ART, PHOTOGRAPHY, AND DESIGN

Lots 269–342

271

269 (BARBIER, GEORGE) BOYLESVE, RENE Les bains de Bade. Paris: Editions Georges Cres, 1921.

8vo, 3/4 orange morocco over marbled boards, giltlettered spine, original illustrated wraps bound in. Limited edition, number 382 of 1,200 copies on verge d’Arches, with seven full-page color plates by Barbier and numerous vignette head and tail-pieces. Light intermittent foxing and some offsetting; spine faded; wraps lightly toned; otherwise fine. $200-400

270 (BARBIER, GEORGE) REGNIER, HENRI Les rencontres de Monsieur de Breot. Paris: A. & G. Mornay, 1930.

8vo, half black morocco over marbled boards, giltlettered spine, hand-painted marbled endpapers, t.e.g., original hand-colored illustrated wraps bound in. Limited edition, number 663 of 847 copies on papier de Rives, with numerous hand-colored intext illustrations by Barbier. Hinges lightly rubbed; otherwise fine. $200-400 271 BOULENGER, JACQUES De la walse au tango. Paris: Devambez, n.d.

Folio, original printed wraps. Limited edition, number 669 of 1,000 copies on papier velin, with frontispiece and six color plates by E. Halouze, G. Arnoux, De Goyon, J.G. Domergue, L. Cappiello, and Sem. Wear to wraps with spine torn; first few leaves starting; intermittent very light foxing. $100-200

272 (BRISSAUD, PIERRE) BENOIT, PIERRE Pour Don Carlos. Paris: Librairie Plon, 1934.

8vo, half crushed purple morocco over imitation wood purple boards and endpapers, gilt-lettered spine, t.e.g., original printed wraps bound in. Limited edition, number 688 of 2,200 copies on velin Aussedat, with 12 color plates by Brissaud. Spine faded; some rubbing to boards. $100-200

274 275

273 CHIMOT, EDOUARD Les belles que Voila. Mes modeles de Montmarte a Seville. Paris: Le Libre du Bibliophile, 1958.

Folio, contents loose as issued in white wraps, slipcase and chemise, gilt-lettered spine. Limited edition, number 41 of 25 examples (from a total of 750) on Rives, with 16 plates in three states, one eaux-forte in two states and an original charcoal portrait signed by Chimot, each set being housed in a separate folder. Fine internally with very minor rubbing and light toning to slipcase. $800-1,200

274 (CHIMOT, EDOUARD) LOUYS, PIERRE Les poesies de Meleagre. Paris: Devambez, 1926.

4to, bound by Asper in blue crushed levant morocco, watered silk endpapers, gilt-lettered spine. Limited edition, number 61 of 50 copies (from a total of 200), on Japon imperial, with 15 engraved plates by Chimot in three states and an original signed drawing laid in. This copy further embellished with three plates in four states, and five additional erotic engravings in various states at the back. Boards very lightly rubbed; otherwise fine. $1,000-2,000 275 (CHIMOT, EDOUARD) PATORNI, AURELE Le fou. Poemes. Paris: Aux Depens des Auteurs, 1921.

4to, 3/4 red morocco over marbled boards, giltlettered spine, t.e.g., marbled endpapers, original wraps bound in. Limited edition, number 124 of 150 copies (total edition of 229) on velin d’Arches, with six color etchings by Chimot and six woodcuts after drawings by J.P. Sauget. Minor rubbing to boards. $200-400

276 DETOUCHE, HENRY Les peches capitaux. Paris: Librairie Artistique, 1900.

Folio, bound by Blanchetiere in 3/4 crushed green morocco over marbled boards, gilt-lettered spine, marbled endpapers. Limited edition, number 60 of 175 copies on velin du Marais, with illustrated title page, table of contents, borders and seven color etchings of the deadly sins by Detouche. Minor wear to boards with loss to marbling; minor brownspotting. $100-200

277 (HALOUZE, EDOUARD) L’ALMANACH DU MASQUE D’OR Complete set of two issues for 1921-1922, with 59 and 29 illustrations respectively. 1921: 12mo, pictorial white boards, silk endpapers, slipcase. One of 30 on Japon. Spine repaired and re-glued. 1922: 8vo, pictorial yellow silk matching the design on the original lettered slipcase. One of 1,000 numbered copies. Fraying to top edge of boards; slipcase edgeworn. $400-600

278 LA MODE FEMININE 3 vols., each set with four portfolios of plates, comprising La Mode Feminine de 1490 a 1795, de 1795 a 1900 and de 1900 a 1920. 12mo, three vols. in decorative cloth with ties, pastedown labels, housing four portfolios loose as issued in hand-colored folders. With 233 (of 240 total; i.e. 20 in each) pochoir color plates. Wear to boards with spines detached or lacking. $200-400 279 (MARTY, ANDRE) MODES ET MANIERES D’AUJOURD’HUI Paris: Collection Pierre Corrard, 1919.

Folio, contents loose as issued in original decorative chemise lined with Art Nouveau designed paper, modern slipcase. Limited edition, number 4 of 12 copies on Japon, with 12 pochoir color plates featuring Art Nouveau fashions, an additional suite of uncolored plates, and an original watercolor, “Le Golf,” signed by Marty. Light toning to chemise; otherwise fine. $1,000-2,000

280 (FASHION) STONE, ELIZABETH Chronicles of Fashion, from the Time of Elizabeth to the Early Part of the Nineteenth Century, in Manners, Amusements, Banquets, Costume, &c. London: Richard Bentley, 1845.

2 vols. 8vo, publisher’s brown blind-stamped cloth, gilt-lettered spine. Illustrated with two frontispieces and 14 plates. Hinges tendered; boards slightly rubbed. $100-200

279

281 281 (IRIBE, PAUL) COCTEAU, JEAN Vaslav Nijinsky. Six vers de Jean Cocteau, six dessins de Paul Iribe. [Paris: Societe generale d’impression, 1910].

Oblong 4to, publisher’s printed wraps, glassine. First edition, limited to 1,000 copies on Japon, with six full-page black and white illustrations by Paul Iribe. A few small stains to limitation page; otherwise fine with only minimal chipping to glassine. $300-500

282 (IRIBE, PAUL) MONTORGUEIL, GEORGES Blanc et rouge; Bleu blanc rouge; Rose et noir. Paris, 1930-32.

3 vols. Folios, original decorative wraps. Each limited to 500 copies, these out of series and unnumbered. Blanc et rouge, text by Georges Montorgueil, complete with 10 plates by Iribe; Rose et noir, text by Rene Benjamin, complete with nine plates and cocktail insert; and Bleu blanc rouge, complete with six plates. Edgewear and light chipping to wraps; marginal toning to some leaves; bookplate tipped in f.f.e.p. Blanc et rouge. $400-600

283 LAMBERT, ANDRE Petite mythologie galante a l’usage des dames. Paris: Devambez, 1928.

Oblong 4to, contents loose as issued in printed wraps, marbled slipcase and chemise, slipcase with pastedown label. Limited edition, number 309 of 350 copies (total edition of 400) on velin d’Arches, complete with 13 color aquatint plates, in-text borders and illustrations by Andre Lambert. Light rubbing to slipcase with some foxing to pastedown; a bit of intermittent light brownspotting to interior. $200-400

284 (LEFLER AND URBAN) MUSAEUS, JOHANN K. A. Rolands Knappen. Vienna: Gesellschaft fur vervielfaltigende Kunst 1898.

Folio, publisher’s pictorial cloth with cover design in silver and red, decorated endpapers. First edition, with six black and white plates and decorative borders by Hans Lefler and Josef Urban. Minor soiling and light edgewear to boards; hinges tender. $100-200

285 (LEPAPE, GEORGES) BLAIZOT, PIERRE Parfums et parfumeurs. Paris: Editions a l’Etoile, (1946).

4to, contents loose as issued in original printed wraps, suede slipcase and chemise. Limited edition, number 309 of 535 copies on velin de Rives, with eight full-page color plates by Lepape. A few scratches to suede; otherwise fine. $100-200

285A (LORENZI, FABIUS) CHAMPSAUR, FELICIEN Le semeur d’amour. Paris: Eugene Fasquelle, 1924.

Folio, 3/4 calf over marbled boards, gilt-decorated spine, t.e.g. Inscribed and signed by Champsaur on the half-title, additionally inscribed by Champsaur on one-page laid in sheet. Illustrated with 28 color plates by Lorenzi, with an additional suite of 28 uncolored plates inserted at the end. Wear to boards; ephemera laid into rear; hinges starting. $200-400

289

286 MATET, M. M. Tapis modernes. Paris: M.H. Ernest, n.d. [c. 1935]

Folio, contents loose as issued in original pochoir covers rebacked with tape and manuscript title. With 40 plates, most containing two color pochoirs of Art Deco rug designs. Lacking original spine; ex-library with stamps to title page, front pastedown, and margins, not affecting the plates; lacking one cloth tie. Property from a Private Collection $800-1,200

287 (PAUL, HERMANN) MIRBEAU, OCTAVE Le calvaire. Paris: Editions Mornay, 1928.

8vo, bound by Zendel in tan crushed gilt-stamped morocco with red and green inlaid leather swirl design, housed in felt and morocco-lined marbled board slipcase, gilt dentelles, marbled endpapers, original wraps bound-in, partially uncut. Limited edition, number 42 of 52 copies on Japon imperial, with frontispiece, vignette title and 12 in-text color woodcuts in two states. Edgewear to slipcase; otherwise interior and binding in fine condition. $100-200 288 (MUCHA, ALPHONSE) FRANCE, ANATOLE Clio. Paris: Calmann Levy, 1900.

8vo, contemporary 3/4 red morocco over marbled boards, gilt-lettered spine, t.e.g., marbled endpapers, original wraps bound-in. Limited edition, one of 100 copies on Japon (from a total edition of 150), this unnumbered, with seven color plates and five headpieces by Mucha. Light edgewear to boards; some minor marginal toning. $100-200

289 (MUCHA, ALPHONSE) VERNEUIL, M.P. Combinaisons ornementales. Paris: Librairie Centrale des Beaux-Arts, n.d. [c. 1901]

Oblong 8vo, contents loose as issued in original decorative cloth-backed boards with string ties. Complete with 60 color plates by Mucha, including title page and introduction. Boards soiled; upper board detached; spine deteriorated; lacking one tie; otherwise interior is fine with only light marginal toning to plates. $600-800

290

290 (MUCHA, ALPHONSE) GEBHART, EMILE Cloches de Noel et de Paques. Paris: F. Champenois and H. Piazza, 1900.

4to, contents sewn into publisher’s gilt-lettered green pictorial wraps, uncut. Limited edition, number 112 of 215 copies on velin a la cuve, all 78pp. profusely illustrated by Mucha with color-printed floral designs and other decorations. Light toning to wraps; text block starting to detach from spine, but contents holding firm. $4,000-6,000 291 SARTORIO, GIULIO ARSTIDE Sibilla, poema drammatico quattro atti. Milan: L’Eroica, 1922.

4to, publisher’s illustrated boards. Limited edition, number 311 of 1,333 copies signed by the author and editor, with 219 woodcuts and engravings (70 fullpage). Light soiling to boards; offsetting from some plates; hinges starting. Property from a Private New York City Collection $700-900

292 (SAUVAGE, SYLVAIN) LOUYS, PIERRE Contes antiques. Paris: Editions du Bois Sacre, 1929.

Folio, contents loose as issued in original printed wraps, imitation wood slipcase and chemise. Limited edition, number 149 of 185 copies (total edition of 235) on velin de Montval special, with 32 copperengraved illustrations by Sauvage. Slipcase lacking top edge with others slightly edgeworn. $800-1,200

293 (SEGONZAC, ANDRE DUNOYER) BERNARD, TRISTAN Tableau de la boxe. Paris: Editions de la nouvelle revue Francaise, (1922).

4to, full vellum with red-lettered spine, slipcase, original printed wraps bound-in. Limited edition, number 247 of 300 copies on velin, with 29 etchings (nine full-page) by Segonzac. This copy inscribed by Segonzac to his niece on the f.f.e.p. Edgewear to slipcase with spine lacking; stain to wrappers. $600-800 294 SEM [GORSAT, GEORGES] Le vrai et le faux chic. Paris: s.n., 1914.

Folio, contents sewn into publisher’s folder illustrated in gilt and lettered in black, board slipcase. With numerous hand-colored lithographic illustrations by SEM and 18 ads tipped to six stiff paper leaves. Some minor wrinkling to ads; minor soiling to wraps. $200-400

301

295 BRETON, ANDRE AND MARCEL DUCHAMP First Papers of Surrealism. New York: Coordinating Council of French Relief Societies, 1942.

Thin 4to, original wrappers, with front and back covers designed by Duchamp. Exhibition catalogue for the surrealist exhibition in New York City from October 14-November 7, 1942 that featured the work of artists such as Ernst, Miro, Duchamp, and Matta, among others. Light wear to wrappers at edges; five small holes punched in rear wrapper; marginal toning to some leaves. Property from a Private Collection $200-400

296 (CHAGALL, MARC) ELUARD, PAUL Le dur desir de Durer. London: The Trianon Press, (1950).

Folio, original pictorial and glassine wrappers, color frontispiece. Number 159 of 750 copies reserved for the Trianon Press, of a total edition limited to 1500. Light soiling and marginal chipping to wrappers; glassine torn; light toning to some leaves; otherwise good. $400-600 297 CHAGALL, MARC The Jerusalem Windows. Text and notes by John Leymarie. New York: George Braziller; Monte Carlo: Andre Sauret, (1961).

4to, publisher’s gilt-lettered red cloth, dust jacket, clipped. First edition, with two original lithographs by Chagall created for this publication and color illustrations throughout. Light fading to boards at edges; minor marginal chipping to jacket. Property from a Private Collection $500-700

298 CHAGALL, MARC The Jerusalem Windows. Text and notes by John Leymarie. New York: George Braziller; Monte Carlo: Andre Sauret, (1961).

4to, publisher’s gilt-lettered red cloth, dust jacket, unclipped. First edition, with two original lithographs by Chagall created for this publication and color illustrations throughout. Fading to boards at edges; minor marginal chipping to jacket. Property from a Private Collection $600-800

299 DELTEIL, LOYS Le peintre-graveur illustre. Vol. 17. Camille Pissarro, Alfred Sisley, Auguste Renoir. Paris: Chez l’Auteur, 1923.

4to, original printed wraps. Limited edition, copy number 50 of an unstated edition. With two original etchings by Pissarro and Renoir. Light wear and marginal chipping to wraps; otherwise fine. $800-1,200

300 (DUBUFFET, JEAN) LOREAU, MAX Cerceaux ‘sorcellent. Paris: la Ruche, 1967.

4to, original pictorial wraps by Dubuffet, slipcase. Limited edition, number 496 of 750 copies (800 total) with 20 original serigraphs in red, blue and black (18 full-page). Light wear to slipcase and wraps at spine; some pages detached. $300-500 301 (DUFY, RAOUL) GUILLON-LAFFAILLE, FANNY Catalogue raisonne des aquarelles, gouaches et pastels. Paris: Louis Carre, (1981).

2 vols. 4to, publisher’s blue cloth, dust jackets. First, limited edition, number 967 of 1,000 copies. Numerous plates. Wear to jackets with marginal chipping and a few small tears. $600-800

302 (ERNST, MAX) RICHTER, HANS Dreams that Money Can Buy. New York: Films International of America, 1947.

Thin 8vo, original pictorial yellow wrappers, with cover design by Max Ernst. Light rubbing and soiling; otherwise good. Property from a Private Collection $200-400

295 302

303 ENTARTE KUNST Berlin: Verlag fur Kultur und Wirtschaftswerbung 1937.

8vo, stapled pamphlet, publisher’s printed wraps, featuring reproductions of numerous modernist works of art. Rare catalogue of the “degenerate art” exhibition mounted by the Third Reich, comprising of 5,000 paintings and 12,000 graphic works of art, including works of Kokoschka, Kirchner, Grosz, Klee and others. Many of the items were sold in a 1938 auction in Switzerland; some were acquired by museums and private collections and others by Nazi officials for their private use. Many other works by Avant-garde German artists were burned. Light wear to wraps. $200-400

304 (PICASSO, PABLO) RUSSOLI, FRANCO Picasso. Venti pochoirs originali. Milan: “Silvana” Editoriale d’Arte, n.d. [1955]

Folio, publisher’s decorative boards with yellow cloth spine. Limited edition, number 19 of an unstated edition. Complete with 20 pochoir color plates with tissue guards. Light soiling to boards; ends chipped; toning to extremities of leaves; otherwise fine. $1,000-2,000 305 (PICASSO, PABLO) SABARTES, JAIME Toreros. New York: George Braziller; Monte Carlo: Andre Sauret, (1961).

Oblong 4to, publisher’s pictorial red cloth, dust jacket, unclipped. With four lithographed plates by Picasso, one in color. Minor wear to boards; light fading and wear to jacket at edges. Property from a Private Collection $1,500-2,500

306 (WIENER WERKSTATTE) UCHATIUS, MITZI Woodcuts. Vienna: By the Author, 1906.

Folio, pages bound accordion-style and housed in linen slipcase. Self-published album, containing six woodcuts of animals, each signed by the artist in pencil, including a lamb, bear, horse, dog, fox and moose. Light foxing; minor soiling to slipcase. $1,000-2,000

307 (GOLIKOV, IVAN) OZHIGOI, O. AND S. SHAMBINAGO Slovo o Polku Igoreve [Lay of Igor]. Moscow: Academia, 1934.

Folio, original brown cloth with decorative panel to upper board, original box with decorative pastedown label. With 10 chromolithographed plates by Golikov. Box worn and deteriorated retaining upper and rear boards only; minor wear to boards; corners bumped; light offsetting from plates to tissue guards. $200-400 308 (SLEVOGT, MAX) DA PONTE, LORENZO Don Juan. Heiteres drama in zwei akte. Berlin : Verlegt bei Fritz Gurlitt, 1921.

4to, contemporary full red morocco with initials stamped to upper board, gilt-lettered black leather spine label, marbled endpapers, uncut. One of only 50 Roman numeral copies, with 16 engraved plates by Slevogt, but this copy marked Archiv-Exemplar. Rubbing to boards; foxing throughout. $200-400

309 (JUDAICA) SZYK, ARTHUR Ink and Blood. A Book of Drawings. New York: Heritage Press, 1946.

Folio, black morocco, gilt-lettered spine. Limited edition, one of 1,000 inscribed copies. Inscribed by Szyk to Dr. Nathan Izbicky on the limitation page. Wear and soiling to boards and slipcase; rubbing to spine; bookplate tipped to front pastedown. $100-200

310 (JUDAICA) SZYK, ARTHUR The Haggadah. Jerusalem and Tel Aviv: “Massadah” and “Magen,” 1956.

4to, publisher’s gilt-pictorial blue velvet, clamshell case. Illustrated throughout after Szyk’s illustrations. Light fading and soiling to clamshell case; otherwise fine. $400-600

306

311 (JUDAICA) RABAN, ZE’EV Shir Ha-Shirim (The Song of Solomon). Jerusalem: Shulammite, [1930].

Folio, original blind-tooled leather with inset metal plate. Numerous tipped-in color plates. Light wear to boards; ends bumped; darkening to inset metal plate. $100-200

312 (ALI, MUHAMMED) KOONS, JEFF GOAT, A Tribute to Muhammed Ali. New York: Taschen, 2004.

Elephant folio, publisher’s brown silk boards, title and spine in pink leather, pictorial endpapers, a.e.g., housed in custom white silk photo-pictorial clamshell case. Limited edition, number 06460 of a worldwide edition of 10,000 copies, signed by Muhammed Ali and Jeff Koons on the limitation page. Illustrated with numerous color photographs throughout, with additional original photograph by Jeff Koons laid in, signed by Koons in pencil (“J Koons 103”) at lower right. Very light soiling to case; small scratch to gilt lettering on title page; otherwise fine. $3,000-5,000 313 ART OF THE SIXTIES Art of the Sixties; Kunst der Sechziger Jahre Sammlung Ludwig im Wallraf-Richartz Museum Cologne, s.n., 1970.

Folio, original blind-stamped clear flexible plastic boards with hard plastic spine, affixed with two metal bolts. Fourth edition. Numerous clear plastic and tipped-in plates. Light wear to boards; otherwise good. Property from a Private Collection $80-120

314 BAKST, LEON A complete set of 12 postcards designed for Feya Kukol. La Fee des poupees, [The Doll Fairy] with two descriptive inserts in Russian and French, lithographed in color by A. Ilin, St. Petersburg. Housed in rare original envelope also designed by Bakst. St. Petersburg: Issued to benefit the St. Evgenya Red Cross Society, 1904. The present designs for Josef Bayer’s Feya kukol established Bakst as a major costume designed in 1903; he would go on to contribute to Diaghilev’s legendary Ballets Russes in 1909, which would earn him his greatest fame. All unused; some loss to envelope. $800-1,200 315 (LEVINE, JACK) MICHENER, JAMES A. Facing East. New York: Maecenas Press/Random House, 1970.

Portfolio, loose as issued in original cloth-backed clamshell case. Limited edition, number 933 of 2,500 copies, signed by the artist and author on the limitation page and on interior of clamshell case. Soiling to case; leather strap broken; offsetting from strap to limitation page affecting both signatures; offsetting from plates. $100-200

316 (LINDNER, RICHARD) Derriere le miroir: Lindner. Paris: Maeght Editeur, 1977.

Folio, loose as issued in original pictorial wraps, magenta slipcase, and chemise. Number 15 of 150 copies on velin d’Arches, signed by the artist on the limitation page. Light wear to slipcase; otherwise fine. $100-200

312

318

317 (LINDSAY, NORMAN) ARISTOPHANES Lysistrata. Translated by Jack Lindsay. London: Fanfrolico Press, (1926).

Folio, half blue morocco over gilt-decorated boards, a.e.g. Limited edition, one of 725 copies signed by Jack Lindsay on the limitation page, this copy unnumbered, with four full page plates and numerous in-text illustrations by Norman Lindsay. Boards rubbed and lightly soiled; hinges starting; scattered minor brownspotting. $200-400

318 WARHOL, ANDY Andy Warhol’s Index Book. New York: Random House, 1967.

4to, publisher’s photo-pictorial boards with silver hologram design. First edition, first issue. Number 154 of 365 copies, signed and numbered by Warhol on the cover and seven times throughout to pop-ups. Complete with 10 pop-ups, all still attached and in working condition unless otherwise stated, including a double-page pop-up of a medieval castle; a red accordion within fold-out page; a multi-colored popup airplane; a paper disc with “The Chelsea Girls” in printed type on a wire spring; a dodecahedron showing a man holding a camera laid-in (lacking original string attachment); a 45 R.P.M. flexi-disc with portrait of Lou Reed; an illustration of a nose with two colored overlays on a double-fold-out page; a color pop-up of a “Hunt’s Tomato Paste” can; the almost always lacking single sheet of perforated moisture-sensitive tabs (still attached); the often lacking balloon insert, adhered to two pages as usual. Light wear to boards; 2 pp. following dodecahedron taped together at three points; otherwise fine. $2,000-4,000

319

321 319 (PHOTOGRAPHY) CARTIER-BRESSON, HENRI The Decisive Moment. New York: Simon and Schuster; Paris: Editions Verve, (1952).

Folio, publisher’s cloth-backed cream boards with original design by Matisse. First American edition, with 126 full-page gravure photographs by CartierBresson. Text booklet laid-in. Lacking dust jacket; light soiling and wear to boards with loss to spine; hinges reinforced with black tape. $400-600

320 (PHOTOGRAPHY) A group of 12 first editions, four of which are signed.

Women and Other Visions. By Judy Daiter. New York: Morgan & Morgan, 1975. First edition, signed. Twenty Years. By Judy Daiter. Tucson: University of Arizona Press, 1986. First edition. Discovery: Inner and Outer Worlds. By Judy Daiter. Carmel, California: The Friends of Photography, 1970. Limited edition, signed. The Creation. By Ernest Hass. New York: Viking Press, (1971). The Concerned Photographer. By Ernest Hass. New York: Grossman Publishers, 1972. The Secrets of Photographing Women. By Peter Gowland. New York: Crown Publishers, (1981). First edition. How to Photograph Women. By Peter Gowland. New York: Crown Publishers, (1953). First edition. The Art and Technique of Stereo Photography. By Peter Gowland. New York: Crown Publishers, (1954). First edition. How to Photograph Women. By Peter Gowland. New York: Crown Publishers, (1954). Pages from the Glossies: Facsimiles 1956-1998. By Helmut Newton. Zurich: Scalo, 1998. Helmut Newton. Introduction by Karl Lagerfeld. New York: Pantheon Books, 1987. California and the West. By Edward Weston. New York: Duell, Sloan and Pearce, (1940). First edition. $200-400

321 (PHOTOGRAPHY. BIDERMANAS, IZIS) PREVERT, JACQUES Grand bal du printemps. Lausanne: La Guilde Du Livre, (1951).

4to, original photographic wraps. Limited edition, number 11,601 of 15,300 copies, inscribed by Prevert to Bidermanas on the verso of the title page, illustrated with numerous reproductions of photographs by Bidermanas. $100-200

322 (PHOTOGRAPHY) KRULL, GERMAINE 100 x Paris. Berlin: Verlag Der Reihe, 1929.

8vo, original printed wraps, text in German, French and English. First edition. With 100 sepia-toned reproductions of Krull’s photographs of Paris. Minor soiling and wear to wraps with chipping to edges; light toning to leaves. $200-400

323 No lot

324 (PHOTOGRAPHY) MAN RAY La photographie n’est pas l’art. Paris: G.L.M.: 1937.

8vo, original blue paper wraps. Introduction by Andre Breton. Complete with 12 reproductions of photographs by Man Ray. Fading to wraps at spine; small 1/2-inch tear to foot of spine; marginal chipping to some plates; otherwise fine. $800-1,200

325 (PHOTOGARPHY) NEWTON, HELMUT Big Nudes. New York: Xavier Moreau, (1982).

Folio, publisher’s black cloth, photographic dust jacket. First edition, signed by Newton on the halftitle Light wear to jacket. $400-600 326 (PHOTOGRAPHY. STEICHEN, EDWARD) SANDBURG, CARL Steichen the Photographer. New York: Harcourt, Brace, (1929).

4to, publisher’s black cloth lettered in gilt. First edition, limited to 925 copies signed by Sandburg and Steichen. Illustrated throughout with numerous sepia-tone reproductions of Steichen’s photographs. Light wear to boards; ephemera tipped in front and rear pastedowns; a few leaves slightly rippled. $700-900

327 (PHOTOGRAPHY) STEICHEN, EDWARD The Family of Man. New York: Simon and Schuster, n.d. [c. 1955]

4to, quarter cloth over decorative boards lettered in silver. Lacking dust jacket; light soiling and fading to boards. $100-200

324

331 334

328 (PHOTOGRAPHY) UNWERTH, ELLEN VON Revenge. Santa Fe: Twin Palms Publishers, (2003).

8vo, publisher’s black cloth lettered in silver, slipcase. First, limited edition, number 36 of 200 copies signed by the author. Fine. $300-500

329 (ART REFERENCE) BENEZIT, E. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs. Paris: Librairie Grund, 1976.

10 vols. 8vo, publisher’s blue cloth lettered in silver. New edition. Light wear to boards; ends bumped. $100-200

330 (DESIGN) GILLET, HENRI Decorative Medallions in French Taste. Paris: Albert Morance, 1922.

8vo, quarter red cloth over printed boards, cloth ties. Complete with 30 pochoir color plates, loose as issued. Wear to boards; cloth split at foot of spine; light soiling affecting some plates. $200-400 331* (DESIGN) JONES, OWEN The Grammar of Ornament. London: Day & Son, 1856.

Folio, half red morocco over red cloth, elaborately gilt-decorated morocco centerpiece to upper board, a.e.g. First edition, complete with 100 chromolithographed plates, additional chromolithographed title. Wear to boards with rubbing to centerpiece; hinges cracked; 7-inch repaired tear to title and p. 1; light offsetting from plates to tissue guards. Property from the Estate of Nicholas and Arleen Rakas, Birmingham, Michigan $1,000-2,000

332 (DESIGN) LYONGRUN, ARNOLD Nouveaux motifs d’art decoratif moderne. Paris: Librairie de L’Art Ancien et Moderne, [1900].

Oblong folio, loose as issued in original red cloth. Complete with 24 color plates featuring Art Nouveau designs. Light wear and fading to boards at edges; minor marginal chipping to some plates. $200-400 333 (DESIGN) RACINET, AUGUSTE Das polychrome ornament. Stuttgart: Paul Neff, 1885.

Folio, original half calf over black cloth, giltlettered spine. Second series, in German, with 100 chromolithograph plates. Front board detached and held in place with brown masking tape; boards worn; light intermittent soiling. $100-200

334 RACINET, AUGUSTE Le costume historique. Paris: T. Rombaldi, n.d. [1888]

4 vols. 4to, contents disbound and loose in boards, including two volumes of plates only, in printed boards, and two volumes of text, in marbled boards. With 284 mainly chromolithographed plates. Text uncollated. Sold as a collection of plates. $200-400

335 (DESIGN) STEVENS-NELSON PAPER COMPANY Specimens: A Stevens-Nelson Paper Catalogue. New York: Tri-Arts Press, n.d.

Folio, quarter black morocco over marbled boards, gilt-lettered spine. The Stephens-Nelson Paper Corporation catalogue of fine printing and art papers, profusely illustrated with 106 specimens. Presentation copy, presented to the Cincinnati Art Museum from the Johnston Paper Company, signed by Noel Martin on the presentation page. Light rubbing to boards; otherwise interior is in very fine condition. $100-200

336 (WALT DISNEY) WERNER, JANE Vanishing Prairie. New York: Simon and Schuster, (1955).

8vo, publisher’s quarter grey cloth over pictorial green boards. First edition. Signed by Walt Disney in brown crayon on the half-title. Illustrated with numerous color photographs. Light soiling and edgewear; hinges starting; previous owners’ signature and ownership stamp to f.f.e.p and fore edge. $1,000-2,000

337 (WALT DISNEY) An original drawing, pencil on animation paper, of Pluto and a crab from the Disney Studios theatrical short Hawaiian Holiday, (1937) with signature of animator Shamus Culhane on envelope mounted below illustration. Framed and matted. [Together with:] An original drawing, pencil on animation paper, of Pluto crouching. Framed. Size of frame 19 x 16 3/4 inches. $100-200

338 (WALT DISNEY) ALICE IN WONDERLAND An original 16-field drawing, pencil on animation paper, of the Queen of Hearts from Disney’s Alice in Wonderland 1951. Framed and matted. Size of frame 17 1/2 x 19 1/2 inches. $150-250

339 (WALT DISNEY) SNOW WHITE An original drawing, pencil on animation paper, of Snow White by Grim Natwick, from Disney’s Snow White and the Seven Dwarfs, 1937. Framed and matted. Size of frame 15 1/2 x 14 inches. $200-400

340 (WALT DISNEY) PINOCCHIO An original drawing, pencil on animation paper, of Geppetto and a goldfish from a sequence of Disney’s Pinocchio, 1940, numbered 134. Framed and matted. Size of frame 14 1/2 x 14 1/2 inches. $200-400

341 (WALT DISNEY) PINOCCHIO An original 16-field character-study of Pinocchio, pencil on animation paper, from the Disney feature film Pinocchio, 1940. Framed and matted. Size of frame 19 x 21 inches. $200-400

342 (COMIC ART) FOSTER, HAROLD R. Prince Valiant, 7-panel large comic strip, pen and ink and hand-painted in watercolor, text pasted down, King Features Syndicate, March 3, 1963. Signed “Hal Foster” final panel lower right. Framed. 33 1/2 x 22 3/4 inches $3,000-5,000

336