Property of Robert Henry Adams Fine Art

lh no.112

Property of Robert Henry Adams Fine Art 1

Property of Robert Henry Adams Fine Art Monday 4 May 2009

PREVIEW

lh

WEDNESDAY, APRIL 29 | 10AM - 5PM THURSDAY, APRIL 30 | 10AM - 5PM FRIDAY, MAY 1 | 10AM - 5PM SATURDAY, MAY 2 | 10AM - 5PM SUNDAY, MAY 3 | 10AM - 3PM

AUCTION MONDAY, MAY 4 | 5PM FINE ART, LOTS 1 - 235 FINE BOOKS, LOTS 236 - 285

Cover: 135

Jan Matulka (American, 1890-1972) Cityscape, circa 1925 watercolor and gouache on paper 21 x 18 inches. $1,000-2,000

www.lesliehindman.com © Leslie Hindman Auctioneers, Inc. 2009

CHICAGO, ILLINOIS ILLINOIS AUCTIONEERS LICENSE NUMBER 041.0000367

Lot 46

Property of Robert Henry Adams Fine Art Leslie Hindman Auctioneers is delighted to handle property from Robert Henry Adams Fine Art, the respected Chicago gallery which has promoted the work of American artists for over 25 years. In the late 1970s, Chicagoan Rob Adams began dealing in antique books and prints, and by the early 1980s, had become a “dealer’s dealer,” selling paintings by both well-known and undiscovered American artists. His first gallery was located on an industrial stretch of Webster Avenue near the Chicago River. The gallery moved in 1994 to its current location in the River North gallery district and became increasingly well-known for showing the work of American Regionalist, Chicago, and African-American artists. Robert Henry Adams, a beloved dealer with a unique “eye,” passed away in 2001. The gallery has remained open to the public and run by his wife, Sandra Michels Adams, and an esteemed staff.

With the closing of the gallery, we hope that this sale will offer collectors the opportunity to enjoy works of American art for which Robert Henry Adams Fine Art has long been appreciated.

Contents FINE ART

6

FINE BOOKS

44

ARTIST INDEX

51

GLOSSARY OF TERMS

51

AUCTION INQUIRIES

52

CONDITIONS OF SALE

54

ABSENTEE AND TELEPHONE BID FORM

56

5

8

LESLIE HINDMAN AUCTIONEERS

Fine Art Lots 1 - 235

9

1

10

1

3

5

7

Gertrude Abercrombie

Robert Amft

Rifka Angel

Rifka Angel

(American, 1909-1977) Encampment, 1948 oil on masonite signed and dated (lower right) 4 1/4 x 5 1/2 inches. $5,000-7,000

(American, b. 1916) Untitled,1938 pastel and gouache on paper signed (lower right) 12 x 18 inches. $300-500

(American, 1899-1972) Still Life, circa 1950 oil on board signed (lower right) 18 x 12 inches. $500-700

(American, 1899-1972) Simkie of the Uday-Shan Kar Dancers, circa 1935 oil on artist’s board 19 x 13 1/4 inches. $200-400

2

4

6

8

Josef Albers

Anthony Angarola

Rifka Angel

Emil Armin

(German, 1888-1976) I-S, (from Formulation/ Articulation) color silkscreen edition 38/125, initialed and dated 70 (lower right) 13 3/4 x 13 3/4 inches. $400-600

(American, 1893-1929) The Titian, 1927 lithograph edition 20, signed $500-700

(American, 1899-1972) Two Girls, circa 1930 oil on canvas 24 x 18 inches. $500-700

(American, 1883-1971) Pitch, circa 1935-40 crayon and graphite on paper signed (lower right), titled (lower left) 6 x 8 inches. $300-500

LESLIE HINDMAN AUCTIONEERS

9

11

Emil Armin

Jean Arp

(American, 1883-1971) Haste, circa 1930 etching edition 10, signed (lower left), titled (lower right) 3 x 3 inches. $100-200

(French, 1886-1966) Composition color woodblock edition 47/50 10 x 8 inches. $300-500 12

3

10

Ben Benn

Emil Armin

(American, 1884-1983) Untitled (Still Life), 1916 oil on canvas laid to board signed and dated (lower right) 16 x 12 inches. $1,000-2,000

(American, 1883-1971) The Vagabond (pen holder) and Untitled (conversation box), circa 1925 carved wood each signed, one titled 7 3/4 x 6 x 3 1/4, 2 1/4 x 9 3/4 x 5 inches. $500-700

4

8

12

11

13

Leon Bishop 20th century Untitled (Abstraction), 1948 gouache and ink on paper, mounted on paper board signed and dated (lower left) 16 1/2 x 20 7/8 inches. $500-700 14

William Blake (British, 1757-1827) Variant from Blair’s Grave, circa 1810 engraving 11 x 5 1/2 inches. $100-200

16

15

Ruth H. Bohan (American, 1891-1981) Girl in White Dress oil on canvas 20 x 23 1/2 inches. $500-700 16

Ruth H. Bohan (American, 1891-1981) Night Sketch at Cleveland, circa 1940 oil on board 10 x 14 inches. $500-700 17

Ilya Bolotowsky (American, 1907-1981) Variation IV, circa 1975 silkscreen on paper edition 91/125, signed (lower left) 24 x 24 inches. $400-600 18

Beatrice Bond 20th century New York, Back Rooms of Findlay Galleries, Back Bank from Prince George Hotel and Untitled (Ships at Dock) (a group of four works) various media each signed Largest 16 5/8 x 12 inches. $400-600 18

12

LESLIE HINDMAN AUCTIONEERS

19

Aaron Bohrod (American, 1907-1992) Anatomy of a Horse, circa 1960 oil on gesso panel signed (lower right) 30 x 24 inches. $3,000-5,000 20

Henrietta Brander (American, 20th Century) Growth, circa 1935 watercolor and gouache on illustration board 21 1/4 x 14 7/8 inches. $300-500 19

21

Edgar Britton (American, 1901-1982) Nude Sitting, 1941 ink on paper signed and dated (lower right) 7 1/2 x 5 1/4 inches. $200-400 22

Ann Brockman (American, 1899-1943) Quarry Sunset, circa 1940 oil on canvas signed (lower right) 34 x 40 inches. $2,000-4,000

22

13

23

Fritzi Brod (American, 1900-1952) Three Heads, circa 1935 lithograph edition 1/12, signed (lower right) 10 x 9 3/4 inches. $50-100 24

J. F. Cada (American, 20th Century) Photogram, circa 1940 gelatin silver print signed (on the verso) 11 1/2 x 17 1/2 inches. $500-700 25

J. F. Cada (American, 20th Century) Fire Escapes gelatin silver print signed (on the verso) 4 x 5 inches. $200-400 26

Dorothy Cantor 20th century Union Square, 1958 graphite on paper signed (lower right) 9 3/4 x 12 3/4 inches. $50-100 27

Clarence H. Carter (American, 1904-2000) Grain Silos, 1952 graphite and white chalk on paper signed and dated (upper left) 8 1/2 x 11 inches. $400-600 28

Wynn Chamberlain (American, b. 1929) Self-Portrait with Cat, 1959 egg tempera on masonite signed and dated (lower right) 32 x 27 inches. $5,000-7,000

14

LESLIE HINDMAN AUCTIONEERS

28

29

30

31

Louis Cheskin

Clerifseau

William Corasick

(American, 20th Century) Untitled (Tree) watercolor signed (lower left) 8 1/2 x 12 inches. $100-200

Arch of Septimus Severus and Caracalla, together with a print and an ink on paper and a box of woodcut reproductions. $400-600

(American, 1907-2002) Untitled, 1940 ink and pastel on paper signed (lower right) 12 x 14 1/2 inches. $800-1,200

31

32

32

34

Gordon Coster

Harold Cousins

(American, 1903-1938) Aerial View, 1923 gelatin silver print signed (lower right) 8 1/2 x 12 inches. $600-800

(American, 1916-1992) Political Prisoner, 1954 polychromed terra cotta inscribed Height 29 1/2 inches. $1,000-2,000

33

35

Harold Cousins

John Rogers Cox

(American, 1916-1992) Man, 1949 carved wood and wire signed and dated $800-1,200

(American, 1915-1990) Untitled (Business Man), Untitled (Man Stabbed Through the Chest), Untitled (Ship at Sea) and Untitled (Spoon) (a group of four works) various media Largest 13 1/2 x 9 5/8 inches. $300-500

34

15

36

John Steuart Curry (American, 1897-1946) Untitled (Univ. of Wisc.

Football Game), circa 1939 charcoal on paper 44 x 30 inches. $4,000-6,000 37

John Cunning (American, 1889-1953) Portrait of Vita (J. Cunning’s wife), circa 1930 oil on canvas 30 1/2 x 24 inches. $800-1,200 38

Albert Deman (French, b. 1927) House Under Grey Sky, 1953 oil on canvas signed and dated (lower right) 25 x 34 inches. $1,000-2,000 39

Margaret De Patta (American, 1903-1964) Untitled (Abstraction), circa 1940 ink on tissue paper 7 5/8 x 8 3/8 inches. $600-800 40

Robert Donald Erickson (American, 1917-1991) Kaleidoscope, circa 1950 gelatin silver print 5 5/8 x 4 1/2 inches. $500-700 36

16

LESLIE HINDMAN AUCTIONEERS

37

38

39

40

17

41

42

46

43

41

43

45

47

Robert Donald Erickson

John Fabion

William Ferguson

David Foster

(American, 1917-1991) Power Geometry #4, 1951 gelatin silver print signed and dated (on the mount), signed and titled (on the verso) 5 5/8 x 3 7/8 inches. $500-700

(American, 1905-1982) Tanks and Salvos, circa 1945 gouache on illustration board signed (lower right) 13 1/8 x 16 1/4 inches. $500-700

(American, 1905-1985) Untitled (Fantastic Creatures), 1948 oil on panel signed (upper left) 10 x 14 inches. $400-600

20th century FDR is Dead, circa 1945 gelatin silver print signed (on the verso) 4 3/4 x 3 3/4 inches. $100-200

44

46

Karoly Fulop

42

Lorser Feitelson

Richard Filipowski

Robert Donald Erickson

(American, 1898-1978) Figure Drawing, circa 1940 charcoal on paper signed (lower right) 12 1/2 x 7 1/2 inches. $200-400

(American, 1923-2008) Untitled, 1947 oil on perforated metal signed and dated (lower left) and (verso) 10 1/2 x 10 1/2 inches. $2,000-4,000

(American, 1893-1963) Figures in an Abstract Composition, circa 1935 oil on panel 24 x 21 1/4 inches. $1,000-2,000

(American, 1917-1991) Untitled (Photogram), circa 1950 gelatin silver print 8 x 6 inches. $500-700

18

LESLIE HINDMAN AUCTIONEERS

48

49

48

52 51

49

50

51

52

Carl Gaertner

Carl Gaertner

Arnold Genthe

Eugene Godfrey

(American, 1898-1952) Bermuda, circa 1925 and Untitled (Building in Landscape) (a pair of works) one oil on canvasboard, one watercolor on paper mounted on board one signed and titled (lower right) 11 x 14 inches, 21 7/8 x 24 1/4 inches. $600-800

(American, 1898-1952) Untitled (House on Hill), Untitled (Seaside) and Untitled (Wooded Landscape with Houses), circa 1925 (a group of three works) various media two signed (lower right) Largest 20 x 15 inches. $700-900

(American, 1869-1942) New Orleans, circa 1930 gelatin silver print 12 1/8 x 9 1/18 inches. $200-400

(American, b. 1918) Untitled (Virtual Volume Study), 1948 gelatin silver print signed (on the mount) 6 3/4 x 4 3/4 inches. $200-400

19

60

53

53

57

Charles Goeller

Marguerite Hohenberg

(American, 1901-1955) Night Shift Helps Rush the Order Through, circa 1938 graphite on paper signed (lower right) 11 1/2 x 7 3/4 inches. $1,000-2,000

(American, 1882-1972) Chronological #38, circa 1935 gouache on paper signed (lower right), signed and dated (verso) 20 x 13 inches. $800-1,200

54

Maurice Goldberg

58

(American, 20th Century) Model for 1933 World’s Fair

by Norman Bel Geddes, 1930 and Model for 33 World’s Fair (a pair of works) gelatin silver prints one stamped (on the verso) Largest 10 x 13 1/2 inches. $200-400

Marguerite Hohenberg (American, 1882-1972) Chronological #51, 1937 gouache signed, titled and dated (verso) 24 x 18 inches. $800-1,200 59

59

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LESLIE HINDMAN AUCTIONEERS

55

Marguerite Hohenberg

William Kent Hagerman (American, 20th Century) N.W. Univ. Chicago Campus etching signed (lower right) 6 3/4 x 10 inches. $40-60

(American, 1882-1972) Chronological #78, 1937 gouache on black paper signed, titled and dated (verso) 20 x 13 inches. $800-1,200

56

60

Kalman Himmel

Marguerite Hohenberg

(American, b. 1903) Woman on Sidewalk, 1939 watercolor signed (lower left) 23 x 17 3/4 inches. $100-200

(American, 1882-1972) Chronological #113 gouache on paper monogrammed (lower right) 20 x 26 inches $800-1,200

61

62

63

61

62

63

64

Marguerite Hohenberg

Marguerite Hohenberg

Charles H. Howard

Dudley Huppler

(American, 1882-1972) Chronological #325, circa 1935 gouache on paper 13 x 20 inches. $600-800

(American, 1882-1972) Untitled (5 red and white spheres), circa 1948 gouache and watercolor on paper 20 7/8 x 27 7/8 inches. $1,000-2,000

(American, 1899-1978) The Binary Armature, 1951 oil on canvas signed and dated (lower right) 10 x 17 inches. $6,000-8,000

(American 1917-1988) Untitled (Trees, Rome), 1953 ink on paper signed and dated (lower left) 15 3/4 x 9 1/4 inches. $50-100

21

70

71

65

69

72

75

Louis Icart

Mat Kauten

Erna Klein

Medard Klein

(French, 188-1950) Le Dame Aux Camilles etching and aquatint 16 x 20 inches. $300-500

20th century Untitled (Newsboy), Untitled (Policeman) and Untitled (Politician) (a group of three works) gouache on illustration board each signed Largest 17 x 14 inches. $300-500

20th century Sketchbook No. 20, Sketchbook No. 28, Sketchbook No. 29 and Sketchbook No. 31, circa 1910 (a group of four works) two watercolors, two watercolors with graphite Diameter of Largest 5 3/4 inches. $100-200

(American, 1905-2002) Abstraction, 1940 graphite signed (lower left) 9 x 14 3/8 inches. $300-500

66

Chuck Jones (American, 1912-2002) Bugs Bunny/Rabbit Hole, 1960 graphite on paper 8 1/2 x 6 1/2 inches. $300-500 67

George Josimovich (American, 1894-1986) Untitled (Kneeling Nude), circa 1935 ink on paper signed (lower right) 13 1/2 x 11 inches. $100-200 68

William Kay 20th century In Mothballs, Sausalito, 1964 oil on canvas board initialed and dated (lower right) 16 x 20 inches. $100-200

22

LESLIE HINDMAN AUCTIONEERS

70

Greta Kempton

73

(American, 1903-1991) Untitled (Portrait of a Young Woman), circa 1930 oil on canvas 12 x 10 inches. $400-600

Erna Klein

71

Jean Kendall (American, 20th Century) Artificial Negative, 1946, Beauty Rest Rocker (Double Exposure), 1945 and Untitled (Torn Paper), 1947 (a group of three works) gelatin silver prints two signed and dated (lower right), one signed and dated (lower left) Largest 6 3/4 x 4 3/4 inches. $400-600

20th century Sketchbook No. 21, Sketchbook No. 22, Sketchbook No. 30A and Sketchbook No. 6, circa 1910 (a group of four works) watercolors Diameter of Largest 5 3/4 inches. $100-200 74

Erna Klein 20th century Sketchbook No. 23, Sketchbook No. 24, Sketchbook No. 30, Sketchbook No. 4 and Sketchbook No. 8, circa 1910 (a group of five works) three watercolors with graphite, two watercolors Largest 6 3/4 x 4 1/2 inches. $100-200

76

Medard Klein (American, 1905-2002) Untitled, 1943 casein on artist board signed and dated (lower right) 14 x 17 inches. $400-600 77

Richard Koppe (American, 1916-1973) Untitled (Abstract Forms in Grey Landscape), circa 1946 gouache on paper mounted on illustration board signed (lower left) 11 1/2 x 14 1/2 inches. $300-500 78

Richard Koppe (American, 1916-1973) Sea Bird, circa 1949 relief linocut on paper signed (lower right), titled (lower left) 12 x 12 inches. $100-200

75

77

76

79

79

82

Richard Koppe

Myron Kozman

(American, 1916-1973) Untitled (Beach Forms in Grey Interior), circa 1946 gouache on paper signed (lower right) 11 1/2 x 14 1/2 inches. $400-600

(American, 1916-2002) Study for Light Box, 1940 watercolor on paper signed and dated (lower right) 10 1/4 x 19 inches. $300-500

80

83

Richard Koppe

Richard Koppe

(American, 1916-1973) Untitled (Abstract Forms), circa 1946 gouache on paper signed (upper right) 11 1/2 x 14 1/2 inches. $300-500

(American, 1916-1973) Untitled (Seated Woman), circa 1946 gouache on paper signed (lower left) 14 1/2 x 11 1/2 inches. $400-600

81

84

Richard Koppe

Richard Koppe

(American, 1916-1973) Untitled (Seated Woman), circa 1945 gouache on paper signed (lower right) 14 1/2 x 11 1/2 inches. $400-600

(American, 1916-1973) Fire Figure, circa 1949 relief linocut on paper signed (lower right), titled (lower left) 11 7/8 x 7 1/4 inches. $100-200

81 23

85

Richard Koppe (American, 1916-1973) Untitled (Woman with Hand to Chest), circa 1945 gouache on paper signed (center left) 14 1/2 x 11 1/2 inches. $400-600 86

Richard Koppe (American, 1916-1973) Untitled (Abstract Forms), 1945 gouache on paper signed and dated (lower right) 11 1/2 x 14 1/2 inches. $300-500 86

87

Richard Koppe (American, 1916-1973) Untitled (Woman with Raised Hand), circa 1945 gouache on paper signed (lower left) 14 1/2 x 11 1/2 inches. $400-600 88

Richard Koppe (American, 1916-1973) Untitled (Abstract Forms in Red Landscape), circa 1946 gouache on paper signed (upper left) 11 1/2 x 14 1/2 inches. $300-500 89

Myron Kozman A Group of Three prints $200-400 90

Myron Kozman (American, 1916-2002) Chemical Drawing, 1938 silver gelatin print 8 x 10 inches. $50-100 91

Myron Kozman (American, 1916-2002) Abstraction #207 and Abstraction #305, 1941 silkscreens each signed (lower right), one dated (lower right) 12 1/4 x 21 1/2, 12 x 17 inches. $200-400 87

24

LESLIE HINDMAN AUCTIONEERS

94

92

94

97

99

Myron Kozman

Manner of Yasuo Kuniyoshi

Jessie Pixley Lacey

Lucile Leighton

(American, 1916-2002) Untitled (Water on Tin Foil), circa 1940 gelatin silver print signed (on the verso) 5 x 7 1/8 inches. $200-400

(Japanese/American, 1893-1953) Pastoral Landscape oil on paper 16 x 16 1/2 inches. $1,000-2,000

(American, 1865-1957) A Group of Five Works oil on canvas Largest 14 1/4 x 11 inches. $100-200

(American, 20th Century) Victory Parade, circa 1945 oil on canvas signed (lower right) 22 x 18 inches. $100-200

98 95

Doris Lee

100

93

Jessie Pixley Lacey

Franz Leitgeb

Bernard Kroeber

(American, 1865-1957) A Group of Four Works oil on canvas Largest 17 x 13 1/4 inches. $100-200

(American, 1905-1983) Untitled (Grazing Cows) silkscreen on paper signed (lower right) 18 x 24 inches. $100-200

20th century A City Map, 1966 oil on canvas signed and dated (lower right), dated (verso) 31 x 31 inches. $300-500

(German, 1911-1997) Serbian Teacher oil on panel signed (lower right) 12 x 10 inches. $300-500

96

Jessie Pixley Lacey (American, 1865-1957) A Group of Seven Works oil on canvas Largest 18 x 15 inches. $80-120

25

101

Frank Levstik (American, 1908-1985) Untitled (Billboard), circa 1940 gelatin silver print 13 3/4 x 11 inches. $200-400 102

John Liello (American, 20th Century) A Group of Sixteen Works charcoal on paper $800-1,200 103

John Liello (American, 20th Century) A Group of Seventeen Works charcoal on paper $800-1,200 102

105

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LESLIE HINDMAN AUCTIONEERS

104

106

106

George Marinko (American, 1908-1989) Gooseberry Hollow, 1940 oil on canvas signed and dated (lower right) 25 x 30 inches. $2,000-4,000 107

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1946 oil on wood panel dated (verso) 12 1/2 x 8 1/8 inches. $1,000-2,000 108

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), circa 1945 oil on canvas 16 3/4 x 33 inches. $2,000-4,000

108

109

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1946 mixed media on wood panel dated (verso) 20 x 40 1/4 inches. $1,000-2,000 110

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1948 oil on canvas estate stamp (verso) 46 x 22 inches. $1,000-2,000 109

111 104

105

After Aristide Maillol

Roman Maraz

(French, 1861-1944) Georgics by Virgil, together with a print by Henri de Toulouse-Lautrec and an ink on paper by Bourdelle woodcut 4 1/2 x 6 inches. $100-200

(American, 1911-1979) Woman Reading in a Mathsson Chair, 1942 tempera on muslin mounted to board signed and dated (lower right) 29 x 21 1/2 inches. $1,000-2,000

Ezio Martinelli (American, 1913-1980) Untitled (Abstracted Figure), 1953 ink on paper signed (lower right) 62 1/2 x 45 inches. $400-600

27

112

115

Ezio Martinelli

Ezio Martinelli

(American, 1913-1980) Untitled (Abstraction) oil on un-stretched canvas signed (lower right) 24 3/4 x 42 inches. $1,500-2,500

(American, 1913-1980) Untitled mixed media on board 24 x 48 inches. $400-600 116

113

Ezio Martinelli

Ezio Martinelli

(American, 1913-1980) Untitled (Seated Nude) oil on board 16 x 13 1/2 inches. $800-1,200

(American, 1913-1980) Untitled (Abstraction), circa 1953 mixed media on paper, mounted to masonite 32 x 24 inches. $400-600 114

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1953 and Untitled (Tree), 1953 oil on wood panel each dated (verso) 17 3/8 x 8, 12 1/2 x 13 1/2 inches. $800-1,200

117

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1953 ink on paper mounted to masonite signed (lower left) 32 x 24 inches. $500-700 118

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), circa 1953 oil on wood panel 22 1/4 x 17 3/4 inches. $500-700

116

119

121

Ezio Martinelli

Ezio Martinelli

(American, 1913-1980) Untitled (Abstraction), 1953 ink on paper, mounted on paper board 34 x 21 5/8 inches. $500-700

(American, 1913-1980) Untitled (Abstraction), circa 1953 ink on paper, mounted on masonite 48 x 20 inches. $400-600

120

118

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LESLIE HINDMAN AUCTIONEERS

Ezio Martinelli

122

(American, 1913-1980) Untitled (Abstraction), circa 1953 ink on paper, mounted on masonite 48 x 24 inches. $400-600

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), circa 1953 ink on paper, mounted on masonite signed (lower right) 48 x 20 inches. $400-600

126

120

123

124

125

126

Ezio Martinelli

Ezio Martinelli

Ezio Martinelli

Ezio Martinelli

(American, 1913-1980) Untitled (Abstraction) ink on paper mounted on masonite 38 x 16 inches. $300-500

(American, 1913-1980) Untitled (Landscape) oil on canvas signed (lower right) 23 3/4 x 40 inches. $200-400

(American, 1913-1980) Untitled (Abstraction), circa 1953 ink on paper, mounted to masonite 48 x 24 inches. $400-600

(American, 1913-1980) Untitled mixed media on board 19 3/4 x 16 inches. $300-500

29

127

134

Ezio Martinelli

Karl Mattern

(American, 1913-1980) Untitled (Male Figure) oil on canvas signed (verso) 19 3/4 x 29 1/2 inches. $100-200

(American, 1892-1969) Untitled (Wooded Landscape), 1951-54 oil on canvas initialed, signed and dated (stretcher) 43 x 39 inches. $1,000-2,000

128

Ezio Martinelli (American, 1913-1980) Untitled (Abstraction), 1946 mixed media mounted on wood panel dated (verso) 48 x 28 inches. $300-500

135

Jan Matulka (American, 1890-1972) Cityscape, circa 1925 watercolor and gouache on paper 21 x 18 inches. $1,000-2,000

129

Ezio Martinelli

136

(American, 1913-1980) Untitled (Landscape) oil on canvas 22 x 28 inches. $200-400

Jan Matulka

130

(American, 1890-1972) Seated Woman, circa 1920 graphite signed (lower right) 18 3/4 x 11 1/2 inches. $400-600

Ezio Martinelli (American/Italian, 1913-1980) A Selection of Works by the Artist of various media on paper (rolled): Five Groups total $1,000-2,000 131

137

Mary Adeline McKibbin (American) Dock Scene, circa 1935 watercolor signed (lower right) 15 x 21 inches. $100-200

133

Ezio Martinelli (American/Italian, 1913-1980) A Selection of Works by the Artist of various media on paper (rolled): Four Groups total $1,000-2,000 132

138

Cyril Miles (American, b. 1918) Icon to the Greeks, 1969 mixed media collage on board 9 3/4 x 8 inches. $300-500

Ezio Martinelli (American/Italian, 1913-1980) A Selection of works on canvas by the Artist (rolled): Seven works total $1,000-2,000 133

Daniel Massen (American, 1897-1971) Composition 50.W.8, 1951 tempera on artist board and glass signed and titled (verso) 28 x 22 inches. $3,000-5,000

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LESLIE HINDMAN AUCTIONEERS

139

A. George Miller (American, 20th Century) Untitled gouache on paper signed (lower right) 15 1/8 x 10 1/8 inches. $100-200

128

134

136

138

135

31

140

Adelaide Morris (American, 1881-1974) Provincetown, 1931 oil on canvas signed and dated (lower right) 20 x 24 inches. $3,000-5,000 141

Manner of Jean-Francois de la Motte 19th century Trompe l’Oeil Still Life, circa 1890 oil on canvas 13 3/8 x 17 7/8 inches. $1,000-2,000 142

Richard Neutra (Australian, 1892-1970) Project for Variable Display Windows (Corner), 1932 graphite and colored pencil on paper 19 1/2 x 23 inches. $600-800 143

Charles Nicol 20th century Architectural Rendering, circa 1940 pastel on paper 19 3/4 x 11 1/2 inches. $100-200

140

144

Josef Pierre Nuyttens (American, 1885-1960) Autmnal Afternoon oil on canvas laid to board 19 1/2 x 27 1/2 inches. $500-700 145

Ivar G. J. Nyberg (Swedish, 1855-1925) Untitled (Landscape), 1897 oil on board signed and dated (lower left) 12 1/4 x 15 3/4 inches. $1,000-2,000 146

Errol Ortiz (American, b. 1941) Astronaut Targets, 1965 acrylic on canvas signed and dated 65 (lower right) 48 x 60 inches. $1,000-2,000

141

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LESLIE HINDMAN AUCTIONEERS

147

Errol Ortiz (American, b. 1941) War Machine, 1966 acrylic on canvas signed and dated (lower right) 44 x 32 inches. $1,000-2,000 148

Sam Ostrowsky (American, 19th/20th Century) Untitled (Still Life with Apples and Cherries), circa 1930 oil on canvasboard signed (lower left) 16 x 20 inches. $600-800 149

Frederick Papsdorf (American, 1887-1978) A Group of Four Works oil on canvas Largest 12 x 9 1/2 inches. $800-1,200 150

146

Frederick Papsdorf (American, 1887-1978) A Group of Five Works oil on canvas Largest 17 5/8 x 23 5/8 inches. $800-1,200 151

Frederick Papsdorf (American, 1887-1978) A Group of Four Works oil on canvas 11 1/2 x 9 1/4 inches. $800-1,200

147

148

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153

152

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LESLIE HINDMAN AUCTIONEERS

154

152

154

Raymond Parker

George Raab

(American, 1922-1990) Untitled, 1979 acrylic on paper mounted on canvas signed and dated (lower edge) 30 1/2 x 21 inches. $2,000-4,000

(American, 1866-1943) Woman in Blue Dress, circa 1925 oil on canvas 32 x 18 inches. $1,000-2,000 155

Louis Raynaud 153

Robert Preusser (American, 1919-1992) Time Sonata, 1938 oil on masonite signed and dated 1938 (lower right) 25 x 31 inches. $3,000-5,000

156

(American, b. 1905) Untitled (Farmhouse in Landscape), Untitled (Rural Village Street), Untitled (Tree in Mountain Landscape) and Untitled (Trees in Landscape) (a group of four works) pastel on paper one signed, two initialed (lower right) Largest 12 3/4 x 19 3/4 inches. $800-1,200 156

Louis Raynaud (American, b. 1905) Untitled (Landscape with View of Farm), Untitled (River Bank), Untitled (Trees and Farm Buildings) and Untitled (View of Farm in Landscape) (a group of four works) three pastels on paper, one watercolor on paper two initialed (lower right), one initialed (lower left) Largest 11 x 14 1/2 inches. $800-1,200 157

Louis Raynaud (American, b. 1905) Untitled (Farm Buildings and Trees), Untitled (Group of Trees), Untitled (Landscape with Trees) and Untitled (Rural Street) (a group of four works) pastel on paper two signed (lower right), two initialed (lower right) Largest 11 3/4 x 17 3/4 inches. $800-1,200 158

Edna Reindel (American, 1894-1990) Victorian Essay, 1932 oil on canvas signed and dated (lower right) 21 x 20 1/4 inches. $3,000-5,000 158

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159

161 159

163

Dorothy Riley

Thomas Rowlandson

(American, 20th Century) Spatial Study, circa 1940 gelatin silver print 3 1/2 x 6 1/2 inches. $300-500

(British, 1756-1827) Miseries of London, 1805, Raising the Wind, 1805, The Festival, 1799 and The Visit, 1799 (a group of four works) two handcolored etchings, two handcolored aquatints Largest 19 x 14 1/8 inches. $500-700

160

Edloe Risling (American, 1899-1985) Leaf and Shell, circa 1935 graphite on paper signed (lower right) 11 1/4 x 14 3/4 inches. $50-100 161

Seymour Rosofsky (American, 1925-1981) Untitled, circa 1952 oil on canvas signed (lower right) 36 x 30 inches. $1,000-2,000 162

Anton Rouhens Cobra Print lithograph signed (lower right) $50-100

164

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LESLIE HINDMAN AUCTIONEERS

164

Russian School early 20th century Jesus meets his mother oil on canvas 58 1/2 x 36 inches. $700-900 165

William Schwartz (American, 1896-1976) Untitled (Nude) lithograph signed in pencil (lower left) 15 1/2 x 8 inches. $300-500

166

168

169 166

167

168

169

William Schwartz

John Selby

Zoltan Sepeshy

Zoltan Sepeshy

(American, 1896-1976) Untitled (Three Figures in Landscape), circa 1928 lithograph signed (lower right) 7 x 5 inches. $200-400

(British, 1788-1867) Kittiwake, 1821 color etching 22 1/4 x 16 1/4 inches. $200-400

(American, 1898-1974) The Green of the Hills, circa 1939 watercolor signed (lower left) 16 1/2 x 21 3/4 inches. $800-1,200

(American, 1898-1974) Docking, 1934 tempera on masonite signed (lower left) 19 x 24 1/2 inches. $2,000-4,000

37

170

173

170

David Sharpe (American, b. 1936) Salvetor, 1969 watercolor on paper signed and dated 69 (lower right) 12 5/8 x 11 inches. $300-500 171

Ethel Spears (American, 1903-1974) Weehawken Street New York, circa 1935 oil on canvas signed (verso) 22 x 24 inches. $1,500-2,500 172

Francis Simpson Steven (American, 20th Century) Untitled (Landscape), circa 1940 oil on canvasboard signed (lower right) 11 3/4 x 14 1/2 inches. $800-1,200 173

Hollis Sigler (American, 1948-2001) From the Lady’s Encyclopedia of Objects, 1984 lithograph signed and dated (lower right), proof (lower left) Sheet 11 x 14 inches. $100-200

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171

174

Henry Holmes Smith (American, 1909-1986) Untitled, 1939 gelatin silver print 3 5/8 x 4 3/4 inches. $500-700 175

Maybelle Stamper

174

175

(American, 1907-1995) Remembering, 1948 watercolor on paper signed and dated (lower right), titled (lower left) 12 1/4 x 9 1/2 inches. $300-500 176

Maybelle Stamper (American, 1907-1995) Untitled (Abstraction), 1950 and Untitled (Abstraction), circa 1938 (a pair of works) oil on paper one signed and dated (lower right) 8 1/2 x 16 1/2 inches, 15 x 9 5/8 inches. $500-700 177

Wilhelm Stibbe 20th century Room Interior watercolor 15 x 18 inches. $300-500 178

Robert B. Tague (American, 1912-1984) Untitled, together with six works on paper by the artist gelatin silver print Largest 22 1/8 x 25 1/8 inches. $1,000-2,000 179

Agnes Tait (American, 1897-1981) Woman Holding Fruit lithograph 14 1/2 x 10 3/4 inches. $50-100 180

Sam Thal (American, 1903-1964) Belmont Farm etching and drypoint signed (lower right) 8 3/4 x 12 inches. $100-200 178

39

183

182

181

183

Doris Ulmann

Rudolph Weisenborn

(American, 1884-1934) Man and Children playing Instruments, circa 1930 gelatin silver print 8 x 6 inches. $200-400

(American, 1881-1974) A Portfolio of Thirteen Works on Paper mixed media 25 x 19 inches. $600-800

182

184

185

187

Rudolph Weisenborn

Rudolph Weisenborn

Rudolph Weisenborn

Paul Will

(American, 1881-1974) Unititled (Portrait of a Man), 1951 charcoal on paper signed (lower left) 25 x 19 inches. $400-600

(American, 1881-1974) Untitled (Still Life), 1949 charcoal on paper signed (lower right) 19 x 25 inches. $400-600

(American, 1881-1974) Untitled (Figure Sitting), circa 1940-50 charcoal on paper 25 x 19 inches. $400-600

Mural Design, 1948 mixed media signed (verso) 16 x 9 3/4 inches. $200-400

184

186

Tom Milton Wilder (American, b. 1876) Wilmette Harbor oil on panel signed (lower right) 9 x 12 inches. $500-700

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LESLIE HINDMAN AUCTIONEERS

185

187

186

41

188

188

Mildred Emerson Williams (American, 1892-1967) A Day at the Fair, circa 1930 oil on canvas signed (lower right) 18 x 24 1/4 inches. $2,000-4,000 189

Maurice Wilson (American, b. 1954) Portrait (‘CRP’), 1978 oil on canvas signed and dated (lower right) 24 x 20 inches. $600-800 190

Maurice Wilson (American, b. 1954) Smiling Woman, circa 1993 oil on burlap 54 x 38 inches. $600-800

189

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LESLIE HINDMAN AUCTIONEERS

191

Winther 20th century Abstraction, 1957 serigraph edition 14/15, signed (lower left), dated (lower right) 14 1/4 x 10 inches. $100-200 192

Annalise Wolck Untitled oil on canvas signed (verso) 23 3/4 x 29 inches. $200-400 193

Herbert Yates (American, 20th Century) From Culver Line Platform, 1954 gouache on paper 10 x 14 1/2 inches. $200-400 194

Unknown Artist 192

20th century Female Torso, together with a 20th century sculpture (a pair of works) chromed bronze 8 1/2 x 4 x 2 1/2 $300-500 195

Unknown Artist 20th Century Bird bronze Height 12 inches. $100-200 196

20th Century School Untitled burlap signed (lower right) 72 x 72 inches. $500-700 197

Unknown Artist 20th century Abstraction mixed media 14 1/2 x 26 inches. $200-400 198

Unknown Artist 20th century Green Abstraction, circa 1935 gouache on board 19 1/2 x 14 1/2 inches. $100-200

198

43

200

199

202

205

208

20th Century School

Unknown Artist

Unknown Artist

Unknown Artist

Untitled (Landscape) oil on canvas 20 1/2 x 24 inches. $600-800

20th century Double--Sided Study oil on board 19 3/4 x 16 inches. $100-200

A Pair of Works Height of Largest 21 inches. $50-100

Untitled (Woman on Shore), 1875 gouache on paper initialed and dated 75 (lower left) 12 x 8 inches. $100-200

200

206

Unknown Artist

Unknown Artist

203

20th century Street Scene, circa 1938 fresco on masonite 21 x 30 inches. $500-700

20th Century School

201

204

19th Century School

Unknown Artist

Unknown Artist

(American, 20th Century) Primitive Scene oil on canvas 22 1/4 x 33 1/2 inches. $200-400

20th century Interior Scene gouache 18 1/4 x 11 1/2 inches. $50-100

Interior Scene oil on canvas 12 1/2 x 18 1/2 inches. $100-200

Railroad Night Scene oil on board 11 3/4 x 15 inches. $200-400

Trees by Shore oil on canvas signed illegibly (lower left) 30 x 25 inches. $100-200 207

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LESLIE HINDMAN AUCTIONEERS

209

Unknown Artist 19th century Fort Dearborn in 1856 oil on canvas 15 1/2 x 19 3/4 inches. $1,000-2,000 210

European School 19th century Cupid Disarmed oil on canvas 29 x 36 inches. $400-600

211

A Pair of works depicting the Pieta. $200-400 212

A Group of Seven Frames. $200-400 213

A Group of Seven Frames. $200-400 214 A Box of Works by Pixley Lacey $80-120 215 A Box of Works by Pixley Lacey $80-120 216 A Group of Nine 20th Century Photographs Largest 22 x 13 1/2 inches. $100-200 217 A Group of Fourteen 19th Century Style Prints Largest 10 1/2 x 13 1/2 inches. $100-200 218 A Group of Three 19th Century Prints Largest 13 x 9 1/4 inches. $100-200 219 A Box Lot of Unstretched Canvases and Studies pertainting to Louis Raynaud $100-200 220 A Group of Four 19th Century Style Paintings by artists D.M. Lauryn, Emile Othon Friesz, Don Luck 8 5/8 x 11 5/8 inches. $400-600

221 A Group of Nine Prints and Works on Paper, Depicting Architectural Studies and Other Scenes $80-120 222 A Group of Fourteen Works various media $80-120 223 A Group of Nine Works various media $50-100

231 A Group of Three Etched Plates $40-60

234 A Portfolio of Works by Veatrice Bond $40-60

232 A Portfolio of Works by Veatrice Bond $40-60

235 A Group of Sixteen Modern and Contemporary Works Largest 22 x 29 inches. $100-200

233 A Portfolio of Works by Veatrice Bond $40-60

224 A Box of Various Gallery Ephemera $50-100 225 A Group of Seven Works various media $50-100 226 A Group of Seven Black and White Prints Largest 14 x 19 inches. $50-100 227 A Group of Seven Works various media Largest 20 x 14 inches. $50-100 228 A Group of Material Pertaining to David Burliuk $50-100 229 A Collection of Correspondence and News Clippings pertaining to George Fred Keck $40-60 230 A group of drawings by John Cox $40-60

230

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LESLIE HINDMAN AUCTIONEERS

Fine Books Lots 236 - 285

47

236

242

246

251

(AFRICAN-AMERICAN ART)

(AMERICAN ART, 19TH CENTURY)

(AMERICAN ART, CALIFORNIA)

(AMERICAN ART, WEST)

A group of 24 books pertaining to AfricanAmerican art and artists.

For a further description, including a list of individual titles, please see online catalogue. $400-600

A group of 33 monographs pertaining to 19th century American artists. $150-250

A group of 16 books and seven catalogues pertaining to Californian art and artists. $100-200

A group of 21 books in 23 volumes pertaining to art and artists of the American west. $100-200

243

247

252

(AMERICAN ART, 19TH CENTURY)

(AMERICAN ART, MIDWEST)

(AMERICAN ART, WPA)

A group of 32 monographs pertaining to 19th century American artists. Includes: Paintings. By William Merritt Chase. Saint Louis: Newhouse Galleries, 1927.

Privately printed, no. 97, signed by the publiser to the title page. $200-400

A group of 18 books pertaining to art and artists of the Midwest. $100-200

A group of 21 books, one portfolio, and seven catalogues pertaining to WPA art and artists. $100-200

248

253

237

(AMERICAN ART) A group of 23 books pertaining to art in American collections. $100-200 238

(AMERICAN ART) A group of 21 books pertaining to American art and artists $100-200 239

(AMERICAN ART) A group of 26 books pertaining to American art and artists. $100-200 240

(AMERICAN ART) A group of 21 books pertaining to American artists. Artists include: Charles Wilson Peale, John Sloan, John S. Sargent, Ivan Albright, John Twachtman, and others. $100-200 241

(AMERICAN ART) A group of 28 volumes pertaining to american art and artists, mainly modern. $100-200

244

(AMERICAN ART, 19TH CENTURY) STUART, GILBERT Gilbert Stuart: an illustrated descriptive list of his works.

Compiled by Lawrence Park.

New York: William Edwin Rudge, 1926.

4 vols. 4to, full cloth with gilt titles to spines, in original slipcase. Together with 23 books pertaining to 19th century American art, mainly concerning American Impressionism and the Hudson River School $100-200 245

(AMERICAN ART, AMERICAN PRIMITIVE) A group of 14 books pertaining to American Primitive art and artists. $100-200

(AMERICAN ART, MODERN) A group of 36 books pertaining to American modern art and artists.

Including two first edition catalogue raisonnes of Fairfield Porter and William Metcalf. $150-250 249

(AMERICAN ART, REGIONAL) A group of 18 books pertaining to art and artists in the Southern and Northeastern United States. $100-200 250

(AMERICAN ART, SOUTHWESTERN) A group of 16 books pertaining to Southwestern art and artists. Includes: George O’Keefe. In the West.

Edited by Doris Bry and Nicholas Callaway. New York: Alfred A. Knopf, 1989. First edition. $150-250

(ANTIQUE REFERENCE) A group of 22 books pertaining to art and antique reference. $100-200 254

(ART REFERENCE) A group of 32 reference books, including price guides and biographical resources. $150-250 255

(ART REFERENCE) THIEME-BECKER A group of 18 volumes of Allgemeines Lexikon der bildenden Kunstler von der Antike bis zur Gegenwart.

By Ulrich Thieme and Felix Becker. Leipzig: E.A. Seeman, c. 1990. Together with 15 other works of art reference. $100-200 256

(ARTIST’S MONOGRAPHS) A group of 26 monographs pertaining to various artists. $100-200 257

(ARTIST’S MONOGRAPHS) A group of 25 monographs pertaining to various artists. $100-200

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LESLIE HINDMAN AUCTIONEERS

258

263

267

271

(ARTIST’S MONOGRAPHS)

(CHICAGO ART)

(CUBISM)

(KANDINSKY, WASSILY)

A group of 27 monographs pertaining to various artists. $100-200

A group of approximately 20 books and periodicals pertaining to art and artists in Chicago. Together with Momentum nineteen-fifty, a “portfolio of reproductions of creative work originating in the Chicago area.”

Portfolio designed by Robert Nickle and executed in Chicago with typography by Monsen-Chicago, inc., 1950. $100-200

A group of 10 books pertaining to cubist artists and cubism. Includes: Juan Gris: his life and work.

By Daniel-Henry Kahnweiler.

New York: Curt Valentin, 1947. George Braque: an essay and bibliography. By A.E. Gallatin. New York, 1943.

Inscribed by Gallatin to the f.f.e.p. $150-250

Centenaire de Kandinsky.

Vingtieme siecle, no. 27.

Paris, 1966. With an original woodcut by Kandinsky.

Together with two other books pertaining to Kandinsky and 14 books pertaining to modern art and artists. $150-250

259

(ARTIST’S MONOGRAPHS) A group of 27 monographs pertaining to various artists. $100-200 260

(CATALOGUES) A large collection of auction catalogues, periodicals and exhibition catalogues. $100-200 261

(CATALOGUES) A collection of antiquarian exhibition catalogues housed in five archival boxes. Contents include a rare photo booklet from the 1939 New York World’s Fair and an official catalogue of Fine Arts exhibits at the 1893 World’s Columbian Exposition. $150-250

264

(EUROPEAN ART)

(CHICAGO)

A group of 19 monographs of masters of European art.

Including Les lithographies de Renoir. By Claude RogerMarx. Monte Carlo, Sauret, (1951). One of 3,000 copies.

Together with Corot raconte par lui-meme. By (Etienne) Moreau-Nelation. Paris: Henri Laurens, 1924. 2 volumes.

One of 600 copies. $300-500 269

(EUROPEAN ART) 265

262

(CHICAGO)

(CATALOGUES)

A collection of antiquarian exhibition catalogues of Chicago artists from 1898 to 1961, stored in five archival boxes. $100-200

A large collection of auction and exhibition catalogues. $100-200

(LATIN AMERICAN ART) 268

Improvisations 1954.

Chicago: Artists Equity Association Chicago Chapter, 1954 Oblong folio, spiral bound.

A collection of original lithographs by Chicago artists. Light wear to edges of boards; light soiling to boards; dampstaining to upper edge of first page; lithographs are clean. $100-200

266

(CONTEMPORARY ART) A group of 16 books pertaining to contemporary art and artists. $100-200

272

A group of 30 books pertaining European art and art history. $150-250 270

(GAUGUIN, PAUL) GUERIN, MARCEL

A group of 14 books pertaining to Latin American art and artists. $100-200 273

(MODERN ART) A group of 28 monographs of modern artists. $150-250 274

(ORIGINAL ILLUSTRATIONS) MY BOOK HOUSE A collection of 26 original watercolor illustrations for the My Book House Series,

by Olive Beaupre Miller.

Various artists and sizes.

Together with the complete 7 volume series of books.

Chicago, 1937. $2,000-4,000

L’Oeuvre Grave de Gauguin.

Paris: H. Floury, 1927.

2 vols. 4to, soft calf spine over illustrated boards.

Number 206 of 600 limited copies. First edition. Original binding laid in. Rebound

by Letterio Calapai. Minor rubbing to spines; otherwise a fine set. $100-200

49

275

279

(PICASSO, PABLO)

(SCULPTURE) BARYE, ANTOINE LOUIS

A group of seven monographs pertaining to Pablo Picasso.

Picasso avant Picasso. By Alexander Cirici-Pellicer.

Geneva: Cailler, 1950.

Picasso Lithographe III-IV. Monte Carlo: Andre Sauret, (1964). Picasso. By Christian Zervos. Volume 26. Paris: Editions Cahiers d’art, 1973.

Werkverzeichnis der Picasso Plakate. By Christoph Czwiklitzer. Art-C.C., 1970. and 3 others $200-400

Barye: Life and Works of Antoine Louis Barye Sculptor. By Charles De Kay. New York: Barye Monument Association, 1889.

8vo, original full vellum over boards, gilt stamped cover and titles to spine. One of 525 copies on Holland and signed by the publisher “C. de K.” to the limitation page.

Together with 25 books pertaining to sculpture. $200-400 280

276

(POSTER ART) A group of three books, including Les Affiches Originales. By Fernand Mourlot. Paris, 1959.

Containing reproductions of posters after Braque, Chagall, Dufy, Leger, Matisse, Miro and Picasso. $100-200 277

(PRINT REFERENCE) A group of 38 books pertaining to print makers.

Artists include Rembrandt, Whistler, Giacometti, Davies, Childe Hassam, and Currier and Ives. $200-400 278

(PRINT REFERENCE) A group of approximately 30 books pertaining to printmaking, mainly American printmaking. $150-250

274

50

LESLIE HINDMAN AUCTIONEERS

(SURREALISM) A group of five books pertaining to surrealist art and artists.

The Lithographs of Chagall.

1962 - 1968. By Fernand Mourlot and Charles Sorlier.

Boston: Boston Book and Art Shop, (1969). Chagall’s Posters. By Charles Sorlier.

New York: Crown, 1975.

Verzeichnis des graphischen Werkes von Paul Klee. By Eberhard W. Kornfeld. Bern, 1963. 1/1400. And two others $200-400 281

(SURREALISM) MIRO, JOAN Miro Lithographs I-II. By Fernand Mourlot. Vol. 1: New York: Tudor, 1972. Vol. 2: New York: Leon Amil, 1975.

2 vols. 4to, original lithograph dust jackets, cloth. Catalogue raisonne of Miro’s lithographs, containing 22 original lithographs. Hinges starting on volume 2; some age darkening to volume 1. $300-500

283

282

283

284

285

BENEZIT, EMMANUEL

MONTICELLI

PANOFSKY, ERWIN

UTRILLO, MAURICE

Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Paris: Grund, 1999.

14 volumes. 4to, full red cloth. Revised edition. Some shelfwear; otherwise a fine set. $200-400

Monticelli: sa vie et son oeuvre. By G. Arnaud d’Angel and Emile Isnard.

Paris: Editions Occitania, 1926.

4to, in original tri-color marbled wraps, in cloth slipcase. One of 550 on velin teinte. Some rubbing to edges of wraps; book plate tipped in f.f.e.p. $100-200

Die Deutsch Plastik des elften bis dreizehnten jahrhunderts. Firenze: Pantheon Casa Editrice; Munchen: Kurt Wolff, 1924.

4to, cloth spine over marbled boards with paper title label to spine. With black and white illustrations throughout. Hinges starting; dampstaining to boards; some foxing; otherwise sound. $100-200

L’oeuvre Complet de Maurice Utrillo. By Paul Petrides.

Paris: Paul Petrides, 1959.

4to, bound by Bayntun in full green morocco, spine gilt in compartments, marbled endpapers. Number 384 of 1,000 copies printed on Arches. $1,000-2,000

51

285

52

LESLIE HINDMAN AUCTIONEERS

Artist Index

Glossary of Terms

ARTIST NAME

LOT

19th Century School 20th Century School Abercrombie, Gertrude Albers, Josef Amft, Robert Angarola, Anthony Angel, Rifka Armin, Emil Arp, Jean Benn, Ben Bishop, Leon Blake, William Bohan, Ruth H. Bohrod, Aaron Bolotowsky, Ilya Bond, Beatrice Brander, Henrietta Britton, Edgar Brockman, Ann Brod, Fritzi Burliuk, David Cada, J. F. Cantor, Dorothy Carter, Clarence H. Chamberlain, Wynn Cheskin, Louis Clerifseau Corasick, William Coster, Gordon Cousins, Harold Cox, John Rogers Cunning, John Curry, John Steuart De Patta, Margaret Deman, Albert Erickson, Robert Donald European School Fabion, John Feitelson, Lorser Ferguson, William Filipowski, Richard Foster, David Fulop, Karoly Gaertner, Carl Genthe, Arnold Godfrey, Eugene Goeller, Charles Goldberg, Maurice Hagerman, William Kent Himmel, Kalman Hohenberg, Marguerite Howard, Charles H. Huppler, Dudley Icart, Louis Jones, Chuck Josimovich, George Kauten, Mat Kay, William Keck, George Fred Kempton, Greta Kendall, Jean Klein, Erna Klein, Medard Koppe, Richard Kozman, Myron Kroeber, Bernard Kuniyoshi, Yasuo (manner of) Lacey, Jessie Pixley Lee, Doris Leighton, Lucile Leitgeb, Franz Levstik, Frank Liello, John

207 196, 199, 203 1 2 3 4 5-7 8-10 11 12 13 14 15, 16 19 17 18, 232-234 20 21 22 23 228 24, 25 26 27 28 29 30 31 32 33, 34 35, 230 37 36 39 38 40-42 210 43 44 45 46 47 48 49, 50 51 52 53 54 55 56 57-62 63 64 65 66 67 69 68 229 70 71 72-74 75, 76 77-81, 83-88 82, 89-92 93 94 95-97, 214, 215 98 99 100 101 102, 103

Maillol, Aristide (after) Maraz, Roman Marinko, George Martinelli, Ezio Massen, Daniel Mattern, Karl Matulka, Jan Mckibbin, Mary Adeline Miles, Cyril Miller, A. George Morris, Adelaide de la Motte, Jean-Francois (manner of) Neutra, Richard Nicol, Charles Nuyttens, Pierre Nyberg, Ivar G. J. Ortiz, Errol Ostrowsky, Sam Papsdorf, Frederick Parker, Raymond Preusser, Robert Raab, George Raynaud, Louis Reindel, Edna Riley, Dorothy Risling, Edloe Rosofsky, Seymour Rouhens, Anton Rowlandson, Thomas Russian School Schwartz, William Selby, John Sepeshy, Zoltan Sharpe, David Sigler, Hollis Smith, Henry Holmes Spears, Ethel Stamper, Maybelle Steven, Francis Simpson Stibbe, Wilhelm Tague, Robert B. Tait, Agnes Thal, Sam Ulmann, Doris Weisenborn, Rudolph Wilder, Tom Milton Will, Paul Williams, Mildred Emerson Wilson, Maurice Winther Wolck, Annalise Yates, Herbert

104 105 106 107-132 133 134 135, 136 137 138 139 140

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

141 142 143 144 145 146, 147 148 149-151 152 153 154 155-157, 219 158 159 160 161 162 163 164 165, 166 167 168, 169 170 173 174 171 175, 176 172 177 178 179 180 181 182-185 186 187 188 189, 190 191 192 193

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

53

Auction Inquiries OFFICE OF THE PRESIDENT Leslie S. Hindman President and CEO leslie@lesliehindman.com 312.334.4200 Megan Loewe Assistant to the President megan@lesliehindman.com 312.334.4201

ESTATES AND APPRAISALS Alyssa D. Quinlan Director alyssa@lesliehindman.com 312.334.4204 Kate Pettenati katep@lesliehindman.com 312.334.4213

EXHIBITIONS AND INVENTORY CONTROL Jim Sharp Director jim@lesliehindman.com 312.334.4203 Will Krogman will@lesliehindman.com 312.334.4240 David Stecco davids@lesliehindman.com Jon Allegretto jonallegretto@lesliehindman.com

CONSIGNMENT DEPARTMENT Cara E. Schillinger Director cara@lesliehindman.com 312.334.4202

ADMINISTRATION Fine Art Accounting Paul Carrara Director of Finance and Operations paul@lesliehindman.com 312.334.4205

Client Services and Catalogue Purchases Maegan Griffith maegangriffith@lesliehindman.com 312.280.1212 Kelly Wold kellywold@lesliehindman.com 312.280.1212

Catalogue Production and Design Zoë Bare Photographer zoe@lesliehindman.com 312.334.4209 John Tillman Photographer johntillman@lesliehindman.com 312.334.4209

I.T. Specialist Eric Dahl ericdahl@lesliehindman.com 312.334.4206

Leslie S. Hindman leslie@lesliehindman.com 312.334.4200 Robyn Farrell Roulo robyn@lesliehindman.com 312.334.4227 Joseph Stanfield joe@lesliehindman.com 312.334.4229 Gia Spezia Account Executive gia@lesliehindman.com 312.334.4219 Zack Wirsum Registrar zachary@lesliehindman.com 312.334.4230

Fine Books and Manuscripts Mary S. Williams marywilliams@lesliehindman.com 312.334.4236

Furniture and Decorative Arts Mike Intihar mike@lesliehindman.com 312.334.4220 Andrew Lick andrew@lesliehindman.com 312.334.4222 Kate Kozelka Account Executive katek@lesliehindman.com 312.334.4214

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LESLIE HINDMAN AUCTIONEERS

Marketplace Tara Horvath 312.334.4225 tara@lesliehindman.com

Vintage Couture and Accessories Abigail Rutherford Director abigail@lesliehindman.com 312.334.4234

Fine Jewelry and Timepieces Jessica Buster jessicabuster@lesliehindman.com 312.334.4232

Regional Representatives California Myrna Kaplan 760.202.7807 Florida Kathy Bouckley 239.596.0579 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Colorado Annie McLagan 303.909.5386 Mid Atlantic Roger Schrenk and Chris Fultz 301.980.7554 Kansas Bob Carlson 913.677.4479 Michigan Manya Basile 248.593.5372 Des Moines, Iowa Joanne Roth 515.229.1354

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for any lot upon request. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0-$200 $200-$500 $500-$1,000 $1,000-$2,000 $2,000-$5,000 $5,000-$10,000 $10,000-$20,000 $20,000-$50,000 $50,000-$100,000 $100,000-$200,000 Over $200,000

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 Auctioneer’s discretion

In-House Bidding Live Bidding at Leslie Hindman Auctioneers, Inc. is by paddle only.

Please register for a paddle at the entrance of the sales room.

If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue.

Leslie Hindman, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed by such other bids and reserves as are on our books or bids executed in competition from the audience.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop.

Take the Lake Street exit 51A and turn left onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the steet from our entrance.

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Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request on lots with a low estimate of $300 and over. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids If a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding.

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LESLIE HINDMAN AUCTIONEERS

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold.

The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total.

HAMMER PRICE/BUYER’S PREMIUM

from Bidding Option above In-house lesliehindman.com liveauctioneers.com the-saleroom.com antiqueweek.com

First

Portion from

Portion

$0-$20,000

$20,001500,000

$500,001 and

22% 24% 24% 24% 24%

20% 22% 22% 22% 22%

12% 14% 14% 14% 14%

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order or credit card (a 3% administrative fee of the invoiced amount is charged for payments made by credit card) unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Conditions of Sale Tax Exempt Notice Lots marked with an asterisk (*) or square ( permitted by law.

continued LIABILITY ) are tax exempt as

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping If your bid is successful, we can provide you with a list of shippers.

We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph.

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0109.1

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale.

In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged.

Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

lh

d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

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LESLIE HINDMAN AUCTIONEERS | BID FORM Telephone

Absentee

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0-$200 $200-$500 $500-$1,000 $1,000-$2,000 $2,000-$5,000 $5,000-$10,000 $10,000-$20,000 $20,000-$50,000 $50,000-$100,000 $100,000-$200,000 Over $200,000

Live Online Fax form to 312.280.1211

Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate of $300 and below. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 Auctioneer’s discretion

Name

Sale Number/Name

Business Name

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and other bids. If we receive more than one bid of the same value, the first one received will take precedence.

Billing Address

City

State

Country/Zip

A per lot buyer’s premium is added to the final hammer price as per the following: HAMMER PRICE/BUYER’S PREMIUM First Portion from Portion from $0-$20,000 $20,001-500,000 $500,001+

Bidding Option In-house Live online via lesliehindman.com

22%

20%

12%

24%

22%

14%

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

Lot Number

Contact Name

Primary Phone

Secondary Phone

Email

Fax

Description

Absentee Bid (US Dollar Limit)

Phone Bid

Back-up Bid

EXCLUDES BUYER’S PREMIUM

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated above. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

58

1338 West Lake Street Chicago, Illinois 60607

Signature

Date

ph 312.280.1212 l fx 312.280.1211 www.lesliehindman.com

For Leslie Hindman

Date

LESLIE HINDMAN AUCTIONEERS

59

L E S L I E H I N D M A N AU C T I O N E E R S

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l www.lesliehindman.com