Civil War is a remarkably balanced modern war movie, balancing beauty and horror. Writerdirector Alex Garland’s vision of a near-future America at war with itself has its moments of passion, a stunning central performance from Kirsten Dunst, and a breathtaking pace. But this is a movie built around a moral center, and it’s as harrowing as any you’ll see this year. There are stunningly beautiful sequences (fires glowing in the night sky, a drive through a wildfire) that will haunt you, and needle drops (Suicide and De La Soul) that leave their mark. Civil War doesn’t believe in many things: that the press will save us, that democracy will endure, that the left and the right can buy decency. All it knows for sure is that when we turn against each other, no one wins. TA
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A surreal tale of two suburban teens obsessed with a cult 1990s TV show, I Saw The TV Glow is strange, yearning, and deeply nostalgic: a vivid tale of youthful alienation filled with terrifyingly beautiful and sometimes deeply disturbing imagery. It's 1996, and seventh-grader Owen lives his life in a state of painful isolation usually in the glow of the family TV. When he notices a ninth-grader named Maddy reading the paperback episode guide to a TV show called The Pink Opaque, something inside him cracks a little. Maddy invites Owen over to her house to watch an
episode together, and an obsession develops, as does a strange bond between the two. As the film moves through the decades, it builds and impacts your anxiety, and the final scene, with an adult Owen beset by frustration and a bottled-up sense of self, is terrifying and explosive. TA
Can the Mad Max prequel Furiosa hold up to George Miller's beloved 2015 Fury Road? The answer is a surprising and delightful yes. Longer, richer in character, and twice as dark in its storytelling, this origin story starring Anya Taylor-Joy is operatic, epic, and hilariously insane in its scenes. It's a revenge story as classic in its plot as True Grit or Kill Bill, and Taylor-Joy keeps the film's rage and bloodlust in her petite frame and stony face. Like Charlize Theron in Fury Road, the heroine barely speaks, but her performance is a marvel of grace and physicality. Furiosa is populated by muscle-bound thugs who can deadlift 12 Furiosas, but Taylor-Joy beats the crap out of them all. TA
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