EUROpEAN ART | LOTS 1 – 89

European Art

Lots 1 – 89

1

2 1 School of Filippo (Filippino) Lippi (Italian, 1457-1504) Crucifixtion oil on panel 18 3/4 x 14 1/2 inches. $1,000-2,000

2 Cornelis Pietersz. Bega (Dutch, c. 1631-1664) Six Peasants in an Interior oil on panel 11 1/4 x 12 3/8 inches.

Provenance: A.S. Drey Collection, Munich (his sale, Munich, 12 October 1909, lot 3) Private collection, The Hague W.J.A. Arutz collection, Nijmegen, by 1949 Private collection, Mannheim Private collection, Wassenaar, by 1959 Private collection, New York, by 1979 With Colnaghi, New York With Jack Kilgore, New York

Exhibited: Cleveland Museum of Art $7,000-9,000

2A Paul Delaroche (French, 1797-1856) Deux études de têtes de moines camaldules oil on panel signed P. Delaroche (lower center) 7 3/4 x 13 inches. $2,000-4,000

3 Follower of François Boucher (French, 1703-1770) Jupiter and Callisto oil on paper laid to canvas 15 5/8 x 8 1/2 inches.

Provenance: Anonymous sale, London, Sotheby’s, 1 November 1978, lot 35

Literature: A. Ananoff & D. Wildenstein, François Boucher, 1976, Paris & Lausanne, vol. II, pp. 270-71, cat. no. 639/1, fig. 1680. $7,000-9,000

3

4

4* John Vanderbank the Younger (British, 1694-1739) Portrait of a Lady, 1735 oil on canvas signed Jn Vanderbank and dated (lower right) 50 x 40 inches. Property from the Collection of Tyler Henderson, Goodland, Kansas $4,000-6,000 5 After Hyacinthe Rigaud (French, 1659-1743) Portrait of a Woman oil on canvas 33 3/4 x 27 1/2 inches. $500-700

6 Attributed to John Hoppner (British, 1758-1810) Portrait of Princess Amelia oil on canvas 29 1/4 x 27 inches. $3,000-5,000 6A Jean Baptiste Jacques Augustin (French, 1759-1832) Bust Portrait of Monsieur Perignon, 1796 black chalk 14 1/2 x 12 inches. $1,500-2,500

6

7

7 After Emile Antoine Bourdelle (French, 1861-1929) Masque de Beethoven bronze Height: 29 inches. $3,000-5,000

8* William Crawford (Scottish, 1825-1869) The Highland Chief oil on canvas 95 x 59 inches. Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund $2,000-4,000

8

9 9* David Roberts (Scottish, 1796-1864) Abbeville Cathedral, 1840 oil on canvas signed David Roberts and dated (lower left) 21 1/2 x 27 1/2 inches. Property from the Jeanne M. Morley Trust, Ann Arbor, Michigan $7,000-9,000

10 Eloise Harriet Stannerd (British, 1828-1915) Still Life with Fruit, Bird’s Nest and Butterflies oil on canvas 20 x 24 inches. $2,000-4,000

11

11 Heva Coomans (Belgian, fl. 1883-1890) Woman at the Water Well oil on board signed H. Coomans (lower left) 10 7/8 x 7 1/2 inches. $2,000-4,000 12 Heva Coomans (Belgian, fl. 1883-1890) Penelope Awaiting Odysseus oil on canvas signed Heva Coomans (lower left) 12 1/2 x 6 inches. $3,000-5,000 13 Heva Coomans (Belgian, fl. 1883-1890) Woman in Supplication oil on board signed H. Coomans (lower left) 11 x 8 1/2 inches. $3,000-5,000

14

14A 16

14* Charles Théodore (Frère Bey) Frère (French, 1814-1888) Desert Camp oil on panel signed Th. Frere (lower left) 5 x 12 1/4 inches. Property from the Collection of Bradley G. Wilde, Dallas, Texas $5,000-7,000 14A Alexandre Cabanel (French, 1823-1889) Head of Saint Louis for the Pantheon, c. 1873 black chalk on tan wove paper signed Alex Cabanel (lower right) 16 1/4 x 12 7/8 inches.

Provenance: Shepherd Gallery, New York

Exhibited: New York, Shepherd Gallery, French and Other European Drawings, Paintings and Sculpture of the Nineteenth Century, Winter Exhibition, 1981, no. 3, illus $2,000-4,000 15 Alexandre-Gabriel Decamps (French, 1803-1860) Arab Seated in a Doorway black chalk initialed (lower right) 11 7/8 x 8 7/8 inches. $800-1,200 16 Fedor Il’ich Baikov (Russian, 1825-1879) Military Encampment, 1847 oil on canvas signed F. Baikov and dated in Cyrillic (lower left) 9 1/8 x 11 inches. $1,000-2,000

17

17* Paul Louis Narcisse Grolleron (French, 1848-1901) Battle Scene,1882 oil on canvas signed P. Grolleron (lower right) 29 x 23 1/2 inches. Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund $8,000-12,000

18* Attributed to Thomas Whitcombe (British, c. 1760-c. 1824) The Wreck oil on canvas 30 3/8 x 48 inches. Property from the Estate of Mary Anne Kirchschlager, Chicago, Illinois $3,000-5,000

19 Montague Dawson (British, 1890-1973) Searching the Seas - H.M.S. Victory oil on canvas signed Montague Dawson (lower left) 39 1/4 x 65 1/2 inches. Property from a Corporate Collection, Chicago, Illinois $50,000-70,000

20* James Clarke Waite (British, 1832-1921) Grandfather’s Departure, 1871 oil on canvas signed J.C. Waite and dated (lower left) 31 x 39 1/2 inches. Property from the Estate of Patricia Battram, St. Louis, Missouri $4,000-6,000

21* Charles Edouard Delort (French, 1841-1895) The Letter oil on canvas signed C. Delort (lower left) 36 x 28 1/2 inches. Property from the Estate of Ann Matturro, Park Ridge, Illinois $3,000-5,000 22 Alexander Johnston (British, 1815-1891) A Stolen Glance oil on canvas signed A. Johnston (lower right) 30 x 27 inches. $4,000-6,000

21 22

23 23 José Jiménez y Aranda (Spanish, 1837-1903) The Violinist, 1837 oil on panel signed Aranda, dated and inscribed (lower right) 12 3/4 x 9 1/2 inches. $8,000-12,000

24 Eduardo Vitali (Italian, 19th century) A Peasant Woman and The Musician (a pair of works) watercolor each signed E. Vitali (lower right) Each: 17 1/2 x 10 1/4 inches. $600-800

24

26

25* Antonio Zoppi (Italian, 1860-1926) Nonna y la Fisarmonica oil on canvas signed A. Zoppi and inscribed (upper left) 19 x 23 1/2 inches. Property from the Collection of James Wenneker, Lexington, Kentucky $2,000-4,000 26 Eugenio Zampighi (Italian, 1859-1944) Couple Knitting oil on canvas signed E. Zampighi (lower right) 23 x 17 1/2 inches. $8,000-12,000

27 27 Attributed to Jozef Israëls (Dutch, 1824-1911) Woman Sewing oil on panel 21 x 27 inches. $3,000-5,000

28* Attributed to Ludwig Knaus (German, 1829-1910) The Naughty Maids (a pair of works) oil on canvas 32 x 23 1/2 inches. Property from the Collection of Diane Ruhl, Kalamazoo, Michigan $2,000-4,000

28

29* Joseph Caraud (French, 1821-1905) Discovered, 1854 oil on canvas signed J. Caraud and dated (lower right) 31 1/2 x 25 inches. Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund $5,000-7,000

30

31 30* Charles Cordier (French, 1848-1909) House in Gretz Fountainebleu Forest oil on canvas signed Ch. Cordier (lower left) 12 1/2 x 17 1/2 inches. Property from the Estate of Patricia Battram, St. Louis, Missouri $1,000-2,000

31 Nadia Benois (Russian, 1896-1975) Port Village, 1933 oil on canvas signed N Benois and dated (lower right) 29 x 20 inches. $1,000-2,000

32 Félix Hilaire Buhot (French, 1847-1898) Untitled pencil on paper stamped (lower right) 6 3/4 x 4 inches. $700-900

33 Henri Joseph Harpignies (French, 1819-1916) Landscape, 1886 watercolor signed H Harpignies (lower left) 5 1/2 x 4 inches. $300-500

34 Henri Joseph Harpignies (French, 1819-1916) Landscape, 1847 pencil on paper signed H Harpignies (lower left) 10 7/8 x 16 1/2 inches. $500-700

35 Henri Joseph Harpignies (French, 1819-1916) Sheperd and Flock, 1902 watercolor signed H Harpignies (lower left) 13 5/8 x 9 7/8 inches. $800-1,200

36 Henri Joseph Harpignies (French, 1819-1916) Landscape, 1908 charcoal on paper signed H Harpignies (lower left) 13 5/8 x 9 7/8 inches. $500-700

35

36

37

39

37* Hendrick-Dirk Kruseman Van Elten (Dutch, 1829-1904) Landscape with Cows oil on canvas signed Kruseman Van Elten (lower right) 20 x 30 inches. Property from the Estate of John F. Norwood, St. Louis, Missouri $1,000-2,000 38 Ludwig Hartmann (German, 1835-1902) Pause During Plowing, 1869 oil on canvas signed Ludwig Hartmann and inscribed (lower right) 23 x 40 inches. $2,000-4,000 39* Anthonij (Anton) Rudolf Mauve (Dutch, 1838-1888) Three Cows oil on board signed A. Mauve (lower right) 12 1/2 x 20 1/4 inches. Property from the Estate of James D. Murphy, Chicago, Illinois $5,000-7,000

40

40 Johan Hendrick Von Mastenbroek (Dutch, 1875-1945) River Scene, 1903 watercolor on paper signed J.H von Mastenbroek and dated (lower left) 8 3/4 x 13 3/4 inches. $1,000-2,000

41 David Artz (Dutch, 1837-1890) Sea-Side Contemplation watercolor on paper signed D.A. Artz (lower left) 22 x 16 inches. $400-600

42 August Hagborg (Swedish, 1852-1921) Fishermen on Beach oil on canvas signed (lower left) 40 x 30 inches. $1,000-2,000

41

43 44

43 James Salt (British, 1850-1903) Venetian Scene, 1884 oil on canvas signed J. Salt and dated (lower left) 36 x 28 inches. $1,000-2,000 44 Zhu Xiaogang (Chinese, b. 1954) Canal Scene oil on canvas initialed AHS (lower left) 17 x 15 inches. $600-800

45 Guiseppe de Nittis (Italian, 1846-1889) Girl with Parasol oil on canvas signed DeNittis (lower right) 12 x 7 1/2 inches. $2,000-4,000

45 46 Attributed to Jean-Francois Rafaelli (French, 1850-1924) Portrait of a Young Girl oil on canvas signed JF Rafaelli (lower right) 21 3/4 x 18 1/4 inches. $3,000-5,000

46

47

49 47 Jules Pascin (French, 1885-1930) Sleepy Figures ink on paper signed Pascin (lower left) 20 x 24 inches. $1,000-2,000

48 Jules Pascin (French, 1885-1930) Bather’s Scene pencil and watercolor signed indistinctly (lower right) 19 x 25 1/2 inches. $1,000-2,000

49 Abraham Walkowitz (American/Russian,1878-1965) Dancing Figure, 1909 charcoal signed A. Walkowitz and dated (lower center) 10 x 7 1/2 inches. $500-700

52

50* Attributed to Henri ToulouseLautrec (French, 1864-1901) Chez La Gantiere pencil on paper 3 x 3 1/2 inches. Property from the Estate of John M. Harney, St. Louis, Missouri $1,500-2,500 51 Raoul Dufy (French, 1877-1953) L’Oasis pencil intialed R.D and titled (lower center) 17 x 15 inches. $2,000-4,000 52* Attributed to Georges Rouault (French, 1871-1958) Clown gouache on rice paper signed Georges Rouault (lower right) 5 3/4 x 4 7/8 inches. Property from the Estate of John M. Harney, St. Louis, Missouri $5,000-7,000

53 Jean Béraud (French, 1849-1936) Le Pont de Bercy, c. 1880 oil on canvas signed Jean Béraud (lower right) 18 1/4 x 22 inches. Property from a Private Collection, Lake Forest, Illinois

Provenance: Private collection, Scotland Sold: Christie’s, Glasgow, April 2, 1969, lot 70 Rutland Gallery, London Private collection, acquired from the above; thence by descent Sold: Sotheby’s, London, November 16, 2005, lot 246 MacMonal Mason and Sons, Ltd., London Private collection, acquired by the present from the above

Exhibited: London, Rutland Gallery, French and Belgian Painting Where they Meet and Diverge, 1969, no. 1

Literature: P. Offenstadt, Jean Béraud 1849-1935, The Belle Epoque, A Dream of Times Gone By, Taschen, 1999, p. 156-157, no. 160, illus.

London, Rutland Gallery, French and Belgian Painting Where they Meet and Diverge, exhibition catalogue, 1969, no. 1, illus. $200,000-300,000 Described as “a sophisticated parisian who knows where to go and has the gift for observation,” Jean Béraud captured in his lively paintings the grand boulevards and stylish denizens of Belle Epoque paris. Originally trained as an Academic artist, early in his career Béraud was influenced by the Impressionists, with their quick brushstrokes and urban themes. He was a close friend of Edouard Manet and frequented the same cafés as Edgar Degas, pierre Renoir, and Henri Toulouse-Lautrec. Like them, Béraud sought to objectively convey the modernization of paris caused by Baron Hausmann’s physical reconfiguration of the city.

Le Pont de Bercy displays Béraud’s talent for depicting everyday life in paris without sentimentality or picturesqueness. A man in a blue working smock converses with a smartly but soberly dressed woman. They stand on the banks of the Seine at Bercy, upstream from paris. Originally a small, separate commune, Bercy was annexed in 1860 by the Second Empire. By the 1870s, it was developing into a residential and commercial quarter of paris. Behind the couple can be seen the pont de Bercy, completed in 1864, with a steady stream of traffic. Barges placidly float on the river and an idle work cart stands at the ready along the still incomplete river embankments.

From the Impressionists, Béraud also developed an interest in Japanese ukiyo-e prints, with their asymmetrical compositions. In the present work, elements of the Eastern art form can be seen in the artist’s use of large expanses of empty space punctuated by dark figures, as well as the diagonal lines of the bridge and tram lines cutting across the canvas. The candid grouping of the couple, off-center focus and deep perspective likewise owe something to the new art of photography pioneered by Niépce, Daguerre and Fox Talbot. Béraud was known to sit and sketch in a hired carriage for hours in order to capture spontaneous fragments of the city’s life, as if he himself was a roving camera. In both its subject matter and compositional structure, Le Pont de Bercy reveals the artist as one of the great nineteenth-century painters of modern life.

1 Saint-Juirs, “Le Salon de 1881,” Le Clairon, May 1, 1881, p. 2 as quoted in patrick Offenstadt, Jean

Beraud, 1849-1935: The Belle Epoque, a Dream of Times Gone By, Catalogue Raisonne, paris, 1999, p. 49.

54* Antoine Blanchard (French, 1910-1988) Madeleine oil on canvas signed Antoine Blanchard (lower left) 13 1/4 x 18 inches. Property from the Collection of David Maren, Westchester, Illinois

Provenance: The artist Galerie La Colline Mr. and Mrs. Andrew and Ethel Maren, acquired from the above Thence by descent to the present owner $4,000-6,000 55 Antoine Blanchard (French, 1910-1988) Théâtre des Variétés oil on canvas signed Antoine Blanchard (lower right) 23 1/4 x 35 inches.

Provenance: Private Collection, United Kingdom Rehs Gallery, New York City Private Collection, Texas $5,000-7,000

This work is included in the online catalogue raisonné of Antoine Blanchard’s work being compiled by Rehs Galleries, Inc. as no. TVBMM2436.0002.

54

56

57

56 Antoine Blanchard (French, 1910-1988) La Louvre, Passerelle des Artistes oil on canvas signed Antoine Blanchard (lower right) 23 1/2 x 35 1/4 inches. Antoine Blanchard (French, 1910-1988) Place de la République oil on canvas signed Antoine Blanchard (lower right) 23 x 35 1/4 inches.

This work is included in the online catalogue raisonné of Antoine Blanchard’s work being compiled by Rehs Galleries, Inc. as no. LVQLE2436.0000.

Provenance: Rehs Gallery, Inc., New York City, 2003 Corporate Collection, Texas, 2003 $5,000-7,000 57

Provenance: Private Collection, Colorado Rehs Gallery, Inc., New York City, 2002 Corporate Collection, Texas, 2003 $5,000-7,000

This work is included in the online catalogue raisonné of Antoine Blanchard’s work being compiled by Rehs Galleries, Inc. as no. RBRTSE2436.0000.

58 Edouard Léon Cortès (French, 1882-1969) Horse Cart Along A Trail oil on canvas signed Edouard Cortès (lower left) 23 x 35 1/4 inches. $8,000-12,000

59 No Lot

60 Edouard Léon Cortès (French, 1882-1969) Quai Montebello oil on canvas signed Edouard Cortès (lower right) 15 1/2 x 21 1/4 inches. $12,000-18,000

61 Edouard Léon Cortès (French, 1882-1969) Place de L’Opéra oil on canvas signed Edouard Cortès (lower right) 12 5/8 x 17 3/4 inches. $15,000-25,000

64

62 André Gisson (American, 1921-2003) Nude oil on canvas signed Gisson (lower right) 11 3/4 x 9 inches. $600-800

63* André Gisson (American, 1921-2003) Beach Scene oil on canvas signed Gisson (lower right) 24 x 36 inches. Property from the Collection of Louis Meiners, Naples, Florida $1,500-2,500

64 André Gisson (American, 1921-2003) Arc de triomphe oil on canvas signed André Gisson (lower left) 16 x 20 inches. $1,500-2,500

65* André Gisson (American, 1921-2003) Street Scene oil on canvas signed A. Gisson (lower right) 24 x 12 inches. Property from the Collection of Louis Meiners, Naples, Florida $1,000-2,000

66 Max Moreau (Belgian, 1902-1992) Paris Street Scene oil on canvas signed Max Moreau (lower left) 24 x 35 1/2 inches. $1,000-2,000

67 John Morris (American, 20th century) Arc de triomphe, 1912 oil on canvas signed John Morris and dated (lower right) 30 x 21 1/4 inches. $400-600

68 Alois Arnegger (Austrian, 1879-1967) Snowy Scene oil on canvas signed A. Arnegger (lower right) 24 1/4 x 36 inches. $1,000-2,000

66

67

69* Attributed to Maurice de Vlaminck (French, 1876-1958) Sous-Bois watercolor and gouache signed Vlaminck (lower left) 14 x 18 inches. Property from the Collection of Anne S. Dorsey, Louisville, Kentucky $5,000-7,000

69

70 Ernest Guerin (French, 1887-1952) Conleau, Morbihan, Bretagne watercolor, gouache and graphite on paper signed E. Guerin and titled (lower right) 14 1/4 x 17 1/2 inches. $1,000-2,000

71* Attributed to Louis Valtat (French, 1869-1952) Paysage Maritime oil on panel initialed LV (lower right) 5 3/4 x 9 3/4 inches. Property from the Collection of Anne S. Dorsey, Louisville, Kentucky $5,000-7,000

72

73 72 Paul Deltombe (French, 1881-1971) Harbor Scene oil on canvas signed Deltombe (lower left) 21 1/4 x 32 inches. $600-800

73 Yolande Ardissone (French, b. 1927) Amsterdam oil on canvas signed Ardissone (lower right) 28 x 36 inches.

Provenance: Wally Findlay Gallery, Chicago $2,000-4,000

74

74 Yolande Ardissone (French, b. 1927) Oriental Market oil on canvas signed Ardissone (lower right) 20 x 23 1/2 inches. $2,000-4,000 75 Louis Basset (French, b. 1948) At the Racecourse oil on canvas signed L. Basset (lower right) 24 x 20 inches. $2,000-4,000

75A Jean Pierre Dubord (French, b. 1949) Sunset on the Canal oil on canvas signed J.P. Dubord (lower right) 25 1/2 x 33 1/2 inches. $800-1,200 76 Jean Pierre Dubord (French, b. 1949) French Beach Scene oil on canvas signed J.P Dubord (lower right) 23 x 27 1/4 inches. $800-1,200 77 Niek van der Plas (Dutch, b. 1954) Beach Scene oil on canvas signed van der Plas (lower right) 14 x 22 inches. $2,000-4,000

78 Niek van der Plas (Dutch, b. 1954) Beach oil on canvas signed van der Plas (lower right) 12 x 16 inches. $1,500-2,500

79 Niek van der Plas (Dutch, b. 1954) Naples Beach oil on canvas signed van der Plas (lower right) 22 x 26 1/2 inches. $2,500-4,500

78

79

80

81 80* Pierre Bittar (French, b. 1934) Sailboat Scene oil on canvas signed Bittar (lower right) 22 1/2 x 29 inches. Property from the Estate of Patricia Battram, St. Louis, Missouri $7,000-9,000

81* Pierre Bittar (French, b. 1934) Harbor Scene oil on canvas signed Bittar (lower left) 11 1/2 x 16 inches. Property from the Estate of Patricia Battram, St. Louis, Missouri $4,000-6,000

82 Marcel Mouly (French, 1918-2008) Navires et voiliers au grand ciel, 1999 acrylic on canvas signed M. Mouly and dated (lower right); signed, titled and dated (verso) 57 1/2 x 38 inches. $10,000-15,000

83 Bernard Buffet (French, 1928-1999) La Tour Eiffel, 1955 oil on canvas signed Bernard Buffet and dated (upper right) 57 x 38 inches. $200,000-300,000 Born in in 1928, Bernard Buffet came of age during a tumultuous time, both artistically and politically. From 1944-45, he studied at the Ecole des Beaux Arts, where he studied the figurative tradition. Like many young painters in post-World War II Europe, Buffet reacted against Abstraction and instead embraced visual reality. He joined Homme-Temoin, a group of French artists who promoted an expressive Social Realism. They endeavored to create paintings that were authentic and direct, works that would more deeply speak to the common sense of the populace. Buffet would go on to establish his highly distinctive style, characterized by sharp, craggy linear forms, muted colors, and solitary mood that seemed to express the existential alienation and spiritual isolation of the postwar generation.

Executed in 1955, La Tour Eiffel successfully articulates the atmospheric melancholy of Buffet’s early work. The composition depicts a view southeast across the Seine, looking directly toward the Eiffel Tower and the Ecole Militaire. A sense of remoteness pervades the scene, which is devoid of the usual crowds that populate one of the most well known attractions of paris. The dark outlines and grisaille palette further emphasize the subdued setting. Interestingly, Buffet includes in the background la Grande Roue, a Ferris wheel built on the Champs de Mars for the 1900 Universal Exposition. At almost 350 feet in height, it was at the time the tallest panoramic wheel in the world. However, the gigantic wheel’s popularity waned after World War I and it was torn down in 1920, before the present work was created. Rather than a direct recording of reality, Buffet instead presents a sepia-tinged ghost, a nostalgic remembrance of the City of Light’s vanished joie de vivre.

The year La Tour Eiffel was painted, Buffet was awarded the first prize by the magazine Connaissance des Arts, which named the ten best post-war artists. The artist was already highly successful by this time, with his first one-man exhibition in 1947 at the Galerie des Impressions d’Art. The following year he was awarded the prix de la Critique, at the age of 20. In 1958, Galerie Charpentier held the first retrospective of his work. Buffet would continue to be enormously successful throughout his career, with works exhibited worldwide and held in renowned collections, including the Tate Gallery, London; Fine Arts Museum of San Francisco, California; and the Centre pompidou, paris. His career culminated in 1973, with the opening of the Bernard Buffet Museum in Surugadaira, Japan.

83

84

85 84* Pierre de Clausade (French, 1910-1976) Paris Scene oil on canvas signed P. de Clausade (lower right) 23 x 27 1/2 inches. Property from the Estate of Noble M. Melencamp, Colorado Springs, Colorado $2,000-4,000

85* Charles Levier (French, 1920-2003) Coastal Building oil on canvas signed Levier (lower left) 15 1/2 x 19 1/2 inches. Property from the Estate of Noble M. Melencamp, Colorado Springs, Colorado $600-800

86 Dominique Dorié (French, b. 1958) Pastoral Scene oil on canvas signed Dorie (lower right) 23 3/4 x 21 1/2 inches. $1,000-2,000

87 Maurice Kish (American/ Russian, 1895-1987) Card Players oil on panel signed Maurice Kish (lower left) 12 1/2 x 16 1/2 inches. $1,000-2,000

88 Maurice Kish (American/ Russian, 1895-1987) (Picasso) Portrait of Mr. Big oil on panel signed Maurice Kish (lower right) 8 1/8 x 6 1/8 inches. $600-800

89 Bradi Barth (Swiss, 1922-2007) Untitled (Mother and Child), 1960 oil on board signed Bradi Barth and dated (lower right) 24 x 20 inches. $800-1,200

86

89