Sale 596 | Post War and Contemporary Art

LESLIE HINDMAN AUCTIONEERS DECEMBER 13, 2018 NO.596

13 3 8 We s t L a ke S t r e e t C h i c a g o, Il l i n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s l i e h i n d m a n.c o m

POST WAR AND CONTEMPORARY ART DECEMBER 13, 2018

Post War and Contemporary Art

LH

Thursday 13 December | 1 PM CT

LHLIVE Cover Lot 95 | Yves Klein, (French, 1928-1962) RP7 - La Terre bleue, 1957-88 Above Lot 23 | Yannis Gaitis, (Greek, 1923-1984) Sardine Can, 1971

P R EVIEW

SATURDAY 8 DECEMBER | 10AM – 3PM SUNDAY 9 DECEMBER | 12PM – 4PM MONDAY 10 DECEMBER | 10AM – 5PM TUESDAY 11 DECEMBER | 10AM – 5PM WEDNESDAY 12 DECEMBER | 10AM – 5PM AUCTION

THURSDAY 13 DECEMBER | 1PM CT PAINTINGS | LOTS 1 – 56 WORKS ON PAPER | LOTS 57 – 87 SCULPTURE | LOTS 88 – 124 P R OPERTY PICK UP HOUR S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com ©Hindman LLC 2018 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

P RO P ERT Y F RO M T H E ES TAT ES O F Helen and Jack Halpern, Chicago, Illinois William Lipton, New York, New York

P RO P ERT Y F RO M T H E C O LLEC T IO N S O F Ms. Yolanda Saul, Chicago, Illinois Jeffery Thompson and Neil Schlager, Dallas, Texas

Lot 13 | Al Loving, (American, 1935-2005), Cube 28, 1970

Contents PAINTINGS

LOTS 1 – 56

6

WORKS ON PAPER

LOTS 57 – 87

50

SCULPTURE

LOTS 88 – 124

74

ARTIST INDEX

98

GLOSSARY OF TERMS

AUCTION INQUIRIES

98

CONDITIONS OF SALE

101

TELEPHONE / ABSENTEE BID FORMS

103

Lot 18 | R.H. Quaytman, (American, b. 1961), Untitled, 1997

99

Paintings |

LOTS 1 – 56

Lot 26 | Gertrude Abercrombie, (American, 1909-1977) Winding Road, 1937

1

1 THEODOROS STAMOS

(GREEK/AMERICAN, 1922-1997)

What the Wind Did, 1949 oil on board signed Stamos (lower left); signed, titled and dated (verso) 24 x 30 inches. $15,000-25,000

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2 NICHOLAS CARONE (AMERICAN, 1917-2010)

Woton I oil on board signed Carone (lower right) 25 x 41 inches.

Provenance: Staemplfli Gallery, New York Union Carbide Corporation, New York Sold: Sotheby’s New York, June 23, 1982 $5,000-7,000

2

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3 NICHOLAS CARONE (AMERICAN, 1917-2010)

Abraxas oil on canvas signed Carone (lower right) 60 x 72 inches.

Provenance: Sold: Sotheby’s New York, June 23, 1982 $20,000-40,000

3

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4

4 JOHN LEVEE

(AMERICAN, B. 1924)

Untitled, 1959 oil on canvas signed Levee and dated (upper left) 28 1/2 x 36 inches.

Provenance: Janet Leigh and Tony Curtis, Los Angeles Jamie Lee Curtis and Kelly Curtis, Los Angeles Sold: Los Angeles Modern Auctions, October 13, 2013, Lot 473 $5,000-7,000

5 SONIA GECHTOFF (AMERICAN, 1926-2018)

Untitled, 1960 oil on canvas signed Gechtoff and dated (lower right) 17 x 14 inches. $1,000-2,000

5

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6 CHARLES GREEN SHAW (AMERICAN, 1892-1974)

Night Blossom, 1958 oil on canvasboard signed Shaw (lower left); signed and dated (verso) 8 x 10 inches. $1,000-2,000

7 CHARLES GREEN SHAW (AMERICAN, 1892-1974)

Toward April, 1959 oil on canvasboard signed Shaw (lower right); signed and dated (verso) 12 x 16 inches. $2,000-4,000 6

7

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8

8 WILLIAM CONGDON (AMERICAN, 1912-1998)

Egypt #1, Cairo, 1958 oil on board initialed WC and dated (lower left); signed, titled and dated (verso) 51 x 55 inches.

Provenance: Betty Parsons Gallery, New York $10,000-15,000

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9 KUMI SUGAI

(JAPANESE, 1919-1996)

Sora, 1960-61 oil on canvas signed Sugai and dated (lower right); signed, titled and dated (verso) 83 3/4 x 61 1/4 inches.

Provenance: Kootz Gallery, New York Mr. and Mrs. Samuel Kootz, New York Gifted to the Museum of Fine Arts Houston by the above Sold: Sotheby’s New York, June 23, 1982, Lot 119 $120,000-180,000

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15

10

10

11*

WILLIAM SCHARF

GYORGY KEPES

Untitled (Orange and Black Abstract), 1958

Friendly Colors, 1964

(AMERICAN, B. 1927)

oil on canvas signed W. Scharf (lower right) 40 x 50 inches. $2,000-4,000

(AMERICAN, 1906-2001)

oil and sand on canvas signed G Kepes, titled and dated (verso) 31 x 25 inches.

Property from the Estate of William Lipton, New York, New York Provenance: Swetzoff Gallery, Boston Exhibited: Boston, Massachusetts, Institute of Contemporary Art, Art of the U.S. Embassies, 1966 $2,000-4,000

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17

12

12 AL LOVING

(AMERICAN, 1935-2005)

Elliestrip, 1974 mixed media on cardboard signed Alvin D. Loving and dated (verso) 79 x 70 inches.

Provenance: Sold: Sotheby’s New York, June 23, 1982 $30,000-50,000

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13 AL LOVING

(AMERICAN, 1935-2005)

Cube 28, 1970 acrylic on canvas signed Alvin D. Loving (verso) 71 x 61 1/2 inches.

Provenance: William Zierler, Inc., New York Sold: Sotheby’s New York, June 23, 1982 $30,000-50,000

13

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14

15

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14

15

16

AL LOVING

AL LOVING

JEAN PIERRE YVARAL (VASARELY)

Septehedron LB4, 1970

Septehedron #1, 1970

acrylic on canvas signed Alvin D. Loving and titled (verso) 19 1/8 x 22 inches.

acrylic on canvas signed Alvin D. Loving (verso) 19 1/8 x 22 inches.

Provenance: Sold: Sotheby’s New York, June 23, 1982

Provenance: Sold: Sotheby’s New York, June 23, 1982

$10,000-15,000

$10,000-15,000

(AMERICAN, 1935-2005)

(AMERICAN, 1935-2005)

(FRENCH, 1934-2002)

Progression Polychrome, 1970 acrylic on composition board signed Yvaral, titled and dated (verso) 34 3/4 x 34 3/4 inches.

Provenance: Galerie Denise Rene, Paris Sold: Sotheby’s New York, June 23, 1982 $8,000-12,000

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21

17

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17

18

RICHARD ANUSZKIEWICZ

R.H. QUAYTMAN

Masked Triad, 1993

Untitled, 1997

oil on wood construction signed RICHARD ANUSZKIEWICZ and dated (verso) 47 x 36 inches.

oil on wood stamped Rebecca Quaytman and dated (verso) 16 x 24 inches.

Exhibited: New York, New York, National Academy of Design, Annual Exhibition

Provenance: Spencer Brownstone Gallery, New York

(AMERICAN, B. 1930)

$30,000-50,000

(AMERICAN, B. 1961)

$20,000-40,000

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23

18A SCOTT REEDER (AMERICAN, B. 1970)

Untitled Pasta Painting, 2013 oil on canvas signed Scott Reeder, titled and dated (verso) 20 x 16 inches. $4,000-6,000

19 SAMIA HALABY

(PALESTINIAN, B. 1934)

No 273, 1974 oil on canvas signed S. Halaby (lower right); signed, titled and dated (verso) 48 x 66 inches. $15,000-25,000

18A

19

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20 J. JESSE MCVICKER (AMERICAN, 1911-2004)

Tangency Series #4, 1984 acrylic on canvas signed McVicker and dated (lower right) 32 x 28 inches. $1,000-2,000

21 PAUL ROGERS

(AMERICAN, 20TH CENTURY)

Xhilericity oil on canvas signed Rogers (lower right) 48 x 60 inches. $1,000-2,000

20

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22 KARL WIRSUM

(AMERICAN, B. 1939)

Sleeve Leave, 2001 acrylic on wood 55 x 42 inches.

Provenance: Jean Albano Gallery, Chicago $10,000-15,000

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23 YANNIS GAITIS (GREEK, 1923-1984)

Sardine Can, 1971 oil and metal on wood 49 1/4 x 48 inches. $15,000-25,000

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24* DUILIO BARNABE (ITALIAN, 1914-1961)

Pescatori, 1957 oil on board signed Barnabe (lower right) 12 x 18 inches.

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: R.S. Johnson Fine Art, Chicago, Illinois $2,000-4,000

24

25* DUILIO BARNABE (ITALIAN, 1914-1961)

Bouquet, 1959 oil on canvas signed Barnabe (lower right) 24 x 36 inches.

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Sold: Leslie Hindman Auctioneers, May 27, 1996, Lot 326 $5,000-7,000

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26* GERTRUDE ABERCROMBIE (AMERICAN, 1909-1977)

Winding Road, 1937 oil on board signed Abercrombie and dated (lower left); signed, titled and dated (verso) 8 x 10 inches.

Property from the Collection of Jeffery Thompson and Neil Schlager, Dallas, Texas

Phillip Harrington / Alamy Stock Photo

Provenance: Karl Priebe, Kalamazoo, Michigan Robert and Joan Boram, Detroit, Michigan Gifted to the present owner by Joan Boram in 1979 Literature: R. Storr, S. Weininger, R. Cozzelino & D. Livinston, Gertrude Abercrombie, New York, 2018 (illustrated, p. 6) $10,000-15,000 At Left: Gertrude Abercrombie, with Karl Priebe (left) and Duddley Huppler. The photo was taken at a party at Priebe’s residence in Kalamazoo, Michigan, around 1944.This painting can be seen hanging on the wall to the right of Ms. Abercrombie.

26 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

29

27 JOHN WILDE

(AMERICAN, 1919-2006)

Jack’s Emergent, 1966 oil on board initialed J and dated (upper left); signed and titled (verso) 8 x 10 inches.

Provenance: Banner Gallery, New York $4,000-6,000

27

28 JOHN WILDE

(AMERICAN, 1919-2006)

To Sit on the Artist’s Lap, 1965 oil on board initialed J (upper left) and dated (upper right); signed, titled and dated (verso) 9 x 7 inches. $7,000-9,000

28

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29 JOHN WILDE

(AMERICAN, 1919-2006)

Shirley with Funnel and Sweet Basil, 1974 (#9 from Shirley in the Kitchen Series) oil on board initialed J (upper left) and dated (upper right); signed, titled and dated (verso) 6 x 6 7/8 inches. $4,000-6,000

29

30 JOHN WILDE

(AMERICAN, 1919-2006)

Coring Apples for Baking, 1974 (#3 from Shirley in the Kitchen Series) oil on board initialed J (upper left) and dated (upper right); signed, titled and dated (verso) 9 x 7 inches. $4,000-6,000

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31

31 AARON BOHROD

(AMERICAN, 1907-1992)

Home Grown, 1976 oil on panel signed Aaron Bohrod (upper right) 12 x 10 inches. $800-1,200

31

32 FRANK SINATRA

(AMERICAN, 1915- 1998)

Untitled (Still Life), 1955 oil on canvas board signed F. Sinatra and dated (lower right); signed and inscribed (verso) 20 x 16 inches.

Property from a Private Collection of a Gentleman, Venice, Florida $5,000-7,000

32

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33 CUNDO BERMUDEZ (CUBAN, 1914-2008)

Couple, 1958 oil on canvas signed Cundo Bermudez (lower right) 30 x 23 inches. $8,000-12,000

33

34 RENE PORTOCARRERO (CUBAN, 1912-1986)

Figuras de Camparsa, 1957 oil on canvas signed Portocarrero and dated (lower left); signed, titled and dated (verso) 35 1/4 x 25 1/4 inches. $8,000-12,000

34

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33

35

35 WILLIAM GROPPER (AMERICAN, 1897-1977)

Untitled (Reclining Woman) oil on board signed Gropper (lower right) 12 x 16 1/2 inches. $2,000-4,000

36 WILLIAM GROPPER (AMERICAN, 1897-1977)

The Investigator oil on board signed Gropper (lower right); titled (verso) 29 1/2 x 21 1/2 inches.

Exhibited: Coral Gables, Florida, University of Miami: Joe and Emily Lowe Art Museum, William Gropper Retrospective, February 15 - March 10, 1968, #113 $3,000-5,000 36

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37 FRED STONEHOUSE (AMERICAN, B. 1960)

Lux, 1991 oil on board signed Fred Stonehouse and dated (verso) 10 1/2 x 9 inches. $600-800

37

37A FRED STONEHOUSE (AMERICAN, B. 1960)

Untitled: Self-Portrait, 1995 oil on panel signed Fred Stonehouse and dated (verso) 15 x 13 1/2 inches.

Provenance: Carl Hammer Gallery, Chicago $600-800

38 RAFAEL CORONEL (MEXICAN, B. 1932)

Niño, 1980 oil on canvas signed Rafael Coronel (lower left) 23 1/2 x 29 1/2 inches. $8,000-12,000

37A

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39 JOSE DE GUIMARES (PORTUGUESE, 1939)

Four of Spades, 1984 oil on canvas signed Jose de Guimares and dated (upper right) 24 x 20 inches.

Provenance: Centro Cultural Sao Lourenco Gallery, Loule, Portugal $6,000-8,000

39

40 JOSE DE GUIMARES (PORTUGUESE, 1939)

Three of Clubs, 1984 oil on canvas signed Jose de Guimares and dated (lower left) 24 x 20 inches.

Provenance: Centro Cultural Sao Lourenco Gallery, Loule, Portugal $6,000-8,000

40

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41

41 IDA KOHLMEYER

(AMERICAN, 1912-1997)

Composite #5, 1990 mixed media on canvas signed Kohlmeyer and dated (lower center) 80 3/4 x 68 1/2 inches.

Provenance: Gimpel/Weitzenhoffer Gallery, New York $20,000-40,000

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42

42

43

JOSEPH STABILITO

JULIAN SCHNABEL

Untitled, 1984

UNTITLED, 1995

oil on canvas signed Stabilito and dated (lower left) 52 x 68 inches.

oil and polymer resin on canvas initialed JCS and dated (verso) 12 x 11 inches.

(AMERICAN, B. 1955)

$1,000-2,000

(AMERICAN, B. 1951)

Provenance: Lococo Mulder, St. Louis, Missouri $8,000-12,000

38

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44

44

45

46

TERRY WINTERS

ZHOU BROTHERS

ZHOU BROTHERS

Untitled, 1994

Spirit, 1990

Water Lily No. 26, 2002

mixed media on board initialed TW and dated (verso) 8 x 12 inches.

mixed media on canvas signed Zhou B and dated (verso) 60 x 82 inches.

Provenance: Lococo Mulder, St. Louis, Missouri

$5,000-7,000

mixed media on canvas signed Zhou B (lower right); signed and dated (verso) 32 x 24 inches.

(AMERICAN, B. 1949)

$4,000-6,000

40

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(AMERICAN/CHINESE, B. 1952/1957)

(AMERICAN/CHINESE, B. 1952/1957)

$3,000-5,000

45

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48

47

48

49

EDUARDO HOFFMANN

JAMES F. DICKE

JOHN ALEXANDER

Sin título (Nº 2085), 2000

Untitled, 2009

Hieronymus Hide-A-Way, 1991

mixed media on canvas signed, titled and dated (verso) 58 3/4 x 94 inches.

oil on canvas signed Jim Dicke and dated (verso) 18 x 18 inches.

$4,000-6,000

$1,000-1,500

oil on canvas signed John Alexander (lower right); signed, titled and dated (verso) 77 x 83 inches.

(ARGENTINTAN, B. 1957)

(AMERICAN, B. 1945)

(AMERICAN, B. 1945)

Provenance: Marlborough Gallery, New York $8,000-12,000

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50

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50

51

LESLEY DILL

PAT STEIR

Man with Birds, 1986 Man with Fear, 1986 and Man with Head Support II, 1987

The Moon and the Wave: Dark Moon, 1986

(AMERICAN, B. 1950)

mixed media on canvas each signed L. Dill, titled and dated (verso) Largest: 10 x 12 inches.

(AMERICAN, B. 1940)

oil on canvas Diameter: 86 inches. $30,000-50,000

$2,000-4,000

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52

53

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52 DEVIN TROY STROTHER

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54

(AMERICAN, B. 1986)

(BRAZILIAN, B. 1963)

ROMERO BRITTO

TED HARRISON

“bitch lemme get a ride on yo dolphin tho” said Mary to Quiesha, 2013

Blue Hair, 1996

Yukon Rally, 1989

acrylic on canvas signed Romero Britto (lower left); signed, titled and dated (verso) 24 x 30 inches.

acrylic on canvas signed Harrison (lower right); signed, titled and dated (verso) 50 x 46 inches.

$2,000-4,000

$4,000-6,000

acrylic, glitter, cut and painted paper, and oil stick on linen signed Devin Troy Strother and dated (stretcher) 12 x 16 inches.

(CANADIAN, 1926-2015)

Provenance: Marlborough Gallery, New York Eric Firestone Gallery, East Hampton Sold: Christie’s, New York, June 22, 2015, Lot 228 $1,500-2,500

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55 CARLOS NADAL

(SPANISH, 1917-1998)

La Terraza, 1983 oil on board signed Nadal (lower right); signed and titled (verso) 21 1/4 x 25 1/2 inches. $15,000-25,000

55

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56

56

56A

JENNIFER BARTLETT

JENNIFER BARTLETT

Untitled, 1999-2000

Untitled, 1999-2000

enamel on metal signed J. Bartlett and dated (verso) 38 x 38 inches.

enamel on metal signed J Bartlett and dated (verso) 12 x 12 inches.

$8,000-12,000

$800-1,200

(AMERICAN, B. 1941)

(AMERICAN, B. 1941)

56A

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Works on Paper |

Lot 82 | Joseph Yoakum, (American, 1886-1972), Mt Issoire in Avergne Mtn Range near Clermont France

LOTS 57 – 87

58

57

58

GUNTHER GERZSO

MARK TOBEY

Tihuanacu Revisited, 1950

Untitled, 1954

watercolor 12 1/2 x 17 1/2 inches.

watercolor and gouache on paper signed Tobey and dated (lower right) 9 x 6 1/2 inches.

(MEXICAN, 1915-2000)

$3,000-5,000

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(AMERICAN, 1890-1976)

$2,000-4,000

59 PAUL JENKINS

(AMERICAN, 1923-2012)

Composition, 1958 watercolor on paper signed Paul Jenkins and dated (lower left) 22 x 28 inches.

Provenance: Weintraub Gallery, New York Martin and Barbara Sass, New York Sold: Sotheby’s New York, June 23, 1982 $2,000-4,000

59

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60

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61

60

61

HOWARD HODGKIN

ROBERT NICKLE

Abstraction, 1960

Collage #22A, 1967-76

mixed media on cardboard signed Hodgkin (lower right) 20 x 16 inches.

mixed media signed Robert W. Nickle and dated (verso) 11 x 11 1/2 inches.

Provenance: Gifted by the Artist to Mr. Anthony Quinn, Rome, Italy

Provenance: Richard Gray Gallery, Chicago Sold: Leslie Hindman Auctioneers, December 10, 2006, Lot 161

(AMERICAN, 1932 - 2017)

$50,000-70,000

(AMERICAN, 1919-1980)

$1,500-2,500

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62 REMO FARUGGIO (AMERICAN, 1906-1981)

Circus gouache on paper signed R. Faruggio (lower right) 20 x 24 inches. $800-1,200

62

62A TYSON REEDER (AMERICAN, B.1 974)

Untitled, 2002 (a pair of works) mixed media on paper signed Tyson Reeder and dated (verso) 8 1/2 x 10 3/4 and 9 1/4 x 12 inches.

62A one of two

$1,000-2,000

63 ROMERO BRITTO (BRAZILIAN, B. 1963)

Way Home, 1997 mixed media on paper signed Romero Britto (lower left); signed, titled and dated (verso) 20 x 27 inches. $800-1,200 63

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64

64 ZHU WEI

(CHINESE, B. 1966)

Spring Festival No. 6, 2001 ink and color on paper 26 x 26 inches.

Property from a Midwestern Collection Provenance: Plum Blossoms, New York Acquired from the above by the present owner in 2001 $20,000-40,000

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66

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65* VICTOR KOULBAK (RUSSIAN, B. 1946)

Uh Oh, 2012 silverpoint and watercolor 13 x 10 inches.

Property from the Estate of William Lipton, New York, New York $2,000-4,000

66 NORMAN BLUHM

(AMERICAN, 1921-1999)

To Mouthpiece, 1963

65

watercolor on paper ink and watercolor signed Bluhm, titled and dated (lower left) 37 1/2 x 24 1/2 inches. $6,000-8,000

67* DUILIO BARNABE (ITALIAN, 1914-1961)

Figura Seduta, 1955 gouache and pastel on paper signed Barnabe (lower right) 25 x 18 1/2 inches.

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: R.S. Johnson Fine Art, Chicago, Illinois $2,000-4,000

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68

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69

68

69

FERNANDO BOTERO

FRANCISCO ZÚÑIGA

Le Lit, 1974

Untitled, 1972

graphite on paper signed Botero and dated (lower right) 17 x 14 inches.

ink on paper initialed Zga and dated (lower right) 9 x 12 inches.

Property from a Midwestern Collection

This work will be included in the upcoming Volume V of the Francisco Zuniga: Catalogue Raisonne, to be published by Ariel Zuniga in 2019

(COLOMBIAN, B. 1932)

Provenance: Galerie Claude Bernard, Paris Nishimura Gallery, Tokyo Sold: Sotheby’s New York, June 1, 2000, lot 155

(MEXICAN, 1912-1998)

$1,000-2,000

$30,000-50,000

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70

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71

70

71

PHILIP PEARLSTEIN

SYLVIA SLEIGH

Model in Flowered Kimono Seated in Eames Chair, 1978

Untitled (Nudes), 1980

(AMERICAN, B. 1924)

watercolor on paper signed Pearlstein and dated (lower left) 41 x 29 inches.

Provenance: Allan Frumkin Gallery, New York Exhibited: Greensboro, North Carolina, University of North Carolina at Greensboro Weatherspoon Art Gallery, Weatherspoon Annual Exhibition Art on Paper 1980, 1980 Evanston, Illinois, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, June 25 - September 2, 1983, no. 73 $10,000-15,000

(AMERICAN, 1916-2010)

colored pencil on paper signed Sylvia Sleigh and dated (lower right) 14 x 17 inches. $5,000-7,000

72 WILLIAM SCHARF (AMERICAN, B. 1927)

Untitled (Nine Studies of the Female Form) mixed media on paper each initialed W.S. Each: 9 x 6 inches. $800-1,200

72

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73 LESLEY DILL

(AMERICAN, B. 1960)

Clothe My Naked Body (Poem Wedding Dress), 1995 mixed media paper collage 57 x 44 inches. $2,000-4,000

74 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Untitled, 1960 ink and pastel on paper signed Lebenstein and dated (lower left) 10 x 5 3/4 inches. $2,000-4,000

75 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Figure, 1961 gouache, watercolor and pastel on paperboard signed Lebenstein, titled and dated (lower edge) 9 x 9 1/4 inches. $2,000-4,000 73

74

64

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75

76

76 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Figure, 1961 charcoal and pastel on paperboard signed Lebenstein and dated (lower left); titled (lower right) 9 1/4 x 9 inches. $2,000-4,000

77 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

No. 53 ink on paper signed Lebenstein and titled (verso) 22 1/2 x 11 1/2 inches. $1,000-2,000

77

77A RICHARD HAAS (AMERICAN, B. 1936)

Proposal For 700-720 N. Michigan Ave., 1977 photo collage signed Richard Haas and dated (lower right) 24 x 18 inches.

Provenance: Young Hoffman Gallery, Chicago $1,000-2,000

77A

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65

78

78 ED PASCHKE

(AMERICAN, 1939-2004)

“Turds in Hell” Monastery mixed media on paper signed Ed Paschke and titled (verso) 19 x 24 inches. $10,000-15,000

66

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79 LAURENCE STEPHEN LOWRY (BRITISH, 1887-1976)

Untitled, 1956 graphite on paper signed L.S. Lowry and dated (lower right) 8 1/4 x 11 inches.

Provenance: The Arts Council of Great Britain, London $40,000-60,000

79

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67

80

81

68

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82

80

81

82

PEDRO FRIEDEBERG

STEPHEN ANTONAKOS

JOSEPH YOAKUM

Untitled (Architectural Geometry with Vegetables), 1967

Untitled (Study for Hanging from Ceiling Neon), 1967

Mt Issoire in Avergne Mtn Range near Clermont France

mixed media on paper signed Antonakos and dated (lower right) 14 x 22 inches.

mixed media on paper signed Joseph E. Yoakum and titled (upper left) 12 x 19 inches.

$800-1,200

$8,000-12,000

(AMERICAN, B. 1937)

acrylic and ink on cardboard signed Pedro Friedeberg and dated (lower left) 14 1/4 x 19 1/4 inches.

(AMERICAN/GREEK, 1926-2013)

(AMERICAN, 1886-1972)

$3,000-5,000

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69

83

83

84

MILTON AVERY

LEUNG KUI-TING

Summer’s End, 1954

Landscape 2008, 2001 (a pair of works)

(AMERICAN, 1885-1965)

oil crayon and watercolor on paper signed Milton Avery and dated in pencil (lower left) 18 x 24 inches.

Property from a Midwestern Collection

(CHINESE, B. 1945)

ink on paper signed Leung Kui-ting and dated in Chinese characters (left center) Each: 14 1/2 x 21 inches.

Provenance: Grace Borgenicht Gallery, New York Sold: Christie’s New York, March 11, 2004, lot 103

Provenance: Alisan Fine Arts Limited, Hong Kong

$20,000-40,000

85

$40,000-60,000

NO LOT

70

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84

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86

86 RIVANE NEUENSCHWANDER (BRAZILIAN, B. 1967)

Table Drawing (Fingerprints), 1998 pepper and self adhesive plastic Each: 36 1/2 x 21 inches.

Provenance: Stephen Friedman Gallery, London $5,000-7,000

72

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87 DONALD SULTAN (AMERICAN, B. 1951)

Seven Reds, 2005 pastel and flocking on paper titled and dated (left edge) 22 x 30 inches.

Provenance: David Klein Gallery, Birmingham, Michigan $8,000-12,000

87

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Sculpture |

LOTS 88 – 124

Lot 112 | Pablo Picasso, (Spanish, 1881-1973) Femme du barbu (Bearded Man’s Wife), 1953

88* SHEILA HICKS

(AMERICAN, B. 1934)

Cour de Rohan, 2015 cotton, linen signed S. Hicks and dated (lower right); signed, titled and dated (verso) 8 1/8 x 11 7/8 inches.

Property from the Estate of William Lipton, New York, New York Provenance: Davis & Langdale Company, New York Acquired from the above by the present owner in 2015 Exhibited: London, England, Hayward Gallery Project Space, Foray into Chromatic Zones, February 23 - April 19, 2015 New York, New York, Davis & Langdale Company, Sheila Hicks: Ode to Roy Davis, October 17 - December 23, 2015 $20,000-40,000

88

76

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89 SUE FULLER

(AMERICAN, 1914-2006)

String Composition # 122, 1964 saran thread signed Sue Fuller, titled and dated (verso) 24 x 24 inches.

Provenance: Bertha Schaefer Gallery, New York $2,000-4,000

89

90 JESUS RAFAEL SOTO (VENEZUELAN, 1923-2005)

Vibrations Metalliques, 1969 silkscreen, aluminum and metal numbered 216/250 11 1/2 x 11 1/2 inches $2,000-4,000

90

91* VLADIMIR BACHORIK (RUSSIAN, B. 1963)

Communion glass 11 x 16 inches.

Property from the Estate of William Lipton, New York, New York Provenance: Galerie Pokorna, Czech Republic Acquired from the above by the present owner in 2003

91

$600-800

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77

92

93

92

93

UGO RONDINONE

UGO RONDINONE

Clockwork for Oracles (Orange), 2002

Clockwork for Oracles (Steel Blue), 2002

mirror, colored plastic gel and wood edition of 3

mirror, colored plastic gel and wood edition of 3 30 1/4 x 26 1/4 inches.

(SWISS, B. 1964)

(SWISS, B. 1964)

30 1/4 x 26 1/4 inches.

Provenance: Matthew Marks Gallery, New York

Provenance: Matthew Marks Gallery, New York

$5,000-7,000

$5,000-7,000

94* IRMA BLANK

(GERMAN/ITALIAN, B. 1934)

Ur-schrift ovvero avant-testo, 2002 ballpoint pen on polyester on wooden stretcher signed Irma Blank (verso) 5 1/2 x 5 1/2 inches.

Property from the Estate of William Lipton, New York, New York Provenance: P420, Bologna, Italy Acquired from the above by the present owner in 2016 $6,000-8,000 94

78

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95 YVES KLEIN

(FRENCH, 1928-1962)

RP7 - La Terre Bleue, 1957-88 IKB pigment and synthetic resin on plaster molding numbered 279/300 13 3/4 x 7 x 7 inches.

Provenance: Galerie Bonnier, Geneva, Switzerland $30,000-50,000

95

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79

96 MANUEL MARIN

(SPANISH, 1942-2007) 96

Untitled (Black, Red and Blue) painted metal inscribed M. Marin dimensions variable $2,000-4,000

97 MANUEL MARIN

(SPANISH, 1942-2007)

Untitled (Black, Red and Yellow) painted metal inscribed M. Marin dimensions variable $2,000-4,000

97

80

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98 YAYOI KUSAMA (JAPANESE, B. 1929)

Pumpkin, 2013 resin 3 3/4 x 3 1/4 x 3 1/4 inches This lot is accompanied by the original yellow box. $400-600

99 98

YAYOI KUSAMA (JAPANESE, B. 1929)

Pumpkins (Yellow and Red), 2013 (a pair of works) resin Each: 3 3/4 x 3 1/4 x 3 1/4 inches.

This lot is accompanied by the original yellow and red boxes. $800-1,200

99

100 YAYOI KUSAMA (JAPANESE, B. 1929)

Pumpkin, 2013 resin 3 3/4 x 3 1/4 x 3 1/4 inches.

This lot is accompanied by the original blue box. $500-700

100

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81

101 alternate view

101

102 alternate view

102

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103

103 alternate view

101*

102*

103*

VICTOR VASARELY

VICTOR VASARELY

VICTOR VASARELY

MC 133, c. 1970

MC 125, c. 1970

Stèle, 1988

luran color on wood numbered 29/50 and signed Vasarely 25 3/4 x 4 x 4 inches.

luran color on wood numbered 1/8 and signed Vasarely 34 x 6 x 6 inches.

painted wood numbered 26/100, signed Vasarely 12 x 8 x 2 inches.

Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

Provenance: Editions Pyra A.G., Zumikon, Switzerland

Provenance: Editions Pyra A.G., Zumikon, Switzerland

$2,000-4,000

$3,000-5,000

$5,000-7,000

(FRENCH/HUNGARIAN, 1906-1997)

(FRENCH/HUNGARIAN, 1906-1997)

(FRENCH/HUNGARIAN, 1906-1997)

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104 ROBERT LOBE

(AMERICAN, B. 1945)

Untitled, 2001 aluminum 101 x 35 x 20 inches. $2,000-4,000

104

105 NEIL GOODMAN

(AMERICAN, 20TH CENTURY)

Untitled, (Group of Five), 2002 bronze Height of largest: 29 1/2 inches. $1,000-2,000

84

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105 two of five shown

105A ESTHER WERTHEIMER (CANADIAN, B. 1926)

Adam and Eve painted steel signed Wertheimer and numbered 3/10 (on base) 71 1/4 x 35 1/4 x 26 1/4 inches. $4,000-6,000

105A

106 ERNEST TROVA

(AMERICAN, 1927-2009)

F. M. Gox, 1976 steel and nickel-plated brass with acrylic numbered 28/125; inscribed E Trova Height: 11 inches.

Provenance: Pace Editions Inc, New York 106

$1,000-2,000

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85

107 ZHOU BROTHERS

(AMERICAN/CHINESE, B. 1952/1957)

Time Square Series No. 3 and Time Square Series No. 4, 1996 bronze Height: 22 1/2 inches. $4,000-6,000

107

86

POST WAR AND AMERICAN ART

108 DAVID HARE

(AMERICAN, 1917-1992)

Untitled (Standing Man) bronze and marble Height: 27 inches. $4,000-6,000

108

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87

109 LOUISE NEVELSON (AMERICAN, 1899-1988)

Woman bronze signed Nevelson Height: 8 inches.

Provenance: Leo Castelli Gallery, New York $6,000-8,000

109

88

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110* EVANGELOS MOUSTAKAS (GREEK, B. 1930)

Untitled, 1961 gilt bronze inscribed E Moustakas and dated (lower edge) Height: 15 inches.

Property from the Estate of William Lipton, New York, New York 110

$1,000-2,000

111 JEAN (HANS) ARP

(FRENCH/GERMAN, 1886-1966)

Oiseau-chute, 1969 gold-plated nickel brass numbered 128/300 and stamped ARP 5 3/4 x 3 1/4 inches. $1,000-2,000

111

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89

112 PABLO PICASSO (SPANISH, 1881-1973)

Femme du barbu (Bearded Man’s Wife), 1953 partially glazed ceramic from the edition of 500, inscribed EDITION PICASSO and MADOURA ; stamped EDITION PICASSO and MADOURA PLEIN FEU 14 3/4 x 7 1/4 x 10 inches.

Ref: Ramie, 193 $20,000-30,000

112

113 PABLO PICASSO (SPANISH, 1881-1973)

Hibou brillant, 1955 glazed ceramic from the edition of 450, inscribed EDITION PICASSO MADOURA ; stamped MADOURA PLEIN FEU and EDITION PICASSO 15 1/2 x 12 1/2 inches.

Ref: A. Ramie, 285 $10,000-15,000

113

90

POST WAR AND CONTEMPORARY ART

114 PABLO PICASSO (SPANISH, 1881-1973)

Tetes, 1956 glazed ceramic from the edition of 500, inscribed EDITION PICASSO and MADOURA Height: 5 1/4 inches.

Ref: A. Ramie, 367 $2,000-4,000

114

115 PABLO PICASSO (SPANISH, 1881-1973)

Beach Scene, 1956 partially glazed ceramic from the edition of 450, stamped

EMPREINTE ORIGINALE DE PICASSO and MADOURE PLEIN FEU

Height: 10 1/2 inches Ref: A. Ramie, 389 $2,000-4,000

115

116 PABLO PICASSO (SPANISH, 1881-1973)

Visage aux grands yeux, 1960 unglazed ceramic numbered 54/100, stamped

EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU (verso)

9 3/4 x 9 3/4 inches.

Ref: A. Ramie, 443 $3,000-5,000

116

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91

116A PABLO PICASSO (SPANISH, 1881-1973)

Jacqueline, 1959 linocut signed and numbered 29/50 in pencil 25 x 20 1/2 inches.

Ref: Bloch, 923 $100,000-150,000

92

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116A

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93

117 PABLO PICASSO (SPANISH, 1881-1973)

Visage aux yeux rieurs, 1969 partially glazed ceramic numbered 141/350, inscribed EDITION PICASSO and Madoura; stamped EDITION PICASSO and MADOURA PLEIN FEU 12 3/4 x 9 x 9 3/4 inches.

Ref: A. Ramie, 608 $30,000-50,000

117

94

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118 VIOLA FREY

(AMERICAN, 1933-2004)

Untitled (Figural Group) glazed ceramic signed V Frey (lower edge) 41 x 40 x 24 inches. $10,000-15,000

119 KCHO

(CUBAN, B. 1970)

Al Borde del Abismo, 2004 mixed media 40 x 40 x 10 1/2 inches. $4,000-6,000

118

120 MARGARET WHARTON (AMERICAN, 1943-2014)

Untitled, 1985 wooden handled shovel numbered 3/35, signed Margaret Wharton and dated 38 x 6 inches.

Provenance: Claudia R. Luebbers Trust, Chicago, Illinois Sold: Leslie Hindman Auctioneers, May 21, 2015, Lot 22 $800-1,200 120

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95

121

122

121

122

123

124*

RIVANE NEUENSCHWANDER

RIVANE NEUENSCHWANDER

RIVANE NEUENSCHWANDER

VACLAV CIGLER

Untitled, 1998

Untitled, 1998

Untitled (Bowl), 1999

leaf and glue 13 1/2 x 8 inches.

leaf and glue 16 x 8 inches.

Provenance: Stephen Friedman Gallery, London

Provenance: Stephen Friedman Gallery, London

paraffin, dust, black pepper and aluminum bowl 5 x 19 3/4 inches.

$2,000-4,000

$2,000-4,000

(BRAZILIAN, B. 1967)

(BRAZILIAN, B. 1967)

(BRAZILIAN, B. 1967)

Provenance: Stephen Friedman Gallery, London $2,000-4,000

(CZECH, B. 1929)

Egg cast, cut and laminated opaline glass 14 x 9 1/2 inches.

Property from the Estate of William Lipton, New York, New York Provenance: Gallery Pokorna, Praha, Czech Republic Acquired from the above by the present owner in 2003 $5,000-7,000

96

POST WAR AND CONTEMPORARY ART

123

124

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ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Abercrombie, Gertrude. . . . . . . . . . . . . . . . . . . 26 Alexander, John. . . . . . . . . . . . . . . . . . . . . . . . 49 Antonakos, Stephen. . . . . . . . . . . . . . . . . . . . . 81 Anuszkiewicz, Richard . . . . . . . . . . . . . . . . . . . 17 Arp, Jean (Hans). . . . . . . . . . . . . . . . . . . . . . . 111 Avery, Milton. . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Bachorik, Vladimir. . . . . . . . . . . . . . . . . . . . . . . 91 Barnabe, Duilio. . . . . . . . . . . . . . . . . . . 24, 25, 67 Bartlett, Jennifer. . . . . . . . . . . . . . . . . . . . . . . 56A Bermudez, Cundo . . . . . . . . . . . . . . . . . . . . . . 33 Bertlett, Jennifer. . . . . . . . . . . . . . . . . . . . . . . . 56 Blank, Irma. . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Bluhm, Norman . . . . . . . . . . . . . . . . . . . . . . . . 66 Bohrod, Aaron . . . . . . . . . . . . . . . . . . . . . . . . . 31 Botero, Fernando. . . . . . . . . . . . . . . . . . . . . . . 68 Britto, Romero. . . . . . . . . . . . . . . . . . . . . . 53, 63 Brothers, Zhou. . . . . . . . . . . . . . . . . . 45, 46, 107 Carone, Nicholas . . . . . . . . . . . . . . . . . . . . . . 2, 3 Cigler, Vaclav . . . . . . . . . . . . . . . . . . . . . . . . . 124 Congdon, William. . . . . . . . . . . . . . . . . . . . . . . . 8 Coronel, Rafael. . . . . . . . . . . . . . . . . . . . . . . . . 38 de Guimares, Jose. . . . . . . . . . . . . . . . . . . 39, 40 Dicke, James F. . . . . . . . . . . . . . . . . . . . . . . . . 48 Dill, Lesley . . . . . . . . . . . . . . . . . . . . . . . . . 50, 73 Faruggio, Remo. . . . . . . . . . . . . . . . . . . . . . . . 62 Feng, Qin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Frey, Viola. . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Friedeberg, Pedro. . . . . . . . . . . . . . . . . . . . . . . 80 Fuller, Sue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Gatis, Yannis. . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Gechtoff, Sonia. . . . . . . . . . . . . . . . . . . . . . . . . . 5 Gerzso, Gunther. . . . . . . . . . . . . . . . . . . . . . . . 57 Goodman, Neil. . . . . . . . . . . . . . . . . . . . . . . . 105 Gropper, William. . . . . . . . . . . . . . . . . . . . . 35, 36 Haas, Richard. . . . . . . . . . . . . . . . . . . . . . . . . 77A Halaby, Samia. . . . . . . . . . . . . . . . . . . . . . . . . . 19 Hare, David . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Harrison, Ted . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Hicks, Sheila. . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Hodgkin, Howard. . . . . . . . . . . . . . . . . . . . . . . 60 Hoffman, Eduardo . . . . . . . . . . . . . . . . . . . . . . 47 Jenkins, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Kcho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Kepes, Gyorgy. . . . . . . . . . . . . . . . . . . . . . . . . 11 Klein, Yves. . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Kohlmeyer, Ida. . . . . . . . . . . . . . . . . . . . . . . . . 41 Koulbak, Victor. . . . . . . . . . . . . . . . . . . . . . . . . 65 Kui-ting, Leung. . . . . . . . . . . . . . . . . . . . . . . . . 84 Kusama, Yayoi. . . . . . . . . . . . . . . . . . . . . . 98-100 Lebenstein, Jan . . . . . . . . . . . . . . . . . . . . . . 74-77 Levee, John. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Lobe, Robert . . . . . . . . . . . . . . . . . . . . . . . . . 104 Loving, Al. . . . . . . . . . . . . . . . . . . . . . . . . . . 12-15 Lowry, Laurence Stephen. . . . . . . . . . . . . . . . . 79 Marin, Manuel. . . . . . . . . . . . . . . . . . . . . . . 96, 97 McVicker, J. Jesse. . . . . . . . . . . . . . . . . . . . . . 20 Moustakas, Evangelos. . . . . . . . . . . . . . . . . . 110 Nadal, Carlos. . . . . . . . . . . . . . . . . . . . . . . . . . 55 Neuenschwander, Rivane. . . . . . . . . . 86, 121-123

98

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Nevelson, Louise . . . . . . . . . . . . . . . . . . . . . . 109 Nickle, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . 61 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Pearlstein, Phillip. . . . . . . . . . . . . . . . . . . . . . . . 70 Picasso, Pablo. . . . . . . . . . . . . . . . . . . . . 112-117 Portocarrero, Rene. . . . . . . . . . . . . . . . . . . . . . 34 Quaytman, R.H.. . . . . . . . . . . . . . . . . . . . . . . . 18 Reeder, Scott. . . . . . . . . . . . . . . . . . . . . . . . . 18A Reeder, Tyson. . . . . . . . . . . . . . . . . . . . . . . . . 62A Rogers, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Rondinone, Ugo. . . . . . . . . . . . . . . . . . . . . 92, 93 Scharf, William. . . . . . . . . . . . . . . . . . . . . . 10, 72 Schnabel, Julian. . . . . . . . . . . . . . . . . . . . . . . . 43 Shaw, Charles Green. . . . . . . . . . . . . . . . . . . 6, 7 Sinatra, Frank. . . . . . . . . . . . . . . . . . . . . . . . . . 32 Sleigh, Sylvia . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Soto, Jesus Raphael . . . . . . . . . . . . . . . . . . . . 90 Stabilito, Joseph. . . . . . . . . . . . . . . . . . . . . . . . 42 Stamos, Theodoros . . . . . . . . . . . . . . . . . . . . . . 1 Steir, Pat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Stonehouse, Fred. . . . . . . . . . . . . . . . . . . . . . . 37 Strother, Devin Troy . . . . . . . . . . . . . . . . . . . . . 52 Sugai, Kumi. . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Sultan, Donald. . . . . . . . . . . . . . . . . . . . . . . . . 87 Tobey, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Trova, Ernest . . . . . . . . . . . . . . . . . . . . . . . . . 106 Vasarely, Victor. . . . . . . . . . . . . . . . . . . . . 101-103 Wei, Zhu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Wharton, Margaret. . . . . . . . . . . . . . . . . . . . . 120 Wilde, John . . . . . . . . . . . . . . . . . . . . . . . . . 27-30 Winters, Terry. . . . . . . . . . . . . . . . . . . . . . . . . . 44 Wirsum, Karl. . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Yoakum, Joseph. . . . . . . . . . . . . . . . . . . . . . . . 82 Yvaral (Vasarely), Jean Pierre. . . . . . . . . . . . . . . 16 Zuniga, Francisco. . . . . . . . . . . . . . . . . . . . . . . 69

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

AUCTION INQUIRIES FINE ART DEPARTMENT

Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

Tess Hall Senior Specialist American and European Art anastasiahall@lesliehindman.com

Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Director, Midwest katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224 Vaughn Smith Senior Account Executive vaughnsmith@lesliehindman.com 312.334.4238 Miranda Luce Account Executive mirandaluce@lesliehindman.com 312.334.4208

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Jim Sharp VP, Expertise jim@lesliehindman.com Maggie Porter VP, Sales Strategy maggieporteri@lesliehindman.com Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064

Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com

Megan Sadler Account Executive megansadler@lesliehindman.com 312.600.6066 Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Sally Klarr, G.G. Associate Specialist / Cataloguer sallyklarr@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075

Modern Design

Luxury Accessories and Couture

Hudson Berry Specialist hudsonberry@lesliehindman.com

Timothy Long Director, Senior Specialist timothylong@lesliehindman.com

Mike Intihar Senior Specialist mike@lesliehindman.com

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com

Arts of the American West Rachel Enright Specialist rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216

REGIONAL OFFICES Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

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POST WAR AND CONTEMPORARY ART

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ............................................. $10 $500 ............................................. $25 $1,000 .......................................... $50 $2,000 ........................................ $100 $5,000 ........................................ $200 $10,000 ...................................... $500 $20,000 ................................... $1,000 $50,000 ................................... $2,000 $100,000 ................................. $5,000 $200,000 ............................... $10,000 $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street.

Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street.

Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west. Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

CONDITIONS OF SALE HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold.

Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

101

CONDITIONS OF SALE (continued) Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY

Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

03/18

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

102

POST WAR AND CONTEMPORARY ART

LH

g.) to take other action as we find necessary or appropriate

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

F X 312. 280. 1211 | BI D @ L E S L I E HI ND MA N.CO M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

596

Post War and Contemporary Art NAME

SALE NUMBER/NAME

BUSINESS NAME BILLING ADDRESS CITY STATE COUNTRY/ZIP CONTACT NAME PRIMARY PHONE SECONDARY PHONE EMAIL FAX

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ........................................ $10 $500 ........................................ $25 $1,000 ..................................... $50 $2,000 ................................... $100 $5,000 ................................... $200 $10,000 ................................. $500 $20,000 .............................. $1,000 $50,000 .............................. $2,000 $100,000 ............................ $5,000 $200,000 .......................... $10,000 $200,000 .... Auctioneer’s Discretion

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

SIGNATURE DATE

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

FOR HINDMAN LLC DATE

$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12%

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD LOT NUMBER

PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

1338 WEST LAKE STREET PH 312.280.1212

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LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

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Please enclose payment with subscription form and mail to: Leslie Hindman Auctioneers, Marketing Department, 1338 West Lake Street, Chicago, Illinois 60607

1338 WEST LAKE STREET

CHICAGO, ILLINOIS

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PH 312.280.1212

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FX 312.280.1211

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LESLIEHINDMAN.COM

LESLIE HINDMAN WILLARD LEROY METCALF, (AMERICAN, 1858-1925), THE SWIMMING HOLE OR THE BATHING HOLE, 1886 TO BE OFFERED IN OUR AMERICAN AND EUROPEAN ART AUCTION ON DECEMBER 14.

AUCTIONEERS

U P C O M I N G AUC T I ON S C H E D U L E 598 | AMERICAN AND EUROPEAN ART DECEMBER 13 | CHICAGO | 10 AM CT 596 | POST WAR AND CONTEMPORARY ART DECEMBER 13 | CHICAGO | 1 PM CT 597 | FINE PRINTS DECEMBER 7 – 14 | TIMED ONLINE ONLY 626 | PALM BEACH COLLECTIONS JANUARY 11 | PALM BEACH 633 | FINE FURNITURE, DECORATIVE ARTS AND SILVER JANUARY 23 | CHICAGO

644 | FINE FURNITURE, DECORATIVE ARTS AND SILVER FEBRUARY 11 | CHICAGO CONSIGNMENT DEADLINE DECEMBER 21 628 | PALM BEACH COLLECTIONS MARCH 14 | PALM BEACH CONSIGNMENT DEADLINE JANUARY 21 625 | THE ADVENTURE & EXPLORATION LIBRARY OF STEVE FOSSETT, PART II MARCH 15 | CHICAGO

642 | INTERIORS JANUARY 24 – 30 | TIMED ONLINE ONLY

646 | THE ADVENTURE & EXPLORATION LIBRARY OF STEVE FOSSETT, PART III MARCH 15 – 22 | TIMED ONLINE ONLY

634 | FINE JEWELRY AND TIMEPIECES JANUARY 29 – FEBRUARY 7 | TIMED ONLINE ONLY

649 | INTERIORS MARCH 21 – 28 | TIMED ONLINE ONLY

635 | FINE AND DESIGNER SILVER JEWELRY JANUARY 29 – FEBRUARY 7 | TIMED ONLINE ONLY 643 | MOUNTAIN DÉCOR FEBRUARY 5 – 12 | TIMED ONLINE ONLY 636 | PALM BEACH FINE JEWELRY FEBRUARY 9 | PALM BEACH

647 | ASIAN WORKS OF ART MARCH 26 | CHICAGO CONSIGNMENT DEADLINE JANUARY 25 648 | ASIAN WORKS OF ART MARCH 22 – 29 | TIMED ONLINE ONLY CONSIGNMENT DEADLINE JANUARY 25

SALE 597

FINE PRINTS FRIDAY, DECEMBER 7 – 14, 2018 TIMED ONLINE ONLY

| 312.280.1212 lesliehindman.com

INQUIRIES

Sam Gilliam, (American, b. 1933), As Kids Go, 1996 To be sold in our December 7 – 14 Fine Prints Timed Online Only auction.

LESLIE HINDMAN

AUCTIONEERS

SALE 598

AMERICAN AND EUROPEAN ART FRIDAY, DECEMBER 13, 2018 10 AM CT | CHICAGO | 312.280.1212 lesliehindman.com

INQUIRIES Emil Bisttram, (American, 1895-1976), Taos, N.M. To be sold in our December 14 American and European Art auction.

LESLIE HINDMAN

AUCTIONEERS

LESLIE HINDMAN AUCTIONEERS DECEMBER 13, 2018 NO.596

13 3 8 We s t L a ke S t r e e t C h i c a g o, Il l i n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s l i e h i n d m a n.c o m

POST WAR AND CONTEMPORARY ART DECEMBER 13, 2018