2023 Sem 4
Interior Architecture Design IV
Hiruthikga Sandra Kumar
PROJECT 01 (30%) GROUP + INDIVIDUAL
THE THEATRIC NARRATIVE PROGRAM TASK 1: SELECTION OF MOVIE TASK 2: NARRATIVE + PROGRAM THROUGH SETTING CRIT 1: (10%) = GROUP SUBMISSION : (20%) - GROUP + INDIVIDUAL
“Beauty perishes in life, but is immortal in art”
- Leonardo da Vinci
PROJECT 02 (20%) GROUP + INDIVIDUAL SITE MODEL TASK 2A :BUILDING / SITE MODEL (10%) - GROUP TASK 2B: SPATIAL INTERIOR SPACE (10%) - INDIVIDUAL
RE-IMAGINING: ARTS & CULTURE EXPERIENCES CRIT 1: (5%) LAYOUT PLAN & SPACE PROGRAMMING - INDIVIDUAL CRIT 2: (5%) EXPLOADED AXONOMETRIC & PERSPECTIVES & COLLAB PERSPECTIVES - INDIVIDUAL CRIT 2: (10%) COLLABORATIVE SPACE - GROUP CRIT 3: (5%) ELEVATIONS & OVERALL SECTION & BESPOKE DETAILS - INDIVIDUAL OVERALL FINAL PROJECT PRESENTATION BOARDS (10%) - INDIVIDUAL FINAL PHYSICAL PRESENTATION (5%) - INDIVIDUAL
PROJECT 03 (10%) GROUP + INDIVIDUAL
2023 Sem 4
WALKTHROUGH VIDEO INDIVIDUAL SPACE YOUTUBE LINK - INDIVUAL COLLAB SPACE QR CODE - GROUP MIRO BOARD LINK (WEEKLY PROGRESS)
PROJECT 01 (30%) GROUP (20%) + INDIVIDUAL (10%) 2023 Sem 4
INTRODUCTION IN OUR INTERIOR ARCHITECTURE PROJECT, WE FUSE CINEMATIC PASSION WITH DESIGN EXPERTISE TO CRAFT AN IMMERSIVE STAGE INSPIRED BY A CHOSEN FILM. WE DELVE INTO THOROUGH RESEARCH, DRAW INSPIRATION, AND PROPOSE A CONCEPTUAL STAGE DESIGN THAT EVOLVES INTO A "NARRATIVE PROGRAM." IMAGINE CREATIVELY REINTERPRETING ICONIC MOVIE SCENES, SEAMLESSLY BLENDING THEM WITH INTERIOR ARCHITECTURE FOR A MULTISENSORY EXPERIENCE. WE'RE STORYTELLERS, USING 'NARRATIVE PROGRAMMING' TO VISUALLY SHOWCASE ACTIVITIES, FUNCTIONALITY, COLORS, AND TEXTURES. BEYOND A PROJECT, IT'S A TRANSFORMATIVE JOURNEY THROUGH THE MAGIC OF FILM AND DESIGN, EAGERLY ANTICIPATING OUR VISION COMING TO LIFE.
2023 Sem 4
OBJECTIVES INTEGRATE THEORETICAL AND PRACTICES IN PROGRESSIVE THINKING FOR CREATIVE SOLUTIONS TO ABSTRACT DESIGN PROBLEMS. TASK 1 IN TEAMS OF FOUR, STUDENTS WILL COLLABORATIVELY CHOOSE BOTH A MOVIE GENRE AND A PARTICULAR FILM ASSOCIATED WITH THEIR SELECTED GENRE. TASK 2 OUR TASK INVOLVES A THOROUGH ANALYSIS OF OUR CHOSEN FILM, EXPLORING CHARACTERS, PLOT, EMOTIONS, SETTINGS, AND SYMBOLS. WE'RE EMPHASIZING THE SENSORY EXPERIENCE—TOUCH, TASTE, SOUND, SMELL, AND SIGHT—TO INFORM OUR STAGE DESIGN. USING THESE DIMENSIONS AS A CREATIVE WELLSPRING, WE'LL SHOWCASE OUR EFFORTS THROUGH "NARRATIVE PROGRAMMING," AN INNOVATIVE PRESENTATION METHOD.
MEMBERS SELECTION IN OUR COLLABORATIVE INTERIOR ARCHITECTURE PROJECT, OUR TEAM, LED BY MYSELF, HIRUTHIKGA, AND COMPRISING CARMEN, JINNY, AND IMMANUEL,
SELECTED GENRE: HORROR/ THRILLER/ MYSTERY SELECTED SENSE: TOUCH (TANGIBLE/ INTANGIBLE)
THE NUN 2018/ 2023
2023 Sem 4
SKETCHES IDEATION HORROR-THEMED SKETCHES EVOKE AN EERIE ATMOSPHERE, FEATURING SHADOWY LANDSCAPES AND OMINOUS SILHOUETTES. DISTORTED ARCHITECTURE AND CHILLING SYMBOLS HEIGHTEN THE SENSE OF UNEASE. A HAUNTING INTERPLAY OF LIGHT AND SHADOW ENHANCES THE SUSPENSE, WHILE SUBTLE DETAILS PROVOKE A VISCERAL RESPONSE, LAYING THE FOUNDATION FOR A TRULY SPINE-CHILLING STAGE DESIGN.
2023 Sem 4
2023 Sem 4
THE CRUCIFIX MAZE: GOD ENDS HERE
THE CRUCIFIX MAZE: FINIT HIC DEO!
2023 Sem 4
THE JUCAIRE BOX
2023 Sem 4
THE CRUCIFIX MAZE: FINIT HIC DEO!
2023 Sem 4
EXPERIENCE COLLABORATING IN A TEAM COLLABORATING ON A THEATRICALLY BASED INTERIOR ARCHITECTURE PROJECT IS A TRANSFORMATIVE EXPERIENCE, TRANSCENDING TRADITIONAL DESIGN. CRAFTING A NARRATIVE PROGRAM SHARPENS TEAMWORK, COMMUNICATION, AND SPATIAL AWARENESS. INFUSING THEATRICAL ELEMENTS SPARKS CREATIVITY AND INNOVATION, PUSHING US TO EXPLORE UNCONVENTIONAL DESIGN SOLUTIONS. THIS PROCESS ENHANCES OUR ABILITY TO ARTICULATE AND PRESENT CONCEPTS COMPELLINGLY, VALUABLE IN THE PROFESSIONAL REALM. FOCUSING ON THE SENSORY EXPERIENCE CULTIVATES UNDERSTANDING OF TOUCH, TASTE, SOUND, SMELL, AND SIGHT INTEGRATION, CONTRIBUTING TO A HOLISTIC AND USER-CENTRIC APPROACH. THESE EXPERIENCES ENRICH OUR SKILL SET, POSITIONING US AS ADAPTABLE, CREATIVE THINKERS READY FOR COMPLEX CHALLENGES IN INTERIOR ARCHITECTURE.
2023 Sem 4
IMMANUEL HIRU
CARMEN
JEANNIE
PROJECT 02 (20%) GROUP (10%) + INDIVIDUAL (10%) 2023 Sem 4
INTRODUCTION TO THE SITE REXKL STANDS AS A VIBRANT COMMUNITY AND CULTURAL HUB WITH HISTORICAL ROOTS TRACING BACK TO 1947 WHEN IT FIRST EMERGED AS ONE OF THE COUNTRY'S PIONEERING THEATERS. THE ORIGINAL REX CINEMA FACED TWO FIRES, THE FIRST IN 1972 LEADING TO ITS RECONSTRUCTION AS A MODERN SINGLE-SCREEN THEATER, MANAGED BY INDUSTRY GIANTS LIKE THE SHAW BROTHERS AND LATER GOLDEN SCREEN CINEMAS. SADLY, A SECOND FIRE IN 2002 MARKED THE END OF ITS CINEMA ERA. IN 2019, A GROUP OF INNOVATIVE ENTREPRENEURS, SPEARHEADED BY SHIN TSENG AND SHIN CHANG, TOOK THE INITIATIVE TO REVITALIZE THIS 60,000 SQ.FT. SPACE. THEIR MISSION: TO BREATHE NEW LIFE INTO THIS HISTORIC SITE BY INTRODUCING FRESH BUSINESSES, CULTURAL INITIATIVES, AND CREATIVE PROGRAMS, REAWAKENING THIS ONCE-FORGOTTEN GEM IN THE HEART OF KUALA LUMPUR.
2023 Sem 4
SELECTED SITE REXKL, COMMUNITY & CULTURE HUB
GROUP SITE MODEL FOR THE SITE MODEL MAKING THE CLASSMATES SEPERATED INTO 4 TEAMS AND MINE WILL THE 2ND TEAM INCHARGE OF WALLS AND STRUCTURES. FOR THIS PARTICULAR PROJECT THERE WERE 14 MEMBERS ASSIGNED TO MAKE THIS MODEL.
2023 Sem 4
front view
isometric view
right side view
rear view
left side view
INDIVIDUAL MODEL DEVELOPING AN INDIVIDUAL SITE MODEL FOR THE BLACK MAGIC TOWER IN MY INTERIOR DESIGN PROJECT ENTAILS A DETAILED EXPLORATION OF ITS UNIQUE CHARACTERISTICS AND SPATIAL ELEMENTS. THE MODEL WILL CAPTURE THE ESSENCE OF THE TOWER, HIGHLIGHTING DISTINCTIVE ARCHITECTURAL FEATURES, INTERIOR LAYOUT, AND DESIGN ELEMENTS. THE EMPHASIS IS ON ACCURATELY REPRESENTING SPATIAL RELATIONSHIPS, ENCOMPASSING FURNITURE, LIGHTING, AND OTHER CRUCIAL ELEMENTS. THIS MODEL SERVES TO VISUALLY COMMUNICATE THE ESSENCE OF THE BLACK MAGIC TOWER, OFFERING A TANGIBLE AND INSIGHTFUL REPRESENTATION OF THE INTERIOR DESIGN CONCEPT.
2023 Sem 4
“The difference between good and bad architecture is the time you spend on it”
-David Chipperfield
FINAL PROJECT (40%) GROUP (10%) + INDIVIDUAL (30%) 2023 Sem 4
INTRODUCTION IN THE NARRATIVE PROGRAMMING PROJECT, STUDENTS COLLABORATED TO CREATE AN ARTS AND CULTURE CENTER, CONDUCTING A METICULOUS SITE STUDY TO INTEGRATE UNIQUE FEATURES SEAMLESSLY. WORKING IN PAIRS, THEY COMBINED A SENSORY ELEMENT (E.G., TOUCH) AND A MOVIE GENRE TO INSPIRE THE CENTER'S AESTHETICS AND SPATIAL ARRANGEMENT. THE GOAL WAS A COHESIVE DESIGN CONCEPT THAT ENHANCES THE IMMERSIVE EXPERIENCE WITHIN THE CENTER, RESONATING WITH ITS PURPOSE ON SENSORY AND THEMATIC LEVELS.
2023 Sem 4
OBJECTIVES STUDENTS WILL BE REQUIRED TO DEMONSTRATE COMPREHENSIVE TECHNICAL KNOWLEDGE AND SKILLS WITH CAPABILITY TO COMMUNICATE DESIGN IDEAS EFFECTIVELY TO OTHERS. TASK SEPERATION IN OUR CULMINATING PROJECT, MY TEAMMATE AND I COLLABORATED TO CREATE A SHARED SPACE INSPIRED BY THE MOVIES "THE 13 GHOSTS" AND "THE NUN," FOCUSING ON THE SENSE OF TOUCH. DESPITE DISTINCT FILM CHOICES, WE AIMED FOR A COHESIVE ENVIRONMENT, SEAMLESSLY INTEGRATING ELEMENTS FROM BOTH MOVIES. OUR CHALLENGE WAS TO DESIGN A SPACE CAPTURING THE ESSENCE OF BOTH FILMS, EMPHASIZING TOUCH. RESPONSIBILITIES WERE DIVIDED, WITH MY PARTNER HANDLING THE GROUND FLOOR AND GROUND MEZZANINE FLOOR, WHILE I DESIGNED THE FIRST FLOOR, SECOND FLOOR, SECOND MEZZANINE FLOOR, AND THIRD FLOOR.
3 KEY WORDS 1) BELIEFS IN THE MACABRE. 2))SPOOKY ENVIRONMENT. 3) SATANISM. 4) DARK MYTHS
SELECTED MOVIE: THE NUN THE 13 GHOST SELECTED SENSE: TOUCH (TANGIBLE/ INTANGIBLE)
2023 Sem 4
FIRST FLOOR LAYOUT PLAN
SECOND FLOOR LAYOUT PLAN
SECOND MZ FLOOR LAYOUT PLAN
THIRD FLOOR LAYOUT PLAN
CRIT 1: STUDENTS REQUIRED TO PRODUCE 4 MAIN SPACE PROGRAMMING MORE ON MACHANICAL TYPE OF PROGRAMMES, WHICH ARTICULATE AND CONNECT BOTH THE SENSES AND TOUCH OF HORROR MOVIES ELEMENTS.
2023 Sem 4
CRIT 1: MOREOVER STUDENTS REQUIRED TO VISUALISE THE CONCEPT OF OVERALL DESIGN AND INTERRELATE WITH MALAYSIAN ISSUE
2023 Sem 4
CRIT 2: STUDENTS REQUIRED TO PRODUCE EXPLOADED AXONOMETRIC WITH MOST OF SPACE PROGRAMMING INCLUDE. COLLAB SPACE WITH ALMOST FULLY ACCUPIED.
2023 Sem 4
COLLAB SPACE INSIDE THE BUILDING
2023 Sem 4
CRIT 3: STUDENTS REQUIRED TO PRODUCE OVERALL SECTION , SHORT ELEVATION AND LONG ELEVATION
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CRIT 3: STUDENTS REQUIRED TO SELECT ONE BESPOKE FROM THE SPACE PRAGRAMME. I ELECTED THE MAIN WHICH GIVES ME THE ESURANCE OF ALOT WAS THE BLACK MAGIC TOWER
2023 Sem 4
FIRST FLOOR LAYOUT PLAN
2023 SECOND MZ FLOOR LAYOUT PLAN Sem 4
SECOND FLOOR LAYOUT PLAN
THIRD FLOOR LAYOUT PLAN
flooding magic village (collab space)
Elevation a-a 1:100
black magic tower abandoned carousel
seating carousel eerie slider
magic globe water web installation
magic globe water web installation
2023 Sem 4
abandoned carousel
seating carousel
Elevation b-b 1:100 black magic tower
eerie slider
flooding magic village (collab space)
FINAL PROGRAMMING AT THE FINAL PHASE OF PRESENTATION BOARD SUBMISSION THE STUDENTS (US) REQUIRED FINALIZED AND FINISH OVERALL MINIMUM 5 SPACE PROGRAMME AND THE INTERIOR OF BUILDING WITH FULLY CONSTRUCTED/RENDERED. THE ELEVATION WITH FULL SPACE PROGRAMMING SHOWN HERE.
eerie slider
abandoned carousel
black magic tower
Exploaded Axonometric
FULL VIEW OF TOTAL PROGRAMMING THE OVERALL SECTION WAS AN OVERALL CUT THROUGH VIEW OF THE BUILDINGS ESPECIALLY THE THEME AS WELL THE SPACE PROGRAMMING. MOREOVER ALONG WITH THE SECTION THE EXPLOADED AXONOMETRIC WAS FULL TOTAL SPACE PROGRAMMING WHICH ILLUSTRATED WELL WITH SEPERATION OF EACH LEVEL.
Overall Section 1:100
MAGIC p1 Black TOWER
p2 eerie slider magic p3 black globe web p4 water slide
p6
p5 carousel seaters p4
p6 ABANDONED CAROUSEL c
p5 p1
WATER STORAGE THIRD FLOOR SECOND MZ FLOOR
p3 p2
SECOND FLOOR
FIRST FLOOR
2023 Sem 4
Ground MZ FLOOR
Ground FLOOR
Space Programming
2023 Black magic tower Sem 4
magic globe
water web installation
CAROUSEL
ABANDONED CAROUSEL
eerie slider
Black Magic Tower FRONT VIEW
Bespoke Details EXPLOADED AXONOMETRIC
2023 Sem 4
THE TOWER REPRESENTS A DIFFERENT MAGICAL REALM OR ILLUSION. INTERACTIVE EXHIBITS AND INSTALLATIONS USE AUGMENTED REALITY, HOLOGRAMS, AND SENSORY EFFECTS TO ENGAGE VISITORS.
ISOMETRIC VIEW
THE INSTALLATION, A TRANQUIL POOL OF CRYSTAL-CLEAR WATER, SEEMINGLY UNTOUCHED BY THE MAGIC WORLD. SUSPENDED JUST BELOW THE WATER'S SURFACE ARE A SERIES OF TRANSPARENT, COPPER SLIDES AND CONCRETE SCULPTURES, EACH UNIQUELY SHAPED TO REPRESENT ELEMENTS OF NATURE— FLOWING VINES, ABSTRACT AQUATIC LIFE, AND ETHEREAL GEOMETRIC FORMS.
SPACE PROGRAMMING 2 Black Magic Tower
SPACE PROGRAMING 1
2023 Sem 4
seaters
Water Web Installation
SPACE PROGRAMMING 2
Magic Globe
SPACE PROGRAMING 3
2023 Sem 4
Carousel Seatings
SPACE PROGRAMING 4
THE GLOBE, ADORNED WITH INTRICATE PULSATING WITH A SOFT, ETHEREAL GLOW, SERVES AS THE GATEWAY TO AN OTHERWORLDLY JOURNEY. AS VISITORS APPROACH, THEY ARE INVITED TO INTERACT WITH THE MECHANICAL MAGIC GLOBE, EACH TOUCH AWAKENING THE ANCIENT MAGIC WITHIN. ITS SURFACE BEGINS TO SHIMMER, REVEALING A DYNAMIC DISPLAY OF ENCHANTING LANDSCAPES, MYTHICAL CREATURES, AND HIDDEN TREASURES. THROUGH A COMBINATION OF ADVANCED PROJECTION TECHNOLOGY AND MECHANICAL WIZARDRY, IT CREATES AN IMMERSIVE EXPERIENCE FOR THOSE DARING ENOUGH TO EMBARK ON THE ADVENTURE.
FEEL OF SUBTLE VIBRATIONS, COLD MISTS, AND EERIE TEXTURES THAT ADD AN UNSETTLING DIMENSION TO THE DESCENT. THE GHOSTLY STRUCTURE ITSELF SEEMS TO REACT TO THE TOUCH, CHANGING COLORS AND TEXTURES IN RESPONSE TO THE RIDERS' PRESENCE.
Abandoned Carousel
SPACE PROGRAMING 5 THE CENTERPIECE OF A LIVELY CARNIVAL, THE CAROUSEL NOW STANDS AS A SOLITARY FIGURE, SURROUNDED BY OVERGROWN GRASS AND THE REMNANTS OF A FORGOTTEN ERA. THE ABSENCE OF DELIGHTED CHILDREN AND THE DISTANT HUM OF CARNIVAL LIFE ACCENTUATE THE EERIE QUIET THAT ENVELOPS THE CAROUSEL.EACH HORSE, FROZEN IN A FANTASTICAL POSE, SEEMS TO COME TO LIFE UNDER THE INFLUENCE OF THE LATENT MAGIC.
eerie slider
SPACE PROGRAMING 6
2023 Sem 4
FLOODING IS NOT LIMITED TO URBAN AREAS LIKE KUALA LUMPUR; IT CAN ALSO BE A RECURRING ISSUE IN RURAL AREAS AND VILLAGES IN MALAYSIA. IN MANY PARTS OF THE COUNTRY, INCLUDING RURAL AREAS, FLOODING CAN BE A COMMON PROBLEM, PARTICULARLY DURING THE MONSOON SEASON.
the sign board
flooding magic village
2023 Sem 4
EERIE BRIDGE FRAME WITH HANDS. THE VISITORS MAY SNAP PICTURE HERE.
HANTU CARNIVAL HIRUTHIKGA A/P C.M. SANDRA KUMAR FIRST FLOOR - THIRD FLOOR
GHOSTLY NEXUS TEE JIE XIN GROUND FLOOR- GROUND MZ FLOOR
2023 HANTU CARNIVAL : PRESENATION BOARD, MODEL AND WALKTHROUGH VIDEO Sem 4
PROJECT 03 (10%) INDIVIDUAL (10%) 2023 Sem 4
QR CODE FOR COLLAB SPACE WALKTHROUGH YOUTUBE LINK: HTTPS://WWW.YOUTUBE.COM/WATCH?V=7IWOVOSDVS4
2023 Sem 4
MIRO BOARD LINK: HTTPS://MIRO.COM/APP/BOARD/UXJVMRCG9JY=/? SHARE_LINK_ID=822350100447
“ARCHITECTURE IS BASICALLY THE DESIGN OF INTERIORS, THE ART OF ORGANIZING INTERIOR SPACE”
- PHILIP JOHNSON 2023 Sem 4