An early journey Portfolio Volume 01
This is an endless
JOURNEY
of someone who named,
Muhammad Taufik
This is an endless
JOURNEY
of someone who named,
Muhammad Taufik
Through this portfolio, Muhammad Taufik tries to perpetuate some of his selected works as stories in his relentless journey. Hope you can enjoy it. Thank you
Curriculum Vitae
Hello! My name is
MUHAMMAD TAUFIK Personal Information Address Place, date of birth Sex Phone Email
Jl. Kejaksaan No.2 Kec. Tawang Kel. Tawangsari, Tasikmalaya City, 46112. Tasikmalaya, 26 Sept ‘99 Male 0851 5921 5335 himuhammadtaufik @gmail.com
Education Background 2012 - 2015 Integrated JHS Riyadlul Ulum Wadda’wah Tasikmalaya City 2015 - 2018 Public SHS 1 Tasikmalaya City
linkedin.com/in/hiooopik
2018 - 2022 Universitas Islam Indonesia, Yogyakarta Faculty of Civil Engineering and Planning Department of Architecture | 3.72
Technical Skills
Basic Intermediate Advance
Sketchup AutoCAD Archicad Lumion Enscape Microsoft Office Adobe Photoshop Adobe Illustrator DaVinci Resolve
Hobbies Watching movies Motorcycling Cycling Playing piano
I just finished my undergraduate study in Architecture at the Islamic University of Indonesia (UII). I have tons of interest in making concepts story and creating experimental design expressions such as form, space, and material sensitivity for any architectural or design project. I often participated in various competitions and received several awards, for me architecture isn't just about designing, it's about solving problems and giving value to the building and space in a way that's unique to the architecture itself. I hope to start my journey to gain many new experiences and lessons as an architect in the future.
Photography Videography Sketching Writing
instagram.com/hiooopik/ https://issuu.com/himuhammadtaufik
Experience 2016 - 2017 Head of Field Section Technology & Comm. Student Council (OSIS), SMAN 1 Tasikmalaya
2021 Asissistant Lecturer of Tectonic & Craftmanship Department of Architecture, FTSP, UII
2019 Member of Opening & Closing Division Temu Karya Ilmiah Mahasiswa Arsitektur 35
2021 Presenter of International Colloquium Sakapari 7 Department of Architecture, FTSP, UII Yogyakarta
2019 Creative Director of Exhibition & Talkshow Impossible Architecture | SupersemArch 2019 Taman Budaya, Yogyakarta, Indonesia 2019 Head of Organizing Committee FKA 2019 Forum Komunikasi Arsitektur 2019 Department of Architecture, FTSP, UII 2019 - 2020 Founder & Creative Director START Project Clothing Company Tasikmalaya, Jawa Barat, Indonesia 2020 International Talented Student Ambassadors Virtual Mobility University of Economics & Law Vietnam National University Ho Chi Minh City 2020 Presenter & Exhibitor of “Dalam Layar Arsitektur” Universitas Pelita Harapan
2021 Writer at Kolektif Agora Urban Space Writing Publisher on Medium Platform 2021 Videographer at Marcomm FTSP Marketing & Communications Universitas Islam Indonesia 2021 Head of Steering Committe FKA 2021 Forum Komunikasi Arsitektur 2021 Department of Architecture, FTSP, UII 2022 Presenter & Exhibitor of “SUPERSEMARCH 2022” Department of Architecture, FTSP, UII 2022 Presenter at “KOMPILASI 5” Himpunan Mahasiswa Arsitektur “mimar” Department of Architecture, FTSP, UII
Awards & Achievements 2020 1st Winner | Sayembara Arsitektur Archevent UNS The Abandoned: Rediscovering The Soul of Space Universitas Sebelas Maret Surakarta
2021 2nd Winner | Sayembara Arsitektur UKDW & GRC Villa Kilau Pesona Pertiwi Universitas Kristen Duta Wacana & GRC Board
2020 1st Winner | Competition MIMAR Photography New Normal Architectural Photography Department of Architecture, FTSP, UII
2021 3rd Winner | Architectural Blue Ribbon Awards VI ABRA VI | Category Architectural Design Studio 2 Department of Architecture, FTSP, UII
2020 3rd Winner | Competition MIMAR Photography New Normal Architectural Videography Department of Architecture, FTSP, UII
2021 1st Winner | Architectural Blue Ribbon Awards VII ABRA VII | Category Architectural Design Studio 3 Department of Architecture, FTSP, UII
2020 1st Winner | CreatiFest Designer Fakultas Teknik Sipil & Perencanaan, UII
2022 Top 8 Architectural Blue Ribbon Awards VIII ABRA VIII Category Final Architectural Design Studio Department of Architecture, FTSP, UII
Content Architectural Design Project
MANJILI
BARBARA
DE HOGOE
Memorial Space & Post Traumatic Healing Center
Cottage
Museum, Exhibition Center & Urban Space
Top 8 Best Design Architectural Blue Ribbon Awards VIII Final Architectural Design Studio Individual Project
2nd Winner Tropical Villa Competition UKDW | GRC Villa and Sharing Place Group Project
1st Winner Archevent Competition UNS Abandoned Building | Adaptive Reuse Group Project
Built Design Project
TITIK KOFFIE Mini Cafetaria Commission Project Design Only IndividualProject
THE SOEDIRMAN
THE WINANGUN
MANDALA
Rental Office & Cultural Space
Riverfront, Cultural Center & Farming Space
Vacation House
1st Winner Architectural Blue Ribbon Awards VII High Rise Rental Office GBCI Individual Project
3rd Winner Architectural Blue Ribbon Awards VI Building and Urban Planning Group Project
Architectural Design Studio 3 Vacation House and Sharing Place Individual Project
Others
GRAPHIC DESIGN Visualization & Illustration Design Commission Project IndividualProject
Manjili
MANJILI MEMORIAL SPACE & POST DISASTER TRAUMATIC HEALING CENTER Final Architectural Design Studio
Category:
Location:
Talise Beach, Palu, Sulawesi Tengah
Status:
Top 8 Best Design Architectural Blue Ribbon Awards (ABRA) VIII Final Architecture Design Studio
Individual Project
Year: 2022
Indonesia is located at the confluence of active tectonic plates, resulting in some areas being vulnerable to natural disasters. The impacts of natural disasters are not only physical and material but also on the victim's mental health and social psychology. Natural disasters and mental health could have a st strong connection because these experiences greatly impacted someone's life including the mental health of the victims facing the loss of their loved ones. Architectural Presentation Board
As stated by BNPB and Ministry of Health Book
3092 665 14116 8.426.609 disasters that occurred in Indonesia during 2021
victims died
victims were injured and suffered
people affected and evacuated
The data above proved that natural disasters not only caused physical loss but also caused a post-disaster psychological loss that needs special attention by us.
Concepts and Bulding Function Based on the various problems above, the design will combine 2 functions, Ruang Memorial (Memorial Room/Space) & Community Center. The goal is to help the traumatic survivors caused by the natural disasters along with improving the economy of the area that has been lost and keeps decreasing due to the natural disaster caused by a tsunami. For that reason, the chosen approach will refer to the application of Healing Architecture as the space design that can recover the victim’s psychological by carrying out spatial experiences that are closely related to anthropometry and human anthropomorphic to build a healing environment that influences the victim’s behavior and psychological to find a place to live their life again. Thus, this design is named “Manjili” which comes from the “Kaili” language and means “Return”/”Come back”
Health Many people affected by natural disasters suffer post-disaster trauma that has not received any attention from the public. Hence, the concept of Healing Architecture is applied as the approach for the design.
History The location is a beach whose beauty was swept away by the tsunami, resulting in the local economy down. Therefore, the memorial space's design is built to improve without forgetting the natural disaster that happened at that time.
SIte Intensity
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semua yang hidup akan kembali, untuk menjalani hidupnya, kembali
Background
Micro & Macro Location
15.000m2
According to BNPB, Palu is one of the cities in Sulawesi Tengah that is prone to earthquakes and tsunamis. The reason is because it is traversed by the Palu Koro fault line.
2015 2018
This macro location selection is based on Palu City which is known for its beautiful beach and one of them is Talise Beach. Due to the tsunami that occurred in 2018, Talise Beach was destroyed along with the local economy, starting from the loss of livelihood, property, and fatalities, up to people who suffered from trauma.
2021
Local People’s Behavior
Local visitors selling foods
Adults and kids tourist from other cities
Local tourist healing therapy
Local tourist selling handicraft
In 2020, Talise Beach in Palu improved with the given of a “breakwater” usually called a wave breaker by absorbing some of the wave energy with piles of rocks around it to prevent abrasion that can erode the coastline. Nowadays, many people come alone or with their partner to contemplate which is believed to be a way of healing by watching the sea and its scenery, playing in the water, selling food, and even handicrafts.
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Th e Me rap m yC or om ial Sp mu ac nit eM yC as ent s er
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Th e Me rap m yC or om ial Sp mu ac nit eM yC as ent s er
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Th e Me rap m y Pa ori Com a r Vis king l Sp mun ito A ace ity r S rea Ma Ce ec ss nte on rM da ry as s Cir cu lat ion s
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10 Site Transformations
Th e Me rap m yC or om ial Sp mu ac nit eM yC as ent s er
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Exploded Axonometry
Memorial Space | Consultation and Therapy Space | Lobby & Mini Cafe Area | Workshop & Exhibition Space
Building Mass Axonometry B
01 MUILD EM IN G OR
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N ARBBY G EA & MA MI SS NI O CA F FE
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SP TAT G M AC IO AS E N& SO TH F C ER ON AP Y
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04 WUILD O IN TIO RK G M S N
H A SP OP SS AC & OF E EX HI BI
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Siteplan
Section
Elevation of the Whole Building
Memorial Space’s Section
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MEMORIAL SOACE PHASE 1 “UNKNOWN SPACE” This area is the first phase of the memorial space. In this area, the visitors will lead to the 3 meters width hallway with high stone walls around it. In this hallway, the visitors will experience how small a human is in front of the high walls and without any context/information, that is why this hallway is named an unknown space. MEMORIAL SPACE PHASE 2 “SPACE OF FEAR” After walking through the first phase, the visitors will lead to the second phase. In this area, the hallway is built smaller with a narrow roof and dark nuance for the interior. Water falls into the circulation area with the sound of water splashing around the foot areas. The timeline of the tsunami is also added in this hallway. This hallway has a meaning of tsunami with the signs of water level drop. Thus, this hallway is called a space of fear. MEMORIAL SPACE PHASE 3 “SHAPE OF WATER SPACE” After passing through the space of fear, the visitors will enter an area with a roof that gradually rises higher, the visitors will experience the height of the roof to feel how the tsunami waves occurred at that time, with the sound of waves rushing as an addition in the inner area, therefore, this phase is called the shape of water space which means the shape of the tsunami waves happened in 2018. MEMORIAL SPACE PHASE 4 “ROOM OF SADNESS” After the visitors experience the high waves, they will enter a large room surrounded by pictures of tsunami information and victims' names of the tsunami that occurred in 2018. The roof area is designed with tempered glass material coated with a water surface on it to make the shadows from the water go through the room and visitors will experience it like they are inside the water. It is called the room of sadness because the victims’ names and illustrations of the tsunami are displayed.
MEMORIAL SPACE PHASE 5 “SPACE OF HOPE” After experiencing a large room under the shade of a glass roof, the visitors will go out uphill step by step until reaching the outdoor area. In this area, visitors will feel relief from the wide ocean along with the circulation gradually increasing. This area is named “Space of Hope” because the visitors will feel life again after going through the narrow and fearing ambiance from the previous phases. MEMORIAL SPACE PHASE 6 “SPACE FOR CONTEMPLATION” Phase 6 is the last stage of the memorial space series which also means letting go of everything that has happened, with a view of the oceans and mountains the visitors will be able to contemplate in silence while enjoying open scenery, creating a solemn space and full of acceptance, to turn it into hope and life in the future.
3D Plan of Each Building Mass
Barbara
BARBARA TROPICAL COTTAGE & SHARING PLACE Tropical Villa Kilau Pesona Pertiwi
Category:
Location:
Tanjung Jaya, Banten
Status:
2nd Winner National Architectural Competition Villa Kilau Pesona Pertiwi UKDW & GRC
Team Muhammad Taufik Rafif Sa Falah Shafira Satya N.
Year:
2021
Tanjung Lesung is a strategic national tourism area which has a topography of tropical beaches and hills. This area is close to the Old Banten area, Baduy and Debus Culture, Ujung Kulon National Park, and Mount Anak Krakatau. Baduy culture and the many villages that are simple and simple be become the character of the community so that it is suitable to be appointed as a cottage concept.
Architectural Presentation Board
“Membaur jang Ngumbara” it’s mean The passion to wander and mingle between humans and the universe, brings humans back from the hustle and bustle of urban areas to feel their natural and harmonious habitat. Tourists can explore the experience between three different realms namely be beaches, cliffs, and hills. Doing BarBaRa by taking shelter and staying temporarily in modular cottages that witness the hilly landscape and the beach equipped with salted water infinity pool, cultural performances, & luxurious bbq. As a place of shelter for a long time as well as tasting new powders of local culture and nature, tourists can access the villa by ordering online then users will be picked up by shuttle transportation.
Design Respond Recycle Materials
Biophilic Design
Green Design
Site Transformations
Vegetations
Sharing Place | Crustacea Cottage Deluxe | Nautilus Cottage VIP| Penyu Cottage VVIP
Massing Transformations
Sharing Place | Crustacea Cottage Deluxe | Nautilus Cottage VIP| Penyu Cottage VVIP
Exploded Axonometric
Sections
Pespective Situation
Front Elevation
Bamboo Petung Steel Joint
Concrete Column
GRC Timberplank (8x100x2440) Bamboo Petung Steel Framework
GRC Timberplank
Sliced of Bamboo Scrap Steel Framwork Bamboo Petung
GRC Superfloor GRC Superdeck Steel Framework Concrete Beam Concrete Column
De Hogoe
DE HOGOE MUSEUM, EXHIBITION CENTER & URBAN SPACE Adaptive Reuse for Abandoned Building
Category:
Location:
Hotel Togoe, Yogyakarta
Status:
1st Winner National Architectural Competition Archevent UNS - Abandoned Building
Team Muhammad Taufik Yoga Azizstra A. Fidzin Arsli M.
Year: 2020
Hotel Toegoe is a hotel that was built in the early 20th century on Jalan Pangeran Mangkubumi Number 2, Yogyakarta, which is east of Yogyakarta Station. Hotel Toegoe has been a silent witness in Indonesia's struggle to achieve national sovereignty. In 1949, Hotel Toegoe was chosen as the venue for the first inter-Indonesian conference in order to prepare for the Round Table Conference to be held in the same year in The Hague, Netherlands. But unfortunately, now the building is just abandoned.
Architectural Presentation Board
The revitalization concept of Hotel Toegoe is designed with an environment / green basis. This is a form of distraction from the negative stigma of the hotel's image by the people of the city of Jogja that the hotel is a 'source of disaster'. the choice of the concept. This concept is applied in the form of pr providing a green space filled with eucalyptus trees, bamboo, and other plants. In addition, there is a jogging track that surrounds the forest for people to exercise in their place.
Massing Transformations
Concepts
Environment
History
Culture
Non-cultural heritage buildings in existing conditions which result in the cutting of 2 parts of the building in the cultural heritage building area.
Non-cultural heritage buildings are removed because they are considered disturbing the image of cultural heritage buildings.
adding new buildings by adjusting the style of the old buildings, but with different materials.
Health Mural corner
Bamboo Tree
Ketapang Tree
Eucalyptus Tree
The design for the revitalization of the Toegoe Hotel also places a Waste Water Treatment Plant (IPAL). This system takes hotel waste water around the ar area which is then processed into clean water to be distributed to dense areas on the east side of the site so that its benefits can be felt directly by the community.
West Elevation nts
Section A-A’ nts
Section B-B’ nts
South Elevation nts
Street View
Street View
Street View
Amphiteather
Mural Corner
Mini Cafe
Museum
Art Space
Exhibition Center
Soedirman Tower
SOEDIRMAN TOWER RENTAL OFFICE & CREATIVE CULTURAL SPACE High Rise Building with GBCI
Category:
Location:
Jalan Sudirman, South Jakarta
Status:
1st Winner Architectural Blue Ribbon Awards (ABRA) VII Architectural Desain Studio 3
Individual
Year: 2022
Architectural Presentation Board
Design Report Book
Jalan Sudirman is an area in the city of Jakarta which is very close to the Central Business District. The area also has several environmental issues, such as non-architectural and even architectural issues. So the purpose of this design is to provide rental offices as well as creative and cu cultural spaces for the community and especially for the younger generation to get to know culture more deeply, with the overall concept of being environmentally friendly (Green Building) with the principle of sustainability (Sustainability). SOEDIRMAN Tower has a land area of 3,000m2 with a total building area of 12,000.79 m2 which is divided into 6 types according to TOR, namely Public, Annex, Rental Office, Management & Support, EEC, and Circulation and parking.
EDGE
FIRE
RVS
RESIST
GBCI
78% 100% 100% 93,9% 51,1%
Site Transformations
1
The site has an area of 3,000m2 with non-contoured soil types in urban areas.
2
The built area is positioned far from the road border because there is a border road rule as far as 8m from the road.
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Then paving blocks and grass blocks are made for the circulation of motorized vehicles with a road width of 5m - 6m.
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The design has a strategy to make people reduce their means of transportation with private vehicles, therefore a bike track area is made to meet the GBCI benchmark.
5
To fulfill the green open space (RTH) of 30% (according to local regulations), several water catchment areas are made on the surface of which are planted with grass to make it look fresher and have a water binder on the soil surface.
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Due to the limited land area, a semi-basement area was created which at the back of the circulation was made open, as well as to reduce the aridity of urban areas, as well as minimize heat, it is necessary to have vegetation with a certain orientation in the site area.
Massing Transformations
1 The built area is positioned far from the road border because there is a border road rule as far as 8m from the road.
2 The position of the Annex and the tower are placed separately for maximum distribution on a limited area. It also responds in terms of the landscape which will be more diverse.
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Cutting mass to reduce direct radiation from the sun, as well as to respond to wind movement. The mass cuts also took a response to take advantage of the views in the Northwest and north areas towards the Gelora Bung Karno Stadium.
5 Then to make the office more measured in terms of humidity and shade, vegetation is added to the outside area for the alfresco area as well as light shading that enters some areas.
ROOFTOP SMALL 3 LARGE 2 MEDIUM 1 METING POINT
SMALL 1 LARGE 2 MEDIUM 3 METING POINT
SMALL 0 LARGE 2 MEDIUM 3 METING POINT
SMALL 3 LARGE 1 MEDIUM 3 METING POINT
SMALL 4 LARGE 1 MEDIUM 4 METING POINT
SMALL 2 LARGE 1 MEDIUM 5 METING POINT
SMALL 4 LARGE 2 MEDIUM 3 METING POINT
SMALL 3 LARGE 1 MEDIUM 5 METING POINT
SMALL 3 LARGE 1 MEDIUM 5 METING POINT
SMALL 3 LARGE 2 MEDIUM 5 METING POINT
SMALL 3 LARGE 2 MEDIUM 5 MEETING POINT
SMALL 3 LARGE 3 MEETING POINT
SMALL 5 LARGE 1 MEDIUM 2 METING POINT
SMALL 2 MEDIUM 1 MEETING ROOM COWORKING SPACE
CAFETARIA COWORKING SPACE
16 15 14 13 12 11 10 09 08 07 06 05 04 03 02
LOBBY ATRIUM LOUNGE EXHIBITION COMMUNITY
GF & 1 BASEMENT
TAMPAK DETAIL OFFICE
LIGHTSHELF TECHNO REFLECTOR DAYLIGHT
DETAIL FASAD HORIZONTAL LIGHTSHELD
ENTRANCE DROP OFF AREA
WAITING SPACE & COMMUNAL AREA
CAFETARIA & COWORKING SPACE SEMI OUTDOOR
PEDESTRIAN SIRKULASI BUS
MINI ATRIUM
ENTRANCE ANNEX MODERN AMPHITHEATER
COMMUNITY CULTURAL AREA ANNEX
LOBBY & LOUNGE
The Winangun
THE WINANGUN RIVERFRONT, CULTURAL CENTER & FARMING SPACE Urban Planning and Building
Kategori:
Location:
Sitiwinangun, Cirebon, West Java
Status:
3rd Winner Architectural Blue Ribbon Awards (ABRA) VI Architectural Desain Studio 2
Team Muhammad Taufik Haura Khansa Izdihar M. Rizki Ramadhan
Year: 2021
Architectural Presentation Board
Design Report Book
Once upon a time, the relationship between humans and nature (ecology) was very close. However, over time, many things have changed. Technology is developing, some are used well, some are not. Village youths go to big cities to look for work, until finally human resources are not managed and not utili utilized properly. Rivers are polluted by factory waste from technology, trees are cut down illegally, forests are deforested, and finally the ecology is tenuous. How wonderful it would be if it didn't happen in the present, is it possible? Can nature and technology go hand in hand?
Riverfront Design Concepts
Potential Area
Sitiwinangun is known for its creative industry center as the pottery village. Being the oldest pottery center in West Java and since 2015 the pottery production process has become a separate identity for the Sitiwinangun community as an interesting heritage from their ancestors. In developing Sitiwinangun, you can take advantage of the natural potential that you already have, namely Pottery & Jamblang River which is al on the outskirts of the village.
Canopy Walk & Bike Track Explorations
The Sitiwinangun area is very close to pottery production, because the people there mostly work as pottery craftsmen. This is a huge potential to be developed, because there are still many people who still do not know about the Sitiwinangun area. Therefore, with this Cultural Center design, it aims to increase the potential of natural resources and the economy of the community there.
the lack of agrarian land for gardening and farming has resulted in residents working in this sector having to move to neighboring villages. This resulted in the absence of agricultural products and harvests that were of sufficient quality, because the land was not sufficiently qualified. With this farming space design, it is hoped that the local community and youth who want to cultivate crops can channel their activities and the results can be used by selling or processing into various kinds of food for the village itself.
The farming space design is built on an area of 1600m2 with the aim of responding to the problems described above. The zoning of this farming space is divided into 2 parts, namely the planting area and the commercial area. In this farming space, there are also 3 planting areas, 2 of which are the workshop area in the commercial area and the third is in the planting area which is also the main planting area.
Mandala
MANDALA VACATION HOUSE & SHARING PLACE Vacation House
Location:
Tebing Breksi, Yogyakarta
Status:
Desain Studio 3
Category:
Individual
Year: 2019
Vacation House is a commercial residence for tourists visiting the tourist area of the area. The location is on steeply contoured land with breccia soil type. The area is also a dry rice field with a location far from local residents, but at a high altitude it is one of the best views on the site that can show Yog Yogyakarta from the perspective of a bird.
Architectural Presentation Board
Design Report Book
MANDALA Vacation house carries the concept of take and gift to the natural surroundings, so that the design will be a paradigm shift from arid to fresh in the area around the site. MANDALA Vacation house is divided into 2 spaces that make different activities in the interior area, namely the ac active place and inactive place. With the tagline “Feel the Outside in the Depth of Space”, the vacation house design is made in harmony with the natural response around the site because residents of the vacation house will feel the feel of being in the wild but still in the shade of a space.
Characteristics of Environment Activists With the analysis of activities that are more dominant in the outdoor space, the Vacation House Mandala design was made with the concept of "Feeling the Outside in the Depth of Space" with the need for space for adjusting user activities as above.
Massing Transformations
The mass composition of this design is in the form of a circle inspired by the flower crown found in the site area, finally MANDALA Vacation house is named MANDALA which means round in Sanskrit.
Residential Plan
Gathering Place Plan
Residential & Gathering Place Plan
Floor Plan of Each Units
Siteplan
Siteplan
Landscape Details
Siteplan & Landscape Perspectives
Exploded Axonometry
Building Elevations
Titik Koffie
TITIK KOFFIE MINI CAFETARIA
Location:
Tasikmalaya, Jawa Barat
Status:
Built Project
Category:
Design Only
Year:
2022
Titik Koffie is a mini cafe to discuss in a small scope, the design is designed within the limitations of space and land with the concept of making the best possible use of existing and available space.
Graphic Design
GRAPHIC DESIGN DESIGN VISUALIZATION & ILLUSTRATION Year:
2018 - 2022
Instagram Graphic Design
Status:
Commission Project
The journey that I have gone through is not only in the architectural sphere, but also in the visual and design spheres, because I think these two things overlap. So that on the sidelines of my lectures I always make some interesting works for myself or for others. I am often asked to make posters, book layouts, and other designs made into reality. Here are some selected works that I documented on Instagram @mtapstudio
I’m ready to continue my next
JOURNEY
Muhammad Taufik @hiooopik +62851 5921 5335 himuhammadtaufik@gmail.com