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Portfolio 2025_Hannah Puerta-Carlson_7 Projects

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HOW TO: EVOLVE AN URBAN ECOLOGY

Instructors: Amber Bartosh and Vanessa Lastrucci

Project model exhibited at the Royal Academy Summer Exhibition in London

“Evolving an Urban Ecology” explores how forgotten urban spaces can be reimagined through ecological care and slow, adaptive design. Focusing on the disused Highgate train station in North London, once the longest uninterrupted greenspace in the city, the project reveals the site’s precarious condition today, where barriers restrict human movement and disrupt the migration of flora and fauna along its former ecological corridor, obscuring the presence of valuable urban soil that remains largely unrecognized and unprotected.

In response, the proposal outlines a threepronged, long-term strategy: reusing existing concrete in situ to establish a permanent hub for low-tech soil research and education; repurposing common scaffolding systems to create low-impact, temporary circulation routes and community allotments; and adapting agricultural soil and water-collection technologies for urban use. Conceived as a speculative “how-to” guide, the project positions Highgate as a test bed for an easily constructible, temporary, and self-sustaining system that could extend across Greater London, envisioning an evolving landscape centered on ecological restoration, access, and coexistence over time.

1_Conceptual collage

1_Model of temporary structure, base made from on-site soil

2_Experiential collage of allotments placed on a temporary, movable scaffolding structure

3_Transverse section cutting through the soil research center

1_Assembly diagrams of impermanent structure, highlighting the rain catchers

2_Section cutting across the highest and lowest elevations on the site

3_Permanent vs. impermanent plans

2024-2025

Team: NO OFFICE

In collaboration with: Jess Myers and Thomas Hogge

The I-81 Viaduct is an infrastructure and transportation project common to many post-industrial cities, revealing deeply embedded systems of inequity that produce and perpetuate such conditions. Syracuse serves as a critical case study and prototype for broader development practices, tied to policy strategies that reimagine disruptive infrastructural systems, with a focus on equitable housing, productive landscapes, zoning policy, and civic-minded architecture to envision a more sustainable and livable future.

I worked on visualizing future scenarios, developing detailed design proposals for five intervention zones along the viaduct to demonstrate their potential impact on the surrounding urban fabric. My work also included designing affordable housing on vacant city lots, contributing to massing, site layout, and community-oriented public space, as well as landscape strategies, such as bioswales, biodiversity ponds, and permeable paving, to reduce runoff, improve ecological performance, and mitigate pollutants, in addition to contributing to the exhibition design and installation.

2024 Independent Projects Grants Recipient and 2026 Graham Foundation Grants to Individuals 1_East Genesee St. oblique

Crowne Plaza
New Bioswale
Forman Park
Panels
Roof Old Highway Structure
Old Highway Piers
Recreational Area
Plaza
New Bioswale

1_Adams St. oblique zoom-in

2_Washington St. oblique zoom-in

3_Adams St. oblique

4_Washington St. oblique

EADAMSST
WATERST

1_Van Buren St. section

2_East Genesee St. section

3_Landscape strategies diagram

4_Highway debris diagram

Biodiversity
Storm Water
Biodiversity Pond
Streets/ Permeable Paving
Storm Water Detention Pond
Bioswale
1_Exhibition photographs by Toby Pang

2025

Team: Molly Shanley

Instructors: Andy Kim

Nominated for SoA Annual Integrated Design Prize

Located in rural Lebanon, Pennsylvania, an area of barns and warehouses, this steel factory reinterprets local typologies to create a contemporary facility for producing prefabricated components from recycled steel. Drawing from traditional barns, the design inverts the truss, turning it into a central architectural element that signals a shift from agricultural production to a revived steel industry. Balanced on one column and stabilized by tension cables, the 250-foot truss spans a 500-foot structure organized on a 25’ x 25’ grid with primary and secondary beams and a custom “T beam”–“H column” system.

The program unfolds beneath the structure: offices to the north; a recycling center to the northeast that receives, sorts, and melts steel; and production wings beyond, with “dirty” processes to the west, clean assembly in the central hall, and finishing to the southeast. Above, a metal trade school sits within the truss, with classrooms and studios overlooking fabrication below, while passive ventilation comes from operable windows and skylights and HVAC ductwork is threaded through the truss, supported by machinerygenerated heat and dedicated exhaust in the side wings.

1_Detailed axonometric of main wing and side wing of the steel factory

1_Ground floor plan highlighting the different steel recycling and production wings

2_Detail sections showing the three types of envelope systems

3_Section perspective of the main wing with educational mezzanine above

1_Structural model showing truss system

2_Londitudinal section showing the production floor below and educational floor above

3_Chunk model of truss and envelope

4_Facade model of operable brise soleil

BHOLA HOUSE

Summer 2024

Team: NO OFFICE

In collaboration with: Joseph Perry and 1000 Samples (renderings)

Honorable Mention in the Best of Design Awards in the Architect’s Newspaper

Bhola House is a single-family residence designed for a small household, with accessibility and health as the primary priorities. To ensure ease of movement, the home is a single-story structure with generous floor-to-ceiling height, organized in an “M” shape: the larger wing serves the main family, while the smaller wing provides an independent living area for a full-time nurse and caregiver.

Located in the Ganges Delta near the Bay of Bengal in Bangladesh’s Bhola District, the project responds to the hot, humid climate through natural ventilation, strategically placed openings, and small courtyards within the voids of the M-shaped plan that provide passive heating, cooling, and daylighting year-round. Constructed with thick clay brick walls for their thermal performance, the house moderates indoor temperatures, and my work focused on site research, general massing and plan layout, developing the M-shaped organization, and arranging circulation and courtyards to optimize airflow, daylight, and accessibility.

1_Ground floor plan

1_Plan diagram of the two wings

2_Massing render showing roof strategy

3_Bedroom render

4_Courtyard render

5_Site plan

6_Sectional perspective

1_Exterior view looking in 2_Interior view looking out

3_Worm’s eye view showing clay walls and lightweight roof

4_Site axon

CULTIVATED KITCHEN Fall 2023

Located in Bronzeville, Chicago, Cultivated Kitchen weaves community through housing by examining the cultural importance of food and cooking, positioning the kitchen as a critical space for social gathering and collectivity. Primarily composed of singleroom-occupancy units for IIT students, the housing is organized into two bars, one containing the units and the other collective spaces, that overlap and connect through playful circulation, with shared kitchens removed from the units and placed within the collective bar to encourage social interaction through cooking.

The project establishes a gradient of privacy, from a porous public ground floor to shared residential spaces and private units above. The ground level engages the street through a “false” wall threshold and programs that extend the sidewalk into the plan, including a restaurant, theater, community kitchen, garden, market, and food court, while housing above is accessed by two cores and a grand stair, stepping in height to create accessible roofs for food cultivation, outdoor gathering, and cooking—reinforcing the collective nature of housing through the kitchen.

1_Program diagram showing units in black and collective spaces in red

2_Conceptual plans of the three bars: housing, collective space and circulation

3_Perspective section showing interaction between floors

1_Ground floor plan showing the community garden, restaurant, and marketplace

2_Longitudinal section highlighting the playful circulation between residential floors

3_Experiential collages

EATING WITH YOUR EYES

Spring 2023

“Eating with Your Eyes” is a landscape project in Syracuse, New York, that creates a physical space for Instagram’s digital food community by translating online behaviors into built form. Grounded in research on curated posts, filters, scrolling habits, and shared brunch aesthetics, the project organizes circulation paths, gardens, food stations, and digital kiosks through the same visual and interactive logic that shapes the platform, with a long continuous table cutting through buildings and landscape to support eating, cooking, lounging, working, and communal activity.

Above this table, elevated platforms with floor openings allow visitors to capture the top-view and bird’s-eye images central to Instagram’s food culture, while glass surfaces reference the platform’s editing effects. Surrounding shared and private kitchens, outdoor plazas, gardens, and green spaces support cooking, teaching, and gathering, blending digital culture with site-specific landscape to create a new relationship between food, place, and social media.

COFFEE
FRUIT HOME
COFFEE STAND
MAIN BRUNCH HOME
LONG TABLE
DIGITAL KIOSKS

1_”Instagram posts” collages of different views of the park

2_Zoom-in plan highlighting the viewing platforms, main buildings and the site-long table

3_Section showing how the table weaves into

with your eyes eating with your eyes

1_Model photographs 2_Table operations diagram showing the different heights of table throughout the site 3_Table plan diagram

GROTTA SOSTA

Spring 2024

Embedded within the rocks and ruins, our park is a place for rest. It reflects on the charged and exhausting history of mining in Rio Marina while providing both the site and its visitors a space rest. Although resting may have a different meaning to each individual, the project defines rest as a state of protection, recovery and emergence, freeing itself from never ending processes of work, extraction and decay in a serene way. At the park, one is protected to recover and later emerge from the density that before affected them. Similarly, through light, un-invasive architectural interventions such as framing, filling and stepping, these three definitions of rest are expressed. By framing the landscape, the individuals are protected, at ease. By filling, elements are added to support. And by stepping, boundaries between spaces of work and rest are defined.

With included programs such as shading, sitting, swimming, fishing, and playing, visitors can explore the site while floating through the different stages of rest. The programs are not intended to occur all at the same time, some only being active at certain times of the year. This temporality allows the site to rest as well.

1_ Project plan showing different strategies for site repair interventions

1_Model photographs of final model and study chunks

2_Transverse section showing the old mine and our intervention near the water

3_Overall project view highlighting the light repair of the ruins

1_Top aerial view

2_Render of “repaired” pier

3_Render of “reconstructed” wall

4_Figure ground diagrams (section and plan)

FIGURE GROUND STUDIES - SECTION

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Portfolio 2025_Hannah Puerta-Carlson_7 Projects by Hannah Puerta-Carlson - Issuu