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Despite all this, arrangements can work. I have three friends who are in serious relationships with people they were set up with. “I’m a firm believer that your partner will pop into your life when you least expect it,” says Nadine, 37, who recently broke up with someone while attending a friend’s birthday party alone. “He sat me next to his sister, who I’d met once or twice before. After hours of chatting, she decided she wanted to introduce me to her single friend, Angus.” They exchanged photos and phone numbers. “He contacted me the next day and we arranged to meet.” They hit it off immediately and have now been married for six years.
Sometimes the setting can come from someone very unexpected. Take Stacey, 44, who wandered into a surf shop in South Wales 15 years ago and love was the last thing on her mind. “I was
talking to the owner and he was trying to sell me a very expensive board,” she recalls. “I was 29 and I told him I had just come back from a holiday in Bali and I couldn’t even afford a sofa. He told me his son had just come back from a holiday and offered to introduce us. I thought he seemed like a nice guy so his son must be nice.” And it did; the following week, Stacey and the surf shop owner’s son met for a drink in Cardiff. Today, they are married with two children. “I’m a big believer in taking chances when they come my way.”
La Maison is a show born out of what executive producer Alex Berger describes as a desire to depict environments that are “imagined but people [don’t] understand how they work.” With his new Apple TV+ series in particular, he wants to show that for all its glamour, the fashion industry still operates like any other: It’s the final numbers, not the hemlines, that inspire us from season to season. It’s a little like Succession in that way. In La Maison’s jam-packed first episode, the rich plots and subplots are just that: plots. While one brother plots to overthrow another brother at the family fashion house, a ruthless, self-made fashion executive plans to take over a long-standing family business. Will the show have the winning, cunning, meme-inducing dialogue of Succession? Not exactly but it captures the steely world of the ultra-rich with a surprisingly well-dressed cast. (It's rare to see so many of Alaïa, Haider Ackermann, and the wonderful Claude Montana on screen.) La Maison is dramatic even cheesy but in a world of
frivolous shows like Emily in Paris, consider it an Aesop opera. Even more than that: It gets a few things right.
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