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“I’m a purist when it comes to that,” Ronan says. “I’ve only ever made films, and I really appreciate sitting in a room full of strangers and having the same emotional experience.” After The Outrun premiered at the Sundance Film Festival in early 2024, Sony Pictures Classics stepped in to release the film in North America. (StudioCanal is handling international distribution.) The Outrun hits theaters just weeks before another Ronan project, Blitz a flashy World War II epic produced by Apple Studios and directed by 12 Years a Slave director Steve McQueen. Ronan’s experience shooting Blitz couldn’t be further from the hurdles of producing an indie film like The Outrun from scratch, but both films are transitional roles for an actor who audiences have watched grow up on screen over the past two decades.
Ronan is the first to admit that an introspective drama about overcoming addiction isn’t the most commercially viable in an ever-changing film landscape. She had meetings with a number of studios interested in The Outrun without securing a theatrical release, but she and Lowden knew it wouldn’t play well on a streaming service. The film is an intimate portrait of a woman battling
her demons, but it’s also a love letter to the brutal beauty of Orkney, and it was important to the filmmakers that it be seen on the big screen.
“It feels like there’s been a shift,” Ronan says of what she looks for in projects these days. “It’s not like when I was younger and everything was pure instinct there’s a lot more skill and finesse now.” Ronan made her acting debut in 2007, with a double-feature in I Could Never Be Your Woman, a criminally underrated romantic comedy in which she played Michelle Pfeiffer’s daughter, and Atonement, which earned the then-13-year-old her first Oscar nomination. In the years since, Ronan has filled her résumé with character-driven hits, constantly bouncing between indie and studio fare. At a time when every rising star seems to eventually find her way into the Marvel Cinematic Universe, Ronan has notably never been attached to a major Hollywood franchise. Her highest-grossing films to date have been collaborations with directors such as Greta Gerwig (Little Women) and Wes Anderson (The Grand Budapest Hotel).
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