Gtafashionshop - Official The Grinch Love Heart 2024 Iowa Hawkeyes Football Christmas T-shirt

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Buy it now: Official The Grinch Love Heart 2024 Iowa Hawkeyes Football Christmas Tshirt, hoodie, sweatshirt and long sleeve tee

Curator Jackie Yoong said that when she traveled to Paris to cull favorites from Gn‟s archive numbering some 10,000 runway pieces accrued over 85 collections she took some cues from last year‟s “In America: An Anthology of Fashion” exhibition at the MET, gleaning direction from Andrew Bolton‟s curation. “Fashion is about society and culture at a given point in time. We‟re not inventing new histories, it‟s about telling stories in 3D,” she said. “I saw parallels between the two [shows] because while American style is a lot more familiar thanks to Hollywood and how you see people dress, both nations are made up of immigrants from very diverse communities. Andrew‟;s is a small but significant label that shows a different way into fashion. I think he expresses himself from a place of understanding: there‟s no need to associate „home‟ with a single location, and the magic of his touch is that he makes it all wearable.”

For The Square, “the idea is what if Lina Bo Bardi had survived into modernity? What work would she have brought in here?” said Stockler. “What would that say about Brazil today?” Stockler went about combining the Instituto‟s collection with contemporary pieces by Brazilian artists like Allan Weber, Mestre Guarany, Cristiano Lenhardt, Davi de Jesus do Nascimento,

Gokula Stoffel, and Vivian Caccuri. On hand for the first day of The Square, the artists were eager to discuss the broader themes of their work. These ranged from racial profiling by police to climate justice and grasping for utopia. The program had been divided into four so-called paths to explore different aspects of Brazilian culture as related to Casa de Vidro and its former inhabitants, including tours of the interior (“The Glass House in Three Times”); the exterior and gardens (“Geometry and Spirituality”); the influence of various pivotal art movements, including neo-concrete, modernism, and Tropicália (“Tropical Roots”); and a sound tour focused on the main composers and performers in the emergence of bossa nova (“Soiree in Lina‟s Hall”). Much like a crystal easel, these paths provoke multiple looks at any given angle or added dimensions to a given idea. “Time is a spiral,” said curator Keyna Eleison, who moderated the first panel discussion. “The future is influencing the past here.”

For those interested in trying their hand at design, one room invites visitors to explore darting techniques or embellish cut-out paper collars with crystals. For the tech-fluent, an interactive “Fashion Try-On” based on radio frequency identification technology lets users play magpie, collecting signature butterflies, flowers, stars, and other motifs on a bracelet. On the ground floor, an atelier-style space featuring original sketches, show lineups and a reconstruction of an early window display at Colette then lets users step into an AR fitting room, upload their digital

trove and DIY their own Andrew Gn gown. The final result can be captured in a virtual red carpet portrait and then printed, emailed, or posted.

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