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In an honorable mission to "normalize men's grooming," as Nick Jonas puts it, the Jonases then provide a glimpse of their carry-on toiletries bag, but you You'll have to watch the video for yourself to see what kind of products hold these three young men dressed as artfully as they always do. (Hint: They got help from some now-discontinued Tom Ford shaving cream.) After a radio appearance, Jonase took a nostalgic drive through Times Square. on the way to Jungle City. Film studio. After rehearsing and thinking about the nature of their years-long collaboration, they headed to stylist Sydney Lopez's studio to try on a number of accessories, including Valentino studs and tight polo shirts, Sparkles are indispensable.

The second to last stop of the day was Saturday Night Live rehearsal followed by a Citi Bike ride to Sona, Nick's wife, Priyanka Chopra Jonas, for oysters, paneer pizza, etc because after On a day like that, sometimes you just need to refuel with your brothers. Stars gathered for Chanel's Cruise 2024 show in Los Angeles on Tuesday, among them supermodel and actress Milla Jovovich, who attended wearing a toned Chanel suit with a beautiful look. . outstanding. In true opulent form - Chanelized, of course - Jovovich paired her new cap, styled in a stone high bun, with glowing, spotless skin and deadly cat fur . Creating that famous look, the liquid eyeliner was drawn by makeup artist Holly Silius, who used Chanel's Calligraphie de Chanel Longwear Intense Cream Eyeliner 65 Hyperblack to elongate the eyes. For a change of pace, she uses hot pink lip liner over her eyes to add detail and a bit of color to the look - a great trick to try at home. Last night in Los Angeles, Chanel - in the name of Virginie Viard - paid homage to the early '90s version of the City of Angels. The ad for the 2024 resort collection features billboards, a beach, and an aerobics routine with iconic tapes by Cindy Crawford and Jane Fonda. Another element reminiscent of the aforementioned era? The hair, crosses the line between late-century return (think va-va-volume) and the Barbie-core of the present time.

One of the stories that came to me so early was the story of how I got the role of Topanga. All my life, I've told that story through the lens of "Isn't this an inspiring story?" It was so inspiring
that I didn't get something, and then I had this opportunity, and then I got it, but then it was almost taken away from me, but then I got it. . If you look at it that way, it's a truly inspirational story and that hasn't changed. On the other hand, there is a flip side to it, which is that the experience is also quite traumatic for 12-year-old Danielle, not professional actor Danielle. That's not to say it shouldn't have happened, or that it's bad that it did. It just means it has impacted me in more ways than just inspiring. You can admit that there are painful aspects to even really great things and that really makes me more human. The hard part of me is the mechanical part of me: Get the job done, move on, rank A, be capable of anything, I can do it all. But there is also a part of me that is vulnerable and wants to let go, wants to rest, and wants to say, "I'm tired and I'm emotional." Being able to recognize both sides is really just being able to recognize my whole being and it also helps me to realize my whole being in others.
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