Sale 873 | Fine Books & Manuscripts, Including Americana by Hindman Auctions

Fine Books & Manuscripts, Including Americana May 12, 2021

Fine Books & Manuscripts Including Americana SALE 873 Wednesday, May 12, 2021 | 10am CT | Chicago Lots 1–363 P R E V I E W B Y A P P O I N T ME N T O N LY P RO P E R T Y P I C K U P H O U R S Monday - Friday | 9:00am – 4:30pm By appointment only. All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. P RO P E R T Y F RO M T H E T R U S T S A N D E S TAT E S O F W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida Rose V. James, Atlanta Georgia Maria Teresa Magliocco, Sierra Vista, Arizona Avis Hope Truska, Scottsdale, Arizona Agnes Neill Williams, Chevy Chase, Maryland P RO P E R T Y F RO M T H E C O L L E C T I O N S O F Jack Belcher Arthur B. Chandler A Distinguished Midwestern Collection Jeff Fender Marvin Herman The Historic Sengen House, Cornwall-on-Hudson, New York Steven Huffines, San Francisco, California Scott K. Keller Lawry’s The Prime Rib, Chicago, Illinois LSC Communications, Inc. Wendy Masse Gaspar Mayagoitia Barragán Todd D. Moberly, Berea, Kentucky A Private Collection, Chicago, Illinois A Private Collection, Taos, New Mexico Sisters of Providence, St. Mary-of-the-Woods, Indiana James J. Waring, MD T O VIEW T HE COMP LET E CATALOGUE AND SIGN UP T O BID, VISIT HINDMANAUCT IONS.COM

DOWNLOAD OUR AP P AT : GOOGLE PLAY STORE

FRONT COV E R Lot 298 B ACK COV E R Lot 18

THE APPLE STORE

© Hindman LLC 2021 Illinois Auctioneers License Number: 444.000521; Colorado Auctioneers License Number: 1057930; Wisconsin Auctioneers License Number 425-53; Florida Auctioneers License Number: AB3688; Missouri Auctioneers License Number: 92444; Georgia Auctioneers License Number: AU-C003121; Ohio Auctioneers License Number: 2019000131

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

4 18 34 68

AMERICANA, INCLUDING AMERICAN PRINTS | 250-363 Currier & Ives | Lots 250-319 American Prints | Lots 320-348 Americana, including Manuscripts | Lots 349-363 IN Q U I R I E S CONDITIONS OF SALE U P C O MI N G A U C T I O N S C H E D U L E

72 90 97 105 108 111

O P P O S I TE Lot 87

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Bibles

Lots 1-45

1 [BIBLE, in Latin]. Biblia latina. Venice: Franz Renner of Hailbrun [Heilbrunn], 1483. 4to (213 x 147 mm). 476 leaves [complete]. Double column, 50 lines plus headline; 3- to 16-line initials supplied in red or blue; rubricated in red, capital strokes in red. (A few leaves with tiny holes or rust-holes touching letters.” Modern pigskin, title hand-lettered on bottom edge (lacking clasp). Provenance: early marginal annotations. One of the earliest printed bibles in a smaller, more convenient format, of which Franz Renner was the pioneer. These Bibles were among the first intended for private use. BMC V, 198; Darlow & Moule 6086; Goff B-578; GW 4253; HC 3089*. Property from the Collection of LSC Communications, Inc. $3,000 - 4,000

2 [BIBLE, in Latin]. Biblia. [Basel: Johann Amerbach or Freiburg: Kilian Fischer], 1491. Folio (305 x 206 mm). 406 (of 408) leaves, lacking first leaf (half-title) and final leaf (of the Interpretationes hebraicorum nominum). Double column and 4-column, 56 lines plus headline; first leaf with large initial “F”, 3- to 4-line initials supplied in red or blue. (Tiny wormholes touching letters throughout, some minor mostly marginal soiling or dampstaining to a few leaves.) Modern blind-panelled calf. BMC assigns to Fischer; Proctor and GW to Amerbach. BSB-Ink B-464; BMC III, 694; Goff B-590; GW 4267; HC 3108*; Pell 2330. Property from the Collection of LSC Communications, Inc. $2,000 - 3,000

3 [BIBLE, in English]. The New Testament of our Sauiour Iesus Christe, faithfully translated out of the Greke, with the notes and expositions of the darke places therein. London: Richard Jugge, [1566]. 4to in 8s (203 x 146 mm). Black letter, woodcut illustrations and initials. (Lacking title and the first 19 leaves [replaced in facsimile], additionally lacking leaves F3, F4, L1, and quire Qq, several leaves at beginning and end with marginal fraying affecting text and old repairs, map on Ii7 trimmed affecting the right margin, a few paper flaws or tiny holes, some minor soiling.) Contemporary blindstamped calf (rebacked and repaired); cloth folding case. Jugge’s third quarto edition of Tyndale’s version and the last of Tyndale’s New Testament. It contains more than one hundred woodcuts, some taken from earlier editions, while those of the Evangelists and St. Paul and the cuts in Revelation are new. Darlow & Moule 121; ESTC S122998; STC 2873. Property from the Collection of LSC Communications, Inc. $6,000 - 8,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

4 [BIBLE, in English]. The New Testament of Jesus Christ, translated faithfully into English. Translated from Latin into English by Gregory Martin, under the supervision of William Allen and Richard Brostow. Rheims: John Fogny, 1582. 4to (240 x 160 mm). Title printed within woodcut border, woodcut head- and tail-pieces, numerous woodcut initials. (Minor soiling to title, a few small stains.) Modern blind-tooled calf; cloth folding case. Provenance: a few early marginal annotations. FIRST EDITION OF THE ROMAN CATHOLIC VERSION OF THE NEW TESTAMENT IN ENGLISH, translated from the Vulgate by Gregory Martin under the supervision of William Allen (later Cardinal Allen) and Richard Bristow. “This Rheims New Testament exerted a very considerable influence on the version of 1611 King James version” (In Remembrance of Creation 206). Darlow & Moule 177; ESTC S102491; Pforzheimer 68; STC 2884. A TALL COPY. Property from the Collection of LSC Communications, Inc. $6,000 - 8,000

5 [BIBLE, in English]. The Holy Bible. London: Deputies of Christopher Barker, 1595. Two parts in one volume, folio (411 x 260 mm). Black letter, text in double columns, 66 lines to the full column, separate title-page for New Testament within woodcut border (McKerrow & Ferguson 158) with continuous register and foliation, woodcut initials, head-and tailpieces. (Lacking 12 preliminary leaves, including general title and full-page woodcut of Adam and Eve, lacking final 4 leaves, ca 24 leaves at beginning and ca 14 leaves at end with marginal fraying and tears affecting text, lacking leaves F5, M6, and 5B4, some old repairs to lower margins, some soiling or tears.) Contemporary blindstamped calf over beveled wooden boards, sueded calf spine nailed to front and rear covers, with brass bosses one catchplate remaining (crudely rebacked, very worn, lacking clasps, catches perished). Provenance: Joseph Boullon (early inscription on 4I1); “Mary Johnson Here Book Cheadle” (early inscription); William Johnson, Cheadle (inscription). A reprint of the 1591 Bishops’ Bible. ESTC S4130; Herbert 227; STC 2167. Property from the Collection of LSC Communications, Inc. $800 - 1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

6 [BIBLE, in English]. [Geneva-Tomson Version]. The Bible; that is, The Holy Scriptures contained in the Old and New Testament. London: Robert Barker, 1607. 2 parts in one volume, folio (302 x 204 mm). Double column text in roman type, 63 lines to the full column, woodcut headpiece and small ornament on New Testament title-page with continuous register but separate foliation, full-page woodcut of Adam and Eve in Eden facing Genesis, 31 woodcut text illustrations, diagrams, and maps, woodcut initials, head- and tail-pieces. (Lacking engraved title-page and lacking leaves 3B6, 5E4-6, and quire 5F, several leaves torn across affecting text occasionally repaired, 2-in. strip at top of New Testament title-page excised affecting title, several leaves with marginal repairs affecting shoulder notes in quires 4G, 4N, 4P, and 4R, stained throughout.) 19th-century binding sheep (very worn, crudely rebacked). Provenance: Reverend O. W. Whitaker (gift inscription 1872). Reprint of the Geneva version of the Old Testament, first issued in 1560, translated by William Whittingham, Anthony Gilby, Thomas Sampson, and perhaps others, with Laurence Tomson’s revision of the Geneva version of the New Testament and his translation of Franciscus Junius’ translation of Revelation. ESTC S122320; Herbert 289; STC 2199. Property from the Collection of LSC Communications, Inc. $400 - 600

7 [BIBLE, in English]. The Holy Bible, Conteyning the Old Testament, and the New… London: Robert Barker, 1611. Folio (370 x 247 mm). Double-column text in Gothic and Roman types, calendar printed in red and black. (Lacking title-page, map, and last leaf [supplied in facsimile], also lacking A2, A5, A6, C6, and D1; 31 leaves at beginning and end frayed or torn with loss to text remargined and silked, a few other leaves with losses to margins, a few lower margins shaved occasionally affecting signature or catchword.) Full modern blind-panelled calf. FIRST EDITION of the King James Bible, the Authorized version, with the reading “he” in Ruth 3:15 (Bb2r). The translation, royally commissioned to reconcile the differences between the Bishop’s bible and the Geneva Bible, is, according to W. A. Jackson, “perhaps the single most important influence upon the development of English prose style.” “From about the middle of the seventeenth century on to the appearance of the Revised Bible of 18815, King James’ version reigned without rival” (Herbert). Darlow & Moule 309; ESTC S122347; Pforzheimer 61; PMM 114; STC 2216. Property from the Collection of LSC Communications, Inc. $8,000 - 12,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

8 [BIBLE, in English]. The Holy Bible, Conteyning the Old Testament, and the New… London: Robert Barker, 1612. Three works in one volume (see below), 4to (219 x 149 mm). Double-column text in roman type, 56 lines to the full column, printed within rules with enclosed inner and outer margins for printed side-notes, engraved general title by Jaspar Isaac after Cornelius Boel’s design of 1611, New Testament title printed in a heart-shaped center within a woodcut border comprising the 12 Tribes, 12 Apostles and Four Evangelists, continuous register, woodcut initials, head- and tail-pieces. (Title-page trimmed and mounted, a few rule borders trimmed close, some minor soiling.) Modern calf; cloth folding case. Provenance: marginal notes or underlinings in ink. FIRST QUARTO EDITION of the King James Bible, printed in roman type, with the reading “hee went” in Ruth 3:15 (R6r). ESTC S101951; Herbert 313; STC 2219. [Bound with:] SPEED, John. The Genealogies Recorded in the Sacred Scriptures, According to Every Family and Tribe. [London: John Beale, 1615?]. Title-page with woodcut devices printed within double rule border, woodcut genealogical tables, with “A Description of Caanan” and double-page woodcut map. (Several leaves inserted on a stub.) ESTC S122841; STC 23039.3. -- STERNHOLD, Thomas and John HOPKINS. The Booke of Psalmes, Collected into English Meetre. London: For the Companie of Stationers, 1612. Title-page with woodcut device printed within double rule border, printed music. (Inner margin of last leaf renewed, mounted on a stub.) ESTC S1195; STC 2540. Property from the Collection of LSC Communications, Inc. $1,000 - 1,500

9 [BIBLE, Polyglot]. Biblia sacra polyglotta. Edited by Brian Walton. London: Thomas Roycroft, 1655-57. 6 volumes, folio (450 x 277 mm). Engraved frontispiece portrait of Walton, pictorial additional title in Volume 1, double-page map of the Holy Land, double-page plan of Jerusalem, 3 double-page plates (2 showing plans and elevations of the Temple, one depicting ritual artifacts), and single-page plan of the Temple, all by Wenceslaus Hollar; errata slip mounted and tipped in to Vol. I at p.48. (A few mostly marginal tears, dampstaining to gutter margin in Vol. IV, some minor browning or soiling.) Full red crushed morocco richly gilt (some scuffing or rubbing). Provenance: Lynd (armorial bookplate) The fourth, last, and most accurate of the large-scale Polyglots of the 16th and 17th centuries, the London Polyglot was a tour-de-force of typography and layout employing Greek, Hebrew, Syriac, Arabic, Samaritan, and Ethiopic fonts to print versions in 8 languages in addition to the Vulgate. While being less elegant than its predecessors, is the most accurate and with the addition of Persian and Ethiopic to the usual Samaritan, Hebrew, Greek, Syriac, Arabic, Chaldaean and Latin. The editor was Brian Walton, made Bishop of Chester by Charles II in 1660, who called upon for assistance the considerable talents of, inter alios, James Ussher, Robert Sanderson, Henry Hammond, Edward Pococke, John Greaves and Edmund Castell. Republican issue with Walton’s thanks to Cromwell for having waived customs duties on the imported paper. Wing B2797; Darlow and Moule 1446; ESTC R36567 [Uniformly bound with:] CASTELL, Edmund. Lexicon Heptaglotton. London: Thomas Roycroft, 1669. 2 volumes, folio. Uniformly bound with above. According to Darlow & Moule, the Lexicon Heptaglotton is “often bound uniformly with, and as a supplement to, this Polyglot Bible… they really form an essential part of the work.” ESTC R218940. Property from the Collection of LSC Communications, Inc. $3,000 - 4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

10 [BIBLE, in German]. Biblia das ist: Die gantze Heilige Schrifte, durch Martin Luther verteutscht... Basel: Caspar Mangoldts, 1665. Folio (400 x 244). Engraved title, 3 engraved double-page maps (of 6, with chipping and marginal losses); woodcut head-pieces and initials. (Some overall browning or soiling, engraved title with chipping.) Contemporary blind-tooled pigskin over bevelled wooden boards, metal bosses and clasps (lacking 2 bosses and catches, a few repairs). Includes the Old Testament, New Testament, and Apocrypha. With the rare doublehemisphere world (though torn and with some losses). $400 - 600

11 [BIBLE, in English]. The Holy Bible Containing the Old Testament and the New. -- Index Biblicus: or an Exact Concordance to the Holy Bible. -- The Whole Book of Psalms. Cambridge: John Field, 1668, 1666. 3 works bound in one, 4to (226 x 170 mm). Engraved architectural title by John Chantry. (Titlepage and first text leaf attached loosely with old marginal repairs, some minor spotting or soiling.) Contemporary black panelled morocco gilt (crudely rebacked). Provenance: prayers and genealogical notes in two early hands; Thomas Pennington (Bledlow, Bucks armorial bookplate). This edition, printed in small type, is widely known as the “Preaching Bible,” owing to its supposed suitability for use from the pulpit. Old and New Testament: ESTC R18074 (with the title-page for the New Testament dated 1666 as here); Wing B-2277. Concordance: ESTC R25715. Psalms: ESTC R17943; Wing B-2490. Property from the Collection of LSC Communications, Inc. $600 - 800

12 [BIBLE, in English]. The Holy Bible, Containing the Old Testament and the New: Newly Translated out of the Original Tongues… London: Charles Bill, 1709. -- [Bound after:] The Book of Common Prayer… London: Charles Bill, 1709. -- [Bound with:] The Whole Book of Psalms… London: Thomas Hodgkin, for the Company of Stationers, 1710. 3 works bound in one, folio (356 x 255 mm). Woodcut device on title-page, woodcut initials. (Title-page and two leaves with old marginal repairs.) Contemporary blindpanelled calf (rubbed, rebacked). Provenance: Timothy Bunting (ownership inscription dated 1768 and with genealogy of the Bunting family). Bible: Darlow & Moule 904; ESTC T89278. Common Prayer: ESTC T81430. Psalms: ESTC T91722. Property from the Collection of LSC Communications, Inc. $300 - 400

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

13 [BIBLE, in English]. The Holy Bible, containing the Old Testament and the New. Oxford: John Baskett, 1717-16. 2 volumes in one, folio. Title and calendar printed in red and black, ruled in red throughout, engraved frontispiece by Du-Bose after J. Thornhill, general title with engraved view of Oxford by G. Vander Gucht, title to the New Testament with vignette, engraved head-pieces and initials. 19th-century blindstamped reversed calf (covers damaged, rebacked). Known as the “Vinegar Bible” from the misprint “the parable of the vinegar” for “vineyard” in Luke XX. As the great Bible monopolist, John Baskett was also parodied by contemporary wits who called his huge Bible a “Baskett-full of errors”. Nevertheless, Harry Carter, the historian of Oxford printing, states that “only Baskerville’s Bible (Cambridge, 1763) is its equal among English Bibles for beauty of type, impression, and paper” (The History of the Oxford University Press, 1975, I, p. 171). Two distinct variants are recorded: the present copy is Darlow & Moule’s issue A, with an additional engraved general title page depicting Moses writing the first words of Genesis (here bound as frontispiece), a vignette view of Oxford on the general title page, and vignette title page for the New Testament depicting the Annunciation, dated 1716. Two distinct variants are recorded: the present copy is Darlow & Moule’s issue A, with an additional engraved general title page depicting Moses writing the first words of Genesis (here bound as frontispiece), a vignette view of Oxford on the general title page, and vignette title page for the New Testament depicting the Annunciation, dated 1716. Darlow & Moule 942 variant A; ESTC T507265; Herbert 943 Property from the Collection of LSC Communications, Inc. $1,000 - 1,500

14 [BIBLE, in German]. Die gantze Bibel… Strassburg: Simon Kürtzner, 1744. Two parts in one volume, folio (359 x 238 mm). Printed in red and black. (First few leaves slightly frayed, last two leaves damaged and badly bound.) Contemporary blindstamped pigskin over wooden boards (worn, lacking clasps and catches). An 18th-century reprint of the 1536 Froschauer Bible, which was published by the Swiss Anabaptists who migrated to Alsace in the 17th century. Forerunners to the Amish and Mennonites, the Swiss Brethren brought their beloved Froschauer Bibles with them as they went into exile, and as these old German-language Bibles became scarce, they commissioned this reprint by Kürtzner, who was the official state printer in Strassburg. Property from the Collection of LSC Communications, Inc. $300 - 400

15 [BIBLE, in German]. Biblia, das ist, Die Heilige Schrift Altes und Neues Testaments. Germantown: Christoph Saur, 1763. 4to (243 x 185 mm). (Lacking last leaf of table; title-page stained and browned; some restorations in the New Testament to H2 and P4, Mm1-3 remargined with minor losses to text.) Modern leather. The third Bible printed in America, after Eliot’s 1661 Indian Bible and the elder Saur’s 1743 first edition, printed in an edition of 2,000 copies by Saur senior’s son, Christoph (1721–84). Formatting the Word of God 12.2b; Darlow & Moule 4240; ESTC W18552; Evans 9343; Hildeburn 1877; Sabin 5192. Property from the Collection of LSC Communications, Inc. $800 - 1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

16 [BIBLE, in English]. The Holy Bible, containing the Old Testament and the New… Cambridge: John Baskerville, 1763. Folio (504 x 321 mm). (Some slight spotting or browning.) Contemporary blue straightgrained morocco gilt (rebacked preserving original spine, some light wear). ONE OF 1,250 COPIES, third state (with the list of subscribers ending with “York”). A handsome copy with wide margins of this fine edition by Baskerville which “has always been regarded as Baskerville’s magnum opus, and is his most magnificent as well as his most characteristic specimen” (T.B. Reed, A History of the Old English Letter Foundries ..., p. 279). It is particularly notable for its unadorned elegance and large, clear type. As his prospectus for 1761 announced, since “many Gentlemen have objected to every Kind of Ornament round the Page, the work will be printed quite plain, with the marginal notes all at the bottom.” Herbert 1146; D&M 857; Gaskell 26; Rothschild 2640; ESTC T93106. A FINE COPY. Property from the Collection of LSC Communications, Inc. $2,000 - 3,000

17 [BIBLE, in English]. The Holy Bible, containing the Old and New Testaments. Cambridge: John Archdeacon, 1769. 8vo (255 x 205 mm). Title-page printed within double rule border, double-column text. Contemporary red morocco gilt, covers with a gilt Etruscan floral border with alternating urns in each corner, edges gilt (some overall wear, joints just starting). Provenance: Edward Irish (armorial bookplate). The King James version, printed by John Archdeacon, who was Printer to the University from 1766-1793. Herbert 1200. Property from the Collection of LSC Communications, Inc. $500 - 700

18 [BIBLE, in German]. Biblia, das ist: die ganze göttliche Heilige Schrift Alten und Neuen Testaments, nach der deutschen Uebersetzung D. Martin Luthers… Germantown: Christoph Sauer, 1776. Thick 4to (287 x 228 mm). Engraved front piece, general title-page, separate titlepage, register, and pagination for the New Testament, fraktur type set in two columns, woodcut initials, printer’s ornaments used as head- and tailpieces. (Some spotting or browning, some chipping at edges.) Old sheep (rebacked, hinge broken, very worn, lacking clasps). The third edition and the first Bible to be printed with American type. In his History of American Printing (1810), Isaiah Thomas first circulated an apocryphal story about the circumstances that befell this particular edition to the effect that the book acquired the sobriquet of the “Gun-Wad” Bible. Thomas writes: “[Sauer’s] estate was confiscated before the close of the war, and his books, bound and unbound, were sold, among these the principal of the last edition of the Bible in sheets. Some copies of them had been before, and others of them were now, converted into cartridges …” (quoted by Rumball-Petrie). Dr. John Wright further embellished the story in his Early Bibles of America (1894), stating the British had confiscated the bible sheets to use as litter for their horses as well as wadding for their muskets. Rumball-Petrie debunks the myth, as there is no contemporary, empirical evidence to support these claims. Formatting the Word of God 12.2c; Darlow & Moule 4240; ESTC W18549; Evans 14663; Hildeburn 3336; Rumball-Petrie pp. 51–63; Sabin 5194. Property from the Collection of LSC Communications, Inc. $1,500 - 2,500 10

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

19 WRIGHT, Paul. The New and Complete Life of Our Blessed Lord and Saviour Jesus Christ. Philadelphia: Tertius Dunning & Walter W. Hyer, 1795. Folio (310 x 194 mm). 24 copperplate engravings. (Blessed Savior plate disbound with slight fraying to edges, some minor browning or soiling.) Contemporary sheep (joints starting, some overall wear). ESTC describes this work as actually an edition of John Fleetwood’s The Life of our Blessed Lord and Saviour, Jesus Christ, first published in London 1766. “First published in thirty numbers of 16 pages and an engraving each. The completed volume bearing the date of the first number, although publication was not completed until 1796 or 1797. The Philadelphia edition differs from the New York edition [Evans 29928] only in its title page. The plates are from several sources” (Evans). The priority of American editions is not established. ESTC W13832; Evans 29927. Property from the Collection of LSC Communications, Inc. $300 - 400

20 [BIBLE, in English]. The Holy Bible, containing the Old and New Covenant, commonly called the Old and New Testament: Translated from the Greek [by Charles Thomson]. Philadelphia: Jane Aitken, 1808. 4 volumes, 8vo (215 x 131 mm). General title and volume titles to each volume. (Some minor browning or spotting.) Contemporary sprinkled calf (some light wear). Provenance: Samuel Harvey (signature); J. W. Harvey (signature); Henry C. McCook (signature and bookplate). First edition of the first translation of the ancient Greek Old Testament (the Septuagint) into English. The 1808 Jane Aitken Bible has the dual distinction of being the first English translation of the Septuagint and the first printing by a woman of any part of the Holy Scriptures in America. Upon his retirement from serving as secretary of the Continental Congress (1774-89), Charles Thomson (1729-1824) devoted himself to the Greek Bible or Septuagint, an ancient translation from the original Hebrew, and his translation took 19 years to complete. The fourth volume contains Thomson’s translation of the New Testament. Jane Aitken was the daughter of Philadelphia printer Robert Aitken who had printed the first English Bible in America. Hills 153; Darlow & Moule 1005; Herbert 1514; Rumball-Petre 184; O’Callaghan 1808.2; Wright, p. 113. Property from the Collection of LSC Communications, Inc. $3,000 - 4,000

21 [BIBLE, in English]. The Holy Bible, containing the Old and New Covenant, commonly called the Old and New Testament: Translated from the Greek [by Charles Thomson]. Philadelphia: Jane Aitken, 1808. 4 volumes, 8vo (216 x 126 mm). General title and volume titles to each volume. (Titlepages soiled, general titles to vols. III and IV with tape repairs, some minor browning or spotting.) Modern calf gilt; cloth slipcase. First edition of the first translation of the ancient Greek Old Testament (the Septuagint) into English. The 1808 Jane Aitken Bible has the dual distinction of being the first English translation of the Septuagint and the first printing by a woman of any part of the Holy Scriptures in America. (See previous lot.) Hills 153; Darlow & Moule 1005; Herbert 1514; Rumball-Petre 184; O’Callaghan 1808.2; Wright, p. 113. Property from the Collection of LSC Communications, Inc. $2,000 - 3,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

22 [BIBLE, in English]. The New Testament, translated from the Latin, in the Year 1380, by John Wiclif, D.D. . . . To which are prefixed, Memoirs of . . . Dr. Wiclif; and an Historical Account of the Saxon and English Versions of the Scriptures, previous to the Opening of the Fifteenth Century, by the Rev. Henry Hervey Baber, B.A. London: Richard Edwards for T. Hamilton et al., 1810. 4to (315 x 245 mm). With engraved frontispiece portrait of Wycliffe. (Small tear affecting letters on title-page, a few preliminary leaves reinforced in gutter with cloth tape.) Later cloth (upper cover detaching, some overall wear). Provenance: Herbert Wilson (signature dated 1851); E. A. Edghill (signature dated 1901); John W. Lea (signature dated 1921). Second printed edition of Wycliffe’s New Testament, which was first published in an edition of 160 copies in 1731. Herbert 1537. Property from the Collection of LSC Communications, Inc. $600 - 800

23 [BIBLE, OLD TESTAMENT, in English]. The Twenty-Four Books of the Holy Scriptures. Translated by Isaac Leeser. Philadelphia: [Isaac Leeser], 5614 [1853-54]. 4to (280 x 213 mm). English text with Hebrew book names and parashah titles, as well as selected words appearing in footnotes; headers throughout; double column. (Pages de-acidified; title-page and following leaf remargined and silked.) Modern calf. FIRST EDITION of the first complete translation of the Old Testament by a Jewish translator into English, building upon Leeser’s 1845 translation of the five books of the Torah. Previous editions published by Jews in England had simply utilized the King James translation. Leeser’s preface explains that this massive undertaking sprung from “a desire entertained for more than a quarter of a century, since the day he quitted school in his native land to come to this country, to present to his fellow-Israelites an English version, made by one of themselves, of the Holy Word of God.” Readers would now “have an opportunity to study a version of the Bible which has not been made by the authority of churches in which they have no confidence.” Goldman 12 (“first English translation of the complete Bible by a Jew”); Hills 1540; Singerman 1271; Wright, p.124. Property from the Collection of LSC Communications, Inc. $2,000 - 3,000

(part lot) 24 [BIBLES - AMERICAN BIBLE SOCIETY]. A group of 4 Bibles, comprising: The Holy Bible, Containing the Old and New Testaments: Translated Out of the Original Tongues; And With the Former Translations Diligently Compared and Revised. New York, American Bible Society, 1853. -- A second copy. 1856. -A third copy. 1884. -- [BIBLE, in Braille]. The Holy Bible. Proverbs-Ecclesiastes, Song of Solomon. Vol XI. New York: Printed for the American Bible Society by the American Printing House for the Blind, n.d. -- Together, 8 works in 8 volumes, 4to or 8vo, all in publisher’s cloth or leather, all from the Library of the National Publishing Company, The National Bible Press, Philadelphia with bookplates. Condition varies, generally good. Property from the Collection of LSC Communications, Inc. $200 - 300

(part lot) 25 [BIBLES - AMERICAN]. A group of 5 works, comprising: BURKITT, William. Expository Notes with Practical Observations on the New Testaments. N.p.: n.p., ca 18th century. -- The Holy Bible: Containing the Old and New Testaments, With References and Illustrations; An Exact Summary of the Several Books; A Paraphrase on the Most Obscure and Important Parts… New York: T. Kinnersley, 1836. Provenance: John C. & Mary G. Kimball, (morocco gilt bookplate). -- The Holy Bible, Containing the Old and New Testaments; Translated Out of the Original Tongues: And With the Former Translations Diligently Compared and Revised. Philadelphia: Bible Association of Friends in America, 1859. -- The Bible in Modern English or The Modern English Bible. Perkiomen, PA: Perkiomen Press, 1909. -- MERIAN, Matthew. The Complete Story of the Bible in Pictures. New York: Eastern Color Printing Co., n.d. -- Together, 5 works in 5 volumes, folio or smaller, all in publisher’s cloth or leather. Condition varies, some overall wear. Property from the Collection of LSC Communications, Inc.

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$300 - 400

(part lot)

26 [BIBLES - FACSIMILES] A group of 5 Bibles in facsimile, comprising:

27 [BIBLES - FACSIMILES]. A group of 5 Bibles in facsimile, comprising:

The First Printed English New Testament…Photo-lithographed From the Unique Fragment Now in the Grenville Collection, British Museum. London: n.p. 1871. -- Facsimile of the Bay Psalm Book. New York: Dodd, Mead & Company, 1905. One of 1,000 copies. -- A second copy. One of 975 copies on plain paper. -- The Holy Bible, A Facsimile on a Reduced Size of the Authorized Version Published in the Year 1611. London: Henry Frowde, Oxford University Press, 1911. -- JOHNSON, Henry Lewis. Gutenberg and the Book of Books. New York: William Edwin Rudge, 1932. One of 750 copies. -- Together, 5 works in 5 volumes, folio or smaller, all in publisher’s cloth or cloth-backed boards, condition generally good.

A Smaller Biblia Pauperum. London: Unwin Brothers, 1884. Provenance: W. A. Stewart (bookplate). -- The Caedmon Manuscript of Anglo-Saxon biblical poetry. Junius XI in the Bodleian Library. London: Oxford University Press, 1927. Facsimile copy. -- NORTH, Eric. The Book of a Thousand Tongues. New York and London: Harper & Brothers, 1938. -- The Bay Psalm Book. A Facsimile Reprint of the First Edition of 1640. [Chicago]: University of Chicago Press, [1956]. -- The Gutenberg Bible. New York: Brussel & Brussel, 1968. 3 volumes. -- Together, 5 works in 5 volumes, folio or smaller, all in publisher’s cloth or leather, all from the library of the National Publishing Company, The National Bible Press, Philadelphia with bookplates. Condition generally good.

Property from the Collection of LSC Communications, Inc.

$200 - 300

(part lot)

28 [BIBLES - HISTORY AND PHILOSOPHY]. A group of 3 works, comprising:

29 [BIBLES - LONDON IMPRINTS]. A group of 3 Bibles, comprising:

CAESAR, Julius. Record of the Gallic Wars. London: Jacob Tonson, 1720. -- ATMORE, Charles. The Whole Duty of Man. London: Fisher Son & Co., 1811. Provenance: Francis P. Sheriff (gift inscription) -- JOSEPHUS, Flavius. Works & Life. Philadelphia: Kimber & Sharpless, [ca 1835]. -Together, 3 works in 3 volumes, 4to or 8vo, all in contemporary sheep or cloth-backed boards. Condition varies, some overall wear.

The English Version of the Polyglott Bible: Containing the Old and New Testaments. London: Printed for Samuel Bagster, 1828. -- The New Testament of Our Lord and Saviour Jesus Christ: Published in 1526. Being the First Translation of the Greek Into English, By that Eminent Scholar and Martyr, William Tyndale… London: Stevens and Pardon, for Samuel Bagster, 1836. -- The Holy Scriptures of the Olde and Newe Testaments…Faithfully Translated From the Hebrue and Greke by Myles Coverdale…1535. London, Samuel Bagster and Sons, [1847]. Second reprint edition. -- Together, 3 works in 3 volumes, 4to or 8vo, all in publisher’s cloth or leather. Condition varies, some overall wear.

Property from the Collection of LSC Communications, Inc. $200 - 300

Property from the Collection of LSC Communications, Inc. $300 - 400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

30 [BIBLES - WORLD LANGUAGES]. A group of 8 Bibles, including:

31 [BIBLES - 19th CENTURY]. A group of 5 Bibles, comprising:

[BIBLE, in Arabic]. The Four Gospels in Arabic: Translated from the Greek by American Missionaries. New York: American Bible Society, 1879. -- [BIBLE, in Danish]. Den Heliga Shrift inehallande Gamla Hya Testamenlet iemte de Upofruphiba Bocherna. N.p.: W.R. Vansant, ca 1889. -- [BIBLE, in Welsh]. Y Bibl Cyssegr-Lan, Sef Yr Hen Destament A’R Newydd. London: British and Foreign Bible Society, ca 1890. 8vo. Provenance: Sarah Bebb Jones (giltlettered on upper cover; signature). -- [BIBLE, in German]. Die Bibel oder die ganze Heilige Schrift des Ulten und Neuen Testaments nach der deutschen uebersezung. Berlin: Britische und Auslandische Bibelgesellschaft, 1903. -And 4 others. Together, 8 works in 8 volumes, 4to or 8vo, all in publisher’s cloth or leather, condition generally good. Complete list available on request.

The Holy Bible Containing the Entire Canonical Scriptures, According to the Decree of the Council of Trent; Translated from the Latin Vulgate…N.p.: n.p., 1884. -- Douay-Rheims Bible. N.p.: n.p., ca 1880s. -- Pictorial Family Bible. Combination Bible. Self-Pronouncing Edition. N.p.: n.p., 1895. -- The Holy Bible, Containing the Old and New Testaments, Translated out of the Original Tongues….Philadelphia: William W. Harding, 1876. Provenance:

Property from the Collection of LSC Communications, Inc.

$300 - 400

$200 - 300

32 [MANUSCRIPT LEAF -- BIBLE]. One leaf on vellum, in Latin. England?, ca. 1250.

33 [MANUSCRIPT LEAF -- MISSAL]. One leaf on vellum, in Latin. England?, ca 1375.

Written in a Gothic Textura hand, double column, 22 lines per page, in sepia ink, one elaborate 2-line initial in gold on a field of bisque, blue and white, with tracery in blue and bisque.

Written in a Textura hand, double-column, 39 lines per column, eight 2-line initials, one 7-line initial, four 1-line initials in alternating red and blue, some tracery.

Property from the Collection of LSC Communications, Inc.

$800 - 1,200

$500 - 700

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

J.L. & M.E. Comly (binding). -- AUDSLEY, W & G. The Sermon on the Mount. [London]: Day & Son, [1861]. Folio. Chromolithographs throughout (several leaves disbound, now matted and framed). -- Together, 5 works in 5 volumes, 4to, all in original publisher’s bindings. Condition generally good with some overall wear.

*34 [MANUSCRIPT LEAF -- PSALTER]. One leaf on vellum, in Latin. [England], ca 1420-1440.

35 [MANUSCRIPT LEAF -- BIBLE]. One leaf on vellum, in Latin. France, ca 14th century.

Written in Gothic script, single column, 18 lines, 3-line initial in blue and red, 1 1/2-line initials in red, black and gold foliate decoration in margin, blue and gold line fillers, all heightened in gold. Matted and framed, 116 x 79 mm sight (unexamined out of frame). Provenance: Ferdinand Roten Galleries, Baltimore MD (gallery label).

Written in a Humanistic Italic hand, double column, one red 2-line initial, one blue two-line initial, 2 lines with tracery. Property from the Collection of LSC Communications, Inc. $600 - 800

Property from the Estate of Rose V. James, Atlanta, Georgia $1,000 - 1,500

36 [MANUSCRIPT LEAF -- ANTIPHONARY]. One leaf on vellum, in Latin. Italy, ca. 1480-1525.

37 [MANUSCRIPT LEAF -- BIBLE]. One leaf on vellum, in Latin. Germany, ca. 1425.

Written in a Gothic Textura hand, double-column, 15 lines per column, one 2-line illuminated initial, nine 1-line illuminated initials, seven 1-line illuminated in-fills, nearly all heightened in gold, 3 1/2 lines in red.

Written in a large Gothic hand, double column, one 2-line initial in red and blue with elaborate 15-line tracery in the margin; one 6-line initial in red and blue with tracery. From Judges. The leaf bears resemblence to the manuscript presumably used by Johann Gutenberg as a copy for his first Bible, printed Mainz, 1454.

Property from the Collection of LSC Communications, Inc. $800 - 1,200

Property from the Collection of LSC Communications, Inc. $600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

38 [MANUSCRIPT LEAVES -- BIBLES]. A group of 3 manuscript leaves on vellum, matted together, comprising:

39 [MANUSCRIPT LEAVES -- BIBLES]. A group of 4 manuscript leaves on vellum, matted together, comprising:

One leaf on vellum, in Latin. England, ca. 1250. 130 x 84 mm. Written in a Textura hand, double column, one 5-line illuminated initial, two 2-line illuminated initials, one 1-line illuminated initial, tracery in margins in gold, blue, and red, all heightened in gold. One leaf on vellum, in Latin. France, ca. 1350. 153 x 105 mm sight. Written in a Batarde hand, single column, one 2-line illuminated initial, illuminated vine tracery in the margin, all heightened in gold. From a Book of Hours. One leaf on vellum, in Latin. France, ca. 1250. 144 x 110 mm. In a Gothic hand, double column, three 2-line initials; one 4-line initial with tracery, initials alternate in red and blue.

One leaf on vellum, in Latin. France, ca. 1425. 142 x 95 mm sight. Written in a small Humanistic Italic hand, double column, one 15-line initial in red and blue; two 3-line initials, one red, one blue; seven 1-line initials alternating red and blue. Two leaves, bifolium, on vellum, in Latin. England, ca. 1350. 107 x 196 mm sight. Written in a Textura hand, one 3-line illuminated initial, tracery in the margins, all heightened in gold. From the Gospels One leaf on vellum, in Latin. France, ca. 1450. 117 x 89 mm sight. Written in a Renaissance hand, 16 lines per page, four 1-line illuminated initials, one 2-line illuminated initial, illuminated line-filler, all heightened in gold (small hole lower margin). From a Book of Hours. One leaf on vellum, in Latin. France, ca. 1435. 122 x 111 mm sight. Wide vine & leaf border in left margin in gold, blue, and copper-green, four 1-line illuminated initials, one 2-two line illuminated initial, line fillers in red & blue, all heightened in gold, a few letters in red. From a Psalter.

Property from the Collection of LSC Communications, Inc. $1,500 - 2,500

Property from the Collection of LSC Communications, Inc. $1,000 - 1,500

(part lot) 40 [BIBLE LEAVES - AMERICAN PUBLISHERS]. A group of 11 Bible leaves, comprising: Eliot Indian (Algonquin) Bible. 1685. Single leaf, in Algonquin, from the Old Testament, containing a portion of Kings 16-17. -- Sauer’s Germantown Bible. 1763. Single leaf, in German, from the Old Testament, containing a portion of Exodus 16, p.141. -- Third Saur Bible. 1776. 4 non-sequential leaves, in German, comprising 2 leaves from the Old Testament, containing portions of Ezekiel 20 and 22, pp.717 and 720; 2 leaves from the New Testament containing a portion of the Epistles of Paul to the Philippians 2-3, pp.818 and 846. -- Atkin’s Bible. 1782. 2 non-sequential leaves, in English, from the Old Testament, comprising the title-page and a portion of Jeremiah 7. -- Combination Bible. 1895. 3 nonsequential leaves, in English, from the New Testament, comprising 2 leaves containing portions of Matthew 27, p.65 and Mark 1, p.67. -- Together, 11 leaves, 292 x 229 mm, matted and framed (unexamined out of frames).

(part lot) 41 [BIBLE LEAVES - ENGLISH - 16TH CENTURY]. A group of 9 Bible leaves in English, comprising: Coverdale Bible. London, 1537. 2 leaves, from the Old Testament, containing a portion of Genesis 2-4. and Revelation 2-3. -- Taverner’s Bible. London, 1539. Title-page. -- The Great Bible. London, 1541. Bifolium from the New Testament, containing a portion of Luke 9-11 and 2 non-sequential leaves comprising the frontispiece and a portion of the Old Testament, Genesis 2-3. -- The Bishop’s Bible. London, 1568. Frontispiece with engraving of Queen Elizabeth I. -- The Bishop’s Bible. London, 1585. Titlepage. -- Facsimile copy of Francis Fry’s 1535 Coverdale Bible. 1866. Titlepage. -- Together, 9 leaves, 373 x 470 mm or smaller, matted or matted and framed (unexamined out of frames.) Property from the Collection of LSC Communications, Inc.

Property from the Collection of LSC Communications, Inc. $400 - 600 16

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$400 - 600

(part lot)

42 [BIBLE LEAVES - ENGLISH - 16TH AND 17TH CENTURIES]. A group of 8 Bible leaves in English, comprising:

43 [BIBLE LEAVES - IRELAND, SCOTLAND, AND WALES]. A group of 4 Insular Bible leaves, comprising:

Matthew Bible. 1549. Single leaf, from the Old Testament, containing a portion of Numbers 3-4. -- Geneva or Breeches Bible. 1561-1562. Title-page. -- Geneva or Breeches Bible. 1592. Single leaf, from the New Testament, containing a portion of Apocrypha, Book of Ecclesiasticus 45-46, p.454. -- Rheims-Douay Bible (Rheims New Testament, 1582 and Douay Old Testament, 1609-1610.) 2 Bifolia, containing a portion of Luke 11, pp.170171 of the Rheims New Testament and Psalms 24-25 from pp.52-53 of the Douay Old Testament. -- King James Bible. 1611. Bifolium, from the New Testament, containing a portion of Luke 10-11 and 2 non-sequential leaves from the Old Testament, containing portions of Chronicles 1 and Jonah 1. -- Together, 8 leaves, 483 x 391 mm or smaller, matted and framed (unexamined out of frames).

New Testament, in Welsh. London, 1567. Title-page, from the first printing of the Bible in Welsh. -- Arbuthnot’s Bible. Edinburgh, 1579. Title-page. -- New Testament, in Irish Gaelic. London, 1602. Title-page, in Gaelic. From the first printing of the New Testament in Irish Gaelic. -- Hart’s Bible. Edinburgh, 1610. Colophon. -- Together, 4 leaves, 394 x 279 mm or smaller, matted (unexamined out of mattes.) Property from the Collection of LSC Communications, Inc. $400 - 600

Property from the Collection of LSC Communications, Inc. $400 - 600

(part lot) 44 [BIBLE LEAVES - LATIN]. A group of 5 Bible leaves in Latin, comprising:

(part lot) 45 [BIBLE LEAVES - WORLD LANGUAGES]. A group of 5 Bible leaves, comprising:

Bible, in Latin. Strasbourg, ca. 1479-1481. Single leaf, from the Old Testament, containing a portion of Ecclesiastes 27-28. -- Bible, in Latin. Nuremberg, 1482. Single leaf, from the New Testament, containing a portion of the Epistles of Paul to the Ephesians. -- Roycroft Polyglot Bible. London, 1665. 2 non-sequential leaves, from the Old Testament, containing a portion of Deuteronomy 11, p.767 and one leaf from the New Testament, containing a portion of Revelation 12, p.956. -- Facsimile leaf from the Gutenberg Bible. 20th century. Single leaf. -- Together, 5 leaves, 445 x 277 mm or smaller, matted or matted and framed (unexamined out of frames.)

Bible, in Danish. Copenhagen, 1550. Single leaf, in Danish, from the New Testament, containing a portion of Revelation 22. From the first complete Bible printed in Denmark. -- Bible, in Slavonic. St. Petersburg, 1581. Titlepage, in Cyrillic characters, from the first Bible printed in Slavonic. -- Bible, in Icelandic. Copenhagen, 1584. Single leaf, in Icelandic, from the New Testament, containing a portion of Matthew 1. From the first complete printing of the Bible in Iceland. -- Facsimile of a leaf from a 1586 Bible, in Spanish. 20th century. Single leaf, from the Old Testament, containing a portion of Leviticus 6-7. -- Facsimile of a leaf from the 1561 Bible in Polish. 20th century. Single leaf, in Polish, from the Old Testament, containing a portion of Genesis 1-3. -- Together, 5 leaves, 295 x 218 mm or smaller, matted (unexamined out of mattes).

Property from the Collection of LSC Communications, Inc. $400 - 600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Fine Press Books & Livres d'Artiste Lots 46-106

46 [ALLEN PRESS]. ALLEN, Harris Stearns. The Trail of Beauty. San Francisco: Allen Press, 1940.

47 [ALLEN PRESS]. POE, Edgar Allen (1809-1849). The Murders in the Rue Morgue. Antibes, France: Allen Press, 1958.

8vo. ORIGINAL WATERCOLOR by William Gaskin tipped in. Original mustard cloth-backed decorative paper covered boards, printed paper label on spine, uncut.

8vo. Title printed in red, blue and black; illustrated (one or two tiny spots to a few leaves). Original black, red and tan paper-covered boards, upper cover lettered in black, uncut (very slight rubbing to bottom of lower corners); glassine.

LIMITED EDITION, number 61 of 100 copies SIGNED BY HARRIS STEARNS ALLEN. THE ALLEN PRESS’S FIRST BOOK: “It was especially suitable that for our first book we should select a text by my father, the catalyst of our printing ambitions” (Allen Press 1). Property from the Collection of Jack Belcher

LIMITED EDITION, one of 150 unnumbered copies. Allen Press 22. Property from the Collection of Jack Belcher $300 - 400

$500 - 600

48 [ALLEN PRESS]. BYRON, George Gordon Noel, Lord (1788-1824). Beppo, a Venetian story. Kentfield, CA: The Allen Press, 1963.

49 [ALLEN PRESS]. Dialogues of Creatures Moralised. Preface by Joseph Haslewood. Kentfield: Allen Press, 1967.

Oblong folio. 35 illustrations reproduced from copperplate engravings from 18th-century Venetian books from Philip Hofer’s collection. Text and plates loose as issued in original tan cloth-backed Fortuny print cloth boards (some very slight wrinkling to cloth backing on upper board); original cloth portfolio (minor stain on top edge).

Folio. Title printed in red and black; 122 illustrations, decorations printed in blue, red and green. Original decorated tan cloth, spine lettered in orange, uncut; matching slipcase.

LIMITED EDITION, one of 150 unnumbered copies. Property from the Collection of Jack Belcher $300 - 400

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

LIMITED EDITION, one of 130 unnumbered copies, with illustrations after the woodcuts of the 1480 first edition. Allen Press 31. Property from the Collection of Jack Belcher $300 - 400

50 [ALLEN PRESS]. DRYDEN, John (1631-1700). All For Love: Antony-Cleopatra, a Romantic Tragedy. Kentfield: Allen Press, 1976. Folio. Half-title and title printed on tan paper; frontispiece portrait of Cleopatra handpainted on papyrus by artists at Cairo; hand-colored chapter head-pieces by Dorothy Allen; marginal hieroglyphs. Original light brown cloth uncut; matching slipcase. LIMITED EDITION, one of 140 unnumbered copies. Original prospectus laid in. Allen Press 42. Property from the Collection of Jack Belcher $300 - 400

51 [ALLEN PRESS]. The Allen Press Bibliography. Greenbrae: Allen Press, 1981. Folio. Numerous illustrations and decorations; sample pages bound in as issued. Original tan-cloth backed hand-blocked Richelieu, uncut; original slipcase. LIMITED EDITION, one of 140 unnumbered copies. Original prospectus laid in. Allen Press 46. Property from the Collection of Jack Belcher $700 - 900

52 [ALLEN PRESS]. SHAKESPEARE, William (1564-1616). Romeo and Juliet Greenbrae: Allen Press, 1988. 4to. Illustrated pen and ink drawings by Michèle Forgeois, calligraphy by Mark Livingston. HAND-BOUND IN ORIGINAL FULL VELLUM, stitching on sides, spine hand-lettered, uncut, by Jenifer Lindsay, London. LIMITED EDITION, one of 10 unnumbered copies specially bound, of a total edition of 115. Property from the Collection of Jack Belcher $1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

53 [ARION PRESS]. TOOMER, Jean (1894-1967). Cane. San Francisco: Arion Press, 2000.

54 [ARION PRESS]. FERLINGHETTI, Lawrence (1919-2021). A Coney Island of the Mind. San Francisco: Arion Press, 2005.

Oblong 4to. Woodcuts by Martin Puryear. Original linen boards with ribbon ties, lettered on upper cover and spine (title on upper cover very slightly rubbed).

Small folio. Illustrations by R. B. Kitaj. Original cloth-backed decorated papercovered boards, printed paper label on spine; original slipcase.

LIMITED EDITION, one of 400 unnumbered copies.

LIMITED EDITION, one of 300 unnumbered copies. Original prospectus and subscriber’s letter from Andrew Hoyem laid in.

Property from the Collection of Jack Belcher

$500 - 700

$200 - 300

55 [ARION PRESS]. WOOLF, Virginia (1882-1941). Orlando, a Biography Biography. San Francisco: Arion Press, 2005.

56 [ARUNDEL PRESS]. MOSER, Barry (b.1940). Gold Rush. Los Angeles: Arundel Press, 1985.

Small folio. Photographs by Diana Michener. Original gold cloth with photographic onlay; original slipcase.

Small folio. 25 plates after Moser. Text and plates loose as issued in original black morocco-backed portfolio, spine gilt-lettered.

LIMITED EDITION, one of 400 unnumbered copies. Original prospectus laid in.

LIMITED EDITION, number 18 of 350 copies SIGNED BY MOSER.

Property from the Collection of Jack Belcher $200 - 300

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

Property from the Collection of Jack Belcher $400 - 600

57 [BLACK SUN PRESS]. LAURENCIN, Marie (1883-1956), illustrator. DODGSON, Charles Lutwidge (1832-1898). Alice in Wonderland. Paris: The Black Sun Press, 1930.

58 [BOOK CLUB OF CALIFORNIA]. HARLOW, Neal (1908-2000). The Maps of San Francisco Bay from the Spanish Discovery in 1769 to the American Occupation. San Francisco: The Book Club of California, 1950.

Oblong 4to. Title-page in red and black, chapter headings, initial letters and pagination in red; 6 color lithographs by Laurencin. Loose as issued in original publisher’s wrappers (a few tiny spots); original glassine (some light chipping); original slipcase and chemise (some minor wear).

Folio. 21 facsimile maps on 19 sheets, some folding, printed in red and black. Original red leather-backed decorated boards, spine giltlettered. Provenance: R.C. Van Houten (bookplate).

LIMITED EDITION, number 250 of 300 copies on Rives paper printed for distribution in Europe of a total edition of 790. $600 - 800

59 [BOOK CLUB OF CALIFORNIA / ANDREW HOYEM]. ANGELO, Valenti (1897-1982). Valenti Angelo: Author, Illustrator, Printer. San Francisco: Andrew Hoyem for the Book Club of California, 1976. Folio. Numerous illustrations after Angelo’s designs with hand-coloring. Original red cloth-backed orange paper covered boards, printed paper label on spine, uncut. LIMITED EDITION, one of 400 unnumbered copies hand-colored by the artist and SIGNED BY ANGELO. Original prospectus laid in. Property from the Collection of Jack Belcher $200 - 300

LIMITED EDITION, one of 375 unnumbered copies printed by the Grabhorn Press. BCC 77; GB 501; Graff 1784; Howes H-202. Property from the Collection of Jack Belcher $300 - 400

60 [BOOK CLUB OF CALIFORNIA]. MAGEE, David (1905-1977). The Hundredth Book. A Bibliography of the Publications of the Book Club of California & A History of the Club. San Francisco: Grabhorn Press for the Book Club of California, 1958. Folio. Numerous facsimile title-pages, printed in red and black throughout. Original tan cloth-backed decorative boards printed paper spine label. Provenance: Robert Grabhorn (bookplate). LIMITED EDITION, one of 400 copies printed by the Grabhorn Press. BCC 100. PRESS FOUNDER ROBERT GRABHORN’S COPY with his bookplate. [With:] HARLAN, Robert D. (1929-2014). The Two Hundredth Book. A Bibliography of the Books Published by the Book Club of California 1958-1993. San Francisco: The Book Club of California, 1993. Folio. Numerous facsimile woodcuts and title-pages, printed in red and black. Original tan cloth-backed decorative boards, printed paper spine label. Publisher’s prospectus laid in. Provenance: Harold Berliners (bookplate). LIMITED EDITION, one of 500 unnumbered copies printed by Mastercraft Press for the Book Club of California. BCC 200. Property from the Collection of Jack Belcher $200 - 300 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

61 CHAGALL, Marc (1887-1985). The Jerusalem Windows. New York: George Braziller, 1962. 4to. 2 original color lithographs by Chagall, numerous illustrations. Publisher’s red cloth; original printed dust jacket (very slight rubbing); clear acetate jacket. FIRST EDITION, illustrating Chagall’s designs for 12 stained glass windows for the synagogue at Hadassah-Hebrew University Medical Center in Jerusalem. $400 - 600

62 [CHAGALL, Marc (1887-1985)]. – [DA SILVA, Vieira (1908-1992)]. DI SAN LAZARRO, Gualtieri, editor. XXe Siècle. Quatre Thèmes. No. 26. Paris: XXe Siècle, 1966. Folio. Original color lithograph by Chagall, original color lithograph by Da Silva, numerous illustrations. Original printed glossy boards, cover design by Chagall. FIRST EDITION of the 26th issue of the “Nouvelle Série” of XXe Siècle. $300 - 400

63 CHAGALL, Marc (1887-1985). The Lithographs of Chagall. Vol.I: Monte Carlo and New York: André Sauret and George Braziller, 1960; Vol.II: Monte Carlo and Boston: André Sauret and Boston Book and Art Shop, Inc., 1963; Vol.III: Boston: Boston Book and Art Shop, Inc., 1969. 3 volumes, 4to. 25 original lithographs (including dust jackets), numerous reproductions of Chagall’s lithographs. Original publisher’s cloth; original lithographed dust jackets (very slight rubbing to spine ends); original glassines; original shipping box vol.I; original board slipcases vols.II-III. FIRST EDITION IN ENGLISH of the first three volumes of the catalogue raisonné of Chagall’s lithographs. $600 - 800

64 [DERRIÈRE LE MIROIR - CHAGALL]. A group of 4 Marc Chagall issues, comprising: CHAGALL. No. 27/28. March/April 1950. -- CHAGALL. No. 225. October 1977. -- CHAGALL. No. 235. October 1979. -- CHAGALL. No. 246. May 1981. All published Paris: Maeght Éditeur. Each with numerous lithographs and illustrations, loose as issued in original lithographed wrappers. First trade editions, condition generally fine. $400 - 500

65 [DERRIÈRE LE MIROIR - MIRÓ]. A group of 5 Joan Miró issues, comprising: MIRÓ. No. 87/88/89. June/July/August 1956. -- MIRÓ. No. 139/140. June/July 1963. -MIRÓ. No. 193/194. October/November 1971. -- MIRÓ. No. 203. April 1973. -- MIRÓ. No. 231. November 1978. All published Paris: Maeght Éditeur. Each with numerous lithographs and illustrations, loose as issued in original lithographed wrappers. First trade editions, condition generally fine. $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

66 [FLEURON]. SIMON, Oliver and Stanley MORISON, editors. The Fleuron: A Journal of Typography. Vols.I-IV: London: The Fleuron, 1923- 1925. Vols.V-VII: Cambridge: University Press and Garden City, NY: Doubleday Doran & Co., 1926, 1928, 1930. 7 volumes, 4to. Numerous plates, specimen leaves and facsimiles, many in color, many mounted, some folding. Original cloth or cloth-backed boards (slight rubbing, slight fading or soiling vol.IV); vol.II with original printed dust jacket (minor soiling and losses). Provenance: Ward Ritchie (bookplates, vols. II-III). Volumes V-VII LIMITED EDITIONS, the rest FIRST EDITION. Original prospectus laid in to vol. V. WARD RITCHIE’S COPY of Vols. II and III with his bookplate. [With:] SOMERS, Jeanne. Index to The Dolphin and The Fleuron. New York: Greenwood Press, 1986. Original publisher’s light blue cloth stamped in white. Property from the Collection of Jack Belcher $600 - 800

67 [GOLDEN COCKEREL PRESS]. Chanticleer. A Bibliography of the Golden Cockerel Press. April 1921-1936 August. London: The Golden Cockerel Press, 1936. 8vo. Title printed in black and gold, wood engraved illustrations by Robert Gibbings, David Jones, Eric Ravilious, and others. Original green morocco-backed decorated cloth, spine giltlettered, top edge gilt, others uncut, stamp-signed by Sangorski & Sutcliffe (spine slightly sunned, very light rubbing to spine ends). Provenance: Alice and Justin Hanaw (bookplate). LIMITED EDITION, number 90 of 300 copies SIGNED by partners Christopher Sandford, Anthony Sandford, Owen Rutter, and F.J. Newbery. Property from the Collection of Jack Belcher $300 - 400

68 [GOLDEN COCKEREL PRESS]. [KEATS, John (1795-1821)]. Endymion. London: Golden Cockerel Press, 1947. 4to. 58 Wood-engraved illustrations by John Buckland-Wright. Original quarter vellum over brown cloth, figure of Cynthia in gilt on upper cover, spine lettered in gilt, top edge gilt, others uncut, stamp-signed by Sangorski & Sutcliffe. Provenance: Morris J. Cohen (bookplate). LIMITED EDITION, number 356 of 500 copies. Described by Cave and Manson in their History of the Golden Cockerel Press 1920-1960 as “the most important Cockerel of its time, and Buckland-Wright’s greatest book.” Property from the Collection of Jack Belcher $500 - 700

69 [GOLDEN COCKEREL PRESS]. LUCAS, F. L., editor. The Golden Cockerel Greek Anthology. London: Golden Cockerel Press, 1937. Folio. Illustrations by Lettice Sanford. Half black leather gilt. LIMITED EDITION, number 187 of 206 copies. [With:] Pertelote. A Sequel to Canticleer. Being a Bibliography of the Golden Cockerel Press October 1938-1943 April. London: Golden Cockerel Press, 1943. 8vo. Red quarter morocco. LIMITED EDITION, number 2 of 200 copies SIGNED BY Owen Rutter. Property from Historic Sengen House, Cornwall-on-Hudson, New York $300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

70 [GRABHORN PRESS -- BOOK CLUB OF CALIFORNIA]. POWELL, H.M.T. (b.1824). – WATSON, Douglas S., editor. The Santa Fé Trail to California, 1849-1852: The Journal and Drawings of H.M.T. Powell. San Francisco: Grabhorn Press for The Book Club of California, 1931. Folio. Folding frontispiece, 2 folding maps, 15 plates. Text printed in red and black. Original orange leather-backed tan cloth boards, spine lettered in blind, 4 raised bands, uncut (very light sunning or rubbing to spine). LIMITED EDITION, one of 300 unnumbered copies of this work which “ranks as one of the most important and highly celebrated overland narratives. Its superb narrative combined with the elegant presentation of the Grabhorn Press make this a cornerstone of any Western travel collection” (Kurutz The California Gold Rush 515). Eberstadt, Modern Narratives of the Plains and the Rockies 390; GB 158; Howes P-525.

71 [GRABHORN PRESS]. HELLER, Elinor Rass. -- MAGEE, David. Bibliography of the Grabhorn Press, 1915-1940. San Francisco: Grabhorn Press, 1940. Folio. Text printed in red and black, illustrated with numerous facsimile leaves and plates from various Grabhorn publications. Quarter light brown calf over linen covered boards, 5 raised bands, spine lettered in blind, uncut (rubbing to spine and edges, slight soiling and light wear to spine ends). LIMITED EDITION, one of 210 unnumbered copies of the first Grabhorn bibliography. GB 340. Property from the Collection of Jack Belcher $800 - 1,200

Property from the Collection of Jack Belcher $400 - 600

72 [GRABHORN PRESS]. SCHULZ, H. C. A Monograph on the Italian Choir Book…with an original illuminated initial from an Italian Gradual of the Sixteenth Century. San Francisco: Printed for David Magee at the Grabhorn Press, 1941.

73 [GRABHORN PRESS / BOOK CLUB OF CALIFORNIA]. WHEAT, Carl Irving (1892-1966). The Maps of the California Gold Region 1848-1857. A BiblioCartography of an Important Decade. San Francisco: The Grabhorn Press, 1942.

Folio. Vellum leaf with illuminated initial from a sixteenth-century Italian Gradual bound in, hand-illuminated initials throughout by Valenti Angelo. Original two-toned red and beige cloth, upper cover lettered in red (light rubbing and soiling, a few minor scuffs).

Folio. 26 reproductions of maps (17 folding). Original tan cloth-backed linen, printed paper label on spine.

LIMITED EDITION, number 19 of 27 copies SIGNED BY MAGEE. GB 363

LIMITED EDITION, one of 300 unnumbered copies of Wheat’s comprehensive study of early California cartography and Gold Rush maps. GB 368; Howes W-312.

Property from the Collection of Jack Belcher

$600 - 800

$400 - 600

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

74 [GRABHORN PRESS]. MAGEE, Dorothy and David. Bibliography of the Grabhorn Press (1940-1956) [With a Check-List 1916-1940]. San Francisco: Grabhorn Press, 1957. Folio. Text printed in red and black. 23 samples of printing and facsimiles of Grabhorn publications. Original half red levant over decorated paper-covered boards, spine gilt-lettered, uncut. LIMITED EDITION, one of 225 unnumbered copies. GB 586. Property from the Collection of Jack Belcher $300 - 400

75 [GRABHORN PRESS]. TSA TOKE, Monroe (1904-1937). The Peyote Ritual. Visions and Descriptions of Monroe Tsa Toke. San Francisco: Grabhorn Press, 1957. Folio. 14 color reproductions of paintings by Toke. Publisher’ cloth-backed decorated boards, original plain dust jacket (slight soiling, tears with losses to spine panel and edges). LIMITED EDITION, one of 325 unnumbered copies featuring Tsa Toke’s Native American ceremonial artwork. Publisher’s prospectus laid in. GB 589 Property from the Collection of Jack Belcher $500 - 700

76 HERITAGE PRESS.

(part lot)

A very comprehensive set of Heritage Press publications through 1995, v.p. [mostly New York], 1935-1995, comprising approximately 220 volumes, various 4to and 8vo sizes. Illustrated. Original bindings (very occasional rubbing, chipping, or fading, some volumes lacking original slipcases). Included are: ABBÉ PRÉVOST. The Story of Manon Lescaut. 1935. Pierre Brissaud, illustrator. -- HAWTHORNE, Nathaniel. The Scarlet Letter. 1935. W.A. Dwiggins, illustrator. -- HOUSMAN, A.E. A Shropshire Lad. 1935. Edward A. Wilson, illustrator. -- CLEMENTS, Samuel. The Adventures of Tom Sawyer. 1936. Norman Rockwell, illustrator. -- STONE, Irving. Lust for Live. 1936. Vincent Van Gogh, illustrator. -- SHAKESPEARE, William. Romeo and Juliet. 1937. Sylvain Sauvage, illustrator. -- COLERIDGE, Samuel Taylor. The Rime of the Ancient Mariner. 1938. Gordon Grant, illustrator. -- BALZAC. Droll Stories. 1939. Boris Artzybasheff, illustrator. -- Beowulf. 1939. Lynd Ward, illustrator. -- SWIFT, Jonathan. Gulliver’s Travels. 1940. Fritz Eichenberg, illustrator. -- STERN, Lawrence. A Sentimental Journey. 1941. Sylvan Sauvage, illustrator. -- HOMER. The Odyssey. 1942. John Flaxman, illustrator. -- HOMER. The Iliad. 1943. John Flaxman, illustrator. -- HUDSON, W. H. Green Mansions. 1944. Miguel Covarrubias, illustrator. -- BROWNING, Elizabeth Barrett. Sonnets from the Portuguese. 1948. Valenti Angelo, illustrator. -- And approximately 205 others. Sandglass pamphlets laid-in to most volumes. Complete list available on request. Property from the Collection of Jack Belcher $3,000 - 4,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

77 [HOLBEIN, Hans]. -- FOISTER, Susan (b.1954). Drawings by Holbein From the Royal Library Windsor Castle. London and New York: Johnson Reprint Company Limited, Harcourt Brace Jovanovich, Publishers, 1983. Large folio. 85 color facsimile plates of drawings by Holbein loose as issued in original unopened burgundy paper wrapper. Text supplement volume in original maroon cloth, gilt lettered. Housed together in a quarter maroon morocco gilt folding case. LIMITED EDITION, number 262 of 520 copies. Property from the Collection of Jack Belcher $200 - 300

78 [JOURNAL OF CONTEMPORARY PHOTOGRAPHY]. WOOD, John, editor. 21st: The Journal of Contemporary Photography. Brewster, MA: Leo and Wolfe Photography, Inc., 1999-2003. 6 volumes, folio. Numerous reproductions of photographs by significant contemporary photographers including Bernard Faucon, Adam Fuss, John Dugdale, Cy DeCosse, Sally Mann, Holly Wright, and others. Original cloth with photographic print inset on front boards (vols.I-V); original printed wrappers (vol.VI); original shrink-wrap; original cardboard boxes for vols.II, V, VI. FIRST TRADE EDITIONS, featuring contemporary photography with criticism, poetry, and fiction by numerous writers including Pulitzer-Prize winners Edward Albee, Robert Olen Butler, Annie Dillard, Adam Johnson, and Richard Wilbur. Property from the Collection of Jack Belcher $300 - 400

79 [KLEE, Paul (1879-1940)]. Paul Klee: Ten Colour Collotype Reproductions of his Works. London: Lund Humphries, 1957. Folio. 10 collotypes tipped-in as issued. Original cloth-backed burlap-covered boards. FIRST EDITION, featuring reproductions of works from the Richard Doetsch-Benzinger collection. Property from the Collection of Jack Belcher $200 - 300

80 LAMOTTE, Bernard (1903-1983). Proust Portfolio: The France of Marcel Proust. [New York]: printed by Bernard Lamotte, [1950]. Large folio. 25 original copper plate etchings, each signed and numbered 56/100 in pencil by Bernard Lamotte. Loose as issued in original blue cloth folding case with red morocco label to upper cover (very slight fading and rubbing to covers and extremities). [Laid in:] Two typed letters signed “Bernard Lamotte” to Mr. Lord, 6 February 1950 and “George Macy” Director of the Limited Editions Club, to Captain C.W. Lord, 28 September 1949. Both letters requesting Mr. Lord’s advance subscription for Bernard Lamotte’s Proust Portfolio. LIMITED EDITION, number 56 of 100 copies. Property from the Collection of Jack Belcher $500 - 700

81 LICHTENSTEIN, Roy (1923-1997). Landscape Sketches 1984-1985. New York: Abrams, 1986. Oblong 4to. 24 color reproductions. Loose as issued in original cloth folding case. LIMITED EDITION, number 12 of 100 copies SIGNED BY LICHTENSTEIN. Property from the Collection of Jack Belcher $1,000 - 1,500 26

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

(part lot)

82 LIMITED EDITIONS CLUB.

A very extensive run of The Limited Editions Club publications through 2010, v.p. [mostly New York], 1929-2010, approximately 555 works, comprising all but 59 of the primary publications and one of the special publications listed in Limited Editions Club A Collectors Guide & Checklist 1929-2012 (Bill R. Majure, compiler). Various Folio to 8vo sizes. Illustrated. Original bindings. (Some light occasional wear to a few volumes, but generally in fresh condition). LIMITED EDITIONS, most one of 1,500 copies signed by the artists. Included are: • SWIFT, Jonathan. The Travels of Lemuel Gulliver. 1929. Signed by Alexander King. (No. 1) • HUGO, Victor. Notre-Dame de Paris. 1930. Signed by Frans Masereel. In the original European-style paper wraps. (No. 13) • DODGSON, Charles Lutwidge. Alice’s Adventures in Wonderland. 1932. Signed by Frederick Warde. (No. 36) • ARISTOPHANES. Lysistrata. 1934. Illustrated and signed by Pablo Picasso. (No. 57) • O. HENRY. The Voice of the City. 1935. Signed by George Grosz. (No. 67) • JOYCE, James. Ulysses. 1935. Illustrated and signed by Henri Matisse. (No. 71) • THOREAU, Henry David. Walden. 1936. Illustrated and signed by Edward Steichen. (No. 78) • LEWIS, Sinclair. Main Street. 1937. Illustrated and signed by Grant Wood. (No. 89) • STOWE, Harriet Beecher. Uncle Tom’s Cabin. 1938. Signed by Miguel Covarrubias. (No. 97) • BAUDELAIRE, Charles. Les Fleurs Du Mal – Flowers of Evil. 1940. With both the English- and French-language editions. (No. 117) • GRAHAME, Kenneth. The Wind in the Willows. 1940. Signed by Bruce Rogers. (No. S-7) • STEINBECK, John. The Grapes of Wrath. 1940. Signed by Thomas Hart Benton. (No. S-8) • SHAKESPEARE, William. The Comedies, Histories, and tragedies of William Shakespeare. 1939-1940. (No. 118) • COOPER, James Fenimore. The Prairie. 1940. Signed by John Steuart Curry. (No. 119) • WHITMAN, Walt. Leaves of Grass. 1942. Signed by Edward Weston. (No. 141) • TWAIN, Mark. Life on the Mississippi. 1944. Signed by Thomas Hart Benton. (No. 158) • BROWNING, Elizabeth Barret. Sonnets from the Portuguese. 1948. Signed by Valenti Angelo. (No. 186) • SWIFT, Jonathan. A Voyage to Lilliput… -- A Voyage to Brobdingnag. 1950. (No. 204) Beowulf. 1952. Illustrated by Lynd Ward. (No. 225) • DOSTOEVSKY, Feodor. The Idiot. 1956. Illustrated and signed by Fritz Eichenberg. (No. 264)

• HARDY, Thomas. Far From the Maddening Crowd. 1958. Signed by Agnes Miller Parker. WITH ORIGINAL ENGRAVING LAID-IN. (No. 287) • STOKER, Bram. Dracula. 1965. Signed by Felix Hoffman. (No. 376) • JEFFERSON, Thomas. The Writings of Thomas Jefferson. 1967. Signed by Lynd Ward. (No. 397) • CRANE, Stephen. Maggie, a Girl on the Streets. 1974. Signed by Sigmund Abeles. WITH THE ORIGINAL SIGNED LIMITED EDITION ORIGINAL COPPER ETCHING OF THE FRONTISPIECE laid-in. (No. 472) • WALCOTT, Derek. Poems of the Carribbean. 1982. Signed by Derek Walcott and Romare Bearden. WITH AN ORIGINAL HAND-NUMBERED LIMITED EDITION LITHOGRAPH laid-in. (No 525) • POE, Edgar Allen. Fall of the House of Usher. 1985. Illustrated and signed by Raphael Soyer. (No. 534) • JOYCE, James. Dubliners. 1986. Illustrated and signed by Robert Ballagh. (No. 538) • PAZ, Octavio. Three Poems. 1988. Illustrated and signed by Robert Motherwell. (No. 545) • BECKETT, Samuel. Nohow On. 1989. Illustrated and signed by Robert Ryman. (No. 549) • WHITMAN, Walt. Song of the Open Road. 1990. Illustrated and signed by Aaron Siskind. (No. 552) • CONRAD, Joseph. The Heart of Darkness. 1992. Illustrated and signed by Sean Scully. (No. 560) • POUND, Ezra. Cathay. 1992. Illustrated and signed by Francisco Clemente. (No. 561) • KYOKA, Izumi. The Tale of the Wandering Monk. 1995. Illustrated and signed by Setsuko Ideta. 1995. (No. 568) • HUGHES, Langston. Sunrise is Coming After While. 1998. Signed by Maya Angelou, Illustrated and signed by Phoebe Beasley. (No. 576) • HURSTON, Zora Neale. Bookmarks in the Pages of Life. 2001. Signed by Betye Saar. (No. 580) • ANGELOU, Maya. Deep Rivers in My Soul. 2003. Signed by Maya Angelou, Dean Mitchell, and Wynton Marsalis. (No. 584) • CAVAFY, Constantine P. A Tribute to Cavafy… 2003. Signed by Duane Michals. • KING, Martin Luther. Letter from a Birmingham City Jail. 2008. Illustrated and signed by Faith Ringgold. (No. 588) • The Declaration of Independence. 2010. Illustrated and signed by Robert Frank. (No. 589)

[With:] A virtually complete run of all special and promotional publications, including: DWIGGINS. Towards a Reform of the Paper Currency. 1932. (No. S-1). -- The Dolphin, a Journal of the Making of Books. Nos. 1-3. 1933, 1935, 1938. (Nos. S-2, S-3, S-4). -- Bibliography of the Fine Books Published by the Limited Editions Club 1929-1985. (S-9). -- Monthly Letters: The First Fifty Monthly Letters, 1929-1933. (S-10). [Also Also with:] :] A complete run of Promotional Publications. -- A profusion of ephemera including prospectuses, prepublication announcements and holiday greetings. Of the first fifty-eight series of LEC publications, twenty-four are absolutely complete; sixteen are lacking only one volume. The collection also includes the majority of the publications issued after series numbering was discontinued. The Limited Editions Club, founded in 1929 by George Macy, sought to publish finely illustrated and produced classics of world literature. It was the longest-lasting and most successful publishing venture of its kind. The present collection includes books from the golden era of the Club, when it was under the direction of George Macy, as well as livres d’artiste produced by The Club under the direction of Sidney Shiff. Property from the Collection of Jack Belcher $50,000 - 70,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

83 [LOGAN ELM PRESS]. JOHNSON, M. Charlotte. Inangaro: A Polynesian Folktale of Love Lost. -- Inangaro: The Legend of the Coconut. Ohio State University: Logan Elm Press, 1987-1988. 4 variations in 4 volumes, various 4to, 8vo, and 12mo sizes. Each volume contains a different version of this Polynesian folktale, each with a different designer: Robert Tauber, Richard Brunell, Ruth Leonard, and Rod Johnson; and each with a different illustrator: Margret Prentice, Sidney Chafetz, David Macaulay, and Eric May. Each of the 4 volumes is hand-bound in original cloth or paper boards or wrappers; the 4 volumes nesting in to original flax, abaca and Coir-covered folding case, the upper cover inset with a coconut shell. LIMITED EDITION, number 38 of 70 copies, EACH VOLUME SIGNED BY THE PRINTER AND ILLUSTRATOR, the first volume SIGNED BY JOHNSON. Property from the Collection of Jack Belcher $400 - 600

84 [LOGAN ELM PRESS]. CITINO, David (1947-2005). A Letter of Columbus. Ohio State University: Logan Elm Press, 1990. 4to. Monoprints printed from hand-painted zinc plates by Anthony Rice, calligraphy by Ann Alaia Woods. Sewn into paper-covered boards with goatskin spine; original pastepaper-covered slipcase with cast paper bas-relief inset of the title-page illustration. LIMITED EDITION, number 125 of 130 copies SIGNED BY RICHARD TAUBER, CITINO, and RICE, printed at the Logan Elm Press and Papermill from hand-set Janson types on handmade Spanish flax specially-watermarked paper. [Laid in:] an additional bifolum, the text opening with calligraphy and illustration, the integral second leaf blank except for an illustration to the lower corner verso. Property from the Collection of Jack Belcher $800 - 1,200

85 [LOGAN ELM PRESS]. OZICK, Cynthia (b. 1928). Epodes: First Poems. Ohio State University: Logan Elm Press, 1992. Folio. Title-page and 3 linoleum-blocked images by Sidney Chafetz; errata slip; the text and images all printed on hand-made paper. Original hand-sewn Russian Hemp fiber covers, upper cover sheet moulded with negative space hand-shaped form, foil-stamped title on fly-leaf, willow wood spine; laid-in to original willow wood box. LIMITED EDITION, number 17 of 124 numbered copies of a total edition of 150 SIGNED BY OZICK, CHAFETZ, and book designers ROBERT TAUBER and RUSSELL McKNIGHT. [With:] An extra suite of prints by Chafetz, each signed and numbered “16/26” lower margin. Property from the Collection of Jack Belcher $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

86 [LOGAN ELM PRESS]. GREEN, Louisa Bertch. Solche Sensationen/Such Sensations. Food & Philosophical Reﬂections of Chef Hubert Seifert. Ohio State University: Logan Elm Press, 2010. Folio. 12 drypoint monoprint menus printed from copper plates and designed by Anthony Rice, calligraphy by Ann Alaia Woods. Original handsewn CavePaper covers; original Italian linen-covered folding case, the upper cover inset with an original copper intaglio monoprint plate. LIMITED EDITION, number 11 of 26 copies, SIGNED BY GREEN, RICE, WOODS, book designer ROBERT TAUBER, and chef HUBERT SIEFERT. “The idea for Solche Sensationen... originated with Robert Tauber in the spring of 1990 based on his familiarity with two other books: The Shepheardes Calendar by Edmund Spenser, first published in 1579...and Onze menus de Paul Gaugin by Robert Rey, first published in 1950... Each of the twelve menus in the book recreates a meal that marked a milestone or special occasion in Chef Hubert’s life” (Colophon).

87 [LOGAN ELM PRESS]. HARVEY, Rebecca. Any Number of Things. Ohio State University: The Logan Elm Press, 2013. Single sheet, a paper scroll. Design, illustrations and collage by Rebecca Harvey on handmade Kozo and Gampi fiber paper. Rolled into original handblown glass bottle resting on a ceramic saucer made by Harvey with a calligraphic portrait of Captain Cook after Ann Alaia Woods. LIMITED EDITION, number 9 of 100 copies SIGNED BY HARVEY, who wonders if Cook was “tired, sick or just overwhelmed...Could it have been one thing or another? More likely, it was any number of things.” Property from the Collection of Jack Belcher $800 - 1,200

Property from the Collection of Jack Belcher $800 - 1,200

88 [MASEREEL, Frans (1889-1972)]. A group of 4 works by Masereel, comprising: Politische Zeichnungen. Berlin: Erich Reiss Verlag, 1924. -- Geschichte Ohne Wrote. 1927. -- Die Sonne. 63 Holzchnitte. 1927. -- Die Idee. 83 Holzschnitte. 1928. -- Together, 4 works in 4 volumes, 12mo or smaller, all published in Munich by Kurt Wolff except where indicated, all FIRST EDITIONS, all in original cloth or boards, condition generally good. [With:] PATER, Walter. Sebastian Van Stork. London: John Lane the Bodley Head Ltd. and New York: Dodd, Mead and Company, 1927. 4to. 8 color illustrations by Alastair. Original publisher’s beige cloth stamped in brown and gilt, top edge gilt others uncut (joints separating, toning to spine ends, slight soiling). LIMITED EDITION, number 774 of 1,050 copies.

89 MIRÓ, Joan (1893-1974). Joan Miró. Lithographs. Vol.I: New York: Tudor Publishing Company, 1972; Vol.II: New York: Léon Amiel Publisher, 1975; Vol. III: Paris: Maeght Éditeur, 1977. 3 volumes (of 6 comprising vols.I-III), 4to. 27 original lithographs, numerous reproductions of Miró’s works. Original publisher’s cloth; original lithographic dust jackets (vol.I price-clipped, minor toning); original wrap-around bands and glassines for vol.II and vol.III. LIMITED EDITION, each one of 5,000 copies of the (vol.I number 4909, vol.II number 793, vol.III number 1504). $800 - 1,200

Property from a Private Collection, Chicago, Illinois $300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

90 [NONESUCH PRESS]. HERODOTUS. The History. London: The Nonesuch Press, 1935. Folio. Wood engraved vignettes, title printed in red and black, wood-engraved illustrations by V. Le Campion, 9 maps at end. Original blue-stained vellum-backed cloth gilt, top edge gilt, others uncut (minor spotting to fore-edge, covers very slightly bowed). Provenance: Caspar W. B. Townsend (his sale, Parke Bernet, 17 February 1947, Lot 525, with lot ticket). LIMITED EDITION, number 365 of 675 copies. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600 90 91 [PENNYROYAL PRESS]. DODGSON, Charles Lutwidge (“Lewis Carroll”) (1832-1898). -- MOSER, Barry, illustrator. Alice’s Adventures in Wonderland. Berkeley: The Pennyroyal Press for The University of California Press, 1982. 2 volumes, tall 4to. Numerous illustrations by Barry Moser, wood-engraved plate of the Mad Hatter initialled lower margin loose as issued in separate portfolio. Original red cloth; original red cloth slipcase; original shipping carton. FIRST TRADE EDITION, one of 750 unnumbered copies. Property from the Collection of Jack Belcher $200 - 300

*92 [PERISHABLE PRESS]. Three works published by The Perishable Press, Mount Hebron, Wisconsin, ALL THE BINDER’S COPIES, comprising:

OLSON, Toby. Depression Dog. 2003. Printed in several colors on various paper stocks. Original printed tan cloth binding by Scott Kellar; custom cloth folding case. LIMITED EDITION, one of 109 unnumbered copies. INSCRIBED BY WALTER HAMADY on the Dedication Page: “This copy is the/ was the work up dummy in discussion re: this binding done so sweetly by Scott Kellar...2003.” HAMADY, Walter. Hunkering, the last Gabberjabb. 2006. Collaged, rubberstamped and embossed on a variety of handmade and found paper surfaces throughout. Original decorated burnt umbrian cloth binding by Scott Kellar; custom cloth folding case. LIMITED EDITION, one of 108 copies, this being unsigned. [With:] A group of 12 TLSs from Walter Hamady to Scott Kellar, written 22 December 2005-16 July 2008, regarding the printing and binding of the work. 14pp. total, 8vo, on Perishable Press letterhead. In a custom cloth chemise housed in the folding case with the book.

HAMADY, Walter. A Timeline of Sorts. 2010. 20 illustrations by 7 artists; various paper stocks, a few with collage or time-stamped. Original printed tan cloth binding by Scott Kellar; custom cloth folding case. LIMITED EDITION, number 65 of 80 copies. [With:] A group of 14 TLSs from Walter Hamady to Scott Kellar, written 13 January 2011-1 June 2012, regarding the printing and binding of the work. 15pp. total, 8vo, on Perishable Press letterhead. In a custom cloth chemise housed in the folding case with the book. “Noted for its fine handmade paper, distinguished typography and unique colophons, Hamady’s Perishable Press challenged traditional notions of the book. Over the years, his press has produced a body of work highly sought after by collectors -- books prized for their meticulous and complex physical structures, quirkiness and inventive collaborations between typesetter, binder and illustrator” (University of Buffalo, 17 February 2003). Property from the Collection of Scott Kellar $5,000 - 7,000

93 PICASSO, Pablo (1881-1973). A Suite of 180 Drawings by Picasso November 28, 1953 - February 3, 1954. New York: Harcourt, Brace and Company, 1954. Folio. 12 color lithographs, numerous heliogravures and reproductions. Original pictorial boards, paper spine label (minor scuffs or soiling, a few short tears). Provenance: Alexander Stillman (signature to front free endpaper). FIRST AMERICAN EDITION of the English language issue of the special double issue of Verve Vol. 8 Nos. 29-30 dedicated to Picasso and his work. $800 - 1,200 93 30

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

94 POE, Edgar Allan (1809-1849). The Raven and the Philosophy of Composition. San Francisco and New York: Paul Elder and Company, 1907.

95 [RARACH PRESS]. POPKES, Wendy. Iowa Couplets. Kalamazoo: Rarach Press, 1982.

4to. Photogravure frontispiece and 12 photogravure plates after paintings by Galen J. Perrett, decorations by Will Jenkins, printed in red and black. Later quarter black leather over original grey decorated boards lettered in gilt, top edge gilt, others uncut (rebacked).

8vo. 3 relief prints by Ladislav R. Hanka. Original white morocco-backed paper covered boards, upper cover set with dried corn stalk, spine giltlettered, by Jan and Jarmila Sobota.

LIMITED EDITION, one of 1,000 unnumbered copies of the “Quarto Photogravure Edition.” Property from the Collection of Jack Belcher $250 - 350

LIMITED EDITION, number 33 of 70 copies SIGNED BY JAN AND JARMILA SOBOTA. Hanka’s work is inspired by her contemplation of “the abstract repeating sequences of mid-western corn so reminiscent of calligraphic verse or of musical score” (introduction). Property from the Collection of Jack Belcher $100 - 200

96 RUSCHA, Edward (b. 1937). A group of seven works, comprising: Various Small Fires and Milk. Los Angeles: Anderson, Ritchie & Simon, 1970. Second edition. -- Some Los Angeles Apartments. Los Angeles: Anderson, Ritchie & Simon, 1965. Second edition. -- Twentysix Gasoline Stations. Alhambra, CA: The Cunningham Press, 1962. Third edition. -- Crackers. Hollywood, CA: Heavy Industry Publications, 1969. Second edition. -- Real Estate Opportunities. N.p.: n.p., 1970. FIRST EDITION. -- Records. Hollywood, CA: Heavy Industry Publications, 1971. FIRST EDITION. -- Colored People. N.p.: n.p., 1972.

97 [SATURDAY PRESS]. BOK, Gordon (b. 1939). If I Had your Wings. Minneapolis: The Saturday Press, 1967. 4to. Woodcut engravings by Edward Porter printed in black and grey. Original cloth by Richard Barnes at the Oxford Bindery, Philadelphia. LIMITED EDITION, number 174 of 200 copies SIGNED BY BOK AND PORTER. Property from the Collection of Jack Belcher $200 - 300

Together, 7 works in 7 volumes. The entire group exhibited, Edward Ruscha: Prints and Books, Hamilton College, with upper corners perforated so the books could be hung knee-high at Ruscha’s instruction. $1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

98 [SKELTON’S PRESS]. [GILL, Eric (1982-1940)]. – SKELTON, Christopher (1925-1992). The Engravings of Eric Gill. Wellingborough: Christopher Skelton, 1983.

99 [UNIVERSITY OF CALIFORNIA PRESS]. MELVILLE, Herman (1819-1891). Moby Dick; or, The Whale. Berkeley: University of California Press, 1981.

Folio. Over 1,000 reproductions of wood engravings by Gill including 3 folding plates. Publisher’s prospectus laid in. Original cream cloth-backed black cloth decorated in blind, spine gilt-lettered; original board slipcase.

Folio. Numerous woodcut illustrations by Barry Moser. Original blue cloth, spine lettered in silver; original publisher’s slipcase. Photo-facsimile edition, LIMITED ISSUE, one of 750 unnumbered copies SIGNED BY BARRY MOSER of this facsimile reprint of the 1979 edition printed by the Arion Press.

LIMITED EDITION, one of 1350 unnumbered copies of the “ordinary edition.” A comprehensive survey of Gill’s work as an engraver and typecutter by his nephew, Christopher Skelton.

Property from the Collection of Jack Belcher $300 - 400

Property from the Collection of Jack Belcher $200 - 300

100 [VALENTI ANGELO]. LINDEN, James, editor. Con Amore Valenti Angelo: A Bibliography 1971-1982. San Francisco: Linden Editions, 1992. Folio. Numerous illustrations and decorations, many hand-colored, several printing specimens tipped-in. Original blue linen, upper cover with printed paper label, spine gilt-lettered. LIMITED EDITION, one of 85 unnumbered copies of a total edition of 100 copies. “Subscriber’s Copy” with a printed folder including a signed eulogy by James Linden and related material laid-in. Property from the Collection of Jack Belcher $400 - 600

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

101 [VERVE]. Verve. Vol.1, nos. 1-4. Paris: Tériade, 1937-1939. 4 volumes, Folio. Lithographed plates by Kandinsky, Masson, Chagall, Miró, Rattner, Klee, Matisse and Derain and numerous reproductions. Original printed wrappers (slight rubbing to spine ends, very minor soiling); original printed board boxes nos.1-3 (overall slight wear to extremities and minor soiling, top edge lacking vol.1 box, top panel of box present but lacking box below). $700 - 900

102 [WESTGATE PRESS]. WOOLF, Virginia (1882-1941). Street Haunting. San Francisco: Westgate Press, 1930. 8vo. Original teal morocco-backed decorative paper-covered boards, uncut and unopened (spine slightly sunned with a few small nicks); original board slipcase. LIMITED EDITION, number 98 of 500 copies SIGNED BY WOOLF in her characteristic purple ink. Kirkpatrick A13a; Woolmer 215b. Property from the Collection of Jack Belcher $1,000 - 1,500

103 WITKIN, Joel Peter (b.1939). -- William BLAKE (1757-1827). Songs of Innocence & Experience. South Dennis, MA: 21st, 2004. 2 volumes: comprising one text volume, square folio, and portfolio with original print, folio. 62 photographic plates printed on Arches paper; ORIGINAL PLATINUM PRINT SIGNED BY WITKIN in ink (a few minor mostly marginal spots) laid into cloth portfolio. Text volume: original cloth; original folding case; portfolio: original cloth; original shipping carton.

102

LIMITED EDITION, number LXVI of LXXV copies SIGNED BY WITKIN, WITH AN ORIGINAL PLATINUM PRINT of a total edition of 85. The original platinum print with pencil annotation verso: “Printed by martin Axon November 2003 1st proof- not final.” Property from the Collection of Jack Belcher $500 - 700 104 [FINE PRESS]. A group of 3 fine press editions of the Classics, comprising: VERGILIUS MARO, Publius. Georgics of Virgil. J.W. Mackail, translator. Boston and New York: Riverside Press for Houghton Mifflin & Company, 1904. Number 61 of 330 copies. Provenance: Louis V. Ledoux (bookplate). -- Hamilton, George Rostrevor, editor. The Greek Portrait. London: The Nonesuch Press, 1934. Mariette Lydis, illustrator. Provenance: Allan Browning Lane (bookplate). Number 358 of 425 copies. -- EDMONDS, J.M. Some Greek Love-Poems Gathered and Translated. London: Peter Davies, 1929. Number 290 of 450 copies. -- Together, 3 works in 3 volumes, all in original bindings, ALL LIMITED EDITIONS, condition generally good. Property from Historic Sengen House, Cornwall-on-Hudson, New York $150 - 250 103 105 [FINE PRESS]. A group of 5 fine press works, comprising: BERNADIN DE SAINT-PIERRE, Jacques Henri. Paul et Virginie. Boston: Houghton Mifflin, 1906. Number 167 of 280 copies. -- BECK, L. Adams. The Ghost Plays of Japan. New York: The Japan Society, 1933. One of 1,000 copies printed for the Japan Society by the Walpole Printing Office. -- WEBB, Mary. The Chinese Lion. London: Bertram Rota, 1937. -- WILDE, Oscar. Salomé. André Derain, illustrator. Paris: for The Limited Editions Club, 1938. Number 426 of 1,500 copies SIGNED BY DERAIN. Provenance: Francis Bayard Rives. -- LIFAR, Serge. Pensées sur la Danse. Aristide Maillol, illustrator. Paris: Bordas, 1946. Number 458 of 350 copies on vélin de Rives of a total edition of 720 copies. -- Together, 5 works in 5 volumes, all in original cloth, boards or portfolios, LIMITED EDITIONS where indicated, condition generally good. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300 106 [FINE PRESS]. A group of 7 fine press works, comprising: HEWLETT, Maurice. Quattrocentisteria. How Sandro Botticelli Saw Simonetta in the Spring. New York: The Grolier Club, 1921. One of 300 copies printed by John Henry Nash. Original cloth-backed boards. -- KINNEY, Troy. The Etchings of Troy Kinney. Garden City: Doubleday, Doran and Company, Inc., 1929. LIMITED EDITION, one of 990 unnumbered copies SIGNED BY KINNEY. [Laid in:] 2 autograph letters signed (“Troy Kinney”) to Mr. and Mrs. Ledoux, 22 January 1926, New York and 14 April 1936, Falls Village and 9 Christmas cards from Margaret and Troy Kinney ca 1933-1938. -- BECK, L. Adams. The Ghost Plays of Japan. New York: The Japan Society, 1933. One of 1,000 copies. -- NASH, Ray. Philip Hofer as author and publisher. Boston: Harvard College Library, Department of Printing and Graphic Arts, 1968. Number 79 of 500 copies. -- And 3 others, together, 7 works in 7 volumes, in original bindings, most LIMITED EDITIONS, condition generally good, complete list available on request. Property from Historic Sengen House, Cornwall-on-Hudson, New York

105

$300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Fine Printed Books & Manuscripts Lots 107-235

107 ALGREN, Nelson (1909-1989). A group of 3 photographs of Nelson Algren as a child, comprising:

108 [ARCHITECTURE & DESIGN]. [KNOTHE, Paul (1897-1988)]. Der Maler Als Raumkünstler. Dresden: Atelier Stenzel, [1927].

Photograph tipped to card of Nelson Algren as a toddler, with caption verso: “Nelson Abrahams on side walk Ashland Ave seeing from back of Cottage. Calling him & he in return is thinking shall I answer or not. He thinks it a great joke to have everyone running around looking for him. July 1913, Fox Creek, Mich.” -- Photographic postcard to Marilew Kogan with typed note signed (“[N]elson”) verso: “Dear Marilew, Aint this plumb pitiful? N/” -- Also with a photograph of Algren as a toddler mounted on cardstock.

Folio. 28 color plates. Loose as issued in cloth-backed boards (boards separated, lacking spine, lacking cloth ties, wear to extremities).

Provenance: Herman and Marilew Kogan, friends of Nelson Algren; acquired by the present owner after Marilew Kogan’s death in 2007. $800 - 1,200

FIRST EDITION containing designs for wallpaper patterns, friezes, pilasters, doors, and overall interiors. [With:]Dekorative Vorbilder. Volume 25. Stuttgart: Verlag Julius Hoffmann, 1912. Folio. 24 (of 60) color plates including chromolithographs. Loose as issued in original green gilt-stamped cloth portfolio (overall wear). FIRST EDITION, volume 25 only, this German decorative arts periodical published annually from 1889 to 1928. -- LAMBERT, Th. Das Moderne Möbel Auf Der Pariser Weltausstellung 1900. Stuttgart: Verlag Von Julius Hoffmann, [1900]. Folio. 214 photographic illustrations on 40 plates (A few marginal tears). Loose as issued in original cloth-backed printed boards (some soiling). Second edition. featuring examples of Art Nouveau furniture featured at the 1900 Paris World Exhibition. Property from a Private Collection, Chicago, Illinois $300 - 400

109 [ARCHITECTURE & DESIGN]. DUFRENE, Maurice. Ensembles Mobiliers. Exposition Internationale 1925. Paris: Editions Charles Moreau, 1926.

110 [ARCHITECTURE]. Encyclopédie de L›Architecture. Constructions Modernes. Paris: Éditions Albert Morancé, [1928-1939].

2 volumes, comprising Series I-II (of 3), folio. 64 photographic plates. (Occasional marginal soiling.) Loose as issued in original cloth-backed printed boards, cloth ties (soiling and some light wear).

12 volumes, folio. 1200 plates, (a few double-page, a few hand-colored). Original brown cloth-backed board portfolios, cloth ties (some light wear or soiling, a few hinges starting).

FIRST EDITION of this set of plates documenting Art Deco interiors and furnishings on display at the 1925 International Exhibition of Modern Decorative and Industrial Arts.

FIRST EDITION, a complete set of this significant survey of modernist architecture, with a profusion of photographic reproductions, drawings, and floor plans of office buildings, industrial buildings, hotels, theatres, train stations, airports, retail stores, universities, monuments, and private residences in various countries. This survey features works by leading twentieth-century European architects and designers including Elsaesser, Freyssinet, Laprade, Le Corbusier, Luckhardt, Mallet-Stevens, Neutra, Pacon, Perret, Roux-Spitz, Ruhlmann, Siclis, and van der Velde.

[With:] DUFRENE, Maurice. Ensembles Mobiliers. Exposition Internationale 1937. Paris: Editions Charles Moreau, 1937. Volumes II-III (of 3), 4to. 96 photographic plates. Loose as issued in original cloth-backed printed boards cloth ties (some soiling). FIRST EDITION. -- CHAVANCE, René. Nouvelles Boutiques. Façades et Intérieurs. Paris: Éditions Albert Lévy, 1929. 4to. 48 photographic plates. Loose as issued in original cloth-backed printed boards (some light soiling). Property from a Private Collection, Chicago, Illinois $500 - 700 34

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

Property from the Collection of Marvin Herman $3,500 - 4,500

111 [ARCHITECTURE]. MIZNER, Addison (1872-1933). Florida Architecture of Addison Mizner. New York: William Helburn, Inc., 1928. Folio. Frontispiece portrait of Mizner and 184 sepia-toned photogravure plates after photographs by Frank E. Geisler. Original half orange linen over marbled boards, printed paper spine label, top edge gilt (some light rubbing to bottom edge). FIRST EDITION, showcasing residences designed by Mizner, whose interpretations of Mediterranean Revival and Spanish Colonial Revival styles had a significant impact on architecture in South Florida. Mizner’s work included the Everglades Club, the Plaza Shops on Palm Beach Avenue, Gulf Stream Golf Club, the Cloister at Boca Raton, and numerous private residences. Property from the Collection of Jack Belcher $1,000 - 1,500 112 [AUTOMOBILE QUARTERLY] BORGESON, Griffith (1918-1997). Errett Lobban Cord. His Empire, His Motor Cars: Auburn – Cord – Duesenberg. Princeton, New Jersey: Automobile Quarterly Publications, 1984.

111

Folio. Original brown leather gilt-stamped, edges gilt; original leather folding case; original shipping carton. Provenance: W.D. Hill (subscription invoice). LIMITED EDITION, number 75 of 2,500 copies SIGNED BY BORGESON of the Automobile Quarterly Commemorative Marque Book. Original publisher’s prospectus laid in. Property from the Collection of Jack Belcher $200 - 300 113 AUTOMOBILE QUARTERLY. BAILEY, L. Scott, editor (1924-2012). Automobile Quarterly. A nearly complete run from 1962-2009.

113

238 volumes (lacking vol.7 no.1, vol.14 no.1, vol.16 no.2, vol.23, no.2, vol.42, nos.2-3, vol.44 nos.2-3, vol.48 nos.1-2, vol.49 nos.2-4; including duplicates of numerous volumes), oblong 4to. Profusely illustrated. Original cloth gilt, upper covers with central illustration onlay (very light rubbing to extremities); original shipping cartons to a few later volumes. FIRST EDITIONS, featuring articles on significant collectible automobiles, famous names in the industry, and biographical essays on racecar drivers, designers and inventors of breakthrough automotive technologies. The founder of the magazine L. Scott Bailey (1924-2012) referred to his publication as a cross between The New Yorker and Encyclopaedia Britannica in the world of automania. [With:] The Classic Tradition of the Lincoln Motorcar, 1968. -- Automobile Quarterly 20 Year Cumulative Index: Vols. 1-20, 1985. -- Automobile Quarterly Executive Planner, 2006. -- Automobile Quarterly newsletters, ordering catalogues, and other print ephemera. Property from the Collection of Jack Belcher $500 - 700 114

114 BAUM, L. Frank. (1856-1919). Ozma of Oz. Chicago: The Reilly & Britton Co., 1907. 8vo. Numerous illustrations by John R. Neill. Original publisher’s pictorial tan cloth printed in red, black, blue, and yellow (soiling and slight rubbing, corners slightly bumped, upper hinge separating). Provenance: Edith Gambress Stuey (gift inscription, 1908). FIRST EDITION, FIRST STATE, with the “O” in “Ozma” in line five of the “Author’s Note” on p.11 present, integral pages pp. 135, 153, 221, publisher’s advertisements facing the half-title page and on the rear flyleaf list two titles: The Land of Oz and John Dough and the Cherub. In the primary ‘A’ binding, with “The Reilly & Britton Co.” at foot of spine. Bienvenue & Schmidt, p.29. Property from a Private Collection, Chicago, Illinois $200 - 300 115 BEMELMANS, Ludwig (1898-1962). Pencil drawing on paper. 247 x 198 mm sight, matted and framed (unexamined out of frame). Showing a child (Pepito, the Spanish Ambassador’s son?) shooting at a baby’s balloon. Property from a Private Collection, Taos, New Mexico

115

$1,000 - 1,500 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

116 [BINDING] -- [FOUJITA, Léonard, illustrator]. RAUCAT, Thomas. L’honorable partie de campagne. Paris: Librairie Gallimard, 1927. Small folio. 29 original etchings by Foujita. Contemporary full black polished calf gilt, upper cover and spine with ornamental ivory-colored morocco onlays, top edge gilt, others uncut, stamp-signed by Randeynes et fils (spine slightly rubbed with a few tiny losses); original wrappers bound in; morocco-tipped slipcase. Provenance: Mrs. Charles H. Russell, Jr. (her sale, Parke Bernet, 15-16 February 1944, Lot 138, with lot tag). LIMITED EDITION, number 292 of 300 copies. Property from Historic Sengen House, Cornwall-on-Hudson, New York $1,000 - 1,500

117 [BINDINGS]. AUSTEN, Jane (1775-1817). Novels. Edinburgh: John Grant, 1911-1912. 12 volumes, 8vo. Engraved portrait frontispiece vol.I, half-titles, title-pages printed in red and black. 20th-century half blue morocco gilt, top edges gilt (spines slightly sunned). LIMITED EDITION, an unnumbered copy of the “Winchester Edition.” First published in 10 volumes by Grant Richards in 1898, this issue includes two additional volumes containing Lady Susan, The Watsons, and the Letters of Jane Austen. $700 - 900

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

118 [BINDINGS]. CHAUCER, Geoffrey (1340?-1400). Poetical Works. London: William Pickering, 1852. 6 volumes, 8vo (160 x 100 mm). Engraved frontispieces. 20thcentury calf gilt, red and green morocco lettering-pieces gilt, edges gilt, stamp-signed by Zaehnsdorf. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). The Aldine Edition of English Poets. Property from Historic Sengen House, Cornwall-on-Hudson, New York $300 - 400

119 [BINDINGS]. DICKENS, Charles (1812-1870). Works. Boston and New York: Houghton, Mifflin and Company, 1894. 32 volumes, 8vo (218 x 146 mm). Numerous engraved plates, some with hand-coloring. Contemporary half red morocco gilt, top edges gilt, others uncut. LIMITED EDITION, number 34 of 500 copies of the “LargePaper Edition.” [Bound in to Volume I:] Printed check signed (“Charles Dickens”), drawn on Coutts Bank, payable to “W: Herbert Clarke, £2.12.” London, 9 April 1864. Property from the Collection of Wendy Masse $2,500 - 3,500

120 [BINDINGS]. DOYLE, Arthur Conan, Sir (18591930). Works. London: Smith, Elder & Co., 1903. 12 volumes, 8vo. Frontispieces, title-pages printed in red and black, numerous plates. 20th-century half red crushed levant gilt, top edges gilt, stamp-signed by Bayntun (slight chipping to one spine). FIRST EDITION, LIMITED ISSUE, number 8 of 1,000 copies SIGNED BY DOYLE of the “Author’s Edition.” $3,000 - 4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

121 [BINDINGS] -- [HOE, Robert, his copy]. PANCKOUCKE, Charles Louis Fleury. Bibliotheque LatineFrançaise. Paris: C L. F. Panckoucke, 1829-1835. 6 volumes, 8vo, comprising: the works of De Stace (4 volumes), and the works of Pétrone (2 volumes). Half-titles. 20th-century red morocco gilt, edges gilt, stamp-signed by Belz Niedrer. Provenance: B. E. (monogram in gilt on spines); Robert Hoe III (1839-1909), first President of the Grolier Club (morocco bookplate gilt). Collected edition of literature in translation, the complete series comprised some 178 volumes. THE VERY FINE ROBERT HOE COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

*122 [BINDINGS]. -- [LINCOLN, Abraham]. NICOLAY, John George (1832-1901). -- HAY, John Milton (18381905). Abraham Lincoln. A History. New York: The Century Co., 1914. 10 volumes, 8vo. Frontispieces, numerous plates. 20th-century half blue morocco gilt stamp-signed by Brentano’s, top edges gilt (slight rubbing to extremities). FIRST EDITION of Nicolay and Hay’s definitive biography of Lincoln. Property from the Estate of Avis Hope Truska, Scottsdale, Arizona $600 - 800

123 [BINDING]. MAGINN, William and William BATES, editors. -- MACLISE, Daniel, illustrator. A Gallery of Illustrious Literary Characters (1830-1838). London: Chatto and Windus, 1874. 2 volumes, 4to (273 x 209 mm). EXTRA-ILLUSTRATED BY THE ADDITION OF APPROXIMATELY 145 PLATES AND 100 DOCUMENTS (see below). 20th-century blue morocco gilt, brown morocco strapwork onlays on covers and spine, wide turn ins and tan morocco doublures gilt, watered silk endleaves, edges gilt, stamp-signed by the Monastery Hill Bindery (light rubbing, minor losses to some onlays). ORIGINAL AUTOGRAPH MATERIAL NEATLY BOUND IN THROUGHOUT, INCLUDING CORRESPONDENCE FROM SEVERAL NOTABLE AUTHORS, with most author's entries accompanied by an additional plate and a manuscript, and with several examples from additional authors, including: BROWNING, Robert. ALS, to Mrs. Benzan. N.d., 1p. -- COLERIDGE, Samuel Taylor. ALS, to C. A. Tulk. 26 Jan. 1822, 1p. -- DICKENS, Charles. ALS, to Henry Bicknell. 10 June 1858, 1p. -DISRAELI, Benjamin. ALS, to an unnamed recipient. 23 May n.y., 1p. -- FARADAY, Michael. ALS, to an unnamed recipient. 15 July 1847, 1p. -- GODWIN, William. ALS, to an unnamed recipient, 21 June 1816, 1p. -- GOETHE, Johann Wolfgang von. ANS, to an unnamed recipient. 21 April 1878, 1p. -- HUNT, Leigh. ALS, to E. R. Moran. 5 Sept. n.y., 4pp. -- IRVING, Washington. ALS, to Robert Harvey. 26 Sept n.y., 1p. -- MITFORD, Mary Russell. ALS, to Mr. Belfe?. 26 Sept. 1826, 1p. -NORTON, Caroline. ALS, to Mr. Hay. 14 Feb. 1853, 1p. -- SCOTT, Sir Walter. ALS, to Rosa. N.d., 1 1/2pp. -- SOUTHEY, Robert. ALS, to an unnamed recipient. 20 Aug. 1825, 1p. -- THACKERAY, William. AN. N.d., 1p. -- WORDSWORTH, William. ALS, to an unnamed recipient. 15 Dec.? n.y., 1p. -- (Complete list and details available on request). Property from a Private Collection, Chicago, Illinois $4,000 - 6,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

*124 [BINDINGS]. MUIR, John (1838-1914). The Writings of John Muir. Boston and New York: Houghton Mifflin Company, 1916-1924. 10 volumes, 8vo. Numerous photogravure and halftone plates. 20th-century half maroon morocco gilt, top edges gilt, others uncut. LIMITED EDITION, number 137 of 750 copies the “Manuscript Edition.” The collected works of Muir, who was a wilderness preservationist and the founding president of the Sierra Club. [Bound in to Volume I:] MUIR, John. Autograph manuscript, a page from the manuscript of The Mountains of California (1894). 1 page, 4to, (155 x 198 mm), in ink on paper with a few pencil corrections comprising 10 lines in ink, paginated “[35?]” at top. The text describes Bloody Cañon: “...marvelous freshness & simplicity, furnishing the student with extraordinary advantages for the acquisition of knowledge of this sort. The most striking passages are polished & triated surfaces, which reflect the rays of sun like smooth water. The dam of Red Lake is an elegantly glaciated rib of metamorphic slate, brought into relief because of its superior...” (Vol. 4, Chapter 5, “The Passes,» p. 103 in this set). Property from the Collection of Todd D. Moberly, Berea, Kentucky $2,000 - 3,000

125 [BINDINGS]. POE, Edgar Allan (1809-1849). The Tales and Poems of Edgar Allan Poe. London: John C. Nimmo, 1885. 4 volumes, 8vo. Etched frontispieces and numerous proof etchings on Japanese paper. Contemporary half brown morocco gilt (a few small scuffs, lightly rubbed). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (gift inscription, engraved bookplate). LIMITED EDITION number 14 of 50 copies on laid paper. Property from Historic Sengen House, Cornwall-on-Hudson, New York $300 - 400

126 [BINDINGS]. POE, Edgar Allan (1809-1849). Works. Edmund Clarence Stedman and George Edward Woodberry, editors. Chicago: Stone & Kimball, 1894-1895. 10 volumes, 8vo. Frontispieces and numerous illustrations by Albert Edward Sterner printed on India paper tipped in. Original vellum elaborately gilt uncut (slight soiling). LIMITED EDITION, number 85 of 250 LARGE PAPER COPIES. Property from Historic Sengen House, Cornwall-on-Hudson, New York $600 - 800 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*127 [BINDINGS]. SHAKESPEARE, William (1564-1661). Works. New York: Edwin C. Hill Company, 1906. 21 volumes, 8vo. Frontispieces. 20th-century mottled calf gilt, spines in 6 compartments with 5 raised bands gilt-lettered in one, floral gilt tool in rest, turn-ins gilt, red silk doublures, top edge gilt, others uncut (very slight rubbing to spines and corners). LIMITED EDITION, number 3 of 15 copies of the “Hathaway Edition.” Property from the Estate of Avis Hope Truska, Scottsdale, Arizona $3,000 - 4,000

*128 [BINDINGS]. SHAKESPEARE, William. -- GAUTIER, Theophile. -- FLAUBERT, Gustave. -- BOURGET, Paul. -- MUSSET, Alfred de -- LONGUS. Romeo and Juliet; Anthony and Cleopatra; King Candaules; A Night of Cleopatra; Jean and Jeannette; Daphnis and Chloe; Heródias; A Simple Heart; Pastels; The Last Abbé. Édition Artistique. Paris: Société des Beaux Arts, n.d. 10 volumes, 4to (260 x 194 mm). Engraved color frontispieces, numerous plates, most in two states, colored and uncolored, numerous illustrations all after Paul Avril, A. Robaudi, Raphael Collin and others. Green crushed levant, covers gilt with white, red and violet morocco onlay pansies, spines in 5 compartments with 4 raised bands, gilt-lettered in 2, the rest with gilt floral tooling and onlays, board edges gilt, wide turn-ins gilt, crushed red levant doublures with gilt and blue blue morocco onlay centerpieces, red watered silk flyleaves, top edges gilt, others uncut (some light rubbing or slight sunning). LIMITED EDITION, number 73 of 75 copies of the “ÉDITION ARTISTIQUE” on Japan paper printed for England and America. Property from the Estate of Avis Hope Truska, Scottsdale, Arizona $2,000 - 3,000

129 [BINDINGS] -- [SPORTING NOVELS]. SURTEES, Robert Smith (1803-1864). [SPORTING NOVELS]. SURTEES, Robert Smith (1803-1864). Mr. Romford’s Hounds. - Mr. Sponge’s Sporting Tour. - Ask Mamma. - Plain or Ringlets. - Handley Cross. - Hillingdon Hall. London: Bradbury, Agnew & Co., n.d. [ca 1890]. 6 volumes, 8vo (216 x 142 mm). Hand-colored engraved frontispieces and title-pages, engraved plates, numerous in-text woodcut illustrations by John Leech, H.K. Browne and W. T. Maud. Uniformly bound in 20th-century half red morocco gilt, spines in 6 compartments with 5 raised bands, gilt-lettered in two, the rest with central fox, horse, hound, horseshoe or riding crop tools gilt, top edges gilt, stamp-signed by Bayntun (some light rubbing, minor wear to spine ends). Later editions of Surtees’s sporting novels first published in the 1850s. $200 - 300

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

130 [BINDINGS]. TENNYSON, Alfred, Lord, (1809-1892). Works. Boston: Dana Estes & Company, 1895-1898. 12 volumes, 8vo (182 x 120 mm). Engraved frontispieces. Title printed in red and black. Original half green morocco gilt, top edge gilt, others uncut, stamp-signed by G.P. Putnam’s Sons. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). “Illustrated Cabinet Edition.” Property from Historic Sengen House, Cornwall-on-Hudson, New York $600 - 800

131 [BINDINGS]. WEBSTER, John (1580?-1625?). Works. London: William Pickering, 1830. 4 volumes, 8vo (186 x 114 mm). Contemporary tan calf gilt, red and green morocco lettering-pieces, red speckled edges (front cover separated vol.I., a few hinges starting). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (gift inscription). Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

132 [BINDINGS]. WILDE, Oscar (1854-1900). Writings. London and New York: Keller-Farmer Co., 1907. 15 volumes, 8vo. Engraved title-page, title-page printed in red and black. 20th-century half green morocco gilt, marbled boards, top edges gilt, stamp-signed by Bayntun-Riviere (spines and corners sunned). Provenance: Henry Sotheran Ltd. (bookseller’s label). LIMITED EDITION, number 229 of 450 copies of the “Florentine Edition.” $800 - 1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

133 [BINDINGS]. [THE EASTON PRESS]. A group of 40 works from the Easton Press “Great Art and Artists Series,” including: Claude Monet, 1982. -- Picasso, 1983. -- Van Gogh, 1983. -- Bonnard, 1984. -- Salvador Dali, 1984. Leonardo Da Vinci, 1984. -- Goya, 1985. -- Margritte, 1985. -- And 34 others. Together, 40 works in 40 volumes, all in original leather bindings, edges gilt, condition fine. Provenance: Embrow W. Morgan, Jr. (stamps; blind-stamps). Complete list available on request. Property from the Collection of Jack Belcher $500 - 700

133 134 [BINDINGS]. [THE EASTON PRESS]. SHAKESPEARE, WILLIAM (1564-1616). Complete Works. Norwalk, CT, 1992-1993. 35 volumes (of 39, lacking 4 volumes comprising: King Lear; Timothy of Athens; The Poems of William Shakespeare Part I; and Hamlet). 4to. Together, 52 volumes with 11 works in duplicate and 3 works in triplicate. Numerous color plates. Publisher’s giltdecorated maroon morocco, black morocco lettering pieces on spines, watered silk endpapers, edges gilt. Provenance: Embrow W. Morgan, Jr. (stamps). Property from the Collection of Jack Belcher $600 - 800

135 [BINDINGS]. [THE EASTON PRESS]. A group of 52 works published by the Easton Press, including: 134

DOSTOEVSKY, Fyodor. Crime and Punishment, 1966. -- TOLSTOY, Leo. Anna Karenina, 1975. MILTON, John. Paradise Lost, 1976. -- BAUDELAIRE, Charles. The Flowers of Evil, 1977. -- BRONTE, Charlotte. Jane Eyre, 1978. -- CERVANTES, Miguel de. Don Quixote, 1979. -- PAYNE, Thomas. Rights of Man, 1979. -- STOWE, Harriet Beecher. Uncle Tom’s Cabin, 1979. -- And 45 others. Together, 52 works in 55 volumes, all in original leather bindings, edges gilt, condition fine. Complete list available on request. Property from the Collection of Jack Belcher $300 - 400

136 BINDINGS]. [THE FRANKLIN LIBRARY]. A group of 13 works, including: 135

FOWLES, John, The French Lieutenant’s Woman, 1979. SIGNED.. -- STRYTON, William, The Confessions of Nat Turner, 1979. SIGNED. -- FOWLES, John, The Collector, 1982. SIGNED. -- AUCHINCLOSS, Louis, Diary of a Yuppie, 1986. . -- DOCTROW, E.L., Billy Bathgate, 1989. SIGNED. -- And 7 others. Together, 13 works in 13 volumes, all in original leather bindings, edges gilt, condition fine. Complete list available on request. Property from the Collection of Jack Belcher $300 - 400

137 [BINDINGS] -- [PUBLISHER’S CLOTH]. A group of 4 works, comprising:

137

BLACKMORE, R. D. Lorna Doone. A Romance of Exmoor. Philadelphia: Porter & Coates, n.d. (ca 1880s). 2 volumes. Original publisher’s gilt-decorated cream cloth; red cloth chemise. Provenance: Herman U. Loeffler (signatures, 1894). Sixth edition. -- CRANE, Stephen. Active Service. New York: Frederick A. Stokes Company, 1899. Original publisher’s green pictorial cloth. FIRST EDITION. -- LLOYD, John Uri. Scroggins. New York: Dodd, Mead & Company, 1904. Original publisher’s beige pictorial cloth gilt. Later edition. -- TARKINGTON, Booth. -- WILSON, Harry Leon. The Man From Home. New York and London: Harper & Brothers Publishers, 1908. Original publisher’s light brown pictorial cloth. FIRST EDITION. -- Together, 4 works in 5 volumes, 8vo, all in original publisher’s pictorial cloth, most first editions where indicated, condition generally good. Property from the Collection of Jack Belcher $100 - 200

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

138 [BINDINGS]. A group of 3 finely-bound works, comprising:

139 [BINDINGS]. A group of 5 finely-bound works, comprising:

BARRUCAND, Victor. Le Chariot de Terre Cuite. Paris: L’Édition D’Art H. Piazza, [1921]. 4to. Binding stamp-signed by René Aussourd. LIMITED EDITION, number 79 of 135 copies on Japon Impérial of a total edition of 910 copies. -- HALÉVY, Ludovic. La Famille Cardinal. Paris: Librairie de L’Édition Nationale Émile Testard, editeur, 1893. 4to. Binding stamp signed by James MacDonald Co. LIMITED EDITION, one of 110 copies of the “Grande Luxe” edition. -- LONGUS. Daphnis et Chloé. Paris: Librairie Illustrée, J. Tallandier, Éditeur, 1890 (preface dated). Provenance: Louis V. Ledoux (signature). -- Together, 3 works in 3 volumes, various 4to and 8vo sizes, all in morocco or levant gilt, condition generally fine.

DE LA CROIX, D. Le Mariage Des Fleurs. Paris: Drost, 1798. Fourth edition. -- ZOUCH, Thomas. The Life of Izaak Walton. London: Thomas Gosden, 1826. Provenance: Robert Pinkney (bookplate). Later edition. [Laid in]: 7pp. Autograph letter signed “W. Shallilong” to Ledoux, 12 January 1900. -- MACHEN, Arthur, translator. The Heptameron or Tales and Novels of Marguerite Queen of Navarre… N.p.: Privately printed, 1886. Binding by Bayntun. -- SEINBURNE, Algernon Charles. Félise: A Book of Lyrics. Portland, ME: Printed for Thomas B. Mosher, 1893. Binding by G.P. Putnam’s Sons for Knickerbocker Press. LIMITED EDITION, one of 725 copies. -- STEVENSON, Robert Louis. Aes Triplex. N.p.: for the American Subscribers to the Stevenson Memorial, 1898. LIMITED EDITION, this copy printed for Louis V. Ledoux from a total edition of 160. -- Together, 4 works in 8 volumes, 8vo, all in morocco or calf bindings gilt, most with Louis V. Ledoux’s bookplate or signature, condition generally fine. [With:] AESCHYLUS. Tragédies D’Eschyle. Paris: Saillant & Nyon, 1770. Contemporary vellum.

Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

(part lot) 140 [BINDINGS]. A group of 4 works, comprising:

141 [BINDINGS]. A group of 3 works, comprising:

DE JOINVILLE, Jean. Memoirs of John Lord de Joinville…. N.p.: Printed at the Hafod Press by James Henderson, 1807. 2 vols. 18th-century blindstamped calf gilt. Provenance: William Lloyd Aston, 1806 (bookplates). -- [BIBLE, in English]. The Holy Bible... Oxford or London, 1815. 3 vols. 19th-century red leather gilt (some toning, lower board separated vol.III, a few hinges starting). Provenance: William Banoco (signature). -- CARMAN, Bliss. Poems. New York and London, 1904. LIMITED EDITION, number 327 of 500 copies SIGNED BY CARMAN. [Laid-in:] 4pp. Typed Document “Christmas Eve. A Choral” INSCRIBED BY CARMAN to Louis V. Ledoux and ALS (“Bliss Carman”) to Ledoux, 1914. -- BROOKE, Rupert et al. New Numbers. Vol. I, No. 4. December 1914. Ryton, Dymock, Gloucester: n.p., 1914. Original printed wrappers; quarter morocco slipcase. -- Together, 4 works in 8 volumes, various 4to or 8vo sizes, bindings as noted, condition generally good.

CAVENDISH, William. Handbook of Chatsworth and Hardwick. London: Privately printed, [1844]. 19th-century brown morocco gilt with black morocco strapwork stamp-signed by Zaehnsdorf (front board detached, lower joint starting, rubbed). -- COLERIDGE, Samuel Taylor. Rime of the Ancient Mariner. New York: George H. Doran Co., [1910]. Numerous illustrations by Willy Pogány. Brown leather with vignette in gilt and blind with white morocco onlay to upper board, top edge gilt (separations to joints, rubbed). Provenance: Fred Herendeen (bookplate). -- FITZGERALD, Edward, translator. Rubáiyát of Omar Khayyám. London: George G. Harrap & Co. Ltd., 1930. Numerous illustrations by Willy Pogány. Modern tree calf gilt stampsigned by Riviere and Son (separations at joints). -- Together, 3 works in 3 volumes, 4to. $300 - 400

Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

142 BINYON, Laurence (1869-1943). A small archive of letters and pamphlets. Approximately 28 autograph letters signed, most with original envelopes, written to Louis V. Ledoux between 1926-1938. Laurence Binyon, English poet and dramatist, was a noted scholar of Japanese art. He developed a friendship with American poet and Japanese print collection Louis V. Ledoux (see lots 190 & 191). The archive of letters from Binyon to Louis Ledoux (nearly all addressed “Dear Ledoux”) are written in a friendly tone. Binyon discusses his work in the Asian arts and his lectures, Japanese prints, and his travels and plans. [With:] 5 pamphlets by Binyon, including: Three Short Plays. 1930. Two PRESENTATION COPIES. -- Three Poems. 1934. PRESENTATION COPY. -- Art and Freedom. 1939. -- The Burning of the Leaves. 1944. -- Sophro the Wise. N.d. -- Dedication pamphlet to Binyon on the occasion of his retirement. Property from Historic Sengen House, Cornwall-on-Hudson, New York 143

$200 - 300

143 [BLAKE, William]. GILCHRIST, Alexander (1828-1861). The Life of William Blake. London: Macmillan and Co., 1880. 2 volumes, 8vo. Frontispiece portraits printed on India paper mounted to laid sheets, numerous illustrations on plain and India paper, including 3 original prints from Blake’s woodblocks of Virgil’s Pastorals and 16 electrotypes made from the original copperplates of Blake’s Songs of Innocence and Experience. Original blue-green cloth elaborately giltdecorated by Burn & Co. with their ticket. Provenance: Henry Buxton Forman (1842-1917), bibliographer and bookseller (engraved bookplate; his sale, Anderson Galleries, 15 March 1920, Lot 59). Second edition, elaborately expanded and enhanced from the first edition of 1863. THE VERY FINE H. BUXTON FORMAN COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

144

144 BLAKE, William (1757-1827). The Works of William Blake Poetic, Symbolic and Critical. Edwin John Ellis and William Butler Yeats, editors. London: Bernard Quaritch, 1893. 3 volumes, 8vo. Numerous illustrations. Original green cloth elaborately gilt, top edge gilt, others uncut (very slight rubbing to spine ends, otherwise bright.) Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). LIMITED EDITION, one of 500 unnumbered copies on paper of a total edition of 650. Yeats “marked down William Blake as a master early on, and with Edwin Ellis produced a large-scale commentary on Blake’s prophetic writings in 1893. While often erratic and idiosyncratic, it helped establish the importance of Blake’s esoteric verse” (ODNB). A FINE COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $800 - 1,200

145 CAPOTE, Truman (1924-1984). In Cold Blood. New York: Random House, 1965. 8vo. Original black cloth gilt, top edge stained maroon; original slipcase. FIRST EDITION, FIRST PRINTING, LIMITED ISSUE, number 139 of 500 copies SIGNED BY CAPOTE of his acclaimed true crime novel. 145

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$1,000 - 1,500

146 [CHESS]. FISKE, WILLARD DANIEL. The Book of the First American Chess Congress: containing the proceedings of that celebrated assemblage, held in New York, in the Year 1857… New York: Rudd & Carleton, 1859.

147 [CHESS]. PHILIDOR, A. D. Studies of Chess; containing Caissa, A Poem by Sir William Jones A Systematic Introduction to the Game and the Whole Analysis of Chess composed by Mr. A. D. Philidor. London: Samuel Bagster, 1803.

8vo. Color frontispiece decorated in gilt. Original publisher’s brick-colored cloth gilt (very slight rubbing to extremities, tiny split at foot of spine). Internally fine. Provenance: contemporary inscription on front flyleaf.

2 volumes bound in one. 8vo. Engraved frontispiece. (Very pale dampstaining onto title-page from frontispiece. In contemp mottled tree calf, red morocco spine label (small repair at head of spine, rear hinge starting).

FIRST EDITION of the first American Chess Congress. The frontispiece is a dedication to Paul Morphy, the winner of the tournament. Includes 67 games in the Grand Tournament of 1857 held in New York, with Paul Morphy claiming the first prize. It also covers The Problem Tourney with 53 set-ups and their solutions in the back section of the book. A fine copy.

FIRST EDITION. $200 - 300

$200 - 300

148 [CHESS]. A group of 3 works, comprising: SARRATT, J. H. The Works of Damiano, Ruy-Lopez, and Salvio on the Game of Chess. London: T. Boosey, 1813. 8vo. (Some minor spotting to endpapers; slight marginal toning.) Contemporary half brown morocco over marbled boards (front hinge cracked, some rubbing to boards and extremities, with some paper loss to rear cover). Provenance: Herbert Greenwell[?] (faint ink signature on front free endpaper; catalogue label “845” on front pastedown). --STEINITZ, WILLIAM. The Modern Chess Instructor. Part I. New York and London: G. P. Putnam’s Sons, 1889. 8vo. Original cloth gilt (minor wear to spine ends and extremities; some rubbing to covers, hinges tender). FIRST EDITION. --FISCHER, BOBBY. My 60 Memorable Games. New York: Simon & Schuster, (1969). 8vo. Original cloth-backed boards; dust jacket (spine panel and front panel faded, some chipping). FIRST EDITION. $250 - 350

149 [CHILDREN’S LITERATURE]. BOUTET DE MONVEL, Louis-Maurice (18501913). Jeanne D’Arc. Paris: E. Plon, Nourrit & Cie., [1896]. 4to. Numerous color in-text illustrations by de Monvel. Original beige decorative cloth stamped in green and gilt, edges stained red (slight soiling, corners bumped, light rubbing to corners and spine ends). FIRST EDITION. [With:] FRANCE, Anatole (1844-1924). Filles et Garçons. Scenes de la ville et des champs. Paris: Librairie Hachette, [1900]. 4to. Numerous color in-text illustrations by Boutet de Monvel. Original publisher’s cloth-backed illustrated boards (slight soiling, very light wear to extremities). FIRST EDITION. -TOULOUSE-LAUTREC, Henri de (1864-1901). Lautrec. A Portfolio of Twelve Reproductions of Lithographs by Toulouse-Lautrec from the Philadelphia Museum of Art. New York and London: Holme Press Inc., 1946. Folio. 12 reproduction prints loose as issued in original printed wrapper. Property from Historic Sengen House, Cornwall-on-Hudson, New York $100 - 200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

150 [CHINESE]. [FORE-EDGE PAINTING]. LI FANG, Compiler. Wen Yuan Ying Hua. [Finest Blossoms in the Garden of Literature]. [China, ca 16th century]. 2 volumes bound in one, comprising volumes 278-286 (of ca 1,000), 8vo (278 x 180 mm). (Light toning to margins.) 20th-century Chinese gilt-speckled blue wrappers and FORE-EDGE PAINTING of Madonna and Child in Chinese Sung style (outer fold of each sheet opened); contemporary folding brocade case, a cloth pattern of iridescent pink, green, orange and brown flowers on a blue background, the inner flaps of interlocking scroll form with gilt edges, bone toggles. 16th Century reprint, likely from the Ming Dynasty during the reign of Emperor Longqing, originally compiled during the reign of Emperor Taizong of Northern Song Dynasty, from 982 to 986. The first edition of this Tang Poetry collection was printed in 1195. $800 - 1,200

150

151 CLEMENS, Samuel (“Mark Twain”) (1835-1910). The Prince and the Pauper. Boston: James R. Osgood and Company, 1882. 8vo (212 x 160 mm). Wood-engraved frontispiece, numerous illustrations in text. (Some very light spotting.) Original publisher’s sheep, red and black morocco spine labels (slight wear, joints starting). Provenance: J.H. Ewalt (gift inscription, 1882). FIRST AMERICAN EDITION of the author’s first historical novel. Mixed state: BAL’s first state printing, with Franklin Press imprint on copyright, but this copy with text on p.124 in corrected state, line 1 reading “canopy of state” as in captioned illustration (instead of “canopy of estate” in earlier state). BAL 3402; Johnson, pp. 39-41. $400 - 600

152 CLEMENS, Samuel Langhorne (“Mark Twain”) (1835-1910). Adventures of Huckleberry Finn. New York: Charles L. Webster and Company, 1885. 151

Square 8vo (212 x 165 mm). Lithographic frontispiece by E. W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt (BAL state 3), illustrations in text. Original green gilt-decorated pictorial cloth (lower hinge separating, minor wear to spine ends and corners). Provenance: Jed (gift note from E.W.S.,1922, tipped in). FIRST AMERICAN EDITION, later state, with the following issue points: the title leaf in the third state; the frontispiece in the third state; second state of p. 13 with “Him and Another Man” plate listed as being on p. 87; second state of p. 57 with “saw”; third state of pagination on p. 155; with final blank 23/8. BAL 3415; Johnson, p.43-50. $500 - 700

153 The Colophon. A Book Collectors’ Quarterly. New York: The Colophon Ltd., 1930-1940, 1948-1950. 89 volumes, 4to and 8vo. A complete set of The Colophon, 1930-1335, 35 volumes comprising the complete run of Volumes I-XX and additional duplicates of several vols.; complete set of The New Series, 1935-1938, 37 volumes comprising the complete run of 12 volumes and additional duplicates of several vols.; a near complete set of The New Graphic Series, 1939-1940, 5 volumes (lacking vol. III with duplicates of vols.I-II); complete set of The New Colophon, 1948-1950, 12 volumes comprising the complete run of 8 volumes and additional duplicates. Original printed boards or cloth (slight toning and soiling, light rubbing to extremities); several vols. with original glassines (some tearing with loss). Publisher’s ephemera laid in.

152

FIRST EDITIONS, a near complete run of the periodical including the often lacking color drypoint etching entitled “Hilltop” SIGNED BY DAVID B. MILNE in pencil lower margin in The Colophon First Series vol.V and the color woodcut print “An Eagle Ceremony at Tesuque Pueblo” by Gustave Baumann in The Colophon First Series vol.XII. [With:] Index. The Colophon. 1930-1935. Volumes I, II, III, IV, V. Twenty Parts. New York: The Colophon, 1935. 2 copies. 8vo. Original publisher’s blue cloth gilt; original glassine. -- The Annual of Bookmaking 1927-1937. New York: Pynson Printers, 1938. 4to. Original publisher’s cloth stamped in silver and black (slight darkening to spine). FIRST EDITION. -- The New Colophon, A Book-Collectors’ Miscellany. New York: Duschnes Crawford, Inc., 1950. 2 copies. 8vo. Original publisher’s pictorial cloth; original glassine to 1 copy (some tearing with loss). Provenance: M.L. Biscotti (bookplate). -- Index. The Colophon. 1930-1935. Volumes I, II, III, IV, V. Twenty Parts. Metuchen, NJ: Scarecrow Reprint Corp., 1967. Publisher’s blue cloth. Property from the Collection of Jack Belcher 153

$600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

154 COLUM, Padraic (1881-1972). A group of 4 works and a small archive of correspondence, comprising:

155 COOPER, James Fenimore (1789-1851). The Deerslayer; or, the First WarPath. A Tale. Philadelphia: Lea & Blanchard, 1841.

Broad-Sheet Ballads. Being a Collection of Irish Popular Songs with an Introduction by Padraic Colum. Baltimore, 1914. 8vo. (Endpapers a little foxed.) Original cloth. Provenance: Louis V. Ledoux (bookplate). -- COLUM. Three Plays. Boston, 1916. 8vo. Original cloth. INSCRIBED BY COLUM on front free endpaper: “Good luck to the possessor! / Padraic Colum / Cornwall-on-Hudson / 28th. October 1916”. Provenance: Louis V. Ledoux (bookplate). With an ALs laid in from Colum to Ledoux, [n.d.]. 1 p, 4to, with original envelope. -- COLUM. Wild Earth and Other Poems. New York, 1916. 8vo. Original cloth. Provenance: Louis V. Ledoux (bookplate). INSCRIBED BY COLUM to Ledoux on front free endpaper, dated Dec. 1916. -COLUM. Dramatic Legends and Other Poems. New York, 1922. 8vo. Original cloth-backed boards.

2 volumes, 12mo (183 x 109 mm). (Some minor spotting as usual.) Original purple muslin, printed paper labels on spines (spines and labels a bit faded and rubbed, some minor soiling). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate).

[With:] Approximately 19 autograph or typed letters signed, written by Colum to Louis V. Ledoux, 1915-1917. Written in a warm friendly tone, primarily relating to books, poetry, travels and arranging visits: “Would you care to have those intolerable people, the Colums, visit with you for a few days next week?” [Also with:] YEATS, William Butler. Samhain. London: Sealy Bryers & Walker and T. Fisher Unwin, 1903. One volume only (of 7), 8vo. Original wrappers. SIGNED BY YEATS on the cover.

FIRST AMERICAN EDITION, with the Fagan-Ashmead imprint on the verso of each title-page. The final novel published in Cooper’s Leatherstocking Tales, but the first installment chronologically, set during the lifetime of hero Natty Bumppo. BAL 3895; Sabin 16430; Spiller and Blackburn 32. Property from Historic Sengen House, Cornwall-on-Hudson, New York $600 - 800

Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

156 DALI, Salvador (1904-1989) -- DALI, Gala (1934-1982). Two autograph letters signed, comprising:

157 DARWIN, Charles (1809-82). On the Origin of Species by means of natural selection. New York: D. Appleton, 1860.

DALI, Salvador. Autograph letter signed (“Dali”), to an unnamed recipient, n.d. 1 page, 8vo. Written on the verso of an autograph note, presumably in Gala Dali’s hand, reiterating what Dali notes in his letter.

8vo. Half-title; one folding letterpress table. (Some spotting.) Original blue blind-stamped cloth, spine gilt-lettered (some light wear, minor losses to spine ends, hinges starting). Provenance: Seguin (two signatures, January 27, 1860).

Dali discusses an upcoming trip, and mentions that he will bring 6 paintings he has recently completed whose titles can be found in the catalogue for an exhibition he recently held in Barcelona. He mentions the title of one work: “’Presence instantane de Luis II de Bobiere’ Salvador Dali, Lenin, et Wagner sur la plage de Rosas.” [With:] DALI, Gala. Autograph letter signed (“Gala”), to Julien, n.d. 2 pages, 8vo, separations to folds. Discussing translating text about Dali, and bringing photographs and paintings to plan for an upcoming catalogue.

FIRST AMERICAN EDITION, FIRST ISSUE with two quotations facing titlepage. Darwin’s work ‘marked a turning point, not only in the history of science, but in the history of ideas in general, for there is no field of human intellectual endeavor that has not been influenced by the thought and fact of evolution’ (DSB III, p.571). Freeman 377. Property from Historic Sengen House, Cornwall-on-Hudson, New York $3,000 - 4,000

$1,500 - 2,500 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

158 [DERRYDALE PRESS]. KIRMSE, Marguerite. Dogs. New York: The Derrydale Press, 1930.

159 DINESEN, Isak [Karen Blixen] (1885-1962). Out of Africa. New York: Random House, 1938.

Small 4to. Original drypoint etching frontispiece, illustrated throughout. Original publisher’s half buckram over boards, printed label on spine (some very minor browning or toning, one corner with slight wear). Provenance: John Stuart Groves (morocco book label gilt).

8vo. Original black and orange cloth gilt, top edge stained green; publisher’s pictorial dust jacket (some minor toning and chipping, tear along front fold).

LIMITED EDITION, one of 175 unnumbered copies with an original drypoint etching SIGNED AND CAPTIONED by Kirmse. Siegel 41.

FIRST AMERICAN EDITION of Dinesen’s memoir recounting her 17 years in Kenya. $400 - 600

Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

160 ELIOT, Thomas Stearns (1888-1965). “The Waste Land.” In: The Dial, Vol. LXXII, No. 5, pp. 473-485. New York: Dial Publishing Co., 1922.

161 EMERSON, Ralph Waldo (1803-1882). Autograph note signed (“R. W. Emerson”) to an unnamed recipient, n.d.

8vo, comprising pp. 473-506 only (the issue incomplete, but with Eliot’s work complete). (Some minor soiling, pp.503/504 misbound). Modern wrappers; cloth folding case.

1 page, 100 x 124 mm, some minor ink smudging, matted and framed with an engraved portrait, unexamined out of frame. Regarding submitting edits to Parnassus: “I send you a pair of corrections for Parnassus. I may probably add a few words? but will not delay the printing for them. R W Emerson.”

FIRST AMERICAN APPEARENCE of “The Waste Land,” preceded by The Criterion printing in England in October 1922. The present copy also includes The Player Queen by W. B. Yeats. $500 - 700

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$200 - 300

162 FITZGERALD, F. Scott (1896-1940). The Great Gatsby. New York: Charles Scribner’s Sons, 1925.

163 [FORE-EDGE PAINTING]. LEWIS, Lloyd (1891-1949). Sherman. Fighting Prophet. New York: Harcourt, Brace and Company, 1932.

8vo. Original publisher’s green cloth, spine lettered in gilt (slight rubbing, very minor staining and tiny indentations to lower cover.)

8vo. 20th-century blue crushed levant COSWAY STYLE BINDING, upper cover with inlaid portrait of General William T. Sherman, turn-ins gilt, blue watered silk doublures and endpapers, edges gilt, concealing a FORE-EDGE PAINTING of General Sherman with his troops in the countryside; quarter morocco gilt slipcase.

FIRST EDITION, FIRST PRINTING, with “chatter” for “echolalia” on p. 60, “northern” for “southern” on p. 119, “sick in tired” for “sickantired” on p. 205, and “Union Street station” for “Union Station” on p. 211. Bruccoli A11.1.a; Connolly, The Modern Movement 48.

$2,000 - 3,000

$1,000 - 1,500

164 [FORE-EDGE PAINTING]. NORDHOFF, Charles (18878-1947). -- HALL, James Norman (1887-1951). Mutiny on the Bounty. Boston: Little, Brown, and Company, 1932.

165 [FORMAN, H. Buxton]. The Anderson Galleries. The Library of the Late H. Buxton Forman. [Part One]. --[Part Two]. New York: The Anderson Galleries, 1920.

8vo. 20th-century blue crushed levant gilt, upper cover with central illustration of a ship in white, red and green morocco onlay, edges gilt, concealing a FORE-EDGE PAINTING of the H.M.S. Bounty and a ship of mutineers at sea; quarter morocco gilt slipcase.

2 volumes, 8vo. Original printed wrappers (some minor chipping to spines). Property from Historic Sengen House, Cornwall-on-Hudson, New York $100 - 200

FIRST EDITION of the first work in the Bounty Trilogy, based on the 1787 mutiny in Tahiti and later made into the 1962 film starring Marlon Brando, Trevor Howard and Richard Harris. $500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

166 [FRENCH LAW]. A group of three 18th-century works in French, comprising: DU ROUSSEAUD DE LA COMBE, Guy. Recueil de Jurisprudence Civile du Pays de Droit Ecrit et coutumier par Ordre Alphabetique. Paris: Chez Le Gras, Paulus-du -Mesnil, De Nully, and De Bats, 1746. New revised edition. -- JOUY, Louis-François de. Conférence des Ordonnances, Édits, Déclarations...Paris: Chez Durand and Pissot, 1753. Later edition. -- DANTY, N. Traité de la Preuve par Temoins en Matiere Civile...Paris: Chez Celalain, 1769. Sixth edition. -- Together, 3 works in 3 volumes, 4to, all in contemporary mottled calf gilt (some light wear). Property from a Private Collection, Chicago, Illinois $200 - 300

167 FROST, Robert (1874-1963). A Further Range. New York: Henry Holt and Company, 1936. 8vo. Original beige linen with printed paper spine label gilt, top edge stained maroon; original glassine (a few tears with losses); original board slipcase. LIMITED EDITION, number 37 of 803 copies SIGNED BY FROST. Crane A21.

166

[With:] FROST. In the Clearing. New York: Holt, Rinehart and Winston, 1962. Original brown cloth, spine gilt-lettered; original board slipcase. LIMITED EDITION, number 1,112 of 1,500 copies SIGNED BY FROST. Crane A41. Property from a Private Collection, Chicago, Illinois $500 - 700

168 [FURNITURE & DECORATIVE ARTS]. TATLOCK, R. R. and Roger FRY, R. L. HOBSON, and Percy MACQUOID. A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire Formed by the First Viscount Leverhulme. London: B.T. Batsford, 1928. 3 volumes, 4to. Numerous plates, some tipped in and some in color. Original publisher’s blue cloth stamped in gilt, top edge gilt; original printed dust jacket (some soiling and toning, spines slightly darkened, light chipping and tears to extremities). Provenance: M. Phifer Williamson (blind stamps to dust jackets). FIRST EDITION, LIMITED ISSUE, one of 350 unnumbered copies. A catalogue of English paintings, English furniture, and Chinese porcelain and Wedgwood pottery in the Lady Lever Art Gallery collections. Property from a Private Collection, Chicago, Illinois $300 - 400

167

169 [FURNITURE & DECORATIVE ARTS]. WILLIAMSON, George C. (1858-1942) The Imperial Russian Dinner Service. A Story of a Famous Work by Josiah Wedgwood. London: George Bell and Sons, 1909. 4to. Chromolithographed frontispiece, numerous halftone plates. Quarter vellum over green cloth boards, spine gilt-lettered, top edge gilt. LIMITED EDITION, one of 10 copies printed on Japanese vellum. [With:] ERSKINE, Beatrice Caroline (1860-1948). Lady Diana Beauclerk. Her Life and Work. London: T. Fisher Unwin, 1903. 4to. Color frontispiece, numerous color plates and in-text illustrations, title-page printed in red and black. (Some spotting to a few leaves.) Original maroon gilt-decorated cloth, top edge gilt (corners slightly bumped, some rubbing to edges, very light sunning to spine). FIRST EDITION. Property from a Private Collection, Chicago, Illinois $400 - 600

170 GODWIN, William (1756-1836). Autograph Letter Signed (“William Godwin”), to an unnamed recipient. Skinner Street, Snow Hill, 31 October 1817. 1p., 4to, matted and framed with an engraved portrait, unexamined out of frame. Asking the return of a bust of his recently-deceased friend: “I have always much wished to have the...bust of my friend...which I sent to you some years ago, returned to me, & the melancholy event of his death has now greatly increased my anxiety on the subject.” 170

Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

170A GRAY, Thomas (1716-1771). The Poems of Mr. Gray. To Which are Added Memoirs of his Life and Writings. William Mason, editor. York: A. Ward and others, 1778.

*171 HASTINGS, Warren (1732-1818). Autograph letter signed (“Warren Hastings”), to an unnamed recipient. Daylesford, Gloucestershire, 14 June 1812.

4 volumes, 8vo (180 x 112 mm). Engraved portrait frontispiece etched by Doughty; printed on thick paper. Contemporary sprinkled calf gilt, red and green morocco lettering-pieces gilt, board edges gilt, edges stained yellow. Provenance: “F. W.” (initials on title-page); “W. B. Y.” (initials on flyleaf vol. I). Collected edition of Gray’s works. ESTC T90575.

2 pages, 4to, a few old repairs, matted and framed, unexamined out of frame. Inquiring about the improvements to a portrait of the Duke of Gloucestershire.

[Laid in:] Autograph manuscript, 19th-century, in an unknown hand. A fair copy of a translation of Thomas Gray’s “Latin Ode on the Monastery of the Grande Chartreuse,” first published unattributed in The London Magazine, Vol. I, January-April 1825, p. 367. The translation was later published in The Works of Charles and Mary Lamb, New York, G. P. Putnam’s Sons, 1903, p. 382, with a note from the editor that the translation work is “not certain to be Lamb’s, but probably his.”

Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland $400 - 600

Property from Historic Sengen House, Cornwall-on-Hudson, New York $300.00 - $500.00

172 HAWTHORNE, Nathaniel (1804-1864). The Scarlet Letter, A Romance. Boston: Ticknor, Reed, and Fields, 1850.

173 HOSACK, David. Essays on Various Subjects of Medical Science. New York: Printed by J. Seymour, 1824.

8vo (178 x 110 mm). Title printed in red and black. 4-page publisher’s advertisements dated 1 October 1850 bound in at front. (Dampstaining to a few leaves.) Original publisher’s brown cloth (minor losses to foot of spine, some wear or losses to corners or extremities, hinges starting). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate).

8vo (230 x 143 mm). Engraved plate. (Some damp-staining or soiling). Original boards uncut (several separations to hinges, losses to spines, some overall wear and chipping); cloth folding case. Provenance: Dr. Morris Parker Collection, Michael Reese Hospital (bookplates and a few library markings).

Second edition, with the Metcalf and Company imprint on copyright page and ads dated October 1, 1849. Hawthorne’s work was an immediate success, selling 2,500 copies in its first week of publication, giving Hawthorne his first literary success. HAWTHORNE’S SIGNATURE TIPPED IN facing titlepage. BAL 7600; Grolier American 59.

FIRST EDITION. Hosack, one of the founders of the New York Historical Society, an elected member of the American Antiquarian Society and a Fellow of the American Academy of Arts and Sciences, remains widely remembered as the doctor who treated Alexander Hamilton’s fatal injuries after his duel with Aaron Burr in 1804. $300 - 500

Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

174 IACOVLEFF, Alexandre (1887-1938). Dessins et Peintures d’Asie. Exécutés au Cours de l’Expedition Citroën Centre-Asie. Paris: Jules Meynial, 1934.

175 IRVING, Washington (1783-1859). The Alhambra. Philadelphia: Carey & Lea, 1832.

Folio. 50 color lithographed plates. Text volume in original wrappers; plates loose as issued in original publisher’s printed board portfolio, cloth ties. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (letter laid-in).

2 volumes, 8vo (199 x 115). ORIGINAL CLOTH-BACKED BOARDS, printed paper label on spine uncut [BAL variant B, no priority] (some staining or soiling, labels chipping with minor losses, some minor rubbing). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate).

LIMITED EDITION, number 147 of 500 copies, SIGNED BY IACOVLEFF in pencil to half-title. During 1931-1932, Iacovleff was the artistic adviser to the Croisière Jaune expedition sponsored by the car maker Citroën. The artwork Iacovleff produced during this expedition includes this series of portraits of the peoples and landscapes of central Asia. [Laid in:] Autograph letter signed “Iacovleff” to Louis V. Ledoux, n.d.

FIRST AMERICAN EDITION, with “Philadelphla” in imprint on title-page Vol.II. BAL 10163. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

[With:] 3 autograph letters signed, from Iacovleff to Louis V. Ledoux, 1936. Coordinating travel and arranging for Iacovleff to do a drawing of Ledoux. Property from Historic Sengen House, Cornwall-on-Hudson, New York $2,000 - 3,000

176 [JAPANESE FAIRY TALES]. HEARN, Lafcaido, translator. 5 volumes, comprising: The Boy Who Drew Cats. -- The Old Woman Who Lost her Dumpling. -- Chin Chin Kobakama. -- The Fountain of Youth. -- The Goblin Spider. Together, 5 works in 5 volumes, 8vo, all printed on crepe with original crepe wrappers stab-sewn (without folding case). All larger format 7 1/2 x 5 1/2in. post-WWI printings, with various Hasegawa imprints. [With:] 3 smaller format works with Nishinomiya imprints, on crepe, comprising: Motomaro. -- The Hare of Inaba. -- The Ogre’s Arm. Property from the Collection of Jack Belcher $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

177 [JAPANESE BOOKS]. A group of 4 works, comprising: HEARN, Lafcadio. Kottō. New York and London: The Macmillan Co., 1902. -- WANTANNA, Onoto. A Japanese Nightingale. New York and London: Harper and Brothers, 1902. -- We Japanese. Yokomama: Yamagata Press, [ca 1950]. -- Together, 3 works in 3 volumes, 8vo, illustrated, each in original publisher’s cloth bindings. Property from the Collection of Jack Belcher $200 - 300

178 [JAPANESE BOOKS]. NOGUCHI, Yone (1875-1943). A group of 3 works, comprising: From the Eastern Sea. London: at the Unicorn, 1903. Provenance: Maruzen Kabushiki Kaisha (bookseller’s label). FIRST EDITION, INSCRIBED BY NOGUCHI. -- Seen & Unseen. Or Monologues of a Homeless Snail. New York: Orientalia, 1920. Second edition, limited issue, one of 500 unnumbered copies. INSCRIBED BY NOGUCHI to Louis Ledoux. -- Selected Poems. Boston and London: The Four Seas Company; Elkin Mathews, 1921. INSCRIBED BY NOGUCHI to the Ledouxs, 1921. -- Together, 3 works in 3 volumes, 8vo, in original cloth or stab-sewn printed paper covers, FIRST EDITIONS where indicated, condition generally fine. 178

Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300 179 MICHENER, James A. (1907-1997). The Modern Japanese Print. An Appreciation. Rutland, VT and Tokyo: Charles E. Tuttle Company, 1962. Large folio. 10 woodblock or stenciled plates by Hiratsuka Un’Ichi, Maekawa Sempan, Mori Yoshitoshi, and others each signed and numbered by the artist. Original 3-tone gilt-stamped cloth; original wooden slipcase. LIMITED EDITION, number 453 of 510 copies SIGNED BY MICHENER. Property from a Private Collection, Chicago, Illinois $1,000 - 1,500

180 [JAPANESE PRINTS]. MAKI, Haku (1924-2000). BRANNEN, Noah and ELLIOTT, William, translators. Festive Wine. Ancient Japanese Poems from the Kinkafu. New York & Tokyo: Walker/ Weatherhill, 1969.

179

4to. Frontispiece and 21 original colored woodblock prints signed and numbered 91/150 by Haku Maki in pencil. Original half leather over gilt and silver-stamped cloth, edges uncut; original rice paper dust jacket; wooden slipcase. LIMITED EDITION, number 91 of 150 deluxe copies SIGNED BY MAKI. Property from a Private Collection, Chicago, Illinois $1,000 - 1,500 181 [JAPANESE PRINTS]. A group of 4 works, comprising:

180

LEDOUX, Louis V. A Descriptive Catalogue of an Exhibition of Japanese Landscape, Bird, and Flower Prints. New York: the Grolier Club, 1924. -- AMSDEN, Dora and J. S. HAPPER. The Heritage of Hiroshige. San Francisco: Paul Elder and Company, 1902. -- MURRELL, William. Yasuo Kuniyoshi. Woodstock, NY: William M. Fisher, 1922. -- A Flight of Butterﬂies. New York: The Metropolitan Museum of Art, 1972. -- Together, 4 works in 4 volumes, 8vo, in original bindings, condition generally fine. Property from the Collection of Jack Belcher $200 - 300 181

182 [JAPANESE SONGS]. A group of three works, comprising: Kohana San. -- Oyucha San. -- Japanese Jingles. Together, 3 works in 3 volumes, 8vo, all printed on crepe with original crepe wrappers stab-sewn. All larger format (7 1/2 x 5 1/2-in. or slightly smaller), with various Hasegawa imprints. [With:] Japanese Pictures of Japanese Life. Tokyo: T. Hasegawa, n.d. Printed on crepe. -- Saru-Kani Kassen. Tokyo: Kobunsha, n.d. Printed on paper. Property from the Collection of Jack Belcher

182

$200 - 300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

183 184 183 Language... London: Longman Group UK Limited, 1990. JOHNSON, Samuel (1709-1784). A Dictionary of the English Language..

185

2 volumes, folio; also with 2 booklets as issued. Original Cabra red bonded leather blocked in gold and green foil; original slipcase; original shrinkwrap; original shipping carton. Facsimile edition of Johnson’s Dictionary in two volumes, with two additional booklets as issued, comprising: a facsimile of the Plan of a Dictionary of the English Language by Johnson and a 16-page booklet with introductory essays. Johnson’s Dictionary was originally published in 1755 under a joint imprint of five booksellers, including T. and T. Longman. AS NEW IN ORIGINAL SHRINKWRAP. Property from the Collection of Jack Belcher $200 - 300 184 JOYCE, James (1882-1941). Ulysses. In: Two Worlds Monthly, Vol. I, No. 1-Vol.III, No. 3. New York City: Two Worlds Publishing Company, July 1926 - September 1927. 11 volumes, 8vo. Original printed wrappers (some chipping or tears). Pirated first appearance of Joyce’s Ulysses in America, published by Samuel Roth. Complete as issued in 11 volumes; a 12th installment was planned but not issued separately, although it did appear when the work was issued in a two-volume bound edition. Joyce sought and obtained an injunction against Roth, and sued for damages. Slocum & Cahoon C-68 (“This unauthorized serialization of Ulysses resulted in considerable public indignation and provoked the ‘International Protest’ signed by 167 artists and writers and printed in transition” in April 1927.) Property from the Collection of Andy Nettell $600 - 800 185 JOYCE, James (1882-1941). Anna Livia Plurabelle. New York: Crosby Gaige, 1928. 8vo. Half-title. Original brown cloth gilt, top edge gilt. FIRST EDITION, LIMITED ISSUE, number 29 of 800 copies SIGNED BY JOYCE. Anna Livia Plurabelle, Chapter I of Finnegans wake, was published in translation in November 1927 prior to the present separate publication. The chapter, named after its heroine Anna Livia Plurabelle, includes some of the Wake’s most lyrical passages. Slocum and Cahoon A32. A VERY FINE COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $1,500 - 2,500 186 KERNER, Johann Simon (1755-1830). Abbildung Aller Oekonomischen Pﬂanzen. Stuttgart: Christoph Friedrich Cotta, 1786, 1788. 2 volumes (of 8, comprising vols.I-II), 4to (305 x 240 mm). 2 hand-colored etched title vignettes, etched tailpiece in vol.I, 185 (of 200) hand-colored etched plates by Kerner [Lacking plates 1, 2, 6, 7, 21, 26, 32, 35, 41, 43, 52, 90, 96 in vol.I and 131, 132 in vol.II]. (Dampstaining to a few margins,). Contemporary half calf gilt, edges uncut (worn, some minor damage to spine and hinges).

186

FIRST EDITION of this rare German botanical book with fine plates. Kerner was a German botanist and botanical illustrator and highlights a range of plants with economic potential in this work. COMPLETE COPIES ARE RARE: NUC locates only one complete copy at Vassar College. Brunet III: 654; Dunthorne 164 (French text); Great Flower Books p.107; Nissen BBI 1034; Pritzel 4639; Stafleu & Cowan 3604. Property from the Collection of the Sisters of Providence, Sisters-of-the-Woods, Indiana $1,000 - 2,000 187 KEROUAC, Jean-Louis Lebris de (“Jack”), (1922-1969). The Dharma Bums. New York: The Viking Press, 1958. 8vo. Publisher’s black cloth stamped in silver and green (small damp stain on front cover); original dust jacket (slight chipping, a few tears with old tape repairs verso). FIRST EDITION, “appearing a year after the author’s explosive On the Road put the Beat Generation on the literary map and Kerouac on the best-seller lists” (front flap). Charters A4a

187 54

$200 - 300

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

188 KIPLING, Rudyard (1865-1936). Just So Stories. For Little Children. London: Macmillan and Co., 1902. 8vo. Illustrated with plates by Kipling. Original red pictorial cloth; in McCutcheon’s quarter red straight-grained morocco slipcase. Provenance: George Barr McCutcheon (1866-1928), American novelist and playwright and noted Kipling collector (bookplate, his sale, American Art Association, 20 April 1925 ). FROM THE NOTED RUDYARD KIPLING COLLECTION OF GEORGE BARR McCUTCHEON FIRST EDITION of Kipling’s classic collection of children’s stories explaining, among other questions, “How the Camel Got its Hump.” Publisher’s advertisements laid in. Grolier, One Hundred Books Famous in Children’s Literature 57; Livingston 267; Stewart 260. A VERY FINE COPY. $600 - $800 188

188A KIPLING, Rudyard (1865-1936). A group of 5 works, comprising: The Courting of Dinah Shadd. And Other Stories. NY: Harper & Brothers, 1890. Half green morocco gilt, top edge gilt, stamp-signed by Stikeman & Co. Original printed wrappers bound in. FIRST AMERICAN EDITION. -- The Light That Failed. London: Macmillan and Co., 1891. Original blue cloth gilt. FIRST ENGLISH EDITION. -- His Apologies. Garden City, NY: Doubleday, Doran & Company, Inc., 1932. Original cloth-backed printed boards (hinges separating, rubbing to extremities). FIRST AMERICAN EDITION. -- The Fox Meditates. Garden City, NY: Doubleday, Doran & Company, Inc., 1933. Original printed wrappers. FIRST AMERICAN EDITION. -- Ham and the Porcupine. Garden City, NY: Doubleday, Doran & Company, Inc, 1935. Original printed wrappers. FIRST AMERICAN EDITION. -- Together, 5 works in 5 volumes, all first American or English editions where indicated, bindings as indicated, condition generally fine except where indicated. $400 - 600 189 LAMB, Charles (1775-1834). Autograph letter signed (“C. Lamb”) to Mr. Allsop. N.p., 29 May 1829. 1 page, 8vo, a few holes or tears from rough opening. Lamb writes English stockbroker, author, and follower of radical politics, Thomas Allsop (1795-1880): “I do not know a soul that at my recommendation is likely to do what you wish to have done. I have considered all my friends round, and there is not one to whom I could apply with a chance of success. You know pretty well of whom they consist.”[With:] Mezzotint portrait engraving of Charles Lamb by Samuel Arlent Edwards (1862-1938), matted and framed.

188, 188A

Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700 190 LEDOUX, Louis Vernon (1880-1948). A group of 8 works by American poet, George Edward Woodberry scholar, Japanese print collector Louis V. Ledoux, most with his bookplate, including: The Soul’s Progress and Other Poems. New York: John Lane Company, 1906. INSCRIBED BY LEDOUX. -- Yzdra. New York and London: G.P. Putnam’s Sons, 1909. INSCRIBED BY LEDOUX to Edward S. Partridge, 1910. -- The Shadow of Aetna. New York and London: G.P. Putnam’s Sons, 1914. Original dust jacket. -- The Story of Eleusis. New York: The Macmillan Company, 1916. -- George Edward Woodberry. A Study of his Poetry. Cambridge, MA: The Poetry Review Company, 1917. -- And 3 others. Together, 8 works in 18 volumes, all in original cloth or printed wrappers, dust jackets where indicated, most first editions, condition generally good. Complete list available on request. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300 189

191 LEDOUX, Louis V. (1880-1948). An archive of letters written in the 1900s-1930s to Louis V. Ledoux. Approximately 575 autograph or typed letters signed, written to Louis V. Ledoux and sent from various locations in the United States and Europe, primarily from New York and London. Also with related ephemera. Louis V. Ledoux (1880-1948) was an American businessman, author and collector. He was President of Ledoux & Company, his family’s mining exploration and assaying firm in New York, and was a noted collector of books, manuscripts, and Japanese prints. He was a noted authority on Japanese prints and wrote collectors’ reference works on the subject. He also wrote original works of poetry, and wrote about George Edward Woodberry, who had been his professor at Columbia. He served as President of the Japan Society, and he was a member of the Grolier Club. Included in this archive of correspondence is a large group of letters and carbon copies from American writer John Gneisenau Neihardt, including a typescript of his work A Bundle of Myrrh, with a manuscript dedication from Neihardt to Ledoux, Bancroft Nebraska, June 1906. Also included are groups of letters from artist Sydney Adamson; African American writer, poet and critic William Stanley Beaumont Braithwaite; poet Amelia Josephine Burr; art historian Royal Cortissoz; organist Archer Gibson; American educator, author and composer John Erskine; poet Vachel Lindsay; poet Josephine Preston Peabody; painter Gijs Bosch Reitz; British diplomat and Japanese historian George Bailey Sansom; American war poet Alan Seeger; poet and editor Ridgely Torrence.

190

Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

192 [LITERATURE]. A group of 8 works, including: LINTON, William James. The Plaint of Freedom. Newcastle-Upon-Tyne: G. Bouchier Richardson, 1852. THE H. BUXTON FORMAN COPY with his signature. -- THOMSON, James. The City of Dreadful Night. London: Reeves and Turner, 1880. Provenance: Fenton (armorial bookplate). -- Selected Poems From The Harvard Monthly 18851910. Cambridge: Published by the Graduate Council of the Harvard Monthly, 1910. Original printed wrappers. -- LOCKWOOD, Luke Vincent. The Furniture Collectors’ Glossary. New York: Printed for the Walpole Society, 1913. One of 175 copies on Cheltenham Deckle-edge paper. Provenance: John T. Jackson (gift inscription 1914). -- HOUSMAN, A.E. Last Poems. London: Grant Richards Ltd., 1922. -- And 3 others. Together, 8 works in 8 volumes, 8vo, all in original cloth, boards or printed wrappers, most with the bookplate of Louis V. Ledoux, condition generally fine, complete list available on request. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300 193 MAISTRE, Xavier, Comte de (1763-1852). Voyage autour de ma Chambre. Paris: Dufart, an VII [1799].

193

12mo. Half-title; engraved frontispiece by Auguste Blanchard. 20th-century half blue morocco gilt, uncut. Early edition of Maistre’s work of parody written in the tradition of a grand travel narrative, and first published in 1794. Maistre wrote about his voyage “around his room” while he was imprisoned in Turin for 42 days for dueling. [With:] Meleagre. Tragedie. Paris: Pierre Ribou. 1699. (Repairs to title.) Later blue cloth. Provenance: Louis V. Ledoux (bookplate). -- Aristotle’s Secret of Secrets Contracted. N.p.: n.p., 1719. Second edition. Contemporary calf gilt (some light wear, hinges splitting). Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

194

194 McARTHUR, John (1755-1840). The Army and Navy Gentleman’s Companion; or a New and Complete Treatise on the Theory and Practice of Fencing. London: for J. Murray, 1784. 4to (256 x 204 mm). Engraved frontispiece after James Sowerby, engraved title-page, 19 engraved plates (most folding). (A few minor spots.) Contemporary mottled calf gilt (some wear). Provenance: T. S. Sands (gift inscription from Louis V. Ledoux, 1936). Second edition, preceded by the first edition of 1781, the success of which “induced the author to bestow some labour and attention in revising, correcting, and improving this Edition; to which he has added a copious Glossary of the technical terms” (Introduction). Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

195

195 [MINIATURE BOOKS]. [BIBLE, in Latin]. Biblia Sacra. Cologne: Sumpt. Haered. Bern. Gualteri et Sociorum, 1639. 6 volumes, 48mo (95 x 50 mm). Engraved title-pages. Contemporary calf blind-tooled in gilt, edges gilt (some very light wear to spines); black morocco gilt-tooled slipcases, interior lined with decorative patterned paper. Provenance: Marshall Field & Company (bookseller’s label). New revised standard version. Darlow & Moule 6215. Property from a Private Collection, Chicago, Illinois $1,000 - 1,500 196 [MINIATURE BOOKS]. BOETHIUS, Anicius Manlius Severinus. De consolatione philosophiae libri V. Cum praefatione P. Bertii. Amsterdam: Johan Blaeu, 1649. 87 x 51mm. Engraved title. Contemporary Dutch vellum (minor soiling). Provenance: Johannes Bilderbeeck (contemporary signature on front free endpaper).

196

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

A fine small format of Boethius’ philosophical work, edited by the humanist theologian and scholar Pierre Bertius (1565-1629). At the end “De metris Boethianis libellus” and “Locorum et versuum Graecorum...”.Welsh 1347; USTC 1013944; STCN (only one copy, Amsterdam). Not in Bondy, Spielmann, COPAC, Bn-Opale plus. $200 - 300

197

198

199

197 [MINIATURE BOOKS]. The Tiny Book on Cocktails. Providence, RI: Livermore & Knight Co., 1905. 74 pp. 51 x 43 mm. Original limp dark green limp leather gilt, gilt-lettered on upper cover “Cocktails,” yapp edges (spine a little faded, minor wear to extremities). A rare pre-Prohibition miniature mixology book, containing recipes for fifty mixed drinks popular at the turn of the 20th Century. OCLC locates only a single copy, at the University of Virginia. $200 - 300

198 [MINIATURE BOOKS]. WALCOTT, PAUL and BETTY; and SOLIDAY, MARION. Chats about Miniature Books. [N.p.:] Privately Printed, 1932. 38 x 32 mm. Original gilt-decorated wrappers; original card slipcase. ONE OF 250 NUMBERED COPIES. $200 - 300

199 [MINIATURE BOOKS]. A group of 4 miniature books, comprising: BUTLER, Samuel. Hudibras. London: by Jones & Company, 1824. -- The Miniature English Grammar. London: William Mason & Son, n.d. -MAUNDER, Samuel. The Little Lexicon. London: T. Noble, 1846. Fifth edition. -- MAUNDER, Samuel. The Little Gazetteer. London: printed for the proprietor, n.d. -- Together, 4 works in 4 volumes, 48mo, engraved frontispiece and title-pages, all in contemporary gilt-decorated morocco, condition generally fine. Property from a Private Collection, Chicago, Illinois $300 - 400

200 [MINIATURE BOOKS]. A group of 4 works, comprising: VIRGILIUS MARO, Publius. Bucolica. London: W. Pickering, 1821. 81 x 46 mm. With frontispiece. Contemporary calf (front hinge cracked, with first quire detached). Provenance: “E.W.” (monogram bookplate). -- The Means of Doing Good. Stourport: G. Nicholson, 1820. 87 x 52 mm. Engraved frontispiece and additional title with vignette. Contemporary red morocco-backed patterned boards (front cover and preliminaries detached, corners worn, rubbed). Provenance: “Aspinwall” (lettered on front free endpaper). Rare provincial printing. Not in Welsh. -- WEBER, Msgr. Francis J. C. E. D. “The Lady”. San Fernando, CA: Junipero Serra Press, 1988. 68 x 47 mm. With original morocco bookplate of Carrie Estelle Doheny mounted as frontispiece. Original gilt-lettered leather. LIMITED EDITION, one of 300 copies. -- WEBER, Msgr. Francis J. The Immortal Little Willie. San Fernando, CA: Junipero Serra Press, 1990. 66 x 45 mm. With original 20¢ US postage stamp tipped-in as frontispiece. Original gilt-lettered leather. LIMITED EDITION, one of 200 copies. $300 - 400

201 [MINIATURE BOOKS]. A group of 12 miniature books, comprising: O’Neill, Eugene. The Last Will and Testament of an Extremely Distinguished Dog. Worcester, MA: Achille J. St. Onge, 1972. Tan calf, edges gilt. LIMITED EDITION, one of 1,000 unnumbered copies. -- STEVENSON, Robert Louis. Prayers Written at Vailima. Los Angeles: Dawson’s Book Shop, 1973. LIMITED EDITION, one of 500 unnumbered copies. Original printed boards. -- [GAGE, Thomas]. General Gage’s Instructions. Oakham, MA: The Oakham Bindery, 1974. Red morocco gilt. LIMITED EDITION, one of 1,000 unnumbered copies. -- BARRETT, Amos. The Concord Fight. Concord, MA: Robert D. Naiva, 1975. [Uniformly bound and slipcased with:] LISTER, Jeremy. The Concord Fight. Concord, MA: Robert D. Naiva, 1975. Blue morocco gilt. Each one of 2,000 unnumbered copies. -- CARROLL, Lewis. Alice’s Adventures in Wonderland. Paris: Minia Press, n.d. [Uniformly bound and slipcased with:] CARROLL. Through the Looking-Glass. Paris: Minia Press, n.d. Red morocco gilt. -- Milano Minima. Collana illustrate di libri in miniatura. Rome: Editalia, 1967. 5 volumes. Tan calf gilt; tan morocco gilt slipcase. -- Together, 8 works in 12 volumes, various 48mo and 64mo sizes or smaller, condition generally fine. Property from a Private Collection, Chicago, Illinois $300 - 400 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

202 NEWTON, A. Edward (1864-1940). A group of 13 privately printed Christmas greetings, comprising: A Leech Drawing Drawing. 1923. -- My Library. 1926. -- A Reprimand and What Came of It. 1927. -- The Christmas Spirit. 1930. -- A Thomas Hardy Memorial. 1931. -- I Want! I Want! 1932. -- Ascot. 1933. -- The Trollope Society. 1934. -- Staffordshire. 1935. -- Pope, Poetry and Portrait. 1936. -- Christmas Greetings. 1937. -- George Dyer. 1938. -- MacLEISH, Archibald. A Tribute to Newton. Washington, D. C.: The Library of Congress, 1940. -- [With:] A Check-List of the First Editions of A. Edward A. Edward Newton Newton From the Library of Dr. Alfred P. Lee. Philadelphia: The Franklin Bookshop, n.d. -- Together, 14 works in 14 volumes, all in original printed wrappers, all published by Oak Knoll in Daylesford Pennsylvania, except where indicated. Three volumes INSCRIBED BY NEWTON to Robert J. Bucholz, condition generally fine. Property from the Collection of Jack Belcher $200 - 300 202 202A O’KEEFFE, Georgia (1887-1986). A group of 9 letters to Jean Ledoux, 1944-1951. A group of 9 autograph letters signed (“Georgia O’Keeffe” or “Georgia”), comprising 24pp, with original envelopes. O’Keeffe’s letters to her friend Jean Ledoux discuss books, art, and the coordination of visits. In her 16 August 1944 letter, she describes her home: “I live on the edge of a strip of many miles of badlands -- the governments largest experiment in erosion controls -- they can’t control it -- It starts a stones throw from my kitchen door -- and I can not throw far -- red hills - purple shills with streaks and patches of green earth --- yellow and lavender cliffs very high and far-seeing all around the back -- about half a mile away - with their red foothills...the colors and shapes are so fantastic.” After describing travels in her 23 June 1949, letter, she muses: “I intend to settle down and just be a painter.” She invites her friend to visit her in New Mexico in her letter of 23 August 1950: “Your moving will not seem so bad when you have been away to a new sort of world.” In a 2 July 1951 letter, she apologizes for her slow responses: “Oh I am so slow -- I think so often of you and go on about my life like a squirrel in a cage and do not write in spite of my intentions.” In a November 1951 letter, O’Keeffe reports that she will not visit New York in the winter: “I do not plan to go to N. Y. this winter --- it seems so far away to me that I find the years there almost like a dream.” 202A

Property from Historic Sengen House, Cornwall-on-Hudson, New York $3,000 - $4,000

203 RAND, Ayn (1905-1982). Atlas Shrugged. New York: Random House, 1957. 8vo. Original green gilt-stamped cloth, top edge stained dark blue; original pictorial dust jacket (very minor rubbing to corners and edges, ). Provenance: Donald Cyril Dickerhoff (blindstamp to title-page). FIRST EDITION, FIRST PRINTING, with the words “First Printing” on the copyright page. IN THE FIRST ISSUE DUST JACKET with price $6.95 and “10/57” at the bottom of the front flap, and with the publisher’s name and address at the bottom of the rear flap. Atlas Shrugged, Rand’s fourth and final novel, is her most extensive statement of her Objectivist philosophy, depicted in a dystopian United States. $800 - 1,200

203

204 SALINGER, J.D. (1919-2010). The Catcher in the Rye. Boston: Little, Brown and Company, 1951. 8vo. (Minor soiling to endleaves.) Original black cloth (spine slightly leaned); original first issue dust jacket printed in red, black and yellow with cropped photograph of Salinger on rear cover, flap priced at $3.00 (small dampstaining to bottom edge, minor chipping, old adhesive remnants to flaps and verso). Provenance: Beverly Book Shelves Rental Libraries (library stamps). FIRST EDITION. The novel’s protagonist, Holden Caulfield, has entered the pantheon of American literary heroes. “The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices—anger, contempt, self-pity—but the quietest, that of a decent perplexed American adolescent, proved the most telling” (Anthony Burgess, 99 Novels, pp. 5354). $1,000 - 1,500

205 SALINGER, J.D. (1919-2010). The Catcher in the Rye. Boston: Little, Brown and Company, 1951. 8vo. Original black cloth (some rubbing, half ring stain to upper cover);in the second issue dust jacket (spine slightly toned, light chipping, some minor staining). Provenance: J.D. Witter (stamp, 1951).

204

FIRST EDITION, second printing with “Reprinted July 1951” on copyright page. In second issue dust jacket with the $3.00 price on the front flap and with the Lotte Jacobi photo credit on Salinger’s portrait on the rear panel, but with about 1/8 inches between the top of Salinger’s hair and the top edge of the jacket on the rear panel. $300 - 400

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

206 SHELLEY, Percy Bysshe (1792-1822). The Cenci. A Tragedy, in Five Acts. London: C. and J. Ollier, 1821. 8vo (222 x 138 mm). 20th-century half maroon morocco gilt, top edge gilt, others uncut; ORIGINAL WRAPPERS bound in, original printed label to front wrapper. Provenance: Robert Ellis (early signature on title-page); Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). Second edition, FIRST ENGLISH EDITION, preceded by an 1819 edition printed in Livorno, Italy, in an edition of only 250 copies. Property from Historic Sengen House, Cornwall-on-Hudson, New York $300 - 400

207 SHELLEY, Percy Bysshe (1792-1822). Queen Mab. London: W. Clark, 1821. 8vo. With 1p. advertisement leaf at end. ORIGINAL BOARDS, original printed label to spine, uncut (some chipping with small losses to spine label, some light wear to extremities); quarter morocco slipcase. Provenance: Charles W. Frederickson (1823-), noted Shelley collector (bookplate with manuscript date of acquisition, May 1858, his sale, Bangs & Co., 24-28 May 1897, Lot 1568, a few pencil notes in his hand). PIRATED FIRST EDITION, thin paper copy, issued without the dedication to Harriet *****, but this copy with the dedication leaf supplied and laid in (purportedly from a copy of the 1822 Carlile edition). Queen Mab was first privately printed in 1813. This pirated edition of 1821, printed by R. Clark, precedes the first authorized edition, which was composed of the remaining sheets from Clark’s edition and issued with a new title-page by Carlile in 1822. When Shelley learned of Clark’s unauthorized edition, he protested the piracy; Clark appeared before the Court of King’s Bench on 23 June and pleaded not guilty to publishing an “indecent, immoral and scandalous poem.” According to Geroge Goodspeed, “His trial did not take place until late in the following year, but the book appears to have been suppressed, nominally at least, very soon after its publication” (See The Colophon, New Graphic Series, No. 1, p.2532, 1939). Ashley V., p.150. THE C.W. FREDERICKSON COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700

208 SHELLEY, Percy Bysshe (1792-1822). Queen Mab a Philosophical Poem. New York: William Baldwin, 1821. 12mo. Engraved title-page. ORIGINAL BOARDS uncut (old spine repairs, upper cover detached); quarter morocco slipcase. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). “First American edition,” but really the second unauthorized edition, with a false imprint, believed to be published by William Benbow in London in 1821. In “The ‘First American’ Queen Mab,” George Goodspeed notes: “The suppression of Clark’s edition of Queen Mab [see previous lot] left the field open to another publisher. Demand had been stimulated by the controversy and the source of supply had been cut off. Benbow was nothing if not an opportunist» (See The Colophon, New Graphic Series, No. 1, p.2532, 1939). Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

209 SHELLEY, Percy Bysshe (1792-1822). Posthumous Poems. London: John and Henry L. Hunt, 1824. 8vo. With the leaf bearing the errata and advertisements. Later green calf gilt, smooth spine gilt, brown decorative morocco lettering-pieces gilt, edges gilt, stampsigned by Zaehnsdorf for A. C. McClurg (spine slightly sunned, some minor rubbing to extremities). Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). FIRST EDITION, one of fewer than 500 copies printed, much of the edition was suppressed by Shelley’s father, Sir Timothy Shelley. “It was with difficulty that a publisher was found for the book, the sale of two hundred and fifty copies being guaranteed by Thomas Lovell Beddoes, Bryan Waller Proctor (“Barry Cornwall”) and Thomas Forbes Felsall” (Granniss Shelley 78). Ashley V, p.88; Tinker 1904; Wise Shelley, p.70. Property from Historic Sengen House, Cornwall-on-Hudson, New York $600 - 800

210 SHELLEY, Percy Bysshe (1792-1822). Miscellaneous Poems. London: William Benbow, 1826. 12mo (150 x 90 mm). 20th-century brown crushed levant elaborately gilt, uncut, stampsigned by Riviere & Son. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). PIRATED FIRST EDITION, largely a reprint of the Posthumous Poems, omitting the longer poems and translations, but including “Lines written in Dejection,” which does not occur in the Posthumous Poems. VERY RARE: According to American Book Prices Current, only four copies of this edition have sold at auction in the last 35 years. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

211 SHELLEY, Percy Bysshe (1792-1822). The Poetical Works. London: Edward Moxon, 1839. 4 volumes, 12mo. Half-titles; engraved frontispiece portrait in vol. I. 20th-century crushed levant gilt, top edge gilt, others uncut, turn-ins gilt, stamp-signed by G. P. Putnam’s for the Knickerbocker Press (spines slightly sunned, a few corners lightly bumped). Provenance: Louis V. Ledoux (1880-1948), American poet, Japanese print collector (engraved bookplate). FIRST EDITION of Shelley’s works edited and compiled by Mary Wollstonecraft Shelley, which she dedicated to their son Percy Florence Shelley. Property from Historic Sengen House, Cornwall-on-Hudson, New York $300 - 400

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

212 SHELLEY, Percy Bysshe (1792-1822). Letters of Percy Bysshe Shelley. London: Edward Moxon, 1852. 12mo. Half-title, 1p. advertisements at end. 19th century polished calf gilt. Provenance: John Duke Coleridge, 1st Baron Coleridge (1820-1894), great-nephew of Samuel Taylor Coleridge (signature on blank leaf, two annotations, initials at end, ALS from Edward Moxon tipped in); Frank T. Sabin (d.1915), London rare book and autograph dealer (ALS from Thomas Hookham with postscript in Sabin’s hand); T. Tileston Wells (armorial bookplate); Louis V. Ledoux (18801948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). FIRST EDITION of this “ingenious forgery perpetuated by an impostor, claiming to be the son of Lord Byron. Two genuine letters, which happened to be in Moxon’s hands, were included. The fraud was discovered, to the chagrin of Browning and Moxon, who at once destroyed all obtainable copies of the book” (Granniss/Grolier Shelley 127). [Bound in:] “Unpublished Letters of Percy Bysshe Shelley,” from Fraser’s Magazine, March 1860. -- “The Coliseum. A Fragment.” N.p., n.d. (with a footnote reading: “This is the fragment referred to by Capt. Medwin in the Memoir--see Athenaeum, p.503). Ashley V, p.92; Wise , p.74. WITH MANUSCRIPT MATERIAL FROM JOHN DUKE COLERIDGE, EDWARD MOXON & THOMAS HOOKHAM REGARDING THE FORGERIES Two of the published letters include manuscript postscripts regarding the authenticity of those letters. On p.66, following Letter V, he writes: “This letter was printed in the Memoirs of Shelley...in the volume of Coleridge, Shelley & Keats...as early as 1833.” In a note on p.145, following Letter XXI, he notes the specific passages in the letter which led to the doubt of the volume as a whole.

212

[Tipped in:] MOXON, Edward. Autograph letter signed to Coleridge, n.d. 2 pages, 8vo. Moxon discusses the manuscripts which served as the basis for this work: “The important fact respecting Letter 5 I will immediately communicate to Mr. Cunningham, the writer of the article in the Athenaeum. I may mention it is the decided opinion of Mr. Hookham, who knows more of Shelley’s private history than any one else, that the whole of the letters are genuine. ...My own impression is that the letters which I purchased at Sotheby’s are not in Shelley’s hand writing, but with perhaps two or three exceptions copies of genuine letters.” [Laid in:] HOOKHAM, Thomas. Autograph letter signed to Frank T. Sabin, 9 October 1882. With a post-script in Sabin’s hand. 5pp., 8vo. “You ask me respecting the authenticity of a Letter from Shelley to my Father, which is included in the volume of ‘Letters of P. B. Shelley, edited by Robert Browning,’ and published about 1850. This volumes has long been condemned as spurious, and all the letters indiscriminately pronounced forgeries. All I can say is that the single one addressed to my Father is not so...The letter itself is an unimportant one, and he did not deem it worthwhile to make public his guarantee of the fact. It might naturally lead to the inference that there may be others in the volume equally genuine, but on this point I will not pressure to pass an opinion.” Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700

213 [BINDINGS]. SHELLEY, Percy Bysshe (1792-1822). – FORMAN, Harry Buxton, editor. Works. London: Reeves and Turner, 1880.

213

8 volumes, 8vo (214 x 132 mm). Engraved frontispieces. Contemporary tree calf gilt, edges marbled, red and blue morocco lettering-pieces to spine (rubbing to extremities, a few hinges starting). Provenance: Constitutional Club Library (bookplate). Collected edition of Shelley’s works edited by Harry Buxton Forman. $800 - 1,200

214 SHELLEY, Percy Bysshe (1792-1822). The Poetical Works.. Cambridge, MA: The Riverside Press, 1892. 4 volumes in 8, 8vo. Portrait frontispiece printed on India paper mounted in vol. I. Half blue morocco gilt, top edge gilt, others uncut (spines sunned, some light rubbing to extremities, some very light chipping to spine ends of a few volumes). Provenance:: Louis V. Ledoux (18801948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). LIMITED EDITION, number 195 of 250 LARGE PAPER COPIES. Property from Historic Sengen House, Cornwall-on-Hudson, New York 214

$500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

215 SHELLEY, Percy Bysshe (1792-1822). Letter from Percy B. Shelley to T. Peacock, July, MDCCCXVI. London: The Essex House Press, 1901. 8vo. Printed in red and black. (A few scant spots.) Original boards, printed labels to upper cover and spine (some minor soiling or toning). Provenance: Edward Willard (1853-1915), English Shakespearean actor, fine press book collector (signature); Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). LIMITED EDITION, one of 45 unnumbered copies on paper of a total edition of 50. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

216 SHELLEY, Percy Bysshe (1792-1822). The Poems. London: The Vale Press, 1901. 3 volumes, 8vo. Wood-engraved pansy border by C. Keats after Charles Ricketts at text opening of each volume, woodcut initials by Ricketts. (Some very minor mostly marginal spotting to a few leaves.) Original white buckram, uncut and unopened (some very minor spotting or soiling, fore-edge of vols. I & II slightly bumped). Provenance: Shepard Book Company (bookseller’s label); Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). LIMITED EDITION, one of 310 unnumbered copies on paper of a total edition of 320. [With:] [GROLIER CLUB] -- GRANNISS, Ruth S. A Descriptive Catalogue of the First Editions in Book Form of the Writings of Percy Bysshe Shelley. New York: The Grolier Club, 1923. Original boards, uncut and unopened; original glassine; original slipcase. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

217 SHELLEY, Percy Bysshe (1792-1822). A group of 8 early posthumous works. Comprising: SHELLEY. Poems and Sonnets. Charles Alfred Seymour, editor [but Thomas J. Wise]. Philadelphia [but London], 1887. One of 30 copies. -- PATON, J. Noel, Sir. Compositions from Shelley’s Prometheus Unbound. Edinburgh, n.d. -- SHELLEY. Epipsychidion. London, 1887. Finely bound. -- FAIRFIELD, Sumner L. Abaddon, the Spirit of Destruction. NY, 1830. Includes a biography of Shelley, pp. 135-142. -- THOMSON, James. Shelley, a Poem. London, 1884. -- The Shelley Centenary at Horsham, August 4th, 1892. Arundel, 1892. -- SHELLEY. The Masque of Anarchy. London, 1852. -- Memoir of Percy Bysshe Shelley. London: Austin & Co., n.d. -- Together, 8 works in 8 volumes, condition generally fine. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

218 [SHELLEY, Percy Bysshe, and his Circle]. A group of 4 works relating to Shelley and his Circle, comprising: SHELLEY, Percy Bysshe. Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840. 2 volumes. -- DOWDEN, Edward. The Life of Percy Bysshe Shelley. London and Philadelphia: Kegan Paul, Trench & Co. and J. B. Lippincott Company, 1887. 2 volumes. -- WOLLSTONECRAFT, Mary. Letters to Imlay. London: C Kegan Paul, 1879 [but 1878]. -- PAUL, C. Kegan. William Godwin: His friends and Contemporaries. London, Henry S. King and Co., 1876. 2 volumes. -- Together 4 works in 7 volumes, all 8vo, all in 20th-century half morocco bindings gilt, condition generally fine. Provenance: Louis V. Ledoux (1880-1948), American poet, George Edward Woodberry scholar, Japanese print collector (engraved bookplate). Property from Historic Sengen House, Cornwall-on-Hudson, New York $500 - 700

219 SHELLEY, Percy Bysshe (1792-1822). A group of 6 works by our about Shelley, comprising: SHELLEY. Adonais. San Francisco, 1922. 2 volumes. Original vellum-backed boards or wrappers; original slipcase. One of 150 copies, including facsimile. -- [FREDERICKSON, Charles W. Bangs & Co. Catalogue of the Library of the Late Charles W. Fredericsson. New York: Bangs & Co., 1897. -- [SHELLEY]. A bound volume including several pamphlets and sale catalogues. -- SHELLEY. The Cenci. New Rochelle: Elston Press, 1903. Original cloth-backed boards. -SLICER, Thomas R. Percy Bysshe Shelley. An Appreciation. New York: Privately Printed, 1903. Original boards; original glassine. LIMITED EDITION, one of 150 unnumbered copies on paper. -- [GROLIER CLUB] -- GRANNISS, Ruth S. A Descriptive Catalogue of the First Editions in Book Form of the Writings of Percy Bysshe Shelley. New York: The Grolier Club, 1923. Original boards; original glassine. -- Together, 6 works in 6 volumes, condition generally fine. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

220 SHELLEY, Percy Bysshe (1792-1822). Autograph letter signed (“P. B. S.”), to Charles Ollier. Florence, Italy, 15 December 1819. 3 pages, square 4to, on a bifolium, addressed on an integral leaf, postmarked 28 December 1819, dampstaining to one corner, significant show-through, some inkburn, a few tiny holes, 4-in tear. FROM THE COLLECTION OF CHARLES W. FREDERICKSON, and sold, his sale, Bangs, 29 May 1897, Lot 2353 (described as “badly stained”). “MY PROMETHEUS IS THE BEST THING I EVER WROTE.” Shelley writes to his publisher Charles Ollier (1788-1859) about Prometheus Unbound: “When the box comes, you may write a note to Mr. Peacock; or it would be better to call on him, and ask if my tragedy is accepted? If not, publish what you find in the box. I think it will succeed as a publication. Let ‘Prometheus’ be printed without delay. You will receive the additions, which Mrs. S. is now transcribing, in a few days. It has already been read to many persons. My Prometheus is the best thing I ever wrote.” Shelley began writing his masterpiece Prometheus Unbound, in early September 1818, but stopped work on the poem following the death of his daughter Clara Everina Shelley later in the month. He began work on the poem again in early 1819, and had finished the majority of the poem by April of that year. He had the work transcribed in September 1819, and sent the manuscript for the first three acts to England in December 1819. The work was published by Ollier 1820, but Shelley found it to be full of printer’s errors. Shelley also discusses future publications: “I mean to write three other poems, the scenes of which will be laid at Rome, Florence, and Naples, but the subjects of which will be all drawn from dreadful or beautiful realities... I am [also] preparing an octavo on reform, --a commonplace kind of book,-- which...I shall not trouble myself to finish for this season. I intend it to be an instructive and readable book, appealing from the passions to the reason of men.” Published in: The Best Letters of Percy Bysshe Shelley. Shirley Carter Hughson, editor. Chicago: A. C. McClurg and Company, 1892, pp. 231-233. Property from Historic Sengen House, Cornwall-on-Hudson, New York $3,000 - 4,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

221 [SHELLEYANA]. A group of material relating to Shelley and his circle, including manuscripts from the collection of Charles W. Frederickson. Letter dated 1813, etching later A group of manuscripts from Shelley’s publishers, biographers, and relatives FROM THE COLLECTION OF CHARLES W. FREDERICKSON, comprising the majority of Lot 2387 from his sale, Bangs, 24-28 May 1897: Capt. E. S. Trelawny, ALS, 8vo, 1841 -- J. Shelley, ALS, 4to, 1799 -- Augusta Leigh (sister of Lord Byron), AL, 3p., 8vo -- Peter Finnerty, ALS, 4to, 1804 -- T. Shelley, 2 ALSs, 1813 and 1828 -- Edward Dowden, ALS, 4pp., 8vo, 1885, regarding his Life of Shelley -- Lady J. S. Shelley, ALS, 2pp., 8vo -- Sir Percy F. Shelley, ALS, 8vo, 1883 -- J. C. Jeaffreson, ALS, 4pp., 8vo, 1883 -- Edward Moxon, ALS, 2pp., 8vo, 1867 -- H. Buxton Forman, ALS, 3pp., 8vo, 1876, regarding Shelley’s letters -- Joseph Severn, ALS, 3pp, 8vo -- Charles Cowden Clarke, ALS, 4pp., 8vo, 1842 -- T. F. Dillon Croker, 2 ALSs, 8vo, 1854 -- Prof. C. Short, MS, Oration on Shelley. [With:] A small group of letters to Frederickson, comprising: Anna J. Gould, ALS, 2pp, 8vo 1889; Charles Short, ALS, 2pp., 8vo, 1875; Ernest North, 8vo, 1895, with a dried flower from Shelley’s grave; W. H. Randolph, 4pp., 8vo, with a dried flower from Shelley’s grave. -- Also with: J. Shelley? Cut address panel, 1820 -John E. Burke Jr., ALS, 4pp., 8vo, 1894. [Also with:] A small group of engravings and periodical publications about Shelley. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

222 THACKERAY, William Makepeace (1811-1863). Autograph letter signed (“Wm Thackeray”), to Mr. Walker, Esq. 36 Onslow Square, n.d. 1 page, 8vo, on a bifolium, some minor ink smudging or staining, short tear to upper margin, tipped along upper margin to mount. Regarding chimney maintenance: “The fire from my chimnies [sic] communicates to the Barons walls, and smoke breaks through the panels of his drawing room. Will you send somebody to examine my fireplaces and my neighbours? We may be all in ashes if we don’t mind.” Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

223 [TRAVEL & EXPLORATION]. BYRON, John. (1723-1786) Viage del Comandante Byron Al Rededor Del Mundo… Madrid: Imprenta Real de la Gazeta, 1769. Small 4to (200 x 145 mm). Frontispiece bound facing p.1, engraved folding map hand-colored in outline. (Map with tears to fold crossing image, repairs verso, a few light pencil markings.) Contemporary vellum (hinges separating or starting, some light wear, lacking ties). Provenance: Pedro Robredo y Cia (bookseller’s stamp to title-page). Second edition of Casimiro Gómez de Ortega’s Spanish translation of John Byron’s A Voyage Round the World, in His Majesty’s Ship The Dolphin, Commanded by the Honourable Commodore Byron (1767). Ortega was a botanist at the Royal Botanical Garden of Madrid and identified plant species collected during Spanish expeditions to the Americas in the 18th century. Property from the Collection of Gaspar Mayagoitia Barragán $800 - 1,200

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

224 [TRAVEL & EXPLORATION]. SHACKLETON, Ernest Henry, Sir (1874-1922). South. The Story of Shackleton’s Last Expedition 1914-1917. London: William Heinemann, 1919. 8vo. Half-title, color-printed frontispiece, numerous photographic plates, folding map (short tear with loss to blank margin), errata slip. (Text slightly browned as usual,.) Original dark blue silver-decorated cloth, top edge stained blue (recased, some light rubbing, endpapers renewed). Provenance: Robert P. Gibb (gift inscription 1919); Henry Sotheran Ltd. (bookseller’s label). FIRST EDITION of Shackleton’s account of his ill-fated Imperial Trans-Antarctic Expedition. SHACKLETON’S SIGNATURE on a card tipped-in. Conrad p.224; Renard 1460; Rosove 308.A1; Spence 1107; Taurus 105. $1,000 - 1,500

225 [TRAVEL & EXPLORATION]. STEPHENS, John Lloyd (1805-1852). Incidents of Travel in Central America, Chiapas, and Yucatan. London: John Murray, 1846. 2 volumes, 8vo. 2 lithographed frontispieces, lithographed folding map, numerous lithographed plates. Later tree calf (rebacked, spines somewhat brittle). “Twelfth edition” (stated on the title-page). According to Sabin, there were several reissues of the first American edition “from the same plates, with only slight variations in the collations. London issues appeared in 1842 and 1843.” This included at least eleven issues of a “Twelfth Edition” between 1844 and 1871. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

226 NO LOT

227 [20th CENTURY LITERATURE - SIGNED LIMITED EDITIONS]. A group of 4 signed limited editions, comprising: O’NEILL, Eugene. The Emperor Jones. New York: Boni & Liveright, 1928. LIMITED EDITION, number 91 of 775 copies SIGNED BY O’NEILL. -MICHENER, James A. The Drifters. New York: Random House, 1971. FIRST EDITION, LIMITED ISSUE, number 352 of 500 copies SIGNED BY MICHENER. -- UPDIKE, John. Rabbit Redux. New York: Alfred A. Knopf, 1971. FIRST EDITION, LIMITED ISSUE, number 295 of 350 copies SIGNED BY UPDIKE. -- WARREN, Robert Penn. Meet Me in the Green Glen. New York: Random House, 1971. FIRST EDITION, LIMITED ISSUE, number 217 of 300 copies SIGNED BY WARREN. -- Together, 4 works in 4 volumes, 8vo, all in original cloth or cloth-backed boards as issued, condition generally fine. $300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

228 VONNEGUT, Kurt (1922-2007). The Sirens of Titan. Boston: Houghton Mifflin Company, 1961.

229 [WAGNER, Richard (1813-1883)]. – ROLLESTON, T.W. Parsifal or the Legend of the Holy Grail. Willy Pogany, illustrator. London: Harrap & Co., [1912].

8vo. Publisher’s navy cloth lettered in white (some minor rubbing); original dust jacket (a few short closed tears to top edge, very light chipping to spine ends, minor toning).

4to. Original etched plate signed by Pogany laid-in; numerous plates and illustrations by Pogany. Original gilt-decorated vellum, top edge gilt, others uncut (upper hinge broken); yellow cloth slipcase. Provenance: May Wilson (signature); Fred Herendeen (bookplate).

FIRST HARDCOVER EDITION of Vonnegut’s second novel. “The hardcover edition of the book is very scarce” (Locke, A Spectrum of Fantasy). Currey p.503.

LIMITED EDITION, number 182 of 525 copies SIGNED BY POGANY. $300 - 400

$600 - 800

230 WILDE, Oscar (1854-1900). Salome. London and New York: John Lane, 1907. Small 4to. Frontispiece, 15 illustrations on Japan vellum. Original publisher’s green gilt-decorated cloth. The first edition to include all of Beardsley’s illustrations for the work. Lasner Beardsley 59; Masons 355 (“Green linen boards stamped on the front side in gilt with...a design by Beardsley prepared for the 1894 edition...). A FINE COPY. Property from Historic Sengen House, Cornwall-on-Hudson, New York $400 - 600

231 WOODBERRY, George Edward (1855-1930). A group of 19 works by or about Woodberry, from the collection of Woodberry scholar Louis V. Ledoux, most with his bookplate, many signed or inscribed by Woodberry, including: The Relation of Pallas Athene to Athens. N.p.: Privately printed for the Signet Society of Harvard University, 1877. INSCRIBED BY WOODBERRY to Louis V. Ledoux. Slipcase and chemise. -- Wild Eden. New York: The Macmillan Company, 1899. FIRST EDITION. -- An Easter Ode. N.p.: printed for the Woodberry Society, 1918. Original printed wrappers. 3 copies. -- The Roamer. And Other Poems. New York: Harcourt, Brace and Howe, 1920. FIRST EDITION, limited issue, number 43 of 100 copies SIGNED BY WOODBERRY. -- LEDOUX, Louis V. The Poetry of George Edward Woodberry. A Critical Study. New York: Dodd Mead & Company, 1918. FIRST EDITION. -- And 14 others. Together, 19 works in 22 volumes, all in original cloth or printed wrappers, various first or later editions, condition generally fine. Complete list available on request. Property from Historic Sengen House, Cornwall-on-Hudson, New York $200 - 300

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

232 WORDSWORTH, William (1770-1850). Autograph Letter Signed (“W. Wordsworth”), to H. C. Robinson. N.p. June 1826.

233 [WOLFE, Thomas (1900-1938)]. A group of 6 first editions by Thomas Wolfe, comprising:

1 page, 8vo, on a bifolium, addressed in Wordsworth’s hand on an integral leaf, some minor staining, lower margin trimmed irregularly.

Carolina Folk-Plays. “The Return of Buck Gavin.” New York: Henry Holt and Company, 1924. Provenance: Arthur R. Holmes (bookplate). -- Of Time and the River. New York: Charles Scribner’s Sons, 1935. Provenance: Margery Comstock (signature, 1935). -- From Death to Morning. New York: Charles Scribner’s Sons, 1935. -- The Web and the Rock. New York and London: Harper & Brothers, 1939. -- You Can’t Go Home Again. New York and London: Harper & Brothers, 1940. Provenance: F. Poise? Schmidt (signature). -- The Hills Beyond. New York and London: Harper & Brothers, 1941. Original dust jacket. -- Together, 6 works in 6 volumes, 8vo, ALL FIRST EDITIONS, all in original publisher’s cloth, with dust jackets where indicated, condition generally fine.

Wordsworth writes Henry Crabb Robinson (1775-1867), English lawyer and diarist, about a recent payment: “pray tell me who it was that gave that unfavorable report of the Provincial Bank Thames you mentioned yesterday... When he gave it and what opportunities to guide...he has for [making?] a sound judgement. I cannot afford to [?] that quicky, and as you I and ours know C-- though [?] and sagacious is not infallible.” Property from Historic Sengen House, Cornwall-on-Hudson, New York $1,000 - 1,500

Property from the Collection of Jack Belcher $200 - 300

234 [WOLFE, Thomas (1900-1938)]. A group of later printings by Thomas Wolfe, including:

235 [WOLFE, Thomas (1900-1938)]. A group of reference works about Thomas Wolfe, including:

The Face of a Nation. New York: The Literary Guild of America, Inc., 1939. Dust jacket (price clipped). -- Mannerhouse. New York: Harper & Brothers Publishers, 1948. -- Look Homeward, Angel. New York: Charles Scribner’s Sons, 1957. Dust jacket (price-clipped). Provenance: Francis M. Woodward (bookplate). -- Selected Letters of Thomas Wolfe. Elizabeth Nowell, editor. London: Heinemann, 1958. -- The Story of a Novel. New York: Charles Scribner’s Sons, 1963. Dust jacket. -- The Complete Short Stories of Thomas Wolfe. Francis E. Skipp, editor. New York: Charles Scribner’s Sons, 1987. -- And approximately 28 others. Together, approximately 34 volumes, 8vo, published between various dates, most later editions, all in original publisher’s cloth, cloth-backed boards, printed boards or printed wrappers, with dust jackets where indicated, condition generally fine. Complete list available on request.

FISHER, Vardis. Thomas Wolfe As I Knew Him. Denver: Alan Sallow, 1936. -- Johnston, Carol. Thomas Wolfe. A Descriptive Bibliography. Pittsburgh: University of Pittsburgh Press, 1987. -- Preston, George R. Thomas Wolfe. A Bibliography. New York: Charles S. Boesen, 1943. Inscribed by the publisher, Charles S. Boesen. -- HARPER, Margaret Mills. The Aristocracy of Art in Joyce and Wolfe. Baton Rouge and London: Louisiana State University Press, 1990. -- IDOL, John Lane. A Thomas Wolfe Companion. New York: Greenwood Press, 1987. INSCRIBED BY IDOL, 1994. -- NOWELL, Elizabeth. The Letters of Thomas Wolfe. New York: Charles Scribner’s Sons, 1956. Dust jacket (price-clipped). -- And approximately 130 others. Together, approximately 138 volumes, 8vo, all in original publisher’s cloth, cloth-backed boards, printed boards, or printed wrappers, with dust jackets where indicated, condition generally fine. Complete list available on request.

Property from the Collection of Jack Belcher

$200 - 300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Maps

Lots 236-249 *236 [AMERICAS] -- MUENSTER, Sebastian (1489-1552). Tavola dell’isole noue. Basel, ca 1550. Engraved map of the Americas with later hand-coloring, 306 x 407 mm sheet, framed. “Cum privilegio 1550” printed lower margin, Ferdinand Magellan’s ship, the flag of the kingdoms of Castile, title in Italian, place names in Latin, no text verso. (5-in. tear crossing image repaired verso, some overall browning.) The first map to use “Mare pacificum,” one of the earliest maps depicting North and South America, and one of the earliest depictions of Japan. Property from the Estate of W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida $1,000 - 2,000

237 [ASIA & AMERICA] -- ORTELIUS, Abraham (1527-1598). Tartariae sive Magni Chami Regni typus. [Antwerp: ca 1570]. Engraved map with later hand-coloring of Asia including the west coast of North America, 403 x 518 mm sheet, matted and framed. Strapwork cartouches, one flanked by a woman and a man, ships, and flying fish, Latin text verso. An early depiction of the Kingdom of Tartary, and one of the earliest obtainable maps showing California as an island. $500 - 700

238 [ASIA] -- MUENSTER, Sebastian (1489-1552). Tavola della Oriental Regione dell’Asia, che Comprende l’Estreme Terre, & Regni di Quella. [Basel, ca 1550]. Woodcut map of Asian with hand-coloring, 278 x 352 mm sight, matted and framed (unexamined out of frame). Mermaid creature and sea monster. Provenance: The Asian Collector (gallery label on back of frame). One of the earliest maps of China based on the geographical discoveries of Portuguese navigators. $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

239 [CHINA] -- HONDIUS, Jodocus (1563-1611). China. [Amsterdam, 1606 or later]. Engraved map of China, 351 x 470 mm sight, matted and framed (unexamined out of frame). Strapwork cartouche, inset depicting a crucifixion, ships, and sea creatures. Provenance: The Asian Collector (gallery label on back of frame). An early map of China, depicting Korea as an island, and showing a small portion of the northwest coast of North America. $1,200 - 1,800

*240 [CHINA] -- BLAEU, Willem (1571-1638) and Jan BLAEU (1596-1673). China Veteribus Sinarum Regio. Amsterdam, ca 1640. Engraved map of China, Korea and Japan with hand-coloring in wash and outline, 451 x 593 mm sheet. Figural cartouche showing a woman and a man, Coat of arms, sampans and galleons, French text verso. (Short tear to lower margin, some overall browning from old framing.) Property from the Estate of W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida $300 - 400

241 [CHINA & SOUTHEAST ASIA] -- HONDIUS, Jodocus (1563-1611). India Orientalis. [Amsterdam, ca 1606-27]. Engraved map with later hand-coloring, 370 x 498 mm sight, matted and framed (unexamined out of frame). Strapwork cartouches, galleons and a sea monster, Latin text verso. Provenance: The Asian Collector (gallery label on back of frame). An early Dutch map depicting China and Southeast Asia engraved for Hondius’ expanded Mercator Atlas. $1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

242 [CHICAGO] --Park & Guide Map of Chicago. Chicago: Jas. Van Vechten, 1873. Engraved wall map with hand coloring, 1150 x 820 mm sight, matted and framed (unexamined out of frame, some minor crackling with small losses to top portion of map.) A RARE MAP DEPICTING THE GREAT REBUILDING, published just two years after the Chicago fire, and showing the boundaries of the “burnt district” in red. Lithographed by Jerome T. Gouget, and colored and mounted by G. W. Terry in Chicago (with his ticket). With a street index in accordance with “an ordinance [that] was passed November 25, 1972, naming streets, avenues, courts and places.”

243 [CHICAGO] -- New Cyclists’ Map of Chicago. Chicago: Rand, McNally & Co., 1896. Engraved map, matted and framed (unexamined out of frame). Printed at the height of America’s cycling craze of the 1890s, identifying “fine,” “good,” “fair,” and “bad” cycling roads. RARE: OCLC does not locate any examples of this map in institutional collections. $200 - 300

VERY SCARCE: We do not trace any other copy of this exceedingly rare map at auction in the last 100 years; OCLC locates only two copies, at the Newberry Library and the William Clements Library at the University of Michigan. $2,000 - 3,000

244 [CHICAGO] -- THRASHER, Frederic M. (1892-1962). Chicago’s Gangland. Chicago: University of Chicago Press, 1926.

245 [EUROPE -- NETHERLANDS] -- ORTELIUS, Abraham (1527-1598). Belgii Veteris Typus. [Antwerp], 1584.

Printed in red and grey, 683 x 4656 mm (some minor offsetting, a few tiny separations to folds, a few short marginal tears); folding into original envelope (a few separations to folds).

Engraved map with later hand-coloring, 298 x 506 mm sight, matted and framed (unexamined out of frame). 4 cartouches, compass rose, Latin text verso. Provenance: Schoonheim B. V. (gallery label on back of frame).

Issued to accompany Sociologist Frederic Thrasher’s seminal 1927 study, The Gang: A Study of 1,313 Gangs in Chicago, the map depicts the locations of youth gangs in the “poverty belt,” rather than focusing on Capone’s Mob.

Depicting the historic part of Belgium, and showing the English Channel and part of Britain.

$500 - 700

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$300 - 400

246 [LONDON] -- A New Prospect of ye North-Side of ye City of London with New Bedlam & Moore-Fields. London: henry Overton, ca 1710. Engraved birds-eye view on three sheets, 645 x 1475 mm sight, framed (unexamined out of frame). Three cartouches. Reissued ca 1710 by Henry Overton, and first published 1689 by James Walker (this edition still with his dedication). The bird’s-eye view depicts gardens and buildings of New Bethlem in the foreground and the City of London in the background. Property from Lawry’s The Prime Rib, located in the historic L. Hamilton McCormick Mansion, Chicago, Illinois, offered without reserve

*247 [PARIS] -- DE LISLE, Guillaume (1675-1726). Le Plan de Paris, ses Faubourgs et ses Environs | Platte Grond van Parys, zyn Voorburgen en Omleggende Plaatse. Amsterdam: Covens & Mortier, ca 1730. Engraved map of Paris on two sheets with later hand-coloring, 582 x 765 mm sight, matted and framed (unexamined out of frame). Two decorative cartouches, the French Royal Coat of Arms, compass rose. Based on an earlier map by Nicolas de Fer, and including the Louvre Castle, Notre Dame, Place de Vosges, and Luxembourg Gardens. Property from the Collection of Steven Huffines, San Francisco, California $2,000 - 3,000

$1,500 - 2,500

*248 [PARIS] -- PICHON, M. Nouveau Plan Routier de la Ville et Faubourgs de Paris. Paris, ca 1805 [“l’An 13”].

*249 [ROME] -- DU PÉRAC, Etienne (ca 1525-1604). Urbis Romae Sciographia ex Antiquis Monumentis Accuratiss Delineata Descrizione. Rome: Giovanni Giacomo de Rossi, ca 1730

Engraved map hand-colored in outline, dissected in 45 sections and mounted on original linen, 1023 x 1480 mm sheet, folding into original paste-paper-covered board slipcase gilt, red lettering-piece gilt.

Engraved view of Rome on 8 sheets, 1041 x 1549 mm image, matted and framed (unexamined out of frame).

later edition of this fine plan of Paris showing the city as it was reconstructed after the French Revolution. The plan was published at least 10 times between 1780 and 1805.

The fourth state, identifiable by the addition of “Calcografia Camerale” newly engraved below the cartouche. Du Perac studied engraving under the direction of Antonio Lafreri.

Property from the Collection of Steven Huffines, San Francisco, California

Property from the Estate of Maria Teresa Magliocco, Sierra Vista, Arizona

$300 - 400

$600 - 900

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Americana, including American Prints Lots 250-319

Currier & Ives Prints

From a Distinguished Midwestern Collection

Lots 250-319

250 CURRIER and IVES, publishers -- After Frances F. Palmer American Farm Scenes. No. 4., 1853. (G. 0146). Large-format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 535 x 690 mm sheet. Some minor mostly marginal staining, short tear upper left corner repaired verso, some very slight chipping to upper right corner and margin, some staining verso from old framing, old pencil annotations verso. RARE: According to online records, only one example of this print has sold at auction in the last 50 years. Property from a Distinguished Midwestern Collection $1,000 - 1,500

251 CURRIER and IVES, publishers -- After Frances F. Palmer American Winter Scenes. Evening, 1854. (G. 0221). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 549 x 701 mm sheet. Some minor toning from old matting, a few pale spots or stains, short closed tear upper margin, some staining verso from old framing, surface scratch verso, old pencil annotations verso. Property from a Distinguished Midwestern Collection $2,500 - 3,500

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

252 CURRIER and IVES, publishers -- After Frances F. Palmer

253 CURRIER and IVES, publishers -- After Thomas Worth

American Winter Scenes. Morning, 1854. (G. 0222). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 532 x 710 mm sheet. Mostly marginal staining from old tape, some minor overall toning, browning verso from old framing, 3/4-in. tear to lower margin not affecting image or imprint, a few small marginal chips.

A Brush for the Lead [New York Flyers on the Snow], 1867. (G. 0795). Large format lithograph with hand coloring heightened in gum arabic, on wove paper, 550 x 794 mm sheet. Subtitle in lower margin trimmed away, small loss to lower left corner repaired verso, some minor mostly marginal soiling, very light staining verso, tiny pencil annotation in lower corner. VERY RARE: According to online records, only one example of this print has sold at auction in the last 60 years.

Property from a Distinguished Midwestern Collection $800 - 1,200

254 CURRIER and IVES, publishers

255 CURRIER and IVES, publishers -- After Lyman W. Atwater and Charles R. Parsons

Central Park in Winter, n.d. (G. 1041). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 275 x 364 mm sheet. Some marginal toning from old matting, some minor browning or soiling from old framing verso, two soft creases crossing image, a few small pencil annotations verso.

Central-Park, Winter. The Skating Pond, 1862. (G. 1047). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 547 x 746 mm sheet. Some light mostly marginal staining, discreet dealers pencil annotation lower left, some minor soiling verso. RARE.

Property from a Distinguished Midwestern Collection

$500 - 700

$4,000 - 6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

256 CURRIER and IVES, publishers

257 CURRIER and IVES, publishers -- After George H. Durrie

Early Winter, 1869. (G. 1790). Medium format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 380 x 567 mm sheet. Some browning from old matting extreme outer margin, some mostly marginal staining, some white pigment painted on upper margin, 1-in. marginal tear repaired verso right margin, a few other short tears or chips, some minor soiling verso.

The Farmers Home - Winter, 1863. (G. 2048). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 520 x 706 mm sheet. 3/4-in. closed tear lower margin, 1/4-in tear lower margin repaired verso, some mostly marginal soiling, minor toning verso, old pencil annotation verso. RARE: according to online records, only one example of this print has sold at auction in the last 80 years.

Property from a Distinguished Midwestern Collection

$600 - 800

$1,000 - 1,500

258 CURRIER and IVES, publishers -- After George H. Durrie

259 CURRIER and IVES, publishers

Home to Thanksgiving, 1867. (G. 3115). Lithograph with hand-coloring, heightened in gum arabic, on wove paper, matted and framed, 530 x 710 mm sheet. Some minor toning from old matting, some minor mostly marginal staining recto, some soiling verso, old pencil annotation verso.

Ice-Boat Race on the Hudson, n.d. (G. 3258). Small format lithograph with hand coloring heightened in gum arabic, on wove paper, matted and framed, 272 x 368 mm sheet. Some marginal toning from old matting, tiny loss to upper left corner, small stain lower margin, some minor soiling and discreet pencil annotations verso.

Property from a Distinguished Midwestern Collection $2,000 - 3,000

Property from a Distinguished Midwestern Collection $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

260 CURRIER and IVES, publishers

261 CURRIER and IVES, publishers -- After George H. Durrie

Lost in the Snow. Dogs of St. Bernard, n.d. (G. 4103). Small format lithograph with hand coloring, on wove paper, 280 x 382 mm sheet. Light mat burn, some mostly marginal soiling, very slight toning verso, tiny pencil annotation lower right corner. RARE.

New England Winter Scene, 1861. (G. 4801). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 493 x 652 mm sheet. Some toning from old matting, a few faint graphite marks to outer margin from old framing, old pencil annotation verso.

Property from a Distinguished Midwestern Collection

$300 - 400

$1,000 - 1,500

262 CURRIER and IVES, publishers -- After George H. Durrie

263 CURRIER and IVES, publishers

The Old Homestead in Winter, 1864. (G. 4950). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed 555 x 730 mm sheet. Some overall browning, some mostly marginal staining, 3/4-in. tear lower margin crossing imprint repaired verso, a few outer corners creased, a few other tiny marginal chips or tears.

Skating Scene -- Moonlight, 1868. (G. 5941). Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 260 x 368 mm sheet. 1/2-in. tear lower margin repaired verso not affecting title, some toning from old matting, tiny pencil annotation lower margin, some minor soiling verso.

Property from a Distinguished Midwestern Collection

$1,500 - 2,500

$400 - 600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

264 CURRIER and IVES, publishers

265 CURRIER and IVES, publishers

The Snow-Storm, ca 1860. (G. 5978). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 352 x 453 mm sheet. Some minor surface abrasions occasionally affecting outer margins of image with minor inpainting, a few short marginal tears, small portion of upper left corner torn away, some light staining and a few pencil annotations verso.

Winter Evening, 1854. (G. 7271). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 304 x 404 mm sheet. Some minor marginal toning from old matting, a few minor surface stains lower margin, tiny chip lower left corner, some soiling verso, tiny pencil annotation verso.

Property from a Distinguished Midwestern Collection

Property from a Distinguished Midwestern Collection $500 - 700

$300 - 400

266 CURRIER and IVES, publishers -- After George H. Durrie

267 CURRIER and IVES, publishers -- After George H. Durrie

Winter in the Country. A Cold Morning, 1864. (G. 7273). Lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed. Some overall browning, toning from old matting, some mostly marginal staining, staining from old framing verso.

Winter in the Country. Getting Ice, 1864. (G. 7274). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 598 x 810 mm sheet. Some mostly marginal dampstaining, some pale spotting, some staining verso from old framing, short closed tear upper margin, discreet dealer pencil annotations verso. RARE: According to online records, only 2 examples of this print have sold at auction in the last 60 years.

Property from a Distinguished Midwestern Collection $2,000 - 3,000

Property from a Distinguished Midwestern Collection $1,000 - 1,500

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

268 CURRIER and IVES, publishers

269 CURRIER and IVES, publishers -- After George H. Durrie

Winter Morning, 1861. (G. 7277). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 394 x 480 mm sheet. Very minor soiling and a few dealer’s pencil annotations verso.

Winter Morning. Feeding the Chickens, 1863. (G. 7279). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 483 x 608 mm sheet. Some toning from old matting or framing, a few tiny spots in background, some browning from old framing verso, a few tiny chips to lower margin, tiny pencil annotation verso.

Property from a Distinguished Midwestern Collection $400 - 600

Property from a Distinguished Midwestern Collection $1,000 - 1,500

270 N. CURRIER, publisher -- After Frances F. Palmer

271 CURRIER and IVES, publishers

Winter Pastime, 1855. (G. 7281). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 378 x 479 mm sheet. Some minor mostly marginal soiling, a few short marginal tears repaired verso, a few tiny dealer pencil annotations. Property from a Distinguished Midwestern Collection

Winter Pastime, 1855. (G. 7281). Medium format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 356 x 428 mm sheet. Slight chipping with minor losses to two corners, marginal toning from old framing, 1-in. tear just touching border left margin, some slight mostly marginal spotting or staining, some soiling and a few old pencil annotations verso.

$800 - 1,200

Property from a Distinguished Midwestern Collection $400-$600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

272 [WINTER SCENES] -- CURRIER and IVES, publishers

(part lot)

273 [WINTER SCENES] -- CURRIER and IVES, publishers

(part lot)

Frozen Up, 1872. (G. 2335). -- Winter Morning in the Country, 1873. (G. 7280). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 295 x 384 mm sheet or smaller, matted and framed, some minor toning or mat burn, Frozen Up backed with upper left corner torn away and some marginal adhesive remnants.

An English Winter Scene, n.d. (G. 1890). -- The Old Farm House, 1872. (G. 4494). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 342 x 445 mm sheet or smaller, matted and framed, some minor toning or mat burn.

Property from a Distinguished Midwestern Collection

$300 - 400

Property from a Distinguished Midwestern Collection

$300-$400

(part lot) 274 [WINTER SCENES] -- Currier & Ives, publishers

275 CURRIER and IVES, publishers --After George B. Durrie

The Ingleside Winter, n.d. (G.3324). -- The Sleigh Race, n.d. (G.5952). -- The Ambuscade, n.d. (G.0106). -- 3 small- or medium-format lithographs with hand-coloring heightened in gum arabic on wove paper, 355 x 507 mm sheet or smaller, matted and framed, some minor toning or mat burn.

Autumn in New England. Cider Making, 1866. (G. 0350). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 180 x 708 mm sheet. A few pale mostly marginal stains or tiny spots, some staining verso from old framing, tiny chip to left outer margin, discreet dealer pencil annotation recto. Provenance: L. F. Bull (nearcontemporary signature verso).

Property from a Distinguished Midwestern Collection $300 - 400

Property from a Distinguished Midwestern Collection $3,000 - 4,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

276 CURRIER and IVES, publishers -- After C. Parsons

277 CURRIER and IVES, publishers -- After Frances F. Palmer

Holidays in the Country. Troublesome Flies, 1868. (G.). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 520 x 697 mm sheet. Some minor mostly marginal spotting, some toning from old matting, dampstained verso not affecting image, old dealer pencil annotation verso. RARE: According to online records, only 2 examples of this print have sold at auction in the last 75 years.

The Wayside Inn, 1864. (G. 7103). Large format lithograph with handcoloring heightened in gum arabic, on wove paper, 605 x 754 mm sheet. A few marginal dealer or framer pencil annotations recto, 1 1/2-in. tear upper margin repaired verso, lower left corner creased, some very minor mostly marginal soiling. Property from a Distinguished Midwestern Collection $2,000 - 3,000

Property from a Distinguished Midwestern Collection $1,000 - 1,500

(part lot)

278 CURRIER and IVES, publishers

279 [HOMESTEAD SCENES] -- CURRIER and IVES, publishers

American Homestead Autumn, 1869. (G. 0181). -- American Homestead Spring, 1869. (G. 0183). -- American Homestead Summer, 1868. (G. 0184) -- American Homestead Winter, 1868. (G. 0185). -- 4 small format lithographs with hand coloring heightened in gum arabic on wove paper, 320 x 403 mm or smaller, some minor mostly marginal toning

A Home in the Wilderness, 1870. (G. 3094). -- A New England Home, n.d. (G. 4798). -- View on the St. Lawrence. Indian Encampment, n.d. (G. 6970). -- 3 small- or medium-format lithographs with hand-coloring heightened in gum arabic on wove paper, 305 x 405 mm sheet or smaller, matted and framed, some minor toning or mat burn, View on the St. Lawrence browned.

Property from a Distinguished Midwestern Collection

$600 - 800

$400 - 600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

280 CURRIER and IVES, publishers

281 CURRIER and IVES, publishers -- After Charles R. Parsons and Lyman W. Atwater

American Coast Scene Desert Rock Light House, Maine, n.d. (G. 0130). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 454 x 605 mm sheet. Dark stain to lower left margin visible recto and verso, with apparent old concealment verso, some very minor toning from old matting, discreet dealer pencil annotations recto and verso. VERY RARE: According to online records, no example of this print has sold at auction since 1924 (Anderson Galleries, 28 February 1924, described as “the only copy known.”)

American Steamboats on the Hudson. Passing the Highlands, 1874. (G. 0210). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 643 x 1012 mm sheet. Small hole in left margin repaired verso, some minor surface abrasions to margins, some minor mostly marginal soiling, a few very short marginal tears, some minor soiling verso, a few small pencil annotations recto and verso. RARE: According to online records, no example of this print has sold at auction in the last 70 years.

Property from a Distinguished Midwestern Collection

$1,000 - 1,500

$2,000 - 3,000

282 CURRIER and IVES, publishers

283 CURRIER and IVES, publishers -- After Charles Parsons

The Great International University Boat Race On the River Thames (England) from Putney to Mortlake 4 Miles 2 Furlongs August 27th 1869. Between the Picked Crews of Harvard (American) and Oxford (English) Universities, 1869. (G. 2843). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 605 x 810 mm sheet. Some minor marginal soiling, a few old marginal dealer or framer pencil marks, some light soiling verso. VERY RARE: According to online records, no example of this print has sold at auction in over 80 years. A Goodspeed description from 1937 notes: “This is an extremely rare print. To most people, it is practically a myth. The print was probably unpopular since Harvard lost the race. This may have caused the stone to have been destroyed before many impressions were issued.”

The Low Pressure Steamboat “Isaac Newton.” Passing the Palisades on the Hudson River New York, 1855. (G. 4148). Large format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 504 x 786 mm sheet. Some minor chipping or tears with small losses to corners and upper margin, a few short tears along top margin including one just entering image, some overall toning, some staining verso from old framing. VERY RARE: According to online records, no example of this print has sold at auction in over 70 years.

Property from a Distinguished Midwestern Collection $5,000 - 7,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

Property from a Distinguished Midwestern Collection $1,000 - 1,500

284 CURRIER and IVES, publishers -- After Charles R. Parsons and Lyman W. Atwater The New Excursion Steamer Columbia. “Gem of the Ocean”, 1877. (G. 4802). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 610 x 963 mm sheet. Backed with Japanese tissue, bottom margin trimmed just shaving title and with loss of additional text line “The Largest Steamboat...”, 2-in. tear with loss to blank lower left margin repaired recto, 2 1/2-in tear left margin crossing image with some minor retouching, some very minor spotting or soiling. RARE: According to online records, only one example of this print has sold at auction in the last 90 years.

285 [CLIPPER SHIPS] -- CURRIER and IVES, publishers

(part lot)

Outward Bound, n.d. (G. 5057). -- Homeward Bound, n.d. (G. 3119). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 337 x 425 mm sheet or smaller, matted and framed, some minor toning or mat burn, some minor marginal surface abrasions. Property from a Distinguished Midwestern Collection $300 - 400

Property from a Distinguished Midwestern Collection $800 - 1,200

286 [CLIPPER SHIPS] -- N. CURRIER publisher

(part lot)

James E. Buttersworth, after. Clipper Ship “Flying Cloud”, 1852. (G. 1262). -- The Constitution and Guerriere, n.d. (G. 1360). -- 2 hand-colored large- or small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 489 x 767 mm sheet or smaller, matted and framed, some minor toning or mat burn, Clipper Ship trimmed lower margin affecting text beneath title, Constitution and Guerriere with spotting. Property from a Distinguished Midwestern Collection

287 CURRIER and IVES, publishers The Great St. Louis Bridge. Across the Mississippi River, n.d. (G. 2872). Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 314 x 450 mm sheet. Some minor marginal toning from old matting, tiny hole to outer margin upper left corner, a few tiny pale mostly marginal spots. Property from a Distinguished Midwestern Collection $600 - 800

$500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

288 N. CURRIER, publisher -- After Charles Parsons

289 CURRIER and IVES, publishers -- After Frances F. Palmer

High Pressure Steamboat Mayflower. Capt. Joseph Brown. First Class Packet between St. Louis and New Orleans on the Mississippi River, 1855. (G. 3052). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 590 x 830 mm sheet. A few surface abrasions to sheet edge left side, a few tiny spots in image, very minor toning from matting, a few short tears upper margin, some very slight toning or spotting from old framing verso, discreet dealer pencil annotations recto and verso. VERY RARE: Only one example of this print has sold at auction in the last 60 years.

“High Water” in the Mississippi, 1868. (G. 3057). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 578 x 820 mm sheet. 3 1/4-in. tear lower margin crossing image repaired verso, 1-in. tear crossing imprint lower margin repaired verso, lower corner torn and repaired verso, a few other mostly marginal chips or short tears, slight toning from old matting, some mostly marginal staining. Property from a Distinguished Midwestern Collection $1,000 - 1,500

Property from a Distinguished Midwestern Collection $1,500 - 2,500

290 CURRIER and IVES, publishers -- After Frances F. Palmer

291 CURRIER and IVES, publishers -- After Frances F. Palmer

Low Water in the Mississippi, 1868. (G. 4149). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 579 x 831 mm sheet. Backed with japan tissue, a few minor marginal surface abrasions, discreet booksellers pencil annotations lower margin recto.

A Midnight Race on the Mississippi, 1860. (G. 4476). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 525 x 765 mm sheet. Dampstaining to lower half of sheet more pronounced verso, a few other marginal stains, short tear to top margin.

Property from a Distinguished Midwestern Collection $1,000 - 2,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

Property from a Distinguished Midwestern Collection $3,000 - 4,000

(part lot) 292 CURRIER and IVES, publishers -- After Frances F. Palmer

293 [MISSISSIPPI STEAMBOATS] -- CURRIER and IVES, publishers

The Mississippi in the Time of Peace, 1865. (G. 4519). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 605 x 809 mm sheet. A few small surface scratches or abrasions affecting image and title, Some minor mostly marginal spotting or toning, staining verso from old framing, old pencil annotations lower margin.

Great Mississippi Steamboat Race. From New Orleans to St. Louis, July 1870…, n.d. (G. 2850). -- Great Mississippi Steamboat Race. From New Orleans to St. Louis, July 1870…, n.d. (G. 2851). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 327 x 433 mm sheet or smaller, matted and framed, some minor toning, soiling or mat burn.

Property from a Distinguished Midwestern Collection

$2,000 - 3,000

$600 - 800

(part lot)

(part lot) 294 [MISSISSIPPI RIVER NIGHT SCENES] -- CURRIER and IVES, publishers

295 [MISSISSIPPI RIVER] -- CURRIER and IVES, publishers

Midnight Race on the Mississippi, 1875. (G. 4477). -- Moonlight on the Mississippi, n.d. (G. 4547). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 341 x 442 mm sheet or smaller, matted and framed, some minor toning or mat burn, a few short marginal tears.

Maiden’s Rock. Mississippi River, n.d. (G. 4216). -- Maiden’s Rock. Mississippi River, n.d. (G. 4217) -- 3 small-format lithographs with handcoloring heightened in gum arabic on wove paper, 298 x 398 mm sheet or smaller, matted and framed, some minor toning or mat burn, the day view with 4 1/2-in. tear crossing upper left corner repaired verso and some spotting.

Property from a Distinguished Midwestern Collection $300 - 500

Property from a Distinguished Midwestern Collection $300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

(part lot)

296 [MISSISSIPPI RIVER SCENES] -- CURRIER and IVES, publishers

297 [MISSISSIPPI SCENES] -- CURRIER and IVES, publishers

Floating Down to Market, 1870. (G. 2183). -- On the Mississippi. Loading Cotton, 1870. (G. 5004). -- 2 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 256 x 354 mm sheet or smaller, matted and framed, some minor toning or minor mat burn.

Bound Down the River, 1870. (G. 0702). -- Good Times on the Old Plantation, n.d. (G. 2656). -- A Home on the Mississippi, 1871. (G. 3109). -- A Race on the Mississippi, 1870. (G. 5466). -- 4 small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 304 x 400 mm sheet or smaller, matted and framed, some minor toning or mat burn, a few with some minor marginal chipping or staining.

Property from a Distinguished Midwestern Collection $600 - 800

Property from a Distinguished Midwestern Collection $300 - 400

298 CURRIER and IVES, publishers -- After Frances F. Palmer

299 N. CURRIER, publisher -- After Charles Parsons

Across the Continent. “Westward the Course of Empire Takes Its Way”, 1868. (G. 0039). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 568 x 765 mm sheet. Tiny surface abrasion to sky with small loss of color, 1-in. marginal tear left upper margin, some minor toning from old matting, a few very minor marginal surface scuffs, a few very pale marginal stains, some minor soiling verso. A BRIGHT EXAMPLE.

American “Express” Train, 1855. (G. 0142). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 510 x 734 mm sheet. 1-in. tear to upper margin repaired, toning from old matting, browning from old framing verso, discreet dealer pencil annotations verso. Provenance: Mrs. Kelley (old pencil note verso regarding framing). VERY RARE: According to online records, no example of this print has sold at auction since 1929.

Property from a Distinguished Midwestern Collection

$7,000 - 10,000

$10,000 - 15,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

300 CURRIER and IVES, publishers

301 CURRIER and IVES, publishers

American Railroad Scene. Snow Bound, 1871. Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 298 x 362 mm sheet. Some overall toning, marginal mat burn, a few mostly marginal stains.

The Express Train, 1870. (G. 1944). Small format lithograph with handcoloring, on wove paper, matted and framed, 292 x 398 mm sheet. Some minor marginal surface abrasions or adhesive remnants, 1 1/4” tear upper right margin just crossing into image, some light browning verso, a few old pencil annotations verso.

Property from a Distinguished Midwestern Collection $500 - 700

Property from a Distinguished Midwestern Collection $400 - 600

302 CURRIER and IVES, publishers

303 CURRIER and IVES, publisher

The Express Train. 127, n.d. (G. 1946). Small format lithograph with handcoloring heightened in gum arabic, on wove paper, matted and framed, 292 x 398 mm sheet. Slight mat burn and overall minor toning, tiny pencil annotation verso. According to Gale, “this print also appears with no stock number” (see next lot).

The Express Train, n.d. (G. 1946). Small format lithograph with handcoloring, heightened in gum arabic, on wove paper, matted and framed, 256 x 360 mm sheet. Slight rippling to the sheet, some minor mostly marginal mat burn, very slight chipping to lower left edge, some minor soiling verso from old framing, a few small pencil annotations verso. The version of this print with no stock number (see previous lot).

Property from a Distinguished Midwestern Collection $400 - 600

Property from a Distinguished Midwestern Collection $300 - 400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

304 CURRIER and IVES, publishers

305 CURRIER and IVES, publisher

The Express Train, n.d. (G. 1947). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 382 mm sheet. Some rippling to sheet, minor marginal staining, a few tiny marginal pinholes or chips, some staining verso, old signature lower margin partially effaced.

The Great West, 1870. (G. 2879). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 355 mm sheet. Mostly marginal mat burn, some minor toning, slight browning verso from old framing, a few tiny spots, tiny dealer pencil annotation extreme lower margin.

Property from a Distinguished Midwestern Collection

$500 - 700

$400 - 600

306 CURRIER and IVES, publishers

307 CURRIER and IVES, publishers

The Lightning Express, n.d. (G. 3801). Small format lithograph with hand coloring, on wove paper, matted and framed, 280 x 356 mm sheet. Spotting upper margin verso with some show-through, minor chipping with small losses to lower right corner. Provenance: JLS (signature lower right corner).

The Route to California. Truckee River Sierra-Nevada, 1871. (G. 5664). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 330 mm sheet. Slight marginal mat burn, some minor browning verso from old framing, some minor spotting verso, a few pencil annotations verso.

Property from a Distinguished Midwestern Collection $500 - 700

Property from a Distinguished Midwestern Collection $400 - 600

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

308 CURRIER and IVES, publishers

309 CURRIER and IVES, publishers

The Through Express, n.d. (G. 6525). Small format lithograph with hand coloring, on wove paper, matted and framed, 305 x 382 mm sheet. Marginal mat burn, blank area of upper left corner repaired, browning from old framing verso. Provenance: Victor [Knight] (7-line inscription verso).

Through to the Pacific, 1870. (G. 6527). Small format lithograph with hand coloring, on wove paper, matted and framed, 284 x 371 mm sheet. Marginal mat burn, some minor toning, a few very minor spots.

Property from a Distinguished Midwestern Collection

Property from a Distinguished Midwestern Collection $400 - 600

$500 - 700

310 CURRIER and IVES, publishers -- After Frances F. Palmer

311 CURRIER and IVES, publishers -- After Frances F. Palmer

The Rocky Mountains. Emigrants Crossing the Plains, 1866. (G. 5633). Large format lithograph with hand-coloring heightened in gum arabic, printed on very thick wove paper, matted and framed, 600 x 783 mm sheet. Minor toning from matting, a few very minor spots not affecting image, otherwise very bright, discreet dealer pencil annotation recto. VERY RARE: According to online records, only one example of this print has sold at auction in the last 60 years.

Yosemite Valley – California: The Bridal Veil Falls, 1866. (G.). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 553 x 718 mm sheet. Some toning from old matting, small portion of lower left corner repaired, pinholes upper corners, 1-in. tear left margin not crossing image, some light spotting, some soiling verso. VERY RARE: According to online records, only one example of this print has sold at auction in the last 60 years.

Property from a Distinguished Midwestern Collection

$10,000 - 15,000

$4,000 - 6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

312 [CURRIER and IVES] -- After Frances F. Palmer

313 CURRIER and IVES, publishers

[Yosemite Valley -- California. “The Bridal Veil” Fall]. Original watercolor study on paper. 485 x 720 mm sheet. Slight rippling to the sheet, a few pinholes in the corners, a few short marginal tears, small losses to blank areas of lower corners.

The Great Fire at Chicago, Octr. 8th 1871, 1871. (G. 2835). Large format lithograph with hand-coloring heightened in gum arabic, matted and framed. 510 x 660 mm. Laid down on backing board, several tears crossing and affecting image including one long vertical tear, some losses to lower margin affecting caption.

With marginal pencil annotations referring to the waterfall, the subjects, and noting: “Original exotic color” (the rest of this note trimmed away). See previous lot for an example of the print.

$800 - 1,200

Property from a Distinguished Midwestern Collection $600 - 800

314 N. CURRIER, publisher -- After Frances F. Palmer

315 CURRIER and IVES, publishers -- After Frances F. Palmer

View of San Francisco, California. Taken from Telegraph Hill, April 1850, by Wm. B. McMurtrie, Draughtsman of the U. S. Surveying Expedition, 1851. (G. 6922). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 623 x 878 mm sheet. 2 1/2-in. tear with small loss to lower right corner, 2 1/2-in. closed tear just crossing image left margin, a few pinholes in corners or margin, small surface abrasion to blank area near title, a few stains to margin or verso, old dealer pencil annotations recto and verso. Original Best 50 No. 25. VERY RARE: According to online records, only one example of this print has sold at auction in the last 75 years.

Fairmount Water Works. Philadelphia, n.d. (G. 1964). Medium-format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, unexamined out of frame, 323 x 417 mm sight. A few minor surface abrasions in the upper margin.

Property from a Distinguished Midwestern Collection $6,000 - 8,000

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

Property from the Collection of LSC Communications, Inc. $500 - 700

316 [NEW YORK SCENES] -- CURRIER and IVES, publishers

317 [NEW YORK SCENES] -- Currier & Ives, publishers

Central Park, the Drive, 1862. (G. 1044). -- View on Hudson River. From Ruggles House, Newburgh, n.d. (G. 6951). -- 2 small- or medium-format lithographs with hand-coloring heightened in gum arabic on wove paper, 395 x 503 mm sheet or smaller, matted and framed, some minor toning or mat burn, View on Hudson River with a few minor marginal tears or creases.

The High Bridge at Harlem, N.Y., 1849. (G. 3040). -- U.S. Military Academy, West Point. From the opposite Shore, 1862. (G. 6839). -- 2 medium- or small-format lithographs with hand-coloring heightened in gum arabic on wove paper, 396 x 502 mm sheet or smaller, matted and framed, some minor toning, staining, or mat burn.

Property from a Distinguished Midwestern Collection

$600 - 800

$400 - 600

318 [ANNOUNCEMENTS] -- Currier & Ives, publishers

319 [CURRIER & IVES.] A group of 12 reference works, including:

Clipped newspaper announcement. From: Spirit of the Times, ca 1852. 203 x 90 mm, mounted to old lined paper. Includes advertisements for The Trotting Horses of America, The Celebrated Fighting Pig “Pape,” The Prairie Hunter, Lobster Sauce, The Seasons series, Not caught, and The First Lesson. Also describes “Views of Niagara Falls, New York, Boston, Philadelphia, and other cities -- also Hudson River Sound, and Western River Steamboats, constantly on hand.” [With:] Photostat of an announcement: “Currier & Ives’ Catalogue. The Cheapest and Most Popular Pictures in the World.” N.d. Property from a Distinguished Midwestern Collection $200 - 300

CROUSE, Russel. Mr. Currier and Ives: A Note on their Life and Times. Garden City, 1930. -- BLAND, Jane Cooper. Currier & Ives: A Manual for Collectors. Garden City, New York, 1931. -- PETERS, Harry T.. Currier & Ives: Printmakers to the American People. Garden City, New York, 1942. SPECIAL EDITION, set in 12 pt. Caslon monotype with hand-drawn decorative initials. -- CONNINGHAM, Frederic A. Currier & Ives Prints: An Illustrated Check List. New York, 1949. -- PRATT, John Lowell, Editor. Currier & Ives: Chronicles of America. New York, 1974. -- And 7 others. Together, 12 works in 15 volumes, in original bindings as issued, condition generally good. Complete list available on request. Property from a Distinguished Midwestern Collection $200 - 300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

American Prints Lots 320-348

320 AUDUBON, John James (1785-1851). Selby’s Fly Catcher (Plate IX) Muscicapa Selbii Engraving with etching and hand-coloring, on J Whatman Turkey Mill paper watermarked 1827, sheet 37 3/4 x 25 3/4 in. (960 x 652 mm). Some overall toning. Low p.38 (Variant 2) $800 - 1,200

321

321 AUDUBON, John James (1785-1851). Brown Lark (Plate X) Anthus Aquaticus Engraving with etching and hand-coloring, on J Whatman Turkey Mill paper watermarked, sheet 25 3/4 x 37 3/8 in. (642 x 950 mm). Low p.38 (Variant 1) $800 - 1,200

322 AUDUBON, John James (1785-1851). Vigors’s Warbler (Plate XXX) Sylvia Vigorsii. Aud. Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 22 1/2 x 15 1/4 in. (572 x 388 mm) sight, matted and framed. Low p.45 (Variant 1) $800 - 1,200

322 323 AUDUBON, John James (1785-1851). Children’s Warbler (Plate XXXV) Silvia Childreni Engraving with etching, aquatint and hand-coloring, 1828, on J Whatman Turkey Mill paper watermarked 1828, sheet 37 3/4 x 25 3/4 in. (960 x 655 mm). Some overall toning. Low p.47 (Variant 1) $1,000 - 2,000

324 AUDUBON, John James (1785-1851). Golden-winged Woodpecker (Plate XXXVII) Picus Auratus Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 26 1/4 x 21 in. (665 x 533 mm) sight, matted and framed. Low p.48 (Variant 1) 324 90

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$2,500 - 3,500

325 AUDUBON, John James (1785-1851).

326 AUDUBON, John James (1785-1851).

Crested Titmouse (Plate XXXIX) Parus Bicolor, Linn. Engraving with etching, aquatint and hand-coloring, on watermarked paper, 22 1/2 x 15 1/4 in. (574 x 390 mm) sight, matted and framed. Low p.48 (Variant 2)

Traill’s Fly-Catcher Muscicapa Trailli (Plate IX) Engraving with etching, aquatint and hand-coloring, 1828, on J Whatman Turkey Mill paper watermarked, sheet 38 x 26 in. (960 x 660 mm). Some overall toning. Low p.50 (Variant 2)

$1,000 - 1,500

326A AUDUBON, John James (1785-1851).

327 AUDUBON, John James (1785-1851).

Roscoe’s Yellow-throat (Plate XXIV) Sylvia Rosco. Aud. Engraving with etching, aquatint and hand-coloring, on J Whatman Turkey Mill watermarked paper, sheet 39 1/2 x 27 in. (1,000 x 682 mm), matted. Low p.43 (Variant 1)

Children’s Warbler (Plate XXXV) Sylvia Childrenii. Aud. Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper 22 3/4 x 15 3/8 in. (578 x 390 mm) sight, matted and framed. Low p.47

$800.00 - $1,200.00

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

328 AUDUBON, John James (1785-1851).

329 AUDUBON, John James (1785-1851).

Red-breasted Nuthatch (Plate CV) Sitta Canadensis. Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper 22 3/8 x 15 1/4 in. (568 x 384 mm) sight, matted and framed. Low p.70

Swamp Sparrow (Plate LXIV) Fringilla Palustris. Wils. Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 22 1/2 x 15 1/4 in. (574 x 388 mm) sight, matted and framed. Low p.57 (Variant 2)

$800.00 - $1,200.00

$600 - 800

330 AUDUBON, John James (1785-1851).

330A AUDUBON, John James (1785-1851).

Indigo Bird (Plate LXXIV) Prairie Titlark (Plate LXXX) Fringilla Cyanea. Wils. Anthus Pipens Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, Engraving with etching, aquatint and hand-coloring, on J Whatman Turkey Mill paper 21 1/2 x 14 1/4 in. (545 x 364 mm) sight, matted and framed. watermarked, sheet 24 1/2 x 38 in. (620 x 965 mm). Some overall toning, short Low p.60 (Variant 1) marginal tear repaired recto. Low p.62 (Variant 2) $1,500 - 2,500 $1,500 - 2,500

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

331 AUDUBON, John James (1785-1851). Cow Bunting (Plate XCIX) Icterus Pecoris Engraving with etching, aquatint and hand-coloring, 1830, on J Whatman paper watermarked 1830, sheet 25 x 38 in. (640 x 962 mm). Some overall toning, a few short marginal tears. Low p.68 (Variant 1) [With:] Brown-Headed Nuthatch (Plate CXXV) Sitta Pusilla Engraving with etching, aquatint and hand-coloring, on J Whatman paper watermarked 1836, sheet 37 7/8 x 25 1/8 in. (962 x 642 mm). Some overall toning, some slight marginal wrinkling. Low p.77 $400 - 600

332 AUDUBON, John James (1785-1851). Warbling Flycatcher (Plate CXVIII) Vireo Gilvus Engraving with etching, aquatint and hand-coloring, n.d., sheet 37 1/2 x 24 1/2 in. (955 x 622 mm), matted and framed. Linen backing, a few marginal tears repaired. Low p.75

332

Property from the Collection of Arthur B. Chandler $800 - 1,200

333 AUDUBON, John James (1785-1851). John James Audubon (1785-1851) Green Black-capt Flycatcher (Plate CXXIV) Muscicapa Pusilla. Engraving with etching, aquatint and hand-coloring, n.d., sheet 37 1/2 x 24 3/8 in. (954 x 620 mm), matted and framed. Linen backed, a few short marginal tears repaired. Low p.77 (Variant 2) Property from the Collection of Arthur B. Chandler $600 - 800 333 333A AUDUBON, John James (1785-1851). Yellow-winged Sparrow (Plate CXXX) Fringilla Passerina. Wils. Engraving with etching, aquatint and hand-coloring, on watermarked paper 22 1/2 x 15 1/4 in. (570 x 388 mm) sight, matted and framed. Low p.79 $800 - 1,200

334 AUDUBON, John James (1785-1851). Louisiana Heron (Plate CCXVII), Ardea Ludoviciana. Wils. 1971-1972, Amsterdam edition, paper watermarked G. Schut & Zonen, sheet 26 1/2 x 39 3/4 in. (674 x 1014 mm), slight toning from matting, matted and framed. Hooded Merganser (Plate CCXXXII), Mergus Cucullatus. 1971-1972, Amsterdam edition, paper watermarked G. Schut & Zonen, sheet 26 x 1/4 x 39 3/8 in. (670 x 1000 mm), matted and framed. 19 x 25

333A

$300 - 500 335 NO LOT

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

336 AUDUBON, John James (1785-1851). Greenshank (Plate CCLXIX) Engraving with etching, aquatint and hand-coloring, 1935, on J Whatman paper watermarked 1835, sheet 25 x 37 7/8 in. (635 x 962 mm). Some overall toning, a few short marginal tears. Low p.125 $1,000 - 2,000

336

337 AUDUBON, John James (1785-1851). Tell-tale Godwit or Snipe (Plate CCCVIII) Totanus Melanoleucus, Vieill Engraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 25 1/2 x 38 in. (650 x 965 mm), matted and framed. Upper margin with a few small chips, a few tiny spots, slight mat burn. Low p.138 Property from the Collection of Arthur B. Chandler $600 - 800

338 AUDUBON, John James (1785-1851). 337

American Avocet. (Plate CCCXVIII) Recurvirostra americana Engraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 26 x 38 1/4 in. (660 x 970 mm), matted and framed. A few stains to extreme outer margin, a few tiny spots, some minor mat burn, some toning. Low p.141 Property from the Collection of Arthur B. Chandler $800 - 1,200

339 AUDUBON, John James (1785-1851).

338

Yellow-Crowned Heron (CCCXXXVI) Ardea Violacea, L. Engraving with etching, aquatint and hand-coloring, 1836, on sheet 37 3/4 x 25 in. (960 x 638 mm), matted and framed. Laid down on foam backing board, browning and some staining. Low p.147 Property from the Collection of Arthur B. Chandler $4,000 - 6,000

340 AUDUBON, John James (1785-1851). Western Duck (Plate CCCCXXIX) Fuligula Stelleri Engraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey Mill paper sheet 23 7/8 30 in. (606 x 760 mm), matted and framed. Some slight toning or rippling to sheet. Low p.181 340 94

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$1,000 - 2,000

341 AUDUBON, John James (1785-1851).

342 BODMER, Karl (1809-1893)

Kentucky Warbler (Plate 74) Sylvia Formosa. Wils. Chromolithograph, 1859, sheet 26 1/2 x 18 3/4 in. (674 x 470 mm). Bien edition, ca 1850. Matted and framed. 24 x 17

Mih-Tutta-Hangkusch, A Mandan Village (Tab. 16). From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842. Aquatint engraving with hand-coloring, Bodmer blindstamp lower margin, title in French, German and English, plate 9 1/2 x12 1/2 in., matted and framed, unexamined out of frame.

$200 - 300

$500 - 700

343 BODMER, Karl (1809-1893)

344 BODMER, Karl (1809-1893)

The White Castles (Tab. 37). From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842. Aquatint engraving with handcoloring, Bodmer blindstamp lower margin, title in French, German and English, plate 11 1/2 x 15 3/4 in., matted and framed, unexamined out of frame.

Camp of the Gros Ventres of the Prairies (Tab. 38). From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842. Aquatint engraving with hand-coloring, Bodmer blindstamp lower margin, title in French, German and English, plate 10 x12 1/2 in., matted and framed, unexamined out of frame.

$800 - 1,200

$500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

345 [CHICAGO]. A group of two views, comprising:

346 OMAHA LITHOGRAPHING CO., publisher -- After G. W. Hall

WHITEFIELD, E. View of Rush St. Bridge & c. Chicago: E. Whitefield, 1861 [but actually 20th century digital reproduction].

Custer, Idaho -- 1880, n.d. Lithograph, on wove paper, 452 x 624 mm sheet. Very faint dampstain lower outer margin, some minor discoloration verso from old framing, a few small marginal pencil notes. Provenance: Mrs. Beardsley (faint framer’s note in pencil verso).

A modern reproduction of Whitefield’s scarce pre-fire Chicago lithograph, matted and framed, 345 x 495 mm sheet. Creased, adhesive remnants verso. [With:] VARIN, Raoul, after. Corner of State and Washington Streets Chicago, 1923. Aquatint and etching with hand-coloring, matted and framed, unexamined out of frame. Property from a Distinguished Midwestern Collection

Custer, Idaho, established in 1877, is now a ghost town. RARE: According to online records, no example of this print has ever sold at auction. See John Reps, Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, 765. Property from a Distinguished Midwestern Collection $500 - 700

$800 - 1,200

(part lot) 347 [PHILADELPHIA]. WILLIAM RUSSELL BIRCH & SON, publishers

348 ROBERTSON, Siebert & Shearman, publishers -- after F. Childs

High Street, from Ninth Street. Philadelphia, 1799 -- New Lutheran Church, in Fourth Street Philadelphia, 1799 -- Pennsylvania Hospital in Pine Street, 1799 -- An Unfinished House, in Chestnut Street Philadelphia, 1800 -- 4 engravings with original hand-coloring, folio, each approximately 270 x 324 mm sight, matted and framed (unexamined out of frame).

View of Nassau Hall, Princeton, N. J. [Princeton]: George Thompson, [ca 1860]. Chromolithograph, on wove paper, matted and framed, 478 x 613 mm sheet. 1 3/4-in. tear upper margin just touching rule border, a few other very short marginal tears, some minor toning from old matting, a few pale spots or stains.

Issued in 1800, William Birch’s prints of Philadelphia comprised the first series of views of an American city.

Property from a Distinguished Midwestern Collection

Property from the Collection of LSC Communications, Inc. $400 - 600 96

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

$1,000 - 1,500

Americana, including Manuscripts Lots 349-363

349 [AMERICAS]. BOTURINI BENADUCI, Lorenzo (1702-1755). Idea de una Nueva Historia General de la America Septentrional... Madrid: Juan de Zuñiga, 1746. 2 parts in one volume, 4to (198 x 136 mm). Engraved frontispiece, engraved portrait of Boturini. (Worm tracks affecting text with occasional repairs.) Contemporary vellum, (some repairs to spine, hinges reinforced, lacking ties). FIRST EDITION of Boturini’s historiographical proposal on how to write a new history of ancient Mexico drawing on new forms of historical evidence, primarily Nahua vocabularies. Including a catalogue of his collection of Mexican colonial indigenous codices, which was one of the largest collections compiled in the mid-18th century. Alden-Landis 746/27-28; Palau 33786; Pilling 420a; Sabin 6833 & 6834 Property from the Collection of Gaspar Mayagoitia Barragán 349

$1,500 - 2,500

350 [AMERICAS]. GRANADOS Y GÁLVEZ, Joseph Joaquin (1743-1794). Tardes Americanas: Gobierno Gentil y Catolioco: breve y particular noticia de toda la historia Indiana… Mexico: Imprenta Matritense de Felipe de Zúñiga y Ontiveros, 1778. Small 4to (185 x 132 mm). Engraved coat of arms on page of introduction, one engraved plate (of 3, lacking frontispiece and plate to face p.56), woodcut p.56. (Tape repair to title-page.) Later red calf, smooth spine gilt, morocco lettering-piece gilt, edges stained yellow (upper hinge starting, paper card taped to upper cover, some light soiling). Provenance: Jose Gregorio Hernandez (old bookplate). FIRST EDITION of this historical narrative set as a dialogue between an Otomí and a Spaniard about preHispanic indigenous culture and a critique of the Bourbon Reforms in the viceroyalty of New Spain. “This interesting history of ancient Mexico, written in the form of a dialogue between an Indian and a Spaniard, and divided into seventeen ‘Nights,’ is very little known in Europe, and is very rare in Mexico. On pp. 9094 will be found a fragment of Aztec poetry, written by a poet of the euphonious name Notzahaulcoyotl, and translated into Spanish by the author. One of the most curious subjects treated in this work is that of the Mexican Calendar with the names of the days in Mexican and in Spanish. On pp.141 to 150 are given the Mexican names of the kings of the empire of Tescuco.” (Field, Indian Bibliography, 620). JCB III:2467; Medina 7000; Palau y Dulcet 108426; Sabin 28255. Property from the Collection of Gaspar Mayagoitia Barragán $1,500 - 2,500

351 [AMERICAS]. HERRERA Y TORDESILLAS, Antonio de (1549-1625). Historia general de los hechos de los castellanos en las islas y tierra firme del mar oceano... Madrid: Oficina Real de Nicolas Rodriguez Franco, 1726-1728-1730.

350

8 decades and the Descripcion de las Indias Occidentales bound in 5 volumes, 4to (296 x 202 mm). 9 engraved titles, 14 engraved folding maps. (One engraved title and a few leaves with marginal repairs occasionally affecting borders, a few short marginal tears with old repairs, some minor spotting or browning.) Vol.II: contemporary limp vellum (some minor soiling, lacking ties); Vols.I, III-V modern quarter black calf, red morocco lettering-pieces gilt. Provenance: “JE” (brand on top edges of 2 volumes; Francisco González y Cossío (bookplates). Second Spanish edition of this significant collection of Spanish narratives about the exploration and conquest of the Americas, drawing upon manuscript sources that are no longer extant. A critical work for the study of Spanish colonization in the Americas, preferred in the second edition because it was compiled, amended and enlarged by Andrés González de Barcia with the addition of the “Tabla General de cosas notables” bound at the end of vol.V. “There are copies of this edition dated 1727, 1728, 1729 and 1730, which are all alike except as the date—the work not having been completed till that year—the publishers changing the dates as circumstances suggested” (Sabin). Herrera was royal historiographer to Philip II, III and IV of Spain and his comprehensive compilation was first published in Madrid, 1601-1615. Alden & Landis 733/118; Borba de Moraes I:399-400 (first edition); Hill 805; Palau 114287; Sabin 31546. Property from the Collection of Gaspar Mayagoitia Barragán $5,000 - 7,000

351 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

352 [AMERICAS]. TAPIA ZENTENO, Carlos de. Noticia de la Lengua Huasteca. Mexico: Bibliotheca Mexicana, 1767. 8vo (198 x 143 mm). Engraved coat of arms on dedication. Contemporary calf gilt, red and green morocco lettering-pieces gilt (upper hinge separating, some light wear to extremities). FIRST EDITION of the first grammar and dictionary published in Huastec or Tének, a Mesoamerican language spoken in the Veracruz and San Luis Potosí regions of Mexico. Tapia Zenteno was not only an important Mexican linguist and professor of Mexican languages at the Royal and Pontifical University, but was also a Catholic missionary and commissioner for the Inquisition. His work was intended for the use of Catholic missionaries evangelizing to the Huasteca and includes parallel bilingual text in Spanish and Huastec. This work includes a doctrine, catechism, Spanish-Huastec dictionary and additional information on festivals, rites and ceremonies of the Huasteca. García Icazbalceta, Apuntes, 73; Medina, Mexico, 5187; Palau 327486; Pilling 3801; Sabin 94355; Viñaza 355 Property from the Collection of Gaspar Mayagoitia Barragán $1,000 - 2,000

353 [ARIZONA]. History of Arizona territory. Showing its resources and advantages; with illustrations descriptive of its scenery, residences, farms, mines, mills, etc. San Francisco: Wallace W. Elliott & Co., 1884. Folio (340 x 257 mm). Numerous lithographic plates and illustrations. (Lithographed map lacking and supplied in facsimile, title-page torn with old repair verso, a few minor stains.) Original brown cloth gilt (rebacked, some light wear and other repairs); folding case. Provenance: C. K. Jennings (early signature). FIRST EDITION of this richly illustrated history of Arizona, from Spanish occupation through the 1880s, with sections on the acquisition of Spanish territory, early expeditions, geography, botany, zoology, and settlements. Howes A-310. Property from the Collection of Andy Nettell $2,000 - 3,000

354 CATLIN, George. Nord-Amerikas Indianer. Stockholm: P.G. Berg, 1848. 4to (265 x 179 mm). 23 hand-colored tinted lithographs. (Some spotting or soiling, one plate with old repair.) Original publisher’s cloth (joints separated or separating, hinges repaired, some light wear). First Swedish edition, an abridgement Catlin’s Letters and Notes on the manners, Customs, and Condition of the North American Indians, first published in 1841. Property from the Collection of Andy Nettell $600 - 800

FINE BOOKS & MANUSCRIPTS, INCLUDING AMERICANA

355 [FRANKLIN, Benjamin]. [RHOADS, Samuel, et al.] Some Account of the Pennsylvania Hospital; From its first Rise, to the Beginning of the Fifth Month, called May, 1754. Philadelphia: B. Franklin and D. Hall, [1754]. Small 4to (245 x 181 mm). Collation: A-E4. Original stiff wrappers stab-sewn (sewing threads broken or wanting, some minor chipping). Provenance: Thomas Worth (ALS laid in, see below). FIRST EDITION of this account of the founding of the first hospital established in America. The work is frequently attributed to Franklin, who was one of the founders of the hospital. [Laid in:] SMITH, John and REYNOLDS, John. Letter signed, August 1754, to Thomas Worth. 1 page, 4to, on a bifolium, some chipping with minor loss to outer margin. Soliciting donations for the hospital: “We now enclose one of the Books lately published...as we believe kind Providence had bless’d many in thy Neighbourhood with Sufficient means to contribute to this good design...” Property from the Collection of Jeff Fender $5,000 - 7,000

*356 GUITEAU, Charles Julius (1840-1882), Assassin of President James A. Garfield. Autograph letter signed (“C. G.”), to Benjamin F. Butler. Washington, D. C., 19 October 1881. 6 pages, 8vo, on lined paper, creased. Provenance: Acquired from the Abraham Lincoln Book Shop. GARFIELD’S ASSASSIN SEEKS AN ATTORNEY FOR HIS DEFENSE Guiteau writes to Benjamin F. Butler, one of the nation’s great trial lawyers, who had been a member of the U. S. House of Representatives from Massachusetts and who would go on to serve as Governor of Massachusetts. He asks Butler to represent him: “I wish you to defend me & use me to destroy the republican [sic] party…My defense is insanity, in that it was God’s act & not mine.” Guiteau maintained that it was the physicians, and not his bullet, who killed Garfield. Guiteau, a Republican supporter for the election of President Garfield, came to Washington in 1881 to secure a federal office. He did not receive a position, and became enraged at Garfield’s support of civil service reform and his stand on the stalwart wing of the Republican Party, which Garfield opposed, but which Guiteau supported. Guiteau fatally wounded Garfield in the waiting room of the Baltimore & Potomac Railroad in Washington on 2 July 1881, and Garfield died on 19 September 1881. Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland $2,000 - 3,000

*357 [LINCOLN, Abraham]. SANDBURG, Carl (1878-1967). Abraham Lincoln: The War Years. New York: Harcourt, Brace & Company, 1939. 4 volumes, 8vo. Illustrated. Original publisher’s blue cloth gilt, top edges stained yellow; original dust jackets. FIRST TRADE EDITION of Sandburg’s influential biography of Abraham Lincoln focusing on the Civil War period. Property from the Estate of Avis Hope Truska, Scottsdale, Arizona $200 - 300

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

358 RAMSAY, David (1749-1815). The History of the Revolution of South-Carolina… Trenton: Isaac Collins, 1785. 2 volumes, 8vo (203 x 121 mm). 5 engraved folding maps (a few short tears to folds). (Lacking half-titles, some minor spotting.) Contemporary sprinkled calf, smooth spines gilt, red morocco lettering-pieces gilt (rebacked preserving original spines, some light wear). Provenance: The Allan Library (a few stamps and pencil markings); James J. Waring (bookplates). FIRST EDITION OF THE FIRST BOOK TO RECEIVE COPYRIGHT IN AMERICA. In 1979, Ramsay applied for copyrights for this important history of the Civil War and for his History of the American Revolution, though they were not granted until 1790. Evans 19211; Howes R-36; Sabin 67691. Property from the Collection of James J. Waring, MD. 358

$3,000 - 4,000

*359 REAGAN, Ronald (1911-2004). Typed letter signed as President (“Ronald Reagan”), to Henry Kissinger. Washington D. C., 17 May 1983. 1 page, 4to, on White House stationery, with original envelope. Congratulating him on the dedication of the Henry Kissinger Chair at the Center for Strategic and International Studies. [With:] REAGAN. Typed letter signed as President (“Ronald Reagan”), to Edward Bennett Williams. Washington, E. C., 1 November 1985. 1 page, 4to, on White House stationery, with original envelope. Thanking him for his contributions to the President’s Foreign Intelligence Advisory board. Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland

359

$600 - 800

*360 RODNEY, Caesar Augustus (1772-1824). Autograph letter signed (“Caesar A. Rodney”), as United States Minister to Argentina, to an unnamed recipient. [Washington D. C.], 7 February, 1823. 1 page, 4to. Provenance: Acquired from the Abraham Lincoln Book Shop. Senator Rodney requests information just prior to his departure for Argentina, where he would serve as our first minister plenipotentiary: “I am requested by the Committee to whom the enclosed resolution is referred to ask of you such information as you may possess on the subject to which it relates.” Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland $600 - 800 360

360A [STAMP ACT]. WILSON, Benjamin. The Repeal. Or the Funeral Procession, of Miss AmericStamp. [London: Mark Baskett, 1766]. Engraved cartoon on laid paper, 252 x 355 mm. (Some minor spotting.) In the foreground, Dr. William Scott, Lord Grenville, the Attorney-General, the SolicitorGeneral, and others mourn the repeal of the short-lived Stamp Act, depicted as a childsized coffin. Descriptive text in the lower margin concludes: “these few mourners are separated from the joyful scene which appears on the river Thames, where three first rate ships are riding - Viz. the Conway, Rockingham and Grafton. Alon the opposite shore, stand open Warehouses.... among these is a large case containing the Statue of Mr. Pitt, which is heaving on board a boat No. 250, there is another boat taking in goods nearer the first Rates, which is No. 105. These numbers will even be held in esteem by the true Sons of Liberty.” Property from Historic Sengen House, Cornwall-on-Hudson, New York 360A 100 F I N E B O O K S & M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

$4,000.00 - $6,000.00

*361 SOLZHENITSYN, Alexander (1918-2008). An archive of correspondence to Edward Bennett Williams, including letters regarding a luncheon with President Ronald Reagan. Comprising 6 typed letters signed and one autograph letter signed, and 3 carbon copies, 1977-1988, to American lawyer Edward Bennett Williams (1920-1988), regarding legal matters and a luncheon with Ronald Reagan. In a pair of letters from May 1982, Solzhenitsyn shares his thoughts about his invitation to dine at the White House with other Soviet dissidents. Solzhenitsyn had attempted a meeting with Gerald Ford in 1975, which Ford refused. Reagan decided to set up a meeting, but was advised that it should not be a private meeting so as not to provoke the leaders of the Soviet Union. Desiring a personal meeting, Solzhenitsyn planned to turn down the offer, but his intention was leaked to the press before he even received an invitation. Solzhenitsyn reached out to Edward Bennett Williams, who had access to the White House, to ask him to mediate on their behalf. Ultimately, Solzhenitsyn did not attend. He writes Williams on 3 May 1982: “Now we would like to ask you, if you will have such an opportunity, to explain to the President even before May 11 how his advisers have distorted his noble intentions into a foolish and even insulting joke.” He writes again on 12 May, “I was sufficiently humiliated.” A carbon copy of his letter to the President is included.

*361

Solzhenitsyn, Russian novelist and Soviet Dissident, corresponds with his lawyer. In a letter of 26 February 1977, he asks Williams to serve as Russian poet and activist Aleksandr Ginzburg. He coordinates his Will in a letter of 2 October 1981. In an ALS, 15 August 1988, Solzhenitsyn sends his condolences to Williams widow. Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland $800 - 1,200

*362 VON TILZER, Albert (1878-1956). Autograph musical quotation signed (“Albert Von Tilzer”), to James J. Rooney. 18 June 1941. 362

1 page, oblong 8vo, on Robbins Music Corporation printed stave. Provenance: Acquired from the Abraham Lincoln Book Shop. “TAKE ME OUT TO THE BALL GAME…” A fair copy of the first few bars and lines of “Take Me Out to the Ball Game,” which Albert Von Tilzer co-wrote with Jack Norworth in 1908. The song was number 8 on the list of the Songs of the Century, which included the top 365 songs of the 20th-century as chosen by the National Endowment for the Arts and the Recording Industry Association of America in 2001. Property from the Estate of Agnes Neill Williams, Chevy Chase, Maryland $400 - 600

363 WEBSTER, Daniel (1782-1852). Engraved document signed as Secretary of State (“Danl Webster”), countersigned by the recipient, 23 April 1841. 1 page, folio, on onionskin, accomplished in manuscript, printed seal. A passport for Frank D. Robinson. Property from a Distinguished Midwestern Collection $150 - 250

363

End of Sale V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101

Upcoming Auction:

Fine Press Books, Online Only Sale 904 | April 27 - May 13 This spring, Hindman presents a dedicated online sale of fine press books from the collection of Jack Belcher. The collection includes fine examples of books produced by the most important American fine presses of the 20th Century. The collection includes particularly strong offerings of books produced by the Allen Press, the Arion Press, the Grabhorn Press, the Golden Cockerel Press, the Bird and Bull Press, John Henry Nash, and The Book Club of California. The sale also includes several fine books produced by the Logan Elm Press, and an extensive run of Rowfant Club publications. The sale opens for bidding on April 27th with the lots closing on May 13th. Please visit HindmanAuctions.com for more information, and Hindman's Digital Bid Room to view lots. INQUIRIES Gretchen Hause, Director & Senior Specialist gretchenhause@hindmanauctions.com 312.334.4229

HindmanAuctions.com

BooKs & MAnuscriPts

GRETCHEN HAUSE HEAD OF SALE DIRECTOR, SENIOR SPECIALIST

FRANCIS WAHLGREN SENIOR CONSULTANT

MARIA FERNANDEZ CATALOGUER

FRANCISWAHLGREN@HINDMANAUCTIONS.COM

MARIAFERNANDEZ@HINDMANAUCTIONS.COM 312.334.4236

GRETCHENHAUSE@HINDMANAUCTIONS.COM 312.334.4229

estAtes, APPrAisALs & Business DeVeLoPMent

ALYSSA QUINLAN SENIOR VICE PRESIDENT, BUSINESS DEVELOPMENT

MOLLY E. GRON, J.D. NATIONAL DIRECTOR, TRUSTS & ESTATES SENIOR DIRECTOR, CHICAGO

312.447.3272 ALYSSAQUINLAN@HINDMANAUCTIONS.COM

312.334.4235 MOLLYGRON@HINDMANAUCTIONS.COM

ATLANTA KRISTIN VAUGHN SENIOR DIRECTOR OF BUSINESS DEVELOPMENT 404.800.0192 KRISTINVAUGHN@HINDMANAUCTIONS.COM

MILWAUKEE SARA MULLOY BUSINESS DEVELOPMENT DIRECTOR 414.220.9200

TIM LUKE SENIOR APPRAISER 561.833.8053 TIMLUKE@HINDMANAUCTIONS.COM

SAN DIEGO KATIE GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR 858.442.6104 KATIEGUILBAULT@HINDMANAUCTIONS.COM

CLEVELAND CARRIE PINNEY BUSINESS DEVELOPMENT MANAGER 216.292.8300 CARRIEPINNEY@HINDMANAUCTIONS.COM

SARAMULLOY@HINDMANAUCTIONS.COM NAPLES ELIZABETH RADER, PHD BUSINESS DEVELOPMENT DIRECTOR 239.643.4448 ELIZABETHRADER@HINDMANAUCTIONS.COM

SCOTTSDALE LOGAN BROWNING BUSINESS DEVELOPMENT DIRECTOR 480.490.3175 LOGANBROWNING@HINDMANAUCTIONS.COM

DENVER MARON HINDMAN VICE CHAIR 303.825.1855 MARON@HINDMANAUCTIONS.COM

MIAMI, PALM BEACH SARAH ROY DIRECTOR, BUSINESS DEVELOPMENT 561.660.0579 SARAHROY@HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER BUSINESS DEVELOPMENT MANAGER 314.833.0833 ANNASHAVER@HINDMANAUCTIONS.COM

DETROIT PAM IACOBELLI BUSINESS DEVELOPMENT DIRECTOR 313.774.0900 PAMIACOBELLI@HINDMANAUCTIONS.COM

PALM BEACH KATE STAMM SENIOR ASSOCIATE, BUSINESS DEVELOPMENT 561.833.8053 KATESTAMM@HINDMANAUCTIONS.COM

WASHINGTON D.C. MAURA ROSS BUSINESS DEVELOPMENT DIRECTOR 202.853.1638 MAURAROSS@HINDMANAUCTIONS.COM

PHOTOGRAPHY

104 F I N E B O O K S & M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

Zoë Bare Avery Campbell Jeremy Rafter

Auction Inquiries FINANCE MARCO GUSELLA DIRECTOR, FINANCE MARCOGUSELLA @HINDMANAUCTIONS.COM 312.280.1212 CLIENT SERVICES RITA SWANBERG MANAGER, CLIENT SERVICES RITASWANBERG @HINDMANAUCTIONS.COM 312.280.1212 ESTATES, APPRAISALS & BUSINESS DEVELOPMENT VAUGHN SMITH BUSINESS DEVELOPMENT MANAGER VAUGHNSMITH @HINDMANAUCTIONS.COM 312.334.4238 BRIAR KOEHL BUSINESS DEVELOPMENT SENIOR ASSOCIATE BRIARKOEHL @HINDMANAUCTIONS.COM 312.600.6075 SAMANTHA SCHWARTZ BUSINESS DEVELOPMENT ASSOCIATE, TRUSTS & ESTATES SAMANTHASCHWARTZ @HINDMANAUCTIONS.COM 312.447.3297 NNEKA DUNHAM BUSINESS DEVELOPMENT ASSOCIATE, WEST NNEKADUNHAM @HINDMANAUCTIONS.COM 312.334.4232 HANNAH UNGER BUSINESS DEVELOPMENT ASSOCIATE, EAST HANNAHUNGER @HINDMANAUCTIONS.COM 312.447.3267 MUSEUM SERVICES MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS MICHAELSHAPIRO @HINDMANAUCTIONS.COM 312.334.4210 MIRANDA MAXFIELD BUSINESS DEVELOPMENT SENIOR ASSOCIATE, MUSEUM SERVICES MIRANDALUCE @HINDMANAUCTIONS.COM 312.334.4208 CONSIGNMENT DEPARTMENT JIM SHARP CHIEF OPERATING OFFICER JIMSHARP @HINDMANAUCTIONS.COM MAGGIE PORTER VP SALES STRATEGY, DEPUTY COO MAGGIEPORTER @HINDMANAUCTIONS.COM MOLLY MORSE LIMMER SENIOR VICE PRESIDENT, DECORATIVE ARTS & COLLECTIBLES MOLLYLIMMER @HINDMANAUCTIONS.COM

FINE ART JOSEPH STANFIELD VP, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM ZACK WIRSUM SENIOR SPECIALIST, POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM MONICA BROWN SENIOR SPECIALIST, PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM KATHERINE HLAVIN DIRECTOR AND SPECIALIST, WESTERN & WILDLIFE ART KATHERINEHLAVIN @HINDMANAUCTIONS.COM PAULINE ARCHAMBAULT SPECIALIST PAULINEARCHAMBAULT @HINDMANAUCTIONS.COM NATE BRADY ASSOCIATE SPECIALIST NATHANBRADY @HINDMANAUCTIONS.COM ALEXANDRIA DREAS CATALOGUER ALEXANDRIADREAS @HINDMANAUCTIONS.COM JULIANNA TANCREDI CATALOGUER JULIANNATANCREDI @HINDMANAUCTIONS.COM ABBY CHAMBERS DEPARTMENT COORDINATOR ABBYCHAMBERS @HINDMANAUCTIONS.COM EUROPEAN FURNITURE & DECORATIVE ARTS CORBIN HORN DIRECTOR, SENIOR SPECIALIST CORBINHORN @HINDMANAUCTIONS.COM 312.334.4214 MIKE INTIHAR SENIOR SPECIALIST MIKEINTIHAR @HINDMANAUCTIONS.COM NICK COOMBS SPECIALIST NICKCOOMBS @HINDMANAUCTIONS.COM GENEVIEVE KING ASSOCIATE SPECIALIST GENEVIEVEKING @HINDMANAUCTIONS.COM ELIZABETH REED CATALOGUER ELIZABETHREED @HINDMANAUCTIONS.COM AMERICAN FURNITURE, FOLK & DECORATIVE ARTS BENJAMIN FISHER DIRECTOR, SENIOR SPECIALIST BENJAMINFISHER @HINDMANAUCTIONS.COM

JENNIFER HOWE SENIOR SPECIALIST JENNIFERHOWE @HINDMANAUCTIONS.COM LEAH VOGELPOHL SPECIALIST LEAHVOGELPOHL @HINDMANAUCTIONS.COM ANTIQUITIES JACOB COLEY DIRECTOR AND SENIOR SPECIALIST, ANTIQUITIES JACOBCOLEY @HINDMANAUCTIONS.COM MODERN DESIGN HUDSON BERRY DIRECTOR, SPECIALIST HUDSONBERRY @HINDMANAUCTIONS.COM SABRINA GRANADOS ASSOCIATE CATALOGUER SABRINAGRANADOS @HINDMANAUCTIONS.COM NATIVE AMERICAN, PREHISTORIC & TRIBAL ART DANICA FARNAND DIRECTOR, SENIOR SPECIALIST DANICAFARNAND @HINDMANAUCTIONS.COM ERIN RUST SPECIALIST ERINRUST @HINDMANAUCTIONS.COM MADISON LIGHT ASSOCIATE CATALOGER MADISONLIGHT @HINDMANAUCTIONS.COM BOOKS & MANUSCRIPTS GRETCHEN HAUSE DIRECTOR, SENIOR SPECIALIST GRETCHENHAUSE @HINDMANAUCTIONS.COM KATIE HORSTMAN SENIOR SPECIALIST KATIEHORSTMAN @HINDMANAUCTIONS.COM DANIELLE LINN SPECIALIST DANIELLELINN @HINDMANAUCTIONS.COM EMILY PAYNE SPECIALIST EMILYPAYNE @HINDMANAUCTIONS.COM KAYLAN GUNN ASSOCIATE SPECIALIST KAYLANGUNN @HINDMANAUCTIONS.COM FRANCIS WAHLGREN SENIOR CONSULTANT FRANCISWAHLGREN @HINDMANAUCTIONS.COM

ASIAN ART ANNIE WU DIRECTOR, SENIOR SPECIALIST ANNIEWU @HINDMANAUCTIONS.COM FLORA ZHANG ASSOCIATE SPECIALIST FLORAZHANG @HINDMANAUCTIONS.COM MEGAN SADLER CATALOGUER MEGANSADLER @HINDMANAUCTIONS.COM MARIELLE EPSTEIN DEPARTMENT COORDINATOR MARIELLEEPSTEIN @HINDMANAUCTIONS.COM JEWELRY & TIMEPIECES SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST SALLYKLARR @HINDMANAUCTIONS.COM KATIE HAMMOND GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR, SAN DIEGO, SENIOR SPECIALIST, JEWELRY AND TIMEPIECES KATIEGUILBAULT @HINDMANAUCTIONS.COM MARISA ACKERMAN, G.G. SPECIALIST MARISAACKERMAN @HINDMANAUCTIONS.COM KARINA HAMMER, G.G. SPECIALIST KARINAHAMMER @HINDMANAUCTIONS.COM HANA THOMSON CATALOGUER HANATHOMSON @HINDMANAUCTIONS.COM MADELINE SCHROEDER ASSOCIATE CATALOGUER MADELINESCHROEDER @HINDMANAUCTIONS.COM COUTURE & LUXURY ACCESSORIES TIMOTHY LONG DIRECTOR, SENIOR SPECIALIST TIMOTHYLONG @HINDMANAUCTIONS.COM MICHAEL HALL CATALOGUER MICHAELHALL @HINDMANAUCTIONS.COM ARMS, ARMOR & MILITARIA TIM CAREY DIRECTOR, SPECIALIST TIMCAREY @HINDMANAUCTIONS.COM SPORTS MEMORABILIA JAMES SMITH SPECIALIST JAMESSMITH @HINDMANAUCTIONS.COM

PATRICIA TENCH SENIOR CATALOGUER PATRICIATENCH @HINDMANAUCTIONS.COM MARIA FERNANDEZ CATALOGUER MARIAFERNANDEZ @HINDMANAUCTIONS.COM BENTON LUDGIN DEPARTMENT COORDINATOR BENTONLUDGIN @HINDMANAUCTIONS.COM V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are:

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

$0 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $250 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,500 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Above > $200,000 .... At Auctioneer’s Discretion

Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

106 F I N E B O O K S & M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $300 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law. Updated 4/21

CONDITIONS OF SALE These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A glossary at the end defines the words in bold type.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization

allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

108 F I N E B O O K S & M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This

110 F I N E B O O K S & M A N U S C R I P T S , I N C L U D I N G A M E R I C A N A

arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 4/21

STOKER, Bram. Dracula. London, 1897. Original cloth. First edition, first issue. SOLD 19 MARCH 2021. PRICE REALIZED: $26,250

uPcoMinG Auction scHeDuLe 865 | EUROPEAN FURNITURE & DECORATIVE ARTS APRIL 21-22 | CHICAGO

875 | TIMEPIECES MAY 17 | CHICAGO

893 | A GENTLEMAN'S PURSUITS APRIL 27 | CHICAGO

876 | IMPORTANT JEWELRY MAY 18 | CHICAGO

892 | DINING AT HOME APRIL 29 | CHICAGO

878 | MODERN DESIGN MAY 20 | CHICAGO

869 | AMERICAN & EUROPEAN ART MAY 3 | CHICAGO

903 | ATLANTA COLLECTIONS MAY 21 | ATLANTA

870 | POST WAR & CONTEMPORARY ART MAY 4 | CHICAGO

898 | PALM BEACH COLLECTIONS, SESSION I MAY 24 | PALM BEACH

871 | PRINTS & MULTIPLES MAY 5 | CHICAGO

919 | ARMS & ARMOR, SESSION I MAY 25 | CINCINNATI

835 | WESTERN PAINTINGS & SCULPTURE INCLUDING CONTEMPORARY NATIVE AMERICAN ART MAY 6-7 | DENVER

881 | ANTIQUITIES MAY 27-28 | CHICAGO

873 | BOOKS & MANUSCRIPTS MAY 12-13 | CHICAGO 890 | CINCINNATI COLLECTIONS MAY 14 | CINCINNATI

882 | SUMMER FASHION & ACCESSORIES JUNE 3 | CHICAGO 883 | SPORTS MEMORABILIA JUNE 8 | CHICAGO

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

F INE B OOKS & MANUSCRIPTS, INCLUDING AMERICANA | MAY 1 2, 20 21 NO. 8 7 3

1338 West Lake Street Chicago, Illinois 60607 l ph 312. 280.1212 l f x 312. 280.1211 l hindmanauctions.com

Sale 873 | Fine Books & Manuscripts, Including Americana

Articles inside

Fine Press Books & Livres d'Artiste | Lots 46-106

Fine Printed Books & Manuscripts | Lots 107-235

CONDITIONS OF SALE

American Prints | Lots 320-348

Currier & Ives | Lots 250-319

Maps | Lots 236-249

Bibles | Lots 1-45

Americana, including Manuscripts | Lots 349-363