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MADE IN CHICAGO
OCTOBER 23, 2018 VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM
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Made in Chicago
Tuesday 23 October 2018
Tuesday 23 October 2018
PREVIEW
FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM
AUCTION
TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS
MONDAY – FRIDAY | 9:00AM – 4:30PM
LH
LH
Made in Chicago
All property must be picked up within seven business days per our Conditions of Sale.
LHLIVE
Lots marked with an asterisk (*) are tax exempt as permitted by law.
LHLIVE
LH
Lot 129 | Three Chicago Street Signs
CHI C A G O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
Cover
Lot 129 | Three Chicago Street Signs
Lot 129 | Three Chicago Street Signs
MONDAY 22 OCTOBER | 10AM – 5PM
AUCTION
TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS
MONDAY – FRIDAY | 9:00AM – 4:30PM
Lots marked with an asterisk (*) are tax exempt as permitted by law.
©Hindman LLC 2018 C H IC AG O , ILLIN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
Made in Chicago
Tuesday 23 October 2018
Tuesday 23 October 2018
PREVIEW
FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM
AUCTION
TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS
MONDAY – FRIDAY | 9:00AM – 4:30PM
Lots marked with an asterisk (*) are tax exempt as permitted by law.
©Hindman LLC 2018 CHI C A G O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
PREVIEW
FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM
AUCTION
TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS
MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.
LHLIVE
lesliehindman.com Cover
SUNDAY 21 OCTOBER | 12PM – 4PM
Made in Chicago
All property must be picked up within seven business days per our Conditions of Sale.
LHLIVE
SATURDAY 20 OCTOBER | 10AM – 3PM
lesliehindman.com
LH
Cover
FRIDAY 19 OCTOBER | 10AM – 5PM
All property must be picked up within seven business days per our Conditions of Sale.
lesliehindman.com ©Hindman LLC 2018
PREVIEW
Lots marked with an asterisk (*) are tax exempt as permitted by law.
lesliehindman.com Cover
Lot 129 | Three Chicago Street Signs
©Hindman LLC 2018 C H IC AG O , ILLIN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
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MADE I N CHI CA GO
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MA D E I N CHI CA G O
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PROPERTY FROM THE COLLECTION OF
PROPERTY FROM THE COLLECTION OF
Estela Bernal, Skokie, Illinois
Estela Bernal, Skokie, Illinois
Zenaida Harry, Olympia Fields, Illinois
Zenaida Harry, Olympia Fields, Illinois
Anita Livaditis, Winnetka, Illinois
Anita Livaditis, Winnetka, Illinois
Mrs. Mary Jean Thomson, Riverwoods, Illinois
Mrs. Mary Jean Thomson, Riverwoods, Illinois
Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Opposite
Opposite
Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970
Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970
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V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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PROPERTY FROM THE COLLECTION OF
PROPERTY FROM THE COLLECTION OF
Estela Bernal, Skokie, Illinois
Estela Bernal, Skokie, Illinois
Zenaida Harry, Olympia Fields, Illinois
Zenaida Harry, Olympia Fields, Illinois
Anita Livaditis, Winnetka, Illinois
Anita Livaditis, Winnetka, Illinois
Mrs. Mary Jean Thomson, Riverwoods, Illinois
Mrs. Mary Jean Thomson, Riverwoods, Illinois
Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Opposite
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Opposite
Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970
Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970
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Contents
Contents
MY (OUR) KIND OF TOWN ............................................................................ 8
MY (OUR) KIND OF TOWN ............................................................................ 8
LOTS 1-224 ..................................................................................................10
LOTS 1-224 ..................................................................................................10
AUCTION INQUIRIES.....................................................................................88
AUCTION INQUIRIES.....................................................................................88
CONDITIONS OF SALE ................................................................................90
CONDITIONS OF SALE ................................................................................90
TELEPHONE / ABSENTEE BID FORM ...........................................................92
TELEPHONE / ABSENTEE BID FORM ...........................................................92
Opposite
Opposite
Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue
Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue
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Contents
Contents
MY (OUR) KIND OF TOWN ............................................................................ 8
MY (OUR) KIND OF TOWN ............................................................................ 8
LOTS 1-224 ..................................................................................................10
LOTS 1-224 ..................................................................................................10
AUCTION INQUIRIES.....................................................................................88
AUCTION INQUIRIES.....................................................................................88
CONDITIONS OF SALE ................................................................................90
CONDITIONS OF SALE ................................................................................90
TELEPHONE / ABSENTEE BID FORM ...........................................................92
TELEPHONE / ABSENTEE BID FORM ...........................................................92
Opposite
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Opposite
Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue
Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue
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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975
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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975
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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975
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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975
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MY (OUR) KIND OF TOWN
MY (OUR) KIND OF TOWN
Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design
Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design
and memorabilia relating to our home base —the great city of Chicago. Made in
and memorabilia relating to our home base —the great city of Chicago. Made in
Chicago features items of historical and cultural significance, ranging from maps
Chicago features items of historical and cultural significance, ranging from maps
of Chicago dating from the 19th century to contemporary paintings by Chicago
of Chicago dating from the 19th century to contemporary paintings by Chicago
Imagists. The city is currently in a yearlong celebration of the role that Chicago has
Imagists. The city is currently in a yearlong celebration of the role that Chicago has
and continues to play in the cultural landscape of America. The Made in Chicago
and continues to play in the cultural landscape of America. The Made in Chicago
auction event is a tribute to this celebration.
auction event is a tribute to this celebration.
Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.
Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.
Conducted chronologically, the sale will open with a number of books and maps
Conducted chronologically, the sale will open with a number of books and maps
relating to the Great Chicago Fire and the era of the World’s Columbian Exposition
relating to the Great Chicago Fire and the era of the World’s Columbian Exposition
of 1893. Items include a panoramic albumen print of the aftermath of the fire,
of 1893. Items include a panoramic albumen print of the aftermath of the fire,
and also pre-fire abstract deed books used to rebuild the city after the tragedy.
and also pre-fire abstract deed books used to rebuild the city after the tragedy.
Also included is a two-volume set of architectural works by the firm of Graham,
Also included is a two-volume set of architectural works by the firm of Graham,
Anderson, Probst & White.
Anderson, Probst & White.
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MY (OUR) KIND OF TOWN
MA D E I N CHI CA G O
MY (OUR) KIND OF TOWN
Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design
Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design
and memorabilia relating to our home base —the great city of Chicago. Made in
and memorabilia relating to our home base —the great city of Chicago. Made in
Chicago features items of historical and cultural significance, ranging from maps
Chicago features items of historical and cultural significance, ranging from maps
of Chicago dating from the 19th century to contemporary paintings by Chicago
of Chicago dating from the 19th century to contemporary paintings by Chicago
Imagists. The city is currently in a yearlong celebration of the role that Chicago has
Imagists. The city is currently in a yearlong celebration of the role that Chicago has
and continues to play in the cultural landscape of America. The Made in Chicago
and continues to play in the cultural landscape of America. The Made in Chicago
auction event is a tribute to this celebration.
auction event is a tribute to this celebration.
Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.
Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.
Conducted chronologically, the sale will open with a number of books and maps
Conducted chronologically, the sale will open with a number of books and maps
relating to the Great Chicago Fire and the era of the World’s Columbian Exposition
relating to the Great Chicago Fire and the era of the World’s Columbian Exposition
of 1893. Items include a panoramic albumen print of the aftermath of the fire,
of 1893. Items include a panoramic albumen print of the aftermath of the fire,
and also pre-fire abstract deed books used to rebuild the city after the tragedy.
and also pre-fire abstract deed books used to rebuild the city after the tragedy.
Also included is a two-volume set of architectural works by the firm of Graham,
Also included is a two-volume set of architectural works by the firm of Graham,
Anderson, Probst & White.
Anderson, Probst & White.
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Architectural elements by architects such as Daniel Burnham, Louis Sullivan and Frank Lloyd Wright will be offered throughout the sale, originating from historical structures such as the Potter Palmer mansion, the Chicago Athletic Association, the Oriental Theater, Union Station and the Chicago Theater. Examples will include fragments in the Modernist, neo-Gothic and Beaux-Arts styles.
Lot 14 | A Louis Sullivan Auditorium Hotel Dining Room Skylight Window.
Unique items include costumes from the Lyric Opera, notably the 1976 production of Three Oranges by Sergei Prokofiev and a custom-made book, bound in goat hide, of headlines pertaining to Cubs history and their 2016 World Championship. The sale will conclude with an homage to contemporary Chicago creators, closing with a session of paintings by artists such as Leon Golub, Karl Wirsum, Ed Paschke and Roger Brown.
Lot 139 | A Lyric Opera Cream, Black and Brown Clown Costume from Love of Three Oranges by Sergei Prokofiev.
Lot 189 | Ed Paschke (American 1939-2004), Cineface, 1993.
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1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600
1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600
2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862]. Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)
2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862]. Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)
FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000
FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000
3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852]. Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal. (Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800
3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852]. Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal. (Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800
4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300
4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300
5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s. Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900
5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s. Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900
6 [CHICAGO FIRE]. Original printing plate, circa 1871. Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700
6 [CHICAGO FIRE]. Original printing plate, circa 1871. Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700
7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame). 12 x 31 inches (visible). $400-600
7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame). 12 x 31 inches (visible). $400-600
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1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600
1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600
2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862]. Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)
2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862]. Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)
FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000
FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000
3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852]. Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal. (Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800
3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852]. Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal. (Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800
4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300
4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300
5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s. Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900
5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s. Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900
6 [CHICAGO FIRE]. Original printing plate, circa 1871. Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700
6 [CHICAGO FIRE]. Original printing plate, circa 1871. Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700
7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame). 12 x 31 inches (visible). $400-600
7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame). 12 x 31 inches (visible). $400-600
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9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885. Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000
9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885. Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000
10 [CHICAGO SCENES]. 15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500
10 [CHICAGO SCENES]. 15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500
11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880]. Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.) Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”). Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500
11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880]. Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.) Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”). Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500
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9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885. Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000
9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885. Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000
10 [CHICAGO SCENES]. 15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500
10 [CHICAGO SCENES]. 15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500
11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880]. Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.) Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”). Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500
11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880]. Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.) Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”). Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500
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12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root
12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root
maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame. Height 33 x width 22 inches overall. $5,000-7,000
maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame. Height 33 x width 22 inches overall. $5,000-7,000
CIRCA 1883
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CIRCA 1883
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12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root
12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root
maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame. Height 33 x width 22 inches overall. $5,000-7,000
maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame. Height 33 x width 22 inches overall. $5,000-7,000
CIRCA 1883
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V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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MADE I N CHI CA GO
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MA D E I N CHI CA G O
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MADE I N CHI CA GO
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MA D E I N CHI CA G O
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13
13
13 A Louis Sullivan Auditorium Theater Skylight Window
13 A Louis Sullivan Auditorium Theater Skylight Window
fabricated by Healy & Millet, having a foliate medallion within celtic knot border. Overall: 37 3/4 x 60 3/4 inches.
fabricated by Healy & Millet, having a foliate medallion within celtic knot border. Overall: 37 3/4 x 60 3/4 inches.
CIRCA 1889
18
CIRCA 1889
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000
MADE I N CHI CA GO
18
MA D E I N CHI CA G O
13
13
13 A Louis Sullivan Auditorium Theater Skylight Window
13 A Louis Sullivan Auditorium Theater Skylight Window
fabricated by Healy & Millet, having a foliate medallion within celtic knot border. Overall: 37 3/4 x 60 3/4 inches.
fabricated by Healy & Millet, having a foliate medallion within celtic knot border. Overall: 37 3/4 x 60 3/4 inches.
CIRCA 1889
18
CIRCA 1889
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000
MADE I N CHI CA GO
18
MA D E I N CHI CA G O
14
14
14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window
14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window
fabricated by Healy & Millet, in four parts creating a circular medallion. Overall: 54 x 46 inches.
fabricated by Healy & Millet, in four parts creating a circular medallion. Overall: 54 x 46 inches.
CIRCA 1889
CIRCA 1889
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings
Exhibited: Block Museum of Art, Northwestern University $30,000-50,000
Exhibited: Block Museum of Art, Northwestern University $30,000-50,000
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
19
14
14
14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window
14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window
fabricated by Healy & Millet, in four parts creating a circular medallion. Overall: 54 x 46 inches.
fabricated by Healy & Millet, in four parts creating a circular medallion. Overall: 54 x 46 inches.
CIRCA 1889
CIRCA 1889
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings
Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings
Exhibited: Block Museum of Art, Northwestern University $30,000-50,000
Exhibited: Block Museum of Art, Northwestern University $30,000-50,000
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
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15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY
possibly produced by Midland Terra Cotta. Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates. Height 7 1/2 inches. $300-500
19 [VIEWS OF CHICAGO ARCHITECTURE]. A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500
15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY
possibly produced by Midland Terra Cotta. Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates. Height 7 1/2 inches. $300-500
20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894
manufactured by the Winslow Brothers Foundry, Chicago. Height 17 3/4 x width 17 inches. $1,000-2,000
17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300
17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300
18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm. Sold to benefit the Chicago Art Deco Society. $400-600
18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm. Sold to benefit the Chicago Art Deco Society. $400-600
19 [VIEWS OF CHICAGO ARCHITECTURE]. A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500 20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894
manufactured by the Winslow Brothers Foundry, Chicago. Height 17 3/4 x width 17 inches. $1,000-2,000
20 20
MADE I N CHI CA GO
15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY
possibly produced by Midland Terra Cotta. Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates. Height 7 1/2 inches. $300-500
20 20
19 [VIEWS OF CHICAGO ARCHITECTURE]. A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500
MA D E I N CHI CA G O
15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY
possibly produced by Midland Terra Cotta. Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates. Height 7 1/2 inches. $300-500
20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894
manufactured by the Winslow Brothers Foundry, Chicago. Height 17 3/4 x width 17 inches. $1,000-2,000
17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300
17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300
18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm. Sold to benefit the Chicago Art Deco Society. $400-600
18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm. Sold to benefit the Chicago Art Deco Society. $400-600
20 20
MADE I N CHI CA GO
19 [VIEWS OF CHICAGO ARCHITECTURE]. A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500 20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894
manufactured by the Winslow Brothers Foundry, Chicago. Height 17 3/4 x width 17 inches. $1,000-2,000
20 20
MA D E I N CHI CA G O
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23
21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel
21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel
manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration. 22 x 11 1/2 inches. $700-900
manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration. 22 x 11 1/2 inches. $700-900
CIRCA 1896
CIRCA 1896
22 A Potter Palmer Mansion Oak and Iron Staircase Panel
22 A Potter Palmer Mansion Oak and Iron Staircase Panel
CIRCA 1880 S
CIRCA 1880 S
23 A Columbus Memorial Building Brass and Bronze Wall Sconce
23 A Columbus Memorial Building Brass and Bronze Wall Sconce
with carved and cast foliate decoration. Height 18 3/4 inches. $800-1,200
with carved and cast foliate decoration. Height 18 3/4 inches. $800-1,200
LATE 19TH CENTURY
LATE 19TH CENTURY
with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms. Height 13 3/4 inches. $1,000-2,000
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with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms. Height 13 3/4 inches. $1,000-2,000
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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23
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21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel
21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel
manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration. 22 x 11 1/2 inches. $700-900
manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration. 22 x 11 1/2 inches. $700-900
CIRCA 1896
CIRCA 1896
22 A Potter Palmer Mansion Oak and Iron Staircase Panel
22 A Potter Palmer Mansion Oak and Iron Staircase Panel
CIRCA 1880 S
CIRCA 1880 S
23 A Columbus Memorial Building Brass and Bronze Wall Sconce
23 A Columbus Memorial Building Brass and Bronze Wall Sconce
with carved and cast foliate decoration. Height 18 3/4 inches. $800-1,200
with carved and cast foliate decoration. Height 18 3/4 inches. $800-1,200
LATE 19TH CENTURY
LATE 19TH CENTURY
with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms. Height 13 3/4 inches. $1,000-2,000
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21
with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms. Height 13 3/4 inches. $1,000-2,000
21
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24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment CIRCA 1893
of rectangular form. Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic
CIRCA 1896
fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration. 53 x 43 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
22
CIRCA 1893
of rectangular form. Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic
CIRCA 1896
fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration. 53 x 43 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
22
CIRCA 1936
having two medallions with leaf decoration. Height 13 3/4 x width 29 1/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
MADE I N CHI CA GO
CIRCA 1893
of rectangular form. Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic
27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel
CIRCA 1896
fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration. 53 x 43 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
CIRCA 1892
manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts. Height 17 x width overall 64 inches. $2,000-4,000
MADE I N CHI CA GO
24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment
24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment
26 A George Grant Elmslie Edison School Terra Cotta Panel
22
26 A George Grant Elmslie Edison School Terra Cotta Panel having two medallions with leaf decoration. Height 13 3/4 x width 29 1/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
CIRCA 1893
of rectangular form. Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic
27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel
CIRCA 1896
fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration. 53 x 43 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600
CIRCA 1892
manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts. Height 17 x width overall 64 inches. $2,000-4,000
22
CIRCA 1936
having two medallions with leaf decoration. Height 13 3/4 x width 29 1/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600 27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel
CIRCA 1892
manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts. Height 17 x width overall 64 inches. $2,000-4,000
MA D E I N CHI CA G O
24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment
CIRCA 1936
26 A George Grant Elmslie Edison School Terra Cotta Panel
MA D E I N CHI CA G O
26 A George Grant Elmslie Edison School Terra Cotta Panel
CIRCA 1936
having two medallions with leaf decoration. Height 13 3/4 x width 29 1/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $400-600 27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel
CIRCA 1892
manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts. Height 17 x width overall 64 inches. $2,000-4,000
28 A Louis Sullivan Glazed Terra Cotta Block
30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze
28 A Louis Sullivan Glazed Terra Cotta Block
30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze
of rectangular form with relief decoration. Width 17 3/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $200-400
of rectangular form with geometric decoration. Width 26 inches. $500-700
of rectangular form with relief decoration. Width 17 3/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $200-400
of rectangular form with geometric decoration. Width 26 inches. $500-700
EARLY 20TH CENTURY
29 A Louis Sullivan Auditorium Building Brass Door Key and Fob
CIRCA 1892
EARLY 20TH CENTURY
30A An American Terra Cotta Company Salesmans Sample
29 A Louis Sullivan Auditorium Building Brass Door Key and Fob
EARLY 20TH CENTURY
in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400
CIRCA 1900
the fob of shield form with hotel’s name and stamped room number. Length 6 3/8 x width 1 3/4 inches. $300-600
CIRCA 1892
30A An American Terra Cotta Company Salesmans Sample
EARLY 20TH CENTURY
in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400
CIRCA 1900
the fob of shield form with hotel’s name and stamped room number. Length 6 3/8 x width 1 3/4 inches. $300-600
27
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V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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28 A Louis Sullivan Glazed Terra Cotta Block
30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze
28 A Louis Sullivan Glazed Terra Cotta Block
30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze
of rectangular form with relief decoration. Width 17 3/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $200-400
of rectangular form with geometric decoration. Width 26 inches. $500-700
of rectangular form with relief decoration. Width 17 3/4 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $200-400
of rectangular form with geometric decoration. Width 26 inches. $500-700
EARLY 20TH CENTURY
29 A Louis Sullivan Auditorium Building Brass Door Key and Fob CIRCA 1900
the fob of shield form with hotel’s name and stamped room number. Length 6 3/8 x width 1 3/4 inches. $300-600
CIRCA 1892
EARLY 20TH CENTURY
30A An American Terra Cotta Company Salesmans Sample
29 A Louis Sullivan Auditorium Building Brass Door Key and Fob
EARLY 20TH CENTURY
in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400
CIRCA 1900
the fob of shield form with hotel’s name and stamped room number. Length 6 3/8 x width 1 3/4 inches. $300-600
27
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23
CIRCA 1892
30A An American Terra Cotta Company Salesmans Sample
EARLY 20TH CENTURY
in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400
27
23
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31
31
24
MADE I N CHI CA GO
24
MA D E I N CHI CA G O
31
24
MADE I N CHI CA GO
31
24
MA D E I N CHI CA G O
31 Frank Lloyd Wright
31 Frank Lloyd Wright
a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000
a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000
32 A Contemporary Low Table, after Frank Lloyd Wright
32 A Contemporary Low Table, after Frank Lloyd Wright
having a rectangular top raised on squared legs joined by medial shelf. Height 15 x width 38 x depth 22 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $300-500
having a rectangular top raised on squared legs joined by medial shelf. Height 15 x width 38 x depth 22 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $300-500
CIRCA 1902
CIRCA 1902
LATE 20TH CENTURY
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
LATE 20TH CENTURY
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
25
31 Frank Lloyd Wright
31 Frank Lloyd Wright
a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000
a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000
32 A Contemporary Low Table, after Frank Lloyd Wright
32 A Contemporary Low Table, after Frank Lloyd Wright
having a rectangular top raised on squared legs joined by medial shelf. Height 15 x width 38 x depth 22 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $300-500
having a rectangular top raised on squared legs joined by medial shelf. Height 15 x width 38 x depth 22 inches. Property from the Collection of Dr. Brian and Becky Hinrichs $300-500
CIRCA 1902
CIRCA 1902
LATE 20TH CENTURY
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
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LATE 20TH CENTURY
25
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33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden
33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden
likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form. Height 40 inches. $300-500
likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form. Height 40 inches. $300-500
CIRCA 1907
CIRCA 1907
34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909. The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600
34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909. The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600
34A A Blackstone Hotel Rooster Doorknob and Backplate
34A A Blackstone Hotel Rooster Doorknob and Backplate
CIRCA 1909 34A
26
CIRCA 1909
manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel. Length overall 13 1/2 inches. $300-500
MADE I N CHI CA GO
34A
26
MA D E I N CHI CA G O
33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden
33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden
likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form. Height 40 inches. $300-500
likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form. Height 40 inches. $300-500
CIRCA 1907
CIRCA 1907
34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909. The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600
34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909. The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600
34A A Blackstone Hotel Rooster Doorknob and Backplate
34A A Blackstone Hotel Rooster Doorknob and Backplate
CIRCA 1909 34A
26
MADE I N CHI CA GO
manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel. Length overall 13 1/2 inches. $300-500
CIRCA 1909
manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel. Length overall 13 1/2 inches. $300-500
34A
26
MA D E I N CHI CA G O
manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel. Length overall 13 1/2 inches. $300-500
36
35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909
likely manufactured by the R. Wiliamson Co., Chicago. Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask
CIRCA 1920 S
molded and painted as a traditional Egyptian mask. Height 21 inches. $500-700
36
37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909
likely manufactured by the R. Wiliamson Co., Chicago. Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask
38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
CIRCA 1920 S
molded and painted as a traditional Egyptian mask. Height 21 inches. $500-700
CIRCA 1909
likely manufactured by the R. Wiliamson Co., Chicago. Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask
CIRCA 1920 S
molded and painted as a traditional Egyptian mask. Height 21 inches. $500-700
27
36
37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909
likely manufactured by the R. Wiliamson Co., Chicago. Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask
38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
27
36
35 A La Salle Hotel Brass Sixteen-Light Chandelier
37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
CIRCA 1920 S
molded and painted as a traditional Egyptian mask. Height 21 inches. $500-700
27
37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600 38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600
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39 A Linden Glass Company Leaded and Stained Glass Window
39 A Linden Glass Company Leaded and Stained Glass Window
of rectangular form, centered with a crest. Height 40 x width 15 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500
of rectangular form, centered with a crest. Height 40 x width 15 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500
40 A Linden Glass Company Sculptural Leaded Glass Window
40 A Linden Glass Company Sculptural Leaded Glass Window
of rectangular form, centered with a bird. Height 21 x width 17 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
of rectangular form, centered with a bird. Height 21 x width 17 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
41 A Linden Glass Company Leaded and Stained Glass Window
41 A Linden Glass Company Leaded and Stained Glass Window
19TH/20TH CENTURY
19TH/20TH CENTURY
19TH/20TH CENTURY
39
19TH/20TH CENTURY
19TH/20TH CENTURY
of rectangular form, centered with a portrait rondel. Height 23 x width 16 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500
39
42 A Linden Glass Company Sculptural Leaded Glass Window
42 A Linden Glass Company Sculptural Leaded Glass Window
of rectangular form, decorated with a lady holding a cornucopia. Height 22 x width 13 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
of rectangular form, decorated with a lady holding a cornucopia. Height 22 x width 13 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
19TH/20TH CENTURY
42
28
MADE I N CHI CA GO
19TH/20TH CENTURY
42
28
MA D E I N CHI CA G O
39 A Linden Glass Company Leaded and Stained Glass Window
39 A Linden Glass Company Leaded and Stained Glass Window
of rectangular form, centered with a crest. Height 40 x width 15 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500
of rectangular form, centered with a crest. Height 40 x width 15 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500
40 A Linden Glass Company Sculptural Leaded Glass Window
40 A Linden Glass Company Sculptural Leaded Glass Window
of rectangular form, centered with a bird. Height 21 x width 17 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
of rectangular form, centered with a bird. Height 21 x width 17 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
41 A Linden Glass Company Leaded and Stained Glass Window
41 A Linden Glass Company Leaded and Stained Glass Window
19TH/20TH CENTURY
19TH/20TH CENTURY
19TH/20TH CENTURY
39
19TH/20TH CENTURY
19TH/20TH CENTURY
of rectangular form, centered with a portrait rondel. Height 23 x width 16 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500
39
28
MADE I N CHI CA GO
19TH/20TH CENTURY
of rectangular form, centered with a portrait rondel. Height 23 x width 16 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500
42 A Linden Glass Company Sculptural Leaded Glass Window
42 A Linden Glass Company Sculptural Leaded Glass Window
of rectangular form, decorated with a lady holding a cornucopia. Height 22 x width 13 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
of rectangular form, decorated with a lady holding a cornucopia. Height 22 x width 13 1/2 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500
19TH/20TH CENTURY
42
19TH/20TH CENTURY
of rectangular form, centered with a portrait rondel. Height 23 x width 16 inches. Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500
19TH/20TH CENTURY
42
28
MA D E I N CHI CA G O
43
43
43 A Set of Four William Eugene Drummond Windows
44 A Set of Three William Eugene Drummond Windows
43 A Set of Four William Eugene Drummond Windows
for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000
for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall. These examples were removed by the church in 1964-1967 $1,000-2,000
for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000
CIRCA 1912
CIRCA 1912
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
CIRCA 1912
44 A Set of Three William Eugene Drummond Windows
CIRCA 1912
for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall. These examples were removed by the church in 1964-1967 $1,000-2,000
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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43
43 A Set of Four William Eugene Drummond Windows CIRCA 1912
for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000
43
44 A Set of Three William Eugene Drummond Windows
43 A Set of Four William Eugene Drummond Windows
for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall. These examples were removed by the church in 1964-1967 $1,000-2,000
for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000
CIRCA 1912
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29
CIRCA 1912
44 A Set of Three William Eugene Drummond Windows
CIRCA 1912
for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall. These examples were removed by the church in 1964-1967 $1,000-2,000
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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46
45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200 46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches. This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500
30
46
45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200
47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600
46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches. This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500
47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches. Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800
MADE I N CHI CA GO
30
46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches. This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500
30
MADE I N CHI CA GO
47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches. Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800
MA D E I N CHI CA G O
46
45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200
47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600
46
45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200
47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600
46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches. This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500
47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches. Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800
30
MA D E I N CHI CA G O
47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600 47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches. Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800
48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500
48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500
49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800
49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800
48
50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200
50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200
51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000
51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000
52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000
52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000 51
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48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500
48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500
49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800
49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800
48
50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200
50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200
51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000
51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000
52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000
52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000 51
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51
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53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000
53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000
54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches. Property from the Collection of Anita Livaditis, Winnetka, Illinois
54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches. Property from the Collection of Anita Livaditis, Winnetka, Illinois
Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000
Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000
55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels. Diameter 18 inches. $1,000-2,000
55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels. Diameter 18 inches. $1,000-2,000
55
56 A Cook County Criminal Courts Bronze Spittoon Cover
56 A Cook County Criminal Courts Bronze Spittoon Cover
of square form with canted corners, with raised lettering and foliate decoration. 10 x 10 inches. $500-700
of square form with canted corners, with raised lettering and foliate decoration. 10 x 10 inches. $500-700
CIRCA 1920 S
32
CIRCA 1920 S
57
MADE I N CHI CA GO
32
53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000
54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches. Property from the Collection of Anita Livaditis, Winnetka, Illinois
54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches. Property from the Collection of Anita Livaditis, Winnetka, Illinois
Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000
Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000 55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels. Diameter 18 inches. $1,000-2,000
55
56 A Cook County Criminal Courts Bronze Spittoon Cover
56 A Cook County Criminal Courts Bronze Spittoon Cover
of square form with canted corners, with raised lettering and foliate decoration. 10 x 10 inches. $500-700
of square form with canted corners, with raised lettering and foliate decoration. 10 x 10 inches. $500-700
CIRCA 1920 S
32
MADE I N CHI CA GO
57
MA D E I N CHI CA G O
53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000
55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels. Diameter 18 inches. $1,000-2,000
55
55
CIRCA 1920 S
57
32
MA D E I N CHI CA G O
57
57 No Lot 58 A Marshall Field & Co. Bronze Stamp Box FIRST HALF 20TH CENTURY
of rectangular form with hinged lid, stamped MADE IN OUR CRAFT SHOP/ MARSHALL FIELD & CO. Width 4 inches. $200-400 59 A Chicago Theater Terra Cotta Panel, Designed by Rapp & Rapp
CIRCA 1921
manufactured by the Boston Valley Terra Cotta Co., of rectangular form centered with a flower having an opening for a light bulb. Width 16 inches. $800-1,200 60 An Oriental Theater Auditorium Figural Seat End
CIRCA 1920 S
manufactured by the Heywood-Wakefield Co., Menominee, Mich. Height 25 1/2 inches. $800-1,200 59
VIEW TH E C ATALOGUE ON L I N E AT L E S L I E H I N DM A N .C OM
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61
61
34
MADE I N CHI CA GO
34
MA D E I N CHI CA G O
61
34
MADE I N CHI CA GO
61
34
MA D E I N CHI CA G O
61 A Granada Theater Full-Sized Cast Plaster Statue
61 A Granada Theater Full-Sized Cast Plaster Statue
likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden. Height 87 inches. $8,000-12,000
likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden. Height 87 inches. $8,000-12,000
CIRCA 1926
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
CIRCA 1926
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61 A Granada Theater Full-Sized Cast Plaster Statue
61 A Granada Theater Full-Sized Cast Plaster Statue
likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden. Height 87 inches. $8,000-12,000
likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden. Height 87 inches. $8,000-12,000
CIRCA 1926
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35
CIRCA 1926
35
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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62
62
62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum
62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum
manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration. Height 20 inches. $800-1,200
manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration. Height 20 inches. $800-1,200
CIRCA 1926
CIRCA 1926
63 An Art Deco Brass and Glass Chandelier
63 An Art Deco Brass and Glass Chandelier
FIRST HALF 20TH CENTURY
FIRST HALF 20TH CENTURY
Provenance: Removed from the Avalon Theater $600-800
Provenance: Removed from the Avalon Theater $600-800
in the form of a palm tree, hung with prisms throughout. Height 28 x diameter 19 inches. The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois
36
MADE I N CHI CA GO
in the form of a palm tree, hung with prisms throughout. Height 28 x diameter 19 inches. The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois
36
MA D E I N CHI CA G O
62
62
62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum
62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum
manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration. Height 20 inches. $800-1,200
manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration. Height 20 inches. $800-1,200
CIRCA 1926
CIRCA 1926
63 An Art Deco Brass and Glass Chandelier
63 An Art Deco Brass and Glass Chandelier
FIRST HALF 20TH CENTURY
FIRST HALF 20TH CENTURY
Provenance: Removed from the Avalon Theater $600-800
Provenance: Removed from the Avalon Theater $600-800
in the form of a palm tree, hung with prisms throughout. Height 28 x diameter 19 inches. The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois
36
MADE I N CHI CA GO
in the form of a palm tree, hung with prisms throughout. Height 28 x diameter 19 inches. The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois
36
MA D E I N CHI CA G O
67
67
64 A Lawndale Theater Leaded and Stained Glass Medallion
66 A Bronze Staircase Double Side Baluster Panel, National Bank Building
64 A Lawndale Theater Leaded and Stained Glass Medallion
66 A Bronze Staircase Double Side Baluster Panel, National Bank Building
likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest. Diameter 32 inches. $1,000-2,000
likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins. 11 3/4 x 7 1/2 inches. $600-800
likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest. Diameter 32 inches. $1,000-2,000
likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins. 11 3/4 x 7 1/2 inches. $600-800
CIRCA 1927
65 Two Painted Canvas Theater Murals
CHICAGO, CIRCA 1927
depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989). First: 17 feet 5 inches x 16 feet 1 inch. $200-400
CIRCA 1920 S
CIRCA 1927
67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier
65 Two Painted Canvas Theater Murals
CHICAGO, CIRCA 1927
depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989). First: 17 feet 5 inches x 16 feet 1 inch. $200-400
CIRCA 1920 S
likely manufactured by the Beardslee Mfg. Co., Chicago. Height 39 x diameter 36 inches. $1,000-2,000
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
CIRCA 1920 S
67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier
CIRCA 1920 S
likely manufactured by the Beardslee Mfg. Co., Chicago. Height 39 x diameter 36 inches. $1,000-2,000
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67
67
64 A Lawndale Theater Leaded and Stained Glass Medallion
66 A Bronze Staircase Double Side Baluster Panel, National Bank Building
64 A Lawndale Theater Leaded and Stained Glass Medallion
66 A Bronze Staircase Double Side Baluster Panel, National Bank Building
likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest. Diameter 32 inches. $1,000-2,000
likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins. 11 3/4 x 7 1/2 inches. $600-800
likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest. Diameter 32 inches. $1,000-2,000
likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins. 11 3/4 x 7 1/2 inches. $600-800
CIRCA 1927
65 Two Painted Canvas Theater Murals
CHICAGO, CIRCA 1927
depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989). First: 17 feet 5 inches x 16 feet 1 inch. $200-400
CIRCA 1920 S
CIRCA 1927
67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier
65 Two Painted Canvas Theater Murals
CHICAGO, CIRCA 1927
depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989). First: 17 feet 5 inches x 16 feet 1 inch. $200-400
CIRCA 1920 S
likely manufactured by the Beardslee Mfg. Co., Chicago. Height 39 x diameter 36 inches. $1,000-2,000
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37
CIRCA 1920 S
67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier
CIRCA 1920 S
likely manufactured by the Beardslee Mfg. Co., Chicago. Height 39 x diameter 36 inches. $1,000-2,000
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68 An Art Deco Cast Iron Elevator Grill, Holabird & Root
68 An Art Deco Cast Iron Elevator Grill, Holabird & Root
of rectangular form with linear decoration. Height 11 inches. $400-600
of rectangular form with linear decoration. Height 11 inches. $400-600
CIRCA 1928
CIRCA 1928
69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.
69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.
CIRCA 1933
CIRCA 1933
70 A Pair Finkl & Sons Enameled Steel Light Fixtures
70 A Pair Finkl & Sons Enameled Steel Light Fixtures
each of Art Deco style stepped rectangular form with UP and DOWN buttons. Height 8 1/8 inches. $800-1,200
69
each of Art Deco style stepped rectangular form with UP and DOWN buttons. Height 8 1/8 inches. $800-1,200
69
FIRST HALF 20TH CENTURY
of conical form. Diameter 16 1/2 inches. $300-500
71 A Century of Progress Enameled Metal Street Sign
CIRCA 1933
CIRCA 1933
72 A Century of Progress Cast Resin Paperweight
72 A Century of Progress Cast Resin Paperweight
of circular form enameled with a black biplane within conforming border. Diameter 12 inches. $700-900
CIRCA 1933
38
CIRCA 1933
of circular form with Century of Progress, Chicago and 1933 in raised lettering. Diameter 3 1/2 inches. $400-600
MADE I N CHI CA GO
of circular form with Century of Progress, Chicago and 1933 in raised lettering. Diameter 3 1/2 inches. $400-600
71
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MA D E I N CHI CA G O
68 An Art Deco Cast Iron Elevator Grill, Holabird & Root
68 An Art Deco Cast Iron Elevator Grill, Holabird & Root
of rectangular form with linear decoration. Height 11 inches. $400-600
of rectangular form with linear decoration. Height 11 inches. $400-600
CIRCA 1928
CIRCA 1928
69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.
69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.
CIRCA 1933
CIRCA 1933
70 A Pair Finkl & Sons Enameled Steel Light Fixtures
70 A Pair Finkl & Sons Enameled Steel Light Fixtures
each of Art Deco style stepped rectangular form with UP and DOWN buttons. Height 8 1/8 inches. $800-1,200
69
each of Art Deco style stepped rectangular form with UP and DOWN buttons. Height 8 1/8 inches. $800-1,200
69
FIRST HALF 20TH CENTURY
of conical form. Diameter 16 1/2 inches. $300-500
71 A Century of Progress Enameled Metal Street Sign
MADE I N CHI CA GO
of conical form. Diameter 16 1/2 inches. $300-500
CIRCA 1933
CIRCA 1933
72 A Century of Progress Cast Resin Paperweight
72 A Century of Progress Cast Resin Paperweight
of circular form enameled with a black biplane within conforming border. Diameter 12 inches. $700-900
CIRCA 1933
38
FIRST HALF 20TH CENTURY
71 A Century of Progress Enameled Metal Street Sign
of circular form enameled with a black biplane within conforming border. Diameter 12 inches. $700-900
71
of conical form. Diameter 16 1/2 inches. $300-500
71 A Century of Progress Enameled Metal Street Sign
of circular form enameled with a black biplane within conforming border. Diameter 12 inches. $700-900
71
FIRST HALF 20TH CENTURY
CIRCA 1933
of circular form with Century of Progress, Chicago and 1933 in raised lettering. Diameter 3 1/2 inches. $400-600
71
38
MA D E I N CHI CA G O
of circular form with Century of Progress, Chicago and 1933 in raised lettering. Diameter 3 1/2 inches. $400-600
73
73
73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.
73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.
2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities). LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.
2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities). LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.
$4,000-6,000
$4,000-6,000
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73
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73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.
73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.
2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities). LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.
2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities). LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.
$4,000-6,000
$4,000-6,000
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74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500
40
76
76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000
74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500
77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c. 1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900
MADE I N CHI CA GO
40
75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500
40
MADE I N CHI CA GO
77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c. 1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900
MA D E I N CHI CA G O
76
74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700
76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000
76
76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000
74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500
77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c. 1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900
40
MA D E I N CHI CA G O
76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000 77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c. 1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900
79
78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500
78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500
79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000
79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000
80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.
80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.
79
Provenance: Hewitt Gallery, New York
Provenance: Hewitt Gallery, New York
Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000
Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000
81 A Cellini Shop Aluminum Chafing Dish
81 A Cellini Shop Aluminum Chafing Dish
with carved wood finial and handle, on stand. Width over handle 19 inches. $200-400
with carved wood finial and handle, on stand. Width over handle 19 inches. $200-400
CIRCA 1940
CIRCA 1940
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80
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78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500
78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500
79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000
79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000
80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.
80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.
79
Provenance: Hewitt Gallery, New York
Provenance: Hewitt Gallery, New York
Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000
Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000
81 A Cellini Shop Aluminum Chafing Dish
81 A Cellini Shop Aluminum Chafing Dish
with carved wood finial and handle, on stand. Width over handle 19 inches. $200-400
with carved wood finial and handle, on stand. Width over handle 19 inches. $200-400
CIRCA 1940
CIRCA 1940
80
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82 Three Cellini Shop Hand-Hammered Aluminum Articles CIRCA 1940
comprising a floriform bowl, an octagonal dish and an ash receiver. Diameter of largest 11 inches. $200-400 83 Two Cellini Shop Hand-Hammered Aluminum Chargers
CIRCA 1940
each of circular form, one with raised handles, the other with linear decoration. Width of wider 13 1/2 inches. $300-500
42
85
84 A Grant Hospital Aluminum Dedication Plaque
82 Three Cellini Shop Hand-Hammered Aluminum Articles
of rectangular form incised with a dedication naming the groups who made the hospital possible. Height 18 by width 28 inches. $200-400
comprising a floriform bowl, an octagonal dish and an ash receiver. Diameter of largest 11 inches. $200-400
CIRCA LATE 1950 S
CIRCA 1940
83 Two Cellini Shop Hand-Hammered Aluminum Chargers
85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000
CIRCA 1940
each of circular form, one with raised handles, the other with linear decoration. Width of wider 13 1/2 inches. $300-500
MADE I N CHI CA GO
42
84 A Grant Hospital Aluminum Dedication Plaque
CIRCA LATE 1950 S
of rectangular form incised with a dedication naming the groups who made the hospital possible. Height 18 by width 28 inches. $200-400 85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000
MA D E I N CHI CA G O
85
82 Three Cellini Shop Hand-Hammered Aluminum Articles CIRCA 1940
comprising a floriform bowl, an octagonal dish and an ash receiver. Diameter of largest 11 inches. $200-400 83 Two Cellini Shop Hand-Hammered Aluminum Chargers
CIRCA 1940
each of circular form, one with raised handles, the other with linear decoration. Width of wider 13 1/2 inches. $300-500
42
MADE I N CHI CA GO
85
84 A Grant Hospital Aluminum Dedication Plaque
82 Three Cellini Shop Hand-Hammered Aluminum Articles
of rectangular form incised with a dedication naming the groups who made the hospital possible. Height 18 by width 28 inches. $200-400
comprising a floriform bowl, an octagonal dish and an ash receiver. Diameter of largest 11 inches. $200-400
CIRCA LATE 1950 S
CIRCA 1940
83 Two Cellini Shop Hand-Hammered Aluminum Chargers
85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000
CIRCA 1940
each of circular form, one with raised handles, the other with linear decoration. Width of wider 13 1/2 inches. $300-500
42
MA D E I N CHI CA G O
84 A Grant Hospital Aluminum Dedication Plaque
CIRCA LATE 1950 S
of rectangular form incised with a dedication naming the groups who made the hospital possible. Height 18 by width 28 inches. $200-400 85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000
91
91
86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600
89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200
86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600
89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200
87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600
90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200
87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600
90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200
88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200
91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000
88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200
91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000
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91
91
86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600
89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200
86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600
89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200
87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600
90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200
87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600
90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200
88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200
91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000
88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200
91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000
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92
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92
92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.
92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.
Provenance: Robert Henry Adams Fine Art, Chicago
Provenance: Robert Henry Adams Fine Art, Chicago
Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000
Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000
MADE I N CHI CA GO
44
MA D E I N CHI CA G O
92
44
92
92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.
92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.
Provenance: Robert Henry Adams Fine Art, Chicago
Provenance: Robert Henry Adams Fine Art, Chicago
Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000
Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000
MADE I N CHI CA GO
44
MA D E I N CHI CA G O
93
93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches. Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000 94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000
93
95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000
93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches. Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000
96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200
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94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000
95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000 96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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93
93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches. Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000 94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000
93
95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000
93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches. Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000
96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200
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94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000
45
95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000 96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200
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98
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97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000
98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000 100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800
101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.
101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.
Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500
Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500
98
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98
MADE I N CHI CA GO
97
100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800
MADE I N CHI CA GO
97
46
97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000
MA D E I N CHI CA G O
97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000
97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000
98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000
97
100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800
100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800
101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.
101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.
Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500
Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500
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102
102
102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Provenance: Allan Frumkin Gallery, New York
Provenance: Allan Frumkin Gallery, New York
Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000
Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000
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102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Provenance: Allan Frumkin Gallery, New York
Provenance: Allan Frumkin Gallery, New York
Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000
Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000
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103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches. Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200
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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000
105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000
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103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches. Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200
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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000
MA D E I N CHI CA G O
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103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches. Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200
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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000
105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000
105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000
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103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches. Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200
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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000
105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000
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107
106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000
107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000
107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000
108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200
108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200
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106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000
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106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000
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106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000
107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000
107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000
108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200
108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200
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109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.
109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.
Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000
Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000
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109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.
109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.
Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000
Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000
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111
110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000
111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000
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110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000
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111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000
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111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000
110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000
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110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000
111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000
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112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700
114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800 115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000
116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000
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116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000
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116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000
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117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700 118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600
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119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.
117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700
Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000
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118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600
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118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600
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Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000
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117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700
119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.
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119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.
117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700
Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000
118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600
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119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches. Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000
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120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200
120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200
121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000
121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000
122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde! Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500
122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde! Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500
123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000
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123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000
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120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200
120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200
121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000
121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000
122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde! Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500
122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde! Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500
123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000
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123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000
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124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.
Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000
Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000
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125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000
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124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.
125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000
MA D E I N CHI CA G O
124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.
124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.
Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000
Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000
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125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000
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125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000
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126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Provenance: Allan Frumkin Gallery, Chicago
Provenance: Allan Frumkin Gallery, Chicago
Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000
Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000
127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000
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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000
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126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois
Provenance: Allan Frumkin Gallery, Chicago
Provenance: Allan Frumkin Gallery, Chicago
Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000
Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000
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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000
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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000
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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000
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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000
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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000
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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000
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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues. Width with bracket 26 3/4 inches. $150-250
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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues. Width with bracket 26 3/4 inches. $150-250
130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200
130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200
131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000
131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000
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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues. Width with bracket 26 3/4 inches. $150-250
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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues. Width with bracket 26 3/4 inches. $150-250
130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200
130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200
131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000
131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000
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132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.
132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.
Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago
Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago
Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000
Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000
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132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.
132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.
Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago
Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago
Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000
Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000
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133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000
133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000
134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200
134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200
135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000
135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000
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133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000
133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000
134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200
134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200
135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000
135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000
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136 A Lyric Opera Black and Red Stripe Cape $40-60
136 A Lyric Opera Black and Red Stripe Cape $40-60
137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50
137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50
138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70
138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70
139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120 141 A Collection of Four Lyric Opera Hats $100-200
142 A Lyric Opera Brown Wool Military Crop Jacket $30-50
142 A Lyric Opera Brown Wool Military Crop Jacket $30-50
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140
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141 A Collection of Four Lyric Opera Hats $100-200
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136 A Lyric Opera Black and Red Stripe Cape $40-60
136 A Lyric Opera Black and Red Stripe Cape $40-60
137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50
137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50
138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70
138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70
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139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev. Labeled: Tirelli Costuma Roma. $80-120
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141 A Collection of Four Lyric Opera Hats $100-200
141 A Collection of Four Lyric Opera Hats $100-200
142 A Lyric Opera Brown Wool Military Crop Jacket $30-50
142 A Lyric Opera Brown Wool Military Crop Jacket $30-50
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143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400 144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70 145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700
146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches. Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000
144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70 145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700
144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70
146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400
143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400
145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700
143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400
Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000
144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70
146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700
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Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000 146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.
146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.
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146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches. Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000 146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900
150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700
147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900
150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700
148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500
151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000
148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500
151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000
149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.
152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700
149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.
152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700
Provenance: Richard Gray Gallery, Chicago $1,000-2,000
153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700
Provenance: Richard Gray Gallery, Chicago $1,000-2,000
153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700
149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
MA D E I N CHI CA G O
147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900
150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700
147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900
150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700
148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500
151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000
148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500
151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000
149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.
152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700
149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.
152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700
Provenance: Richard Gray Gallery, Chicago $1,000-2,000
153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700
Provenance: Richard Gray Gallery, Chicago $1,000-2,000
153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700
149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
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149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
MADE I N CHI CA GO
149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800
154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches. Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000
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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches. Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000
163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches. Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000
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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400
162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches. Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000
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164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.
164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.
164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000
165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000
166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.
164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.
164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.
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Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000
165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000
165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000
166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Zolla Lieberman Gallery, Chicago $300-500 168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500
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Provenance: Zolla Lieberman Gallery, Chicago $300-500 168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500
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Provenance: Edward Thorp Gallery. New York. Acquired from the above by the present owner in 1995. $500-700
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Provenance: Zolla Lieberman Gallery, Chicago $300-500
171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000
168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois
172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600
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167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.
Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500
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Provenance: Edward Thorp Gallery. New York. Acquired from the above by the present owner in 1995. $500-700
Provenance: Zolla Lieberman Gallery, Chicago $300-500
171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000
168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois
172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600
Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches. Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500
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Provenance: Edward Thorp Gallery. New York. Acquired from the above by the present owner in 1995. $500-700 171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000 172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600
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167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.
170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.
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170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches. Provenance: Edward Thorp Gallery. New York. Acquired from the above by the present owner in 1995. $500-700 171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000 172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600
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173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.
173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.
Provenance: Dart Gallery, Chicago $6,000-8,000
Provenance: Dart Gallery, Chicago $6,000-8,000
174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700
174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700
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173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.
173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.
Provenance: Dart Gallery, Chicago $6,000-8,000
Provenance: Dart Gallery, Chicago $6,000-8,000
174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700
174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700
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176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000
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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000
176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000
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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000
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176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000
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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000
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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000
176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000
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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500 178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500
179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500
178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500
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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500 178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500
179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500
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178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
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179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500
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180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200 181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500
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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800
180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200
184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000
181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500
184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.
182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500
Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000
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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800 184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000 184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches. Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000
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180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200 181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500
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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800
180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200
184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000
181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500
184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.
182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500
Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000
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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800 184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000 184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches. Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000
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185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700
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187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700
188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
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186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700
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187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700
188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
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188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
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185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
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187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800 188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800
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189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.
189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.
Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000
Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000
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189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.
189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.
Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000
Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000
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190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400
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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200
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192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400
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191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400
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194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200
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190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200
190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200
192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400
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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200
195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches. A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000 196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200 197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200 198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700
200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200
196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200 197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200 198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700
196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200
201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800
197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200
203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500
198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700
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195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches. A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000
195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches. A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000
199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800
202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800
197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200
203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500
198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700
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203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500
196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200
201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700
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201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800
195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches. A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000
200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200
200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200
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199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800
199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800
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199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800 200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200 201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800 203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500
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204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400 205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000 207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000 207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500
206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000
210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400
204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400
204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400 205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500
206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000
210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700
211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois
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208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
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212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.
212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.
Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000
Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000
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212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.
212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.
Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000
Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000
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213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500
213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500
214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.
215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.
Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches. Provenance: Roy Boyd Gallery, Chicago $400-600 84
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218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300
Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches. Provenance: Roy Boyd Gallery, Chicago $400-600
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213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500
214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000
215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.
215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.
Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches. Provenance: Roy Boyd Gallery, Chicago $400-600 84
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218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300
Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches. Provenance: Roy Boyd Gallery, Chicago $400-600 84
218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300
MA D E I N CHI CA G O
213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500
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218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches. Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300
221
221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches. Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000 222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200
221
222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600
221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches. Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000
223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.
222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200
Provenance: Stephen Daiter Gallery, Chicago $300-500
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600 223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches. Provenance: Stephen Daiter Gallery, Chicago $300-500
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221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches. Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000 222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200
221
222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600
221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches. Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000
223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.
222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200
Provenance: Stephen Daiter Gallery, Chicago $300-500
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
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85
222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches. Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600 223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches. Provenance: Stephen Daiter Gallery, Chicago $300-500
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MADE I N CHI CA GO
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MA D E I N CHI CA G O
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MADE I N CHI CA GO
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MA D E I N CHI CA G O
224 [CHICAGO CUBS].
224 [CHICAGO CUBS].
2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.
2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.
Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.
Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.
STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.
STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.
Sold to benefit the Caxton Club. $500-700
Sold to benefit the Caxton Club. $500-700
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
87
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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224 [CHICAGO CUBS].
224 [CHICAGO CUBS].
2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.
2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.
Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.
Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.
STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.
STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.
Sold to benefit the Caxton Club. $500-700
Sold to benefit the Caxton Club. $500-700
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
87
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
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AUCTION INQUIRIES
Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com
AUCTION INQUIRIES
Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com
OFFICE OF THE PRESIDENT Leslie S. Hindman Founder and Co-Chair 312.280.1212 Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201
FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT
Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com
Fine Art
Asian Works of Art
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Annie Wu Specialist anniewu@lesliehindman.com
Tess Hall Senior Specialist anastasiahall@lesliehindman.com
Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290
Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com
Molly Gron Director mollygron@lesliehindman.com 312.334.4235
Corbin Horn Senior Specialist corbinhorn@lesliehindman.com
Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297
Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292
Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
MUSEUM SERVICES
Genevieve King Cataloguer genevieveking@lesliehindman.com
Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210
CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263
Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213
Modern Design
Luxury Accessories and Couture
Mike Intihar Senior Specialist mike@lesliehindman.com
Mary Shearson Director maryshearson@lesliehindman.com
Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217
Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
Arts of the American West
Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231
88
Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com
Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219
REGIONAL OFFICES
OFFICE OF THE PRESIDENT
Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238
Leslie S. Hindman Founder and Co-Chair 312.280.1212
Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983
Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201
FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224
MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210
CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263
Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT
Annie Wu Specialist anniewu@lesliehindman.com
Tess Hall Senior Specialist anastasiahall@lesliehindman.com
Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290
Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216
Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292
Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
MUSEUM SERVICES
Genevieve King Cataloguer genevieveking@lesliehindman.com
Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210
CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263
Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213
Modern Design
Luxury Accessories and Couture
Mike Intihar Senior Specialist mike@lesliehindman.com
Mary Shearson Director maryshearson@lesliehindman.com
Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217
Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
Arts of the American West
Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com
Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811
REGIONAL OFFICES
Asian Works of Art
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Mike Intihar Senior Specialist mike@lesliehindman.com
Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297
Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com
Fine Art
Fine Furniture and Decorative Arts
Molly Gron Director mollygron@lesliehindman.com 312.334.4235
Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231
International Tina Fisher Grow 561.315.9100
Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com
Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com
Fine Art
Asian Works of Art
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Annie Wu Specialist anniewu@lesliehindman.com
Tess Hall Senior Specialist anastasiahall@lesliehindman.com
Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290
Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com
Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213
Modern Design
Luxury Accessories and Couture
Mike Intihar Senior Specialist mike@lesliehindman.com
Mary Shearson Director maryshearson@lesliehindman.com
Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217
Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
Arts of the American West
Gretchen Hause Director gretchenhause@lesliehindman.com Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231
MADE I N CHI CA GO
FINANCE
Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com
Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219
Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100
MA D E I N CHI CA G O
AUCTION INQUIRIES
Fine Books and Manuscripts
88
Adam Spender Executive Assistant 312.334.4201
88
Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com
Leslie S. Hindman Founder and Co-Chair 312.280.1212
Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205
Washington, D.C. Maura Ross 561.676.3199
AUCTION INQUIRIES
OFFICE OF THE PRESIDENT
Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com
Ohio Macy Nyhart Hansen 513.560.3200
MADE I N CHI CA GO
Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com
Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com
Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219
Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com
REGIONAL OFFICES
OFFICE OF THE PRESIDENT
Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238
Leslie S. Hindman Founder and Co-Chair 312.280.1212
Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983
Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com
Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201
FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224
MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210
CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263
Ohio Macy Nyhart Hansen 513.560.3200
Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com
Fine Art
Asian Works of Art
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Annie Wu Specialist anniewu@lesliehindman.com
Tess Hall Senior Specialist anastasiahall@lesliehindman.com
Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290
Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com
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MA D E I N CHI CA G O
Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213
Mike Intihar Senior Specialist mike@lesliehindman.com
Mary Shearson Director maryshearson@lesliehindman.com
Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217
Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288
Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282
Arts of the American West
Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231
International Tina Fisher Grow 561.315.9100
Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com
Luxury Accessories and Couture
Gretchen Hause Director gretchenhause@lesliehindman.com
Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811
Fine Jewelry and Timepieces
Modern Design
Fine Books and Manuscripts
Washington, D.C. Maura Ross 561.676.3199
Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com
Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219
REGIONAL OFFICES Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100
GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property
If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Standard Commission Rates
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
Shipping Arrangements
Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals
Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale
Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
Exhibitions
Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
Estimates
Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at Auction
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.
GUIDE FOR PROSPECTIVE SELLERS Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion
Evaluation of Property
If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Standard Commission Rates
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
In-House Bidding
Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Shipping Arrangements
Online Bidding
Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee Bidding
If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals
Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale
Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
Exhibitions
DRIVING DIRECTIONS/PARKING From the WEST:
Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:
Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:
Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTH/SOUTHEAST:
Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
Estimates
Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at Auction
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.
Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
Parking:
If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Standard Commission Rates
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
Shipping Arrangements
Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals
Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale
Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
Exhibitions
Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
Estimates
Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at Auction
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.
$0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion
In-House Bidding
Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Online Bidding
Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee Bidding
If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
DRIVING DIRECTIONS/PARKING From the WEST:
Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:
Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:
Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTH/SOUTHEAST:
Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.
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GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property
The normal bidding increments are:
Parking:
Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.
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GUIDE FOR PROSPECTIVE SELLERS Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion
Standard Commission Rates
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
In-House Bidding
Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Shipping Arrangements
Online Bidding
Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee Bidding
If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals
Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale
Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
Exhibitions
DRIVING DIRECTIONS/PARKING From the WEST:
Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:
Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:
Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTH/SOUTHEAST:
Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
Estimates
Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at Auction
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.
Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
Parking:
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion
In-House Bidding
Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Online Bidding
Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee Bidding
If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
DRIVING DIRECTIONS/PARKING From the WEST:
Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:
Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:
Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTH/SOUTHEAST:
Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
Parking:
Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
Evaluation of Property
If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.
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CONDITIONS OF SALE HINDMAN LLC AS AGENT
The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
CONDITIONS OF SALE Telephone Bids
On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.
Online Bids
We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
Reserves
Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.
Auctioneer’s Discretion
Refusal of Admission
Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
Registration Before Bidding
Successful Bid
AT THE SALE
A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as Principal
When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.
Absentee Bids
We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
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The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium
In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.
MADE I N CHI CA GO
The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
Telephone Bids
On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.
Online Bids
We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
Reserves
Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.
Auctioneer’s Discretion
Refusal of Admission
Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
Registration Before Bidding
Successful Bid
A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as Principal
When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.
Absentee Bids
We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
90
MADE I N CHI CA GO
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
Telephone Bids
On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.
Online Bids
We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
Reserves
Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.
Auctioneer’s Discretion
Refusal of Admission
Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
Registration Before Bidding
Successful Bid
AT THE SALE
A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as Principal
When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.
Absentee Bids
We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium
In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.
MA D E I N CHI CA G O
CONDITIONS OF SALE
The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
AT THE SALE
The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
90
CONDITIONS OF SALE HINDMAN LLC AS AGENT
HINDMAN LLC AS AGENT
The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium
In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.
HINDMAN LLC AS AGENT
The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
Telephone Bids
On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.
Online Bids
We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
Reserves
Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.
Auctioneer’s Discretion
Refusal of Admission
Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
Registration Before Bidding
Successful Bid
AT THE SALE
A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as Principal
When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.
Absentee Bids
We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
90
MA D E I N CHI CA G O
The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium
In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.
Payment
The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases
Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and Shipping
If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.
Non Payment
If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
Failure to Collect Purchases
If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY Condition Reports
Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Purchased Lots
If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.
Legal Ramifications
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
Discretion
Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.
LH
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
Payment
The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases
Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and Shipping
If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.
Non Payment
If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
2018
If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY Condition Reports
Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Purchased Lots
If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.
Legal Ramifications
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
Discretion
2018
LH
VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM
The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases
Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and Shipping
If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.
Non Payment
If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
91
Failure to Collect Purchases
If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY Condition Reports
Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Purchased Lots
If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.
Legal Ramifications
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
Discretion
Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.
Payment
The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases
Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and Shipping
If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.
Non Payment
If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
2018
LH
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
91
Failure to Collect Purchases
Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.
Payment
91
Failure to Collect Purchases
If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY Condition Reports
Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Purchased Lots
If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.
Legal Ramifications
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
Discretion
Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.
2018
LH
V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M
91
LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER
F X 312 . 2 8 0 . 1 2 1 1 | B ID@ L E S L I E H I N D M A N . C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
586
NAME
SALE NUMBER
BUSINESS NAME BILLING ADDRESS CITY
STATE
COUNTRY/ZIP CONTACT NAME
BID FORM
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
CHICAGO | ATLANTA | DENVER
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >
$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion
For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence. A per lot buyer’s premium is added to the final hammer price as per the following:
PRIMARY PHONE
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.
LESLIE HINDMAN AUCTIONEERS
$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
F X 3 12. 280. 1211 | B ID@LES LIEH IN DMAN .C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
586
NAME
SALE NUMBER
BUSINESS NAME BILLING ADDRESS CITY
STATE
COUNTRY/ZIP CONTACT NAME
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.
DATE
SIGNATURE
DATE
FOR HINDMAN LLC
DATE
FOR HINDMAN LLC
DATE
LOT NUMBER
PHONE BID
US DOLLAR LIMIT
EXCLUDES BUYER’S PREMIUM
PLEASE CHECK
BACK-UP BID
FOR TELEPHONE BIDDERS ONLY
How did you hear about Leslie Hindman Auctioneers?
LOT NUMBER
FX 312.280.1211
|
CHICAGO, ILLINOIS
Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
586
NAME
SALE NUMBER
BUSINESS NAME BILLING ADDRESS CITY
STATE
COUNTRY/ZIP
|
BID FORM
PH 312.280.1212
|
$0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >
$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion
For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
|
F X 3 12. 280. 1211 | B ID@LES LIEH IN DMAN .C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
586
NAME
SALE NUMBER
BUSINESS NAME BILLING ADDRESS CITY
STATE
COUNTRY/ZIP CONTACT NAME
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. DATE
FOR HINDMAN LLC
DATE
FOR HINDMAN LLC
DATE
60607 |
LESLIEHINDMAN.COM
BID FORM Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >
$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion
For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD PHONE BID
ABSENTEE BID
LOT DESCRIPTION
US DOLLAR LIMIT
EXCLUDES BUYER’S PREMIUM
PLEASE CHECK
BACK-UP BID
FOR TELEPHONE BIDDERS ONLY
How did you hear about Leslie Hindman Auctioneers?
LOT NUMBER
PHONE BID
ABSENTEE BID
LOT DESCRIPTION
US DOLLAR LIMIT
EXCLUDES BUYER’S PREMIUM
PLEASE CHECK
BACK-UP BID
FOR TELEPHONE BIDDERS ONLY
How did you hear about Leslie Hindman Auctioneers?
LHLIVE 1338 WEST LAKE STREET FX 312.280.1211
BACK-UP BID
FOR TELEPHONE BIDDERS ONLY
A per lot buyer’s premium is added to the final hammer price as per the following:
PRIMARY PHONE
SIGNATURE
|
PLEASE CHECK
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
DATE
FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD
CHICAGO, ILLINOIS
BID@LESLIEHINDMAN.COM
LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
FX 312.280.1211
SIGNATURE
PH 312.280.1212
PHONE BID
US DOLLAR LIMIT
1338 WEST LAKE STREET
LESLIEHINDMAN.COM
A per lot buyer’s premium is added to the final hammer price as per the following:
PRIMARY PHONE
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.
LOT NUMBER
Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
LHLIVE
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
F X 312 . 2 8 0 . 1 2 1 1 | B ID@ L E S L I E H I N D M A N . C O M
CONTACT NAME
$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12%
EXCLUDES BUYER’S PREMIUM
60607
BID@LESLIEHINDMAN.COM
LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER
For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
How did you hear about Leslie Hindman Auctioneers?
1338 WEST LAKE STREET |
$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion
ABSENTEE BID
LOT DESCRIPTION
LHLIVE PH 312.280.1212
$0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >
FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD ABSENTEE BID
LOT DESCRIPTION
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
A per lot buyer’s premium is added to the final hammer price as per the following:
PRIMARY PHONE
SIGNATURE
FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD
BID FORM
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
|
CHICAGO, ILLINOIS
LHLIVE
60607
BID@LESLIEHINDMAN.COM
|
LESLIEHINDMAN.COM
1338 WEST LAKE STREET PH 312.280.1212
|
FX 312.280.1211
|
CHICAGO, ILLINOIS
60607
BID@LESLIEHINDMAN.COM
|
LESLIEHINDMAN.COM
VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM
1
LESLIE HINDMAN AUCTIONEERS
13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e hi n d m a n.c o m VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM
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