2023 Undergraduate Architectural Portfolio by herik sendri galor

B S - A R C H I T E C T U R E PORT FOLIO H E R I K S E N D R I B . G A L O R A N U N D E R G R A D U A T E A R C H I T E C T U R A L

HERIK SENDRI BATILARAN GALOR

EDUCATION

MAY 2023

APRIL 2018

AteneodeDavaoUniversity

BachelorofScienceinArchitecture

NotreDameofMarbelUniversityIBED

SeniorHighSchool

APRIL 2016 NotreDameofMarbelUniversityIBED

JuniorHighSchool

MARCH 2012

NotreDameofMarbelUniversityIBED

Elementary

MARCH 2006 StarKidsLearningCenter

Kindergarten

ORGANIZATIONS AND AFFILIATIONS

Doric Member

2019-2023

AteneodeDavaoChessTeam Varsity

SchoolofEngineeringandArchitecture

ChessTeam

TeamCaptain

EAOctaves

Member/BandLeader

ACHIEVEMENTS AND AWARDS

Dean'sLister

SKILLS

DACS 2019 & 2023 SilverMedalist Adobe Photoshop

4thyearBSArchitecture

2018-2019 Enscape Lumion SketchUp AutoCAD Canva MS Office

TheBestStrategiesforBiophilic Design

HostedbyFilipeBoni, SamiMeira

C O N T E N T S

CONTACT ME Address BLK. 2, Osita subd., brgy zone 2, Koronadal City, South Cotabato Phone 09639301981 Email heriksendr@gmail.com

Adobe Illustator

SEMINARS AND WEBINARS 2019-2020 2019-2021 1ST SEMESTER & 2ND SEMESTER S.Y. 2021-2022 2021

Doña Vicenta, Sigma st., Bajada, Davao City

MUSEOKALON NADAL UNVERSITY OVERLAND TERMINAL SMCUBAO PARAHUWAYAN STUDIOTYPE ROOM GALORDENTAL CLINIC CASADE SERENIDAD REVITALIZATION: BAKNEROHANRIVER 01 02 03 04 05 06 07 08 09 10 CASAPARAISO

MUSEOKALONNADAL01 ABOUTTHEPROJECT

MUSEO KALON NADAL IS A PROPOSED ETHNOGRAPHIC MUSEUM THAT REMINISCES ABOUT KORONADAL CITY'S PAST. THE MUSEUM'S NARRATIVE IS GROUNDED ON HANDURAWAN; A COMPILATION OF NARRATIVES DERIVED FROM INTENSIVE RESEARCH CONDUCTED BY THE LOCAL GOVERNMENT UNIT OF KORONADAL TO RECORD THE CITY'S EARLY BEGINNINGS UP TO THE POSTJAPANESE OCCUPATION OF THE CITY. THE PROPOSED MUSEUM INTENDS TO TRANSLATE THE HANDURAWAN NARRATIVE INTO ARCHITECTURAL GUIDELINES THAT ENGAGE SENSORY PERCEPTIONS IN LEARNING USING CONTEXTUAL SENSORY DESIGN STRATEGIES TO ADVANCE COMPREHENSION OF THE NARRATIVE APPROACH, VISITORS' LEARNING EXPERIENCE WILL BE ENRICHED BY THE LOCAL CULTURE AND HISTORY. WITH THIS, MUSEUM VISITORS WILL BE REWARDED WITH A BODY OF MEANINGFUL EXPERIENCES COUPLED WITH NEW KNOWLEDGE, CULTURAL TRANSMISSION, AND SOCIAL COHESION THAT FURTHER OPPORTUNITIES FOR THE CITY OF KORONADAL.

SITE

DEVELOPMENTPLAN

1- TRICYCLE DROP-OFF NEAR COVERED WALKWAY

2 - GUARD HOUSE

3- VEHICULAR ENTRANCE

4- VEHICULAR DROP-OFF AREA NEAR MAJOR ROAD

5- TRICYCLE DROP OFF AREA NEAR STATUE OF ALBERT MORROW

6- VEHICULAR DROP-OFF AREA NEAR MAJOR ROAD

7- DIRECT VEHICULAR EXIT FROM THE PERIMETER DROP-OFF AREA

8- VEHICULAR EXIT

9- PUBLIC MOTORCYCLE AND BICYCLE PARKING

10-PARKING AREA

11- PRIVATE BICYCLE AND MOTORCYCLE PARKING

12- MECH ELEC

13- GDU

14- BUS PARKING

15- COLLECTION LOADING/UNLOADING DOCK

16- SCULPTURE GARDEN

17- DIRECT VEHICULAR EXIT FROM THE PERIMETER DROP-OFF AREA

18- VEHICULAR EXIT

19- PUBLIC MOTORCYCLE AND BICYCLE PARKING

20-PARKING AREA

21- PRIVATE BICYCLE AND MOTORCYCLE PARKING

22- MECH ELEC

23- GDU

24- BUS PARKING

25- COLLECTION LOADING/UNLOADING DOCK

26- SCULPTURE GARDEN

27- MUSEUM BUILDING BIKE LANE

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

SITE'S RELATIONSHIP TO KORONADAL OVERLAND TERMINAL

SITE LOCATION

THE SITE IS LOCATED AT BRGY. SANTA CRUZ, CROSSING DIAZ ST., AT THE BACK OF KORONADAL OVERLAND TERMINAL

TRAFFIC ANALYSIS

THE SITE IS FRONTING A PROVINCIAL ROAD THAT EXPERIENCES MODERATE TRAFFIC.

VISTA VIEWS

THE SITE EVACUATION PLAN SHOWS THE POSSIBLE AREAS FOR EVACUATION AND IS INDICATED BY THE GREEN SQUARES.

NOISE ANALYSIS

THE SOUTHEASTERN AND NORTHEASTERN PART OF THE SITE IS VERY SUSCEPTIBLE TO NOISE. THE PROVINCIAL ROAD AS WELL AS THE TERMINAL MAY PRODUCE 80 UP TO 100 DB TO THE SITE.

SUND AND WIND PATH ANALYSIS

THE SITE EXPERIENCES A WIND FLOW DIRECTION OF NORTH TO SOUTH EAST DIRECTION AND A SUN PATH FROM EAST TO WEST.

SITE'S SENSORY STRATEGIES

FOR THE SITE’S ZONNG, THE FRONT PORTIONOFTHESITECOMPOSEDBY ALTARS OF THE TR-PEOPLE AREA, STATUE OF ALBERT MORROW, MULTI-PURPOSE EXHIBT AREA, BAHAY KUBO EXHIBIT AREA PEDESTRIAN AND VEHICULAR ENTRANCE, DROP-OFF POINTS, PUBLIC PARKING, AND PLAYGROUND IS A PUBLIC ZONE THE NORTHEASTERN PART OF THE SITE IS A SEMI-PRIVATE ZONE THAT INCLUDES THE SCULPTURE GARDEN. THSZONEISINTENDEDTOCONTROL ACCESS FROM THE PUBLIC TO THE PRIVATE ZONE. THE BACK OF THE MUSEUMBUILDINGASWELLASTHE SITE’S NORTHWESTERN PART IS A PRIVATEZONE,DEDICATEDFORSTAFF ENTRANCE, EXIT, STAFF PARKING, COLLECTON LOADING AND UNLOADING DOCK MOTORPOOL AND MECHANICAL AND ELECTRICAL BUILDING

THE FOLLOWING ARE THE SENSORY DESIGN STRATEG ES FOUND IN THE SITE TS PURPOSE IS TO SET THE VISITORS’ PERCEPTION OF WHAT’S INSIDE THE MUSEUM WHILE APPROACHING IT THE STATUE OF ALBERT MORROW AND THE ALTARS OF THE TRI-PEOPLE ACTS AS THE CENTRAL PASSAGE FOR PEDESTRIANS THE MULTI-PURPOSE OPEN EXHIB T IS AN AREA WHERE VIS TORS CAN SEE AND BE IMMERSED IN ETHNIC MUSICAL INSTRUMENTS AND DANCES WHICH SERVES AS A WELCOMING ACT LOCATED NEAR THE VEHICULAR ENTRANCE PICTURE PANELS ARE PLACED AT SIDEWALKS AND PARK NG AREAS THE PLAYGROUND IS PROV DED WITH NATIVE PLAY NG MATERIALS THE BAHAY KUBOS OFFERS A VARIETY OF PRODUCTS SUCH AS FOOD, FABRICS, ACCESSORIES, AND OTHER LOCAL PRODUCTS THE SCULPTURE GARDEN CAN BE A PLACE OF REMINISC NG THE PAST THROUGH THE SCULPTURES PRESENTED

VIEW FROM TERMINAL

A B C A B C SITE VIEW ANALYS S S TE ZONING S TE EVACUAT ON PLAN

VIEW FROM PROVINCIAL ROAD VIEW FRONTING THE SITE

Culture JourneyofFirst ChristianSettlers SenseofCommunity

UnderstandingOrigins PurityofBlaanCulture PurityofMaguindanaon

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

THE V EW ANALYSIS SHOWS THE VISTA VIEWS FOUND N THE SITE AS WELL AS WHEN APPROACH NG THE SITE FROM THE MAIN ROAD AND THE TERMINAL. THE A-VIEW PRESENTS THE BEST VIEW THAT INTEGRATES THE C-VIEW TO THE MUSEUM BUILD NG THE B-VIEW PRESENTS THE VIEW FROM THE TERMINAL, CONNECTING TS PROPOSED PARK TO THE MUSEUM SITE LASTLY THE C-VIEW PRESENTS THE VIEW OF THE MOUNTAIN VALLEY OF KORONADAL THE VIEW ANALYSIS SHOWS THE VISTA VVIEWS THAT CAN BE UTILIZED AND A VIEW OBSTRUCTION.

I S O N O M T R I C

1- TRICYCLE DROP-OFF NEAR COVERED WALKWAY

2 - GUARD HOUSE

3- VEHICULAR ENTRANCE

4- VEHICULAR DROP-OFF AREA NEAR MAJOR ROAD

5- TRICYCLE DROP OFF AREA NEAR STATUE OF ALBERT MORROW

6- VEHICULAR DROP-OFF AREA NEAR MAJOR ROAD

7- DIRECT VEHICULAR EXIT FROM THE PERIMETER DROP-OFF AREA

8- VEHICULAR EXIT

9- PUBLIC MOTORCYCLE AND BICYCLE PARKING

10-PARKING AREA

11- PRIVATE BICYCLE AND MOTORCYCLE PARKING

12- MECH ELEC

21- PRIVATE BICYCLE AND MOTORCYCLE PARKING

22- MECH ELEC

23- GDU

24- BUS PARKING

25- COLLECTION LOADING/UNLOADING DOCK

26- SCULPTURE GARDEN

27- MUSEUM BUILDING

BIKE LANE

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

DROP-OFF

- VEHICULAR

-PARKING AREA

13- GDU 14- BUS PARKING 15- COLLECTION LOADING/UNLOADING DOCK 16- SCULPTURE GARDEN 17- DIRECT VEHICULAR EXIT FROM THE PERIMETER

AREA 18

EXIT 19

PUBLIC MOTORCYCLE AND BICYCLE PARKING 20

GROUND FLOOR PLAN

SECOND FLOOR PLAN

THIRD FLOOR PLAN

ROOF DECK FLOOR PLAN

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

THIRD FLOOR ZONING PLAN

SECOND FLOOR ZONING PLAN

GROUND FLOOR ZONING PLAN

VIEWING DECK

REVENGE OF THE SETTLERS EXHIBIT

DEATH OF ALBERT MORROW EXHIBIT

THE 28 CAPTIVES EXHIBIT

BOMBING OF THE GARRISON EXHIBIT

DEATH OF EPANG EXHIBIT

ARRIVAL OF THE JAPANESE EXHIBIT

INTERACTION OF THE TRI-PEOPLE GALLERY

ARRIVAL OF CHRISTIAN SETTLERS GALLERY

BLAAN AND MAGUINDANAON GALLERY

AUSTRONESIAN GALLERY

ORIENTATION AREA

N A R R A T I V E

1ST 2ND 3RD 4TH 5TH 7TH 6TH 8TH 9TH 10TH 12TH 11TH

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

UNDERSTAND THE ORIGIN OF TRIBES IN THE PHILIPPINES THROUGH THE PRESENTATION OF DIFFERENT THEORIES REGARDING THE AUSTRONESIAN PEOPLE.

EXPERIENCE THE PURITY OF BLAAN AND MAGUINDANAON CULTUREWHERE ONE REMAINED TO E A BLAAN OR MAGUINDANAON FOR THE REST OF LIFE WITH NO INTERACTION WITH THE ADJACENT TRIBE, EVEN WITH THE CHRISTIAN SETTLERS.

EXPERIENCE THE JOURNEY OF CHRISTIAN SETTLERS COMING FROM LUZON AND VISAYAS TO MINDANAO.

A SHOWCASE OF WHAT IS NOW THROUGH DIFFERENT ARTFORMS, DRESSES, AND HINUGYAW FESTIVAL PLAY

S E N S O R Y

01 NADAL MUSEUM OF ETHNOGRAPHY

A N D F L O W

PROVIDE AN EXPERIENCE OF SIGNIFICANT WAR SCENES AND EVENTS DURING THE JAPANESE OCCUPATION OF THE CITY.

SHOWCASE THE HEROISM AND SACRIFICE OF ALBERT MORROW ALONGSIDE THE LOYALTY AND NOBILITY OF HIS AID, SANTIAGO ODI.

BE IMMERSED IN THE SCENE OF THE DEATH OF 17 MARTYRS AND THE REVENGE OF THE GUERILLAS AGAINST THE JAPANESE FORCES WHICH PAVED THE WAY FOR THE CITY'S FREEDOM FROM THE CONQUERORS' HANDS.

MUSEOKALON NADAL MUSEUM OF THNOGRAPHY

E L E V A T I O N S

MUSEUM BUILDING FRONT ELEVATION

MUSEUM BUILDING RIGHT SIDE ELEVATION

MUSEUM BUILDING REAR ELEVATION

MUSEUM BUILDING LEFT SIDE ELEVATION

CROSS SECTION

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY

LONGITUDINAL SECTION

01MUSEOKALON NADAL MUSEUM OF ETHNOGRAPHY AUSTRONESIAN GALLERY ARRIVAL OF JAPANESE EXHIBIT BOMBING OF GARRISON EXHIBIT DEATH OF 17 MARTYRS DEATH OF SANTIAGO ODI DEATH OF CAPT. OISHIE DEATH OF ALBERT MORROW ARRIVAL OF JAPANESE EXHIBIT OUTDOOR EXHIBITION SPACE CHILDREN'S PLAYGROUND SCULPTURE GARDEN STATUE OF ALBERT MORROW PARKING AREA CAFETERIA

02 A P R O P O S E D P R I V A T E N O NS E C T A R I A N T E R T I A R Y S C H O O L U N I V E R S I T Y

N I V E R S I T Y

4 FACULTY 5- COLLEGE BUILDING 1 WITH CAFETERIA 6- COLLEGE BUILDING 2

10 CHAPEL 11- DORMITORY 15 RENTABLE SPACES

6 5

DEVELOPMENTPLAN 02 A P R O P O S E D P R I V A T E N O NS E C T A R I A N T E R T I A R Y S C H O O L

16- OPEN FIELD

SITE

CLASSROOM BULDING 1 GROUND FLOOR PLAN CLASSROOM BULDING 1 SECOND FLOOR PLAN CLASSROOM BULDING 1 THIRDFLOOR PLAN 02 A P R O P O S E D P R I V A T E N O NS E C T A R I A N T E R T I A R Y S C H O O L U N I V E R S I T Y

E L E V A T I O N S

CLASSROOM BULDING 1 FRONT ELEVATION

CLASSROOM BULDING 1 REAR ELEVATION

CLASSROOM BULDING 1 RIGHT SIDE ELEVATION

CLASSROOM BULDING 1 LEFT SIDE ELEVATION

U N I V E R S I T Y

A P R O P O S E D P R I V A T E N O NS E C T A R I A N T E R T I A R Y S C H O O L

P A S A D A

A PROPOSED OVERLAND TERMINAL

ABOUTTHEPROJECT

THE CONCEPT OF THIS OVERLAND TERMINAL FOCUSES ON ITS SERVICESCAPE DESIGN. ITS INTERIOR EXTERIOR, AMBIENT, DISPLAY, SOCIAL, AND FUNCTIONAL VARIABLES ADHERE TO SAFEGUARD PASSENGERS' EMOTIONS. STRATEGIES THAT GENERATE POSITIVE EMOTIONS ARE ALSO INCORPORATED TO ENSURE THE COMFORT OF THE PASSENGERS. EXAMPLES OF THESE STRATEGIES ARE THE PROVISION OF GREEN SPACES, ATRIUMS, GLASS WALLS, AND WATER FEATURES FOR A NATUREPASSENGER RELATIONSHIP, BETTER WAYFINDING, WIDE WALKWAYS TO AVOID CONGESTION, HIGH CEILINGS, AND EXCLUSION OF PEDESTRIAN WAYS FROM THE SITE'S VEHICULAR PERIMETER ROADS TO PREVENT RISK. THE PROPOSED DEVELOPMENTS ARE MORE THAN JUST A TYPICAL BUS TERMINAL. INSTEAD, ITS DESIGN MAKES IT A REMARKABLE LANDMARK, A ONE-STOP-SHOP WITH COMMERCIAL SPACES, AND AT THE SAME TIME, A PLACE WHERE LOCAL PRODUCTS, CITY IDENTITY, AND CULTURE ARE FEATURED

SITE

DEVELOPMENTPLAN

A PROPOSED OVERLAND TERMINAL P

17 1 21 2 3 8 5 7 7 12 11 9 7 10 19 4 16 15 6 14 22 23 13 18 20 5

A S A D A 03

10-

12-

13-

14- BUS

15- VAN UNLOADING

16- BUS UNLOADING

17- MAIN TERMINAL BUILDING

TERMINAL ENTRANCE

21-

1- PUV DROP-OFF AREA ENTRANCE 2- COMMERCIAL SPACE 3- PRIVATE VEHICLE PARKING AREA/DROP-OFF ENTRANCE 4- MOTORCYCLE/BICYCLE PARKING 5

PRIVATE VEHICLE PARKING AREA 6

(PUV) JEEP AND VAN LOADING AREA/BAYS 7

ROTUNDA 8

PRIVATE VEHICLE PARKING AREA/DROP-OFF EXIT

BUS PARKING AREA

VAN/JEEP PARKING AREA 11

MAINTENANCE OFFICE/GARAGE

DRIVER'S DORMITORY

STAFF PARKING AREA

LOADING AREA/BAYS

AREA/BAYS

18- PRIVATE VEHICLE DROP-OFF AND PASSENGER ENTRANCE 19

MAIN

PUV DROP-OFF AREA

PUV EXIT 22

BUS/JEEP/VAN TERMINAL ENTRANCE 23

BUS/JEEP/VAN TERMINAL EXIT

SITEANALYSIS

THE SITE - S LOCATED AT PANACAN, DAVAO CITY ALONG DAANG MAHARLIKA HIGHWAY, DAVAO CITY DIVERSION ROAD A MAJOR ROAD ACCOMPANIES T ON TS NORTHWEST-TO-NORTHEAST S DE AND A MINOR ROAD ON ITS SOUTHWEST TO THE SOUTHEAST S DE ITS BOUNDARIES ENCLOSE 5 2 HECTARES OF LAND AREA ACCORDING TO

P A S A D A 03

A PROPOSED OVERLAND TERM NAL

P L A N

E L E V A T I O N S

MAIN TERMINAL BUILDING FRONT ELEVATION

P A S A D A 03

MAIN TERMINAL BUILDING REAR ELEVATION

MAIN TERMINAL BUILDING RIGHT SIDE ELEVATION

MAIN TERMINAL BUILDING LEFT SIDE ELEVATION

A PROPOSED OVERLAND TERM NAL

PERSPECTIVES

PARAHU WAYAN A P R O P O S E D 2 - S T O R E Y R E S I D E N T I A L B U I L D I N G 04

1 2 3 4 5 6 7 8 9 10 11 11 12 13 14 15 16 17 18 19 3 GROUND FLOOR SECOND FLOOR

PARAHU

A P R O P O S E D 2 - S T O R E Y R E S I D E N T I A L B U I L D I N G 04

I S O M E T R I C

WAYAN

PERSPECTIVES 04

S T U D I O T Y P E R O O M 05

T U D I O T Y P E R O O M 05

PERSPECTIVES 05

06 S E R E N I D A D

C A S A D E A PROPOSED HOSTEL

ABOUTTHEPROJECT

A HOSTEL WHERE BACKPACKERS CAN FIND SERENITY, ENVELOPED WITH REVIVALIST ARCHITECTURE DESIGN, MIXED WITH INDUSTRIAL DESIGN CONCEPTS, AND TOUCHES OF TROPICAL DESIGN.

LOCATED AT JIN PALMA STREET, POBLACION DAVAO CITY, IN FRONT OF PEOPLE`S PARK, THE PROPOSED CASA DE SERENIDAD IS A HOSTEL COMPOSED OF TWELVE ROOMS WITH TOILET & BATH, RECEPTION, STAFF ROOM, WITH TOILET & BATH, A COMMON POWDER ROOM, AND A COMMON LOBBY. A ROOF DECK IS PROVIDED FOR VIEWING, UTILIZING THE BUILDING`S LOCATION.

PROPERTY LINE SETBACKS ARE PROVIDED IN FRONT AND BACK PORTION OF THE BUILDING FOR THE ROOMS TO HAVE A BALANCE SUNLIGHT EXPOSURE THROUGH ITS PARALLEL-TO-SUN AND WIND DIRECTION WINDOWS FOR ENERGY EFFICIENCY.