ISSUE 166
OCT | NOV 2026
PLUS: BLACK STAR SINNERS, LIMBERLOST, METAL MIKE EDWARDS, NAUGHTY WOMEN, RAHWAY, RAQUEL FIGLO-BELL, TOM CIURCZAK, TRIBUTE BAND HALL OF FAME, WHOLE LOTTA ROSIES, AND MORE
Sketches By The Editor
Editor Ken at Iron Maiden Night 1
BMO Arena in Los Angeles
Welcome to Highwire Daze Issue #166, another incredible issue that is finally seeing the light of day if you’re reading this right now. This is yet another rough-and-tumble edition that we proudly present, featuring some truly amazing local and national artists. First and foremost is our Iron Maiden coverage, featuring superb photos by Scott Waters and an epic review by Joaquin Waters. Then there’s our Mötley Crüe coverage from the F&M Bank Amphitheater in Long Beach, featuring photos by the one and only Jack Lue! What an honor it is to feature these two absolutely legendary bands in this issue of Highwire Daze. It’s also a privilege to have so many musicians I can call friends appearing in these pages, including Black Star Sinners, Philthy Rych, Metal Mike Edwards and the Black Sabbatha Horde, Trudi Keck Starr of Whole Lotta Rosies, and the many talented artists associated with the Tribute Band Hall of Fame. Special thanks to my staff, Scott Waters, Karyn Burleigh, and Jack Lue, for bringing it all together and helping make print still a reality in 2026!
We are approaching our 36th Anniversary, and we will have not one, but two events to celebrate the occasion. In association with We Found New Music, Highwire Daze presents Jensen Gering, Trevor Lissauer, Curos, Duke Cutler, and Joseph Dockery at Hotel Ziggy on November 11th on the Sunset Strip. Thank you to Grant Owens for this amazing opportunity. Then, on November 21st, The Cobalt Presents and Audioeclectica present the Highwire Daze 36th Anniversary Show featuring Scissorkiss (with Jacobious Lovebone, formerly of Bastardane), Melt Mars, Mason McNulty and The Burning Fields, The Wendolls, Tantalus, and Diverted Dissonance. Please come out and support our shows! Lately, I feel some of the work I’m most passionate about can be found on the website. Check out highwiredaze.com and read about the very best of our local music scene, as well as my Where Are They Now? series featuring lost bands from the MySpace era. Recent and upcoming interviews include Reppard Walker of A Small Victory, Name Taken, Elliott Gruenberg of Legacy (now in Blessthefall), Danny Russell Wolf of Small Towns Burn a Little Slower, and more! Massive Vans Warped Tour 2026 Long Beach coverage too! That’s all for now. The next print issue arrives in December!
HIGHWIRE DAZE RADIO AT LIVE 365! BROADCASTING 24 HOURS A DAY! Visit us at: highwiredazeradio.net 6
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IRON MAIDEN BMO Stadium - Los Angeles, CA - September 27, 2026
Review by Joaquin Waters - Photos by Scott Waters Woe to you of Los Angeles, for Iron Maiden plays their show with wrath, because they know the time is short. Let him who hath understanding reckon the name of the show, for it is a human name: its name is the Run For Your Lives World Tour at BMO Stadium, on September the 27th, Two Thousand and Twenty-Six. How best to sing the praises of Iron Maiden? Gods of rock, creators of an entire genre of heavy metal with their status in the Rock ‘n Roll Hall of Fame having been cemented since eligibility, even if said Hall of Fame is only just making it official. For decades they have prowled from stadium to stadium with the unpretentious assuredness reserved for those who know they have earned their place among the legends of their field. Where so many groups of their prowess and skill HIGHWIRE DAZE
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give into the demands of the charts or cave to the whims of tone-deaf producers, for the half-century of their existence, Iron Maiden have steadfastly remained true to themselves, and have reaped the rewards. They are dedicated not to the pursuit of pop success, but to their artistic vision of heavy metal as theatre. Above all, they are dedicated to their fans. Watching them perform live, one is struck by, among other things, the realization that these men know very well what so many successful musicians fail to internalize: that in the end it is the fans, not any record company or venue manager, who they work for. That love is, of course, a two-way street, and goes a long way to explain this band’s seemingly infinite staying power. The latest stop on the Run For Your Lives World Tour, BMO Stadium in Los Angeles was lucky enough to play host to Iron Maiden for two nights, Sept. 25th & Sept. 27th. 9
The set started 220 minutes to midnight (at 8:40 PM) to a sold-out crowd. After the customary recording of UFO’s “Doctor Doctor” signaled everyone to come back from the bars and merch lines, the show began with a recording of Maiden’s classic instrumental track, “The Ides of March,” which accompanied a gorgeous piece of animation paying homage to the band’s origins. Via a massive screen looming over the stage, BMO Stadium was transported back to East London in the 1970s, where a modest brick building called “The Cart and Horses” stands tall. This quaint East End pub is Maiden’s live show birthplace. Here, a ragtag troupe of British rockers would in time become legends. As the camera landed upon a streetside mural of Eddie, Maiden’s iconic mascot, the band themselves stormed the stage like the gods ascending Mount Olympus: Steve Harris, god of bass, Dave Murray, Adrian Smith, and Janick Gers, gods of guitar and Bruce Dickinson, god of vocals. For longtime fans, one traditional member of this pantheon was missing: Nicko McBrain, god of drums. Having retired from touring in 2024, McBrain forfeited his seat behind the drumset to Simon Dawson, a more than worthy addition who firmly held down the back end. As “Ides of March” came to a close, the band kicked off the
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proper set with a trilogy of tracks off their second ever album, Killers: “Murders In The Rue Morgue,” “Wrathchild,” and the titular “Killers.” Eddie made his first appearance during “Killers,” stalking the stage, axe in hand. From there, the setlist was an assortment of classics from the band’s 1980-1992 era, from the relentless punk-infused howlers of their early days to the grandiose theatrical epics perhaps more associated with their name. Alongside such mainstays as “The Number of the Beast” and “2 Minutes To Midnight” were rarities like “Infinite Dreams,” a pensive rumination of an overactive imagination off of the Seventh Son of a Seventh Son album, and “Phantom of the Opera,” from Maiden’s self-titled first album. Through it all, the band’s energy remained sky-high, their sound thunderous, their gratitude for the fans palpable. At one point, the endlessly energetic Dickinson paused the set to address those watching from the maybe less-than-optimal seats to the direct left and right of the stage, ensuring that while they may not have gotten the best seats in the house, they arguably got the even higher honor of the frontman’s direct acknowledgment. An undeniable highlight in a night full of them was “The Rime of the Ancient Mariner.” This nearly 15-minute beast of a song (coyly introduced by Dickinson as “what not to do if a bird
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shits on you”) is truly something to behold live. Much of it is taken up by a mind-melting musical bridge that cools and tempers the crowd’s energy without ever bringing it down, keeping the audience as mesmerised as the wedding guest by the mariner’s tale. It’s pure Maiden; closer to galloping opera than traditional heavy metal, and it’s a reminder that this group in particular have long since been the thinking man’s rockers. I’d wager they’ve taught fans enough classic poetry, mythology and history across their discography to fill a school year’s worth of English and Social Studies courses. What other band would even think to set a 200-year old gothic poem by Samuel Taylor Coleridge to music, let alone pull it off? With “Mariner” over, the beloved “Run to the Hills” then served as a bridge to another epic saga of a song: “Seventh Son of a Seventh Son.” This rip-roaring folkloric fable eventually gave way to another long bridge, as frenetic and fast-paced as “Mariner’s” was slow and measured, yet no less magnificent.
Maiden’s penchant for stagecraft and theatrics was also on full display, from Dickinson’s dramatic quick changes (which could put a Broadway production to shame) to the dazzling pyrotechnics. But the most impressive theatrical achievements of the night belonged to the towering screen at the back of the stage. A far cry from traditional cloth backdrops, these beautiful works of animation accompanied each and every song. Highlights included the aforementioned “Ides of March”-set opener, a series of frigid landscapes haunted by ghoulish figures for “The Rime of the Ancient Mariner,” a dogfighting Eddie for “Aces High,” and perhaps most impressive of all, an elaborate sequence during “Hallowed Be Thy Name” which involved real-time interplay with Dickinson himself: after his latest quick change, the frontman appeared onstage enclosed behind bars, in the guise of the doomed prisoner from the song. After vanishing in a puff of smoke, he reappeared on the screen, forced down a winding path to the gallows by a ghostly specter. After meeting his fate on the noose, he reappeared onstage in another flash of smoke and sparks, now clad in brilliant white, reflecting the prisoner’s spiritual rebirth. This movement was nothing short of inspired, breathing new life into the band’s immortal anthem about mortality and time. HIGHWIRE DAZE
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Time – and specifically, its passage – was a major theme of this show, be it the opening animation calling back to the band’s origins, the aforementioned depiction of death and rebirth in “Hallowed,” or the unavoidable existential melancholy of the closing number, “Wasted Years.” In one of his many invigorating addresses to the crowd, Dickinson broached the subject: “We’ve been going to metal church,” he said, “for 50 years.” The incredulity in his eyes as he spoke that number aloud must have been visible in the farthest seat. Though the six men who took the BMO Stadium to church that night may be advanced in years, time is far from an albatross around their neck. Serving witness to their boundless enthusiasm and musical vigor, one could easily imagine them performing like this until the last syllable of recorded time. They haven’t aged so much as solidified into the elder statesmen of metal that they have always been at heart. 50+ years may be a long time, but those years were not wasted. To the fans to whom this band has given everything and more, they were the golden years. Dickinson closed out this astounding night with one last show of affection for those very fans. “We’ll be back,” he shouted, to thunderous applause. So it was written, and so it shall be done. Long live Iron Maiden, and hallowed be their name. 11
Black Star Sinners:
Bringing Power, Passion, and Sunset Strip Spirit Back to The Whisky
Interview by Ken Morton - Photos by Scott Waters On a night when the spirit of the Sunset Strip seemed alive and well at the legendary Whisky A Go Go, Black Star Sinners delivered a performance packed with energy, attitude, and conviction. Following their set, Highwire Daze sat down with vocalist Walt Deadly, guitarist Ash Star, drummer Mr. Christopher, and bassist Tony Tonite to discuss the significance of playing The Whisky, opening for their heroes, their Lizzy Borden connection, the deeper meaning behind their music, and what’s next for the band. Joining the conversation later was KNAC personality DJ Hollywood, whose support has helped bring Black Star Sinners to a wider audience. What followed was an entertaining and passionate discussion about rock and roll, authenticity, and the enduring power of music. 12
You guys are playing The Whisky tonight. What does playing here at the legendary Whisky A Go Go mean to you at this point in your career? Ash: It means everything. This is where the birth of rock and roll happened. The Doors played here, Van Halen played here, L.A. Guns, Mötley Crüe, all these bands started here. We play here a lot, but it’s always special. It’s a great crowd and we always get a great response. It feels like home to us. Walt Deadly: The history of this place carries a lot of weight for me. People talk a lot of shit sometimes, but when you play The Whisky, with the quality of sound here and when you think about the legendary bands that have played this stage before you, there is definitely something special about it. September/October 2026
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I have a great deal of honor and respect for this place every single time I play here. Tonight, I know we performed great, and my confidence level is like a UFC fighter who just won a championship fight. I feel good. Really good. You guys have opened for a lot of big bands over the years. Which ones stand out as especially memorable? Ash: Lizzy Borden is number one. We’re huge fans. We also played with L.A. Guns, Vain, The Zeros, and the Peppermint Creeps. We’ve done the big New Year’s Eve shows here at The Whisky too. Honestly, all the Sunset Strip bands have been amazing to open for. We love supporting those bands. Walt Deadly: The crazy thing is that we’ve opened for so many of our favorite bands that sometimes we actually forget some of them. That sounds absurd, but that’s what happens when you’ve been doing it for a while. One of the things Ash and I bonded over was our mutual love of Lizzy Borden. When we finally opened for them, it was emotional. I’m talking tears-down-my-face emotional. That’s how much that moment meant to me. Ash: Lizzy actually came out from backstage after our set and asked, “Who the hell was that singing?” We were blown away. One thing we forgot to mention is that we also played the Rainbow Bash. Sebastian Bach headlined that event. Faster Pussycat was on the bill, Powerman 5000 played it, and Donnie Vie from Enuff Z’Nuff was there as well. There were a lot of great bands on that lineup. We really enjoy those events when the bands fit into what we do musically. Speaking of Lizzy Borden, you recorded a cover of “American Metal,” produced by Matt Starr. Tell me how that came about. HIGHWIRE DAZE
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Ash: It’s funny because when Walt first joined the band, we immediately bonded over music. I had written a song and he put lyrics to it. I remember thinking, “Man, that sounds like Lizzy Borden.” Then Walt said, “I love Lizzy Borden.” I couldn’t believe it. So on his very first day in the band, we started talking about doing a Lizzy Borden song someday. At the exact same moment, we both said, “American Metal.” Later on, we were playing the Grand Theater during NAMM and opening for Last in Line. Matt Starr was drumming that night. We started talking backstage and told him about our idea to record “American Metal.” Matt said, “I’d love to produce it with you guys.” From there, everything just fell into place. Tony Tonite: Matt Starr produced two of our songs, “Wake the Dead” and “American Metal.” Working with him has been incredible. You currently have a song getting airplay on KNAC. Tell me a little about that song and how it came about. Ash: “Wake the Dead” is a special one. Most of the songs I had before Walt joined the band were just music. I didn’t have lyrics or vocals. Then Walt came in and immediately started adding melodies, harmonies, choruses, and ideas. I just thought, “Holy shit, this is amazing.” The funny thing is that we’d never actually sat down and written a song together from scratch. So one day I went over to his house and we blocked out about eight hours to write. We finished the song in about twenty-five minutes. Then we looked at each other and said, “What do we do for the rest of the day?” We hung out, drank a few White Claws, and the song just happened naturally. Walt Deadly: When inspiration strikes, you don’t need to overthink things. Sometimes a song just writes itself. 13
The band has a strong message. We have a lot of things we want to say, but we’re direct about it. For me, the message behind our music is simple: have power, have strength, and have agency over your own life. If you listen to our songs, they’re meant to empower people. They’re about taking control of your life rather than giving that control away. We want our music to give people strength and confidence. Ash: And “Wake the Dead” is specifically about bringing back things that have been dormant for a long time, whether that’s the Sunset Strip scene, heavy metal, rock and roll, or the spirit of what we stand for as a band. It’s already there. We’re just waking it up again. Chris: What I like about “Wake the Dead” is the power behind it. From behind the kit, you can really feel that energy. That’s what stands out to me. We’re going to bring DJ Hollywood into the conversation. How did you first discover Black Star Sinners and decide to put them on your show? DJ Hollywood: The funny thing is that our connection actually goes back quite a while. Before KNAC, I worked at another radio station where I specialized in playing deep cuts, underground artists, and lesser-known bands. I’m always searching for new music, and one day I came across Black Star Sinners’ song “Living the Life.” I remember thinking, “What the hell is this?” I started playing it on the air and listeners really responded to it. Later, I came to The Whisky for a show and spotted Ash wearing a Black Star Sinners hat. I walked up to him and said, “Hey, I know that name. I’ve been playing your band on the radio.” A few months later, I joined the newly resurrected KNAC, and we’ve continued building a platform for great bands that deserve to be heard.
I’m not really looking for pop-oriented rock or Top 40-style music. Alternative music can work if it has a heavier edge, but at the end of the day, it simply has to connect with me. If it hits me the right way, it has a chance of getting on the air.
How can bands submit their music to you, and what are you looking for? DJ Hollywood: Bands can email me directly at Hollywood@KNAC.fm and send their two strongest songs as high-quality MP3s. I personally listen to every submission. Above all else, I’m looking for quality.
And what’s next for Black Star Sinners: Ash: Things are moving fast for us right now. We’ve partnered with DJ Hollywood from Pure Rock Hidden Treasures, and this week we’re his Artist of the Week. Getting airplay on KNAC has been a dream come true since I grew up listening to that station, and the response has been incredible.
I’m looking for hard rock, metal, thrash, hardcore, melodic rock, or anything that truly kicks ass. When a song comes through the speakers, I want listeners to immediately think, “That’s rock and roll.”
We also have two big shows, one at The Whisky on Friday November 13th and Saturday November 28th with BulletBoys at Stages Bar in Santa Ana, discount tickets available for both shows at...
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Metal Mike Edwards: Living the Metal Life with Black Sabbatha and Beyond
Interview by Ken Morton - Photos by Karyn Burleigh For decades, Metal Mike Edwards has been a fixture of the Southern California hard rock and metal scene, performing with numerous projects, sharing stages with legendary artists, and collecting enough stories to fill multiple books. While fans may currently know him as the drummer for Black Sabbatha, Mike’s journey extends far beyond any single band. During a recent conversation at the Rainbow Bar & Grill, he discussed joining Black Sabbatha, remembering Ozzy Osbourne and Ronnie James Dio, the enduring appeal of classic metal, and the many projects still on his horizon. How did you wind up joining Black Sabbatha? It happened in kind of a funny way. I’d known Jimmy Silcox 16
through the local music scene, and one day we got together and jammed. He liked the way I played and how I locked in with the music. A couple of weeks later he called and said they had a drummer situation and asked if I’d be interested. At first I wasn’t really looking to join a tribute band because I’d spent my whole life playing original music. I always joked that I worked all those years so I wouldn’t have to play in a bar band for money. But then I thought about it and realized, “It’s Black Sabbath. Why not?” So I jumped in and it’s been a great experience. Tell us about your first show with Black Sabbatha. I got thrown right into the fire. We were supposed to have more time to prepare, but another show came up and suddenly it was go time. October/November 2026
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What really blew me away was the audience reaction. They know we’re not Black Sabbath, but if you’re doing your job right, they can still have that feeling they got from seeing the real thing. It felt like a real concert had happened. The crowd was totally into it, and afterward a lot of people came up to talk. When they found out it was my first show, they couldn’t believe it. Black Sabbatha has developed a reputation for being more than just a typical tribute act. That’s what I like about it. It’s not just a few people standing onstage playing Black Sabbath songs. There’s a theatrical element to it. There’s acting, props, visual presentation, and a whole concept behind it. Everybody brings something to the table. A lot of work goes into making it an experience instead of just another cover band. That’s what separates it from a lot of tribute acts out there. Why do you think tribute bands have become so popular? People still want to hear the music they grew up with. Maybe it’s the music their parents taught them about or the records their older brothers and sisters played. Whatever the reason, those songs still connect with people. Rock and roll never really went away. It has peaks and valleys. Trends come and go, but the great music always survives. People still want to hear those songs because they’re good songs. As a drummer, what has it been like playing Black Sabbath material? It’s been a blast. I’ve enjoyed digging into Bill Ward’s style and revisiting all of that music. I’ve always had a lot of different influences, from Bill Ward and Vinny Appice to Cozy Powell, Buddy Rich, and John Bonham. The thing is, I’ve never tried to mimic anybody. I want to understand what they did and what made them special, but I still want to sound like me. Like everyone in the rock world, you recently experienced the loss of Ozzy Osbourne. What went through your mind when you heard the news? Obviously it’s sad when somebody like Ozzy passes away, but unfortunately we’re reaching that point where a lot of these legends are getting older. It’s part of life. HIGHWIRE DAZE
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One of the most powerful memories I have involves Randy Castillo’s funeral. A lot of drummers came out to pay their respects, and I remember looking over and seeing Ozzy completely devastated. He was grieving hard. I had only met him briefly before that, but I remember telling him, “It’s going to be okay.” Everything went into slow motion like a Rock video, I’m saying my whole mental world just crashed into literally a slow motion video moment with him. Who the fuck am I to tell him “It’s going to be okay” I’ve been beyond blessed and gifted to have had met and became friends of some of the biggest icons and legends. Some people can’t handle it when they meet their idols. Myself and Lonnie my old band mate from our teens and the founder of Bullet Boys. We went into the world famous Cherokee Studios where they mixed “Stairway to Heaven” We recorded a Hard Rock version of “Candle in the Wind” and he did the lead vocals,guitars and vocals. Then I had my buddy Kelly Keeling, MSG, Blue Murder vocalist picked up in a limo and brought to the studio and sing on some tracks. Later on, fuck’n Lonnie runs into Bernie Taupin at the Hyatt on Sunset in the lobby. I said did you tell him we recorded Candle? He said “No. I was too starstruck.” You’ve had the opportunity to meet a lot of legendary musicians over the years. One name that came up was Ronnie James Dio. Ronnie was always great. Every time I met him he treated people with respect. I first saw him during the Heaven and Hell era and eventually got the chance to meet him several times over the years. One thing that always stood out was 17
how much time he gave to fans. I even got him to call a friend’s brother for his birthday one time. Ronnie didn’t have to do that, but he did. That’s just the kind of guy he was. I first met him at the LA Forum. I was front row center and only 20 years old. Back then there were no barricades in front of the stage. So in between songs I walked up to the edge of the stage and we locked hands like old friends. That was awesome then about 5 years later he was brought to my table at the Bow by a chick I knew who wrote for Kerrang magazine, she knew him. He spent about 10 minutes with me. He was so cool. I’ve heard other musicians tell the same kinds of stories. He genuinely cared about people and he always kept his word. You and I first met when your band Slick N Wicked opened for U.D.O. at The Whisky. What do you remember about that show? That was a killer show. One thing drummers deal with all the time is monitor sound, and that night everything felt right. I could hear the band, I could hear myself, and when that happens it just takes your performance to another level. When I can hear everything properly, it energizes me. It makes me play better. The audience was right there in front of us, and 18
the whole night felt great. Besides Black Sabbatha, what other projects do you have in the works? Too many to count. I’ve got a lot of music that hasn’t been released yet. One project is called Sawduzt, and I’ve spent a lot of time producing and developing those recordings. I’ve also been working on putting all of my bands and history into one place online. When you’ve been doing this as long as I have, you end up with a lot of material. And then there’s the books. People have been telling me for years to write a book, and now I’ve got enough stories that it might end up being several books instead of one. Any final words for the fans? Just come out and support live music. That’s what keeps this whole thing alive. Whether it’s Black Sabbatha or one of my other projects, we’re out there doing this because we love it. Rock and roll is still here, and I’m still having fun playing it. Black Sabbatha headlining The Whisky on October 18th!
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MÖTLEY CRÜE
F&M Bank Amphitheater of Long Beach, September 19, 2026
Review by Ken Morton - Photo by Jack Lue
enduring acts.
The Return of the Carnival of Sins Tour rolled into Long Beach, California on September 19, with legendary rock icons MÖTLEY CRÜE headlining a massive night of hard rock at the F&M Bank Amphitheater of Long Beach. Also featured on the bill were veteran rockers Tesla and Extreme, creating an unforgettable evening packed with classic songs, explosive performances, and pure rock-and-roll energy.
The atmosphere inside the amphitheater was electric, with thousands of fans singing along, raising their fists, and reliving memories attached to some of rock’s most iconic songs. Tesla and Extreme proved to be ideal additions to the lineup, each delivering standout performances that set the stage perfectly for the night’s main event.
From the moment the lights dimmed and the crowd erupted, MÖTLEY CRÜE delivered the larger-than-life spectacle fans have come to expect throughout their storied career. The band sounded energized and fully committed, tearing through a set that celebrated decades of rock history while reminding everyone exactly why they remain one of the genre’s most 20
A celebration of excess, nostalgia, and timeless rock and roll, this stop on the Carnival of Sins Tour demonstrated that MÖTLEY CRÜE still possesses the power to unite generations of fans under the banner of loud guitars and unforgettable music. Even after all these years, the band’s chemistry, charisma, and undeniable stage presence remained intact, proving that true rock and roll legends never fade away. October/November 2026
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Hello Sister on Sisterhood, New Music, and the Road Ahead
Interview by Ken Morton - Photo by Jack Lue Hello Sister is proving that family chemistry and infectious pop-rock hooks are a winning combination. Consisting of sisters Grace, Scarlett, and Gabriella Mason, the Orlando-based trio has spent the last seven years building a devoted fanbase through high-energy performances, catchy anthems, and an undeniable sibling bond. With Grace on lead vocals and bass, Scarlett on drums and vocals, and Gabriella on guitar and background vocals, Hello Sister continues to make waves with recent releases like “Tell Me Boy” and their upcoming single “Look Away.” We caught up with the rising trio to discuss their music, inspirations, and exciting future plans. Where are you based, and what is the local music scene like there? The music scene in Orlando, Florida, is full of many diverse, cool artists, and we’ve had so much fun over the years meet24
ing and playing with a lot of them! It’s also been awesome getting to connect with all the local artists and venues here and support each other! Our favorite venues to play at are My Sister’s House, which is perfect because we are three sisters, Will’s Pub, Stardust, and The Conduit. What is the inspiration behind your upcoming single, “Look Away”? “Look Away” is about the reality of trying to get over someone and choosing to look away instead of knowing what they’re up to. It goes through all the distractions, calling your sisters when you’re in your feels, and still secretly wondering if that person misses you too. It’s the perfect anthem for anyone trying to move on, even when a little part of you isn’t fully ready to let go yet. Your most recent single is entitled “Tell Me Boy.” What is the inspiration behind that song? We wrote “Tell Me Boy” about holding onto a relationship October/November 2026
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even when you know it might be over. We wanted to capture the messy, overthinking side of love in a fun way. “Tell Me Boy” is about the emotional spiral of liking someone but questioning if they feel the same way. We wanted to make a song for the girls to scream in the car because they know they deserve better. What are you looking forward to most about playing the Super Girl Surf Pro Festival in November? We are so excited to be back for our 6th year at Super Girl Surf Pro Festival in Jacksonville! We love this festival because it’s all about empowering and celebrating women, and we are looking forward to playing for the fanbase we’ve built in Jacksonville Beach over the years and opening for the Gym Class Heroes! What was the experience like playing We Found New Music? The show we played with We Found New Music was such a cool experience in Los Angeles! We had a great time connecting and performing alongside fellow emerging artists and debuting our single “People Pleaser,” out on all streaming platforms now! What was it like doing a photo shoot with iconic photographer Jack Lue? It was so awesome getting the opportunity to work with and do a photo shoot with Jack Lue! We had the best time shooting with him, and he has such a creative eye. The photos
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turned out so awesome! He’s also taken the coolest photos of us at our live shows, such as Super Girl Surf Pro Festival in Oceanside, California! What’s next for Hello Sister? We have lots of new music coming soon, including our new single “Look Away,” dropping October 9th, and we are hoping to release an album soon. We are playing at Vans Warped Tour in Orlando with Emo Nite this November 14th and 15th as a part of CAMP EMO NITE! We are also playing in Jacksonville November 7th–8th with Super Girl Surf Pro Festival and lots more shows, as we are going on tour with the band First to Eleven. Check out our Instagram for any upcoming shows. We can’t wait to rock out with you guys! We are always in the studio recording and writing, and you can check out our music on all streaming platforms, and our socials! Instagram: @hellosistermusic; TikTok and YouTube: Hello Sister. Spotify and Apple Music: hello sister hellosistermusic.com Do you have any messages for your fans? We just wanted to send a big thank you to all of our fans and everyone who has supported us and our music over the years. As three sisters who have grown up in a band together, we wanted to let you guys know that you are part of the family too!! We appreciate all the love so much and can’t wait to keep meeting you at shows. One of the best feelings is knowing that a song we wrote helped and meant something to you. Can’t wait to rock with you soon, and more music is on the way! Xoxo
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On The Road with LIMBERLOST
Interview by Ken Morton
With a successful headlining performance at the legendary Whisky a Go Go now under their belts, Seattle-based hard rock band Limberlost continue to prove why they are one of the rising independent rock acts to watch. Fueled by a passionate fanbase known as the “Lost Ones,” the group has spent the past year turning heads through relentless touring, standout festival appearances, and unforgettable performances alongside some of rock’s most celebrated names. Fresh off the release of their compelling single “The Devil Never Sings” and already looking ahead to a new EP and future releases, Limberlost show no signs of slowing down. Highwire Daze spoke with drummer and founding member Mike Burt and vocalist Brittany about their recent run of shows, the experience of headlining The Whisky a Go Go, the stories behind their latest songs, and the exciting road that stretches out before them. Please introduce yourself, tell me what you do in Limberlost, and how long the band has been together. Mike: Hey I am Mike Burt the drummer and one of the songwriters, management team and founding member for Limberlost. I basically started this project back in 2011. Brittany and Tony came on in 2018 but the band in it’s current line up and soundcape has been together since 2024 when we started our third album project “Beautiful Scars” Brittany: My name is Brittany. I am the singer and one of the songwriters and part of the management team that helps drive the engine of Limberlost. The band founded several years before I joined! Where is the band based, and what is your local music 26
scene like? Mike: Well mostly from just south of Seattle but a couple of us a full time travellers (RVers) so a little bit here and there. Brittany: Based out of Seattle. We don’t consider ourselves a local Seattle band anymore, and there are some great acts coming out of the area. Highly encourage anyone to check out Sami Chohfi, Josh Kain, and Wyatt Olney and the Wreckage. As we are doing this interview, you’re currently on the road. Where are you right now, and how has the tour been going overall? Mike: We just wrapped up the Rock the Locks Festival in Umatilla, Oregon and are currently making our way to Twin October/November 2026
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Falls Idaho where we will be playing their Octoberfest. Shout out to our boy Broc at 103.1 FM for making that happen! How did Rock the Locks Festival go, and what were some of the highlights of that experience? Brittany: Goodness where to start! The biggest highlight was seeing the amount of fans that returned wearing our merch and waving our colors! Lost Ones are growing out there. Definitely have to shout out to the Lost One that wore the gloves I tossed offstage last year! Rock the Locks is one of the best run festivals. I highly encourage joining the family. What was it like opening for Sammy Hagar? Did you have a chance to meet or spend any time with him? Mike: Man the Sammy show was awesome! Full Throttle Saloon at the Sturgis Bike Rally. On the full blown arena stage! It was sick! For me being an old time rocker to get to share the stage with Sammy, Satriani, Aronoff and Anthony.... not much else to say. Unfortunatley we didn’t get a chance to interact because they arrived after our set and the crew locks down the backstage. But they put on a hell of a show! What are you looking forward to most about your upcoming headlining show at The Whisky a Go Go on the Sunset Strip? Brittany: Headlining The Whisky is some bucket list stuff! We are joining the ranks of some of the biggest names, and for me I feel the pressure to put on the best show and bring the best singing I can. Your latest single is entitled “The Devil Never Sings.” What was the inspiration behind the song, and what does it mean to you personally? Brittany: I remember my mother telling me as a child that angels sing and God asks to sing his praise so she would tell me singing is the closest form of praise. I had this strange revelation that the reverse of that means the devil never sings. I did a little Google research and have learned that in no biblical text Christian or Catholic or Jewish or any, does it mention the devil singing. How many people have been told to not listen to a certain artist because it was “devil” music? HIGHWIRE DAZE
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The devil will talk to you, never sing ;-) Your previous single, “Sugar,” has a very different vibe. What inspired that song, and how does it fit into the overall direction of Limberlost? Brittany: It’s definitely a little more pop-rock than the others and that’s definitely my influence. Sugar was about a year in the making, from a small idea I had to have a song with a crowd response “keep the masses happy with sugar” into an anthem to break down constructs and speak directly to the being listening to it. I’m very proud of it, and I think it falls into the line of lyrical strength Limberlost is becoming known for. Is there another Limberlost song you expect to play at The Whisky that you’d like to tell us about? What inspired the lyrics, and what makes that song special to you? Mike: Actually we have a new cover on the Villain EP and it will be our next single launch in a couple months. It’s a Beatles cover of “In My Life” that Brittany just takes to another level. But we have so many new ones it like picking your favorite kid. Brittany: I’m extremely excited to be taking The Devil Never Sings out on these runs because it hits so well, but for me the most vocally challenging piece I helped write is “Give It To Me,” when I reproduced the redux I added an ending with layered scream, belt, and opera. At first I did it for fun not thinking we could release it cause I thought there was no way we could perform it live. We perform it live and with no tech tracks! In the end two, of the Limberlost boys are belting, one is screaming, and I’m hitting the opera. That particular 27
song uses almost all vocal styles I know how to, the range is insane! I look forward to getting lost at the A-GoGo! Looking ahead, what’s next for Limberlost? Can fans expect more new music, touring, or any other exciting developments? Mike: The Whisky show most likely be our last 2026 appearance, maybe a private show or two but pretty much getting to work on 2027 and a few other priorities. We will however be releasing our new EP in early 27 and hopefully some new video content. Any final words for your fans and for the readers of Highwire Daze? Mike: Yes keep buying music and going to shows!! It’s what keeps this art form alive! Brittany: Get lost folks :-) in our camp, that’s an invitation to join us and become a Lost One. See you at the next show!
limberlostmusic.com
We Are The Black Things RedLands HOT New Dates Fri. Feb. 25 2027 8:30PM w/ Guns 2 Roses Whisky A Go Go youtube.com/toneraventunes facebook.com/ravenscrymusic 28
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From the Garden State to the Sunset Strip:
RAHWAY Take Aim at The Whisky
Interview by Ken Morton New Jersey hard rockers Rahway are set to return to the legendary Whisky A Go Go on November 14, bringing their signature blend of blue-collar grit, high-octane energy, and unapologetically raw rock and roll to the Sunset Strip. Originally named after the New Jersey town where the band first rehearsed, Rahway has spent more than a decade forging its identity through relentless touring, memorable support slots, and a work ethic rooted in working-class determination. In this interview, the band reflects on their history, the changing New Jersey music scene, the significance of performing at the Whisky, and the songs that continue to connect with audiences. Please introduce yourselves, tell me what each of you does in Rahway, and share a little about how the band first came 30
together and how long you’ve been rocking together. Nick: My name is Nick Hade and I am the front man of Rahway. I auditioned for the band over a decade ago when they had a spot open and made the cut, been with them ever since. Chigger: My name is Chigger and I’m the bass player, Tour Manager, Booking Agent, Fluffer and Chinese Food Delivery Boy for the band Rahway. I joined the band when their original bass player and pool boy, Bobby left the band for Florida with his family. My band used to play a lot of shows with Rahway back in the day and DC was always trying to find a way to bring me into the band. I’ve been their bass player since 2015. DC: David “DC” Cardenas, Guitarist for Rahway. Chigger and I have always been friends from the local scene in different bands and have always wanted to play together...the opportunity came up, and we decided to pull the trigger. with no turning back and here we are ten yrs later doing what we October/November 2026
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love and having the time of our lives. Steve: Steven Isidore Cardenas, I’m the drummer, songwriter, comic relief…lol. Where is Rahway based out of, and what is the local music scene like there? Has your hometown had an impact on the band’s sound or work ethic? Chigger: Rahway is based out New Jersey, hence our nickname, The Slumlords of New Jersey. The local music here has been dead for quite a few years. All of the great venues have closed their doors and the only great ones left are Dingbatz in Clifton, Debonair Music Hall in Teaneck, Starland Ballroom in Slayerville, and the Stone Pony in Asbury Park. Otherwise, there are no places to play anymore leading to a dead music scene. Our sound is definitely very Jersey rock sounding. I don’t think the band realizes it, but there is a Jersey sound and we have it. Our work ethic is like our day jobs. We’re a working-class band! DC: We are pretty much spread throughout the state. The local scene is pretty stale for lack of a better word unless you’re a jukebox band and we ain’t that. The only impact I believe from my hometown would be that everyone loved rock music of all styles which I’m grateful for. Work ethic pretty much comes from a place of, tell me I can’t...”I’ll show you”... Iol Nick: Originally Steve and DC rehearsed in a loft in Rahway, so that is essentially where the name came from but all of us are from all over New Jersey. I think all of our hometowns had a part in shaping our identities in one way or another although we all grew up differently. Steve: The band was originally based out of Rahway/Linden NJ area. The music scene in that part of Jersey is kind of dead. I would say the area has definitely made a impact on our sound and work ethics. Rahway and Linden NJ are blue collar, industrial towns. When we were growing up the feeling was work hard and get out. You’re set to perform at the legendary Whisky A Go Go on the Sunset Strip. What does it mean to you to play such an iconic venue, and what are you looking forward to most about that experience? Steve: It’s hard to express what it feels like to play such a place. I mean every great ever has played on that stage and I get to play there, wow, just wow. And at the same time, it just feels like home. Chigger: Well, this is our second time playing there, but the first time we played there, I think I might have kissed the stage floor when I got there. I grew up dreaming about playing the Whisky as a rabid Motley Crue fan. I always wanted to play in LA. Unfortunately, we’re playing here in the wrong era. It’s just not the same, but still cool to play on the same stage as Motley, Van Halen, The Doors, Kiss, Poison, etc. We were received very well the last time we played there, so HIGHWIRE DAZE
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we can’t wait to get back! Plus, I can’t wait to see the Killer Dwarves! DC: Playing the Whisky is definitely a rite of passage. To be able to play, let alone, stand on the ground my heroes did, is an honor!! Looking forward to a cheeseburger at the Rainbow...hahaha Nick: I typically feel honored to perform in front of anyone anywhere and even more so this iconic venue. I am also just grateful to have lived long enough to see what I am now seeing as I’ve had quite a few close calls in this life. I am looking forward to going wild on stage and standing out as the one voice type you normally never hear. Select two songs that fans may hear during your set and tell us about the inspiration behind each track. What stories or emotions were you hoping to convey through the lyrics? Chigger: The song “Drowning”, from our self-titled debut from Pavement Entertainment. That song is about being fake and living a fake life like those people who pretend to travel around the world taking selfies with these fake backgrounds, when in reality, they are in their one-bedroom apartment. Our music video doesn’t exhibit that story at all! We filmed it in a haunted house because it was cool! Hahaha! Another song is “Rocketship.” DC can tell you what that song is about. It’s just a really cool song and I love ending our set with it. DC: Yeah, for me, “Drowning” is about living like you’re there, but it’s just a dream kind of. Rocketship is about facing adversity, refusing to stay down, and finding the strength to rise above whatever life throws your way. It’s about that moment when you decide you’re done letting circumstances 31
define you and you’re ready to take control of your own story. We hope people can hear themselves in the song, connect with the message, and feel that same drive to rise up and keep moving forward. Nick: I would agree, “Drowning” and “Rocketship” are the songs I look forward to the most in our sets. “Drowning”, to me, comes from a place where many of us have been. Sometimes there’s a self-delusional hopeless place we hit where you wake up and realize maybe you were full of yourself. Maybe you were thinking you’re a star, but in reality, you were fooling yourself the entire time. You are just like everyone else at the end of the day. “Rocketship” on the other hand is more about the next stage, where you ask yourself what you’re going to do next after sifting through the pieces of your life once you woke up. “Drowning” is the call and “Rocketship” is the response. Steve: I would have to say “Drowning” and “Cage the Animal”. “Drowning” was inspired by the idea that some people see themselves as much more than they really are, only to realize that, at the end of the day, you’re standing there alone. “Cage The Animal”, the minute you’re gaslighted by someone and all those evil thoughts you have about that person from that moment on, never letting it out, only thoughts on the inside. Rahway has stayed active on the live circuit. Looking back on your recent shows, what were some of the biggest highlights, memorable moments, or unexpected surprises? Steve: There have been times when I’ve looked out into the crowd and realized people were singing our songs right back at us, word for word. There’s honestly no feeling like it. Knowing that something we created means enough to someone that they’ve learned the words and are singing them back to us from the audience, that’s a pretty fucking incredible feeling. Chigger: One of the biggest highlights was opening for Ace Frehley for his last ever show in NJ before he passed away. Ace was one of the most iconic guitar players in this business, and we got to have the direct support slot for his last appearance in New Jersey. That was sad, but memorable. We also played a sold-out show in Wilkes-Barre opening for Greta Van Fleet before they blew up. I remember coming back down to our dressing room after our set and their dressing room door was open and they applauded as we walked by. Those kids were super nice. Another time in Bethelhem, PA, we opened for Dorothy and after our set, there was a really long line at our merch table to meet us. That was really cool too! 32
DC: All of them, Every damn one. The journey is what I love...that’s it. Nick: I honestly can’t speak on some of the unexpected surprises because they are much too wild for this interview, but I can say some of the recent memorable moments for me were just fooling around with other bands on tour and doing shows where people are screaming “Rahway” in the crowd. I don’t know what it is, but when you hear a room full of people screaming your band’s name it just makes you feel like you’re doing the right thing for once in life…haha. While everyone else is sipping their lattes with their reading glasses on while the Rogaine sets in you’re out there rippin and runnin through the states partying with random people and getting it. I had a choice between chasing money and chasing something else. I chose the pursuit of awesomeness. Any final words for your fans and the readers of Highwire Daze? Perhaps a piece of wisdom you’ve learned on your journey as a band? Chigger: There’s no way like the Raw F’N Way! Meaning the band will always be live and raw! We’ll never be fake and pre-taped. DC: Go to RahwayBand.com and follow us on all of our social media pages @RahwayBand. Never Give up. Do what you love and let it kill you. Enjoy every bump, we only go around once, this ain’t about the money. Nick: Give us a chance, we know you’ve listened to your … And Justice For All album for the 5000th time but c’mon, make some time to give us a shot! STOP BEING OLD!!! DON’T LOSE YOUR DINOSAUR!!! WE CAN DO KARATE IN THE GARAGE TOGETHER!!! Steve: Simple! Think big, dream big and stay away from the nay sayers.
www.instagram.com/rahwayband/ October/November 2026
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TRIBUTE BAND HALL OF FAME Bar 10 at The Corbin Bowl, Tarzana, CA., June 27, 2026 Review by Ken Morton - Photos by Karyn Burleigh
Tribute Bands! Their time is now! The inaugural Tribute Band Hall of Fame took over Bar 10 at the Corbin Bowl, Bowl, featuring an absolutely epic lineup of musicians! Founded by Trudi Keck Starr of the absolutely phenomenal Whole Lotta Rosies (an AC/DC tribute extravaganza), the Tribute Band Hall of Fame packed the house with fans ready to rock out to selections from their favorite bands. In addition to a rocking, high-energy set by Whole Lotta Rosies, Rosies, this unforgettable night featured short but very memorable performances from LA Cult (The Cult Tribute), Black Sabbatha (Black Sabbath Tribute), Pretty in Pink (Psychedelic Furs Tribute), Tom and The Refugees (Tom Petty Tribute), Pictures of You (The Cure Tribute), STT (Stone Temple Pilots Tribute), Cinderdust (Cinderella Tribute), Hair-O-Smith (Aerosmith Tribute), Disaster Train (Ozzy Osbourne/Black Sabbath Tribute), and The Blackbird Brothers (Black Crowes Tribute)! Tribute)!
Lisa O’Neal of Black Sabbatha and Trudi Keck Starr of Whole Lotta Rosies
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From what I’ve heard, there may be another Tribute Band Hall of Fame show in December, so stay tuned! In the meantime, check out these photos by Karyn Burleigh! Burleigh! LINKAGE:
www.instagram.com/tributebandhof/ www.instagram.com/wholelottarosies/ www.instagram.com/thelacult/ www.instagram.com/psychfurstribute/
Trudi Keck Starr of Whole Lotta Rosies
Andy Singer of Pretty In Pink, Tyler Browne of Whole Lotta Rosies and L.A. Cult, Trudi Keck Starr of Whole Lotta Rosies, D.R. Starr, Lauri Keck HIGHWIRE DAZE
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THE HARD WAY The Whisky, West Hollywood, CA., August 7, 2026
Review by Ken Morton - Photo by Scott Waters Angel made a stop on their Farewell Tour at the world-famous Whisky A Go Go on the Sunset Strip, performing a West Coast show one final time. Providing direct support for an evening filled with music and memories was L.A.’s own The Hard Way, who primed the crowd in grand fashion with a powerhouse set of kick-ass rock and roll anthems. The Hard Way’s 2026 lineup is nothing short of stellar, featuring frontman and founding member Eric Jeffreys on vocals, Howie Simon and Andres Yepez on guitars, Dylan Wilson on bass, and Jonas Streffer on drums. Adding even more excitement to the experience were The Hard Way dancers, Katarina Noire and April Showers, whose electrifying moves kept the audience enthralled throughout the set. From the opening refrains of Cum to The Walking Dead and beyond, The Hard Way immediately captured the crowd’s attention and proved they had brought along a devoted fanbase of their own. One of the undeniable highlights of the 36
night was the wickedly wonderful Diabolical Bitch, a true anthem for the rock ages that deserves to be raging across radio airwaves everywhere. Eric Jeffreys commands the stage with a dynamic presence and performs with the passion and conviction of a classic rock and roll frontman. You could feel the heartache, tension, honesty, and life experience behind every lyric, especially during the finale of That Ain’t Love and I Can’t Go Home. Both songs packed a powerful emotional wallop while still delivering the hard-hitting rock and roll punch that defines The Hard Way’s sound. Practically the Whisky’s house band whenever major national acts roll through town, The Hard Way continue to dominate the Los Angeles rock scene with an all-out vengeance in one hand and a stiff drink in the other. If you have the chance to see these guys live, don’t miss it. The Hard Way remain one of L.A.’s most entertaining and hard-rocking bands, and they show no signs of slowing down. September/October 2026
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FOR WHOM THE BELL TOLLS Strategic PR That Makes Noise and Gets You Heard One example is Black Label Society drummer Jeff Fabb and his solo single “Into Thin Air.” Jeff is already known as an accomplished drummer who has performed with Black Label Society, In This Moment, Filter and Sixx:A.M., but this campaign introduced another side of him—as a vocalist, songwriter and multi-instrumentalist. “Into Thin Air” explored loss, love, gratitude and the realization of how short life can be. Instead of treating it as simply another single, we built the campaign around its emotional story. That gave the media something meaningful to discuss and helped the release earn attention from outlets including The Needle Drop, Metal Hammer and Rock Feed. The lesson is simple: your biography may get an editor’s attention, but your story gives that editor something worth sharing.
By Raquel Figlo-Bell After more than 20 years in the music industry, I can tell you this: great music is not enough. If no one knows your story, understands why your release matters or hears about it at the right time, even an incredible song can disappear into the noise. Public relations is not simply sending a press release. It is finding the story, creating the opportunity and knowing what to do once the media starts paying attention. Before becoming a publicist, I worked as a music journalist and event professional. That experience taught me how editors think, what makes a story worth covering and why generic mass emails rarely get anyone’s attention. I understand this industry from both sides of the pitch. When a band works with Raquel Figlo Public Relations, I personally direct the strategy, writing, media outreach, follow-ups and interview coordination. I begin by asking questions: Why does this song matter? Why should someone cover it now? What makes this artist different? Is there a personal story, collaboration, tour, video concept or career milestone that gives the media a reason to pay attention?
Another campaign involved Finnish-German alternative metal band Rootbrain and their single “Unawares,” from the EP Mothertomb. The track was selected for Metal Hammer’s “Tracks of the Week” poll alongside established artists including Machine Head and Black Label Society. Getting onto that list was only the beginning. I immediately created a social media push encouraging fans, friends and members of the metal community to listen, vote and share. Rootbrain ultimately finished in third place. That campaign demonstrated something I tell my clients constantly: a press placement is not the end of the campaign. It is content, credibility and another opportunity to connect with your audience. Bands should repost their coverage, tag the publication, thank the writer and give their fans a reason to participate. Never post an article once and forget about it. I also worked with Bay Area metal veterans Skinlab on their cover of Hatebreed’s “Last Breath.” The campaign connected Skinlab’s history and credibility with the lasting influence of Hatebreed, helping the release secure a premiere with Metal Injection. The lesson from that campaign was the importance of media alignment. Every song does not belong at every publication. The strongest placement is not always the outlet with the largest audience—it is the outlet whose readers are most likely to understand, appreciate and share the music.
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After leading more than 150 campaigns and generating more than 1,000 media placements, I have learned that successful publicity requires cooperation between the artist and the publicist. A band should have professional photographs, an updated biography, working music and video links, a clear release schedule and a compelling story. These materials should ideally be ready at least three to four weeks before the release date. Artists must also be available for interviews, approvals and follow-ups when opportunities arise. Not every band is ready for a full publicity campaign, and I believe in being honest about that. Sometimes an artist first needs stronger branding, better media materials, consistent social media or a clearer release strategy. That is why I also offer consultations—to help musicians understand what they need to do before launching a campaign. This experience inspired me to write my book, No One Is Covering You. It is a practical, straightforward guide for musicians, managers and entrepreneurs who want to understand why their pitches are being ignored and what they can do differently. The book explains how to develop a compelling story, prepare professional media materials and approach publicity with a strategy instead of releasing music and hoping someone notices. My career has included campaigns connected to Kill Devil Hill, Cleopatra Records, Skinlab, Rootbrain and members of Danzig, Megadeth and Black Label Society. I have secured or supported opportunities with Metal Injection, Metal Hammer, Loudwire, Blabbermouth, Revolver, BraveWords, MetalSucks, SiriusXM and many other respected platforms. However, public relations is earned media. No ethical publicist can guarantee a specific interview, review or placement. What I can bring to every campaign is experience, strategy, relationships, persistence and a genuine passion for rock and metal. I have spent more than two decades in this community because I believe this music deserves to be heard. My job is to help artists find their story, prepare for the opportunity and create momentum that continues long after release day. If no one is covering you, it may be time to stop hoping—and start building a strategy. Let’s make noise and get you heard. Raquel Figlo-Bell - Raquel Figlo Public Relations @RaquelfigloPR - Raquel@RaquelFiglo.com www.RaquelFiglo.agency
ALBUM REVIEWS ANTARTICA Tom Ciurczak Self-Released
by Ken Morton Southern California rocker Tom Ciurczak has delivered Antarctica, his sixth studio album and a work that finds him operating at the height of his creative powers. Where heartland rock collides with cinematic surrealism is where you’ll find the captivating stories explored throughout Antarctica. Opening track “Invisible Man” serves as an anthem for those trying to find their footing in a constantly changing world. “Haunted House” is sweeping and mesmerizing, with its refrain of “there’s no such thing as coincidence” lingering long after the song fades. The title track, “Antarctica,” described as “a ghost story at the bottom of the world,” is an absolute stunner. The stories continue to unfold, tantalizing the senses and sending the imagination into flight. Stay through the album’s conclusion for an unforgettable encounter with “Creature From The Blues Saloon,” a finale sure to linger long after the last note fades. And be sure to catch Tom and his band at The Whisky on October 25th to experience the intrigue of these songs in a live setting.
Info: tomciurczak.com
WALL OF JEALOUSY Naughty Women Geza X Records
by Ken Morton Naughty Women are the underground punk legends from Orange County, back on the attack with their brand new epic of chaos entitled Wall of Jealousy. Produced by the iconic Geza X, Wall of Jealousy delivers five tracks destined to pummel your senses and dropkick your ass into the outer throes of oblivion. “Rise And Die” is a slamming opening cut, primed to ignite slam pits across the globe. “All The World’s A Lay” furthers the hazy, mind-numbing intrigue, followed by the blistering metallic reveries of “The End.” “Ashes To Ashes” is punk adrenaline amped up to the highest degree imaginable, while final track “Dying Of The Light” sounds like Iggy Pop reaching out through the dense fog of The Stooges glory days. At this stage in their career, Naughty Women continue to create compelling art sure to enrapture punk enthusiasts and thrash fanatics alike. Extraordinary performances from Rob Larson on vocals, Bill Evans on guitar, Ellery Peterson on bass, and Steve Stafford on drums elevate these songs even further. Play this MF loud for maximum impact and damage.
www.instagram.com/thenaughtywomenband/
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“...magnetism in abundance... “...magnetism abundance...”” YNGWIE MALMSTEEN // LIMBERLOST // LIVE REVIEW // THE MANDELA HALL // BELFAST
Mark McGorgan rocknloadmag.com
“Limberlost female-fronted rock, bringing authenticity, “Limberlost is redefining female -fronted roc¢, passion, passion, and and rock roc¢ authority to audiences worldwide. worldwide.””” The Loud Spot with Sebastion
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