Sale 876 | Fine & Important Jewelry

Fine &

Important Jewelry

May 18, 2021

Fine & Important Jewelry Sale 876 Tuesday, May 1 8 Chicago | 10 am CT

PR E VI E W B Y A P P O I N T ME N T O N LY PRO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

All lots marked with an asterisk (*) are tax exempt as permitted by law.

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PHOTOGRAPHY Carmen Colome Zoë Bare

COVER Lot 134 | An Opal, Moonstone, and Rock Crystal Necklace, by Tony Duquette

© Hindman LLC 2021 ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

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CONTENTS Fine & Important Jewelry LOTS 1 – 186

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FEATURED DESIGNERS

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AUCTION INQUIRIES

89

CONDITIONS OF SALE

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ABOVE Lot 170 | A Ruby, Emerald and Diamond Flower Brooch, by Evelyn Clothier

OPPOSITE Lots 12, 169-179 | Multigem Brooches, by Evelyn Clothier

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Fine & Important Jewelry Lots 1 – 186

PRO PE R T Y F RO M T H E E S TAT E S O F ALICE KAIVEL, LONG ISLAND, NEW YORK AND STAR ISLAND, FLORIDA A DENVER BUSINESS AND COMMUNITY LEADER WITH PROCEEDS TO BENEFIT A COLORADO NONPROFIT ORGANIZATION EDGAR FOSTER DANIELS, SANTA FE, NEW MEXICO MR. AND MRS. JOHN BARLUM, DETROIT, MICHIGAN NICHOLAS PEAY, CLEVELAND HEIGHTS, OHIO

PRO PE R T Y F RO M T H E C O L L E C T I O N S O F ANITA VANVOORST, UNION HILL, ILLINOIS CAROL SPECTOR, CHICAGO, ILLINOIS MRS. DEBORAH LINKE, GRAND JUNCTION, COLORADO DOT VON WAHLDE, PEOTONE, ILLINOIS JANICE OLCH, SANTA FE, NEW MEXICO JOANNE SAMPLINER, NAPLES, FLORIDA JUNE S. HENNAGE, WILLIAMSBURG, VIRGINIA KATE SNYDER, LUTZ, FLORIDA MARCIA GIBBONS, BISBEE, ARIZONA MARY HOUSTON, EDWARDS, COLORADO SHANTI SCHRAMM, CHICAGO, ILLINOIS VIRGINIA M. BYINGTON A LADY, NEW YORK, NEW YORK A LADY, PARADISE VALLEY, ARIZONA A PRIVATE COLLECTOR, NAPERVILLE, ILLINOIS A PRIVATE COLLECTION

OPPOSITE Lot 164 | A Diamond and Cultured Pearl Flower Brooch, By Evelyn Clothier

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*1 EGYPTIAN REVIVAL, YELLOW GOLD, HARDSTONE AND PEARL BROOCH

*2 ASSYRIAN REVIVAL, YELLOW GOLD AND ENAMEL BROOCH

*3 EGYPTIAN REVIVAL, YELLOW GOLD, ENAMEL AND DIAMOND NECKLACE

Consisting of a yellow gold wing motif with wirework and granulation detail containing one carved hardstone depicting an Egyptian head and one pearl (origin not tested). 7/8 inch x 2 1/2 inches.

Stamp: (Austro-Hungarian hallmark)(maker’s mark).

7.45 dwt.

Consisting of a brooch with central depiction of a lamassu, with granulation and wirework decoration and white and iridescent orange enamel detail. 1 5/8 inches wide.

Scratchmark: 1992.

13.90 dwt.

Consisting of a cable link chain interspersed with textured links depicting polychrome enamel figures and hieroglyphic motifs and 29 rose and mixed cut diamonds, with wheat chain fringe. 17 inches long.

Clasp stamp: 14K. 18.15 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $800 - 1,200

Property from the Collection of Carol Spector, Chicago, Illinois $1,000 - 2,000

Property from the Collection of Carol Spector, Chicago, Illinois $1,000 - 2,000

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*3A 17TH CENTURY CAMEO RING Containing one oval shaped carved hardstone cameo depicting the profile of a man. Mounted in rose gold. Ring size 8.

Stamp: 14K. 10.80 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $1,000 - 2,000

4 ANTIQUE, YELLOW GOLD AND PEARL CONVERTIBLE NECKLACE

*5 JULES & LOUIS WIESE, GOTHIC REVIVAL, YELLOW GOLD RING

Consisting of a flexible link necklace with flower motif fringe links containing numerous pearls (origin not tested), with removable flower motif pendant containing numerous pearls and one old mine cut diamond. 15 inches long.

32.10 dwt.

Depicting a religious figure praying within a Gothic style architectural surround. Ring size 7 1/4.

Stamp: WIESE (maker’s mark).

8.40 dwt.

Property from a Private Collection $1,800 - 2,200

Property from the Collection of Carol Spector, Chicago, Illinois $1,000 - 2,000

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6 ART DECO, CARNELIAN JABOT PIN Consisting of two pierced and carved carnelian bi terminals with yellow gold engraved connecting pin. 4 1/2 inches long.

Engraved: (obscured).

4.95 dwt. $800 - 1,200

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*7 ARCHAEOLOGICAL REVIVAL, YELLOW GOLD EARRINGS

8 ANTIQUE, EMERALD AND DIAMOND RING

Consisting of textured ram’s heads with wirework and granulation detail. 2 inches long.

Stamp: (obscured marks).

10.35 dwt.

Containing one emerald cut emerald measuring approximately 12.85 x 11.20 x 7.55 mm and 16 old European cut diamonds weighing approximately 1.50 carats total. Mounted in yellow gold. Ring size 7.

6.65 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $500 - 700

$6,000 - 8,000

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9 EMERALD EARRINGS

10 GEORGIAN, YELLOW GOLD AND EMERALD SET

Containing two oval cabochon emeralds measuring approximately 14.70 x 11.90 x 6.35 mm and 15.00 x 12.40 x 7.50 mm. Mounted in yellow gold. 1 inch long.

Stamp: 750.

5.00 dwt.

Consisting of a brooch and matching pair of earrings with repousse and chased elements containing numerous mixed cut emeralds. Brooch: 3 x 2 3/8 inches. Earrings: 2 inches long.

35.80 dwt.

Sold without reserve $8,000 - 10,000

Property from a Private Collection $1,800 - 2,200

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11 SAPPHIRE AND DIAMOND RING Containing one oval sugarloaf sapphire weighing measuring 14.53 x 11.29 x 6.25 mm and two pear shaped diamonds weighing approximately 0.70 carat total. Mounted in yellow gold. Ring size 7.

Stamp: 750 (maker’s mark).

4.55 dwt. $8,000 - 12,000

12 EVELYN CLOTHIER, SAPPHIRE AND DIAMOND INSECT EARRINGS Containing two oval mixed cut sapphires measuring approximately 5.60 x 3.75 mm, 18 old mine and single cut diamonds weighing approximately 0.25 carat total and four ruby eyes.

Mounted in yellow and silver-topped gold. 1/2 inch long.

Earring back stamp: (maker’s mark) 18K. 3.40 dwt.

Property from a Private Collection $600 - 800

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*13 ANTIQUE, DIAMOND AND BLUE GLASS RING Consisting of a blue glass background surmounted and surrounded by 55 old mine cut diamonds.

Mounted in silver-topped gold. Ring size 5 1/2.

4.05 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $600 - 800

*14 YELLOW GOLD, DIAMOND AND SAPPHIRE MESH PURSE Consisting of a floral motif pierced and engraved hinged frame containing five old European cut diamonds weighing approximately 1.15 carats total and six oval mixed cut sapphires of various size, the clasp containing one round cabochon cut sapphire, suspending a mesh purse, with oval link chain strap. 5 3/4 x 6 1/4 inches.

Stamp: 14K. 142.50 dwt.

Property from the Estate of Mr. and Mrs. John Barlum, Detroit, Michigan $4,000 - 6,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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*15 TIFFANY & CO., YELLOW GOLD MESH PURSE

16 BURMESE SAPPHIRE AND DIAMOND RING

Consisting of a hinged frame with clasp containing two round cabochon synthetic sapphires, suspending a mesh purse, with a cable link chain strap. 4 3/4 x 5 inches.

Stamp: TIFFANY & CO 14K. 96.70 dwt.

Containing one oval modified brilliant cut sapphire measuring 12.94 x 10.89 x 7.48 mm and 16 old mine cut diamonds weighing approximately 1.75 carats total. Mounted in silver-topped gold. Ring size 8 1/4.

Stamp: 18CT (French import mark).

5.05 dwt.

Property from the Collection of Mary Houston, Edwards, Colorado $3,500 - 5,500

GIA, 2017, Report number 2181300325, 8.08 carats, Natural Corundum, Sapphire, Burma (Myanmar), No indications of heating Property of a Private Collector, Naperville, Illinois $30,000 - 50,000

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*17 ART NOUVEAU, MONTANA SAPPHIRE, DIAMOND AND PEARL NECKLACE

*18 TIFFANY & CO., ANTIQUE, KASHMIR SAPPHIRE AND DIAMOND STICKPIN

Consisting of a cable link swag necklace containing 19 round mixed cut Montana sapphires measuring approximately 1.90-4.85 mm in diameter, three old European cut diamonds and 21 pearls (origin not tested). Mounted in yellow gold. 15 1/2 inches long.

7.25 dwt.

Containing one oval sugarloaf sapphire measuring approximately 7.65 x 6.25 x 5.50 mm and 12 old European cut diamonds weighing approximately 0.70 carat total. Mounted in yellow gold.

Stamp: TIFFANY & CO. 2.05 dwt.

Property from the Estate of Alice Kaivel, Long Island, New York and Star Island, Florida $1,500 - 2,500

AGL, 2020, Report number 1109207, Natural Corundum, Sapphire, Kashmir, No gemological evidence of heat Property from the Collection of Virginia M. Byington $35,000 - 55,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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*19 FRENCH, ART NOUVEAU, YELLOW GOLD, RUBY AND PEARL CONVERTIBLE NECKLACE Consisting of swirling foliate motif links containing 16 round mixed cut rubies and 16 pearls (origin of color not tested), with removable section allowing it to be worn as a bracelet or a necklace. 17 inches long.

Stamp: (French hallmarks for 18 karat) (J&P maker’s mark).

18.20 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $1,800 - 2,200

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*20 ART NOUVEAU, YELLOW GOLD AND OPAL RING Consisting of an openwork curling foliate motif containing one round cabochon opal measuring approximately 5.75 mm in diameter and 10 mixed cut green gemstones. Ring size 6.

4.35 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $500 - 700

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*21 ART NOUVEAU, YELLOW GOLD, RUBY AND ENAMEL OPEN FACE LAPEL WATCH

*22 ART NOUVEAU, YELLOW GOLD, CONCH PEARL AND PLIQUE-À-JOUR ENAMEL BROOCH

*23 FRENCH, ART NOUVEAU, PLIQUE-À-JOUR ENAMEL AND DIAMOND RING

Consisting of a curling foliate motif brooch with green translucent enamel and five round cabochon rubies, suspending an open face pocket watch with 34.00 mm case diameter, black Arabic numerals, subdial for seconds at 6 o’clock, stem wound and set 15 jewel manual wind movement, guilloche grey enamel and foliate engraved case back containing seven round cabochon rubies. 3 1/8 inches long.

Inner case stamp: (Swiss hallmarks).

Inner case back stamp: SWISS OMEGA (Swiss hallmark) 14K 3807265.

26.10 dwt.

Consisting of a swirling foliate motif with five conch pearl buds and green plique-á-jour enamel leaves. 1 1/2 inches x 1 inch.

Stamp: 750 (maker’s mark).

4.80 dwt.

Consisting of a yellow gold ring depicting the profile of a woman with swirling hair with green plique-ájour enamel and three rose cut diamonds. Ring size 5 1/2.

Stamp: (French hallmark for 18 karat)(obscured maker’s mark).

3.65 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $1,000 - 2,000

Property from the Collection of Carol Spector, Chicago, Illinois $500 - 700

Property from the Collection of Carol Spector, Chicago, Illinois $2,500 - 3,500

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*24 ANTIQUE, DIAMOND REVERSIBLE PORTRAIT MINIATURE BROOCH

*25 ANTIQUE, SAPPHIRE AND DIAMOND RING

26 ANTIQUE, DIAMOND RING

Containing numerous rose and mixed cut diamonds and a painted female portrait and on the reverse, a painted male portrait. Mounted in rose gold and silver. 2 1/4 x 1 7/16 inches.

15.35 dwt.

Containing two oval mixed cut sapphires measuring approximately 7.00 x 6.40 mm and 55 rose cut diamonds within a stylized double heart and bow motif. Mounted in yellow gold. Ring size 6 3/4.

Stamp: 18CT. 5.00 dwt.

Containing one old European cut diamond weighing approximately 1.50 carats and 13 old mine cut diamonds weighing approximately 0.40 carat total.

Mounted in platinum-topped gold. Ring size 7 1/4.

2.05 dwt.

Property from the Collection of Carol Spector, Chicago, Illinois $1,200 - 1,800

Property from the Collection of Carol Spector, Chicago, Illinois $1,500 - 2,500

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Property of a Private Collector, Naperville, Illinois $2,500 - 3,500

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27 DIAMOND AND PEARL EARRINGS

28 DIAMOND AND PEARL NECKLACE

Containing 150 old European and old mine cut diamonds weighing approximately 5.00 carats total and two pearl drops (origin not tested) measuring approximately 9.00 x 7.00 mm. Mounted in platinum-topped gold. 2 1/2 inches long.

9.30 dwt.

Containing numerous old mine, old European and mixed cut diamonds weighing approximately 7.40 carats total, 25 pearls (origin not tested) measuring approximately 4.65-5.75 mm in diameter and three pearl drops (origin not tested). Mounted in silvertopped gold. 17 1/2 inches long.

28.70 dwt.

$1,500 - 2,500 Property from a Private Collection $3,000 - 5,000

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*29 CARTIER, ANTIQUE, DIAMOND BROOCH/ELEMENT Containing 54 old European and single cut diamonds weighing approximately 1.10 carats total with hinged screw back attachment. Mounted in platinum. 3/4 x 1 inch.

Engraved: CARTIER NEW YORK PARIS 46 12 (obscured).

4.45 dwt.

Property from the Collection of Kate Snyder, Lutz, Florida $2,500 - 3,500

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30 ANTIQUE, DIAMOND AND AMETHYST INTAGLIO BROOCH Containing one oval amethyst intaglio measuring approximately 32.00 x 24.00 mm and 100 old European and single cut diamonds weighing approximately 1.50 carats total. Mounted in platinum. 1 1/8 x 1 3/8 inches.

13.80 dwt. $1,500 - 2,500

31 DIAMOND FEATHER BROOCH Containing 115 old mine and old European cut diamonds weighing approximately 6.15 carats total.

Mounted in rhodium-plated gold. 3 5/8 x 1 1/4 inches.

15.15 dwt.

Property from a Private Collection $3,000 - 5,000

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32 ART DECO, DIAMOND AND SYNTHETIC SAPPHIRE BRACELET Containing one old European cut diamond weighing approximately 0.50 carat, numerous old European and single cut diamonds weighing approximately 7.00 carats total and 18 rectangular French cut synthetic sapphires. Mounted in platinum. 7 1/8 inches long.

15.75 dwt. $6,000 - 8,000

33 ART DECO, DIAMOND AND SAPPHIRE BRACELET Containing three European cut diamond weighing approximately 1.85 carats total, 116 single cut diamonds weighing approximately 2.30 carats total and 24 calibre cut sapphires. Mounted in platinum. 6 1/4 inches long.

15.75 dwt. $3,000 - 5,000

34 ART DECO, DIAMOND AND SAPPHIRE BROOCH Containing three step cut diamonds weighing approximately 1.00 carat total, four baguette cut diamonds weighing approximately 0.80 carat total, 40 old European cut diamonds weighing approximately 1.00 carat total and numerous calibre cut sapphires. Mounted in platinum. 7/16 inch x 1 3/4 inches.

4.80 dwt. $1,500 - 2,500

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35 ART DECO, DIAMOND RING Containing one old European cut diamond weighing approximately 1.15 carats and 52 old European and single cut diamonds weighing approximately 2.05 carats total. Mounted in platinum. Ring size 7 1/2.

3.35 dwt.

Property from a Private Collection $2,000 - 3,000

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36 ART DECO, DIAMOND AND SYNTHETIC SAPPHIRE BRACELET Containing 35 old European cut diamonds weighing approximately 7.00 carats total and 70 rectangular French cut synthetic sapphires. Mounted in platinum. 7 inches long.

19.95 dwt. $7,000 - 9,000

37 DIAMOND BROOCH Containing one round brilliant cut diamond weighing approximately 0.60 carat, 11 baguette cut diamonds weighing approximately 1.05 carats total and 175 round brilliant and single cut diamonds weighing approximately 4.75 carats total. Mounted in platinum. 3 x 1 1/4 inches.

16.30 dwt.

Property from a Private Collection $3,500 - 5,500

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*38 TOPAZ LAVALIER NECKLACE Containing three emerald cut colorless topaz measuring approximately 15.25 x 12.40 x 9.85 mm to 19.90 x 19.55 x 13.90 mm, suspended from a fancy link longchain necklace. 37 1/2 inches long.

21.25 dwt.

Accompanied by a fitted Lacloche Frères box Property from the Collection of Carol Spector, Chicago, Illinois $800 - 1,200

39 CARTIER, VINTAGE, YELLOW SAPPHIRE AND DIAMOND BROOCH

40 CARTIER, ART DECO, AQUAMARINE AND DIAMOND CLIP BROOCH

Containing two cushion mixed cut yellow sapphires measuring approximately 8.50 x 8.50 mm and 26 baguette cut diamonds weighing approximately 1.00 carat total. Mounted in platinum. 1 15/16 inches x 3/8 inch.

Stamp: CARTIER 60-70385.

4.70 dwt.

Containing eight rectangular mixed cut aquamarines and nine old European and single cut diamonds weighing approximately 0.30 carat total. Mounted in platinum with white gold clip back. 1 3/8 inches x 13/16 inch.

Stamp: CARTIER 3419339 CARTIER O.C.C. 8.15 dwt.

$4,000 - 6,000

$7,000 - 9,000

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41 BOUCHERON, DIAMOND AND SAPPHIRE SURPRISE WRISTWATCH The hinged dial cover and bracelet containing 19 round brilliant cut diamonds weighing approximately 1.50 carats total and 19 round mixed cut sapphires, the watch with matte gold dial, Arabic and dot numerals, manual wind movement. Mounted in yellow gold and platinum. 6 inches long.

Case back engraved: BOUCHERON PARIS 77589 (French hallmark).

Clasp stamp: (French hallmark).

28.30 dwt.

Accompanied by a Boucheron box. $2,500 - 3,500

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*42 SAPPHIRE AND DIAMOND BOMBE RING Containing numerous round and oval mixed cut sapphires and seven round brilliant cut diamonds weighing approximately 1.30 carats total. Mounted in yellow gold. Ring size 4 1/2.

16.35 dwt.

Property from the Estate of Alice Kaivel, Long Island, New York and Star Island, Florida $1,500 - 2,500

*43 TIFFANY & CO., RETRO, YELLOW GOLD ‘DEAREST’ BRACELET Consisting of seven textured gold hinged compartments, each with a clasp containing one round gemstone whose first letter spells out DEAREST. 7 1/2 inches long.

Stamp: TIFFANY & CO 14K. 39.20 dwt.

Property from the Estate of Alice Kaivel, Long Island, New York and Star Island, Florida $1,200 - 1,800

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44 VAN CLEEF & ARPELS, DIAMOND AND RUBY SET Consisting of bracelet containing 18 round brilliant cut diamonds weighing approximately 1.50 carats total and 18 round mixed cut rubies measuring approximately 2.80-3.00 mm in diameter, together with a pair of matching earclips containing six round brilliant cut diamonds weighing approximately 0.50 carat total and eight round mixed cut rubies measuring approximately 2.55-3.10 mm in diameter. Mounted in yellow gold. Bracelet: 7 inches long. Earclips: 1 inch long.

Bracelet engraved: VCA FRANCE 2V46-1 (French hallmark).

Earclips engraved: V.C.A MADE IN FRANCE 3V35 5 (French hallmark).

45.60 dwt.

45 VAN CLEEF & ARPELS, DIAMOND AND RUBY RING

46 VAN CLEEF & ARPELS, YELLOW GOLD AND DIAMOND COMPACT

Containing 12 round brilliant cut diamonds weighing approximately 0.25 carat total and 36 round mixed cut rubies. Mounted in yellow gold. Ring size 6.

Engraved: VAN CLEEF & ARPELS MADE IN FRANCE 32101(French hallmark).

6.90 dwt.

Consisting of a textured gold hinged case, the clasp containing 25 round brilliant cut diamonds weighing approximately 0.55 carat total, with interior mirror and compartment. 3 x 2 3/16 x 7/16 inches.

Stamp: VAN CLEEF & ARPELS NY 29811 18K. 107.10 dwt.

Property from the Estate of a Denver Business and Community Leader, Denver, Colorado $4,000 - 6,000

$5,000 - 7,000

Property from the Estate of a Denver Business and Community Leader, Denver, Colorado $8,000 - 12,000

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47 EVELYN CLOTHIER, OPAL, DIAMOND, RUBY AND EMERALD BROOCH

48 CARTIER, M. WASLIKOFF & SONS, SAPPHIRE AND DIAMOND BRACELET

Containing two oval cabochon opals measuring approximately 17.45 x 15.60 mm and 14.80 x 12.50 mm, 115 round brilliant and single cut diamonds weighing approximately 1.90 carats total, numerous square step cut rubies and six round mixed cut emeralds. Mounted in platinum and yellow gold. 2 7/8 inches long.

Stamp: (maker’s mark)PLAT 18K. 14.90 dwt.

Containing 25 square step cut sapphires weighing approximately 5.00 carats total and 30 round brilliant cut diamonds weighing approximately 2.00 carats total. Mounted in platinum. 7 inches long.

Stamp: (maker’s mark for M. Waslikoff & Sons) PL(obscured).

Engraved: Cartier 92754.

Engraved: HNB MKB 4-9-79 13.90 dwt.

Property from a Private Collection $1,000 - 2,000

$6,000 - 8,000

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49 RUBY AND DIAMOND BRACELET Containing 28 square step cut rubies weighing approximately 6.45 carats total and 28 round brilliant cut diamonds weighing approximately 1.70 carats total. Mounted in platinum. 7 inches long.

Stamp: 10%IRID.PLAT. 588.

15.80 dwt. $6,000 - 8,000

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50 CULTURED BAROQUE PEARL AND DIAMOND NECKLACE

51 EVELYN CLOTHIER, DIAMOND, RUBY AND CULTURED SOUTH SEA PEARL EARCLIPS

Consisting of three strands of Baroque pearls measuring approximately 10.40-11.20 mm in diameter, strung knotted with a platinum clasp containing 15 baguette cut diamonds weighing approximately 1.65 carats total and numerous round brilliant and single cut diamonds weighing approximately 4.35 carats total. 20 inches long.

173.85 dwt.

Containing 72 round brilliant cut diamonds weighing approximately 1.75 carats total, 22 square and triangular step cut rubies and two South Sea pearl drops measuring approximately 12.70 mm in diameter, posts with clip backs. Mounted in platinum. 1 inch long.

Stamp: (maker’s mark) PLAT. 12.10 dwt.

Property from a Private Collection $2,500 - 3,500

Property from a Private Collection $800 - 1,200

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52 EVELYN CLOTHIER, DIAMOND EN TREMBLANT BROOCH

53 AN IMPORTANT BURMESE RUBY AND DIAMOND RING

Consisting of five en tremblant swallows containing numerous single cut diamonds weighing approximately 6.30 carats total and six ruby eyes.

Mounted in platinum and yellow gold. 2 1/4 x 4 1/2 inches.

Stamp: (maker’s mark) PLAT 18K. 20.65 dwt.

Containing one oval mixed cut ruby measuring approximately 10.54 x 8.35 x 5.10 mm and two triangular brilliant cut diamonds weighing approximately 1.50 carats total. Mounted in yellow gold and platinum. Ring size 6.

Stamp: 18K. 2.90 dwt.

Property from a Private Collection $4,000 - 6,000

AGL, 2021, Report number 1112429, Natural Corundum, Ruby, Classic Burma (Myanmar), No heat $30,000 - 50,000

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54 DIAMOND RIVIÉRE NECKLACE

55 AQUAMARINE AND DIAMOND RING

Containing 99 pear brilliant cut diamonds weighing approximately 35.00 carats total. Mounted in platinum. 17 5/8 inches.

29.75 dwt.

Containing one marquise cut aquamarine measuring approximately 18.00 x 8.90 mm, one pear shaped aquamarine measuring approximately 14.60 x 9.95 mm, eight marquise and two pear brilliant cut diamonds weighing approximately 5.00 carats total.

Mounted in bicolor gold. Ring size 5 1/4.

Stamp: ARG 14K. 7.65 dwt.

$35,000 - 45,000

$5,000 - 7,000

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56 DIAMOND FLOWER EARRINGS Containing 12 pear and two round brilliant cut diamonds weighing approximately 4.50 carats total. Mounted in white gold. 5/8 inch wide.

Post stamp: 14K. Earring back stamp: 14K. 2.90 dwt. $5,000 - 7,000

57A FRENCH, INVISIBLY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH Containing numerous calibré cut sapphires and numerous round brilliant cut diamonds weighing approximately 8.00 carats total. Mounted in platinum and white gold. 3 1/2 x 2 inches.

Stamp: 750 (French import marks).

48.85 dwt. $18,000 - 22,000

57 DIAMOND RING Containing four marquise, 24 baguette and 64 round brilliant and single cut diamonds weighing approximately 3.95 carats total. Mounted in platinum. Ring size 6 1/4.

Stamp: PLAT. 5.35 dwt.

58 HARRY WINSTON, DIAMOND RING Containing one pear brilliant cut diamond weighing 2.91 carats and two tapered baguette cut diamonds weighing approximately 0.20 carat total. Mounted in platinum. Ring size 6.

Stamp: PT950 2.91 WINSTON. 3.25 dwt.

Accompanied by a Harry Winston box.

GIA, 2021, Report number 2215433924, 2.91 carats, D color, VVS1 clarity, No fluorescence $25,000 - 35,000

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61

59

59 HARRY WINSTON, DIAMOND RING

60 BOUCHERON, DIAMOND BRACELET

61 TWO-SIDED DIAMOND ETERNITY BAND

Containing one emerald cut diamond weighing 2.27 carats, one emerald cut diamond weighing 2.31 carats and four baguette cut diamonds. Mounted in platinum. Ring size 4 1/2.

3.55 dwt.

Containing 35 round brilliant cut diamonds weighing approximately 10.50 carats total. Mounted in platinum. 7 1/2 inches long.

Stamp: (French hallmarks).

Engraved: BOUCHERON PARIS. 12.15 dwt.

Containing 10 emerald cut diamonds weighing approximately 2.60 carats total and eight round brilliant cut diamonds weighing approximately 2.05 carats total. Mounted in platinum. Ring size 6 1/4.

Stamp: PLAT. 3.85 dwt.

Property from a Private Collection $7,000 - 9,000

$7,000 - 9,000

Accompanied by a copy of a Harry Winston insurance evaluation and Harry Winston box.

GIA, 2021, Report number 2215548779, 2.27 carats, E color, VS2 clarity, No fluorescence GIA, 2021, Report number 2215548764, 2.31 carats, F color, VS1 clarity, No fluorescence Property from the Estate of a Denver Business and Community Leader, Denver, Colorado $20,000 - 30,000 32

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63

64

62

62 HARRY WINSTON, AQUAMARINE RING

63 DIAMOND NECKLACE

64 DIAMOND HOOP EARRINGS

Containing one emerald cut aquamarine measuring approximately 15.00 x 12.60 x 9.40 mm. Mounted in platinum. Ring size 6 1/2.

Stamp: 12.(obscured) WINSTON PLATINUM. 5.45 dwt.

Containing 158 round brilliant cut diamonds weighing approximately 37.00-40.00 carats total.

Mounted in platinum. 32 inches long.

Stamp: 950.

44.60 dwt.

In an inside out style, containing 36 round brilliant cut diamonds weighing approximately 9.00 carats total. Mounted in white gold. 1 1/2 inches long.

Stamp: 14K. 8.70 dwt.

$8,000 - 10,000

$15,000 - 20,000

$9,000 - 11,000

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65

66

67

65 DIAMOND EARRINGS

66 DIAMOND ETERNITY BAND

Containing 198 round brilliant and 20 baguette cut diamonds weighing approximately 4.00 carats total.

Mounted in white gold. 2 1/2 inches long.

10.65 dwt.

Containing 18 heart brilliant cut diamonds weighing approximately 4.50 carats total. Mounted in platinum. Ring size 6 1/2.

Stamp: plat.

3.05 dwt.

$3,500 - 5,500 $5,500 - 6,500

67 EVELYN CLOTHIER, DIAMOND AND SAPPHIRE BOW BROOCH Consisting of an openwork articulated bow with fringe drops containing 119 old European, old mine and round brilliant cut diamonds weighing approximately 5.50 carats total and numerous round mixed cut sapphires. Mounted in platinum with yellow gold pin back. 3 1/2 x 2 1/4 inches.

Stamp: (maker’s mark) 18K PLAT. 25.10 dwt.

Property from a Private Collection $2,000 - 3,000

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69

70

71

68

68 DIAMOND NECKLACE

*70 SAPPHIRE AND DIAMOND RING

*71 DIAMOND ETERNITY BAND Containing 16 round brilliant cut diamonds weighing approximately 3.70 carats total. Mounted in platinum. Ring size 6 1/2.

Stamp: plat.

3.15 dwt.

$12,000 - 18,000

Containing one cushion mixed cut sapphire measuring approximately 12.10 x 11.56 x 6.65 mm, 14 round brilliant cut diamonds weighing approximately 1.15 carats total and two baguette cut diamonds weighing approximately 1.00 carat total. Mounted in platinum. Ring size 7 3/4.

7.20 dwt.

69 DIAMOND EARRINGS

AGL, 2021, Report number 1112959, Natural Corundum, Sapphire, Ceylon (Sri Lanka), No gemological evidence of heat

Containing 855 round brilliant cut diamonds weighing approximately 22.20 carats total. Mounted in white gold. 16 3/4 inches long.

Stamp: 750 RAYA. 30.00 dwt.

Containing 16 round brilliant cut diamonds weighing approximately 2.10 carats total. Mounted in white gold. 3/8 inch wide.

Post stamp: 14K. Earring back stamp: 14K. 2.85 dwt.

$4,500 - 5,500

Property from the Collection of Janice Olch, Santa Fe, New Mexico $7,000 - 9,000

$2,500 - 3,500 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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74

73

72

72 BUCCELLATI, YELLOW GOLD ‘HAWAII’ NECKLACE Consisting of interlocking textured circular links. 40 inches long.

Engraved: BUCCELLATI 18KT ITALY. Stamp: (Italian hallmark) 750.

57.50 dwt.

Property from a Private Collection $4,000 - 6,000

73 BUCCELLATI, BICOLOR GOLD ‘OLYMPIA’ CONVERTIBLE EARCLIPS

*74 BUCCELLATI, ROSE GOLD AND PLATINUM BROOCH

Consisting of textured bicolor gold flower earclips with removable interlocking textured circular link drops. 3 inches long.

Engraved: BUCCELLATI 18K ITALY. Stamp: 750 (Italian hallmark).

15.35 dwt.

In a circular organic design with brushed finish. 1 5/8 inches wide.

Engraved: Buccellati 18K ITALY N902.

7.95 dwt.

Property from a Private Collection $2,500 - 3,500

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Property from the Estate of Nicholas Peay, Cleveland Heights, Ohio $1,000 - 2,000

76

77

75

75 BUCCELLATI, BICOLOR GOLD AND CULTURED PEARL CONVERTIBLE EARCLIPS Containing 24 oval and button shaped pearls, with removable drops, posts with clip backs. 2 3/4 inches long.

Engraved: Buccellati 18K ITALY. Stamp: 750 (Italian hallmark).

19.95 dwt.

76 BUCCELLATI, BICOLOR GOLD FLOWER BROOCH

77 BUCCELLATI, BICOLOR GOLD FLOWER BROOCH

Consisting of textured yellow gold center and brushed white gold petals. 2 1/2 x 2 3/4 inches.

Engraved: Gianmaria Buccellati 18K ITALY J2014 2993X. 19.75 dwt.

Consisting of textured yellow gold center and brushed white gold petals. 2 inches wide.

Stamp: (obscured Italian hallmark) 750.

Engraved: Buccellati ITALY 18K N 58.

11.60 dwt.

Property from a Private Collection $1,500 - 2,500

Property from a Private Collection $1,200 - 1,800

Property from a Private Collection $1,200 - 1,800

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78

81

80 79

78 MARIO BUCCELLATI, YELLOW SAPPHIRE AND DIAMOND EARRINGS

79 BUCCELLATI, DIAMOND AND CULTURED PEARL EARCLIPS

Containing two cushion mixed cut yellow sapphires measuring approximately 6.85 x 6.70 mm and 46 rose cut diamonds. Mounted in silver and yellow gold. 2 1/2 inches long.

Engraved: M. BUCCELLATI ITALY. 6.75 dwt.

Containing 26 rose cut diamonds and four pearls, posts with clip backs. Mounted in silver-topped gold. 1 inch long.

Engraved: Buccellati Italia.

Stamp: 750 (Italian hallmark).

8.05 dwt.

$4,000 - 6,000

Accompanied by a Buccellati box. $1,000 - 2,000

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80 DIAMOND RING Containing one foil-backed rose cut diamond measuring approximately 10.00 mm in diameter and 20 rose cut diamonds. Mounted in rose gold. Ring size 7 3/4.

2.90 dwt.

Property from a Private Collection $2,000 - 3,000

82 83

81 BUCCELLATI, COLLECTION OF TRICOLOR GOLD EARCLIPS

82 RUBY AND DIAMOND NECKLACE

*83 BUCCELLATI, BICOLOR GOLD LEAF EARCLIPS

Consisting of three grape motif earclips with brushed finish. 1 1/8 inches long.

Engraved: Buccellati ITALY 18K Y2772.

Engraved: Buccellati ITALY 18K Y2772.

Engraved: Buccellati ITALY 18K A3602.

19.10 dwt.

Containing 29 oval mixed cut rubies measuring approximately 4.50 x 4.15 mm to 5.45 x 4.25 mm and numerous round brilliant cut diamonds weighing approximately 5.25 carats total. Mounted in yellow gold. 16 3/4 inches long.

Stamp: 750.

Scratchmark: 5777.

29.00 dwt.

Consisting of textured yellow gold leaves with white gold detail, posts with clip backs. 1 3/8 inches long.

Engraved: E2403 Buccellati ITALY 18K. Stamp: 750 (Italian hallmark).

7.05 dwt.

Property from the Estate of Nicholas Peay, Cleveland Heights, Ohio $1,800 - 2,200

$5,500 - 7,500

Property from a Private Collection $800 - 1,200

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84

84 TIFFANY & CO., PALOMA PICASSO, YELLOW GOLD AND CULTURED MABE PEARL EARCLIPS

85 TIFFANY & CO., ELSA PERETTI, YELLOW GOLD ‘MESH SCARF’ NECKLACE

Containing six mabe pearls measuring approximately 13.55-13.90 mm in diameter. 1 inch long.

Stamp: Paloma Picasso 1983 T.&CO. 18K. 21.80 dwt.

Designed as a gold mesh scarf measuring approximately 40.00 mm wide. 37 inches long.

Stamp: T & CO. 750 PERETTI. 56.25 dwt.

$800 - 1,200

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Property from the Collection of Anita VanVoorst, Union Hill, Illinois $5,000 - 7,000

85

86

87

88

86 VAN CLEEF & ARPELS, TIGER’S EYE AND DIAMOND RING

87 VAN CLEEF & ARPELS, YELLOW GOLD AND CHRYSOPRASE BRACELET

Consisting of a bypass design containing tiger’s eye plaques and 12 round brilliant cut diamonds weighing approximately 0.25 carat total. Mounted in yellow gold. Ring size 4 3/4.

Stamp: V. C. A. NEW - YORK 18KT. FRANCE 5V501.23 (obscured hallmarks).

5.70 dwt.

Containing 32 round chrysoprase beads measuring approximately 6.00 mm in diameter. 7 1/4 inches long.

Engraved: VCA 750 B2064 C16.

Stamp: (French hallmarks).

$1,500 - 2,500

Accompanied by a Van Cleef & Arpels box. $4,000 - 6,000

*88 YELLOW GOLD, EMERALD AND SAPPHIRE SET Consisting of a brooch with textured gold articulated links, six round mixed cut emeralds and 13 round mixed cut sapphires, together with a matching pair of earclips containing 12 round mixed cut emeralds and 26 round mixed cut sapphires. Brooch: 2 3/8 x 1 3/8 inches. Earclips: 1 1/2 inches long.

38.45 dwt.

Property from the Estate of Alice Kaivel, Long Island, New York and Star Island, Florida $1,500 - 2,500

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89 YELLOW GOLD AND DIAMOND CONVERTIBLE NECKLACE Consisting of ribbed oval links containing 648 round brilliant cut diamonds weighing approximately 16.20 carats total. The necklace detaches to be worn as a bracelet and shorter necklace. 22 1/2 inches long.

Stamp: 18K ITALY. 298.20 dwt. $20,000 - 30,000

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91 90

93

92

91 DIAMOND ETERNITY BAND 90 BURMESE SAPPHIRE AND DIAMOND RING Containing one oval modified mixed cut sapphire measuring 10.14 x 7.24 x 5.03 mm and 16 old mine cut diamonds weighing approximately 0.80 carat total. Mounted in yellow gold. Ring size 4.

2.35 dwt.

Copy AGL, 2017, Report number 1082662, 3.24 carats, Natural Corundum, Sapphire, Burma (Myanmar), No gemological evidence of heat Property from the Collection of Julie Allen, Tustin, California $12,000 - 18,000

Containing 19 emerald cut diamonds weighing approximately 5.70 carats total. Mounted in platinum. Ring size 6 1/4.

Stamp: PLAT. 3.75 dwt. $7,000 - 9,000

92 YELLOW GOLD AND DIAMOND RING SET

93 CARLO WEINGRILL, YELLOW GOLD BRACELET Consisting of ribbed stylized figure eight links with connector links. 7 1/4 inches long.

Stamp: 750 (Italian hallmark for Carlo Weingrill).

35.15 dwt.

Property of a Lady, New York, New York $1,500 - 2,500

Consisting of a ring containing one round brilliant cut diamond weighing approximately 1.60 carats and two tapered baguette cut diamonds weighing approximately 0.30 carat total, together with a modernist ring containing seven marquise cut diamonds weighing approximately 0.95 carat total. Ring size 4.

Stamp: (maker’s mark).

7.70 dwt. $5,000 - 7,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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94

96

95

*94 SAPPHIRE DRESS SET Consisting of a pair of cufflinks containing two oval mixed cut sapphires measuring approximately 11.70 x 10.00 x 5.00 mm and 14.00 x 10.00 x 4.50 mm, together with three shirt studs containing three oval mixed cut sapphires measuring approximately 8.00 x 6.50 mm. Mounted in yellow gold. Cufflinks: 3/4 x 11/16 inch.

Stamp: PK 750 (maker’s mark) (Austrian hallmark).

26.05 dwt.

Property from the Estate of Edgar Foster Daniels, Santa Fe, New Mexico $3,000 - 5,000 44

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95 VAN CLEEF & ARPELS, YELLOW GOLD AND DIAMOND BRACELET Consisting of a curb link chain containing 28 round brilliant cut diamonds weighing approximately 0.55 carat total. 7 3/4 inches long.

Engraved: VCA 750 B 2999 A7.

Stamp: (French hallmarks)(maker’s mark).

36.60 dwt. $2,000 - 3,000

96 DIAMOND RING Containing one round brilliant cut diamond weighing approximately 2.65 carats. Mounted in yellow gold. Ring size 9 3/4.

Stamp: 14K. 12.25 dwt. $5,000 - 7,000

98

99

97

97 GUCCI, MULTIGEM AND DIAMOND NECKLACE

*98 DIAMOND RING

99 EMERALD AND DIAMOND RING

Containing one oval cabochon emerald, ruby and sapphire, seven square step cut rubies, eight square step cut sapphires and 540 round brilliant cut diamonds weighing approximately 12.00 carats total. Mounted in yellow gold. 23 1/2 inches long.

Stamp: 750 18K (Italian hallmark for Gucci).

15.40 dwt.

Containing one round brilliant cut diamond weighing approximately 1.60 carats, eight baguette cut diamonds weighing approximately 1.20 carats total and 20 round brilliant cut diamonds weighing approximately 1.00 carat total. Mounted in yellow gold. Ring size 7 1/4.

Stamp: 750.

7.90 dwt.

Containing one emerald cut emerald measuring approximately 8.75 x 8.10 x 5.40 mm, 18 round brilliant and four marquise cut diamonds weighing approximately 0.95 carat total. Mounted in yellow gold. Ring size 6 1/2.

Stamp: 18K. 4.10 dwt.

$4,000 - 6,000 Property from the Collection of Mrs. Deborah Linke, Grand Junction, Colorado $5,000 - 7,000

Property from a Private Collection $2,000 - 3,000

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100 EMERALD AND DIAMOND COLLAR NECKLACE Containing one pear mixed cut emerald measuring approximately 14.20 x 9.58 x 4.80 mm, 12 marquise cut emeralds, 15 marquise cut diamonds, one square step cut diamond and numerous baguette cut diamonds weighing approximately 14.30 carats total. Mounted in yellow gold. 15 1/2 inches long.

Stamp: 14K 7945.

36.85 dwt.

AGL, 2021, Report number 1113727, Natural Beryl, Emerald, Brazil, MinorTraditional Clarity Enhancement $15,000 - 20,000

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102

103

101

101 FRENCH, DIAMOND FLOWER BROOCH Containing numerous round brilliant and single cut diamonds weighing approximately 9.50 carats total.

Mounted in yellow gold and platinum. 2 1/8 x 1 3/4 inches.

Stamp: FRANCE (French assay and hallmarks).

23.00 dwt. $8,000 - 12,000

102 HARRY WINSTON, CULTURED PEARL AND DIAMOND CONVERTIBLE EARCLIPS Containing two pearls measuring approximately 11.00 mm in diameter, two pearl drops measuring approximately 14.00 x 11.50 mm, 134 round brilliant and four marquise cut diamonds weighing 5.19 carats, with removable drops. Mounted in yellow gold. 1 3/4 inches long.

Stamp: WINSTON 750 OR. 15.70 dwt.

Accompanied by a Harry Winston Insurance Evaluation and box

103 DIAMOND RING Containing one round brilliant cut diamond weighing 2.57 carats and 20 round brilliant cut diamonds weighing approximately 1.85 carats total. Mounted in platinum and yellow gold. Ring size 5.

Stamp: Jabel 10%Irid plat.

Stamp: 18K. 6.80 dwt.

GIA, 2021, Report number 2211519555, 2.57 carats, D color, VS1 clarity, No fluorescence $20,000 - 30,000

Property from the Estate of a Denver Business and Community Leader, Denver, Colorado $6,000 - 8,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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104

105

*104 VAN CLEEF & ARPELS, MOTHER-OF-PEARL AND ONYX ‘ALHAMBRA’ EARCLIPS Containing one quatrefoil mother-of-pearl plaque and one quatrefoil onyx plaque set within yellow gold rope texture borders. 9/16 inch long.

Stamp: V.C.A 750 CF 2838.

5.30 dwt.

Accompanied by a Van Cleef & Arpels pouch.

Property from the Collection of Joanne Sampliner, Naples, Florida $1,500 - 2,500

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106

107

*105 VAN CLEEF & ARPELS, YELLOW GOLD AND MOTHER-OF-PEARL ‘ALHAMBRA’ NECKLACE

*106 VAN CLEEF & ARPELS, YELLOW GOLD AND ONYX ‘ALHAMBRA’ NECKLACE

107 NICHOLAS VARNEY, PINK TOURMALINE, DIAMOND AND ENAMEL EARCLIPS

Consisting of a cable link chain interspersed with 20 quatrefoil mother-of-pearl plaques set within rope texture borders. 32 inches long.

Stamp: V.C.A. 750 CF12153.

30.10 dwt.

Consisting of a cable link chain interspersed with 20 quatrefoil onyx plaques set within rope texture borders. 32 inches long.

Stamp: V.C.A. 750 CF 11243.

29.85 dwt.

Accompanied by a Van Cleef & Arpels necklace fold.

Property from the Collection of Joanne Sampliner, Naples, Florida $7,000 - 9,000

Accompanied by a Van Cleef & Arpels necklace fold.

Property from the Collection of Joanne Sampliner, Naples, Florida $7,000 - 9,000

Containing two triangular mixed cut tourmalines measuring approximately 9.00 x 9.00 mm, 80 round brilliant cut diamonds weighing approximately 4.30 carats total with black enamel detail. Mounted in yellow gold and platinum. 1 inch long.

Stamp: N.VARNEY PLAT 18K. 24.80 dwt.

Property from a Private Collection $2,000 - 3,000

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108

109

110

108 BVLGARI, AMETHYST, PINK TOURMALINE AND DIAMOND ‘DIVAS’ DREAM’ EARCLIPS Containing two round cabochon amethysts, six round cabochon pink tourmalines, two round mixed cut pink tourmalines and 50 round brilliant cut diamonds weighing approximately 0.65 carat total, with removable posts. Mounted in rose gold. 1 1/4 inches long.

Stamp: BVLGARI Au 750 (Italian hallmark) 13.35 dwt.

Accompanied by a Bvlgari box.

Property of a Lady, Paradise Valley, Arizona $5,000 - 7,000

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109 MULTIGEM AND DIAMOND CLUSTER EARCLIPS

110 PURPLE-PINK SAPPHIRE AND DIAMOND RING

Containing 10 oval cabochon prehnites, 12 round and oval mixed cut green gemstones and six round brilliant cut diamonds weighing approximately 0.25 carat total, folding posts with clip backs. Mounted in yellow gold. 1 1/4 inches long.

Stamp: 18K 750 HC. 17.75 dwt.

Containing one octagonal modified brilliant cut purple-pink sapphire measuring 9.11 x 6.89 x 5.30 mm and two triangular brilliant cut diamonds weighing approximately 1.00 carat total. Mounted in white gold. Ring size 6 1/2.

Stamp: 14K. 4.05 dwt.

Property from a Private Collection $1,000 - 2,000

GIA, 2016, Report number 2171874672, 2.84 carats, Natural Corundum, Sapphire, Purple-Pink color, No indications of heating $5,000 - 7,000

111

112

*111 BVLGARI, YELLOW GOLD, DIAMOND AND CULTURED PEARL NECKLACE

112 POMELLATO, GEMSTONE AND COLORED DIAMOND ‘BABY’ RING SET

In a semi-flexible link design, containing 26 cultured pearls and numerous round brilliant cut diamonds weighing approximately 7.50 carats total. 16 inches long.

Stamp: BVLGARI 750 (Italian hallmark).

68.65 dwt.

Consisting of a ring containing one cushion mixed cut iolite and 30 round brilliant cut brown diamonds (origin of color not tested) weighing approximately 0.60 carat total, together with a matching ring with peridot and one with citrine. Mounted in yellow gold. Ring sizes 5 1/2-6.

Stamp: 750 (Italian hallmark) Pomellato.

9.95 dwt.

Accompanied by a Bvlgari inner fold and outer box Property from the Collection of Shanti Schramm, Chicago, Illinois $8,000 - 12,000

Property from a Private Collection $2,000 - 3,000

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113

114

115

113 DOROTA, MULTICOLOR SAPPHIRE AND DIAMOND ‘PEBBLE’ EARCLIPS Containing round, oval and pear mixed cut sapphires of various color and six round brilliant cut diamonds.

Mounted in yellow gold. 15/16 inch long.

Stamp: DOROTA 18K. 11.55 dwt.

Property from a Private Collection $2,000 - 3,000

114 TOPAZ AND DIAMOND RING Containing one cushion modified brilliant cut brownish orange topaz measuring approximately 16.52 x 9.82 x 8.06 mm, 16 tapered baguette and 26 round brilliant cut diamonds weighing approximately 1.50 carats total. Mounted in yellow gold. Ring size 7 1/2.

8.40 dwt.

AGL, 2021, Report number 1113901, Natural Topaz, Brownish Orange color, No clarity enhancement $2,000 - 3,000

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115 4.00 CARAT OVAL MODIFIED BRILLIANT CUT DIAMOND Measuring 10.65 x 8.41 x 5.75 mm.

GIA, 2021, Report number 5212515654, 4.00 carats, G color, VS2 clarity, Medium blue fluorescence $35,000 - 55,000

116

117

116 DAVID WEBB, YELLOW GOLD, PLATINUM AND DIAMOND COLLAR NECKLACE

117 YELLOW DIAMOND AND DIAMOND RING

Consisting of a textured gold collar necklace with platinum spiral motifs containing 96 round brilliant cut diamonds weighing approximately 6.00 carats total, hinged at back. 16 inches inner circumference.

Stamp: WEBB 18K 900 PLAT. 92.90 dwt.

Containing three radiant cut yellow diamonds (origin of color not tested) weighing approximately 4.50-5.00 carats total and 44 round brilliant cut diamonds weighing approximately 0.70 carat total.

Mounted in platinum. Ring size 6 1/4.

Stamp: PT900.

7.10 dwt.

$15,000 - 25,000

$5,000 - 7,000

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120

118

119

118 LAURA MUNDER, COLORED SAPPHIRE, DIAMOND AND CULTURED PEARL EARCLIPS

119 LUNA FELIX GOLDSMITH, YELLOW GOLD AND BICOLOR TOURMALINE RING

Containing 14 oval mixed cut pinkish orange sapphires measuring approximately 7.00 x 5.00 mm, numerous round mixed cut pink sapphires, two pearls measuring approximately 8.00 mm in diameter, four round brilliant cut diamonds weighing approximately 0.40 carat total and numerous rose cut diamonds, folding posts with clip backs.

Mounted in yellow and blackened gold. 2 1/4 inches long.

Stamp: Laura Munder 18K. 22.75 dwt.

Containing one bicolor tourmaline measuring approximately 16.25 x 10.75 mm, with granulation detail. Ring size 7.

Stamp: LUNA 22K. 13.10 dwt.

Property from a Private Collection $3,000 - 5,000

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Property from a Private Collection $1,500 - 2,500

*120 LALAOUNIS, YELLOW GOLD HOOP EARRINGS Consisting of chimera heads with stamped and granulation detail. 1 1/4 inches long.

Stamp: MECAN GREECE 750 (Greek hallmarks) (maker’s mark).

20.45 dwt.

Accompanied by a Lalaounis box.

Property from the Estate of Nicholas Peay, Cleveland Heights, Ohio $1,000 - 2,000

121 CHRISTOPHER WALLING, AQUAMARINE BEAD NECKLACE Containing 19 hexagonal tubular aquamarine beads measuring approximately 15.00 mm wide, strung knotted and interspersed with four yellow gold ribbed beads and clasp. 21 1/4 inches long.

Engraved: C.W. 162.35 dwt.

Property from a Private Collection $2,500 - 3,500

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112

123

*122 TIFFANY & CO., SCHLUMBERGER, CULTURED PEARL AND DIAMOND TORSADE NECKLACE

123 TIFFANY & CO., SCHLUMBERGER, LAPIS LAZULI AND DIAMOND EARCLIPS

Consisting of multiple strands of pearls, strung with a yellow gold clasp containing 72 round brilliant cut diamonds weighing approximately 2.75 carats total. 17 inches long.

Stamp: SCHLUMBERGER T&CO. 750.

101.00 dwt.

Containing two oval cabochon lapis lazuli measuring approximately 16.00 x 14.00 mm and 72 round brilliant cut diamonds weighing approximately 1.80 carats total. Mounted in yellow gold and platinum. 1 1/2 inches long.

Stamp: SCHLUMBERGER STUDIOS TIFFANY & CO. 750 22706195 PT950.

Accompanied by a Tiffany & Co. box.

Property from the Collection of June S. Hennage, Williamsburg, Virginia $3,500 - 5,500

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Accompanied by a Tiffany & Co. box. $6,000 - 8,000

125

126

124

126 | Alternate view shown

124 TIFFANY & CO., YELLOW DIAMOND AND DIAMOND ‘DAISY’ EARRINGS

125 TIFFANY & CO., YELLOW DIAMOND AND DIAMOND ‘DAISY’ PENDANT/NECKLACE

126 TIFFANY & CO., SCHLUMBERGER, GROSSULARITE GARNET AND DIAMOND RING

Containing two cushion cut yellow diamonds (origin of color not tested) weighing approximately 0.50 carat total and numerous round brilliant cut diamonds weighing approximately 1.50 carats total.

Mounted in platinum with yellow gold detail. 7/8 inch long.

Stamp: T&CO. PT950 AU750 31756626.

5.10 dwt.

Containing one cushion cut yellow diamond (origin of color not tested) weighing approximately 0.25 carat and 53 round brilliant cut diamonds weighing approximately 0.75carat total. Mounted in platinum with yellow gold detail. 16 inches long.

Stamp: T & Co. PT950 AU750 33768125.

Clasp stamp: TIFFANY & CO. PT 950.

3.75 dwt.

Containing one oval mixed cut grossularite garnet measuring approximately 14.90 x 13.50 x 10.40 mm and 48 round brilliant cut diamonds weighing approximately 1.90 carats total. Mounted in platinum and yellow gold. Ring size 6 3/4.

Stamp: SCHLUMBERGER STUDIOS TIFFANY&CO. 750 PT950.

9.65 dwt.

$10,000 - 15,000

$5,000 - 7,000

Accompanied by a Tiffany & Co. inner and outer box. $15,000 - 25,000

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127

128

*127 TIFFANY & CO., YELLOW GOLD ‘VANNERIE’ SET Consisting of a woven link collar necklace measuring approximately 11.80 mm wide, together with a matching pair of earclips, posts with clip backs. Necklace: 16 inches long. Earclips: 1/2 inch long.

Necklace stamp: TIFFANY & CO. 750 1995.

Earclips stamp: TIFFANY & CO. 750 1997.

81.25 dwt.

Accompanied by a Tiffany & Co. pouch.

Property from the Collection of Dot Von Wahlde, Peotone, Illinois $5,000 - 7,000

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128 TIFFANY & CO., SCHLUMBERGER, YELLOW GOLD AND HEMATITE ‘ACORN’ RING Consisting of a bypass acorn design containing two round cabochon hematites measuring approximately 9.30-9.40 mm in diameter. Ring size 6.

Stamp: TIFFANY (obscured)CHL(obscured)ERGER. 9.45 dwt. $1,000 - 2,000

129 TIFFANY & CO., SCHLUMBERGER, ENAMEL AND DIAMOND BANGLE BRACELET Consisting of a semi-flexible bangle bracelet with black enamel and studded with 115 round brilliant cut diamond accents weighing approximately 5.50 carats total. Mounted in yellow gold. 6 1/2 inches inner circumference.

Stamp: TIFFANY & CO. SCHLUMBERGER STD. AU750 PT950 FRANCE. 114.15 dwt. $25,000 - 35,000

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130

131

60

130 TIFFANY & CO., YELLOW GOLD ‘DOGWOOD’ NECKLACE

131 ANGELA CUMMINGS, YELLOW GOLD AND ENAMEL ORCHID BROOCH

With high polish and matte gold finish. 17 inches long.

Stamp: TIFFANY & CO 750.

85.00 dwt.

Consisting of brushed gold petals and light pink opalescent enamel detail. 2 1/2 x 2 1/4 inches.

Stamp: 1988 CUMMINGS 18K. 11.70 dwt.

Property of a Lady, New York, New York $6,000 - 8,000

Accompanied by a Tiffany & Co. pouch.

Property from a Private Collection $700 - 900

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133

132 SEAMAN SCHEPPS, BLUE TOPAZ, AMETHYST AND DIAMOND EARCLIPS Containing two cushion mixed cut blue topaz measuring approximately 10.70 x 9.85 x 6.00 mm, two cushion mixed cut amethysts measuring approximately 12.25 x 12.05 x 7.10 mm and four round brilliant cut diamonds weighing approximately 0.20 carat total. Mounted in yellow gold. 1 1/8 inches long.

Stamp: (maker’s mark) 750 18166.

12.75 dwt.

133 YELLOW SAPPHIRE AND DIAMOND RING Containing one cushion mixed cut yellow sapphire measuring approximately 11.65 x 9.35 mm and 78 round brilliant cut diamonds weighing approximately 0.75 carat total. Mounted in bicolor gold. Ring size 7.

Stamp: 14K 585.

4.55 dwt. $2,500 - 3,500

$4,000 - 6,000

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Tony Duquette A style icon of the 20th century, Tony Duquette began his career as a stage and movie-set designer. He became known as the ‘Wild Child” of Hollywood design before founding his eponymous interior design firm in 1941.

Boasting a clientele that spanned the globe, his bold taste and eye-catching style made him highly sought after in the world of opulent design. Mr. Duquette and his long-time business and design partner, Hutton Wilkinson, started making one-of-a-kind pieces of jewelry for important clients. Taking an enthusiastic dive into creating jewelry, these early designs mimic Duquette’s interiors – decadent, distinctive and mesmerizing – all while combining colorful and unique gemstones into sensational bold designs.

His jewelry creations have been on display across the world, including in a one-man show at the Louvre in 1951.

Today, Hutton Wilkinson, author of multiple publications, including More Is More, Tony Duquette’s Dawnridge, Tony Duquette, and Jewelry, is at the helm of the Beverly Hills based design house. Mr. Wilkinson, apprentice and lifelong friend of Tony Duquette, continues to honor the legacy of his mentor through his jewelry designs and interiors. Mr. Wilkinson personifies Duquette’s philosophy of ‘more is more’, and continues the heritage of design stating, “If it’s not fabulous, it’s meaningless.”

Traditionally sold only by exclusive retailers and rarely seen at auction, Hindman is delighted to offer the following Tony Duquette suite of opal, moonstone and rock crystal jewelry.

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134 TONY DUQUETTE, OPAL, ROCK CRYSTAL AND MOONSTONE NECKLACE Containing 111 oval cabochon opals in various sizes, 34 round cabochon rock crystals and 44 oval cabochon moonstones. Mounted in white gold. 18 inches inner circumference.

Stamp: TONY DUQUETTE 18K. 214.30 dwt.

Property from a Private Collection $12,000 - 18,000

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135

136

135 TONY DUQUETTE, OPAL AND MOONSTONE EARCLIPS

136 TONY DUQUETTE, OPAL AND MOONSTONE BRACELET

Containing two oval cabochon opals, eight round cabochon moonstones and eight oval cabochon moonstones, folding posts with clip backs. Mounted in white gold. 1 1/8 inches long.

Stamp: TONY DUQUETTE 18K. 18.50 dwt.

Containing 65 oval cabochon opals in various sizes and 24 round cabochon moonstones. Mounted in white gold. 7 1/2 inches long.

Stamp: TONY DUQUETTE 18K. 107.20 dwt.

Property from a Private Collection $3,000 - 5,000

Property from a Private Collection $7,000 - 9,000

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137

139

138

137 LAURA MUNDER, AQUAMARINE AND DIAMOND EARCLIPS Containing two oval cabochon aquamarines, two tumbled aquamarine drops, four faceted aquamarine beads and numerous round brilliant cut diamonds weighing approximately 1.25 carats total, posts with clip backs. Mounted in white gold. 2 1/2 inches long.

Stamp: Laura Munder 750 1.

10.50 dwt.

Property from a Private Collection $2,000 - 3,000

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138 DIAMOND BRACELET

139 DIAMOND AND SAPPHIRE BYPASS RING

Containing 34 round brilliant cut diamonds weighing approximately 16.00 carats total. Mounted in white gold with a magnetic clasp. 7 3/4 inches long.

Clasp Stamp: 585.

20.30 dwt.

Containing 35 round brilliant cut diamonds weighing approximately 1.30 carats total and 36 square and triangular French cut sapphires. Mounted in platinum. Ring size 6 1/4.

9.45 dwt.

$6,000 - 8,000

Property from a Private Collection $1,200 - 1,800

141

142

140

140 DIAMOND RIVIÈRE NECKLACE

141 18.40 CARAT FREE FORM OPAL

142 DIAMOND RING

Containing 103 round brilliant cut diamonds weighing approximately 12.00 carats total with a magnetic clasp containing 10 single cut diamonds.

Mounted in white gold. 17 1/2 inches long.

Stamp: 18K Italy.

Clasp stamp: 585.

20.55 dwt.

Measuring approximately 28.00 x 14.20 x 7.50 mm.

Containing one oval mixed cut diamond weighing approximately 2.04 carats and 24 round brilliant cut diamonds weighing approximately 1.00 carat.

Mounted in white gold. Ring size 6 1/4.

Stamp: L’amour Crisscross M49375 750 (maker’s mark).

4.10 dwt.

$5,000 - 7,000

Sold without reserve $12,000 - 18,000

$10,000 - 15,000

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144

145

143

143 DIAMOND LONGCHAIN NECKLACE

144 CORAL AND DIAMOND EARRINGS

145 DIAMOND ETERNITY BAND

Containing 48 baguette cut diamonds and numerous round brilliant cut diamonds weighing approximately 8.85 carats total. Mounted in white gold. 32 inches long.

Stamp: 750.

21.22 dwt.

Containing two oval cabochon coral, two carved coral plaques and 144 round brilliant cut diamonds weighing approximately 0.80 carat total. Mounted in white gold. 2 1/4 inches long.

Stamp: 18K 750 41.

Earring back stamp: 750.

13.65 dwt.

Containing 26 square emerald cut diamonds weighing approximately 2.50 carats total. Mounted in platinum. Ring size 6 1/2.

Stamp: plat.

2.25 dwt.

Property from a Private Collection $4,000 - 6,000

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Property from a Private Collection $800 - 1,200

$2,500 - 3,500

146

148

147

146 DIAMOND PENDANT/NECKLACE

147 DIAMOND EARRINGS

148 DIAMOND ETERNITY BAND

Consisting of a pendant containing one round brilliant cut diamond weighing 2.01 carats and 28 round brilliant cut diamonds, suspended from cable link chain. Mounted in white gold. 18 inches long.

Chain stamp: H 18K. 2.70 dwt.

Containing 102 round brilliant cut diamonds weighing approximately 1.60 carats total. Mounted in white gold. 1 1/8 inches long.

Stamp: 750.

Earring back stamp: MXM 750.

4.85 dwt.

Containing 16 baguette cut diamonds weighing approximately 3.50 carats total. Mounted in platinum. Ring size 4 3/4.

2.55 dwt.

GIA Copy, 2013, Report number 1149925508, 2.01 carats, H color, SI2 clarity, No fluorescence

Property from a Private Collection $1,000 - 2,000

Property from the Estate of a Denver Business and Community Leader, Denver, Colorado $1,800 - 2,200

$8,000 - 12,000

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151 149

150

149 RUBY AND DIAMOND BRACELET

150 SAPPHIRE AND DIAMOND BRACELET

151 BURMESE SAPPHIRE AND DIAMOND RING

Containing 26 oval mixed cut rubies measuring approximately 6.00 x 4.00 mm and 26 baguette cut diamonds weighing approximately 1.25 carats total.

Mounted in white gold. 7 inches long.

Stamp: 18K ORJ. 12.40 dwt.

Containing 15 emerald cut sapphires measuring approximately 6.00 x 4.00 mm, 75 baguette and 60 round brilliant cut diamonds weighing approximately 3.00 carats total. Mounted in white gold. 7 1/4 inches long.

Stamp: 18K ORJ. 10.15 dwt.

Containing one oval cabochon sapphire measuring 16.85 x 14.88 x 9.47 mm and 20 round brilliant cut diamonds weighing approximately 1.00 carat total.

Mounted in white gold. Ring size 7 3/4.

Stamp: 14K. 6.75 dwt.

$5,500 - 6,500 $5,000 - 7,000

AGL, 2017, Report number 1080833, 23.77 carats, Natural Corundum, Sapphire, Burma (Myanmar), No heat enhancement $30,000 - 50,000

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154 152

152 DIAMOND NECKLACE Containing 116 round brilliant cut diamonds weighing approximately 23.00 carats total. Mounted in platinum. 20 inches long.

Stamp: MIR-PLT. 34.05 dwt. $24,000 - 28,000

153 3.14 CARAT CUSHION MIXED CUT KASHMIR SAPPHIRE Measuring 10.20 x 6.44 x 5.04 mm.

AGL, 2019, Report number 1103635, Natural Corundum, Sapphire, Kashmir, No gemological evidence of heat $50,000 - 70,000

154 DIAMOND RING Containing one oval brilliant cut diamond weighing approximately 2.50 carats, two oval brilliant cut diamonds weighing approximately 1.00 carat total and 58 round brilliant cut diamonds weighing approximately 1.20 carats total. Mounted in white gold. Ring size 6 1/4.

4.30 dwt. $10,000 - 15,000

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156

157

155

155 DIAMOND RIVIÈRE NECKLACE

156 DIAMOND STUD EARRINGS

157 DIAMOND RING

Containing 125 round brilliant cut diamonds weighing approximately 10.00 carats total. Mounted in white gold. 16 inches long.

Stamp: MIR-18K. 13.95 dwt.

Containing two round brilliant cut diamonds weighing approximately 2.03 carats total. Mounted in white gold.

Post stamp: 14K (maker’s mark).

Earring back stamp: 14K. 1.00 dwt.

Containing one emerald cut diamond weighing 5.02 carats, two triangular brilliant cut diamonds weighing approximately 1.45 carats total and 84 round brilliant cut diamonds weighing approximately 0.75 carat total. Mounted in platinum. Ring size 7.

Stamp: (maker’s mark) PT900.

7.40 dwt.

$7,500 - 9,500 $4,500 - 6,500

GIA, 2021, Report number 6214382833, 5.02 carats, I color, VS2 clarity, No fluorescence $45,000 - 65,000

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160

158

161

159

158 EMERALD AND DIAMOND PENDANT/NECKLACE

159 EMERALD AND DIAMOND RING

Containing one pear modified brilliant cut emerald measuring approximately 16.58 x 11.18 x 9.40 mm and 17 round brilliant cut diamonds weighing approximately 2.20 carats total, suspended from a cable link necklace. Mounted in white gold. 16 inches long.

Chain stamp: 14Kt ITALY BH. 5.45 dwt.

Containing one pear modified brilliant cut emerald measuring approximately 19.60 x 13.30 x 8.88 mm and 19 round brilliant cut diamonds weighing approximately 2.00 carats total. Mounted in platinum. Ring size 6 1/4.

Stamp: 11.71 2.08 Pt900.

11.30 dwt.

AGL, 2021, Report number 1113728, Natural Beryl, Emerald, Colombia, Minor-Modern Clarity Enhancement

AGL, 2021, Report number 1113729, Natural Beryl, Emerald, Colombia, Minor-Modern Clarity Enhancement $50,000 - 70,000

$30,000 - 50,000

160 10.95 CARAT OVAL MODIFIED MIXED CUT SAPPHIRE Measuring 14.33 x 10.23 x 8.97 mm.

AGL, 2019, Report number 1100793, 10.95 carats, Natural Corundum, Sapphire, Ceylon (Sri Lanka), No gemological evidence of heat Sold without reserve $5,000 - 7,000

161 EMERALD AND DIAMOND EARRINGS Containing two oval cabochon emeralds measuring approximately 20.60 x 18.20 x 4.35 mm and 20.45 x 17.70 x 3.70 mm, one shield shaped diamond and one modified triangular shaped diamond weighing approximately 1.70 carats total. Mounted in yellow gold and silver. 1 5/8 inches long.

Stamp: 18K. 8.60 dwt. $10,000 - 15,000

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Edgar Foster Daniels Edgar Foster Daniels (1942-2020) was an accomplished actor, singer, and patron of the arts.

Born in North Carolina, young Mr. Daniels gravitated towards the stage instead of his family’s newspaper publishing business. He attended University of North Carolina and then Columbia University School of Dramatic Arts. Mr. Daniels spent the first 30 years of his professional career acting on the Broadway stage, as well as in Hollywood films and on television.

Upon his retirement from acting, Mr. Daniels moved to Santa Fe where he became involved with The Santa Fe Opera and founded the Edgar Foster Daniels Foundation in 1995, becoming the first recipient of the Best Philanthropist/Sponsor Award at the inaugural International Opera Awards in 2014. Mr. Daniels supported numerous other arts organizations in New Mexico, including Performance Santa Fe, the Santa Fe Chamber Music Festival, New Mexico School for the Arts, and the Spanish Colonial Arts Society. Mr. Daniels also collected New Mexican artwork and supported the careers of many local visual artists.

As one of opera’s greatest benefactors and passionate fans, Mr. Daniels held leadership positions with the world’s most prestigious opera companies and music festivals. He was a managing director of the Metropolitan Opera, a life director of Lyric Opera of Chicago and served on the boards of the Santa Fe Chamber Music Festival, Spoleto Festival USA, Washington National Opera, the Santa Fe Opera, Houston Grand Opera, the Manhattan School of Music, and the North Carolina Symphony. He traveled the world to see great opera and had a long relationship with San Francisco Opera, Bayreuth Festival and Salzburg Festival. Composer Tobias Picker dedicated two of his operas, An American Tragedy and Thérèse Raquin to Edgar in honor of his remarkable generosity and commitment to opera in America.

Hindman is pleased to offer property from the Estate of Edgar Foster Daniels, including an exceptional Hemmerle diamond dress set worn to international opera openings and galas.

*162 AN EXCEPTIONAL HEMMERLE DIAMOND DRESS SET Consisting of a pair of cufflinks containing two round brilliant cut diamonds weighing approximately 6.25 carats total, together with four shirt studs containing four round brilliant cut diamonds weighing approximately 4.15 carats total. Mounted in white gold and iron. Cufflinks: 5/8 inch wide.

Stamp: Hemmerle 750 Fe (maker’s mark).

20.75 dwt.

Property from the Estate of Edgar Foster Daniels, Santa Fe, New Mexico $70,000 - 90,000

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163

164

163 DIAMOND EARRINGS Consisting of a grapevine motif containing 54 old mine cut diamonds weighing approximately 7.20 carats total. Mounted in silver-topped gold. 2 1/8 inches long.

8.80 dwt.

Property from a Private Collection $2,500 - 3,500

164 EVELYN CLOTHIER, DIAMOND AND CULTURED PEARL FLOWER BROOCH Unsigned, containing numerous old European and old mine cut diamonds weighing approximately 8.00 carats total and four pearls measuring approximately 8.25-11.25 mm. Mounted in silvertopped gold. 4 3/4 x 3 3/8 inches.

24.50 dwt.

Property from a Private Collection $5,000 - 7,000

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166

165

165 DIAMOND CONVERTIBLE CORSAGE ORNAMENT

166 SAPPHIRE AND DIAMOND EARRINGS

Consisting of a butterfly brooch containing 91 old mine cut diamonds weighing approximately 2.50 carats total, numerous round mixed cut sapphires and tsavorite garnets and two round cabochon ruby eyes, with removable en tremblant flower brooch containing numerous old mine cut diamonds weighing approximately 6.90 carats total and removable hinged flower and leaf motif drop containing numerous old mine cut diamonds weighing approximately 3.50 carats total. Mounted in silver-topped gold. 4 1/4 x 5 inches.

57.55 dwt.

Containing two sugarloaf sapphires measuring approximately 11.25 x 8.70 x 5.55 mm and 11.45 x 8.80 x 5.95 mm and 28 old mine and rose cut diamonds weighing approximately 3.60 carats total.

Mounted in silver-topped gold. 1 inch long.

Clip back stamp: 585.

7.15 dwt. $25,000 - 35,000

Property from a Private Collection $4,000 - 6,000

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167

168

167 EVELYN CLOTHIER, DIAMOND AND CULTURED BIWA PEARL SWAN BROOCH

168 EVELYN CLOTHIER, ENAMEL AND DIAMOND ROSE BROOCH

Consisting of a swan containing numerous old European and old mine cut diamonds weighing approximately 4.35 carats total, one ruby eye and numerous biwa pearls, together with a separate element containing one old mine cut diamond weighing approximately 0.60 carat with three yellow gold and brown enamel cattails. Mounted in yellow and silver-topped gold. 2 x 3 inches including both pieces.

Stamp: (maker’s mark) 18K. 30.15 dwt.

Consisting of a red enamel rose with stem and leaves containing numerous round brilliant cut diamonds weighing approximately 4.20 carats total.

Mounted in yellow gold and platinum. 4 1/2 x 1 7/8 inches.

Stamp: (maker’s mark) 18K PLAT. 39.65 dwt.

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Property from a Private Collection $1,500 - 2,500

169

170

169 EVELYN CLOTHIER, DIAMOND, RUBY AND PLIQUEÀ-JOUR ENAMEL FLOWER BROOCH

170 EVELYN CLOTHIER, DIAMOND, RUBY AND EMERALD FLOWER BROOCH

Consisting of a hinged branch suspending vines with flower terminals and attached en tremblant flower, containing numerous single cut diamonds weighing approximately 6.35 carats total, numerous round mixed cut and square step cut rubies with plique-à-jour enamel petals and leaves. Mounted in silver-topped gold. 4 x 2 inches.

Stamp: (maker’s mark) 18K. 33.00 dwt.

Containing one old European cut diamond weighing approximately 1.00 carat, numerous old European cut diamonds weighing approximately 10.00 carats total, six oval mixed cut rubies and numerous square step cut emeralds. Mounted in yellow gold and platinum. 2 1/2 x 2 1/2 inches.

Stamp: (maker’s mark) 18K. 22.30 dwt.

Property from a Private Collection $4,000 - 6,000

Property from a Private Collection $5,000 - 7,000

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171 CULTURED MULTICOLOR SOUTH SEA AND TAHITIAN PEARL NECKLACE Containing 33 pearls measuring approximately 14.20-17.85 mm in diameter, strung knotted in a graduated style with a white gold clasp containing 20 round brilliant cut diamonds weighing approximately 0.80 carat total. 23 inches long.

120.45 dwt.

Property from a Private Collection $3,000 - 5,000

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172

173

172 NICHOLAS VARNEY, MULTIGEM RADISH BROOCH

173 EVELYN CLOTHIER, MULTIGEM HOLLY BROOCH

Containing 39 cultured freshwater pearls, numerous round mixed cut green garnets and numerous round brilliant cut colored diamonds (origin of color not tested) weighing approximately 5.65 carats total.

Mounted in bicolor gold and silver. 3 3/4 x 2 1/4 inches.

Stamp: NICHOLAS VARNEY. 62.10 dwt.

Consisting of six leaves containing numerous round mixed cut tsavorites, four cultured Tahitian pearls, two cultured golden pearls and 64 single cut diamonds weighing approximately 0.65 carat total.

Mounted in yellow and silver-topped gold. 3 3/4 x 2 1/4 inches.

Stamp: (maker’s mark) 18K. 23.90 dwt.

Property from a Private Collection $5,000 - 7,000

Property from a Private Collection $3,500 - 5,500

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174

175

174 EVELYN CLOTHIER, CULTURED BAROQUE PEARL, DIAMOND AND PLIQUE-À-JOUR ENAMEL GRASSHOPPER BROOCH Containing one Baroque pearl, 45 single cut diamonds weighing approximately 0.70 carat total, plique-a-jour enamel wings, two round cabochon ruby eyes and three pearls. Mounted in yellow gold and silver. 2 1/4 x 1 1/8 inches.

Stamp: (maker’s mark) 18K. 10.60 dwt.

Property from a Private Collection $1,000 - 2,000

175 EVELYN CLOTHIER, COLLECTION OF MULTIGEM FLOWER BROOCHES Consisting of a flower brooch containing numerous round brilliant cut yellow diamonds weighing approximately 2.70 carats total and 84 single cut diamonds weighing approximately 0.95 carat total, together with a flower brooch containing numerous round mixed cut pink sapphires and 74 single cut diamonds weighing approximately 1.50 carats total, each with green plique-à-jour enamel leaves and a cultured Baroque pearl drop. Mounted in silvertopped gold. 3 inches x 1 inch.

Yellow flower stamp: (maker’s mark) 18K. 18.65 dwt.

Property from a Private Collection $1,800 - 2,200

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176

177

176 EVELYN CLOTHIER, DIAMOND, MULTIGEM AND PLIQUE-À-JOUR ENAMEL BEE BROOCH

177 EVELYN CLOTHIER, DIAMOND AND PLIQUE-À-JOUR ENAMEL FLOWER BROOCH

Containing 16 single cut diamonds, two round cabochon ruby eyes, one cultured pearl, enamel body and plique-à-jour enamel wings. Mounted in silver-topped gold. 1 1/8 x 1 15/16 inches.

Stamp: (maker’s mark) 18K. 9.95 dwt.

Containing 55 old European cut diamonds weighing approximately 0.90 carat total, 65 rose cut diamonds weighing approximately 1.20 carats total, green and blue plique-à-jour enamel petals and black enamel detail. Mounted in yellow and silvertopped gold. 4 5/8 x 2 inches.

Stamp: (maker’s mark) 18K. 26.80 dwt.

Property from a Private Collection $700 - 900

Property from a Private Collection $1,500 - 2,500

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178

179

178 EVELYN CLOTHIER, DIAMOND, SAPPHIRE, CULTURED BAROQUE PEARL AND ENAMEL BUTTERLY BROOCH Containing numerous old mine and single cut diamonds weighing approximately 2.00 carats total, nine round mixed cut sapphires, one Baroque pearl measuring approximately 23.00 x 9.00 mm and opalescent enamel wings. Mounted in silver-topped gold. 2 3/8 x 2 1/4 inches.

Stamp: (maker’s mark) 18K. 19.05 dwt.

Property from a Private Collection $1,500 - 2,500

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179 EVELYN CLOTHIER, DIAMOND, SAPPHIRE AND ENAMEL ORCHID BROOCH Containing numerous round brilliant and single cut diamonds weighing approximately 1.00 carat total, seven oval mixed cut sapphires and opalescent enamel petals. Mounted in silver-topped gold. 1 3/4 x 1 3/4 inches.

Stamp: (maker’s mark).

10.80 dwt.

Property from a Private Collection $3,000 - 5,000

180

181

180 EVELYN CLOTHIER, ENAMEL, DIAMOND AND CULTURED PEARL LEAF BROOCH

181 EVELYN CLOTHIER, ENAMEL, DIAMOND AND CULTURED PEARL BROOCH

Consisting of opalescent enamel leaves containing numerous single cut diamonds and five button shaped pearls. Mounted in yellow gold and silver. 4 1/4 x 1 3/4 inches.

Stamp: (maker’s mark) 18K. 23.25 dwt.

Consisting of opalescent enamel leaf and blossom clusters containing six pearls with two attached silver and rose cut diamond spheres. Mounted in yellow gold and silver. 3 1/2 x 2 inches.

Stamp: (maker’s mark) 18K. 30.55 dwt.

Property from a Private Collection $2,000 - 3,000

Property from a Private Collection $2,000 - 3,000

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182A

182

183

182 JEAN MAHIE, YELLOW GOLD AND ANCIENT CARNELIAN BEAD NECKLACE

182A DIAMOND RING

183 YELLOW GOLD AND DIAMOND BRACELET

Containing alternating ancient Mesopotamian carnelian seal and hammered gold spacer beads, with hook and eye clasp.

Stamp: (maker’s mark) 22K. 102.50 dwt.

Containing one round brilliant cut diamond weighing 2.18 carats surrounded by six round brilliant cut diamonds weighing approximately 0.25 carat total.

Mounted in yellow gold. Ring size 6.

Stamp: 14KNW. 4.30 dwt.

Consisting of coiled yellow gold wire bars, interspersed with white gold links containing 42 round brilliant cut diamonds weighing approximately 1.25 carats total. 7 1/4 inches long.

Stamp: (Italian hallmark for Roberto Legnazzi) ITALY 18Kt. 58.70 dwt.

Accompanied by a Jean Mahie signed description card and signed Jean Mahie book, 1990. $1,500 - 2,500

GIA, 2020, Report number 2215346922, 2.18 carats, E color, SI2 clarity, Medium blue fluorescence Property from the Collection of Marcia Gibbons, Bisbee, Arizona $10,000 - 15,000

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$3,000 - 5,000

184

185

186

184 GIOIA, DIAMOND AND COLORED DIAMOND EARCLIPS

185 GIOIA, DIAMOND AND COLORED DIAMOND BANGLES

186 NATURAL FANCY DEEP BROWN-ORANGE DIAMOND AND DIAMOND RING

Containing 22 round brilliant cut diamonds weighing approximately 1.90 carats total and 204 round brilliant cut brown diamonds (origin of color not tested) weighing approximately 8.15 carats total.

Mounted in silver-topped gold. 1 inch long.

Stamp: Gioia 750 925.

11.00 dwt.

Consisting of a white and yellow gold bangle containing 91 round brilliant cut diamonds weighing approximately 5.45 carats total, together with a blackened and yellow gold bangle containing 91 round brilliant brown diamonds (origin of color not tested) weighing approximately 7.25 carats total. 7 1/2 inner circumference.

Engraved: gioia.

Stamp: (French hallmarks) 46.15 dwt.

Containing one round brilliant cut fancy deep brown-orange diamond weighing 1.21 carats, eight marquise, two pear and 30 round brilliant cut diamonds weighing approximately 1.50 carats total.

Mounted in white gold. Ring size 8 1/2.

Stamp: MODANI 18K. 6.45 dwt.

Property from a Private Collection $1,000 - 2,000

Property from a Private Collection $5,000 - 7,000

GIA, 2018, Report number 2195790647, 1.21 carats, Natural Fancy Deep Brown-Orange color, I2 clarity, Faint fluorescence Property of a Private Collector, Naperville, Illinois $2,500 - 3,500

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FEATURED DESIGNERS

BUCCELLATI

LUNA FELIX GOLDSMITH

Opening in Milan in 1919 and then expanding to Rome and Florence, Mario Buccellati’s work quickly gained acclaim amongst royalty. Four of his sons entered the business and continued the legacy. In 1951, Buccellati became the first Italian jewelry designer with a location on Fifth Avenue in New York City. Producing jewelry using a wide variety of precious materials, the firm is synonymous with class, elegance and fine craftsmanship.

Luna Luna Felix is a fine jewelry designer based in Santa Fe, New Mexico. She hand fabricates her exquisite jewelry creating one of a kind pieces with some of the earths most precious and unusual gems. Her pieces have become very recognizable for their application of the ancient and precise technique of granulation as well as the colorful and unique gems she chooses to showcase. "Each woman should celebrate the glorious passage of their lives. Poets write the words, I set the poetry in motion by sealing each woman's vision of herself in gold and precious stones."

BOUCHERON One of the oldest jewelry houses of Europe, Boucheron was the first jeweler to set up in the Place Vendôme in Paris. Founder Frédéric Boucheron opened his first workshop and store in 1858 and gained notoriety among elite members of society. A favorite of the Russian Royal family as well as other European Royals, in late Nineteenth and early Twentieth centuries. Boucheron continues to make exceptional jewelry and timepieces to this day.

BVLGARI Hailing from Greece, Sotirios Bulgari traveled to Italy in 1880 carrying with him the silversmith art honed by his family since the Byzantine era. Opening in Naples and producing archeological revival jewelry, he soon developed a large enough following to require larger premises and additional locations. During the early twentieth century, Sotirios’s sons had a major impact on the character of Bulgari’s style. From the 1920’s to the 1960’s, the inspiration stemmed mainly from the latest French designs and included jewelry made in the Edwardian, Deco, and Reotro styles. By the 1970’s the focus again shifted to creating a unique style all their own and it is this desire that drives their work still today.

CARTIER Founded in 1847 by Louis-Francois Cartier, this French house has remained at the forefront of fine jewelry generation after generation. Vastly expanding the reputation and reach of the firm were Louis-Francois’ grandsons who are responsible for establishing the name as a worldwide luxury icon. Creating extravagant works for the clients ranging from the French royals to Hollywood’s elite, Cartier is responsible for producing some of the most recognizable and sought after jewels known for their feminine style and timeless elegance.

CHRISTOPHER WALLING Christopher Walling started his jewelry career at the age of eight. Now his designs have been featured in exhibits, galleries, and art shows around the world. Known as a leading expert in pearls, he once tried to culture them himself in his aquarium when he was younger without much success. Now he frequently uses unusually shaped and rare baroque pearls in his collection.

His innovative designs have graced the likes of Elizabeth Taylor, Maya Angelou and Queen Noor of Jordan.

EVELYN CLOTHIER Known for her Art Nouveau inspired designs, Evelyn Clothier is an award-winning designer whose jewelry was available for years at Bergdorf Goodman’s. Using vibrant gemstones, iridescent enameling and plique-a-jour, she creates whimsical creatures and delicate flowers represented in her ‘Treasures from the Garden’ collection.

HARRY WINSTON Known as “The King of Diamonds” Harry Winston (1896-1978) founded his company at the age of 24 in New York City. Buying and cutting world-famous gems, such as the Jonker and TaylorBurton diamonds. He was also the last owner of The Hope Diamond, which he famously donated to the Smithsonian in Washington, D.C. His jewelry is known as exceptionally high-quality to this day, with stores in every major city around the world.

LALAOUNIS Born in Athens in 1920, Ilias Lalaounis was the fourth generation in a family line of goldsmiths and watchmakers. With a passion for history, he began studying the art of ancient Greece, and it was during Greece’s post-war recovery years that he decided to breathe new life into Greek museum artifacts. He wanted to transform them into jewelry by reviving age old techniques while also introducing the use of modern technology. Lalaounis found his calling in high karat gold as he felt it to be the “most human material” and it was through this medium that he expressed his inexhaustible creativity and achieved international recognition.

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NICHOLAS VARNEY A family history fueled by a passion for design and aesthetics, Nicholas Varney, a jewelry artisan carries this spirit in his work. Worldwide travels throughout his youth inspired a sense of creativity and seeing the beautiful in the unusual. His designs incorporate whimsical elements into elegant statement pieces meant to be worn and not tucked away in a vault. Varney has been aptly named as one of “Five Jewelers Working Today That You Will Be Collecting Tomorrow” by Forbes.

OSCAR HEYMAN and BROTHERS Parlaying expertise gained while apprenticing at Faberge in Russia, the Heyman brothers drew upon their skill to produce wondrous jewels at their New York offices. The inherent quality of their art has led top names such as Cartier and Van Cleef & Arpels to commission pieces from them.

Valuing every step in the creation of fine jewelry, the firm goes so far as to alloy their own gold and platinum. They also make their own tools to perform the painstakingly exact stone setting that sets their work apart.

POMELLATO The work of this Milanese firm, founded in 1967, serves as a prime example of high fashion jewelry that does not translate into a loss of quality. Known for their straightforward yet stunning designs, the brand has been embraced by fashionistas and celebrities on a global scale.

SEAMAN SCHEPPS An immigrant’s son, who grew up in the tenements of New York’s Lower East Side, Seaman Schepps established his reputation by designing exclusive pieces mixing unique ideas, bold colors and sharp textures. After a brief stint in California, the Schepps family moved back to New York where Schepps opened his 6th Avenue salon. When the stock market crashed in 1929, Schepps, like many of his clients, lost everything. With a remodeled business plan and renewed vigor, he reopened his doors on Madison Avenue in 1934 where he served clients such as President Franklin Delano Roosevelt, the Duchess of Windsor, and members of the Du Pont, Mellon and Rockefeller families. Although Schepps passed on in 1972, his namesake house continues to attract collectors looking for jewelry of splendor and singular style.

TIFFANY & Co. The best known jeweler in the United States and perhaps the world, Tiffany & Company has, for much of its history, exhibited the best gems from around the world and work from some of the finest jewelry designers. The reputations of such luminaries as Schlumberger, Claflin, Peretti and Cummings were forged while working for this great house. Not limited to any one genre, Tiffany has produced an astounding array of jeweled art over its history and continues forward today with their global reach.

TONY DUQUETTE Starting off as a movie and interior designer then moving into jewelry, Tony Duquette created one-of-a kind jewelry pieces full of colorful, unique gemstones and bold designs. His theatrical jewelry has been on display in a one-man show at the Louvre and even adorned the Duchess of Windsor. Embodying his philosophy “More Is More”, his business and design partner Hutton Wilkinson continues his legacy of jewelry design stating. “If it’s not fabulous, it’s meaningless” – Hutton Wilkinson.

VAN CLEEF & ARPELS Starting with a marriage between two families both intimately involved with the jewelry arts, this Parisian firm founded in 1898 has created a unique character all its own. Its exclusive pieces have been eagerly collected by royalty and celebrity alike. Credited with many innovations in construction and design, this master jeweler is also known for having the highest standards for their gems. Only using stones of the very best quality and rarity, a jewel by Van Cleef & Arpels is viewed first as art and then accessory.

DIAMONDS – THE 4 C’S

G I AG I A GGIIAAG IGAGI IAA GGGIIIAAGAI AG I AG I GAGIIAAGGIIGAAI AG IGGAGIIIAAGAGI IGAAI AG I AGGIIAAG IGAI AG I AG IGAGI IGAAI AG I AG I AG I A G I AG I A G I A AT CRAATR AT RUCYICTUTUCTYLTCCACAARURCRITAT TUAT CYTUC TACRCAUAT CUAT RC AAT C ACRAAT CA RTCAT CCRCAAUAT RRTAT C OCLOOLROCCROL LCAORCRCLIOTOLYLROCOCCRLROLACLAORORCLIRITOTCYLRYLOCCAROLRLACICOTRUCRYLILTTOACYRRLCCCIALTOLRACYLAICRUOTRUCITRYITLTCAYYLRCACILTRUACYITTRUCYITLTACCYARLURIATCTAT TI GEWHI GETHI GTWHET ALSEELCEISEAIGGCLHSAHETCW LHHETEW LSIEGCE HIASGTW LI GEEWHWSIEGTCEIHAIGGTW S CSACLAE LSSECCASALCLSESAECCLAAELSLSSECECCSAAACLLLSAEEECLSAECLSSAECCLASAESLCLCSEAEACLALSEELCSSESACCCLASAAESLCLLCSEAEEACLSALECELSASECLCASEALCSLEACE LW ASELCEEAISGLCSHESACTCSLAACEW LCHEAETW LW LTAEEW

0.50 ct.

0.50 0.50ct.ct.

0.50 ct.0.50 0.50 ct. ct.

0.25 ct. ct.0.50ct.ct. 0.25 ct.

0.50 ct.0.50 0.50 0.50 ct.0.50 ct.0.50 ct.

1.0 ct.

1.01.0ct.ct.

1.0 ct.1.0 1.0 ct. ct.

0.50 1.0 ct.ct.1.0 ct.1.01.0ct.ct. 0.50 1.0 ct.ct.

1.0 ct.1.0 ct.

2.0 ct.

2.02.0ct.ct.

2.0 ct.2.0 2.0 ct. ct.

1.02.0ct. ct. 2.0 ct.2.02.0ct.ct. 1.0 2.0ct. ct.2.0 ct.2.0 ct.

3.0 ct.

3.03.0ct.ct.

3.0 ct.3.0 3.0 ct. ct.

2.03.0ct.

2.03.0ct. ct. 3.0 ct.3.03.0ct.ct. ct.3.0 ct.3.0 ct.

5.0 ct.

5.05.0ct.ct.

5.0 ct.5.0 5.0 ct. ct.

ct. 5.0 ct.5.05.0ct.ct. 5.0 5.0 ct. ct.5.0 ct.5.0 ct.

5.05.0 ct.

GIA created the 4Cs, establishing universal method s,ated establishing GIA thecreated 4Cs, establishing the theuniversal 4Cs, establishing the method universal themethod universalthemethod for describing the quality of any diamond, anywhere in the world.

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Jewelry & Timepieces

SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST 312.334.4215 SALLYKLARR@HINDMANAUCTIONS.COM

KATIE GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR, SENIOR SPECIALIST, SAN DIEGO 858-442-6104 KATIEGUILBAULT@HINDMANAUCTIONS.COM

MARISA ACKERMAN, G.G. SPECIALIST, DENVER 303-825-1855 MARISAACKERMAN@HINDMANAUCTIONS.COM

KARINA HAMMER, G.G. SPECIALIST

HANA THOMSON CATALOGUER

MADELINE SCHROEDER CATALOGUER

312.334.4226 KARINAHAMMER@HINDMANAUCTIONS.COM

312.447.3291 HANATHOMSON@HINDMANAUCTIONS.COM

312.334.4223 MADELINESCHROEDER@HINDMANAUCTIONS.COM

ESTATES, APPRAISALS & BUSINESS DEVELOPMENT

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ALYSSA QUINLAN SENIOR VICE PRESIDENT, BUSINESS DEVELOPMENT

MOLLY E. GRON, J.D. NATIONAL DIRECTOR, TRUSTS & ESTATES SENIOR DIRECTOR, CHICAGO

312.447.3272 ALYSSAQUINLAN@HINDMANAUCTIONS.COM

312.334.4235 MOLLYGRON@HINDMANAUCTIONS.COM

TIM LUKE DIRECTOR, APPRAISALS & VALUATIONS 561.833.8053 TIMLUKE@HINDMANAUCTIONS.COM

ATLANTA KRISTIN VAUGHN SENIOR DIRECTOR OF BUSINESS DEVELOPMENT 404.800.0192 KRISTINVAUGHN@HINDMANAUCTIONS.COM

MILWAUKEE SARA MULLOY BUSINESS DEVELOPMENT DIRECTOR 414.220.9200 SARAMULLOY@HINDMANAUCTIONS.COM

SAN DIEGO KATIE GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR 858.442.6104 KATIEGUILBAULT@HINDMANAUCTIONS.COM

CLEVELAND CARRIE PINNEY BUSINESS DEVELOPMENT MANAGER 216.292.8300 CARRIEPINNEY@HINDMANAUCTIONS.COM

NAPLES ELIZABETH RADER, PHD BUSINESS DEVELOPMENT DIRECTOR 239.643.4448 ELIZABETHRADER@HINDMANAUCTIONS.COM

SCOTTSDALE LOGAN BROWNING BUSINESS DEVELOPMENT DIRECTOR 480.546.5150 LOGANBROWNING@HINDMANAUCTIONS.COM

DENVER MARON HINDMAN VICE CHAIR 303.825.1855 MARON@HINDMANAUCTIONS.COM

MIAMI, PALM BEACH SARAH ROY DIRECTOR, BUSINESS DEVELOPMENT 561.660.0579 SARAHROY@HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER BUSINESS DEVELOPMENT MANAGER 314.833.0833 ANNASHAVER@HINDMANAUCTIONS.COM

DETROIT PAM IACOBELLI BUSINESS DEVELOPMENT DIRECTOR 313.774.0900 PAMELAIACOBELLI@HINDMANAUCTIONS.COM

PALM BEACH KATE STAMM SENIOR ASSOCIATE, BUSINESS DEVELOPMENT 561.833.8053 KATESTAMM@HINDMANAUCTIONS.COM

WASHINGTON D.C. MAURA ROSS BUSINESS DEVELOPMENT DIRECTOR 202.853.1638 MAURAROSS@HINDMANAUCTIONS.COM

I M P O R TA N T J E W E L RY

Auction Inquiries FINANCE MARCO GUSELLA DIRECTOR, FINANCE MARCOGUSELLA @HINDMANAUCTIONS.COM 312.280.1212 CLIENT SERVICES RITA SWANBERG MANAGER, CLIENT SERVICES RITASWANBERG @HINDMANAUCTIONS.COM 312.280.1212 ESTATES, APPRAISALS & BUSINESS DEVELOPMENT VAUGHN SMITH BUSINESS DEVELOPMENT MANAGER VAUGHNSMITH @HINDMANAUCTIONS.COM 312.334.4238 BRIAR KOEHL BUSINESS DEVELOPMENT SENIOR ASSOCIATE BRIARKOEHL @HINDMANAUCTIONS.COM 312.600.6075 SAMANTHA SCHWARTZ BUSINESS DEVELOPMENT ASSOCIATE, TRUSTS & ESTATES SAMANTHASCHWARTZ @HINDMANAUCTIONS.COM 312.447.3297 NNEKA DUNHAM BUSINESS DEVELOPMENT ASSOCIATE, WEST NNEKADUNHAM @HINDMANAUCTIONS.COM 312.334.4232 HANNAH UNGER BUSINESS DEVELOPMENT ASSOCIATE, EAST HANNAHUNGER @HINDMANAUCTIONS.COM 312.447.3267 MUSEUM SERVICES MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS MICHAELSHAPIRO @HINDMANAUCTIONS.COM 312.334.4210 MIRANDA MAXFIELD BUSINESS DEVELOPMENT SENIOR ASSOCIATE, MUSEUM SERVICES MIRANDALUCE @HINDMANAUCTIONS.COM 312.334.4208 CONSIGNMENT DEPARTMENT JIM SHARP CHIEF OPERATING OFFICER JIMSHARP @HINDMANAUCTIONS.COM MAGGIE PORTER VP SALES STRATEGY, DEPUTY COO MAGGIEPORTER @HINDMANAUCTIONS.COM MOLLY MORSE LIMMER SENIOR VICE PRESIDENT, DECORATIVE ARTS & COLLECTIBLES MOLLYLIMMER @HINDMANAUCTIONS.COM

FINE ART JOSEPH STANFIELD VP, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM ZACK WIRSUM SENIOR SPECIALIST, POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM MONICA BROWN SENIOR SPECIALIST, PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM KATHERINE HLAVIN DIRECTOR AND SPECIALIST, WESTERN & WILDLIFE ART KATHERINEHLAVIN @HINDMANAUCTIONS.COM PAULINE ARCHAMBAULT SPECIALIST PAULINEARCHAMBAULT @HINDMANAUCTIONS.COM NATE BRADY ASSOCIATE SPECIALIST NATHANBRADY @HINDMANAUCTIONS.COM ALEXANDRIA DREAS CATALOGUER ALEXANDRIADREAS @HINDMANAUCTIONS.COM JULIANNA TANCREDI CATALOGUER JULIANNATANCREDI @HINDMANAUCTIONS.COM ABBY CHAMBERS DEPARTMENT COORDINATOR ABBYCHAMBERS @HINDMANAUCTIONS.COM EUROPEAN FURNITURE & DECORATIVE ARTS CORBIN HORN DIRECTOR, SENIOR SPECIALIST CORBINHORN @HINDMANAUCTIONS.COM 312.334.4214 MIKE INTIHAR SENIOR SPECIALIST MIKEINTIHAR @HINDMANAUCTIONS.COM NICK COOMBS SPECIALIST NICKCOOMBS @HINDMANAUCTIONS.COM GENEVIEVE KING ASSOCIATE SPECIALIST GENEVIEVEKING @HINDMANAUCTIONS.COM ELIZABETH REED CATALOGUER ELIZABETHREED @HINDMANAUCTIONS.COM AMERICAN FURNITURE, FOLK & DECORATIVE ARTS BENJAMIN FISHER DIRECTOR, SENIOR SPECIALIST BENJAMINFISHER @HINDMANAUCTIONS.COM

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GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances.

Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

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Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street.

Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street.

Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot.

2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report.

3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object.

4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges.

5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid.

2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction.

3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization

allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.

4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction.

5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids.

6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction.

You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1).

3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where

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necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.

4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid.

While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium.

2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required.

3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department.

4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you.

5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse.

6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

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(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate.

7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction.

We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6).

8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot.

Any such representation, other information, or additional warranty shall be null and void.

2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified.

“Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue.

Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced.

5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic.

Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap.

6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE

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OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights.

4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.

6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.

8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved.

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arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot.

Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned.

UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

Updated 4/21

NICHOLAS VARNEY, MULTIGEM BIRD OF PARADISE BROOCH SOLD FOR $28,125 SOLD PRICES ARE INCLUSIVE OF BUYER’S PREMIUM

Upcoming Auction Schedule 869 | AMERICAN & EUROPEAN ART MAY 3 | CHICAGO

878 | MODERN DESIGN MAY 20 | CHICAGO

870 | POST WAR & CONTEMPORARY ART MAY 4 | CHICAGO

903 | ATLANTA COLLECTIONS MAY 21 | ATLANTA

871 | PRINTS & MULTIPLES MAY 5 | CHICAGO

898 | PALM BEACH COLLECTIONS, SESSION I MAY 24 | PALM BEACH

835 | WESTERN PAINTINGS & SCULPTURE INCLUDING CONTEMPORARY NATIVE AMERICAN ART MAY 6-7 | DENVER

919 | ARMS & ARMOR, SESSION I MAY 25 | CINCINNATI

873 | BOOKS & MANUSCRIPTS MAY 12-13 | CHICAGO 890 | CINCINNATI COLLECTIONS MAY 14 | CINCINNATI 875 | TIMEPIECES MAY 17 | CHICAGO

881 | ANTIQUITIES MAY 27-28 | CHICAGO 882 | SUMMER FASHION & ACCESSORIES JUNE 3 | CHICAGO 883 | SPORTS MEMORABILIA JUNE 8 | CHICAGO

876 | IMPORTANT JEWELRY MAY 18 | CHICAGO

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

97

Timepieces May 17, 2021 Chicago | 10 AM CT

Notes

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