Sale 695 | Prints and Multiples by Hindman Auctions

Photography Jason Mitchell Zoë Bare Carmen Colome

POST WAR AND CONTEMPORARY PRINTS

LOTS 1 – 92

PROPERTY FROM THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

LOTS 93 – 109

MODERN PRINTS

LOTS 110 – 156

PHOTOGRAPHY

LOTS 157 – 169

P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM Cover Lot 56 | Willem de Kooning (Dutch/American, 1904-1997) Quatre Lithographies, 1986 (detail) Inside Front Cover Lot 26 | Robert Rauschenberg (American, 1925-2008), Signs, 1970

All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law. VIEW THE COMPLETE CATALOGUE AT HINDMANAUCTIONS.COM

Inside Back Cover Lot 52 | Helen Frankenthaler (American, 1928-2011) Tales of Genji I, 1998 Back Cover Lot 56 | Willem de Kooning (Dutch/American, 1904-1997) Quatre Lithographies, 1986 (the complete set of four works)

hindmanauctions.com © Hindman LLC 2019 C H IC AGO, IL L IN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

CO N T E N T S AUCTION 695 | LIVE + ONLINE THURSDAY SEPTEMBER 26 | 2PM CT POST WAR AND CONTEMPORARY PRINTS

LOTS 1 – 92

PROPERTY FROM THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

LOTS 93 – 109

MODERN PRINTS

LOTS 110 – 156

PHOTOGRAPHY

LOTS 157 – 169

104

ARTIST INDEX

112

AUCTION INQUIRIES

114

CONDITIONS OF SALE

116

TELEPHONE / ABSENTEE BID FORM

119

Lot 15 | Tom Wesselman (American, 1931-2004) Mixed Bouquet with Leger, 1993, color silkscreen

P RO P E R T Y F RO M T H E C O L L E C T I O N S O F THE BOCA RATON MUSEUM OF ART TO BENEFIT THE ACQUISITIONS FUND MARJORIE HARVEY CRITTENDEN, ATLANTA, GEORGIA THE DEWAR FAMILY, LEAWOOD, KANSAS GEORGE M. IRWIN, QUINCY, ILLINOIS MR. AND MRS. LIJEWSKI, DOOR COUNTY, WISCONSIN BILL AND KAREN LUTZ, CHICAGO, ILLINOIS JOHN J. MEIER III, ST. LOUIS, MISSOURI DALE OEHRING, TAMPA, FLORIDA ROBERT AND PATRICIA RYAN, LAKE FOREST, ILLINOIS THE WESTERN UNION COMPANY P RO P E R T Y F RO M T H E E S TAT E S A N D T R U S T S O F THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST THOMAS L. HARRIS, HIGHLAND PARK, ILLINOIS THE MAURER FAMILY, GRAND RAPIDS, MICHIGAN HELEN SIMONS, CHICAGO, ILLINOIS SARA G. ZIMET, DENVER, COLORADO

Opposite Lot 64 | David Hockney (British, b. 1937) Celia with Green Hat, 1984, color lithograph

1 Roy Lichtenstein

(AMERICAN, 1923-1997)

Crak!, 1963-64 offset lithograph signed in pencil 18 5/8 x 27 inches. Literature: Corlett II.3 $6,000-$8,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS LOTS 1 – 92

*2 Roy Lichtenstein

(AMERICAN, 1923-1997)

Modern Art Poster, 1967 color screenprint signed and numbered 139/300 8 x 11 inches. Property from the Collection of Dale Oehring, Tampa, Florida Literature: Corlett 8 $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Roy Lichtenstein

(AMERICAN, 1923-1997)

Bicentennial Print, 1975

Joanna, 1968

Titled, 1996

lithograph and screenprint signed, dated and numbered 81/200 in pencil 24 3/4 x 18 inches.

offset lithograph signed in pencil 15 1/4 x 22 1/2 inches. Property from the Collection of JoAnna Poehlmann, Milwaukee, Wisconsin

color screenprint signed and numbered 156/175 24 x 32 1/2 inches.

Literature: Corlett 136 $7,000-$9,000

Literature: Corlett III.24

Literature: Corlett 307 $15,000-$25,000

$1,500-$2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

6 Robert Indiana

(AMERICAN, 1928-2019)

Galerie Denise Rene New York (a pair of works), 1970 silkscreens each signed and numbered of 150 in pencil 30 3/4 x 30 3/4 inches. $1,000-$2,000

*7 Robert Cottingham (AMERICAN, B. 1935) 7

Women, Girls, 1978 lithograph signed, titled, dated and numbered 22/101 in pencil 15 x 15 inches. Property of the Dewar Family, Leawood, Kansas $800-$1,200

8 Larry Rivers

(AMERICAN, 1923-2002)

Blue Line Camel, 1978-90 pochoir with hand coloring signed, dated and numbered 11/20 in pencil 18 x 24 inches. $800-$1,200 8 10

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

9 Andy Warhol

(AMERICAN, 1928-1987)

Campbell’s Soup Can (Tomato), 1966 color screenprint on paper shopping bag published by and for the exhibition at the Institute of Contemporary Art, Boston, October 1 - November 6, 1966. 16 x 9 inches. Literature: Feldman & Schellmann II.4A $800-$1,200

10 Andy Warhol

(AMERICAN, 1928-1987)

Ten from Leo Castelli, 1968 (one plate) screenprint signed in ball-point pen 21 x 21 inches. Literature: Feldman & Schellmann II.34 $4,000-$6,000

10 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

11 Andy Warhol

(AMERICAN, 1928-1987)

Sigmund Freud, from Ten Portraits of Jews of the Twentieth Century, 1980 screenprint on Lenox Museum Board signed and numbered 18/200 in pencil 40 x 32 inches. Provenance: Martin Lawrence, Inc. Literature: Feldman & Schellmann II.235 $20,000-$30,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

12 Andy Warhol

(AMERICAN, 1928-1987)

Tom Seaver, ca. 1977 silkscreen inks on four sheets of collaged acetate 20 x 24 inches. Provenance: Andy Warhol Studio Fred Hughes Estate of Fred Hughes Wooster Projects Private Collection, Florida Rago, Post-War annd Contemporary Art, May 7, 2015, Lot 619 $30,000-$50,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

13 Various Artists

(AMERICAN, 20TH CENTURY)

Ten from Leo Castelli, 1968 complete set of 10 works including screenprints, lithographs and multiples each signed, and numbered, some dated Case: 25 1/4 x 21 1/4 x 8 3/4 inches. Includes Lee Bontecou Untitled, Jasper Johns The Critic Sees, Donald Judd Untitled, Roy Lichtenstein Fish and Sky, Robert Morris Model, Larry Poons Untitled, Robert Rauschenberg Passport, James Rosenquist Sketch for Forest Ranger, Frank Stella Fortin de las Flores (First Version), Andy Warhol Portraits of the Artists. Published for the 10th anniversary of the Leo Castelli Gallery $60,000-$80,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

13A

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

13A

*14

*15

Tom Wesselmann

(AMERICAN, 1931-2004)

Tom Wesselmann

(AMERICAN, 1931-2004)

Nude (for Sedfre), 1969

Bedroom Face with Lichtenstein, 1994

Mixed Bouquet with Leger, 1993

color screenprint signed, dated and numbered 88/100 17 x 23 inches.

color silkscreen signed and numbered 7/65 34 3/4 x 41 1/2 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois

color silkscreen signed and numbered pp 2/3 in pencil 43 x 41 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois

$8,000-$12,000

$15,000-$20,000

$5,000-$7,000

(AMERICAN, 1931-2004)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*16 Niki de Saint Phalle (FRENCH, 1930- 2002)

Untitled (from the Nana Power portfolio), 1970 color screenprint signed and numbered 62/115 in pencil 20 1/4 x 18 1/4 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $600-$800

*17 Richard Lindner

(AMERICAN/GERMAN, 1901-1978)

Couple I, 1969 lithograph signed and numbered 139/250 in pencil 24 x 20 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $600-$800 17

*18 Marisol Escobar

(FRENCH, 1930-2016)

Untitled (Paris Review), 1967 color screenprint signed and numbered 21/150 24 x 30 1/2 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $400-$600 18 18

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

19 Jeff Koons

(AMERICAN, B. 1955)

Balloon Dog (Red), 1995 chrome glazed porcelain stamped and numbered 1189/2300 Diameter: 10 1/4 inches. $3,000-$5,000

20 Roger Shimomura (AMERICAN, B. 1939)

American Guardian, 2006-2008 lithograph numbered 26/50 27 x 38 3/4 inches. Provenance: The Lawrence Lithography Workshop, Kansas City

$1,000-$2,000

20 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

21 Robert Rauschenberg (AMERICAN, 1925-2008)

Earth Day, 1970 7-color lithograph and collage signed, dated and numbered 42/50 47 1/2 x 35 1/4 inches. Provenance: Allan Frumkin Gallery, Chicago $1,500-$2,500

*22 Robert Rauschenberg (AMERICAN, 1925-2008)

Untitled (Arrow), 1984 color lithograph signed, dated and numbered 54/90 in black crayon 23 x 18 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $800-$1,200

23 Robert Rauschenberg (AMERICAN, 1925-2008)

Two Reasons Birds Sing from The Suite of Nine Prints), 1979 offset lithograph with screenprinting signed, dated and numbered 76/100 in pencil 30 1/2 x 23 inches. $1,000-$2,000

23 20

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

24 Robert Rauschenberg (AMERICAN, 1925-2008)

Howl (from 7 Characters), 1982 paper and fabric collage with mirror and gold leaf signed and dated in pencil, from the edition of 70 42 3/4 x 30 3/4 inches. $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*25 Robert Rauschenberg (AMERICAN, 1925-2008)

Platter from Airport Series, 1974 color relief and intaglio on fabric collage signed, dated and numbered 6/20 45 1/2 x 28 1/2 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $3,000-$5,000

P R I N T S A N D M U LT I P L E S

*26 Robert Rauschenberg (AMERICAN, 1925-2008)

Signs, 1970 screenprint in colors signed, dated and numbered 195/250 35 x 26 3/4 inches. Property of the Dewar Family, Leawood, Kansas $15,000-$25,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

27 Mark Tobey

(AMERICAN, 1890-1976)

Raissance of a Flower, 1975 lithograph in colors on wove paper signed and numbered 103/150 15 1/4 x 10 1/4 inches. $300-$500

28 James Rosenquist

(AMERICAN, 1933-2017)

Mute Transformation, 1985 lithograph signed, dated, inscribed and numbered PP 6/6 in white pencil 24 3/4 x 24 3/4 inches. $1,500-$2,500

29 James Rosenquist

(AMERICAN, 1933-2017)

One Million Tons Per Square Inch; Tin Roof; Path from the Wall (three works from the Tripartite series), 1977 hand-colored etchings each signed, dated, titled and and numbered PP 3/4 in pencil Each 17 3/4 x 35 3/4 inches. $800-$1,200 29 24

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS 30 James Rosenquist

(AMERICAN, 1933-2017)

Nuclear Neighborhood; Towel, Star, Sunglasses (a pair of works from the Tripartite series), 1977 hand-colored etchings each signed, dated, titled and and numbered PP 3/4 in pencil Each 17 3/4 x 35 3/4 inches. $600-$800

31 James Rosenquist

(AMERICAN, 1933-2017)

Star Procter; Shallows; Federal Spending (three works from the Tripartite series), 1978 hand-colored etchings each signed, dated, titled and and numbered PP 1/2 in pencil Each 17 3/4 x 35 3/4 inches. Provenance: The Greenberg Gallery, St. Louis, Missouri $800-$1,200

31 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

32 James Rosenquist

(AMERICAN, 1933-2017)

Black Triangle; Wind and Lightning (a pair of works from the Tripartite series), 1978 hand-colored etchings each signed, dated, titled and and numbered PP 1/2 in pencil Each 17 3/4 x 35 3/4 inches. Provenance: The Greenberg Gallery, St. Louis, Missouri $600-$800

33 Richard Anuszkiewicz (AMERICAN, B. 1930)

Optic Red and Blue, 1965 screenprint signed, dated and numbered 45/50 22 x 22 inches. $300-$500

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

34 Victor Vasarely

(FRENCH/HUNGARIAN, 1906-1997)

Box (Black and White) screenprint on plexiglass signed in pen 15 x 10 x 2 inches. $2,000-$4,000

*35 Jasper Johns

(AMERICAN, B. 1930)

Untitled (catalogue cover for Jasper Johns/ Screenprints), 1977 screenprint in colors on parchment 9 3/4 x 9 3/4 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*37

*38

Sol LeWitt

Loopy Doopy, White on Black, 1999

Wavy Lines on Gray from Sequences, 1996-98 (the complete suite of three works)

Straight Lines, Approximately One Inch Long, 1970-71 (portfolio of 16)

(AMERICAN, 1928-2007)

oil based woodcut on Zangetsu paper signed and numbered 2/40 in pencil 16 x 31 inches. Literature: Krakow, 1999.02 $1,500-$2,500

(AMERICAN, 1928-2007)

set of three woodcuts, printed with oil paint on Awa-Kozo Japanese paper, one signed and numbered 41/60 in pencil Each 19 3/4 x 15 1/2 inches. Property from the Collection of Bill and Karen Lutz, Chicago, Illinois Literature: Krakow 1998.06 $8,000-$12,000

(AMERICAN, 1928-2007)

lithographs 13 7/8 x 13 7/8 inches. Property from the Collection of George M. Irwin, Quincy, Illinois Provenance: Landfall Press, Inc., Chicago Exhibited: Selections from the Collection of George M. Irwin, Krannert Art Museum, Champaign, Illinois, March 2-April 13, 1980 $10,000-$15,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

William Kentridge

James Turrell

Atlas Procession I, 2000

Image Stone: Moon Side (complete portfolio of six), 1999

(SOUTH AFRICAN, B. 1955)

etching, aquatint, drypoint, letterpress with hand-painting signed and numbered 31/40 in pencil 62 x 42 inches. Property from The Western Union Company $20,000-$30,000

(AMERICAN, B. 1943)

lithograph, gravure, aquatint each signed and numbered 30/40 10 1/2 x 8 inches (each). Property from The Western Union Company $15,000-$20,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

41 Gerhard Richter (GERMAN, B. 1932)

Wolken, 1969 offset lithograph signed and dated in pencil 17 1/2 x 15 1/2 inches. $5,000-$7,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

42 Alberto Burri

(ITALIAN, 1915-1995)

Combustione 1, 1965 etching and aquatint signed and numbered 48/80 in pencil 15 x 12 inches. $3,000-$5,000

43 Enrico Baj

(ITALIAN, 1924-2003)

Untitled color lithograph signed and numbered 80/200 in pencil 14 1/2 x 9 inches. $200-$400

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

44 Jean Dubuffet

(FRENCH, 1901-1985)

Le Braconnier, 1953 lithograph signed, dated and inscribed epreuve HC in pencil 19 3/4 x 25 1/2 inches. $4,000-$6,000

45 Jean Dubuffet

(FRENCH, 1901-1985)

Plaignante lithograph initialed in pencil 12 1/4 x 7 1/4 inches. $3,000-$5,000

46 Jean Dubuffet

(FRENCH, 1901-1985)

L’enfle-chique II, 1963 color lithograph signed, dated and numbered 15/20 in pencil 23 1/4 x 14 1/4 inches. $6,000-$8,000 46 34

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

47 Jean Dubuffet

(FRENCH, 1901-1985)

Parade Nuptiale (Courtship), 1973 screenprint in colors initialed, dated and numbered 68/85 9 3/4 x 7 3/4 inches. $2,000-$4,000

48 Jean Dubuffet

(FRENCH, 1901-1985)

Delegation, 1974

color screenprint initialed, dated and numbered 34/50 30 1/4 x 22 inches. Provenance: Donald Morris Gallery, Inc., Detroit, Michigan $4,000-$6,000

48 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*49

*51

Sam Francis

Robert Natkin

Helen Frankenthaler

Untitled (Blue Squares)

Untitled, 1974

All About Blue, 1994

monotype unsigned, estate stamped 27 1/4 x 30 3/4 inches. Property from the Collection of Bill and Karen Lutz, Chicago, Illinois

screenprint on Arches paper signed, dated and numbered AP 8/10 in pencil 27 x 38 inches.

lithograph signed and numbered 12/12 in ink 48 1/2 x 28 3/4 inches. Property from the Collection of Bill and Karen Lutz, Chicago, Illinois

(AMERICAN, 1923-1994)

Provenance: This work is registered with the Sam Francis Estate (SFM78-023) $10,000-$15,000

P R I N T S A N D M U LT I P L E S

(AMERICAN, 1930-2010)

$400-$600

(AMERICAN, 1928-2008)

Provenance: Art Resource, Seattle, Washington $6,000-$8,000

POST WAR AND CONTEMPORARY PRINTS

51 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*52 Helen Frankenthaler (AMERICAN, 1928-2011)

Tales of Genji I, 1998 thirty-four color woodcut from 11 woodblocks signed and numbered 8/30 42 x 47 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado Provenance: Meyerovich Gallery, San Francisco, California $30,000-$50,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*55

Robert Motherwell

Untitled B (from the Basque Suite), 1970

Put Out All Flags, 1980

Mediterranean Light, 1991

screenprint initialed and numbered 83/150 in pencil 22 1/2 x 17 1/2 inches.

aquatint and lift-ground etching signed and numbered 33/50 in pencil 11 3/4 x 19 3/4 inches.

$2,000-$4,000

$7,000-$9,000

lithograph signed and numbered AP 8/12 in pencil 22 1/4 x 66 inches. Property from the Collection of Mr. and Mrs. Lijewski, Door County, Wisconsin

(AMERICAN, 1915-1991)

$30,000-$50,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

56 Willem de Kooning

(DUTCH/AMERICAN, 1904-1997)

Quatre Lithographies, 1986 (the complete set of four works) lithographs each signed, dated and numbered XXIV/L in pencil each 28 1/4 x 24 3/4 inches. $80,000-$120,000

“

Later, as I get older, it is such a nice thing to see a nice Matisse… When people say my later paintings are like Matisse, I say, ‘You don’t say,’ and I’m very flattered.

”

– Willem de Kooning quoted in R. Storr, “At Last Light”, Willem de Kooning, the Late Paintings, the 1980s, New York, 1995, p. 71 A giant of Post War painting and a founder of Abstract Expressionism, Willem de Kooning had the inimitable ability to continually develop and refine his style over the course of his 60 year career. Unlike many of his contemporaries, his final style was lyrical and sinuous, bright and primary, deliberate and exacting. Quatre Lithographies embodies the primary color palette and pure reductive forms of this late style. For de Kooning, the 1980’s heralded a period of prolific output but also of renewed focus and clear thinking. Coming out of a decade of dark and self destructive behavior, by 1981 he was living full time in East Hampton with his ex-wife, Elaine de Kooning. Newly sober and surrounded by close friends and assistants, he began to paint again with his former exuberance. His studio at this time featured a new type of easel, devised by Elaine’s brother, that could rotate paintings 360 degrees and raise and lower them easily so that he could work on all parts of a canvas at once. This process helped imbue his late works with a sense of consistency that transforms itself into movement as the viewer’s eye travels throughout the composition. This lightness and movement is clearly reminiscent of the works of Henri Matisse, whom de Kooning clearly identified with late in his life. In 1980, he stated “Lately I’ve been thinking that it would be nice to be influenced by Matisse, I mean he’s so lighthearted. I have a book about how he was old and he cut out colored patterns and he made it so joyous. I would like to do that, too -- not like him, but joyous, more or less.“ (Willem de Kooning, quoted in M. Stevens and A. Swann, de Kooning: An American Master, New York, 2004, p. 589). He soon made the joyous, lyrical and sinuous lines of Matisse a part of his vernacular. Quatre Lithographies, published in 1986 by the French publisher Éditions de la Différence, embodies each element of this late style. You can feel the consistency imparted by the mechanical easel, the lightness of Matisse, the newfound sobriety and poignancy of form. Published as a portfolio of four in an edition of 150 (50 numbered in Roman numerals) this set is rarely seen complete. Of the very few lithographs created by de Kooning late in his career, this set is unequivocally the most finished, complete and visually engaging. It is easily the crowning achievement of the graphic works of Willem de Kooning.

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*57

Frank Stella

Sinjerli Variation III, 1977

Grodno I, 1975

offset lithograph and screenprint signed, dated and numbered 40/100 in pencil 25 x 25 inches. Property of the Dewar Family, Leawood, Kansas

paper relief, dyed and collaged paper, hand coloring signed, dated and numbered 26/26 in pencil 26 x 21 1/2 x 1 3/4 inches.

(AMERICAN, B. 1936)

Provenance: Morgan Gallery, Shawnee Mission, Kansas

(AMERICAN, B. 1936)

Provenance: Richard Gray Gallery, Chicago $4,000-$6,000

$5,000-$7,000

58 Frank Stella

(AMERICAN, B. 1936)

Shards Variant IVa (from Shards series), 1982 color offset lithograph and screenprint signed, dated and numbered 29/49 39 3/4 x 45 inches. $8,000-$10,000

60 Frank Stella

(AMERICAN, B. 1936)

Lunna Wola V, 1975 paper relief, dyed and collaged paper, hand coloring signed and numbered 21/26 26 x 21 1/2 x 1 3/4 inches. Provenance: Richard Gray Gallery, Chicago $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Al Held

Robert Mangold

Russell’s Way, 1989

Multiple Panel Paintings 1973-1976, edition B, 1988

(ITALIAN/AMERICAN, 1928- 2005)

etching and aquatint in colors signed, dated and numbered 44/50 in pencil 35 x 44 1/4 inches. Provenance: Crown Point Press, San Francisco, California Acquired from the above by the present owner in 1990 $3,000-$5,000

P R I N T S A N D M U LT I P L E S

(AMERICAN, B. 1937)

the complete set of nine screenprints in colors one signed and numbered 286/300 Sheet: 11 7/8 x 27 1/4 inches. $2,500-$3,500

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*64

David Hockney

Ann Combing Her Hair, 1979

Celia with Green Hat, 1984

lithograph signed, dated and numbered 4/75 in pencil 23 x 29 inches.

color lithograph signed, dated and numbered 77/98 in pencil 30 x 22 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois

(BRITISH, B. 1927)

Provenance: Franklin Siden Gallery, West Bloomfield, Michigan

(BRITISH, B. 1937)

$15,000-$25,000 $3,000-$5,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Wayne Thiebaud

River Turns, 1998/2011

Night River, 1998/2011

hard ground etching, drypoint and aquatint, printed in blue signed, titled, dated and numbered 33/40 in pencil 10 x 16 inches.

hard ground etching, drypoint and aquatint, printed in blue and black signed, titled, dated and numbered 33/40 in pencil 10 x 16 inches.

Provenance: Jonathan Novak Contemporary Art, Lost Angeles, California

Provenance: Jonathan Novak Contemporary Art, Los Angeles, California

$5,000-$7,000

(AMERICAN, B. 1920)

P R I N T S A N D M U LT I P L E S

(AMERICAN, B. 1920)

*67 Saul Steinberg

(AMERICAN, 1914-1999)

Tango hand colored lithograph signed and numbered 10/20 in pencil 19 1/4 x 14 1/2 inches. The Estate of Thomas L. Harris, Highland Park, Illinois Provenance: Pace Editions, Inc., New York $1,000-$2,000

68 John Lennon

(BRITISH, 1940-1980)

Mind Games lithograph signed, stamped and numbered 5/300 in pencil 12 1/4 x 14 inches. $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*69 Red Grooms

(AMERICAN, B. 1937)

The Boss at Times Square, 1995 three dimensional color lithograph signed, dated and numbered 68/75 24 1/4 x 17 1/2 x 5 1/4 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $2,000-$4,000

*70 Red Grooms

(AMERICAN, B. 1937)

South Sea Sonata, 1992 three dimensional color lithograph signed, dated and numbered 40/60 18 x 21 x 10 1/2 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $1,000-$2,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*71 Red Grooms

(AMERICAN, B. 1937)

Deli, 2004 three dimensional color lithograph signed, dated and numbered 3/50 26 x 26 x 7 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $3,000-$5,000

*72 Red Grooms

(AMERICAN, B. 1937)

Picasso, 1997 three dimensional color lithograph signed, dated and numbered 19/75 21 x 22 x 12 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

73 Romare Bearden

(AMERICAN, 1911-1988)

Martin Luther King Jr. - Mountain Top, 1968 screenprint publication text at lower left edge reads Romare Bearden List Art Poster c 1968, HKL Ltd. 30 x 19 1/2 inches. $800-$1,200

74 Jane Hammond

(AMERICAN, B. 1950)

The Wonderfulness of Downtown, 1996-1997 lithograph and silkscreen in 39 colors with collage signed and numbered 7/50 59 1/4 x 62 inches. Property from The Western Union Company $1,500-$2,500

75 Robert Stackhouse (AMERICAN, B. 1942)

High K.C. Way, 2000 etching signed and numbered 16/30 26 1/4 x 36 inches. Property from The Western Union Company $400-$600

75 54

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

76 Elizabeth Murray

(AMERICAN, 1940-2007)

Wiggle Manhattan, 1992 lithograph in 15 colors edition 5/47 58 3/4 x 29 inches. Property from The Western Union Company $2,000-$4,000

77 Andrea Zittel

(AMERICAN, B. 1965)

Sprawl I, 2002 color lithograph on 16 sheets edition 2/9 49 x 62 inches. Property from The Western Union Company 76

$5,000-$7,000

77 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

78 Squeak Carnwath (AMERICAN, B. 1947)

Be Happy, 2002 color sugarlift, aquatint, and hardground etching signed, dated and numbered 20/40 19 3/4 x 19 3/4 inches. Property from The Western Union Company $800-$1,200

79 Squeak Carnwath (AMERICAN, B. 1947)

Everyday Secrets, 1995 30-color woodcut with etching on paper signed and numbered 33/40 in pencil 23 1/2 x 23 1/2 inches. Property from The Western Union Company $1,500-$2,500

80 Squeak Carnwath (AMERICAN, B. 1947)

Random Events, 2002 color sugarlift, aquatint, and hardground etching signed and numbered 20/40 in pencil 23 3/4 x 23 3/4 inches. Property from The Western Union Company $1,000-$2,000 80

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

81 Squeak Carnwath (AMERICAN, B. 1947)

Winter Spring, 2002 color sugarlift, aquatint, and hardground etching signed and numbered 20/40 9 3/4 x 9 3/4 inches. Property from The Western Union Company $800-$1,200

82 Richard Bosman

(AMERICAN, B. 1944)

Falling Man woodcut signed and numbered 21/32 in pencil 57 x 42 inches. $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Various Artists

Enrique Chagoya

(AMERICAN, 20TH CENTURY)

(MEXICAN/AMERICAN, B. 1953)

The Wisconsin Sesquicentennial Portfolio, 2001 portfolio of 15 etchings by Andrew Balkin, Nancy Burkert, Warrington Colescott, Michelle Grabner, Susan Hunt-Wulkowicz, Martin Levine, Munio Makuuchi, Frances Myers, Bruce Nauman, Gladys Nilsson, Ed Paschke, Fred Stonehouse, Tom Uttech, John Wilde, and William Wiley each signed and numbered 22 1/4 x 30 inches (sheet).

Alberto Rios

(AMERICAN, B. 1952)

You are Here, 2000 complete suite of 6 lithographs signed and numbered 36/60 Each 17 x 17 inches. Property from The Western Union Company $1,500-$2,500

$3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

85 Francisco Toledo (MEXICAN, B. 1940)

Caimanes, 1990 unique color woodcut signed, titled and numbered XVIII/XXII in pencil 17 1/4 x 24 1/4 inches. $700-$900

*86 Roberto Matta

(CHILEAN, 1911-2002)

Oeuvre L’Instant, 1977 color etching and aquatint signed and numbered 63/100 26 1/8 x 19 3/4 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $800-$1,200

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

87 David Siqueiros

(MEXICAN, 1896-1974)

Prison Fantasies, Portfolio I and II (12 works), 1973 12 color lithographs on Arches each print signed and numbered LVIII/LXX 22 1/8 x 15 1/4 inches. $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

88 Zao Wou-Ki

(CHINESE/FRENCH, 1920-2013)

Champs abandonnés, 1954 signed, dated and numbered 45/95 in pencil 12 1/4 x 19 inches. $3,000-$5,000

89 Rufino Tamayo

(MEXICAN/AMERICAN, 1899-1991)

Woman in White, c. 1960 lithograph signed and numbered 87/100 30 1/2 x 21 3/4 inches. Provenance: Kodner Gallery, St. Louis, Missouri $2,000-$4,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

90 Fernando Botero

(COLOMBIAN, B. 1932)

La Maison de Raquel Vega, 1985 offset lithograph printed in colors signed and numbered 53/150 17 x 20 inches. $2,000-$4,000

91 Fernando Botero

(COLOMBIAN, B. 1932)

La Toilette, 1982 offset lithograph printed in colors signed and numbered 53/200 13 3/4 x 11 inches. $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*92 Friedensreich Hundertwasser (AUSTRIAN, 1928-2000)

Regentag (portfolio of 8 works), 1971 color silkscreens with metal imprint, together with portfolio signed and numbered 02117/3000 in colored pencil on inside of upper lid of portfolio case also each print stamped 02117/3000 and bearing Schoeller Stern blind stamp 17 1/4 x 23 1/2 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $4,000-$6,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

GRAPHIC WORKS OF ALEXANDER CALDER FROM THE COLLECTION OF THE

TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST LOTS 93 – 109

“

I paint with shapes.

”

-– Alexander Calder

An undeniable force in 20th Century art, the work of Alexander Calder is instantly recognizable for its bold use of color, strong lines and playful subject matter. Nowhere is this seen more clearly than in his graphic works, edited and printed by Maeght Editions. Towards the end of his career, Calder began using lithography as a means of conveying the same vivid colors and geometric arrangements as his gouaches. Almost exclusively acquired directly from Maeght shortly after their publication, lots 93 – 109 have been meticulously looked after by the same collector for over 45 years. Rarely seen in such pristine condition, the 17 lithographs from the Collection of Terrance J. Dimoff represent a unique opportunity to acquire superbly preserved graphic work by a modern master.

*93 Alexander Calder

(AMERICAN, 1898-1976)

Le Grande Spirale color lithograph signed and numbered 83/100 in pencil 33 x 22 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500

P R I N T S A N D M U LT I P L E S

93 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*94 Alexander Calder

(AMERICAN, 1898-1976)

Papouse, 1969 color lithograph signed and numbered 73/75 in pencil 29 1/2 x 43 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500

*95 Alexander Calder

(AMERICAN, 1898-1976)

Triangle et Quadrilatere color lithograph signed and numbered 68/75 in pencil 15 x 11 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,000-$2,000 95

P R I N T S A N D M U LT I P L E S

THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

*96 Alexander Calder

(AMERICAN, 1898-1976)

Dents de Scie color lithograph signed and numbered 56/75 in pencil 21 1/4 x 29 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $2,000-$4,000

*97 Alexander Calder

(AMERICAN, 1898-1976)

Tabouret a trois pieds color lithograph signed and numbered 60/75 in pencil 29 1/4 x 22 3/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500 97

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*98 Alexander Calder

(AMERICAN, 1898-1976)

Les Rubans color lithograph signed and numbered 59/75 in pencil 30 x 22 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,000-$2,000

*99 Alexander Calder

(AMERICAN, 1898-1976)

Oriflammes color lithograph signed and numbered 30/75 in pencil 30 3/4 x 43 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,000-$2,000 98

P R I N T S A N D M U LT I P L E S

THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

*100 Alexander Calder

(AMERICAN, 1898-1976)

Le Turban, 1969 color lithograph signed and numbered 65/75 pencil 43 x 29 1/2 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $3,000-$5,000

*101 Alexander Calder

(AMERICAN, 1898-1976)

Helices (Propellers) color lithograph signed and numbered 40/75 in pencil 29 1/2 x 43 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $2,000-$4,000 100

101

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*102 Alexander Calder

(AMERICAN, 1898-1976)

Spirale Multicolore color lithograph signed and numbered 61/75 lower right 43 x 29 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500

*103 Alexander Calder

(AMERICAN, 1898-1976)

Beaucoup de couleurs color lithograph signed and numbered 63/75 in pencil 29 1/2 x 43 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500 102

103

P R I N T S A N D M U LT I P L E S

THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

104

*104 Alexander Calder

(AMERICAN, 1898-1976)

Copeaux de couleurs color lithograph signed and numbered 66/75 in pencil 29 x 43 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $1,500-$2,500

*105 Alexander Calder

(AMERICAN, 1898-1976)

La Vague color lithograph signed and numbered 14/120 in pencil 35 1/4 x 23 3/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Maeght Editeur, Paris $2,000-$4,000 105

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*106 Alexander Calder

(AMERICAN, 1898-1976)

L’as de trefle, 1971 color lithograph signed and numbered 65/75 in pencil 25 x 20 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: David Barnett Gallery, Milwaukee, Wisconsin $1,500-$2,500

*107 Alexander Calder

(AMERICAN, 1898-1976)

Untitled (Pinwheels and Pyramids), 1970 color lithograph signed and numbered 41/95 in pencil 29 1/2 x 43 3/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust Provenance: Kahan Esikoff Fine Arts Ltd., New York $2,000-$4,000 106

107

P R I N T S A N D M U LT I P L E S

THE COLLECTION OF THE TERRANCE J. DIMOFF CHARITABLE REMAINDER TRUST

108

109

*108

*109

Alexander Calder

Nid d’oiseau (Bird’s Nest)

Nid d’araignee (Spider’s Nest), 1975

color lithograph signed and numbered 42/95 in pencil 29 1/2 x 43 1/4 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust

color lithograph signed and numbered 58/95 in pencil 29 1/2 x 43 inches. Property from the Collection of the Terrance J. Dimoff Charitable Remainder Trust

Provenance: Kahan Esikoff Fine Arts Ltd., New York

$2,000-$4,000

(AMERICAN, 1898-1976)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

110

111

P R I N T S A N D M U LT I P L E S

MODERN PRINTS LOTS 110 – 156

112

110

*111

*112

Milton Avery

George Bellows

Thomas Hart Benton

Rooster, 1953

Dance In a Madhouse, 1917

Frankie and Johnnie, 1936

woodcut signed, dated and numbered 3/25 in pencil 9 1/2 x 7 inches.

lithograph signed, titled and numbered 67 in pencil 18 1/2 x 24 1/2 inches. Property from the Collection of George M. Irwin, Quincy, Illinois

lithograph signed in pencil 16 1/2 x 22 1/4 inches. Property from the Collection of George M. Irwin, Quincy, Illinois

Provenance: William E. McGuire Allan Frumkin Gallery, Chicago

Provenance: Allan Frumkin Gallery, Chicago

(AMERICAN, 1885-1965)

$1,500-$2,500

(AMERICAN, 1882-1925)

Exhibited: Selections from the Collection of George M. Irwin, Krannert Art Museum, Champaign, Illinois, March 2 - April 13, 1980

(AMERICAN, 1889-1975)

Exhibited: Selections from the Collection of George M. Irwin, Krannert Art Museum, Champaign, Illinois, March 2 - April 13, 1980 $7,000-$9,000

$2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

113 Thomas Hart Benton (AMERICAN, 1889-1975)

Fire in the Barnyard, 1944 lithograph signed in pencil 8 3/4 x 13 3/8 inches. Provenance: Turner Art Gallery, Denver, Colorado $800-$1,200

114 Thomas Hart Benton (AMERICAN, 1889-1975)

The Little Fisherman, 1967 lithograph signed in pencil 14 x 10 inches. 113

$2,000-$4,000

114

P R I N T S A N D M U LT I P L E S

115

MODERN PRINTS 115

116

Thomas Hart Benton

Self Portrait, 1972

Ten Pound Hammer, 1967

lithograph signed in pencil 19 3/4 x 13 3/4 inches.

lithograph signed in pencil 13 3/4 x 9 3/4 inches.

$2,000-$4,000

$6,000-$8,000

(AMERICAN, 1889-1975)

116

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

117

*117 Grant Wood

(AMERICAN, 1891-1942)

March, 1941 lithograph signed in pencil 8 3/4 x 11 3/4 inches. Property from the Collection of George M. Irwin, Quincy, Illinois Provenance: Associated American Artists, New York Mrs. William F. Gerdes, Jr., Quincy, Illinois Acquired from the above by the present owner Exhibited: Selections from the Collection of George M. Irwin, Krannert Art Museum, Champaign, Illinois, March 2 - April 13, 1980 $2,000-$4,000

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

118

118 Ivan Albright

(AMERICAN, 1897-1983)

Show Case Doll, 1954 lithograph signed and titled in pencil 17 x 25 inches. Literature: Grayson 15 $2,000-$4,000

119 Giorgio Morandi

(ITALIAN, 1890-1964)

Il Giardino di via Fondazza, 1924 etching on thin Japan paper signed and numbered 37/55 in pencil 7 1/2 x 10 1/4 inches. $4,000-$6,000 119

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

120 Jules Chéret

(FRENCH, 1836-1932)

Musée Grévin, 1900 color lithograph 48 x 34 1/4 inches. Provenance: Merrill Chase Galleries, Chicago Literature: Malhotra 267; Broido Pl. 24 $800-$1,200

120

121 Henri de Toulouse Lautrec (FRENCH, 1864-1901)

Femme sur le dos - Lassitude from Elles portfolio, 1896 crayon lithograph 15 3/4 x 20 1/2 inches. $4,000-$6,000

121 82

P R I N T S A N D M U LT I P L E S

MODERN PRINTS 122 Ludwig Meidner

(GERMAN,1884-1966)

Straße in Wilmersdorf, 1913 drypoint signed and dated in pencil 6 3/4 x 5 1/2 inches. $1,500-$2,500

122

123 Emil Nolde

(GERMAN, 1867-1956)

Beim Absinthe, 1911 etching signed in pencil 4 x 5 1/2 inches. $800-$1,200

123

124 Lyonel Feininger

(GERMAN/AMERICAN, 1871-1956)

Kleinstadt etching signed and titled in pencil 6 x 9 1/4 inches. $4,000-$6,000

124 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

125

*125 Pierre-Auguste Renoir (FRENCH, 1841-1919)

Le petit garçon au porte-plume (Claude Renoir écrivant) lithograph 12 x 16 inches. Property from the collection of Robert and Patricia Ryan, Lake Forest, Illinois Provenance: Merrill Chase Galleries, Chicago $4,000-$6,000

126 Pierre-Auguste Renoir (FRENCH, 1841-1919)

La Danse à la Campagne, 2E Planche etching estate stamped signature 8 1/2 x 5 1/4 inches. Provenance: Timothy Yarger Fine Art, Beverly Hills, California $7,000-$9,000 126

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

127

*127 Paul Delvaux

(BELGIAN, 1897- 1994)

Le Silence, 1972 color lithograph signed and numbered 14/75 in pencil 23 1/4 x 30 3/4 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $2,000-$4,000

128 Albert Léon Gleizes (FRENCH, 1881-1953)

Peinture à trois éléments pochoir signed in pencil 18 x 13 1/2 inches. Provenance: Kodner Gallery, St. Louis, Missouri $3,000-$5,000

128

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

129

*129

130

131

Marcel Duchamp

Henri Matisse

After Henri Matisse

Dada 1916-1923 (exhibition poster), 1953

Figure Mains jointes et Nappe à Décor persan, 1929

Odalisque au coffret rouge, ca. 1952

offset lithograph 37 3/8 x 24 3/8 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia

etching signed and numbered 6/25 in pencil 4 3/4 x 3 1/2 inches.

(FRENCH, 1887-1968)

Provenance: Sidney Janis Gallery, 1979 acquired from the above by present owner

(FRENCH, 1869-1954)

Provenance: Pace Prints, New York The Art Store and Gallery, Lake Forest, Illinois $8,000-$12,000

$2,000-$4,000

P R I N T S A N D M U LT I P L E S

(FRENCH, 1869-1954)

color aquatint and etching signed and numbered 21/200 16 1/4 x 21 3/4 inches. $15,000-$25,000

MODERN PRINTS

130

131 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

132 Joan Miro

(SPANISH, 1893-1983)

Suite: La Bague d’Aurore, 1957 etching and aquatint signed and numbered 46/60 in pencil 4 1/2 x 5 1/2 inches. $3,000-$5,000

132

*133 Joan Miro

(SPANISH, 1893- 1983)

Le Grand Ordinateur, 1969 etching with aquatint and carborundum signed and lettered HC in pencil 40 x 25 1/2 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado Provenance: Arte Adrien Maeght, Paris, France XX Century Publishing, Paris, France International Fine Arts, Ltd., New York, New York Arnesen Fine Art, Ltd., Vail, Colorado $10,000-$15,000

134 Joan Miro

(SPANISH, 1893-1983)

Les Voyants: Six Plates, 1970 the complete set of six color lithographs each signed and numbered 59/75 in pencil 25 1/4 x 19 1/4 inches. $12,000-$18,000

133

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

134

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

135

135 Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Enlèvement de Chloé from Daphnis et Chloe, 1961 color lithograph from the edition of 250 16 3/4 x 25 1/2 inches. $1,500-$2,500

136 Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Samson and Delilah (from the Bible Series), 1958 etching with hand applied watercolor signed and numbered 90/100 in pencil 11 1/8 x 9 3/4 inches. $2,000-$4,000

136

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

*137 After Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Tribe of Benjamin, 1964 lithograph numbered XXVII/LXXV in pencil 24 1/8 x 18 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $800-$1,200

137

*138 Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Nocturne a Venice lithograph and aquatint signed and numbered 35/40 in pencil 12 1/2 x 9 1/4 inches. Property from the Helen Simons Trust, Chicago, Illinois Provenance: Garelick’s Gallery, Detroit, Michigan $4,000-$6,000

138

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

139 Marc Chagall

(FRENCH/RUSSIAN, 1891-1976)

Hommage à Chagall, 1969 lithograph signed and numbered 35/75 in pencil 12 x 9 1/4 inches. $4,000-$6,000

139

140 Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

And you wove for your tender neck seductive garlands of ravishing flowers, (from In The Land of the Gods), 1967 color lithograph signed and numbered 26/75 in pencil 15 1/4 x 13 1/4 inches. $6,000-$8,000

140

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

141

141 Marc Chagall

FRENCH/RUSSIAN, 1887-1985)

The Starlit Circus color lithograph signed and numbered 46/50 in pencil 24 x 18 inches. $10,000-$15,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

142

*143

Salvador Dali

Return, Return, Shulamite from Song of Songs of Solomon, 1971

Conquest of the Cosmos II, (portfolio of 6), 1974

color etching signed and numbered s50/200 in pencil 15 3/4 x 19 3/4 inches.

drypoint and lithographs with embossing in colors each signed and numbered LXVI/CLXXXXV in pencil Each 29 1/2 x 21 3/4 inches. Property from the Collection of John J. Meier III, St. Louis, Missouri

(SPANISH, 1904-1989)

$600-$800

(SPANISH, 1904-1989)

$10,000-$15,000

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

143

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

144 | one of ten

144 Salvador Dali

(SPANISH, 1904-1989)

Imagination and Objects of the Future, (portfolio of 10), 1975 drypoint, etching, lithograph, screenprint and collage signed and numbered 2/250 in pencil 27 1/2 x 20 1/2 inches. $20,000-$30,000

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

144 | nine of ten

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

145 After Pablo Picasso (SPANISH, 1881-1973)

Nature Morte au Citron et un Pichet Rouge color aquatint signed and numbered 297/300 in pencil 13 x 16 inches. $6,000-$8,000

145

146 Pablo Picasso

(SPANISH, 1881-1973)

Rembrandt et Deux Femmes, Plate 35 from La Suite Vollard, 1934 etching signed in pencil 11 x 7 7/8 inches. Literature: Bloch 215 $8,000-$12,000

146

P R I N T S A N D M U LT I P L E S

MODERN PRINTS

*147 Pablo Picasso

(SPANISH, 1891-1973)

La Danse des Faunes, 1957 lithograph signed in blue crayon d numbered 28/200 in pencil 16 x 20 1/2 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois Literature: Bloch 830 $6,000-$8,000

147

148 Pablo Picasso

(SPANISH, 1881-1973)

Arlequin et Personnages Divers, from 347 Series, 1968 aquatint signed and numbered 20/50 in pencil 12 1/2 x 15 1/2 inches. Literature: Bloch 1517 $3,000-$5,000

148

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

149

150

151

100 P R I N T S A N D M U LT I P L E S

MODERN PRINTS

152

149

151

Pablo Picasso

Raphael et la fornarina XXIII, from 347 Series, 1968

Fille au Bracelet, avec Degas les Mains dans le Dos, from 156 Series, 1971

(SPANISH, 1881-1973)

etching signed and numbered 26/50 in pencil 5 3/4 x 8 inches. Provenance: Galleria Tornabouni, Italy Literature: Bloch 1798 $3,000-$5,000

150 Pablo Picasso

(SPANISH, 1881-1973)

Egyptien et Femmes, from 347 Series, 1968 etching signed and numbered 28/50 in pencil 8 x 10 1/4 inches. Provenance: Galleria Tornabouni, Italy Literature: Bloch 1811

(SPANISH, 1881-1973)

etching stamped and numbered 36/50 in pencil 14 1/8 x 19 1/8 inches. Literature: Bloch 1958 $3,000-$5,000

152 Pablo Picasso

(SPANISH, 1881-1973)

Degas paie et s’en va. Les filles ne sont pas tendres, from 156 Series, 1971 aquatint and drypoint stamped and numbered 16/50 in pencil 14 1/2 x 19 inches. Literature: Bloch 1988 $2,000-$4,000

$4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101

*153 Pablo Picasso

(SPANISH, 1881-1973)

Toros, 1952 white earthenware ceramic plate with black oxide, colored engobe and glaze stamped and marked Edition Picasso Diameter: 8 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Literature: Ramié 161 $2,000-$4,000

153

154 Pablo Picasso

(SPANISH, 1881-1973)

Service visage noir (plate E), 1938 white earthenware clay, decoration in engobes, knife engraved under glaze stamped Edition Picasso Madoura Diameter: 9 1/4 inches. Literature: Ramié 40 $3,000-$5,000

154

102 P R I N T S A N D M U LT I P L E S

MODERN PRINTS 155 Pablo Picasso

(SPANISH, 1881-1973)

Yan Barbu, 1963 red earthenware clay painted in black stamped Madoura Plein Feu and Edition Picasso, incised 29/300 Height: 10 1/4 inches. Literature: Ramié 513 $3,000-$5,000

155

156 Pablo Picasso

(SPANISH, 1881-1973)

Pichet tête (Head Pitcher), 1953 partially glazed ceramic inscribed Edition Picasso Madoura (underside) Height: 5 3/4 inches. Literature: Ramié 221 $2,000-$4,000 156

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 103

157

158

104 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY LOTS 157 – 168

159

157

158

*159

Eadweard Muybridge

Ansel Adams

Barbara Morgan

Storks, from Animal Locomotion, Plate 777

Half Dome, Orchard, Winter, Yosemite National Park, c. 1930

Use Litter Basket, 1939 and Merce Cunningham - Totem Ancestor, 1942-1972

(BRITISH/AMERICAN, 1830-1904)

collotype 6 1/2 x 17 inches. $200-$400

(AMERICAN, 1902-1984)

(AMERICAN, 1900-1992)

gelatin silver print signed and dated in pencil 7 x 9 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Jan Kesner Gallery, Los Angeles, California $4,000-$6,000

a pair of gelatin silver prints each signed and titled, one dated, one bearing stamp of the photographer Largest: 19 x 14 3/4 inches. Property from the Maurer Family Trust, Grand Rapids, Michigan $1,500-$2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

160 Berenice Abbott

(AMERICAN, 1898-1991)

Doorway, 204 West 13th Street, Fifth Avenue, No. 8 (Marble House) and Gay Street #14-16 (a group of three works from Changing New York) gelatin silver prints bearing Changing New York credit stamp, titled and dated in pencil 8 x 10 inches. $2,000-$4,000

160

161 Imogen Cunningham (AMERICAN, 1883-1976)

Three Wire Sculptures, c. 1950’s gelatin silver print Imogen Cunningham Trust label on verso, signed and dated 1987 by Rondal Partridge 7 x 8 1/2 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming $2,500-$3,500

161

106 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY *162 Barbara Morgan

(AMERICAN, 1900-1992)

Martha Graham - Deep Song - three works a group of 3 gelatin silver prints each signed on mount and bearing stamp of the photographer and title on verso Largest: 10 1/2 x 13 1/4 inches. Property from the Maurer Family Trust, Grand Rapids, Michigan $1,500-$2,500

162

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

*163 John Coplans

(BRITISH, 1920-2003)

Marge in Office, Akron Art Museum, 1979 gelatin silver print 7 1/2 x 9 1/4 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia $1,000-$2,000

*164 John Coplans

(BRITISH, 1920-2003) 163

Self Portrait, Back of Hand, 1986 gelatin silver print 13 x 14 3/4 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia $1,000-$2,000

*165 John Coplans

(BRITISH, 1920-2003)

Sugar Please (John Baldessari’s hands), ca. 1979 polaroid photographs titled (lower right) each 4 1/4 x 3 1/2 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia $800-$1,200 164

165

108 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY *166 Lee Friedlander

(AMERICAN, B. 1934)

Akron, OH from Factory Valleys, 1979-1980 black and white photograph signed, stamped, dated and dedicated on verso 11 1/4 x 7 1/2 inches. Property from the Collection of Marjorie Harvey Crittenden, Atlanta, Georgia Provenance: gift of the artist to present owner $800-$1,200

167 Aldo Sessa

(ARGENTINE, B. 1939)

La Boca, 1998 chromogenic print signed and numbered V/X in pencil 13 1/2 x 17 1/2 inches. Property from The Western Union Company $800-$1,200

166

167

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

168

168 Robert Mapplethorpe (AMERICAN, 1946-1989)

Orchid, 1987 gelatin silver print estate stamped and numbered 8/10 signed by Michael Ward Stout as executor 24 x 20 inches. Provenance: Greg Kucera Gallery, Inc., Seattle, Washington Robert Miller Gallery, New York $20,000-$30,000

110 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY

169 Hiroshi Sugimoto (JAPANESE, B. 1948)

North Pacific Ocean Ohkurosaki, 2013 gelatin silver print signed, titled, dated and numbered 5/25 in blindstamp 16 5/8 x 21 3/8 inches. Provenance: Alan Koppel Gallery, Chicago $15,000-$25,000

169

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Abbott, Berenice. . . . . . . . . . . . . . . . . . . . . . 160 Adams, Ansel. . . . . . . . . . . . . . . . . . . . . . . . 158 Albright, Ivan . . . . . . . . . . . . . . . . . . . . . . . . 118 Anuszkiewicz, Richard. . . . . . . . . . . . . . . . . . . 33 Avery, Milton . . . . . . . . . . . . . . . . . . . . . . . . 110 Baj, Enrico. . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Bearden, Romare. . . . . . . . . . . . . . . . . . . . . . 73 Bellows, George. . . . . . . . . . . . . . . . . . . . . . 111 Benton, Thomas Hart. . . . . . . . . . . . . . 112-116 Bosman, Richard. . . . . . . . . . . . . . . . . . . . . . 82 Botero, Fernando. . . . . . . . . . . . . . . . . . . 90, 91 Burri, Alberto. . . . . . . . . . . . . . . . . . . . . . . . . 42 Calder, Alexander. . . . . . . . . . . . . . . . . . 94-109 Carnwath, Squeak . . . . . . . . . . . . . . . . . . 78-81 Chagall, Marc. . . . . . . . . . . . . . . . . . . . 135-141 Chagoya, Enrique. . . . . . . . . . . . . . . . . . . . . . 84 Cheret, Jules. . . . . . . . . . . . . . . . . . . . . . . . 120 Coplans, John . . . . . . . . . . . . . . . . . . . 163-165 Cottingham, Robert . . . . . . . . . . . . . . . . . . . . . 7 Cunningham, Imogen . . . . . . . . . . . . . . . . . . 161 Dali, Salvador. . . . . . . . . . . . . . . . . . . .142-144 de Kooning, Willem. . . . . . . . . . . . . . . . . . . . . 56 Delvaux, Paul. . . . . . . . . . . . . . . . . . . . . . . . 127 Dubuffet, Jean. . . . . . . . . . . . . . . . . . . . . 44-48 Duchamp, Marcel. . . . . . . . . . . . . . . . . . . . . 129 Escobar, Marisol. . . . . . . . . . . . . . . . . . . . . . . 18 Feininger, Lyonel. . . . . . . . . . . . . . . . . . . . . . 124 Francis, Sam. . . . . . . . . . . . . . . . . . . . . . . . . 49 Frankenthaler, Helen. . . . . . . . . . . . . . . . . 51, 52 Friedlander, Lee. . . . . . . . . . . . . . . . . . . . . . 166 Gleizes, Albert Leon. . . . . . . . . . . . . . . . . . . 128 Grooms, Red. . . . . . . . . . . . . . . . . . . . . . 69-72 Hammond, Jane. . . . . . . . . . . . . . . . . . . . . . . 74 Held, Al. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Hockney, David. . . . . . . . . . . . . . . . . . . . . 63, 64 Hundertwasser, Friedensreich. . . . . . . . . . . . . 92 Indiana, Robert . . . . . . . . . . . . . . . . . . . . . . . . 6 Johns, Jasper. . . . . . . . . . . . . . . . . . . . . . . . . 35 Kentridge, William . . . . . . . . . . . . . . . . . . . . . 39 Koons, Jeff . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Lautrec, Henri de Toulouse. . . . . . . . . . . . . . 121 Lennon, John. . . . . . . . . . . . . . . . . . . . . . . . . 68 LeWitt, Sol. . . . . . . . . . . . . . . . . . . . . . . . 36-38 Lichtenstein, Roy. . . . . . . . . . . . . . . . . . . . . 1-5 Lindner, Richard. . . . . . . . . . . . . . . . . . . . . . . 17 Mangold, Robert. . . . . . . . . . . . . . . . . . . . . . 62 Mapplethorpe, Robert. . . . . . . . . . . . . . . . . . 168 Matisse, Henri. . . . . . . . . . . . . . . . . . . . . . . 130 After Matisse, Henri. . . . . . . . . . . . . . . . . . . 131 Matta, Roberto. . . . . . . . . . . . . . . . . . . . . . . . 86 Meidner, Ludwig. . . . . . . . . . . . . . . . . . . . . . 122 Miro, Joan. . . . . . . . . . . . . . . . . . . . . . 132-134 Motherwell, Robert. . . . . . . . . . . . . . . . . . 53-55 Murray, Elizabeth . . . . . . . . . . . . . . . . . . . . . . 76 Muybridge, Eadweard. . . . . . . . . . . . . . . . . . 157 Natkin, Robert. . . . . . . . . . . . . . . . . . . . . . . . 50 Nolde, Emil . . . . . . . . . . . . . . . . . . . . . . . . . 123 Picasso, Pablo. . . . . . . . . . . . . . . . . . . 146-156 After Picasso, Pablo. . . . . . . . . . . . . . . . . . . 145

112 P R I N T S A N D M U LT I P L E S

Rauschenberg, Robert . . . . . . . . . . . . . . . 21-26 Renoir, Pierre-Auguste. . . . . . . . . . . . . . 125, 126 Richter, Gerhard. . . . . . . . . . . . . . . . . . . . . . . 41 Rivers, Larry. . . . . . . . . . . . . . . . . . . . . . . . . . 8 Rosenquist, James. . . . . . . . . . . . . . . . . . 28-32 Saint Phalle, Niki de. . . . . . . . . . . . . . . . . . . . 16 Sessa, Aldo. . . . . . . . . . . . . . . . . . . . . . . . . 167 Shimomura, Roger. . . . . . . . . . . . . . . . . . . . . 20 Siqueiros, David. . . . . . . . . . . . . . . . . . . . . . . 87 Stackhouse, Robert. . . . . . . . . . . . . . . . . . . . 75 Steinberg, Saul . . . . . . . . . . . . . . . . . . . . . . . 67 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . .57-60 Sugimoto, Hiroshi. . . . . . . . . . . . . . . . . . . . . 169 Tamayo, Rufino. . . . . . . . . . . . . . . . . . . . . . . . 89 Thiebaud, Wayne . . . . . . . . . . . . . . . . . . . 65, 66 Toledo, Francesco. . . . . . . . . . . . . . . . . . . . . . 85 Tobey, Mark. . . . . . . . . . . . . . . . . . . . . . . . . . 27 Turrell, James. . . . . . . . . . . . . . . . . . . . . . . . . 40 Various Artists. . . . . . . . . . . . . . . . . . . . . 13, 83 Vasarely, Victor. . . . . . . . . . . . . . . . . . . . . . . . 34 Warhol, Andy . . . . . . . . . . . . . . . . . . . . . . . 9-12 Wesselmann, Tom . . . . . . . . . . . . . . . . . 13A-15 Wood, Grant. . . . . . . . . . . . . . . . . . . . . . . . . 117 Wou-Ki, Zao. . . . . . . . . . . . . . . . . . . . . . . . . . 88 Zittel, Andrea. . . . . . . . . . . . . . . . . . . . . . . . . 77

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

THOMAS HART BENTON (AMERICAN, 1889-1975) WHISKEY GOING INTO THE RACKHOUSE TO AGE OR WHISKEY BARRELS, 1945 TO BE OFFERED IN OUR AMERICAN AND EUROPEAN ART AUCTION ON OCTOBER 17.

U P C O M I N G AUC T I ON S C H E D U L E 694 | POST WAR AND CONTEMPORARY ART SEPTEMBER 26 | CHICAGO

693 | AMERICAN AND EUROPEAN ART OCTOBER 17 | CHICAGO

695 | PRINTS AND MULTIPLES SEPTEMBER 26 | CHICAGO

714 | LIBRARY OF A MIDWESTERN COLLECTOR NOVEMBER 5 | CHICAGO

719 | ST. LOUIS COLLECTIONS OCTOBER 10 | ST. LOUIS

721 | ESSENTIAL JEWELRY NOVEMBER 15| ONLINE ONLY

700 | FINE FURNITURE, DECORATIVE ARTS AND SILVER OCTOBER 15 | CHICAGO

726 | FINE ART WINTER SELECTIONS NOVEMBER 19 | ONLINE ONLY

701 | FINE FURNITURE, DECORATIVE ARTS AND SILVER OCTOBER 16 | ONLINE ONLY

702 | GOEFFREY BEENE COUTURE NOVEMBER 20 | CHICAGO

AUCTION INQUIRIES | FINE ART DEPARTMENT

Joseph Stanfield Director, Senior Specialist

Monica Brown Senior Specialist, Fine Prints

Thomas Galbraith CEO thomasgalbraith@hindmanauctions.com 312.334.4205 Aimee Schneider Executive Assistant aimeeschneider@hindmanauctions.com 312.447.3264

FINANCE Marco Gusella Controller marcogusella@hindmanauctions.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Joan Wagner VP Midwest joanwagner@hindmanauctions.com 312.447.3289 Alyssa Quinlan Senior Vice President, Business Development alyssaquinlan@hindmanauctions.com 312.447.3272 Molly E. Gron, J.D. Senior Director, Business Development mollygron@hindmanauctions.com 312.334.4235 Katie Matusik Director of Appraisals katelynmatusik@hindmanauctions.com 312.334.4224 Vaughn Smith Business Development Manager, Midwest vaughnsmith@hindmanauctions.com 312.334.4238 Miranda Luce Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210

CONSIGNMENT DEPARTMENT Jim Sharp VP Expertise jimsharp@hindmanauctions.com Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com Raluca Mondi Consignment Coordinator ralucamondi@hindmanauctions.com 312.447.3263

114 P R I N T S A N D M U LT I P L E S

Zack Wirsum Senior Specialist Post War and Contemporary Art

Tess Hall Senior Specialist American and European Art

Nate Brady Cataloguer

Emily Catrice Cataloguer

Mary Grace Bilby Account Executive

Fine Art

Asian Works of Art

REGIONAL OFFICES

Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com

Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com

Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Sabrina Granados Account Executive sabrinagranados@hindmanauctions.com 312.280.1212

Tess Hall Senior Specialist anastasiahall@hindmanauctions.com

Megan Sadler Account Executive megansadler@hindmanauctions.com 312.600.6066

Monica Brown Senior Specialist monicabrown@hindmanauctions.com Nate Brady Cataloguer nathanbrady@hindmanauctions.com Emily Catrice Cataloguer emilycatrice@hindmanauctions.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216

Fine Furniture, Decorative Arts and Silver Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com Benjamin Fisher Senior Specialist benjaminfisher@hindmanauctions.com Nick Coombs Specialist nickcoombs@hindmanauctions.com Genevieve King Cataloguer genevieveking@hindmanauctions.com

Modern Design Hudson Berry Specialist hudsonberry@hindmanauctions.com Mike Intihar Senior Specialist mike@hindmanauctions.com

Fine Jewelry and Timepieces Kimberly Burt Director kimberlyburt@hindmanauctions.com Katie Guilbault, G.G. Director, Business Development, Senior Specialist katieguilbault@hindmanauctions.com Jamie Henderson Specialist jamiehenderson@hindmanauctions.com

Abby Chambers Account Executive abbychambers@hindmanauctions.com 312.334.4234

Atlanta

668 Miami Circle NE Atlanta, Georgia 30324 404.800.0192

Denver

1024 Cherokee Street, Suite 200 Denver, Colorado 80204 303.825.1855

Milwaukee

414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200

Naples

Nicole Gunn, G.G. Specialist, Florida Region nicolegunn@hindmanauctions.com

850 6th Avenue South Naples, Florida 34102 239.643.4448

Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com

West Palm Beach

Sally Klarr, G.G. Specialist sallyklarr@hindmanauctions.com Hana Thomson Cataloguer hanathomson@hindmanauctions.com

1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Scottsdale

15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 480.490.3175

Madeline Schroeder Account Executive/Cataloguer madelineschroeder@hindmanauctions. com 312.334.4223

St. Louis

Briar Koehl Account Executive briarkoehl@hindmanauctions.com 312.600.6075

Pam Kirkland pamkirkland@hindmanauctions.com 314.833.0833

Couture and Luxury Accessories Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com

Arts of the American West

32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Kansas City

Rockford, Illinois Janet Moore 815.399.3983

Ohio

Macy Nyhart Hansen 513.560.3200

Cassia Baker Manager, Client Accounts cassiabaker@hindmanauctions.com 312.447.3282

Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855

Washington, D.C.

Fine Books and Manuscripts

Interiors

Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com

Gia Spezia, Director giaspezia@hindmanauctions.com 312.334.4219

Roger Schrenk and Chris Fultz 703.217.3811

Maria Fernandez Account Executive mariafernandez@hindmanauctions.com 312.334.4236

Maura Ross 561.676.3199

Mid Atlantic

International

Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty percent (20%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at www. lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 115

CONDITIONS OF SALE HINDMAN LLC AS AGENT The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

116 P R I N T S A N D M U LT I P L E S

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. Third-Party Platform Fee If the buyer bids through a third-party platform the buyer agrees to pay a surcharge to Hindman LLC equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 07/19

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 117

UPCOMING AUCTIONS

SALE 694

POST WAR AND CONTEMPORARY ART Thursday September 26 | 10AM CT Chicago | Live + Online SALE 693

AMERICAN AND EUROPEAN ART Thursday October 17 | 10AM CT Chicago | Live + Online INQUIRIES

hindmanauctions.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212 IMAGES TOP TO BOTTOM Sale 694 | Lot 115 Karl Wirsum, (American, b. 1939) Doggerel III, 1967, acrylic on canvas Estimate: $50,000 – $70,000 Sale 694 | Lot 41 Alexander Calder, (American, 1898-1976) On the Red Sky, 1965, gouache and ink on paper Estimate: $50,000 – $70,000 Sale 693 | American and European Art Daniel Ridgway Knight, (American, 1839-1924) Untitled (Knitting in the Garden), oil on canvas Estimate: $30,000 – $50,000 Sale 693 | American and European Art Henry Moret, (French, 1856-1913) Rivière de Belon, Finistère, 1908, oil on canvas Estimate: 80,000 – $120,000

BID FORM

FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at www.hindmanauctions.com

NAME

SALE No./NAME

$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

695 - Prints BUSINESS NAME

BILLING ADDRESS

CITY

STATE

COUNTRY/ZIP

CONTACT NAME

PRIMARY PHONE

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

SECONDARY PHONE

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

FAX

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. SIG N ATURE

DAT E

( FO R H INDM AN L CC)

DAT E

A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card LOT No.

LOT DESCRIPTION

ABSENTEE BID

PHONE BID

BACK-UP BID

USD ($) L IMIT EX C L . BUY E R’S P REM I U M

PL EAS E C H EC K

F O R T EL EPH O N E B I D D ER S O N LY

1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM

How did you hear about Hindman?

Sale 695 | Prints and Multiples

Articles inside

CONDITIONS OF SALE

ARTIST INDEX