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The Lost Tribe costumes are distinctly theatrical yet flattering. They require more fabric than the standard bikini costume, so striking a balance between cool and camp is a must. Maharaj says the departure was intentional. “We jump around for two days in the sun, it’s very hot, we’re in the middle of the planet,” he said. “I understand the reasoning for a two-piece or a one-piece, or basically something that could allow you to be able to not die of heat and collapse on the road. However, I do think that it’s a very narrow book or narrow column to write in.”
The Washing, designed by Peter Elias and Jeneile McCarthy, looks like something Wakandan royalty might wear to a mas. Revelers in this section twirled in their azure and teal tie-dyed capes. They wore crowns shaped like elegant masses of seaweed and paraded around Queen’s Park Savannah while a song called “Come Home,” by Nailah Blackman and Skinny Fabulous, reverberated through the streets. When Maharaj and I spoke over Zoom, he wore a highlighter-yellow Lost Tribe hoodie and black shades. He was on his way to distribute attire for a section called Power, designed by veteran costume builder Solange Govia and Richard Dookhdeen. The female ensemble is a three-piece garment that looks like a spectacular flamenco dress; crimson red meets aquamarine, conjuring a warm Caribbean sunset. For the male costumes, Govia and Dookhdeen channeled Scorpion from Mortal Kombat. Both garments feature an asymmetrical beaded wing that looks perfectly brûléed. These masqueraders are the “unlikely warriors” of the Lost Tribe.
Almost a year has passed since Russia invaded Ukraine on February 24, 2022, giving rise to a conflict that has destabilized the lives of millions and led to excruciating hardship as Ukrainian civilians work whether at home or abroad to keep their families safe and livelihoods intact. For the fashion world in Ukraine a diverse and highly skilled industry with specialisms in luxury, bridal and outerwear it has been a time of recalibration, rehabilitation and resistance, as brands have been forced to adapt and pivot amidst incredible hardship. Blackouts scupper clothing production, power cuts prevent communication and creatives reel at the decimation of their country’s cultural touchstones and landmarks.
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