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Since then, Kardashian has continued to favor dresses that accentuate the form.In 2019, for the “camp” theme, Kardashian wore a custom Thierry Mugler look made of silk organza and dripping crystals (it was made to mimic the wet shirtdress that Sophia Loren wearsIn Boy on a Dolphin). Underneath, a Mr. Pearl corset further whittled the waist.In 2021, for “In America: ALexicon of Fashion,” Kardashian went viral once again: This time for the all black Balenciaga spandex look she wore on the carpet, which covered her from head to toe. Of course, there’s no Kardashian Met Gala look that was as hotly discussed as last year’s, which honored the history ofAmerican fashion. The star slippedInto a naked style Jean Louis dress, once worn by Marilyn Monroe to sing “Happy Birthday” to then president JFKIn 1962. “Nowadays everyone wears sheer dresses, but back then that was not the case,” says Kardashian of the famous frock. “In a sense,It’s the original naked dress. That’s whyIt was so shocking.” Come this year’s Met Gala, something tells us Kardashian will shock once again.
Ethel CainIs, self admittedly, not exactly a festival person. “I have to work myself up to even go to concerts at small venues,” the 25 year old singer songwriter jokes.In fact, her first time attending a festival (Pitchfork) was also her first time performing at one.Nonetheless, Cain, who began self releasing musicIn 2017 from Florida, has proven to be a quick study. When performing at festival crowds, Cain points out, some of the audience might be unfamiliar with your work. (Although, given the breakout success of her 2022 concept album, Preacher’s Daughter, Cain has racked up plenty of fans as of late.) For her debut Coachella performance, Cain treated the career milestone as “just having some funIn the desert with my friends,” she shared with Vogue, shortly before embarking from Los Angeles to the desertIn a “clown car full of our gear and stuff.”Among the baggage was her Weekend 1 performance look, designed by Matthew M. Williams, creative director at Givenchy. “I love how clean and simple his designs are,” Cain shares of the designer, who frequently upheld modern design principles during his tenure at the French house. “It always goes back to the lines for me. Very clean lines.”
Suiting worked precisely becauseIt wasn’t the kind of feminine, hourglass accentuating attireI associated with the male gaze. Most of the time while at work as a model, that’s whatI wore and, apparently,It was obvious thatIt made me uncomfortable. Even after years of experience,I recently got feedback from a client thatI should take a movement class. On the surfaceI wasInsulted, butI quietly hoped that a one on one with a coach might be able to dissolve my discomfort.In the end,I spent my entire session talking through the self consciousnessI was experiencing while modeling traditionally feminine fashion no exercises needed.
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