，甚至拒絕做出動作 ？ 這些 全是他們需要處理的事情 。「的 確有許多不確定性，所以每場 演出都不同 。」

但廖月敏強調，這場演出之美 麗， 就 是 這 些「不 確 定 性」， 而作為座位觀眾，能夠旁觀不 同參與者的個性，也很有趣， 「看到參與者踏出第一步，彷彿 看着他們成長，會很為他們驕 傲。」鄭得恩說，《第一步》是 一場很純粹的劇場體驗，令參 與者知道身體是屬於自己的， 而且可以動起來，「就算失敗， 至少這是屬於你自己的經驗 。」 撰文：黃子翔

©Luster Angle Limited

In terms of authenticity The inventiveness of the show might make it a literal “first step” for both the participants and the local audience alike.

The involvement of nonprofessional dancers, possible technical difficulties, as well as differences in culture, language and expectations, are among the many challenges this transregional collaboration has faced. “It’s quite an effort,” admits Cheng.

Guaranteed, First Steps is not like any other performance by non-professional dancers. “Most of the regular people we see in performances today are more or less trained before going on stage. They know what they are doing and are proactive. They all have the right to initiate even if 24

invited.” In contrast, the people on stage in First Steps could be anyone who bought a ticket to the show. They have no idea what they will be dealing with or what they will have to do. “It’s like getting a ticket to a theme park, but not knowing if it has the thrills you’re looking for.”

Whether the performance turns out to be a success or not, all participants will emote and move in real time. “Even if all our presumptions fail, we will have elicited real reactions.”

Liao, Cheng’s long-time collaborator, took an immediate interest in the project, believing that it felt special from the start.

“First Steps is not a regular dance performance, but involves more self-initiative body movements.

It’s more sensual and immersive

than others, as audience members are both participants and spectators.” The challenges and inventiveness of the project were both interesting to Liao, a contemporary dance graduate from The Hong Kong Academy for the Performing Arts who is originally from Singapore but has been based in Hong Kong for more than 10 years. In First Steps, Liao is tasked with arranging movements for both the dancers and the participating audience, while keeping in mind the entirety of the miseen-scène, as well as music and lighting arrangements. “For one, I wouldn’t call it ‘dancing’,” Liao says. “It’s still unclear what constitutes ‘dance’. Is pacing around considered dancing? Or does it take a few more spins

before it becomes a dance’?” She sees no need for the audience to be concerned if they don’t have any experience with the medium, since the choreography is designed for everyone of all ages and genders.

As a multimedia artist, Cheng’s practice involves moving images, installation, dance, theatre and curation, performance, among others. He laid the groundwork for First Steps by diving into an avalanche of research material and textual analysis, extracting from there the essence and motives embedded in the concept and weaving together a framework through which every party involved could communicate.

To ensure that the participants immediately understand the instructions and respond appropriately during the performances, Cheng is also responsible for translating and polishing the English or Chinese content that originates from French. Cheng may have completed his Master’s degree in Creative Writing at Goldsmiths, University of London, but he has still encountered challenges in trying to effectively deliver the instructions. Clarity, he says, might not always mean accuracy. “Take ‘raising hands’ as an example. If the raised hands are not levelled, will it still look presentable? Too much coordination might not work either.

How participants will be able to act out the instructions naturally is something we also gave a

lot of thought to.” There are countless scenarios to consider, such as whether participants fail to grasp the situation fast enough, or even go so far as to refuse to act according to the instructions. “We do face a lot of uncertainties,” said Cheng.

“Every performance will be one of a kind.”

But Liao emphasises that these “uncertainties” are what make the performance beautiful.

To her, the event will also be intriguing from the spectators’ point of view, since they will be able to identify varying personalities among the participants. “To witness them taking a first step is to see them grow,” said Cheng. He sees First Steps as a pure theatre experience, one that allows participants to become more aware of their command over their own bodies through various movements. “Even if they fail, the experience is theirs and theirs only.”

Text: Jan Wong

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《第一步》創作軌跡

The First Steps Creative Timeline

法國團隊抵港前準備工作 撰編法文初稿

法國觀眾測試及檢討

修改文本，翻譯至英文版本 法國團隊抵達香港

1. 邀請三十名香港觀眾測試及檢討 2. 法國團隊修改文本

French team conducts preparation work before arriving in Hong Kong First draft of script written in French Script tested and evaluated with French audience Script edited and translated into English

French team arrives in Hong Kong 1. Hong Kong audience invited for testing and evaluation 2. Script edited by French artists

3. 與香港舞者排練及舉行工作坊

3. Dance workshop and rehearsal with local dancers

5. 調整句子節奏及指令時長

5.

4. 英語旁白錄音

4. English voice recording

6. 製作廿四條不同聲軌

6. Two dozen individual soundtracks produced

7. 混音及置入音訊裝置

8. 重複步驟 1 至 7 製作第二至四稿 9. 英語文本接近完成

10. 廣東話版本改篇開始

11. 圍讀

12. 廣東話版本錄音

13. 以英文版為藍本製作聲軌

Audio rhythm and timing adjusted

7.

Soundtracks mixed and loaded into the 24 audio devices

8.

Steps 1-7 repeated to create second, third and fourth drafts

9. English script approaches final version 10. Cantonese adaptation begins 11. Script reading 12. Cantonese voice recording 13. Two dozen individual soundtracks based on English version created

14. 混音及置入音訊裝置

14. Soundtracks mixed and loaded into the 24 audio devices

16. 討論及檢討

16. Discussion and evaluation

18. 以最終文本修改音樂、燈光、投影及舞蹈

18. Music, lighting, projections and choreography adjusted according to final script

15. 邀請三十名香港觀眾進行測試

15. Thirty Hong Kong audience members invited fora testing and evaluation

17. 因應英語最終版本調整廣東話文本

17. Adjustment of Cantonese script based on final English version

19. 3 月 10 至 12 日於西九自由空間正式演出（ 5 場）

20. 每場 24 名，共 120 名參與觀眾與五名專業舞者共 同演出 藝術節以錄像記錄這次製作的創作過程及幕後花絮，紀錄 片將在 2023 年 5 月上載至 HKAF Digital 供大眾觀賞。

19. Performances from March 10-12 at Freespace, WKCD (five performances) 20. Performances feature 24 participating audience members per show; 120 participating audience members perform in total with five professional dancers on stage The Hong Kong Arts Festival is preparing a short documentary on the creative process with behind-the-scenes footage from this production. The documentary will be uploaded to HKAF Digital for public viewing in May 2023.

藝術節衷心感謝所有前來測試及提供意見的參與者

The HKAF sincerely thanks all testing participants for their participation and feedback 27

食蟻獸沉浸式藝術工作室

Tamanoir Immersive Studio

來自法國巴黎的創作單位食蟻 獸沉浸式藝術工作室利用沉浸 式技術，創建現場表演藝術新 形態。工作室由雷米 ．拉殊和 塞 繆 爾 ‧ 利 波 爾 於 2017 年 創 立，其願景乃探索個體與其身 體的關係，再擴展至他者，建 立人與人的聯繫 。繼驚艷威尼 斯雙年展、康城 XR 和巴黎新影 像後，他們目前專注為香港藝 術節或巴黎歌劇院等創作大型 沉浸式表演 。

「連接」和「重新連接」這兩個 詞可以定義食蟻獸每一場演出 體驗。他們利用科技，給予參 與者時間和空間切身感受，探 索表演為情感及官能帶來的衝 擊。當中雖用上科技，手法卻 是隱藏。為此，他們設定工作 流程，流程幫助他們營造富親 密感，讓人感覺切實在場，彼 此緊靠的體驗 。 食蟻獸創造的演出體驗可謂與 公眾共同編寫 。每項創作從一 開始就經測試，以便理解公眾 對作品的反應 。食蟻獸的創作 人試圖觀察參與者各方面的互 動細節，然後加以推進 。食蟻 獸希望整個演出體驗是源於集 體意識，而非只是個獨斷獨行 的表演。 未來，食蟻獸力求創作更多公 眾參與式演出，一起顛覆固有 演出體驗 。通過自我變革及藝 術創作，實現建構永久場地和 設計公眾活動的願景 。

Tamanoir Immersive Studio is a French creative company based in Paris using immersive technology to challenge the worldwide live art scene. It was founded in 2017 by Remi Large and Samuel Lepoil, with the aim of connecting people to their bodies and to each other. After success at the Venice Biennale, Cannes XR and the Paris New Image Festival, Tamanoir is currently focusing on creating large scale immersive shows for prestigious institutions such as the Hong Kong Arts Festival and Paris Opera.

transformative experiences to lay the foundation for permanent places and public events dedicated to self transformation through movement and art.

“Connect” and “reconnect” are two words that define every Tamanoir experience.

It uses technology, often in invisible ways, to offer a time and a space for participants to engage in deep emotional and sensorial exploration. For that purpose, it has created a workflow that helps provide experiences with presence, intimacy and togetherness as their main themes.

Experiences at Tamanoir are cowritten with the public. Every creation is tested from the outset to help Tamanoir understand how the public interacts with it and enable the company to push it even further. In this way, Tamanoir Immersive Studio hopes to offer experiences that are not created by one individual mind, but by our collective consciousness.

In the future, Tamanoir hopes to create more participative and 29

編創人員簡介

Creative Team Profiles

伯姆是一位居住在巴黎的互動 藝術家 。他着力在演出體驗中 突破互動極限，探索各種姿勢 和情感之間的聯繫 。

伯姆， 又名塞繆爾 ‧ 利波爾

Böme aka Samuel Lepoil 導演

Director

他在法國戈布蘭及索邦大學修 讀互動設計，並在樂寇戲劇學 校學習戲劇後，開始創作沉浸 式虛擬現實戲劇表演，如《叫 我 災 星 少 女》（獲 康 城 虛 擬 實 境 大 獎）。 伯 姆 逐 漸 從 他 的 作 品移除科技，專注於身體和思 想之互動，而不是只顧操控按 鍵和屏幕 。他因而創作出「自 動 表 演」， 所 有 參 與 者 都 按 照 提示走動和說話 。

「自動表演」的參與者無須事前 準備，他們會收到各式走動和 說話提示，可能是音頻、智能 電話或各類設備紙張 。這種創 作模式帶觀眾進入說故事的新 時代 。本是觀眾的參與者不是 來聽或看，他們參與其中，成 為創作者一員 。藝術家的角色 只是為他們提供框架 。 《第一步》採用的就是這種集體 創作的「自動表演」模式 。

Böme, aka Samuel Lepoil, is an interactive artist based in Paris.

He is dedicated to exploring the connections between gestures and emotions through experiences that push the limits of interactivity.

After studying both interactive design at Gobelins and The Sorbonne, and theatre at Lecoq, Böme started creating immersive theatre shows in VR, including Call Me Calamity (which won the VR award at Cannes). Progressively removing technology from his work, Böme focuses on interactions between bodies and mind, and not just with buttons and screens. To do that, he creates performances, known as “auto-performances”, in which all participants move and talk while following prompts.

An auto-performance is made up of unprepared participants and choreographed with prompts that can be delivered over audio, smartphone, paper or any other device. It foreshadows a new era of storytelling, in which the participant is not there to listen or watch, but is the main creator of the piece. The artist only provides the framework for them to do so.

First Steps is part of a collection of creations using this format of auto- performances as their common ground.

32

跨媒界藝術家，所使用的媒界 包括流動影像、裝置、策展、 舞蹈、劇場、表演、活動、寫 作、時裝及教育 。作品探討不 同領域及傳統的界限及互相聯 繫之處，關注命題包括歸宿、 旅程、關懷、跨文化歷史、虛 構、記憶、時間、絕種及流散。

鄭得恩

Enoch Cheng

戲劇構作、廣東話改編聯合導演 Dramaturge, Adaptation and

Associate Director (Cantonese version)

近年作品包括香港藝術中 心《好 奇 害 死 貓》（ 2021， 與 李 沛 妍 合 作）、 紐 約 藝 術 設 計 博 物 館《 Handle with Care 》 （ 2022 ）、香港大會堂《將來留 座》(2022)、媒體藝術節「機緣 都會」《黛玉形成》 （ 2023 ）。 他是倫敦大學金匠學院創意書 寫碩士，曾為亞洲文化協會獎 助得主（ 2020 ），曾任世界各 地不同藝術機構駐場藝術家： 美國自然史博物館（ 2020 ）、 德國諾伊斯霍姆布洛伊島基金 會（ 2019 ）及法國巴黎西帖國 際藝術中心（ 2018 ），以及德 國斯圖嘉特孤獨城堡基金會的 藝術家學人（ 2017–2018 ）。

Cross-disciplinary artist Enoch Cheng explores recurrent themes of belonging, cross-cultural history, memory, migration and extinction through moving image, installation, dance, theatre and performance.

His recent performances include Curiosity Kills the Cat (with Li Pui-yan, 2021, Hong Kong Arts Centre), Handle with Care (2022, Museum of Arts and Design, New York), TO ARRIVE (2022, Hong Kong City Hall) and Remembering the Red Chamber (2023, West Kowloon Cultural District's media arts festival SerendiCity).

In 2020, Cheng was awarded the Asian Cultural Council Fellowship and was artist-in-residence at the American Museum of Natural History, New York. Cheng has also been artist-in-residence at the Museum Insel Hombroich, Neuss (2019), Laureate at the Institut Francais, Paris (2018), and artist-fellow at Akademie Schloss Solitude, Stuttgart (2017–2018).

33

廖月敏畢業於香港演藝學院， 獲得藝術學士學位，主修當代 舞蹈 。她具豐富舞蹈員經驗， 經常與不同的國際編舞家合 作，曾在不同國際舞蹈節及於 劇院、畫廊和場域特定空間的 演出中表演 。

廖月敏

Sudhee Liao 副編舞

Associate Choreographer

廖月敏近期的編舞作品包括： 在 聲 形 2022 演 出 的《故 障》； 西九文化區的城市當代舞蹈節 ；香港 首 演 作 品《 Simulacra 》 舞 蹈 聯 盟 的 網 上 劇 目， 並 於 Nowness Asia 放映《聯動》；在 2021 年新加坡藝術週，並於上 海當代藝術博物館和香港大館 演出的《即時上演：迷感》；以 及與視覺藝術家陸浩明合作， 分別於 2017 年和 2018 年的香港 藝術節首演的《壓 ‧ 觸感》和 《煉金》。 廖月敏與廖捷凱共同執導的電 影《徊 影》， 在 2020 年 新 加 坡 國際電影節首映，並於 2021 年 法國真實電影節、2021 年鹿特 丹國際電影節、2021 年巴塞隆 拿 亞 洲 電 影 節、2021 年 30_70 紀 錄 片 節 和 2021 年 跳 格 國 際 舞 蹈 影 像 節 公 映。 她 現 為 獨 立舞蹈藝術家、編舞家和舞蹈 教育者 。

Sudhee Liao graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts majoring in Contemporary Dance. She has wide-ranging experience as a dancer, having worked extensively with a range of international choreographers.

She has performed in international dance festivals and 34

various productions across a range of theatres, galleries and site-specific spaces.

Her recent works as a choreographer include Glitch, which was performed at Soundforms 2022; Simulacra, which premiered at the CCDC Contemporary Dance Festival, West Kowloon; Interconnectivity, an online programme for Hong Kong Dance Alliance and featured on Nowness Asia; Going live: dancing with enigmatic perception, shown during Singapore Art Week 2021, at the Shanghai Power Station of Art and Tai Kwun, Hong Kong; and Haptic Compression and Hermetic Diode, a collaborative piece with visual artist Andrew Luk which premiered at the Hong Kong Art Festival in 2017 and 2018 respectively.

Liao also co-directed the film Faraway My Shadow Wandered with Liao Jiekai, and it premiered at the Singapore International Film Festival 2020, Cinema du reel 2021, International Film Festival Rotterdam 2021, Asian Film Festival Barcelona 2021, 30_70 Doc Fest 2021 and Jumping Frames 2021. She is currently an independent dance artist, choreographer and dance educator.

sees sound as a way to create new spaces, real and imaginary.

A pianist and musician since his youth, he decided to continue his studies in audio electronics with a Master's degree in Sound Design. This path led him to study sound waves, both their technical nature and their capacity to move us.

尚 · 勒貝勒戈

Jean Le Bellego

食蟻獸沉浸式藝術工作室作曲及音 響設計 Composer and Sound Designer,

Tamanoir Immersive Studio

尚 · 勒貝勒戈是一位創新的法 國作曲家，他視聲音為創造真 實和想像空間的方式 。 他年少時是鋼琴家和音樂家， 往後他繼續音頻電子學研究， 並獲得音效設計碩士學位 。學 術成就引領他考究聲波，細思 其技術及讓我們舞動的能力 。

他因而對創作互動音樂和身臨 其 境 的 聲 效 產 生 濃 厚 興 趣。 他尋求嶄新的音樂和身體交流 方 式， 創 作 跟 隨 動 作 變 化 的 聲 效， 聆 聽 參 與 者， 並 以 音 樂回應。 他的遠見使他利用豐富紋理的 聲 音 場 景， 創 造 自 家 音 樂 身 份。 這 位 身 臨 其 境 聲 效 開 拓 者， 努 力 突 破 此 新 領 域 的 極 限，並推動參與觀眾成為音樂 作品的核心 。

Jean Le Bellego is a groundbreaking French composer who

It was through these studies that he developed a deep interest in the composition of interactive music and immersive sounds.

He is looking to change the way music and bodies talk to each other, creating sound that follows movements, and music that listens and reacts to the participants.

His vision led him to create a musical identity based on rich sonic constructions of textures and materials. As a trailblazer in immersive sound, he is trying to push the limits in this new area and encourage participants to be at the centre of the musical composition.

孖田（黎智勇） Martin Lai Chi-yung 副聲音設計

Associate Sound Designer

畢業於香港演藝學院，主修音 響 設 計 及 音 樂 錄 音。 在 學 期 間曾兩度獲頒成龍獎學基金， 畢業後曾於香港電台擔任錄音 師，現為香港作曲家及作詞家 協 會 會 員。 黎 智 勇 憑 中 英 劇 團《復仇者傳聞之驚天諜變反 擊戰》一劇獲香港戲劇協會頒 發第 25 屆香港舞台劇獎「最佳 音 響 設 計」及「最 佳 配 樂（提 名）」。

2010 年曾為香港電台 7.1 聲道廣 播劇《毒戒》作音響設計及混 音，獲紐約廣告節頒發「工藝 與技術—最佳剪接」獎，2018 年為電影《非同凡響》配樂。 於近年擔任香港藝術節的大會 音響工程師。2005 年成立公司 Marsical Label 從事音樂、音響 及錄像等製作，並於香港演藝 學院及香港教育大學任兼職導 師，近年參與有關藝術科技的 研究及演出。

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Martin Lai graduated from The Hong Kong Academy for Performing Arts, majoring in Sound Design and Music Recording. While studying at the Academy, he received the award for Best Sound Operator and was the recipient of the Jackie Chan scholarship. After graduation, Lai worked at Radio Television Hong Kong as a sound engineer.

In 2010, he worked as a sound engineer for the 7.1-channel surround-sound radio drama The Curse, and received the awards for Craft and Technique and Best Editing at the New York Festivals Awards in 2011.

In 2016, he received the award for Best Sound Design from the Hong Kong Federation of Drama Societies. He is a member of the Composers and Authors Society of Hong Kong and an active sound designer and music composer in various performing arts fields. Lai was involved in the film score for the 2018 Hong Kong film Distinction. He established the Marsical Label to provide quality services in sound, music and video productions in 2005 and now works as a parttime tutor at the HKAPA.

梁梓楹

保羅 · 莫萬

音響及混音

燈光設計 Lighting Designer

Char Leung Chi-ying Mixing and Sound Engineer

畢業於香港演藝學院舞台及科 藝製作系，主修音響設計 。設 計以外，在學時曾策劃及監製 《穗 2.0 》；近期音響設計作品包 括《神 奇 的 秘 密 日 記》、《孤 伶 ； 伶遇上幸運星》、《露宿的愛》 展覽《倘若時間也沒法為你的 愛作證》等 。她亦曾於多個演 出擔任現場演奏 。

Char Leung graduated from The Hong Kong Academy for Performing Arts’ Department of Media Design and Technology, majoring in Sound Design.

While at school, she planned and produced Meal Ticket 2.0 along with other design projects.

Her recent theatre works include Secret of the Mystical Diary, When Lonely Meets Lucky and Stardust Alley, and exhibitions including The Invalid Evidence of Love. She has also been a live performer in numerous stage productions.

Paolo Morvan

保羅 · 莫萬是一位法國舞台設 計師，創作建基於夜店場景設 計、電子音樂和數碼藝術 。他 發掘黑暗隱約環境的可塑性， 思考空間、身體、光線和音樂 之間的聯繫。 這種跨界混合的場景設計方 式，使他不斷拓寬創作界線， 介 入 更 多。 項 目 從 構 思 到 執 行， 整 個 過 程 都 由 他 負 責 監 督 。他認為每次藝術介入，都 能增強連貫性，建構更廣闊強 大的藝術世界 。他果斷革新， 探索各式物料和技術，以求為 作品脈絡呈現最佳效果。

他 曾 與 活 動 策 劃 行 業、 現 場 表演和音樂錄像的創作單位合 作 。他正開發自家藝術項目， 採用獨特手法調節燈光和空間。

Paolo Morvan is a French scenographer rooted in the nocturnal universe of clubs, electronic music and digital arts.

He develops dark and subtle environments, questioning the links between space, body, light and music.

This hybrid approach to

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scenography has led him to constantly expand his fields of intervention, while taking charge of each project from its conception to its construction.

He sees each intervention as an opportunity to develop a strong and coherent universe, not hesitating to vary and explore different materials and techniques in order to best suit the creative context.

Working with various collaborators from the events industry, live performance and music videos, he is now developing his own artistic projects with a singular approach to light and space.

麥國輝

at shopping malls, buildings and performance venues. His work with Shenren Chang, Harmony between Gods and Men and Rite of Spring for the Hong Kong Ballet, was nominated for Best Visual Effects at the 2017 and 2020 Hong Kong Dance Awards.

His recent works includes Tri Ka Tsai (the Huayi Festival of Art, Singapore) and Hyperreality (the Hong Kong Arts Festival).

Mak Kwok-fai 副燈光設計

Associate Lighting Designer

先後畢業於香港演藝學院和澳 洲 昆 士 蘭 科 技 大 學 。2000 至 2018 年 期 間 回 母 校 香 港 演 藝 學院任識舞台燈光講師，多年 來和各地商業及文化演藝單位 合作，並參與商場、商廈和表 演場地燈光系統設計和顧問工 作 。憑香港芭蕾舞團《神人暢》 和《春之祭》分別入圍 2017 和 2020 年香港舞蹈年奬「最佳視 覺效果」。近作有新加坡華文藝 術節《 Tri 家仔》和香港藝術節 《超真實》裝置音樂會。

Mak Kwok-fai graduated from The Hong Kong Academy for Performing Arts and the Queensland University of Technology. He worked at his alma mater the HKAPA as a lecturer in lighting from 200018, and has collaborated with different performing units in the commercial and cultural sectors in various cities and participated in the design and consultancy for lighting systems 37

舞者

Dancers

程偉彬

Rex Cheng Wai-pan 舞者

Dancer

獲香港演藝學院頒發獎學金修 讀編舞碩士及中國舞系學士畢 業。畢業後旋即成為香港動藝 舞蹈團註團舞者現為演藝學院 客席導師、獨立編舞、舞者及 太極 / 瑜伽 / 普拉提遵師及考獲 中國武術段位制二段 。

近年舞蹈演出作品包括李思颺 《見 習 人 類》及 黃 大 徽《春 之 祭》等，他過去數年亦發表其 個人編舞作品，包括《庖丁》、 《獨 •蝸》、《兩生》及與台灣嵬 舞劇場於 2018 年 10 月高雄首演 的 合 編 作 品《原 點》。 其 作 品 《獨•蝸》更榮獲 2018 年香港舞 蹈年獎傑出小型場地舞蹈製作。

程偉彬亦積極參與海外的交流 活動，包括世界舞蹈聯盟高峰 會中教授「太極之養生功用工 作 坊」、 獲 Scottish Ballet 邀 請 教授中國當代舞蹈工作坊及隨 香港藝術發展局參加首爾表演 藝術博覽會等 。

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Rex Cheng graduated from The Hong Kong Academy for Performing Arts with a Bachelor’s degree majoring in Chinese Dance and a Master’s degree in Choreography (with a HKAPA local scholarship). He joined DanceArt HK as full-time dancer after graduation. Currently, he works as a part-time teacher at the HKAPA, a freelance dance artist and choreographer, and a tai chi, yoga and Pilates tutor. He started to learn tai chi and Choy Li Fut at the age of 10, and has been the champion at various traditional wushu and tai chi competitions. He also acquired a Level Two certificate in the Wushu Duan Wei System.

In recent years, he has presented numerous choreography works and his masterpiece Solitary was named the 2018 Outstanding Small Venue Production at the Hong Kong Dance Awards.

Cheng is also involved in cultural arts exchange programmes, and has conducted a masterclass at the World Dance Alliance Global Summit in Canada and a contemporary Chinese dance workshop for the Scottish Ballet, as well as taking part in a visiting artists group at the Performance Arts Market in Seoul sponsored

by Hong Kong Arts Development Council.

何芳婷

Fonteyn Ho Fong-ting 舞者

Dancer

何芳婷畢業於香港演藝學院 （榮 譽）學 士 學 位， 主 修 現 代 舞，副修編舞 。六歲開始學習 中國舞，並且學習拉丁舞、街 舞以及佛朗明哥舞 。 她更獲得 2020/21 年 度 當 代 舞 蹈 學 院 獎 學金。

在學期間，她與許多新興藝術 家合作，並參與了不少的舞蹈 表演。曾合作的編舞包括 Marso Riviere（法國） 、 Christina Mertzani （希 臘） 、 Raewyn Hill（澳 大 利 亞） 、Jaime Redfern（澳大利亞） 、 John Utans（澳 大 利 亞） 、Richard Causer（澳大利亞）、黃狄文（香 港）、李咏靜（香港）、 曾景輝 （香港）、 陳紹傑（香港）。 在香港，何芳婷曾與城市當代 舞 蹈 團、TS Crew 和 東 邊 舞 蹈 團合作。 她是一位拉丁舞老 師，對駕馭各種舞蹈風格富有 經驗，是一位靈活多變的表演 者。 她 正 致 力 發 展 自 己 獨 一 無二的風格，同時專注於現代

舞，旨在透過藝術向社會傳達 積極訊息 。

Fonteyn Ho Fong-ting graduated from The Hong Kong Academy for Performing Arts, majoring in Contemporary Dance and a second major in Choreography.

She was a recipient of the Contemporary Dance Faculty Scholarship 2020-21. During her time at the academy, she worked with a number of emerging artists and performed in a wide range of dance performances. She has worked alongside choreographers including Marso Riviere (France), Christina Mertzani (Greece), Raewyn Hill (Australia), Jaime Redfern (Australia), John Utans (Australia), Richard Causer (Australia), Dominic Wong (Hong Kong), Li Yong-jing (Hong Kong), Terry Tsang (Hong Kong) and Billy Chan (Hong Kong).

In Hong Kong, she has worked with the City Contemporary Dance Company, TS Crew and the E-Side Dance Company. Ho is also a Latin dance teacher with experience in various styles of dance that enable her to be a flexible performer who’s developing her own unique style. She is now focusing on contemporary dance and aims to bring a positive message to society through her artistry.

Dance and Theatre, the E-Side Dance Company, Passover Dance, Absolutely Fabulous Theatre Connection, Make a Move Collective, MichaelDouglas Kollektiv and Kammeroper Köln.

劉柏康

Lau Pak-hong 舞者

Dancer

劉 柏 康 是 一 名 自 由 身 舞 者， 在科隆音樂和舞蹈大學舞蹈 系 畢 業。 他 曾 與 不 同 藝 術 家 和 團 體 合 作 包 括 TS Crew、 多 空 間、Folded Paper Dance and Theatre、東邊舞蹈團、新 約 舞 流、 誇 啦 啦 藝 術 集 匯、 Make a Move Collective、 MichaelDouglas Collective 及 Kammeroper Köln。

Lau has participated as a chorus member in various productions with Opera Hong Kong and the Hong Kong Philharmonic Orchestra. He has also taught at organisations including The Boys’ and Girls’ Club Association and the New Life Psychiatric Rehabilitation Association to share his movement philosophy and somatic practices. He is an accountant, a certified Polestar Pilates Mattress trainer and holds Bachelor’s and Master’s degrees in Physics.

他曾以合唱歌手身份參與香港 歌劇院及香港管弦樂團的合唱 和歌劇製作 。他亦曾在香港小 童群益會及新生會擔任導師 。 劉 柏 康 是 會 計 師，POLESTAR® Pilates Mattress 教 練 並 擁 有 物 理學學士和碩士學位 。

Lau Pak-hong is a freelance dance artist who graduated from the Cologne University of Music and Dance, majoring in Contemporary Dance. He has collaborated with different artists and ensembles including TS Crew, Y-Space, Folded Paper 39

畢業於香港演藝學院戲劇學 院，主修表演 。

主要參與作品包括 : 香港藝術 節青少年之友《都市浪漫歌廳》 （導演）、新視野藝術節《告不 可 報》、 香 港 話 劇 劇《言 說 之 外》（聯 合 編 導 / 演 出）、 香 港 藝術節 X 上海話劇中心《烏合 之眾》（現場演奏）等。

黃譜誠

Chester Wong 舞者

Dancer

現為榞劇場全日制全方位戲劇 證書課程演技及形體導師，自 由身劇場工作者 。

Chester Wong graduated from The Hong Kong Academy for Performing Arts’ School of Drama, majoring in Acting. He has worked as a full-time actor for the Hong Kong Repertory Theatre and Atelier Theatre Hong Kong. Wong is currently a freelance theatre artist also teaching acting and movement in the Radix Troupe.

Wong’s recent works include Romantic Cabaret for the Young Friends of the Hong Kong Arts Festival; Report ii : the illegal i at the Hong Kong New Vision Festival (as cowriter and performer); The Void by the Hong Kong Repertory Theatre (as co-writer, director and performer); Living up to HER by The Mills (as performer); Report I by Jockey Club New Arts Power (as performer); We are Now SIX by Zuni Icosahedron (as performer); The Crowd by the Hong Kong Arts Festival x Shanghai Dramatic Art Centre (as composer and pianist); Time x V by Radix Troupe (as director) ; Dest. by Radix Troupe (as director) and more.

Instagram : chetwps

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自由身舞蹈藝術工作者，畢業 於 香 港 演 藝 學 院 當 代 舞 系。 曾參與創作包括城市當代舞蹈 團 合 家 歡 當 代 舞 蹈 劇 場《 Ben sir 百 舞 感 忌 卜 卜 齋》、《 Ivana

余巧兒

Carmen Yu 舞者

Dancer

X Serrini Fairy Nice to Meet You Live 2022 》、 小 龍 鳯 舞 蹈 劇 場 社 區 文 化 大 使 2022《城 市 漫 遊 步 行 演 出 — 城 市 漫 舞》、 《 Dansations 舞 聲 舞 息》IV 階 段 呈 現（澳 門）、 西 九 文 化 區 梅田宏明《在與不在》和《密不 可分》、鄧樹榮戲劇工作室《哈 姆 雷 特》、 舞 蹈 劇 場《當 打 之 年》及《賞味期限》 （於內地巡 演 ）、《 HINS LIVE IN HONG KONG THE NEXT 20 張敬軒演 唱會》、小息跨媒介創作室《未 來 表 演 實 驗 室 #1 》、 多 空 間 《四圍跳——元朗舞蹈自由行》、 一舖清唱《阿飛正轉》（任導演 助 理）、 香 港 舞 蹈 聯 盟《舞 蹈 新鮮人系列 2021 》、東邊舞蹈 團《圍一》、香港藝術節賽馬會 當代舞蹈平台《沒有大象》（曾 於內地巡演）、流白之間《 4 分 33 秒》、 舞 青 DNA2019《玩 下 啫 ！》、不貧窮藝術節 2019《記 憶方糖》（曾於台灣恆春演出和 交流）。

Carmen Yu is a freelance dance artist who graduated from The Hong Kong Academy for Performing Arts with a degree in Contemporary Dance. Her recent works include City Contemporary Dance Company’s Ben Sir’s Dancing Academy—from taboo to BENboo, Ivana X Serrini Fairy Nice to Meet You Live 2022, the Siu Lung Fung Dance Theatre’s Community Cultural Ambassador 2022 City Ramble and Dance, the Macau Ieng Chi Dance Association’s Dansations IV incubation project (work in progress presentation); Exist, or not by the West Kowloon Cultural District Phygital D; MW Dance Theatre’s The Formidable Year and Shelf Life (mainland China tour); The Next 20 Hins Live in Hong Kong 2022; Littlebreath Creative Workshop’s Future Performing Arts Lab #1; Y-Space’s Dancing All Around Yuen Long; Yat Po Singers’ Pica Pica Choose (as director’s assistant); the Hong Kong Dance Alliance’s New Force in Motion series 2021; the E-Side Dance Company’s Duality; The Hong Kong Jockey Club Contemporary Dance Series’ Elephant in the Room; Blank Space Studio’s 4’33”; CCDC’s WuQing DNA 2019: Play What!; and Let’s Be Together Arts Festival 2019’s Memory of Sugar (which later toured to Hengchun, Taiwan).

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scriptwriting, photography, radio podcasts and immersive theatre.

at the 2010 Hong Kong Theatre Libre for Oleanna (2009), and as Best Actress (Comedy/ Farce) at the 2014 Hong Kong Drama Awards for The Golden Dragon (2013).

Tsoi is an actress, MC, dubbing artist, accredited mediator and former host of Mark Six.

卡麗雅．索曼德

Claire Saumande 聲音演出（英語） Voice Talent (English)

卡麗雅．索曼德畢業於巴黎索 邦大學，獲法語及比較文學碩 士學位，以及巴黎佐治比才音 樂學院戲劇研究證書 。她曾在 巴黎水族劇場、巴黎國立高等 美術學院等地演出，所參與的 中、短篇電影獲多個藝術節獎 項。 其 藝 術 實 踐 不 拘 一 格， 涉獵範疇豐富，包括導演、表 演、編劇、攝影、廣播及沉浸 式劇場。

Claire Saumande graduated from the Sorbonne with a Master's degree in French and Comparative Literature and a certificate in Theatrical Studies from the Georges Bizet Conservatory in Paris. She has performed on the stage of the Théâtre de l'Aquarium and at the Beaux-Arts de Paris, as well as in short and medium-length films that have won awards at several festivals. Her artistic practice is transversal and also touches on directing, performance, 44

蔡運華

Shirley Tsoi Wan-wa 聲音演出（廣東話） Voice Talent (Cantonese)

2013 年香港藝術發展獎「藝術 新 秀 獎（戲 劇）」得 主 。 蔡 運 華畢業於香港中文大學新聞與 傳 播 學 院， 於 2004 年 冬 天 投 身劇場工作，成為職業演員 。 2014 年憑《金龍》提名第 23 屆 舞台劇獎最佳女主角，憑《奧 利安娜》提名第二屆香港小劇 場獎最佳女主角 。 她曾任香港賽馬會六合彩主 持 。現為演員、主持、配音員 及認可綜合調解員 。

Shirley Tsoi embarked on a career in the theatre in 2004 after graduating from the School of Journalism and Communication at the Chinese University of Hong Kong. She received the award for Young Artist (Drama) at the 2013 Hong Kong Arts Development Awards. She was also nominated as Best Actress

製作人員簡介

Production Team Profiles

魏婉意

Ngai received her degree from The Hong Kong Academy for Performing Arts and her Master’s degree from Central Saint Martins. She has worked with different performing arts groups in Hong Kong, including the Hong Kong Arts Festival, Opera Hong Kong, Zuni Icosahedron, the City Chamber Orchestra, Tang Shu Wing Theatre Studio, the Hong Kong Sinfonietta and Yat Po Singers.

Gloria Ngai 製作經理

Production Manager

劇場工作者魏婉意以擔當歌劇 和國際巡演項目的製作經理著 稱。她畢業於香港演藝學院， 主修舞台及技術管理，並於中 央聖馬丁藝術與設計學院取得 碩 士 學 位。 魏 婉 意 畢 業 後 曾 繆， 與 多 個 香 港 藝 術 團 體 合 作， 包 括 香 港 藝 術 節、 香 港 歌 劇 院、 進 念 二 十 面 體、 香 港 城 市室樂團、鄧樹榮戲劇工 作室、香港小交響樂團及一鋪 清唱。她亦曾與倫郭莎士比亞 環 球 劇 場、Sell a Door Theatre Company、Tall Stories、倫郭利 瑞克漢默史密斯劇院、蒙地卡 羅歌劇院等國際團體合作 。

Gloria Ngai is a widely recognised production manager for opera and international touring productions. She has collaborated with different international companies including The Globe and Selladoor, Tall Stories, Lyric Hammersmith (UK) and Opera Monte Carlo.

現為自由身舞台工作者。

Yan Fan graduated from The Hong Kong Academy for Performing Arts, majoring in Arts, Events and Stage Management. She has been involved with various productions such as Sabrina Lee’s Romance of the Red Pear Blossom; The Reincarnation of The Red Plum by the Yam Pak Charitable Foundation and Xiqu Centre; Theatre du Pif’s 4.48 PSYCHOSIS; Crow.H (staged in Japan); the Hong Kong Arts Festival’s A Floating Family and Frogman; and Josie and The Uni Boys’ We Go Berzerka Explode Into Life.

She is now a freelancer.

范文恩

Fan Man-yan

舞台監督及執行舞台監督

Stage Manager and Deputy Stage Manager

畢 業 於 香 港 演 藝 學 院， 主 修 藝 術、 項 目 及 舞 台 管 理。 曾 參 與 多 個 製 作， 近 期 包 括 龍 劍 笙《蝶 影 紅 梨 記》； 任 白 慈 善 基 金 x 西 九 戲 曲 中 心《再 ； 進 劇 場《 4.48 世 紅 梅 記》 PSYCHOSIS 》（首 演 及 北 京 演 出）、《 Crow.H 》( 日本）；香港 藝術節《香港家族》三部曲、 ；Josie and The Uni Boys 《蛙人》 的《 We Go Berzerka Explode Into Life 》等 。 45

梁烯樺

Leung Hei-wa 助理舞台監督

Assistant Stage Manager

梁烯樺是自由身舞台工作者 。

她 近 期 參 與 製 作 包 括： 前 進 進 戲 劇 工 作 坊《在 新 的 一 天， 我 們 繼 續 往 理 想 前 進》、 《 案 內 人 Hongkongshima 》、 《 誰 殺 了 大 象 》、《 放 逐 》； 同 流《 毒 》、《 巴 黎 公 社 的 日 子 》、《 赤 道 上 的 冰 花 男 孩 》、《 聖 訴 》； 進 劇 場 《 CLAIRE 空 海 之 迴 》；3ami 《 Side by Side by Sondheim – A Musical Entertainment 》； 舞 合 劇 場《 Stay/Away 》；MaD Festival；香港比舞等 。

Leung Wai-ha is a freelance theatre practitioner.

Leung's recent works include On A New Day, Hongkongshima, Who Killed the Elephant and A Fork in the Road by On & On Theatre Workshop; Poison, The Days of the Commune, Frosty Boy on the Equator and Doubt by Wedraman; Claire by Theate du Pif; Side by Side by Sondheim—A Musical Entertainment by 3ami; Stay/ Away by Hook Dance Theatre; and productions with the MaD Festival and Hong Kong Dance Exchange.

黃翊豐

雷米．拉殊

排練助理

聯合監製 Co-producer

Sean Wong Rehearsal Assistant

黃翊豐畢業於香港中文大學藝 術系，從事創作、藝術教育及 相關項目策劃，為不同群體設 計工作坊，探索以藝術體驗觸 發共同學習的可能性 。常用媒 介包括素描、攝影及文字創作。

Sean Wong graduated from the Fine Arts Department of the Chinese University of Hong Kong. He is an artist educator exploring the possibilities of encouraging co-learning in communities by bringing in various arts experience and workshops. His practice mainly involves drawing, photography and creative writing.

Rémi Large

雷米 ．拉殊曾是舞蹈家和紀錄 片製作人，是食蟻獸沉浸式藝 術工作室的創始人 。該工作室 為文化機構創作結合表演藝術 和新科技的演出體驗 。

拉殊經歷舞蹈演員和製片人生 涯後，在巴黎索邦大學攻讀學 位，後轉向於電影業發展 。他 為 13 製作公司拍攝紀錄片，並 擔任導演工作一年半，開始對 這種藝術風格產生熱情 。 他重回大學求學時認識了塞繆 爾 ‧ 利波爾 。二人製作了他們 首個虛擬現實節目《拯救托馬 斯》， 該 節 目 最 終 被 法 國 電 視 台收購 。

拉殊從未忘記他對舞蹈和表演 藝術的熱情 。他決定與利波爾 一起創辦食蟻獸，專門創作身 臨其境的演出體驗 。他們聯合 執導巴黎國家歌劇院首部 360 ° 預 告 片； 憑 藉 結 合 戲 劇 和 虛 擬現實的《狐狸之城》獲得法 國 新 影 像 藝 術 節 XR 市 場 企 劃 47

獎 。他們利用動作捕捉技術捕 捉現代舞者亞歷山大 ‧ 範達爾 的姿體動作，立體地呈現在巴 黎 104 藝 術 中 心 的 虛 擬 現 實 體 驗之中 。 他的渴求始終如一：借助沉浸 式技術拓展表演藝術的界限 。

A former dancer and documentary producer, Rémi Large is the co-founder of Tamanoir Immersive Studio, which creates experiences combining the performing arts and new technologies for cultural institutions.

After a career as a dancer and a producer, Large finally turned to the cinema by earning a degree at the University of ParisSorbonne. He then worked for a year and a half on documentaries at 13 Productions, both in production and directing, and became passionate about the genre.

After returning to university he met Samuel Lepoil. Together, they produced their first virtual reality project, which was bought by France Télévisions: Saving Tomas.

But Large has never forgotten his passion for dance and the performing arts. He and Lepoil decide to start Tamanoir, a studio dedicated to creating immersive experiences for the performing arts. He co-directed the first 360° teaser for the Paris National Opera, he won the XR Market Prize at the New Images Festival for A City of Foxes, which

combines theatre and virtual reality, and he used motion capture to bring into 3D the contemporary dancer Alexandre Fandard during a virtual reality experience with the CentQuatre.

His desire remains the same: to expand the horizons of the performing arts using immersive technologies.

李玨熙

Michael Lee 聯合監製 Co-producer

李玨熙現為獨立製作人，涉足 音 樂、 劇 場、 舞 蹈、 多 媒 體 創作及展覽 。近期項目策劃及 製作合作單位包括：香港藝術 節、西九文化區管理局表演藝 術（音 樂 與 戶 外）、 香 港 演 藝 學院戲劇學院、大館（表演藝 術）、 東 九 文 化 中 心、 香 港 展 能藝術會、港大繆思樂季及太 古坊等 。

距排練的行為及提升演出心理 質素的方法。

Michael Lee is currently an independent producer, involved in projects covering music, theatre, dance, multimedia and exhibitions. He has collaborated with organisations including the Hong Kong Arts Festival, West Kowloon Cultural District (music and outdoors), the Drama School of The Hong Kong Academy for Performing Arts, Tai Kwun (performing arts), the East Kowloon Cultural Centre, Arts with the Disabled Association Hong Kong, HKU MUSE and Taikoo Place.

Lee graduated with a Bachelor’s degree in Music Studies from the Hong Kong Baptist University and later obtained a Master’s degree in Performance Science from the Royal College of Music in London. During his stay in the UK, he researched performance psychology and communication behaviour in synchronous online rehearsal and performance.

李玨熙畢業於香港浸會大學音 樂系，主修大提琴，及後取得 英國皇家音樂學院演奏科學碩 士學位，在英期間研究線上遙 49

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人 Hong Kong Arts Festival Foundation Patrons 首席創始贊助人 Lead Founding Patrons 陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation 電訊盈科 PCCW 九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons 萬通保險國際有限公司 YF Life Insurance International Ltd 眾安銀行 ZA BANK

創始贊助人 Founding Patrons 陳煒文博士 , JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu 曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok 馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士 , SBS, JP Ms Pansy Ho, SBS, JP 科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited 梁婉玲博士 Dr Elina Leung 孫漢明博士 Dr Stephen Suen

包陪麗女士 , BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari 其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士 , BBS, JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人 Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner 鑽石席 – 宴桌 Diamond Table Sponsors

香港上海匯豐銀行有限公司 上海商業銀行 洪祖杭博士 , GBM, GBS, JP 鄭慕智博士 , GBM, GBS, JP James Houghton 先生 , 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited Shanghai Commercial Bank Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人 譚允芝女士 , SBS, SC, JP

龐維新先生及夫人 崇光 ( 香港 ) 百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士 , 吳來盛先生及夫人 中美國際集團有限公司 華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士 林梅若梅女士 鄭馮亮琪女士 Janana Suleymanli Pasha 女士

鄭惠貞女士 張利平先生

Dr and Mrs Ronald Lu Ms Winnie Tam Wan-chi, SBS, SC, JP Mr and Mrs Wilson Pong Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng Chung Mei International Holdings Limited Mr Granger and Mrs Miriam Hwa Swire Properties Limited Cartier

Ms Joanna Hotung Mrs Lavina Lim Mrs Fina Cheng Ms Janana Suleymanli Pasha Ms Margaret Cheng Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member 嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member 怡和集團 The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館 Consulate General of Canada in Hong Kong and Macao

實物支持機構 In-kind Supporters

純銀會員 Silver Members 太古集團慈善信託基金 The Swire Group Charitable Trust 上海商業銀行有限公司 Shanghai Commercial Bank Limited

荷蘭駐港總領事館 Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

大亞國際集團 Altaya Group 香港愉景灣酒店 Auberge Discovery Bay Hong Kong 香港君悦酒店 Grand Hyatt Hong Kong 虎豹樂圃 Haw Par Music

香港故宮文化博物館 Hong Kong Palace Museum 文陳妙蘭女士 Mrs Christina Man 信興集團 Shun Hing Group

鉑金捐款者 PLATINUM DONOR

純銀捐款者 SILVER DONORS

藝術節捐助計劃 Festival Donation Scheme HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS, JP Dr Dennis T L Sun, BBS, JP 鑽石捐款者 DIAMOND DONORS HK$70,000 – HK$139,999

瑞安集團 Shui On Group Dr Patrick Tong 文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

無名氏 Anonymous 陳求德醫生及夫人 Dr & Mrs KT Chan Ms Leung Wai Yee Candice 馬美域女士 Ms Yvette Therese Ma Dr Stephen Suen 楊傳亮先生, BBS, JP Mr Charles Yang, BBS, JP 黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

無名氏 (2) Anonymous (2) Mr & Mrs Jeffrey & Helen Chan Mr Edmond Huang Dr Peter and Nancy Thompson Dr Sabrina Tsao 曹延洲醫生夫人 Dr & Mrs Tsao Yen-Chow Mrs Linda Wang Mr & Mrs YS Wong

HK$6,000 – HK$11,999

無名氏 (3) Anonymous(3) Dr Gillian Choa Ms Ho Man Fung Edith Mrs Schmitt Ling Jane 文娛慈善基金 The Elementary Charitable Foundation Ms Isabel Yiu Mr Vernon Zhang 青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (2) Anonymous(2) AWORKS.DESIGN Jose Manuel Sevilla and Julie Bisaillon Mrs Anson Chan 鍾雅妍博士 Dr Fiona Chung Ms Zoe Ho Ms Li Lian Khoo Dr Alfred Lau Apple Lee 李芸輝博士 Dr Lee Wan Fai Walter Savita Leung Mr Gary Ma Mrs Lily Ma Dr Michael Mak Dr & Mrs Joseph Pang San Miguel Brewery Hong Kong Ltd. Mr A. Smith The Brandon Centre Limited Mr Wong Yick Kam 姚曼儀女士 Ms Enoch Yiu 朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PLATINUM DONORS HK$140,000 或以上 OR ABOVE

無名氏 (2) Anonymous (2) 馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS HK$70,000 – HK$139,999

Mrs Purviz R. Shroff, MH and Late Mr Rusy M. Shroff, BBS, MBE 田家炳基金會 Tin Ka Ping Foundation 芝蘭基金會 Zhilan Foundation 翡翠捐款者 JADE DONORS

區燊耀先生 Mr Au Son Yiu Mr & Mrs Jeffrey & Helen Chan Dr Chan Wan Tung Mr & Mrs Norman Chui Mrs Margaret Hamilton Miss Jenny Hodgson Mr Iain Bruce 麥禮和醫生 Dr Mak Lai Wo Mr Vernon Zhang 陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

純銀捐款者 SILVER DONORS

無名氏 (3) Anonymous (3) Mr & Mrs Herbert Au-Yeung Cynthia Cheng & Aaron Chan Ms Kit Fung Cheung Dr Alan Chiang 馮兆林先生太太 Mr & Mrs Fung Shiu Lam Ms Maureen Leung Ms Regina Lo Ms Janice Ritchie Mrs Anna Chan Sheh Mr So Kin Man 文娛慈善基金 The Elementary Charitable Foundation 余德銘先生 Mr Desmond Yu 殷和順先生劉善萍夫人

新作捐助計劃 New Works Scheme

Mr Vernon Zhang

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui Dr Stephen Suen

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret Dr Chung See Yuen 天智合規顧問 CompliancePlus Consulting Mr & Mrs Kenneth & Nelly Fung C H Mak Mr & Mrs Kenneth Quinn 曹延洲醫生夫人 Dr & Mrs Tsao Yen-Chow HK$6,000 – HK$11,999

無名氏 (2) Anonymous (2)

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

無名氏 Anonymous 劉仰澤先生 Mr Lau Yeung Chak 純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999 凌霄志醫生 Dr Tony Ling

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous Ms Judith Ling Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme 青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 Anonymous HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION 教育局藝術教育組 •

Arts Education Section, Education Bureau

香港管弦樂團 Hong Kong Philharmonic Orchestra

Arts with the Disabled Association Hong Kong

香港旅遊發展局 Hong Kong Tourism Board

Auberge Discovery Bay Hong Kong

Slovenia in Hong Kong

香港展能藝術會 • 香港愉景灣酒店 •

香港公共圖書館 Hong Kong Public Libraries

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

Hong Kong Metropolitan University

台灣蘇富比國際房地產•

香港都會大學 •

宏基國際賓館 Bishop Lei International House

ibis Hong Kong Central and Sheung Wan

• 學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環 •

BRICK LANE

工銀亞洲 ICBC (Asia)

英國駐香港總領事館 British Consulate General Hong Kong

香港以外地區經濟事務辦事處新聞及公共關係組

burgundy etc

海景嘉福洲際酒店 •

英國文化協會 British Council 百老匯院線 Broadway Circuit

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

入境事務處 Immigration Department

Information and Public Relations Units in Offices Outside Hong Kong InterContinental Grand Stanford Hong Kong 高山劇場 Ko Shan Theatre

牛棚藝術村 Cattle Depot Artist Village

九龍木球會 Kowloon Cricket Club Kubrick

中信國際電訊 ( 信息技術 ) 有限公司 •

駐香港韓國文化院 •

周生生集團國際有限公司 • Chow Sang Sang Jewellery Co. Ltd

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company 城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館 •

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館 •

Consulate General of Canada in Hong Kong and Macao 法國駐港澳總領事館 •

Consulate General of France in Hong Kong and Macau 西班牙駐香港總領事館 •

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館 •

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館 • Consulate General of the Kingdom of Netherlands in Hong Kong and Macau 大韓民國駐香港總領事館 •

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館 • Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited 香港港威酒店 Gateway Hotel, Hong Kong 德國駐香港總領事館 •

葵青劇院 Kwai Tsing Theatre

Korean Cultural Center in Hong Kong 康樂及文化事務署 •

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist 中央人民政府駐香港特別行政區聯絡辦公室•

Liaison Office of the Central People's Government in the HKSAR 嶺南大學 Lingnan University

• 黃炳禮音樂及演藝部 • Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部 •

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂 •

Methodist International Church Hong Kong Mission Production Company Ltd 李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong 音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

German Consulate General Hong Kong

柏斯琴行 Parsons Music Limited

香港歌德學院 Goethe-Institut Hong Kong

卓滙達有限公司 Patsville Company Ltd

六國酒店 Gloucester Luk Kwok Hong Kong

奧華酒店

中環 Ovolo Central

香港君悅酒店 Grand Hyatt Hong Kong

Performing Arts Fund NL

香港恒生大學 •

Pixellent

青苗琴行 Greenery Music

Hang Seng University of Hong Kong • 學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees 快達票香港有限公司 HK Ticketing 香港文聯 HKL&A

香港藝術行政人員協會 •

Hong Kong Arts Administrators Association 香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University •音樂學院 Academy of Music •拉闊文化 Cultural Literacy Programme •英國語言文學系 Department of English Language and Literature 香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre 香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

辰衝圖書有限公司 Swindon Book Co. Ltd.

斯洛文尼亞駐港總領事館 Honorary Consulate of

澳洲駐香港及澳門總領事館 • Australian Consulate-General Hong Kong and Macau 奧地利駐香港總領事館 Austrian Consulate General Hong Kong 樺利廣告有限公司 Avanny Advertising Co Ltd

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

電訊盈科 PCCW

犇華企業服務有限公司 Primasia Corporate Services Limited 鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International 香港瑰麗酒店 Rosewood Hong Kong 皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館•

South African Consulate General Hong Kong SAR & Macao SAR, PRC Southgate Design

香港西班牙商會 •

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

大館 Tai Kwun

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd 香港八和會館

The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong • 聯合書院 United College • 藝術行政主任辦公室 The Office of the Arts Administrator • 文化及宗教研究系 Department of Cultural and Religious Studies 香港城市大學 The City University of Hong Kong • 文化薈•Cultural Exchange Oasis 商務印書館（香港）有限公司• The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong • 文化與創意藝術學系 Department of Cultural and Creative Arts 灣景國際 The Harbourview

梅夫人婦女會 The Helena May 香港演藝學院 •

The Hong Kong Academy for Performing Arts • 戲曲學院 School of Chinese Opera • 戲劇學院 School of Drama • 音樂學院 School of Music • 舞蹈學院 School of Dance • 電影電視學院 School of Film and Television • 學生事務處 Student Affairs Office • 表演場地管理部 Venue Performance Unit • 場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學•The Hong Kong Polytechnic Universit • 文化及設施推廣處•Culture Promotion and Events Office 香港科技大學 •

The Hong Kong University of Science and Technology • 藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited 香港大學 The University of Hong Kong • 音樂系 Department of Music • 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office • 學生發展及資源中心•• Centre of Development and Resources for Students

港青 - 香港基督教青年會 • The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd 三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall 屯門大會堂 Tuen Mun Town Hall 城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre 進富印刷公司 Wealthy Step Printing Co. 西九文化區管理局 •

West Kowloon Cultural District Authority 粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited 油麻地戲院 Yau Ma Tei Theatre 元朗劇院 Yuen Long Theatre 赤豚事務所 Zhu Graphizs

電話 TEL 傳真 FAX 電子郵箱 Email 節目查詢熱線

Programme Enquiry Hotline 地址 ADDRESS

2824 3555 2824 3798 / 2824 3722 afgen@hkaf.org 2824 2430 香港灣仔港灣道 2 號 12 樓 1205 室

Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

李家超先生, GBM SBS PDSM PMSM PATRON

The Hon. John KC Lee, GBM SBS PDSM PMSM

永遠名譽會長

邵逸夫爵士 (1907-2014)

HONORARY LIFE PRESIDENT

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

主席

查懋成先生

Chairman

Mr Victor Cha

義務司庫

范高廉先生

Vice-Chairman

Prof. Lo King-man, SBS MBE JP

Honorary Treasurer

Mr Colin Farrell

Members

Mrs Betty Yuen Cheng Ms Margaret Cheng Mr Michael Fung Ms Joanna Hotung Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

執行委員會 副主席 委員

節目委員會 主席 委員

財務委員會

主席

委員 發展委員會

主席

盧景文教授 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊 光先生

Chairman

Prof. Lo King-man, SBS MBE JP

Members

Prof. Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Prof. Fredric Mao, BBS Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

范高廉先生

Chairman

Mr Colin Farrell

Members

Ms Margaret Cheng Mr Nelson Leong

鄭阮培恩女士

Chairperson

Mrs Betty Yuen Cheng

Vice-Chairperson

Ms Jane Yong

Members

Mr Michael Fung Ms Samanta Sum-yee Pong Mrs Helen Lin Sun Ms Yi Wen Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon. Charles YK Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David KP Li, GBM GBS OBE JP

白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生 + 譚榮邦先生 姚 珏女士

鄭惠貞女士 梁國輝先生

雍景欣女士

顧問

夏佳理先生 鮑 磊先生 陳祖澤博士 陳達文博士 霍 璽先生 李業廣先生 梁紹榮夫人 李國寶博士

名譽法律顧問

核數師

PROGRAMME COMMITTEE

盧景文教授

副主席 委員

EXECUTIVE COMMITTEE

馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

甘乃迪女士（孖士打） 羅兵咸永道 會計師事務所

+ 榮譽節目顧問 Honorary Programme Advisor

FINANCE COMMITTEE

DEVELOPMENT COMMITTEE

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR

PricewaterhouseCoopers

職員

行政總監 行政總監助理 節目 節目總監 高級節目經理 節目經理 短期節目經理 副節目經理 節目統籌 藝術行政見習員

行政 節目經理 ( 行政 ) 節目主任 ( 行政 ) 物流 物流及接待經理

技術 製作經理 助理製作經理 出版 編輯 助理編輯

外展 外展經理 助理外展經理 外展主任 外展助理 藝術行政見習員

市場推廣 市場總監 副市場總監 副市場經理

助理項目經理 助理市場經理 市場主任

票務 市場經理 ( 票務 ) 票務主任

發展 發展總監 特別發展協理 發展經理

發展主任 藝術行政見習員 短期發展助理 行政事務 財務總監

會計 會計經理 會計主任

人力資源及行政 人力資源及行政經理 接待員 / 初級秘書 助理 資訊科技 資訊科技經理

無限亮 項目總監 節目及外展經理 節目及外展統籌 市場經理 副市場經理 助理製作經理 高級會計主任

香港藝術節 @ 大館 項目經理 公關及宣傳統籌

藝術家統籌 製作主任 技術統籌

Artist Coordinators Production Officer Technical Coordinators * 合約職員 *Contract Staff

余潔儀 何丹蓉

梁掌瑋 梁偉然 陳曉彤 * 廖國穎 * 司徒頌欣 * 游慧姿 * 杜以樂 * 林穎茵 * 容諾行 *

STAFF Executive Director Assistant to Executive Director 蘇國雲

PROGRAMME Programme Directors Senior Programme Manager Programme Managers

Flora Yu Connie Ho

Temporary Programme Manager Deputy Programme Manager Programme Coordinator Arts Administrator Trainee

Grace Lang Ian Leung Kristen Chan* Sophie Liao* Samantha Szeto* Janet Yau* Tobe To* Lilian Lam* Ryan Yung*

蘇雪凌 林穎妍 *

ADMINISTRATION Programme Manager (Admin) Programme Officer (Admin)

Shirley So Michelle Lam*

LOGISTICS Logistics Manager

Elvis King*

梁雅芝 * 陳梓衡 *

TECHNICAL Production Manager Assistant Production Manager

Shirley Leung* Jacob Chan*

PUBLICATIONS Editors Assistant Editors

Eugene Chan* Shao yi Chan*

OUTREACH Outreach Manager Assistant Outreach Managers Outreach Officer Outreach Assistant Arts Administrator Trainee

Carman Lam* Kelvin Li* Hazel Cheung* Queena Ma* Crystal Fung*

鄭佩群 * 馬筠婷 *

金學忠 *

陳詠恩 * 陳劭儀 * 林嘉敏 * 李萬祺 * 張凱柔 * 馬曉瑩 * 馮樂程 *

鄭尚榮 盧伯全 陳靄婷 * 黃頴儀 * 李穎軒 * 許樂欣 * 林培生 *

Adam Wright* 李芷晴 * 潘穎詩 *

張予心 * 譚懿諾 * 曾諾怡 *

吳綺菁 * 譚尹晴 *

鄺敬婷

杜詩麗 * 顏悅恩 * 楊美君 * 李美娟 黃國愛 陳啟明 * 錢 佑* 鍾美琼 * 何敬堯 * 黃嘉欣 * 廖愷瀅 * 張詠宜 * 鍾巧明 * 鄺為立 * 楊佩雯 *

Assistant Project Managers Assistant Marketing Managers Marketing Officer TICKETING Marketing Manager (Ticketing) Ticketing Officer

梁彩雲 殷嘉駿 * 黃美儀 蘇啟泰 * 林思穎 * 譚樂瑤 鄒穎妮 * 梁詠熙 * 潘藹怡 *

MARKETING Marketing Director Associate Marketing Director Deputy Marketing Managers

何敏凝 * 潘詠汶 *

DEVELOPMENT Development Director Special Development Associate Development Managers

Katy Cheng Eugene Lo Tobie Chan* Joey Wong* Hill Li* Sally Hui* Billy Lin*

Cathy Cheng* Katie Ma*

Adam Wright* Rebecca Lee*

Renee Poon*

Stephanie Cheung* Hades Tam* Margaret Tsang*

Eppie Leung Cyrus Yan*

Development Officers Arts Administrator Trainee Temporary Development Assistant

Angela Wong Alex So* Sharon Lam* Lorna Tam Chau Wing-ni* Kirstie Leung* Carol Pun*

CORPORATE SERVICES Finance Director

Teresa Kwong

ACCOUNTS Account Manager Accounting Officer

Connie To* Stephany Ngan*

HR & ADMINISTRATION HR and Admin Manager Receptionist/Junior Secretary General Assistant

Janet Yeung* Virginia Li Bonia Wong

INFORMATION TECHNOLOGY Information Technology Manager

Derek Chan*

NO LIMITS Project Director Programme and Outreach Manager Programme and Outreach Coordinators Marketing Manager Deputy Marketing Manager Assistant Production Manager Senior Accounting Officer

Eddy Zee* Becky Chung* Kelvin Ho* Carly Wong* Kaitlyn Liu* Jess Cheung* Catherine Chung*

HKARTSFESTIVAL@TAIKWUN Project Manager PR and Marketing Coordinator

Kwong Wai Lap* Wind Yeung*

蔡兆欣 *、朱芷慧 * 、張素真 * 、向怡君 * 、劉依靈 * 、劉明月 *、伍美衡 * 彭家達 * 歐慧瑜 *、蔡敬堯 *、馮舒凝 *、黎敏兒 *、黎智勇 *、李浩賢 *、曾以德 *

Jacqueline Choi*, Eleanor Chu*, Susan Hayden*, Cassandra Heung*, Joannie Lau*, Veronica Liu*, Janet Ng* Pang Ka Tat* Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang* 按英文姓氏首字母排列 In alphabetical order

So Kwok-wan

2023 年 2 月更新 Updated February 2023

Joey Ng* Linda Tam*

Christy Ho* Jasmine Poon*