The Great War Symphony (Patrick Hawes)

THE GREAT WAR

SYMPHONY for SATB choir, soprano, tenor and orchestra (2018)

Full Score In aid of:

In partnership with:

Hawes Music

PATRICK HAWES

PATRICK HAWES

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The Great War Symphony

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for SATB choir, soprano, tenor and orchestra (2018)

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FULL SCORE

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Cover design Andy Berry at www.hawesmusic.com

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Cover image Troops on the march ISBN 978-1-910623-28-2

Published by Audio Network Ltd © 2018 Audio Network Ltd This publication, 2nd Edition © 2018 Hawes Music Ltd www.audionetwork.com www.hawesmusic.com All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Audio Network Ltd and Hawes Music Ltd Printed in the United Kingdom by Century Printing, Stalham, Norfolk

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In association with:

The Great War Symphony is funded by the Chancellor using LIBOR funds.

Composer’s Note This work is a musical memorial to all those who gave their lives for their country in The First World War. The texts have been carefully chosen to chart the progress of the war and reflect the myriad emotions which existed. As the composer, it has always been my priority to ‘serve’ the texts, and I would like to think that performers will do the same. The old adage that choirs should sing the words and not the notes applies here. Another way of saying this is that those performing must all become part of the drama. The tenor soloist represents the fighting man whereas the soprano speaks for the mothers, daughters, wives and fiancées at home as well as those women who witnessed the war first-hand. The chorus are sometimes in France, sometimes in England and other countries as well, according to the text. At times, they are full of deep sadness and, at others, they share the faith, the hope and the love of the soloists, as well as their frustrations and agony.

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I would like to thank the following for their unerring support during the composing of this Symphony: Andy Berry, Andrew Sunnucks, Christopher Joll, Claire Long, my brother Andrew and my mother Catherine. Patrick Hawes, 2018.

About the Composer

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Patrick Hawes is an English composer who has made his mark as a torchbearer of the English musical tradition. He is best known for writing the Highgrove Suite for HRH Prince Charles, the Prince of Wales, for being Composer-in-Residence at the UK’s largest classical music station, Classic FM, and for the Number One album Angel. Among others, he has written for Voces8, the Choir of New College Oxford, Julian Lloyd Webber, and Hayley Westenra on albums that have all reached Number One in the classical charts. Patrick has recently written works for The King’s Singers and Sarah Brightman, alongside a clarinet concerto for Emma Johnson. He has just finished working on this The Great War Symphony his biggest composition to date, to be premiered in its entirety in 2018 in London’s Royal Albert Hall, followed by the joint U.S. Premiere in New York’s Carnegie Hall and Minnesota’s Ordway Concert Hall. Patrick’s eighth album, Revelation, recorded with The Elora Singers (Canada) was released with Naxos Records in March 2017 to critical acclaim. www.patrickhawes.com

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SSAFA, the Armed Forces charity, has been providing lifelong support to the Armed Forces, veterans and their families since 1885. As the UK’s oldest independent tri-service military charity, SSAFA continues to provide highly personalised practical, emotional and financial support. At the outbreak of the First World War, the Government called on SSAFA to take care of the families of soldiers going to the Front. Betwen 1914-1918, SSAFA volunteers helped over a million people by caring for families when fathers and sons were signed up, providing food for the hungry, housing for the homeless and clothing for those that were destitute. Today, their teams of employees and volunteers help over 67,000 people every year – from World War Two veterans to the young men and women recently returned from more recent conflicts, and their families. In this important centenary year, SSAFA believe the Armed Forces should continue to receive the best possible support, when they need it most. www.ssafa.org.uk For the lifetime of the copyright of this work Audio Network and Hawes Music Ltd will donate 20% of all their net receipts from sales of sheet music and until 21 September 2023 their associated royalties of The Great War Symphony to SSAFA (registered charity no. 210760). This is expected to be at least £2.40 per full score.

In memory of all those who gave their lives for their country in The Great War 1914–1918

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Premiered on 9th October 2018 in the Royal Albert Hall, London, conducted by the composer Patrick Hawes, with the Royal Philharmonic Orchestra, Band of the Household Cavalry, Fanfare Trumpeters of the RAF, Corps of Drums & Bugles of the Royal Marines, National Youth Choirs of Great Britain, London Youth Choir, Berkshire Youth Choir, Invictus Choir and soloists Louise Alder (soprano) and Joshua Ellicott (tenor).

Duration: circa 52 minutes

INSTRUMENTATION

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2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling Cor Anglais) 2 Clarinets in B flat (2nd doubling Bass Clarinet) 2 Bassoons

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4 Horns in F 3 Trumpets in B flat (1st & 2nd doubling Cornet in B flat) 2 Tenor Trombones 1 Bass Trombone 1 Tuba Timpani (5 drums) Percussion:

Tubular Bells*, Cymbals, Bass Drum, 2 Snare Drums, Gong in E*, Tam Tam, Triangle, Glock, Thunder Sheet

1 Harp Soprano solo Tenor solo SATB chorus Strings

*For the Recording and World Premiere a sample of Big Ben was used in place of the Tubular Bells and Gong in E between Bars 3 & 12 of the 1st mvt. Should you wish to use this sample in your performance please visit www.parliament.uk for more information.

LIBRETTO I. PRAELUDIUM (1914-1915) CHORUS War broke: and now the Winter of the world With perishing great darkness closes in. Words: ‘1914’ (excerpt), Wilfred Owen (1893-1918) © Wilfred Owen: The War Poems (Chatto & Windus, 1994), Editor: Jon Stallworthy.

TENOR Thou careless, awake! Thou peacemaker, fight! Stand, England, for honour, And God guard the Right!

CHORUS Onward Christian soldiers! Marching as to war, With the cross of Jesus Going on before. Christ, the royal Master, Leads against the foe; Forward into battle, See, His banners go! Words: ‘Onward Christian Soldiers’ (excerpt), Sabine Baring-Gould (1834-1924)

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CHORUS The naked earth is warm with Spring, And with green grass and bursting trees Leans to the sun’s gaze glorying, And quivers in the sunny breeze;

Thy mirth lay aside, They cavil and play: The foe is upon thee, And grave is the day.

The fighting man shall from the sun Take warmth, and life from glowing earth; Speed with the light-foot winds to run And with the trees to newer birth;

The monarch Ambition Hath harnessed his slaves; But the folk of the Ocean Are free as the waves.

The kestrel hovering by day, And the little owls that call by night, Bid him be swift and keen as they, As keen of ear, as swift of sight.

For Peace thou art armed Thy Freedom to hold: Thy Courage as iron, The Good-faith as gold.

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In dreary doubtful waiting hours, Before the brazen frenzy starts, The horses show him nobler powers; — O patient eyes, courageous hearts!

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CHORUS Rise up, rise up, And, as the trumpet blowing Chases the dreams of men, As the dawn glowing The stars that left unlit The land and water, Rise up and scatter The dew that covers The print of last night’s lovers— Scatter it, scatter it!

The thundering line of battle stands, And in the air Death moans and sings; But Day shall clasp him with strong hands, And Night shall fold him in soft wings.

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Words: ‘Wake Up England’ (excerpt), Robert Bridges (1844-1930) [Poet Laureate]

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While you are listening To the clear horn, Forget, men, everything On this earth newborn, Except that it is lovelier Than any mysteries. Open your eyes to the air That has washed the eyes of the stars Through all the dewy night: Up with the light, To the old wars; Arise, arise! Words: ‘The Trumpet’, Edward Thomas (1878-1917) TENOR I swear by Almighty God that I will be faithful and bear true Allegiance to His Majesty King George the Fifth, and that I will honestly and faithfully defend His Majesty in Person, Crown, and Dignity against all enemies. Words: The Oath of Allegiance (excerpt), Trad Army

Words: ‘Into Battle’ (excerpt), Julian Grenfell (1888-1915)

TENOR Waste of Muscle, waste of Brain, Waste of Patience, waste of Pain, Waste of Manhood, waste of Health, Waste of Beauty, waste of Wealth, Waste of Blood, and waste of Tears, Waste of Youth’s most precious years, Waste of ways the Saints have trod, Waste of glory, Waste of God, War!” Words: ‘Waste’, Geoffrey Studdert Kennedy (1883-1929) a.k.a ‘Woodbine Willie’ II. MARCH (1915-1916) CHORUS Watch ye, stand fast in the faith, Quit ye like men, be strong. Words: First Letter to the Corinthians (excerpt), King James Bible Excerpt from the Authorised version of the Bible (The King James Bible), the rights of which are vested in the Crown, are reproduced by permission of the Crown’s Patentee, Cambridge University Press. The text on which Randall Davidson (1848-1930), Archbishop of Canterbury, based his sermon in St Paul’s Cathedral, London on 4th August 1915, the first anniversary of the outbreak of war.

LIBRETTO (cont’d) SOPRANO Today, as I rode by, I saw the brown leaves dropping from their tree In a still afternoon, When no wind whirled them whistling to the sky, But thickly, silently, They fell, like snowflakes wiping out the noon; And wandered slowly thence For thinking of a gallant multitude Which now all withering lay, Slain by no wind of age or pestilence, But in their beauty strewed Like snowflakes falling on the Flemish clay.

III. ELEGY (1916-1917) CHORUS What passing-bells for these who die as cattle? — Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs,— The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.

Words: ‘The Falling Leaves’, Margaret Postgate Cole (1893-1980) © The Estate of Margaret Cole

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Reproduced by kind permission of The Estate of Margaret Cole.

CHORUS The new dawn lights the eastern sky; Night shades are lifted from the sea, The Third Brigade with courage storm, Thy wooded heights, Gallipoli! Gallipoli! Australians tread Gallipoli.

Words: ‘Anthem for Doomed Youth’, Wilfred Owen (1893-1918)

TENOR This is the song of the mud, The beautiful, glistening, golden mud that covers the hills like satin; The mysterious, gleaming, silvery mud that is spread like enamel over the valleys. Mud, the fantastic disguise of the War Zone; Mud, the extinguishing mantle of battles; Mud, the smooth, fluid grave of our soldiers. This is the song of the mud.

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The waves break on thy wave swept shores, The breeze still blows across thy hills; But crosses near and far abound, A sight that deepest grief instils Gallipoli! Gallipoli! Their graves lie on Gallipoli.

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Words: ‘Gallipoli’ (excerpt), Sydney Bolitho (1889-1919), 6th Battalion A.I.F. SOPRANO Mid Jutland’s deadly battle roar Our sailor brother fell, No cross, no stone to mark the grave Of him we loved so well.

What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls› brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds.

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Words: From the Announcements of Death in the Liverpool Echo to Robert Scott, drowned on the cruiser Black Prince in the Battle of Jutland, 31st May 1916

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SOPRANO & CHORUS No cross or headstone Shall mark the spot Where somewhere On the ocean bed He rests as well As a coffined king, Until the sea Gives up its dead.

Words: From the Announcements of Death in the Liverpool Echo to Tom Craven, who was lost with HMS Defence in the Battle of Jutland, 31st May 1916 TENOR “…there has been hell let loose. The air vibrates with the incessant din — the whole earth shakes and rocks and throbs — it is one continuous roar — Inferno! Inferno!” Words: Diary excerpt from 1st July 1916 (first day of The Somme), Siegfried Sassoon (1886-1967) © Siegfried Sassoon Reproduced by kind permission of the Estate of George Sassoon

Words: ‘The Song of the Mud’ (excerpt), Mary Borden (1887-1968)

SOPRANO & TENOR He lies with England’s heroes in the watchful care of God. Words: From the headstone of Patrick’s Great Uncle, Lance Cpl. Harry Hawes, Lincolnshire Regiment, who died at the Somme 14th October 1916 (CWGC Berles Military Cemetery, France).

May his reward be as great as his sacrifice. Words: From the headstone of Private Sidney Peart, Lincolnshire Regiment, who died at the Somme 2nd October 1916 (CWGC Berles Military Cemetery, France). SOPRANO & CHORUS We have been sleeping — dreaming. Now, Thank God! we are awake! Awake, and ready with a will The nobler part to take! No more shall a pretended Peace Our souls from duty sever; We dedicate our lives to God And Liberty — forever! Words: ‘America Speaks’ (excerpt), Florence Earle Coates (1850-1927) CHORUS Thy dear brown eyes which were as depths where truth Lay bowered with frolic joy, but yesterday Shone with the fire of thy so guileless youth, Now ruthless death has dimmed and closed for aye. Those sweet red lips, that never knew the stain Of angry words or harsh, or thoughts unclean, Have sung their last gay song. Never again Shall I the harvest of their laughter glean.

LIBRETTO (cont’d) The goodly harvest of thy laughing mouth Is garnered in; and lo! the golden grain Of all thy generous thoughts, which knew no drouth Of meanness, and thy tender words remain

CHORUS One spake amid the nations, “Let us cease From darkening with strife the fair World’s light, We who are great in war be great in peace. No longer let us plead the cause by might.”

Stored in my heart; and though I may not see Thy peerless form nor hear thy voice again, The memory lives of what thou wast to me. We knew great love….We have not lived in vain.

Words: ‘Disarmament’ (excerpt), John McCrae (1872-1918)

Words: ‘The Dead Soldier’, Sidney Oswald (1880-1926)

SOPRANO Calm fell. From Heaven distilled a clemency; There was peace on earth, and silence in the sky; Words: ‘And Then There Was a Great Calm’ (excerpt), Thomas Hardy (1840-1928),

IV. FINALE (1917-1918)

written at the request of The Times which first appeared in a special Armistice Day section of the paper on 11th November 1918

CHORUS

Quantus tremor est futurus, Quando Judex est venturus, Cuncta stricte discussurus!

How much tremor there will be, when the Judge will come, investigating everything strictly!

Tuba mirum spargens sonum, Per sepulchra regionum, Coget omnes ante thronum.

The trumpet, scattering a wondrous sound through the regions of sepulchres, will summon all before the throne.

Mors stupebit et natura, Cum resurget creatura, Judicanti responsura.

Death and nature will marvel, when the creature arises, to respond to the Judge.

Liber scriptus proferetur,

The written book will be brought forth, in which all is contained, from which the world shall be judged.

Blow, bugles, blow! They brought us, for our dearth, Holiness, lacked so long, and Love, and Pain. Honour has come back, as a king, to earth, And paid his subjects with a royal wage; And Nobleness walks in our ways again; And we have come into our heritage.

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In quo totum continetur, Unde mundus judicetur.

CHORUS Blow out, you bugles, over the rich Dead! There’s none of these so lonely and poor of old, But, dying, has made us rarer gifts than gold. These laid the world away; poured out the red Sweet wine of youth; gave up the years to be Of work and joy, and that unhoped serene, That men call age; and those who would have been, Their sons, they gave, their immortality.

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The day of wrath, that day Will dissolve the world in ashes, As foretold by David and the Sibyl!

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Dies irae, dies illa Solvet seclum in favilla, Teste David cum Sibylla.

When therefore the Judge will sit, whatever hides will appear: nothing will remain unpunished.

Quid sum miser tunc dicturus? Quem patronum rogaturus, Cum vix justus sit securus?

What am I, miserable, then to say? Which patron to ask, when even the just may hardly be sure?

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Judex ergo cum sedebit, Quidquid latet apparebit: Nil inultum remanebit.

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Words: ‘Dies Irae’ (vs 1-7), 13th Century Hymn

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TENOR Peal after peal of splitting thunder rolls (Still roar the howling guns, and star shells rise) We perish, drowned in anger-blasted holes, Give ear, O Lord! Our very manhood cries, Shell-fodder yea – but spare our human souls From fury-shaken skies!

Words: ‘The Storm Night’, Geoffrey Dearmer (1893-1996) © The Estate of Geoffrey Dearmer

Reproduced by kind permission of his daughter, Juliet Woollcombe (nee Dearmer)

TENOR Tell them at home, There’s nothing here to hide: We took our orders, Asked no questions, Died. Words: ‘Epitaph: Neuve Chapelle’, Heathcote William Garrod (1878-1960) © Merton College, Oxford

Reproduced by kind permission of The Warden and Fellows of Merton College Oxford

Words: ‘The Dead (III)’, Rupert Brooke (1887-1915),

from the third poem in his collection ‘1914’

SOPRANO & CHORUS They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. Words: ‘For The Fallen’ (excerpt), Robert Laurence Binyon (1869-1943) SOPRANO, TENOR & CHORUS Oh! you who sleep in Flanders Fields, Sleep sweet - to rise anew! We caught the torch you threw And holding high, we keep the Faith With All who died. We cherish, too, the poppy red That grows on fields where valor led; It seems to signal to the skies That blood of heroes never dies, But lends a lustre to the red Of the flower that blooms above the dead In Flanders Fields. And now the Torch and Poppy Red We wear in honor of our dead. Fear not that ye have died for naught; We’ll teach the lesson that ye wrought In Flanders Fields. Words: ‘We Shall Keep the Faith’, Moina Michael (1869-1944)

CONTENTS 1. Praeludium (1914-1915)

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2. March (1915-1916) 3. Elegy (1916-1917)

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4. Finale (1917-1918)

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2 In memory of all those who gave their lives for their country in The Great War 1914–1918

THE GREAT WAR SYMPHONY PATRICK HAWES

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˙ œ

˙™

œ

œ

3 2

w w

4 4

œ˙

œ œ

œ

w w

div. unis.

˙

unis.

œ

œ

˙˙

w

f

con sord.

˙

j œ ‰

mf

œ ˙

œ œ

f

div. div.

œ œ f

div.

˙

œ ‰ J

mf

B #### Ó

œ

˙

˙™ ˙

Ϫ

j œ ‰

mf

unis.

˙w

˙

˙

w

unis.

w

f

div.

? ####

œ

∑

∑

mp

¢

Œ

∑

∑

## & ## ˙

Db.

Œ

œ

#œ

f

∑

mp

? ####

æ ˙æ

div.

œ

Vc.

j œ ‰

Nobilmente (q = 56)

° #### &

Vln. II

Œ

∑

pe

∑

fo r ¢

Ó

mf

Perc.

B.

∑

ru

Timp.

sa

f

con sord.

˙ mp

˙

˙

˙

˙

˙

˙

˙

˙ mf

˙

˙

Ϫ

‰

˙˙ f

˙

˙

œ œ

4 4

4

B Misterioso (l’istesso tempo) Picc.

° #### &

Ob. 1.2

## & ##

Cl. 1.2 (Bb)

Bsn. 1.2

¢

˙

Ó

∑

∑

∑

∑

∑

˙

Ó

∑

∑

∑

∑

∑

mf

(1.)

w mf

∑

∑

∑

∑

∑

∑

∑

## & ##

∑

∑

∑

∑

∑

∑

∑

? ####

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

y

Fl. 1.2

## & ##

4 4

w

∑

°

4 4

& &

Hn. 1-4 (F)

&

Ó

˙

#w mf

∑

∑

Ó #w

˙

mf

∑

∑

1.

## & ##

Tpt. 1-3 (Bb)

w

˙

Ó

∑

mf

? ####

∑

∑

∑

Tbne. 1.2

? ####

Ó

˙

w

∑

mf

Perc.

∑

? ####

∑

∑

°? ¢

#œ

° ¢/

{

? ####

S.

Ó

∑

mf

## & ##

Hp.

Œ

∑

4 4

° #### &

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

™ -œ

‰

cresc.

˙-

˙

Œ

broke:

œ

œ

œ

and

now

the

œ

œ

œ

and

now

the

œ

œ

œ

œ

Win - ter

of

the

p

∑

## V ##

¢

∑

∑

∑

fo r

B.

∑

p

## & ##

T.

∑

∑

War

A.

∑

sa

Timp.

¢

∑

ru

Tba.

? ####

∑

pe

B. Tbne.

∑

lo nl

&

-Ϫ

˙-

‰

Œ

˙

Œ

broke:

-œ ™

˙-

˙

‰

world

œ

œ

œ

Win - ter

of

the

˙-

˙

world

Vln. I

Vln. II

## & ## B ####

4 4

w w

w w

œ

nœ

and

now

œ

broke:

and

22

mf

w w

œ

œ

œ

œ

Win - ter

of

the

#œ

cresc. œ

œ œ

the

œ

œ

#˙-

now

the

Win - ter

of

˙

Œ

world

˙-

œ the

w w

w w

˙

Œ

world

w

23

24

25

26

˙ ˙

Ó

∑

∑

∑

˙˙

Ó

∑

∑

∑

˙

Ó

∑

∑

∑

w

w

˙

Ó

∑

∑

∑

Ó

∑

∑

∑

Vla. mf

? ####

Vc.

w

p

mf

Db.

¢

? ####

w mf

p

w

w p

œ With

p

w

œ With

p

mf

w

w w

œ With

B Misterioso (l’istesso tempo) ° #### &

œ With

Œ œ

Œ

War

21

Œ

cresc.

p

∑

˙

broke:

War

∑

20

˙-

p

∑

˙

cresc.

‰

War

∑

? ####

™ -œ

˙-

˙

5 rall. ° #### & ## & ##

Ob. 1.2

Bsn. 1.2

∑

## & ##

Cl. 1.2 (Bb)

¢

3 2 3 2

∑

∑

? ####

∑

°

&

∑

&

∑

Hn. 1-4 (F)

&

4 4 4 4

∑

∑

∑

∑

∑

∑

∑

˙™

w

˙

U Ó

bbbbb

œ

w

w

˙

U Ó

bbbbb

œ

w

w

˙

U Ó

bbbbb

œ

w

w

˙

U Ó

bbbbb

#œ

#w

w

1.

˙- ™ p

1.

˙- ™ p

˙- ™

1.

p

rall. #˙- ™

U ∑

p

U ∑ ˙™ -

œ

#w

w

œ

#w

w

p

U ∑

∑ p

∑

∑

# ˙- ™

œ

p

Tpt. 1-3 (Bb)

w

p

˙™ -

&

œ

on ly

Picc.

## & ##

∑

∑

∑

? ####

∑

∑

∑

#w

U ∑

w

∑

∑

∑

#w-

˙

U ∑

bbbbb

U Ó

bbbbb

U Ó

bbbbb

U Ó

bbbbb

p

Tbne. 1.2

? ####

∑

∑

∑

∑

w-

˙

∑

° ¢/

mf

>œ

>˙

pe - rish - ing f

## & ## œ >

œ >

˙ >

œ J

dark mp

œ J

f

>œ

∑

mf

j œ-

‰

dark

fo r >˙

pe - rish - ing

? #### >œ

æ #˙æ

æ #˙æ

>˙

œJ dark

mf

mp

‰

great

27

‰

-

œ-

pp

œ-

˙™

œJ dark

‰ -

‰ -

∑

∑

Ó E major

∑

∑

Ó

“”œ Ó

-

n˙- ™

pp

U Ó

Œ

œ

w

ses

in.

œ -

˙- ™

clo

#w

ses

in.

œ

w

-

ses

in.

˙˙- ™™

œœ

w w

ses

in.

p

˙™

Œ

ness

bbbbb

˙™

Œ

U ∑

bbbbb

˙™

Œ

U ∑

bbbbb

˙™

Œ

U ∑

bbbbb

˙˙™™

Œ

U ∑

bbbbb

p

Œ

bbbbb

œ

clo

˙™

U Œ

s. is gl

p

Œ

U Œ

p

Πp

œ

˙

clo

ness

œ-

Ó œ

∑

˙- ™

ness

œ-

Bass Drum

∑

p

Œ

ness

‰

-

˙™

mp

great

œ J

pe - rish - ing

‰

∑

U Œ

-œ

p

ss.

∑

j œ-

‰

mf

> nœ

4 4

mp

great

f

## > V ## œ

∑

great

j œ

pe - rish - ing

¢

Ó

.

f

B.

∑

p

˙

i ss

∑

° #### >œ &

T.

∑

w-

gl

∑

{

A.

3 2

∑

? ####

S.

∑

rall.

## & ##

Hp.

∑

∑

gli

Perc.

°? ¢

∑

ru

Timp.

∑

pe

B. Tbne.

sa l

p

?# # ¢ ##

clo

28

-

29 ˙- ™

30

31

32

rall.

unis.

Vln. I

° #### &

## & ##

Vln. II

B ####

∑

∑

∑

3 2

∑

∑

∑

4 4

œ

w

w

˙ U Ó

bbbbb

p

unis.

˙™

œ

w

w

˙

U Ó

bbbbb

œ

w

w

˙

U Ó

bbbbb

U Ó

bbbbb

U Ó

bbbbb

p

˙- ™

Vla. p

? ####

Vc.

div.

∑

∑

∑

∑

#w w-

˙ ˙

p

Db.

¢

? ####

∑

∑

∑

∑

wp

˙

6

C

Un poco più mosso q = c.72

°

∑

∑

∑

∑

∑

∑

Fl. 1.2

b & b bbb

b

& b bbb

∑

∑

∑

∑

∑

∑

Ob. 1.2

Cl. 1.2 (Bb)

& b bbb

b

∑

∑

∑

∑

∑

∑

?b ¢ b bbb

∑

∑

∑

∑

∑

∑

Bsn. 1.2

p 3

3 3

Œ

œ

œ

œ

w

œ

Thou care - less,

a

C

Vln. I

34

peace

bœ -

œ

ma

35

-

∫œ

w

ker

fight!

˙ ˙

˙ ˙

37

Ó

∑

& b bbb

∑

p

˙

˙

˙ Ó

∑

p

Db.

? bb b

bb

∑

∑

∑

?b ¢ b bbb

∑

∑

∑

b

& b bbb

∑

Ob. 1.2

Cl. 1.2 (Bb)

& b bbb

b

∑

?b ¢ b bbb

∑

∑

pe

∑

ru

Fl. 1.2

° bb b & bb

∑

∑

∑

∑

∑

∑

b V b bbb Ó

Œ

Stand,

39

bœ ™

Eng

-

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

poco accel. ∑

∑

fo r

∑

1.

œ

land,

for

ho

∑

˙

Œ

nour,

-

40

˙

˙

˙ ˙

˙

∑

∑

∑

∑

p

j -œ ˙

-Ϫ

Ó

p

∑

œ œ J

=

∑

∑

mp

T. Solo

∑

p

=

Bsn. 1.2

œ

sa

Vc.

œ

Œ

w

Ó

∑

Ó

∑

p

˙ B bbbbb

˙

œ

Ó

Πp legato

Vla.

w w

lo nl

b

Vln. II

38

∑

p

œ

∑

36

div.

Ó

∑

˙

œ Thou

Un poco più mosso q = c.72

b & b bbb

Œ

wake!

-

33

°

Œ

œ

y

T. Solo

b V b bbb Œ

41

42

œ

˙

And

God

œ

œ

guard the

w

˙

Ó

∑

right!

43

44

45

46

poco accel. Vln. I

° bb b w & bb w

∑

∫˙˙

b˙

Ó

p

˙ b

Vln. II

˙

& b bbb

∑

Vc.

B bbbbb w

? bb b

bb

∑

Ó

˙

˙w

˙

˙w

˙

˙˙

˙

p

mp

div.

Œ

œ

œ p

Vla.

b˙˙

∑

œ

b˙

˙ ∑

Ó

˙

mp

˙

˙

p

mp

Ó

w w

p

˙

∑

Ó

˙

˙w

˙

˙

˙

w w

p

div. unis.

˙ ∑

∑

∑

∑

∑

Ó

w w

p

Db.

?b ¢ b bbb

∑

∑

∑

∑

∑

∑

∑

∑

7 Più animato (poco più mosso)

D

°

1.

b & b bbb

Fl. 1.2

∑

∑

∑

˙

nœ

œ

œ

Œ

Ó

œ

œ

Œ

Ó

mp

1.

b

& b bbb œ

Ob. 1.2

˙

œ

œ

p

˙™

mf

b & b bbb w

œ

œ

œ p

œ

Œ

œ

œ

˙

mp

Ó

∑

∑

∑

∑

∑

∑

mp

Cl. 1.2 (Bb)

b

& b bbb œ

œ

˙

˙

p

? bb b

˙

mf

œ

˙

˙

œ

˙

˙

œ

œ

˙™

œ

˙ Ó

bb p

mf

w

˙

p

mf

mp

Bsn. 1.2

˙

˙

œ

œ

œ

œ

bœ

œ

bœ

bœ

bœ

bœ

bœ

œ

bœ

bœ

bœ

bœ

bœ

˙

˙

bb

°

&

mp

∑

∑

∑

Ó

y

¢

? bb b

Œ

œ

œ

&

∑

lo nl

p

∑

∑

∑

œ

p

Hn. 1-4 (F)

&

∑

∑

∑

Ó

Œ

bœ

œ

p

&

∑

∑

∑

∑

b˙

bb

∑

∑

∑

∑

? bb b

bb

∑

∑

∑

∑

∑

B. Tbne.

? bb ¢ bbb

∑

∑

∑

∑

∑

°? ¢

∑

∑

∑

∑

∑

Timp.

pe

Tba.

ru

? bb b

∑

Tbne. 1.2

sa

p

°/ Perc.

¢/ mf

b V b bbb ‰

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œ ˙

fo r

œ J

∑

T. Solo

œ

Thy mirth lay a - side,

œ

œ

Vln. I

j œ

‰

˙

They ca - vil and play:

47

D

œ œ

œ

The foe

48

œ œ œ

œ

is

thee,

u - pon

Ϫ

œ J

œ

And grave

49

œ

œ

w

is

the

day.

50

51

Più animato (poco più mosso)

° bb b w & bb œ

œ

˙

unis.

œ

˙™

œ

œ

œ

œ

œ

˙

œ

mp

œ

œ

œ

œ

bœ œ

œœ

œœ

œ

bœ

œ

mf

mf

b

Vln. II

& b bbb œ˙

œ

œ˙

˙

œ

˙

˙

mf

œ

œ

˙ ˙™

nœ

œ œ

mp

œ œ mf

unis.

Vla.

B bbbbb ˙w

˙

˙ ˙

˙

œ

œ

˙

˙

œ ˙

mp

mf

mf

div. unis.

Vc.

? bb b

bb ˙

˙

˙

˙

˙

˙

˙ ˙

b˙˙

mp

mf

?b ¢ b bbb œ

˙w

˙

mf

senza sord. (pizz.)

Db.

mp

Œ

œ

Œ

œ

Œ

œ

Œ

Ó

œ

Œ

œ cresc.

Œ

œ

œ Œ

Πmp

bœ

Œ

8 °

1.

b

& b bbb

Fl. 1.2

∑

∑

∑

Ó

Œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

mp

1.

b

& b bbb

Ob. 1.2

∑

∑

Ó

∑

Œ

œ

˙

mp

b

& b bbb

C. A.

Œ

∑

Ó œ

œ

˙

œ

p

b

& b bbb

∑

œ

˙

Œ

∑

mp

∑

∑

∑ œ

œ

mp

Cl. 1.2 (Bb)

b

& b bbb

∑

∑

∑

∑

nœ

˙™ mp

œ

? bb b

∑

bb

Ó

∑

˙

˙™

˙

Œ

Πp

mp

Bsn. 1.2

∑

∑

°

&

bœ

∑

Ó bœ

bœ

bœ

∑

∑

∑

b˙

lo nl

mp

&

Ó bœ

Hn. 1-4 (F)

bœ

∑

b˙

bœ

bœ

bœ

˙

bœ

œ

˙

mp

&

Ó bœ

bœ

mp

∑

bb

∑

Tbne. 1.2

? bb b

bb ˙

b˙

˙

b˙

˙

b˙

˙

Ó

p

? bb b

Ó

bb ˙

?b ¢ b bbb

ru

p

Tba.

Ó

˙ p

°? ¢

°

∑

/

∑

¢/

∑

∑

Perc.

b

& b bbb

fo r

{

∑

Hp.

? bb b

bb

∑

b

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

j œ

52 ° bb b & b b bœ

Ó

∑

∑

∑

∑

∑

∑

∑

œ

œ

œ œ -

œ

tion

œ

nœ

œ ˙

œ

Hath har- nessed his

53

œ

bœ

Ó

Œ

slaves;

54

˙™

œ

œ

œ

œ

˙

But

the

folk

55

œ

˙

mp

&

mf

˙

56

div.

œ

æ ˙æ p

∑

The mon - arch Am - bi

Vln. I

∑

poco cresc.

œ

æ b ˙æ

Œ

Bass Drum

mp

V b bbb

T. Solo

bœ mp

pe

Timp.

b˙

∑

sa

? bb b

B. Tbne.

bœ

mp

Ó bœ

∑

∑

œ

b˙

mp

&

∑

y

? bb ¢ bbb

œ˙

˙

œ

œ œ

œ

˙˙™

œ

œ

˙

œ œ

œ œ

œ œ

œ

œ nœ

poco cresc.

div.

b & b bbb

Vln. II

unis.

œ

bœ

œ

œ

˙™

œ

œœ

˙

˙

n˙

mp poco cresc.

unis.

B bbbbb bœœ

Vla.

˙œ

œ

œ

˙

˙

˙

˙

œ

˙

œ ˙

poco cresc. mp

? bb b

b b ˙˙

Vc.

b˙

˙˙

n˙

˙ ˙

˙

˙w

˙

˙ ˙

˙ ˙

poco cresc. mp

con sord. (arco)

Db.

¢

? bb b

pizz.

arco

bb ˙

b˙

œ p

Œ

Ó

∑

˙

˙

˙ ˙

poco cresc.

9 poco allarg.

E °

nœ

œ

œ

œ

œ

b & b bbb

Fl. 1.2

œ

nœ

œ

œ

mf

œ

œ

∑

œ

∑

∑

mp

1. solo

b n˙ & b bbb

Ob. 1.2

œ

nœ

œ

œ

œ

Œ

œ

œ

mf

b

& b bbb

œ

∑

œ

∑

Œ

nœ

œ

œ

˙

∑

œ

œ

œ

bœ

mf

Cl. 1.2 (Bb)

œ

mp espress.

mp

œ

˙-

œ

œ

œ bœ

œ

∑

∑

mp

b & b bbb œ

œ

œ

nœ

œ

œ

nœ

∑

œ

œ

∑

∑

mf mp

œ

? bb b

∑

bb

∑

˙™

w

∑

∑ mp

Bsn. 1.2

?b ¢ b bbb

&

∑

w ∑

mp

bœ

∑

œ

œ

œ

œ

œ

bœ

∑

mf

&

b˙ ˙

mf

&

∑

∑

∑

∑

∑

∑

∑

∑

lo nl

∑ œ

Hn. 1-4 (F)

˙

∑

y

°

˙ ∑

∑

bw

∑

w

mp

&

∑

∑

bœ

bœ bœ

œ

mp

? bb b

mp

b˙

∑

∑

∑

˙

b˙

Ó

∑

∑

∑

∑

∑

∑

n˙

˙

˙

mf

bb ˙

˙

˙

mp

mf

? bb b

bb

B. Tbne.

˙

˙

˙

Timp.

¢

mf

? bb b

∑

bb

°? ¢

°

Œ

bœ

mp

w mf

¢/

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙™

œœ nœ œ

Œ

Ó

nœ œ œ nœ

œœ œœ

œœ œœ

∑

œ œ nœ œ

nœ œ œ nœ

œœœ œ

œœ œœ

œœ bœ

Œ

Ó

∑

∑

∑

œœœ

Ó

∑

∑

∑

mf 6

b

6

6

6

fo r

{

Œ

œ mf

b & b bbb

& b bbb

œœ

f

b

V b bbb

T. Solo

∑

Suspended Cymbal

/

Perc.

Hp.

∑

Œ

bœ

mf

∑

pe

Tba.

ru

mp

sa

Tbne. 1.2

? bb b

∑

w

˙

n˙

˙

˙

bb ˙

bw

œ

of

œ nœ

nœ

the

œ

O

-

œœ

6

nœ nœ

nœ

5

6

6

œ nœ

6

œœ

nœ œ

˙™

?

Œ

œœ

mp mf

Œ

Œ œ

cean

p

œ

œ œ

Are free as the

57

58

w

∑

w

waves.

59

60

61

62

poco allarg.

E °

b

& b bbb

Vln. I

œ œ

nœ nœ

œ œ

œ œ

unis.

œ ˙

œ

nœœ

œ œ

œ œ

œ bœ

mf

œ œ

œ œ

∑ œ

˙™

w

mp

b nœ & b bbb œ

Vln. II

œ œ

unis.

œ œ

nnœœ

nœ œ

œ œ

œ nœ

œ œ

œœ

œœ bœœ

œœ

∑ ˙

˙

w

mf mp

div.

œ B bbbbb œ

Vla.

unis.

nnœœ

œœ

nœœ

div.

œ

˙ n˙

œ

œ

mf

Vc.

? bb b

Db.

? bb b

b b ˙˙

bb ˙ mf

w w

w w

∑

w w

∑

mp

˙˙

˙˙

˙

b˙˙

˙ ˙

˙

˙

w w mp

mf

¢

œ

˙

˙

n˙

˙ mp

˙

w ∑

10 a tempo Fl. 1.2

poco rit. 1. solo

°

b & b bbb

j ‰ œ œ œ œ

Ó

˙

‰ œj œ œ œ

˙

˙

Ó

Œ

Ó

∑

∑

bb

∑

mp mf

(1. solo)

Ob. 1.2

b & b bbb w

œ

œ œ œ

œ

˙

˙

˙

˙

Œ

bb

mp

mf

b

˙™

Cl. 1.2 (Bb)

& b bbb

∑

∑

∑

∑

∑

∑

bb

?b ¢ b bbb

∑

∑

∑

∑

∑

∑

Bsn. 1.2

bb

∑

∑

∑

°

&

Œ

œ

b˙

b˙

pp

&

∑

∑

Œ

∑

œ

∑

∑

Œ

∑

œ pp

& b bbb

b

∑

∑

? bb b

bb

∑

∑

Tbne. 1.2

? bb b

bb

∑

∑

B. Tbne.

? bb ¢ bbb

∑

∑

bb

Œ

mp

T. Solo

b V b bbb

œœ œ

‰ œJ

œ

Œ

œ œ ˙

b

& b bbb

A.

& b bbb

Œ

œœ œ

œ œœ

Œ

Œ

œœ œ

œ

œ œ

b

b˙

b˙ ™

Œ

p

∑

∑

∑

bb

∑

∑

∑

∑

bb

∑

∑

∑

∑

bb

∑

∑

bb

Œ

∑

bb

Œ

∑

bb

œ

˙

œ

Œ

Œ

Ó

Œ

Ó

Œ

p

Ó

œ œœ

Ó

œ œœ

mp

?

Ó

œ œœ

Ó

p

œœ œ

mp espress.

‰ œj œ

∑

∑

Œ

œœ œ

Thy Free- dom to hold:

mf

œ œ œ

œ

p

˙

˙

œ

˙

w

faith

as

Œ

Thy Cou- rage as i - ron,

The

Good

-

-

bb

∑

∑

∑

∑

∑

∑

bb

∑

∑

∑

∑

∑

∑

bb

V b bbb

∑

∑

∑

∑

∑

∑

bb

T.

?b ¢ b bbb

∑

∑

∑

∑

∑

∑

B.

bb

63

64

65

66

67

fo r

b

Œ

∑

Œ

pe

°

œœ œ

œ œ

For Peace thou art armed

S.

&

Œ

b˙ ™

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

? bb b

œœ œ

œœ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

p

Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

{

œœ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Hp.

œ œœ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

b & b bbb

b˙

b˙

∑

∑

ru

Tba.

∑

sa

∑

b˙

p

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

∑

Tpt. 1-3 (Bb)

b˙

b˙

lo nl

&

Œ

y

&

b˙ ™

p

pp

Hn. 1-4 (F)

b˙

a tempo ° Vln. I

68

poco rit.

senza sord.

div. unis.

b

& b bbb œ

˙™

œ

˙™

œ

œ

œ

œ

œ˙

œ

˙

˙

˙

˙™

p

div.

senza sord.

& b bbb ˙

˙

˙

˙

˙

˙

˙

˙

œ

˙

˙

˙

˙

bb

unis.

b

Vln. II

Œ

˙w

bb

˙

˙

˙™

Œ

˙

˙˙

˙˙ ™™

bb

˙

˙˙

Œ

˙

˙ ˙

˙˙

˙˙ ™™

Œ

bb

˙

˙™

Œ

bb

p

senza sord. (unis.)

Vla.

B bbbbb

w

œ

p

senza sord. (unis.)

Vc.

? bb b

bb

div.

˙

˙

˙

w˙

p

arco (senza sord.)

Db.

?b ¢ b bbb

pizz. (senza sord.)

œ

Œ

œ

Œ

œ

Œ

œ

Œ

Ó

œ

Œ

œ

Œ

œ

Œ

Ó

˙

11 Agitato ritmico q = 130

F °

∑

∑

∑

∑

∑

Fl. 1.2

b &b

b

&b

∑

∑

∑

∑

∑

Ob. 1.2

Cl. 1.2 (Bb)

&b

b

∑

∑

∑

∑

∑

?b ¢ b

∑

∑

∑

∑

∑

Bsn. 1.2

∑

∑

∑

∑

°

&

3 2 3 2

bwp

&

∑

∑

∑

∑

bwp

Hn. 1-4 (F)

&

∑

∑

∑

∑

∑

∑

∑

Œ

∑

‰

˙ œœ

∑

˙

Ó

Œ

∑

∑

? bb

∑

∑

∑

B. Tbne.

?b ¢ b

∑

∑

∑

non arpegg.

b

Ó

∑

? bb œj ‰ Œ œ

Ó

∑

b V b bw

∑

b

∑

b

&b

Ó

‰™

∑

Ó

‰™

b

Vb

Ó

fo r

∑

B.

¢

? bb

∑

Ó

69

F ° Vln. I

‰™

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p e molto energico

‰™

Ó

p e molto energico

‰™

Ó

p e molto energico

‰™

Ó

∑

mp

mf

r œ œ ≈œ w

p e molto energico

‰™

Ó

Rise up, rise up,

71

mp

mf

r œ œ ≈œ w

mp

œ

mf

r œ œ ≈œ w

œ bœ

Œ

œ bœ

œ

And, as the trum- pet mf

mp

œ bœ

œ œ ≈œ w R

72

œ bœ

Œ

œ

And, as the trum- pet

73

74

b

p

poco cresc.

mp sempre poco cresc.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ. œ. œ. œ. œ. œ. œ. œ.

pp e molto energico

p

poco cresc.

mp

sempre poco cresc.

B bb œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ œ œ. œ. œ œ . . . . pp e molto energico

Vc.

œ bœ

And, as the trum- pet

b

Vla.

œ bœ

Œ

& b bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. bœ. œ. œ. œ. œ. œ. &b

œ

Agitato ritmico q = 130

pp e molto energico

Vln. II

œ bœ

And, as the trum- pet

Rise up, rise up,

70

œ bœ

Œ

Rise up, rise up,

bœ œ ≈ œ w R

4 4

∑

Rise up, rise up,

Rise up, rise up,

‰™

3 2

∑

Rise up, rise up,

r bœ œ ≈ œ w

Ó

∑

∑

r bœ œ ≈ œ w

Ó

∑

∑

r bœ œ ≈ œ w

œ

˙

∑

Rise up, rise up,

T.

œ

mf

∑

Rise up, rise up,

A.

bœ bœ bœ

∑

∑

pe

gold.

&b

œ

mf

mf

ru

j ‰ Œ œ

°

bœ b œ bœ

Ó

‰ œœ˙

sa

? bb

∑

Tbne. 1.2

S.

Ó

Ó

∑

mp quasi fanfare

&b

œ

mf

lo nl

1. solo

T. Solo

bœ bœ bœ

Ó

bœ b œ b œ

&b

{

∑

y

∑

b

Hp.

∑

p

poco cresc.

p

poco cresc.

œ. œ. bœ œ œ. œ. œ œ bœ. œ. œ. œ. . . . . mf

div. unis.

bœ. œ. œ œ œ. œ. œ œ œœ œœ œ œ . . . . . . . mf

œ. œ. œ œ œ. œ. œ œ bœ œ œ œ . . . . . . . .

mp

sempre poco cresc.

mf

? bb œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ. œ. œ. œ. œ. œ. pp e molto energico

3 2

. . . . œ. œ. œ œ œ. œ. œ œ œ. œ. œ. œ. mf

mp

sempre poco cresc.

pizz.

Db.

4 4 4 4

mf

&

Tba.

∑

bwp

Tpt. 1-3 (Bb)

∑

?b ¢ b œ œ nœ œ œ œ œ œ pp e molto energico

bœ œ œ œ nœ œ œ œ poco cresc.

œ œ

œ œ p

œ œ œ œ

sempre poco cresc.

bœ œ œ œ

œœ

œ œ œ œ

œœ mp

œœ œœ

œœ œœ

œœ œœ

œœ œœ

4 4

12

G ° Fl. 1.2

b &b

Ob. 1.2

&b

Cl. 1.2 (Bb)

4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&b

∑

∑

∑

∑

∑

∑

? bb

∑

∑

b

b

bœ

bœ œ

œ

bœ

bw-

mf

3 2

œ Œ

Ó

∑

Œ

Ó

∑

mp

Bsn. 1.2

& Hn. 1-4 (F)

&

˙™

bw-

b w-

˙™

bw-

˙™

& b wTpt. 1-3 (Bb)

¢&

bœ œ

œ

bœ

bw-

mf

4 4

&

bœ

∑

mp

Œ

∑

∑

Œ

∑

∑

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

˙™

bb

œ

∑

∑

∑

∑

∑

∑

∑

lo nl

°

∑

y

?b ¢ b

Ó

∑

Œ

‰

w

3 2

∑

œœ

mf

Hp.

∑

° ¢/

∑

sa

∑

? bb

∑

∑

j œ

∑

∑

˙ blow

˙™

Œ

ing

-

bœ

mp

∑

œ

˙ blow

˙

Œ

ing

-

bœ

bœ of

˙™

Œ

fo r blow

B.

¢

? bb

Ó

∑

˙

ing

-

˙

blow

˙

œ

bœ of

Œ

bœ

œ

œ ‰ œ gliss. J

p legato

Ϫ

b wmen,

As

bœ of

œ

bœ of

∑

w

the dawn p legato, poco a poco cresc.

b w-

Ó

œ

men, p legato

b w-

Ϫ

œ

men,

As

Ϫ

j bœ ˙

As

the dawn

poco a poco cresc.

bœ J

w

the dawn p legato, poco a poco cresc.

bw-

œ

Œ

Ó

men,

77

3 2

poco a poco cresc.

bœ J

œ

Ó

p

mp

bœ œ

76

bœ gliss. Œ

Œ

bœ œ

Cha - ses the dreams

75

‰œ Œ J

mp

poco stacc.

˙™

Œ

Œ

bœ œ

Cha - ses the dreams

ing

-

bœ

œ gliss. Œ

Œ

“”œ J ‰ Œ

œ gliss.

gliss.

mp

poco stacc.

˙

gliss.

bœ

Œ œ

Cha - ses the dreams

b

Vb

bœ ‰ bœj ‰ Œ J

∑

mp

bœ œ

Cha - ses the dreams

˙™

bœ gliss. Œ

Db Cb Bb Eb Fb Gb Ab

∑

˙

b

&b

w

Œ

poco stacc.

T.

‰ bœj Œ

Scrape Cymbal

∑

poco stacc.

b

&b

A.

Œ

∑

mp

b &b

°

∑

p

4 4 {

S.

∑

ru

Perc.

°? ¢

pe

Timp.

78

Ϫ

bœ ˙ J

As

the dawn

79

80

G Vln. I

° bb &

Vln. II

&b

b

Vla.

B bb

4 4

. . bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ œ œ œbœ œ œ œ bœ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œbœ œ œ œ œ œ œbœ œ œ œ œ. bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œbœ œ œ œ œ œ œ œ bœ œ œ œ > > > > > > > mp p poco a poco cresc. div. div.

unis.

div.

unis.

div. unis.

div.

unis.

bœ œ œ œ œ œ œ œ b>œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ bœ œ œ œ >œ œ œ œbœœ œœ œœ œ œ œ œ bœœ œœ œœ œ œ œ œ œœ œœ œœ œ œ œ œ bœœ œœ œœ œœ œ œ œ œ bœœ œœ œœ œœ b œœ œœ œœ œœ . . . >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ > mp

div.

unis. div.

p

poco a poco cresc.

div. unis.

unis.

œœœœ œœœœ œœœœ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ > > >

div. unis. b>œ œ œ œ œ œ œ œ b>œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ bœ œ œ œ >œ œ œ œ œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ mp

p poco a poco cresc.

Vc.

Db.

? bb ?b ¢ b

bœ œ œ œ bœ œ œ œ œœœœ b>œ œ œ œ bœ œ œ œ bœ œ œ œ œœœœ bœ œ œ œ œœœœœœœœœœœœœœœœ œœœœœœœœ œœœœ œœœœ œœœœ œœœœ œ. œ œ œ. œ œ œ. œ œ œœœœ œœœœ œœœœ > > > > > > mp p poco a poco cresc. œ œ œ œ

œ œ œ œ

œ œ œ œ

bœ œ œ œ

bœ œ œ œ

œ œ œ œ

œ œ

bœ œ œ œ mp

œœ

œ œ œœ

œ œ

bœ bœ

œ œ œ œ

œœ

œ œ

p

poco a poco cresc.

3 2

13 °

b

Fl. 1.2

&b

Ob. 1.2

&b

b

b

&b

3 2

∑

Ó

Ó

Œ

Cl. 1.2 (Bb)

b &b

4 4

∑

Ó

Ó

œ

˙™

mp

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙™

œ

œ

˙™

œ

˙™

œ

œ

˙™

œ

˙™

œ

œ

Œ ˙™ œ

? bb

Ó

Ó

mp

mf

œ

˙™

mp

mf

œ

˙- ™

mp

mf

˙™

œ

˙

-œ.

˙™ -

˙™

˙

˙

˙

-œ.

˙™ -

˙™

˙

˙

-œ.

˙- ™

˙™

Œ

Œ

Œ

Œ

Bsn. 1.2

3 2

& &

Hn. 1-4 (F)

&

Tpt. 1-3 (Bb)

Ó

Œ

4 4

∑

∑

∑

&

∑

b ¢& b

∑

œ

œ

œ

˙

œ

˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ w

‰ œœ f

-œ.

˙

∑

˙ Œ

˙™

˙- ™

˙™

Œ

∑

∑

∑

∑

y

°

Ó

lo nl

?b ¢ b

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Œ

‰

œœ w

Hp.

∑

° ¢/

3 2 {

4 4

∑

&b

b

∑

? bb

∑

°

∑

∑

bœ œ ˙ ™

bœ glow

-

∑

∑

ing

œ

˙™ -

The

stars

Œ

‰ œ Œ J

j œ ‰ bœj ‰ œj ‰ Ó

∑

mp

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

mf

b

&b

S.

∑

ru

Perc.

°? ¢

pe

Timp.

sa

f

œ

˙™

œ

that left

˙™

œ

un - lit

˙-

The land

œ-.

˙ and

˙™ -

‰ œj >

˙™

wa - ter,

Rise

mf

b

&b

A.

˙

bœ

nœ œ œ

glow

ing

fo r

-

b

Vb

T.

bœ œ ˙ ™

bœ

glow

B.

¢

? bb

-

˙

ing

bœ

nœ œ œ

glow

-

ing

œ

n˙- ™

The

stars

œ

˙- ™

The

stars

œ

˙- ™

The

stars

b &b

Vln. I

b &b

Vln. II

B bb

Vla.

div.

3 2

œ

div. unis.

div.

bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ div. unis.

bœœ œœ œœ œœ œ œ œ œbœœ œœ œœ œœ œ œ œ œ œœ œœ œœ œœ œœ œœ œœ œœ

4 4

˙™

œ

un - lit

˙™

œ

˙™

œ

˙™

that left

œ

œ

˙-

The land

˙

œ

un - lit

83

˙-

The land

un - lit

82

œ œ œ œ bœ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœœ œœœœœœœœ

div. unis.

œ

that left

mf

œ

˙™

that left

mf

81

°

œ

˙-

The land

84

œ-.

˙ and

˙- ™

‰ œj >

˙™

wa - ter,

œ.

˙ and

˙- ™

Rise

˙™

Œ

˙™

Œ

wa - ter,

œ-.

˙ and

˙- ™

wa - ter,

85

86

unis. > > > nœ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. >œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ bœœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.

87

œœ œœ œœ œœ œœ œœ >œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

mf

unis. . . . . . . . . > . . . >. . . . . > > > > œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ mf

unis. . . . . . . . . > > œ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ. >œ. œ. œ. œ. œ.

œ œ œ œ œ œ >œ œ œ œ œ œ œ œ œ œ

mf

? bb

Vc.

œœœœ œœœœ œœœœœœœœœœœœœœœœ

> > œ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. >œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ pizz. œ J ‰ ‰ œj ‰ ‰ bœj ‰

arco œ.

œœ

. b œ œ œ. œœœ J ‰ ‰

mf

Db.

¢

? bb

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ mf

‰ œJ Œ

œ œ‰ œ J

œ ‰J Œ

œ œ œ œ œ œJ ‰ J Œ J ‰ ‰ ‰ ‰ œJ ‰ œ

œ J ‰

œ J ‰ ‰ œj Œ bœj ‰

bœ J Œ j œ ‰ ‰

œ J ‰

14 °

œ

b &b

∑

Ó

b˙™

bœ

˙™

b˙ ™

bœ

˙™

œ

˙™

œ

˙™

œ

Πmp

Fl. 1.2

b

&b

Ó

∑

œ

Œ

œ

mp

b

&b

∑

∑

∑

∑

∑

Ob. 1.2

b

&b

∑

∑

∑

∑

∑

C. A.

b

∑

∑

&b

b˙ ™

œ

˙™

œ

œ

˙

b˙

œ

œ

b˙

b˙

œ

œ

b˙ ™

bœ

˙™

bœ

˙

bœ

œ

œ

mp

Cl. 1.2 (Bb)

b

&b

∑

∑

˙™ mp

˙™

? bb

∑

B

∑

œ

œ

bœ

œ

mp

?b ¢ b

∑

° bb &

∑

˙™ ∑ mp

∑

˙

lo nl

˙

∑

y

Bsn. 1.2

Œ

œ

˙

œ

mf espress.

Tbne. 1.2

Timp.

&b

b

∑

∑

∑

&b

b

∑

∑

∑

?b ¢ b

∑

∑

∑

°? ¢

∑

∑

/

∑

∑

¢/

∑

∑

° Perc.

S.

? bb

∑

° bb >˙ ™ &

A.

∑

b >˙ ™

œ

˙-

and

scat

œ

b Œ

Vb

scat

> ‰ bœj œ >

Rise up

B.

?b Œ ¢ b

-

˙-

fo r

up

T.

-œ

> >œ ‰ bœJ

Rise up

-

∑

∑

∑

∑

∑

∑

˙-

and

scat

-

poco dim.

œ

˙-

and

scat

-

b œœ. œœ. œœ. >œœ. œœ. œœ. >œœ. œœ.

Vln. I

&b

Vln. II

b . . . >. . . >. . & b bœ œ œ œ œ œ œ œ

ΠTriangle

Ó

æ œæ

˙

Ó

pp

œ

œ

œ

bœ

œ

œ

bœ

œ

œ

œ

œ bœ

bœ

Œ

p

œ

bœ

bœ

bœ

mp poco stacc. mp

b˙- ™

bœ

dew

that

co

˙

ter

The

b-œ

œ

˙- ™

bœ

b˙

ter

The

dew

that

co

-œ

œ

˙- ™

bœ

˙

ter

The

dew

that

co

œ

˙- ™

œ

vers

The

print

of

œ

œ

b˙-

vers

The

œ

œ

vers

The

œ

œ

b˙- ™

œ

vers

The

print

of

œ -

-

mp

-

-

mp

poco dim.

œ

88

°

œ

poco dim.

&b

∑

bœ

&

poco dim.

up

∑

bœ

œ

{

∑

∑

pe

Hp.

∑

ru œ

∑

∑

∑

loco

b &b

∑

sa

Tpt. 1-3 (Bb)

-

-

mp

-œ

œ

˙™

œ

b˙

ter

The

dew

that

co

89

90

œœ œœ. œœ. bœœ. œœ. >œœ œœ œœ œœ >œœ œœ

œœ. bœ. œ. >œ. œ. œ. œ. œ. œ œ bœ œ œ œ œ

-

-

bœ

print

˙-

œ of

œ

print

œ of

91

92

œ. œ œ œ. œ œ œ œ œ œ œ. œ.

> > œ. œ. œ. œ. œ. œ œ œ œ œ œ

unis.

mp poco dim.

div. div. unis. > œ œ œ. œ. œ. >œ œ œ œ œ œ bœœ. œ. œ. >œ. œ. œ. œ. œ. mp

poco dim.

Vla.

. . . >. . . >. . B bb œ œ œ œ œ œ œ œ

œ. œ. œ. œ. œ. >œ œ œ œ >œ œ bœ. œ. œ. >œ. œ. œ. œ. œ.

œ œ œ œ bœ œ œ œ œ œ œ œ œ. œ œ œ. œ œ œ œ œ œ œ. œ. bœ. œ œ œ. œ œ œ œ œ œ œ. œ.

bœ œ œ bœ œ. œ. œ œ. > œ. œ. œ. >œ.

œ œ œ œ œ œ œ œ. >œ œ œ œ œ œ œ. >œ œ œ œ œ œ

mp

poco dim.

arco pizz.

Vc.

? bb

pizz.

bœ j bœ ‰ ‰ J Œ

œ œ >œ œ

œ ‰ J

j ‰ ‰ œJ Œ œ

bœ ?b j ¢ b bœ ‰ ‰ J Œ

œ ‰ J

j ‰ ‰ œJ Œ œ poco dim.

œ.

‰ œJ Œ

j bœ ‰

bœ

‰ œJ Œ

j bœ ‰

bœ

œ. ‰ bœ œ J arco

bœ

j bœ ‰

bœ ‰ nœj Œ bœ

j bœ ‰

bœ

pizz.

‰

œ. œ œ

mp

poco dim.

Db.

œ

arco

œ œ J

‰

œ mp

bœ ‰ bœ J

Œ

bœ ‰ nœj Œ

j œ

‰

15 ™ b b˙

°

bœ

&b

˙-

˙-

w

˙-

w

# ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p

Fl. 1.2

b & b b˙ ™

# bœ

˙-

p

b

Ob. 1.2

&b

C. A.

b &b

∑

∑

1. > nœ

Ó

∑

> #>œ œ

#

f

# ∑

∑

Ó

∑

#œ >

œ > n>œ

f

b & b b˙ ™

# bœ

˙-

˙-

p

Cl. 1.2 (Bb)

w #

b

&b

˙

bœ

bœ

b ˙-

˙-

w

˙-

˙-

w

p

B bb ˙™

bœ

>œ

>œ

>œ

Ó p

?

#

f

Bsn. 1.2

>œ

˙-

˙-

w

Ó

∑

f

p

° bb Œ &

>œ n>œ

y

œ

lo nl

¢

? bb ˙ ™

>œ >œ n>œ Œ

con sord.

b˙

˙

b˙

∑

w

bœ mp

∑

Ó

b

&b

∑

∑

∑

∑

> > > nœ œ #œ Œ

Ó

∑

#

f

con sord.

Tpt. 1-3 (Bb)

#

∑

#

f

con sord.

b &b

Timp.

?b ¢ b

∑

°? ¢

∑

°

∑

∑

∑

Œ

∑

‰ bœJ Œ

bœ ‰ J

p poco cresc.

/

∑

œ J

‰

&b

b

∑

∑

b

∑

°

last

bœ

˙-

night’s

lo

bœ

˙-

last

night’s

lo

> œ

Ó

∑

˙-

b ˙

bœ

Vb

last

B.

¢

? bb ˙ ™

last

bœ

b˙-

night’s

lo

˙-

-

Ó

∑

> œ Œ

œ ff

∑

∑

∑

∑

∑

?

#

∑

∑

∑

∑

?

#

f

> nœ

Ó

ff

> #>œ œ

∑

Ó

Scat - ter

it!

>œ >œ n>œ Œ

f

Ó

œ >

vers

ff

œ >

œ >

Scat - ter

it!

Ó

∑

#>œ Ó

w

vers

ff

>œ n>œ

Scat - ter

∑

˙-

night’s

lo

>œ w

Scat- ter it! ff

n>œ >œ >œ

>œ n>œ

95

Ó

∑ Scat - ter

94

Œ

it!

Vla.

96

97

98

œ. œ œ nœ œ #

div.

#

&b

œ b œ. . B bb œ

? bb

œ. nœ œ . . >œ. f p poco a poco p cresc. . . œ. œ. n>œ. œ bœ. œ. œ. œ. œ. œ. œ. nœ œ œ œ œ œ nœ œ œ œ œ œ œ. œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ. nœ nœ > > f p poco a poco p cresc. pizz. arco arco pizz. . . . >. . . . . œ. œ. œ. œ. œ. œ. œ. œ. >œ œ #œ ‰ œ œ œJ ‰ œ ‰ #>œ œ #œ ‰ œ œ œJ ‰ œj ‰ œ œ œ nœ J

œ œ œ œ œ œ œ œ. œ. œ. œ. œ. œ. œ. b œ. œ. œ. œ. œ. œ. œ. œ. œ œ bœ œ œ œ œ

œ ‰ œj Œ œ

pizz.

Vc.

arco .

œ ‰ J

p

Db.

#

Scat- ter it!

div. unis. #œ. œ. œ. n>œ. œ. œ. œ. >œ. œ. œ. œ. #œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ. œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ > poco a poco #> p f p mf ff cresc. unis.

# Œ

it!

Ó

vers

>œ >œ >œ

Ó

f poco cresc.

#

Scat- ter it!

f

˙-

> > > nœ œ #œ Œ

b

Vln. II

#

Scat- ter it!

poco cresc.

˙-

° bb & bœ. œ. œ. œ. œ. œ. œ. œ.

ff

Scrape Cymbal

∑

w

p

-

>œ >œ >œ Œ

∑

poco cresc.

-

f

Ó

∑

œ >

#

Œ

Ó

w

œ

93

Vln. I

f

n>œ >œ >œ

∑

p

T.

> œ

∑

vers

-

fo r

˙™

∑

poco cresc.

p

b

&b

A.

Ó

∑

p

b & b b˙ ™

Œ

pe

∑

&b

S.

œ œ œ Œ > > >

f

∑

∑

∑

ru

¢/

{

#

Ó

∑

con sord.

Perc.

Hp.

∑

sa

Tbne. 1.2

∑

?b œ ‰ œj Œ ¢ b œ

f

poco a poco cresc.

œ J ‰ bœ bœ ‰ bœJ Œ p

#œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ > . >œ œ œ œ œ œ

œ ‰ J

poco a poco cresc.

œ J

‰

‰

œ J

Œ

œ ‰ J

j #œ ‰

#œ ‰ J f

Œ

œ. œ. œ. œ. œ. œ. œ. nœ. > mf .œ œ. œ. >œ. n œ. œ. œ. œ. mf

nœ j œ ‰ nœj ‰ ‰ J Œ

œ.

œ. œ œ œ œ #

ff

œ j œ ‰ ‰ J Œ mf

œ. œ œ œ œ #

ff

mf

j œ ‰

œ. œ œ œ œ

ff

> œ. œ. œ. œ. nœ. œ. œ. # œ. œ.

p

p

œ.

f

j œ ‰ ff

#

16

H ° #

&

∑

∑

∑

∑

Œ

œ

œ

œ

j œ ˙

Ϫ

œ

œ

nœ œ

œ

mp dolce

Fl. 1.2

&

#

&

# Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1.

Ob. 1.2

œ

œ

#œ

˙

˙

œ

œ nœ œ

œ

w

mp dolce

&

C. A.

# ∑

∑

∑

∑

∑

Œ

œ

œ

œ

j œ ˙

Ϫ

mp dolce

&

# ∑

∑

∑

∑

Œ œ

Cl. 1.2 (Bb)

œ

œ

mp dolce

&

j œ ˙

Ϫ

œ

œ

nœ œ

œ

to B. Cl.

# ∑

Œ

œ

œ

œ

˙

œ

˙

œ œ œ

œ

∑

∑

∑

∑

w

mp dolce

?# Œ

œ

œ

#œ

˙

˙

œ

œ nœ œ

œ

w ∑

∑

Œ

œ

œ

œ

˙

œ

˙

&

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

°? ¢ œ

?# J ‰ Œ

{

‰ œ Ó J

Œ

mf

?# Œ

° #

&

S.

œ ‰ Œ J

‰ jÓ œ mp dolce

œ

œ

Œ

While you

#œ are

j‰ Œ œ

Œ

˙

˙

j ‰ œ Ó

j‰ j‰ Œ œ œ

Œ

Œ

j‰ j‰ œ œ

pe

Hp.

Œ

list

-

œ J

œ

’ning

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ nœ œ

œ

to the clear

‰

j œ Œ

Œ

Œ

‰ œj Œ

Œ

Œ

j‰ œ

j‰ Œ œ Œ

w

horn,

œ

Œ

Œ

‰

œ Ó J

Œ

j‰ œ

j‰ Œ œ

Œ

œ

œ

Ϫ

men,

e

For - get,

j œ ‰

j œ ˙

Œ

‰ œ J

Œ

j ‰ œ

Œ

Ó

œ

nœ œ

œ

v’ry - thing

-

On this earth

mp dolce

&

A.

#

Œ

∑

œ

œ

While you

œ

˙

are

list

˙

-

Œ œ

’ning

œ œ œ to the

œ

clear

fo r V

#

œ

œ

Œ

While you

B.

¢

#œ

˙

are

list

˙

-

œ

’ning

œ nœ œ to the clear

œ

For -

Œ

horn,

œ

œ

For - get,

œ

Ϫ

men,

e

get, men,

j œ ˙

∑

Œ

œ

œ

While you

99

100

œ

˙

are

list

˙ -

œ

’ning

œ œ œ to the

101

œ

œ œ

clear

e

-

œ

For -

103

v’ry - thing

œ

nœ œ

On this earth

œ

Œ

w horn,

102

œ new -

j œ ˙

Ϫ

v’ry - thing

-

mp dolce

?#

j œ ‰

w horn,

w

œ

œ

œ

mp dolce

T.

˙

∑

sa

#

ru

¢&

Ϫ

mp dolce

Hn. 1-4 (F)

Timp.

Œ

w

mp dolce

°

Tpt. 1-3 (Bb)

œ

œ

œ

œ

œ œ œ

lo nl

¢

?#

y

mp dolce

Bsn. 1.2

get, men,

Ϫ e

104

œ J -

œ new -

˙

v’ry - thing

105

H Vln. I

>. . . . div. > ° # œœ. œœ. œœ. œ. œœ. œœ. œœ. œ. œ. œ. œ. œœ. œ. œ. œ. >œœ. œœ œœ œœ œœ. œœ. œœ. œœ. œœ. œœ. œœ œœ >œœ œœ œœ œœ œœ. œœ œœ œ. œ œ œ. œ. œ. œ. œ. œ œ œ. œ œ n>œ. œ. >œ œ œ œ œ. œ. œœ. œœ œœ œœ œœ œœ œœ œœ. œœ œœ œœ œœ œœ œœ b œœ œœ œœ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œœœ œœ œ œ œœœœœ œ & mf

mp

div. >œ. œ. . œ. œ. œ. œ. œ. œ. >œ. œ. œ. œ. œ. œ. œ. >œ. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ >œ œ œ œ œ. œ œ œ. œ œ œ œ. œ. œ. œ. œ. œ œ œ. œ œ nœ œ œœ œœ œœ œœ œœ & œ. . > mf mp n œ. œ. . . . . . . . >œ. œ. œ. . œ. œ. œ. >. >œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ >œ œ œ œ œ. œ œ . œœ œœ œ >œ. nœ. >œ. div. # œ œ œ œ œ œ œ œ œ œ . . . . . . œ œ œ œ œ œ œ œ œ B #œ œ œ

#

Vln. II

. . œ œœ. œœ œœ œœ œœ œœ œœ œœ nœœ œœ œœ œœ œœ œœ bœœ œœ œœ œ. œ. n œ. œ œ unis. div. unis. div. œ œ œ œ nœ œ œ œ œ. œœ œœ œœ œ œ œ œœ. œœ œœ

Vla. mp

mf

œ pizz. œ. ? # J ‰ ‰ j ‰ ‰ œJ ‰ œ ‰ ‰ J Œ J œ

Vc.

mf

j ?# œ ‰ Œ œ

mp

œ œ ‰ œj ‰ ‰ J Œ J

j j œ ‰ œ ‰

‰

œ J Œ

j œ ‰

œ j œ ‰ ‰ J Œ

œ ‰ J

œ ‰ ‰ J

œ J Œ

œ ‰ J

œ ‰ J

œ ‰ J

Œ

div.

Db.

¢

mf

Ó

∑

∑

∑

∑

∑

∑

œ ‰ J

17 ° # w &

˙

Ó

∑

∑

∑

∑

∑

∑

mf

Fl. 1.2

&

#

Ob. 1.2

&

#

&

#

C. A.

∑

Ó

∑

Œ nœ

˙™

nœ

b˙ ™

œ

n˙ ™

∑ œ

w

mp espress.

∑

œ

œ

∑

œ bœ

œ

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

‰ j nœ œ œ

mf

&

Cl. 1.2 (Bb)

p

# Ó w

Ó

Œ nœ

˙

&

nœ

b˙™

œ

mp espress.

mf

B. Cl.

˙™

∑

n˙™

œ

w w

˙

œ

j œ ‰ ‰œ Œ J

j bœ ‰

j j œ ‰ ‰ bœ Œ

# ∑

Œ

∑

∑ œ b˙

œ

œ

n˙

œ

œ

œ

˙

mp espress.

?#

∑

∑

∑

∑

∑

j j œ ‰ nœ ‰ Œ

Ó

p

mp

?# œ

œ

œ bœ

œ

w ∑

∑

j ‰ ‰ j Œ œ œ

∑

mf

°

mp

&

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

Œ

‰ jÓ bœ

j‰ Œ nœ

Ó

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

sa

Hn. 1-4 (F)

j‰ bœ

lo nl

¢

y

Bsn. 1.2

2. senza sord.

Tpt. 1-3 (Bb)

¢&

# Œ œ

œ

˙

œ

n˙

œ

∑

œ #˙

˙

n˙

w

∑

j œ‰Œ

mp espress.

Ó

mp

?#

Hp.

{

j‰ ‰ nœ j‰ ‰ nœ

j Œ œ

° # w &

&

mf

∑

mp

j j bœ ‰ ‰ œ Œ

j ‰ œJ ‰ ‰ œ Ó J œ mp

j‰ ‰ jŒ j ‰ œ bœ œ

∑

˙

j‰ j‰ ‰ jÓ œ œ œ

Ó

Ó

mf

# œ

œ

œ bœ

On this earth

œ

œ

˙

¢

œ

œ bœ

On this earth

œ

Vln. I

Vln. II

Vla.

∑

∑

∑

∑

∑

Ó

Ó

div.

Vc.

nœ

œj Œ œ

b˙ ™

œ

n˙ ™

that

it

is

love

œ that

n˙

œ

it

Œ nœ

œ #˙

˙

is

-

love

¢

li

-

-

er

Than a-ny

w

‰ j nœ œ œ

n˙ li

-

-

-

er

Than a-ny mp

b˙ ™

œ

n˙ ™

that

it

is

love

œ b˙

œ

ΠEx - cept

107

108

œ

n˙

that

it

œ

109

w

‰ j nœ œ œ

er

Than a-ny

Ó œ -

li

-

œ bœ bœ ‰ ‰ œJ Œ J

œj ‰ œj ‰ ‰ œj Œ œ œ œ

œœ ‰ nœœ ‰ ‰ œ Œ œ J J J

œ

œ

˙

˙

is

love

-

110

-

-

li

-

Ó

Œ

œ ‰ nœ ‰ ‰ œ Œ J J J

mp

Ó -

er

111

‰ œ nœ œ J Than a-ny

112

113

œ. œ. œ. nœ œ œ œ œ œ œ œ œ œ œ œ . . . œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. p

j‰ Œ œ. œ. œ. œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ. . div.

j‰ j‰ ‰ j œ. œ. œ. œ. œ.

Ó

p

unis.

div.

unis.

œ. œ. œ. nœ œ œ œ œ. œ œ œ œ œ œ œœ œœ œœ nœ. œ. œ. œ. œ. œ. œ. œ. œ œ œ œœ œœ œœ œ œ . . . . . . . . . p

nœœ ‰ ‰ œj Œ œ J

j œœ ‰ œœj ‰ ‰ œœj Œ

j bœœ ‰

arco . .

œ ‰ ‰ œ Œ #œj ‰ œ ‰ ‰ nœj Œ J J J

j bœ ‰

pizz.

œ‰ J

mp

∑

mp

w

œ

œj ‰ œ

unis.

∑

œ -

mp espress.

mf

?#

w

‰ j nœ œ œ

Ó

Ó

nœ

˙™

Ex - cept

new - born.

œ ‰ œJ

&

mp

nœ

> œ. >œ œ œ œ ° # œ œ œ œ œ bbœœ œœ œœ œœ œœ œœ >œœ œœ œœ œœ œœ. œœ œœ œœ. bœœ. œœ œœ œœ œœnœœ. œœ. nœ. œ. œ. >œ. œ œ œ œ unis. . . >. & œ œ œ œ œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ œ nœ. œ œ bœ œ œ œ œ œ œ. >. . mf mp # œ. >œ œ œ œ œ œ œ œ œ œ >œ œ œ œ œ. œ œ œ. >œ. œ œ œ œ œ. œ. bœ. œ. œ. >œ. œ œ & bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . . nœ. œ. œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ. #>œ. œ. . > mf mp unis. œ. >œ œ œ œ œ œ œ œ œ œ >œ œ œ œ nœ. œ œ œ. >œ. œ œ œ œ œ. œ. œ. œ. œ. >. œ œ œ œ œ nœ œ œ œ œ œ B# œ œ. œ. bœ. œ. bœ œ œ œ œ œ œ œ œ œ . >. . > mf mp

? # nœj ‰ ‰

Db.

∑

mp espress.

w

106

∑

mp

Ex - cept

mf

?# œ

Ó

p

∑

˙™

œ

˙

- born,

B.

mp

∑

Ex - cept

Œ

new - born.

# w

j j œ ‰ nœ ‰ Œ

mp espress.

w

fo r V

Œ

∑

mp espress.

Œ nœ

mf

T.

∑

p

mf

- born,

A.

j œ ‰

j Œ œ

j j bœ ‰ ‰ œ Ó

mf

?#

S.

j œ ‰

Œ

ru

°? ¢

pe

Timp.

. . . . . . pizz. j j œœ ‰œ ‰œbœœ Œœ œ œœ ‰œ #œœ ‰ ‰ œœ Œ J. J. J. p

j œœ ‰

j j œ ‰ ‰ bœ Œ

j œ‰

j j j œ ‰ nœ ‰ ‰ œ Œ p

18 ° #

I

&

∑

∑

œ bœ

∑

∑

œ

˙

n˙

œ

˙™

#œ

œ

œ

˙

œ

œ

n˙

˙

œ

#œ

œ

œ

˙™

œ

œ

œ

Πmf dolce

Fl. 1.2

&

# ∑

∑

∑

Œ

∑

œ bœ

œ

˙ œ

mf dolce

to Oboe 2

C. A.

&

#

&

#

˙™

œ

mp

B. Cl.

w-

Œ

˙™

∑

∑

∑

∑

∑

∑

mf

∑

∑

∑

Œ

∑

œ bœ

œ

˙

œ

n˙

œ

w

œ

mf dolce

œ

œ

˙

œ #œ

˙

œ

˙

œ

œ

a2

¢

?#

∑

œ

˙

œ

b˙

nœ

Œ

∑

œ

1.2

j‰ œ œ.

&

p

&

j‰ j‰ œ bœ œ. b œ.

Ó

j j œ ‰ #œ ‰ œ. # œ. mp

mf

∑

∑

∑

∑

∑

∑

∑

∑

mf

∑

∑

∑

j‰ j‰ j‰ j‰ œ. bœ. bœ. nœ.

∑

∑

∑

∑

mp

p

mf

mp

∑

mf

j j bbœœ. ‰ #œœ. ‰

&

# ∑

∑

mp

œœ. ‰ nœœ. ‰ J J

∑

mf

?#

∑

∑

∑

∑

?#

∑

∑

∑

∑

?#

∑

∑

∑

∑

∑

∑

∑

Tbne. 1.2

Timp.

°? ¢ °/

∑

∑

∑

¢/

∑

∑

∑

∑

Hp.

∑

{

D§ C§ Bb E# F§ G§ A§

?#

° #

&

S.

œ

Ó

mf

Œ

∑

Œ

mp

Œ

˙™

my

œ-

œ

Œ

Œ

œ

œ

&

# ˙™ -

Œ

&

w-

V

my

B.

¢

œ-

w-

Œ

˙™

Œ

my

œ-

114

∑

∑

∑

∑

∑

∑

∑

∑

Ó

æ œæ

Œ

j œ ‰ Œ

œ ‰ Œ J

Ó

Œ

mf

nœ ‰ œ ‰ Œ J J

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

œ œ

Œ

mf

Ó

∑

∑

∑

Ó

Œ

nœ

˙

œ

œ

œ #œ

stars

∑

mf

Œ

∑

œ bœ

œ

˙

œ

n˙

œ O

nœ

œ

w-

nœ Œ

˙™

œ

˙

-

bœ

-

115

œ

-

pen your

b˙

to the

œ

˙

œ

air

œ

œ

eyes,

˙™

œ

That has washed

b˙

nœ O - pen your eyes

œ

˙

the

eyes

of

the

œ

˙

œ

œ

nw

the

eyes

of

the

stars

œ

˙

œ

œ

nw

the

eyes

of

the

stars

Through

to the

œ

air

˙™

œ

That has washed

mf

˙™

w-

œ

Œ

œ bœ Œ

∑

ste - ries.

-

∑

O - pen your eyes

mf

? # ˙- ™

∑

mf

ste - ries.

-

∑

mf

#

˙™ -

∑

∑

Ó

Œ

˙™

mf

T.

∑

gliss.

ste - ries.

-

∑

subito f

fo r

my

œ-

∑

∑

b>œ J ‰ Œ

mf

A.

∑

∑

ste - ries.

-

∑

∑

mf

˙™ -

∑

∑

“”> bœ J ‰ Œ

loco

pe

&

“œ”

#

∑

∑

ru

Perc.

∑

∑

sa

B. Tbne.

¢

∑

lo nl

2.3 senza sord.

Tba.

nw

∑

∑

j‰ j‰ j‰ j‰ œ. b œ. œ. œ.

&

j j j j œ ‰ bœ ‰ nœ ‰ b œj ‰ n œj ‰ nœj ‰n#œœ ‰ œ b œ n œ . œ. b œ. œ. . . .

j ‰ j ‰ j ‰ j ‰ bœj ‰ œj ‰ b œ. b œ. n œ. b œ. . . p

Tpt. 1-3 (Bb)

œ

mf dolce

°

Hn. 1-4 (F)

∑

œ

y

Bsn. 1.2

nœ

117

˙

œ

n˙

œ O

116

œ

Π-

-

118

-

pen your

119

œ

eyes,

œ the

120

˙ eyes

œ #œ

˙

of

stars

121

the

œ

œ

Through

122

I ° # Vln. I

&

j j j . j j n>œ. œ. œ. >. . . . . . . . . j ‰ j ‰ bœj ‰ nœj ‰ #œj ‰ œj ‰ bœ ‰ nœ ‰ bœ ‰ #œœ ‰nnœœ ‰ nœœ ‰ b œ œ œ nœœ œœ œœ œœ œœ œ œ œ nœœ œ. œ. b œ b œ. n œ b œ. b œ. œ. b œ. . . J . . . . . . div.

mp

Vln. II

Vla.

mf

subito mf

. œœ .

. . . . . . >. . œœ œ œ bœ œ œ œ œ œœœœ . . . . . . . . > >

div. unis. j ‰ j ‰ nœj ‰ j ‰ bœj ‰ j ‰ nœj ‰ #œj ‰ nœ œ œ bœ. œ. œ. œ. œ. bœ. . nœ. œ . nœ. . . œ. œ. œ. œ. œ. œ. œ. œ. bnœœ. œ. œ. >œ. >. . . >. > subito mf mp mf >œ. œ. œ. >. b œ œ. œ. œ. . nœ. œ. œ. b œ. œ. œ. œ. œ. œ œ. bœ œ œ B # j ‰ nœj ‰ j ‰ œj ‰ #œj ‰ œj ‰ bœj ‰ œj ‰ bœ. j ‰ nœ. j ‰ œ. ‰ œJ. ‰ . . >. J œ. . bœ. . . . . . > subito mf

&

#

j‰ j‰ j‰ j‰ œ. b œ. œ. œ.

mp

. œœ .

. œ œ .

. œ œœœœœ œ œ œ œ œ œœœœœ œ œ œ œ œ œ. œ. œ. œ. œ. œ. >œ œ œ œ œ. .

œ œ œ œ œ nœœ œœ œœ œœ œœ œœ œœ œœ œ œ œ œ œ . . . >. . . >. . >. . . . .

œ. œ. œ. œ. œ œ œ œ œ nœ. œ. œ. œ œ nœ. œ. œ. œ. œ. œ. œ. œ. #œ. œ. #œ. œ. œ. œ. œ. œ. œ. œ. . . . > > > > > > œ. œ. œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. . . . . . . > >

mf

j j j j j j pizz. (unis.) . bœ j ‰bbœœ ‰bbœœ ‰ nœœ ‰ bbœœJ ‰nnœœ ‰nnœœ ‰ #œœ ‰ bœj ‰ ‰ J Œ . . . œ. . . . subito mf mf

j j nœ œ ‰ bœ ‰ ‰ J Œ

j œ‰

j œ ‰ ‰ œJ Œ

j j œŒ œ‰ œ ‰ ‰ J

nœ ‰ j ‰ ‰ œj Œ J nœ

nœ ‰ œ ‰ ‰ œJ Œ J J

œ‰ J

pizz. bœ j bœ. j j ‰ bœJ. ‰ bœJ. ‰ œ. ‰ J ‰ nœJ. ‰ œ. ‰ œj ‰ bœj ‰ ‰ J Œ . œ. subito mf

j j œ ‰ bœ ‰ ‰ nœJ Œ

j œ‰

j œ ‰ ‰ œJ Œ

j j œ ‰ œ ‰ ‰ œJ Œ

nœ ‰ j ‰ ‰ œj Œ J nœ

nœ ‰ œ ‰ ‰ œJ Œ J J

œ‰ J

div.

Vc.

?# j ‰ j ‰ j ‰ j ‰ œ. nœ. bœ. nœ .

Db.

?# j ‰ j ‰ j ‰ j ‰ œ. œ. bœ. nœ ¢ .

arco (unis.)

mp

arco

mp

mf

19

J poco allarg. Maestoso q = c.120

˙™

œ

œ

œ

œ

œ

3 2

&

Fl. 1.2

&

#

&

#

C. A.

&

#

B. Cl.

˙™

œ

œ

œ

œ

∑

œ

∑

4 4

˙ Ó

Ó

Ó

˙

Ó

∑

∑

U ∑

U ∑

∑

U ∑

U ∑

∑

U ∑

U ∑

3 4 4 4

∑

U ∑

to Cl.

˙™ (a 2)

Bsn. 1.2

?# Œ ¢

Ó

œ

œ

œ

œ

œ

œ

œ

œ

œ

Ó

&

Ó

j j > œ ‰ œœ ‰ #œœ ‰ J > >

Œ

a2

w >

∑

∑

∑

?

∑

3 2

∑ j nœ ‰ > 3.

Ó

Ó

Œ

f

> j œ ‰ œ ‰ œj ‰ J > >

4.

Ó

Œ

4 4

Ó

∑

∑

∑

Tbne. 1.2

∑

?#

∑

Ó

Œ

∑

∑

∑

Ó

Ó

œ æ

Œ

∑

3 2

∑

&

S.

Œ

˙™

œ

all

&

A.

the

# Œ

œ

nœœ nœ

œ

œ

#

œ

Œ

œ

Through all

B.

¢

?#

œ œœ

œ œ

œ œœ

Œ

œ

œ

œ

p

˙˙ n˙

Ó

Ó

?

˙˙ ˙

Ó

Ó

œ

˙

dew

y

-

œ

the

œ

˙™

œ

the

œ

all

the

123

f

Œ

night:

œ

dew

&

Vln. I

&

Vln. II

#

B#

>œ. œ. œ. œ. œ œ œ œ œ œ œ œ

U ∑

∑

∑

U ∑

U ∑

∑

∑

U ∑

Ó

˙

Œ

˙ y

night:

œ. œ. œ. œ. œ. œ. œ. œ.

>. . . . œ œ œ œ œœœœœœœœ

œ. œ. œ. œ. œ. œ. œ. œ.

œ j œ ‰ ‰ J Œ

nœ ‰ J

nœ ‰ ‰ œJ Œ J

nœ ‰ J

nœ ‰ ‰ œJ Œ J

Vla.

3 2

∑

U ∑

U Ó

U ∑

∑

∑

U ∑

U Ó

U ∑

∑

∑

U ∑

U ∑

U ∑

∑

∑

U ∑

˙

U Ó

U ∑

∑

U ∑

˙

U Ó

U ∑

∑

U ∑

∑

˙

Ó

∑

∑

U ∑

U ∑

3 4 4 4 ∑

∑

U ∑

U ∑

U ∑

∑

∑

U ∑

U Ó

U ∑

f

˙˙

Db.

¢

?#

œ j œ ‰ ‰ J Œ

œ ‰ J

mp

p legato

Œ ˙

˙ old

˙˙

U ∑

U Ó

mp

Œ œ œ

light,

To the

U w > wars;

p legato

> w w

3 4

˙

˙ old

U w > wars; mp

> #w w

˙˙

U ∑

U Ó

light,

p legato

Œ œ œ To the

˙

˙ old

U > w wars; mp

ff

> w

˙

U ∑

U Ó

light,

Œ œ œ To the

126

127

128

U > bw

p legato

129

˙

˙ old

wars;

130

131

∑

∑

U ∑

∑

∑

U ∑

∑

∑

U ∑

U w w-

∑

∑

U ∑

U w-

∑

∑

U ∑

poco allarg. Maestoso q = c.120 œj n>œ nœœ. œœ. œœ. œœ. œœ. œœ. œœ œœ œ ‰ #œJ ‰ > > >. . > j œ œ œ œ œ œ nœ œ œ ‰ >. . >. . . . >. . >œ div.

j œ ‰ >œ

>. . >. . . . >. . > j œ œ œ œ œ œ œ œ œ ‰ œ ‰ J > œ ‰ ‰ œJ Œ J arco

œ ‰ J

∑

To the

4 4

> w w

˙ ˙

ff

U unis. U Œ œ w p

> #w w

j j > œ ‰ œœ ‰ #œœ ‰ J > > > j œ ‰ œ ‰ œj ‰ J > >

œ ‰ ‰ œJ Œ J

mp

˙ ˙

ff

U unis. U Œ œ w -

w w >

˙ ˙

U unis. U Ó w-

˙ ˙

U Ó

˙

U Ó

p

mp

3 4 4 4

mp

ff

?#

?

3 4

˙

œ œ

Up with the

arco

Vc.

U ∑

∑

> w

125

œœ œœ œœ œ œ œ œœ œœ . . . nœ. œ. œ. . .

∑

U ∑

light,

>œ >œ >œ J ‰ J ‰ J ‰

Œ

∑

U Ó

f

Up with the

œ

U ∑

ff

f

-

˙˙

> w #w

> >œ n>œœ œ ‰ J ‰ J ‰ J

night:

œ

U Ó

3 4 4 4

ff

f

œ

4 4

Up with the

J ° #

U ∑

˙˙˙

> w

j j ‰ j ‰ #œ ‰ œ> n>œ >

Œ

124

>œ. œ. œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ œœœœœœœœ

∑

∑

ff

f

night:

œ

dew - y

U ∑

U Ó

˙ >

Up with the

˙

dew - y

œ

U ∑

˙

w >

>œ >œ n>œ J ‰ œJ ‰ œJ ‰

œ

fo r V

æ wæ ™

Ó

œ

Through all

T.

Crash Cymbal

pe

° #

˙˙ ™™ ˙™

œ œ œ

U ∑

f

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏

#

œ œ

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

&

{

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

&

˙˙ ™™ ˙™

∑

ff

j œ ‰ œj ‰ > >

Ó

ru

∑

∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏

Hp.

Sus Cymbal

#

∑

w >

> w

mf

Perc.

¢/

U ∑

˙

> #w w

j‰ j‰ j‰ >œ >œ >œ

Œ

œ ‰ Œ J

mf

°/

U Ó

w >

sa

°? ¢

U ∑

f

mf

Timp.

∑

f

mf

¢

∑

f

>œ >œ >œ J ‰ J ‰ J ‰

B. Tbne.

Tba.

U ∑

U Ó

> #w w w

Œ

mf

?#

U ∑

lo nl

∑

?#

∑

ff

> j œœ ‰ œn>œœ ‰ #nœœœ ‰ œ> J J mf > senza sord. a2 > œ >œJ n œœJ J Ó Œ ‰ ‰ ‰

#

˙

∑

mf

&

∑

ff

senza sord.

Tpt. 1-3 (Bb)

∑

3 4

a2

˙

∑

&

∑

U ∑

˙

∑

&

Hn. 1-4 (F)

U ∑

œ

mf

°

∑

∑

y

° #

div.

> w w

mp

ff

w > ff

mp

3 4

20 Un poco più mosso h = 68

poco accel. ° #

&

Picc.

&

#

3 4 3 3 4 4 4 2 ∑

∑

∑

>œ >˙ Œ ‰ J

∑

œ

Œ Œ

&

#

>œ >˙ Œ ‰ J

∑

œ

Œ Œ

Ob. 1.2

&

&

#

œ

> Œ ‰ nœJ

Œ

f

> >œ n w Œ ‰ J

œ

mf

w>

œ. œ. œ. J ‰ Ó

w

Œ

Ó

mf

œœ Œ

Ó

∑ a2

f

> Œ ‰ œ ˙ J

∑

∑

∑

œ Œ Œ

> Œ ‰ œ J ˙ > f

Œ Œ

>˙

˙

2. to C.A.

˙

˙

∑

∑

ff

> Œ ‰ œJ w

f

Bsn. 1.2

¢

# ∑

?#

>˙

œ Œ

˙

Ó

f

w

ff

> Œ ‰ œJ nw > f >œ bw > Œ ‰ J w

œ

a2

∑

b œ. œ. œ. J ‰ Ó

ff

œ. œ. œ. ‰ Ó J

j bœ. œ. œ. ‰ Ó

œ. œ. œ. ‰ Ó J

j bœ. œ. œ. ‰ Ó

mf

Cl. 1.2 (Bb)

&

b œ. œ. œ. J ‰ Ó

to Picc.

> > nw Œ ‰ œœJ b w

œ Œ Œ œ

f

∑

œ. œ. œ. J ‰ Ó

w

f

> Œ ‰ œœ ˙˙ J >

∑

> w

f

> >œ n w Œ ‰ J

f

#

4 C 4 Ó

∑

f

Fl. 1.2

> Œ ‰ nœJ

Œ Œ

Ó ˙ >

œ Œ

> w

Ó

w

ff

a2

œ œ Œ

mf

>˙

˙

˙

˙

Ó

∑

∑

œ ff

ff

3 4 3 3 4 4 4 2 1.3

Œ ‰ j œœ ˙˙ f > > 2.4 œ> œ > Œ ‰ J n˙˙

∑

Hn. 1-4 (F)

?

∑

Œ Œ

œœ

a2

œœ Œ ‰ >œ J

f

&

#

> Œ Œ ‰ œ J

&

#

?# Tbne. 1.2

> w

œ Œ ‰ >œ J

j Œ Œ ‰ œ >œ mf 1. > œ Œ Œ ‰ J

>™ nw

∑

>™ nw nw ™

œ Œ œ

>™ nw

œ

Œ

œ

Timp.

¢

Ó

∑

nw “’>

∑

∑

œ

∑

ææ w >

Ó

3 4 3 3 4 4 4 2 ∑

¢/

∑

∑

° #

&

∑

f

> Œ Œ ‰ œ J A f

&

> Œ Œ ‰ œ J

∑

> w

A

-

rise,

a

> w

-

-

œ Œ ‰ j >œ

V

#

> Œ Œ ‰ œ J A

rise,

> w

-

f

B.

¢

?#

a

132

-

-

Ó

sfp

° #

&

a

&

Vln. II

#

B#

-

œ

∑

∑

∑

Vc.

Db.

¢

?#

∑

f

∑

∑

∑

∑

w

∑

∑

w

∑

∑

æ wæ

∑

∑

˙w

˙

w ˙

˙

?

ff

æ wæ >

∑

æ œæ Œ

œ Œ

> Œ ‰ œj

a cresc.

œ Œ

a

w

w

w

∑

ff

> œ Œ Ó

∑

∑

∑

∑

∑

∑

∑

fff

fff

˙

w ˙

˙

rise!

-

fff

j Œ ‰ nbœœ >

rise,

Crash Cymbal

> #w ˙ >

> Œ ‰ nœœJ

rise,

mp

fff

ff

> w w

w w

rise!

-

> #˙w >

cresc.

œ Œ

> Œ ‰ bœœ J

rise,

a

a

-

œ Œ

œ Œ Œ œ

a

135

œ Œ Œ œ œœ Œ Œ œ Œ Œ œ

>j > Œ ‰ œJ bnw w > > ff >j Œ ‰ œJ nw w > > ff

ff

Ó

∑

∑

cresc.

œ Œ œ >

cresc.

nw nw >

œ Œ œ > > œ œ Œ > œ Œ >œ

cresc.

˙

˙

˙

∑

∑

139

140

rise!

-

137

> nj Œ ‰ b œœ J > >j Œ ‰ nœœ J > >j Œ ‰ œ J

4 C 4

cresc.

ff

˙

138

Un poco più mosso h = 68 > œœ Œ >

div.

œ Œ Œ

>˙

136

cresc.

>j Œ ‰ œ nw J w > ff > >j > œ bw Œ ‰ J w > >

˙w

rise!

-

> Œ ‰ nœJ

rise,

134

˙

fff

>™ nw

> Œ ‰ œ J

3 4 3 3 4 4 4 2

Vla.

?#

>j Œ ‰ œ n˙˙ J f > > div. >j Œ ‰ œ ˙ J ˙ f > > div. >j Œ ‰ œ n˙˙ J f > > >j > œ Œ ‰ J ˙˙ > > f > Ó ˙

˙

w >

cresc.

div. >

∑

∑

ff

ff

poco accel. Vln. I

∑

w

w >

cresc.

>™ nw

œ Œ ‰ >œ J

rise,

133

∑

fff

rise,

> w

n>œ Œ Œ ‰ J A

>æ wæ

Bass Drum

nw ™ >

f

T.

> #w ˙

4 C 4

∑

>™ nw

œ Œ ‰ >œ J

fo r

#

∑

pe

Perc.

A.

n>œ Œ B‰ J

æ j ‰ Œ ‰ bœj œæ >œ >

sfp

°/

∑

w w

ff

f

°? ¢

S.

> #w w

Œ ‰ bœj > “’

Œ

ru

Tba.

w w > ff > w

> Œ ‰ bœœ J

Œ ‰ bœj >

Œ

Ó

f

∑

ff

∑

ff

∑

nw >

∑

∑

w w

>

B. Tbne.

?#

> Œ ‰ nœJ

œ Œ

f

∑

#w w >

ff

œ Œ ‰ œj œ >œ f >œ œ Œ ‰ J

w w > > w

Œ &‰ j b>œœ

œ Œ

f

mf

?#

4 C 4 Œ ‰ j b>œœ

Œ

œ œ

f

mf

Tpt. 1-3 (Bb)

> Œ ‰ j œ w f J w > > >™ nw

sa

&

lo nl

°

y

f

w> w >

w w

unis.

˙

fff

> #w w >

w> w >

˙ w

w >

w

mf espress.

˙w

˙

˙w

˙

˙w

˙

w

mf espress.

˙ w

fff

fff

˙

unis.

˙ w

fff

> bœj Œ ‰ bœ J > unis. Œ ‰ bœj >

˙

mf espress.

fff

> #w w >

˙

˙

˙ w mf espress.

w

w mf espress.

w

˙

21

K

poco rit. ° #

&

Picc.

a tempo œ. œ. œ. J ‰

Ó

œ. œ. œ. œ. œ. œ. œ. œ.

∑

&

Fl. 1.2

Ó

œ. œ. œ. J ‰

œ. œ. œ. œ. œ. œ. œ. œ.

∑

Cl. 1.2 (Bb)

# Ó

œ. œ. œ. j ‰

∑

œ. œ. œ. œ. œ. œ. œ. œ. mp

∑

œ. œ. œ. œ. œ. œ. œ. œ. mp

poco dim

&

# Ó

∑

∑

##

∑

∑

∑

∑

∑

∑

∑

∑

∑

##

∑

∑

∑

∑

∑

∑

∑

∑

∑

##

∑

∑

∑

∑

∑

∑

∑

∑

##

∑

∑

∑

∑

∑

∑

##

∑

∑

∑

∑

∑

∑

##

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

mp

poco dim

&

∑

mp

poco dim

1.

#

∑

j œ. œ. œ. ‰

to B. Cl

poco dim

∑

∑

∑

-œ ™

˙

˙

?#

˙

w

‰

∑ mp espress.

-Ϫ

Bsn. 1.2

¢

?#

w ∑

∑

˙

w

‰

∑ mp espress.

°

poco rit. 1.

&

∑

∑

∑

‰ œ™ -

w mp espress.

Hn. 1-4 (F)

˙

w

2.

∑

∑

∑

‰ œ- ™

w mp espress.

Timp.

°? ¢

∑

∑

∑

∑

˙

w

∑

∑

œ Œ

Ó

œ Œ

y

¢&

Ó

∑

V

T. Solo

mp

# ∑

∑

141

∑

142

∑

143

∑

144

∑

145

° #

&

˙

Ó

˙

w

˙ Ó

‰

˙

w

w w unis.

B# w w

˙˙

w w

div.

w

w

˙

Ó

˙

Ó

‰

w w

mp

¢

?# w

w

w

mp

=

3

# V # Ó

Œ

3

˙-

œ-

-œ

-œ

˙-

that

I

will

be

faith

153

Vc.

Db.

°? # # ¢

œ

˙™

œ

˙™

? ##

œ-

# V # ˙

Db.

°? # # w ¢

? ##

∑

God

149

150

151

152

a tempo

w w

∑

˙˙

n œœ ™™ nœ- ™

nœ

˙˙

w w

˙˙ ˙

to

His

Ma

-

-

je

-

sty

160

œ

œ

˙

bœ

œ

œ mf

˙

w

w w

œ Œ œ

Ó

w

w

œ Œ

Ó

w w w

w w

˙ ˙

p molto legato

w p molto legato

unis.

∑

##

bœ œ œ œ

˙

mp

bœ œ œ œ

˙ w

w

w

˙

mp

poco crec.

3 2 3 2

Ó w

˙ and

156

Ó

˙

Ó

˙

œ

King George the

j œ ‰

w Fifth,

bw

nœ

bear

true

˙

˙

˙

˙

œ

œ

and that

œ

œ

œ

œ

œ

œ

œ

œ

-

˙

œ

œ

I

will

163

œ

Al

˙

mp

162

œ

œ

157

œ

˙

mp

œ

w w

##

## w w

mf

w

w w

p molto legato

161

w

Ó

p molto legato

155

œ

w w

w

w

œ

œœ Œ

p molto legato

∑

w w

w

˙™

w w

unis.

∑

mf

œ

w w

=

154

w

w w

##

w w

ful

-

w

159

Vc.

w

˙

##

∑

w

=

T. Solo

˙

by Al - migh - ty

148

3

fo r

T. Solo

‰

pe

Db.

˙

ru

?#

œ œ

147

div.

w

unis.

œœ- ™™

‰ œ™ œ- ™

Ó mp

Vc.

swear

sa

# w

‰ œ™ -

˙

˙

mp

Vla.

˙

I

∑

div.

mp

&

bw

˙

K

div.

Vln. II

##

Ó

146

poco rit. Vln. I

∑

lo nl

p

∑

œ mp

˙

3 2 3 2

bœ- ™ hon

-

4 4 4 4

˙

˙

le

giance

-

158

˙

˙ poco crec.

˙

˙ poco crec.

=

j œ œ

œ

est - ly

and

-Ϫ faith

164

w

Ó

w

Ó

œ J -

ful -

22

L # ™ V # ˙

T. Solo

œ nœ nœ

-ly

de - fend His

165

L Vln. I

° ## &

∑

unis.

# & #

Vln. II

œ

œ

˙™

œ

mp cantabile

B ##

4 4 4 4

3 2 3 2

j œ ˙

-Ϫ

Ma - jes - ty

166

∑

œ

œ

œ

˙-