LOS ANGELES_MAY_JUNE 2017_Ethan Hawke_ISSUE Haute Living

TH IS E A SU R E T

LOS ANGELES

M AY/J U N E 2 0 1 7

GEENA DAVIS

HOW HER LATEST MOVIE WILL CHANGE FILMMAKING FOREVER

REMEMBERING CHRIS BURDEN

THE EVIL KNIEVEL OF PERFORMANCE ART

INSIDE THE L.A. ART SCENE WITH ELI BROAD, MICHAEL GOVAN AND OTHERS

$20.00

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IS FEEDING HIS CREATIVE INNER WOLF WITH THE ART-FOCUSED INDIE, “MAUDIE”

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Big Bang Ferrari King Gold.

King Gold case inspired by the brands’ iconic lines. In-house UNICO chronograph.

Interchangeable strap with a patented attachment. Limited edition of 500 pieces.

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BOUTIQUES BEVERLY HILLS • LAS VEGAS Tel: 1 800 536 0636

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ZAHA RISING.

BY ZAHA HADID ARCHITECTS

From mid $5 million to over $20 million.

Currently under construction with completion anticipated 4th Qtr 2018.

1000museum.com | 305.290.3101 | info@1000museum.com | 1000 Biscayne Blvd. Miami, FL

Oral representations cannot be relied upon as correctly stating representations of the Developer. For correct representations, make reference to this brochure and to the documents required by section 718.503, Florida statutes, to be furnished by a developer to a buyer or lessee. We are pledged to the letter and spirit of the U.S. Policy for achievement of Equal Housing Opportunity throughout the nation. We encourage and support an affirmative advertising and marketing program in which there are no barriers to obtaining housing because of race, color, religion, sex, handicap, familial status or national origin. This is not intended to be an offer to sell, or solicitation to buy, condominium units to residents of any jurisdiction where prohibited by law, and your eligibility for purchase will depend upon your state of residency.

FOR NY RESIDENTS : THE COMPLETE OFFERING TERMS ARE IN A CPS-12 APPLICATION AVAILABLE FROM THE OFFEROR. FILE NO. CP16-0131 The building is currently under construction but not yet completed. Any images of a competed building are artists renderings incorporating the proposed building into the existing skyline. As depicted in the developers brochures or on the developers website, sketches, renderings, graphics, plans, specifications, services, amenities, terms, conditions and statements contained in this brochure are proposed only, and the Developer reserves the right to modify, revise or withdraw any or all of same in its sole discretion and without prior notice. Use and operation of the Helipad are conditioned upon obtaining FAA and other governmental approvals. No assurance can be given about whether the approvals can be obtained, and/or if so, the timing of same. Artist rendering provided by Catapult13 | Creative Director Alfred Lamoureux

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ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THE DOCUMENTS REQUIRED BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A DEVELOPER TO A BUYER OR LESSEE. All artist’s or architectural renderings, sketches, graphic materials and photos depicted or otherwise described herein are proposed and conceptual only, and are based upon preliminary development plans, which are subject to change. This is not an offering in any state in which registration is required but in which registration requirements have not yet been met. This advertisement is not an offering. It is a solicitation of interest in the advertised property. No offering of the advertised units can be made and no deposits can be accepted, or reservations, binding or non-binding, can be made in New York until an offering plan is filed with the New York State Department of Law.

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Introducing Palazzo Del Sol. 43 new waterfront condominium residences on celebrated Fisher Island. A haven of privacy and exclusivity, minutes from South Beach and the cultural attractions of Miami, with superbly curated building amenities and 6-star white-glove services for the entire family.

Designer Model Residences by Antrobus + Ramirez, Artefacto and Henge Available for Viewing Now Open for Immediate Occupancy Priced from $ 6.5 million to $ 35 million. info@palazzodelsol.com | +1 305 535 6071 palazzodelsol.com 7000 Fisher Island Drive Fisher Island, Florida 33109

A World Apar t BEACH | MARINA | TENNIS | GOLF | RESTAURANTS & BEACH CLUB SPA & FITNESS CENTER | BOUTIQUE HOTEL | DAY SCHOOL COUNTRY MARKET | FERRY SERVICE TO & FROM THE MAINLAND

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Haute Living MAGAZINE CHAIRMAN Hon. Robert Farmer chairman@hauteliving.com PUBLISHERS Kamal Hotchandani kamal@hauteliving.com Seth Semilof ssemilof@hauteliving.com NATIONAL SALES DIRECTORS Miami April Donelson april@hauteliving.com Gina Fusco, Director of Timepieces & Jewelry REGIONAL SALES DIRECTOR New York Morgan Clifford morgan@hauteliving.com DIRECTOR OF EVENTS Violet Camacho violet@hauteliving.com EXECUTIVE EDITOR, HAUTE MEDIA GROUP & EDITOR-IN-CHIEF, LOS ANGELES Laura Schreffler laura@hauteliving.com MIAMI EDITOR Paige Mastrandrea paige@hauteliving.com NEW YORK EDITOR IN CHIEF Catherine Sabino catherine@hauteliving.com SAN FRANCISCO EDITOR Katie Sweeney Katie@hauteliving.com ART DIRECTOR Greg Concha greg@hauteliving.com FASHION DIRECTOR Bruno Lima br.bruno.lima@gmail.com HAUTE BEAUTY DIRECTOR Melissa Zartman MelissaZ@hauteliving.com ONLINE DIRECTOR Jeremy Bauman Jeremy@hauteliving.com HAUTE RESIDENCE EDITOR Haley Willard haley@hauteliving.com HAUTE RESIDENCE NETWORK East Coast Kevin D. Thomas kevin@hauteresidence West Coast Suzanne Schweizer suzanne@hauteresidence.com

US Editor-Martin Green

HAUTE TIME EDITOR martin@hautetime.com I Dubai-Victoria Townsend Singapore-Pooja Agarwal pooja@hautetime.com

victoria@hautetime.com

ASSOCIATE ART DIRECTOR Humberto Palomeque humberto@hautetime.com DIRECTOR OF WEB DEVELOPMENT Saira Hotchandani saira@hauteliving.com CONNECT Follow us on Twitter, Facebook, Instagram, and Pinterest. We’re your guide to all things Haute in top cities around the world.

CONTRIBUTING EDITOR Fine Autos Editor Tim Lappen COPY EDITOR HAUTE LIVING NEW YORK Stacy Cousino SUBSCRIPTION AND DISTRIBUTION INQUIRIES subscriptions@hauteliving.com

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TOURBILLON G-SENSOR RM 36-01 SEBASTIEN LOEB

RICHARD MILLE BOUTIQUE RODEO DRIVE, BEVERLY HILLS (310) 285-9898

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Publisher’s LETTER VAN CLEEF & ARPELS Robe Couleur de Soleil variation clip in white gold, yellow gold, diamonds, yellow tourmalines, spessartite garnets and yellow sapphires.

And with that, we welcome you to our 2017 art issue.

Our cover subject is a man who has explored all manners of mediums—from acting to creating graphic novels to writing children’s books. Oscar nominee Ethan Hawke invites us into the private life of Canadian artist Maude Lewis in his new film, Maudie, playing a man who learns the value of art, and the meaning of love simultaneously.

We’ve also featured Geena Davis, the star of Oculus’ inventive new movie, Dear Angelica, a 360-degree, virtual experience that will change

the future of filmmaking.

Then, we explore the relationship between sports and art with a new collaboration between L.A. Laker Brandon Ingram and street artist

To keep up with our haute news and events, be sure to follow us on Instagram @hauteliving, @kamalhaute, @sethsemilof.

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Jonas Never, examine the first-ever documentary on iconic performance artist Chris Burden, speak to the movers and shakers of the L.A. art world—including Eli and Edythe Broad and LACMA director Michael Govan—and check out Doug Aitken’s desert masterpiece, “Mirage.”

And you do not want to miss our global tour of the best art hotels, as well as our list of celebrities who also moonlight as painters and sculptors.

On that note, we’ll leave you with some food for thought from famous French artist Edgar Degas, who once said, “Art is not what you see, but what you make others see.”

kamal hotchandani

PHOTO COURTESY OF TOM CLAISSE @ALMAKARINA AGENCY

I

N THE WORDS OF THE GREAT HENRY DAVID THOREAU, “THIS WORLD IS BUT A CANVAS TO OUR IMAGINATION.”

seth semilof

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CALIBER RM 07-01

RICHARD MILLE BOUTIQUE RODEO DRIVE, BEVERLY HILLS (310) 285-9898

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TABLE of CONTENTS

Test driving the Jaguar F-Type SVR

On the cover: Ethan Hawke

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PUBLISHER’S LETTER TREND REPORTS Women: Fuchsia blast Men: Yachting life

HAUTE ACCESSORIES Women: Bag fest Men: Summer time

WHAT’S ON THE WEB 20 Get all the newest content on HauteLiving.com and our new Haute Living app

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Haute Living Media Group hauteliving.com hautetime.com hauteresidence.com

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HAUTE WATCHES

The superstars of Baselworld 2017

HAUTE AUTO

Everything you need to know about the Jaguar F-Type SVR and Range Rover Evoque Convertible

HAUTE SHOPPING Where to buy art in L.A.

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HAUTE DINING

The Houston Brothers open Black Rabbit Rose, and Beso becomes Viva

Doug Aitken’s mirrored “Mirage” piece in the palm desert

HAUTE DRINKS

Honeycut has an artist-inspired cocktail menu

HAUTE INSIDER

The inside scoop on L.A.’s real estate market

HAUTE HOODS

Angelina Jolie bids on a new home post-divorce

WHAT’S HAUTE

Doug Aitken brings “Mirage” to the Palm Desert Christie’s opens its L.A. flagship

HAUTE TRAVEL

Global hotels with art collections that would rival any gallery ON THE COVER: ETHAN HAWKE PHOTOGRAPHY: MICHAEL SCHWARTZ SHOT ON LOCATION AT: 1HOTEL BROOKLYN BRIDGE

Shopping on Billionaire’s Row

PHOTOS COURTESY OF MERCEDES-BENZ, MICHAEL SCHWARTZ AND LANCE GERBER

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TABLE of CONTENTS

Inside the 2017 MOCA Gala

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Geena Davis gets candid

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Ethan Hawke explores art and love in his new film, Maudie

HAUTE JEWELRY

Vivid colors and rich textures are in bloom

FEATURES

Geena Davis chats about her dreamy new Oculus short, Dear Angelica The art world’s movers and shakers discuss the City of Angels’ thriving art scene

MAN OF STYLE

Gotham star Ben Mckenzie is our springtime Man of Style

Q&A

L.A. Laker Brandon Ingram and street artist Jonas Never discuss their collaborative new project

90 Tim Merriman explores the life of artist Chris Burden in his new documentary

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POWER PLAYERS

Celebrities who do double duty as successful artists

BUZZ-WORTHY EVENT

Steps inside MOCA’s annual gala

SCENE

104 Exploring some of the hottest events in Los Angeles 112

AMBASSADOR

Maria Sharapova is back on the court and better than ever

THE LUXURY BEAT 120 Chopard’s co-CEO Caroline Scheufle on the brand’s 20th anniversary sponsoring the Cannes Film Festival Art on display at the ARIA Resort & Casino in Las Vegas

PHOTOS COURTESY OF PHIL POYNTER, BFA FOR MOCA, MGM RESORTS AND CHOPARD

LUXE LIFE In this issue, check out our profiles on (clockwise from above) Chopard’s new Red Carpet Collection debuting at this year’s Cannes Film Festival, Dear Angelica star Geena Davis, the 2017 MOCA Gala, and art hotels around the world.

COVER STORY

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TREND report

BY BRUNO LIMA

JIMMY CHOO Candy bag, $850 Available at select Jimmy Choo stores

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PIAGET Altiplano 34mm 60th anniversary edition timepiece, $28,500 Available at piaget.com

CHANEL Brooch in satin, tulle and crepe, $475 Available at select Chanel boutiques nationwide

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4 GEORG JENSEN Fusion centre ring in 18k rose gold with rubies, $2,300 Available at georgjensen.com

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GIUSEPPE ZANOTTI Flora suede pumps, $950 Available at giuseppezanotti.com

Marchesa

FUCHSIA BLAST A colorful explosion hit the runways recently, with a clear ‘It’

CHANEL Tweed bag, $2,100 Available at Chanel boutiques nationwide

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BALLY Peluke pumps, $650 Available at bally.com

shade of the season. Hermès, Valentino, Bottega Veneta, and others invested heavily in beautiful fuchsia, conjuring it up in everything from ready-to-wear to accessories. Bold and bright, this color certainly attracts attention, whether you choose to wear it during the day or for a fancy night out.

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TREND report

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TOM FORD Paper clip bracelet in silver, $890 Available at select Tom Ford stores nationwide

BY BRUNO LIMA

HERMÈS Showerproof technical Toilovent hat, $510 Available at Hermès stores nationwide

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BALLY Henton leather sneakers, $450 Available at bally.com

BALLY Alpina canvas backpack, $1,195 Available at bally.com

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LOUIS VUITTON America’s Cup collection sandals, $730 Available at select Louis Vuitton boutiques

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YACHTING LIFE

GIUSEPPE ZANOTTI Lucius espadrilles, $550 Available at giuseppezanotti.com

TOM FORD Printed yin yang classic swim short, $690 Available at select Tom Ford stores nationwide .

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It’s time to sail into spring’s fashion waters: the Spring/ Summer 2017 season brings a cool, seafaring vibe to NOBIS Fisherman jacket, $495 Available at nobis.com

men’s casual wear. Nautical has never looked so fresh— with bold blues, modern reds and interesting patterns.

Start your explorations by discovering the latest ways to bring fashion to the yacht or the beach club... before you move on to the ocean.

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TrendACCESSORIES

BY BRUNO LIMA

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FENDI

A rich season for handbags of every shape, size and pattern

DELPOZO Benedetta mini in transparent, $1,750 Available at Moda Operandi Boutique

DOLCE & GABBANA Wicker and iguana skin top-handle bag, $5,195 Available at select Dolce & Gabbana boutiques

PRADA MILLY I Heart Me clutch, $295 Available at milly.com

BAG FEST Get your bag on! Whether you prefer clutches or totes, your favorite functional accessories have rarely been as much fun or colorful as they are this spring. Look for sleek, new, classic shapes in micro to mega—executed in the finest leathers, fabrics and finishes, and gussied up with embellishments, new pattern combos, or special ombré details.

MONIQUE LHUILLIER Bianca bag, $2,695 Available at Monique Lhuillier stores

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Watches that will keep you on trend and on time

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VERSACE

TAG HEUER Connected smartwatch, $1,650 Available at tagheuer.com

GUCCI Dive in black or yellow dial with tiger head face, $1,120 Available at select Gucci stores nationwide LOUIS VUITTON Tambour watch, $4,350 Available at select Louis Vuitton stores

VERSACE

SPRING TIME May, June and beyond. Look for new varieties of sporty styles, graphic dial treatments and colorful bands that will keep you on trend and on time. Who cares if you’re heading to the office or going deep sea diving?

PIAGET Altiplano 43mm 60th Anniversary Edition, $23,900 Available at piaget.com

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On theWEB HAUTE LIVING APP Find out what’s happening in Los Angeles and get the inside scoop on the latest restaurants, shops and nightspots on the new Haute Living app.

outfitted the suite in red, white and blue with rock ’n roll art, including concert photography, an image of Bianca Jagger’s platform shoe and a one-of-a-kind mural as well as other pieces by international street artist Kelsey Montague. Thirty percent of all booking sales will go to the (RED) organization; the suite is now available.

A VIRTUAL REALITY BEAUTY EXPERIENCE Spanish skincare brand Natura Bissé recently launched Mindful Touch, a unique, firstof-its-kind skincare ritual experience with mindfulness and virtual reality techniques that was particularly perfect for its L.A. Oscar weekend debut. Step into a sealed, giant white bubble—the BUBBLE PURE AIR 4.0.—that circulates 99.995% pure, clean air to ensure a treatment zone completely free of pollution and viral, bacterial and allergen agents, before putting on virtual reality goggles that transport you to space and beyond. You’ll focus on breathing and mindfulness while awakening all five sense, then relax with the 3D Collagen Shock Facial―a powerful regenerative treatment that uses three types of collagen to increase firmness, enhance facial contours, improve elasticity and boost hydration.

CONNECT Follow us on Twitter, Facebook, Instagram and Pinterest. We’re your guide to all things haute in New York, Miami, Los Angeles and San Francisco, as well as Mexico City, London, Dubai and others around the world..

THE MOST EXPENSIVE EATERIES IN L.A. Haute readers who live the luxe life should bring their deep pockets to Urasawa, a Rodeo Drive restaurant (widely considered to be one of the priciest in the world–an average dinner bill can run around $1,000), Wolfgang Puck’s CUT at the Beverly Wilshire, a ten-course tasting menu at Curtis Stone’s Maude, Josiah Citrin’s Michelin two-star restaurant, Melisse, and the caviar-heavy Petrossian, where the Special Reserve Shassetra will set you back a whopping $3,125.

THE GUY’S GUIDE TO ATLANTA Luxury-loving guys traveling to Atlanta should check out our haute guide to A-Town (otherwise known as The Big Peach, Hotlanta and Empire City of the South)—including where to stay (the RitzCarlton Atlanta), play (the College Football Hall of Fame), eat (King + Duke and Gunshow) and imbibe (grab a stogie and a high-end single malt at Highland Cigar Co.). If you’re seeking more than just a hedonistic good time, make sure to visit Centennial Park, commissioned for the 1996 Olympic Games, as well as the birthplace of the great Civil Rights icon Martin Luther King.

Jr., for a little history lesson on your trip.

GENE SIMMONS SHARES HIS HAUTE SOCAL SECRETS Rock band KISS (the #1 Gold Record Award-winning group of all time in America with over 100 million albums purchased worldwide) continues to sell out stadiums and arenas around the world, breaking box-office records set by Elvis and The Beatles. But co-founder Simmons, nee Chaim Waitz, isn’t just a musician—he and bandmate Paul Stanley segued their love of music and food into the restaurant Rock & Brews, a low-key spot with a musical vibe focusing on gastropub type fare, and locations in Los Angeles, Cabo San Lucas, Maui, Orlando and Albuquerque, to name a few. Make sure to check out this legend’s rocking insider’s guide to the City of Angels.

PHOTOS COURTESY OF THE RITZ-CARLTON ATLANTA, NATURA BISSÉ, MÉLISSE, BRIAN LOWE AND ANDAZ WEST HOLLYWOOD

JONATHAN ADLER DESIGNS A (RED) SUITE FOR THE ANDAZ WEST HOLLYWOOD The Andaz brand announced a first-of-its-kind collaboration with (RED)– the AIDS organization founded by Bono and Bobby Shriver—by debuting an all-new (RED) room at the Andaz West Hollywood. Acclaimed designer and longtime (RED) supporter Jonathan Adler designed and

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COLDWELL BANKER RESIDENTIAL BROKERAGE

CONGRATULATES

CHRIS CORTAZZO MALIBU

Coldwell Banker® in Southern California

|

Coldwell Banker® Globally

|

NRT Sales Associate Globally

Coldwell Banker International Society of Excellence Outstanding achievement of being the #1 Coldwell Banker Independent Sales Associate Nationally & Internationally for the last 10 of 11 years, out of 88,000+ associates worldwide.

Source: Rankings based on reported annual individual gross commission income. ©2017 Coldwell Banker Residential Brokerage. All Rights Reserved. Coldwell Banker Residential Brokerage fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Owned by a subsidiary of NRT LLC. Coldwell Banker, the Coldwell Banker Logo, Coldwell Banker Global Luxury and the Coldwell Banker Global Luxury logo service marks are registered or pending registrations owned by Coldwell Banker Real Estate LLC. Cal BRE#: 01190363

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WATCHTrend BASELWORLD’S SUPERSTARS At this year’s Baselworld, ‘The Big Dance’ of all watch fairs, a select few novelties stood out as favorites. But rather than one trend dominating, the belles of the ball represented a wide variety of styles. So whether you prefer large sports watches, diminutive ladies timepieces, or cuttingedge tourbillons, you will soon find one of these exciting new watches at a Westime boutique in Southern California.

BREGUET REINE DE NAPLES MINI Breguet’s famously dainty ladies timepiece, the 33mm Reine de Naples, expands with new editions featuring Arabic Breguet numerals on the mother-of-pearl dial. The highly legible artistic numbers, at various sizes, complement the automatic timepiece’s ball-type lug, winding crown at 4 o’clock, and

BVLGARI OCTO FINISSIMO TOURBILLON SKELETON The world’s thinnest tourbillon watch reveals everything this year, as Bulgari presents the famous manual-winding flying tourbillon movement without the visual interference of a dial. The ultra-thin and entirely openworked piece consists of 253 parts, powering the minute and hour hands. The awardwinning watch is also housed in a 40mm platinum case.

elegant egg-shaped case. Brilliantcut diamonds and a single briolette diamond add glamour to this classic watch.

HARRY WINSTON HISTOIRE DE TOURBILLON 8 GREG SIMONIAN President of Westime

Harry Winston continues to explore all of the possibilities of the tourbillon movement with its eighth exceptional HDT model. Histoire de Tourbillon 8, limited to ten pieces in red and ten pieces in anthracite, is imposing in its 51mm 18k white gold case, yet

BREITLING NAVITIMER RATTRAPANTE

comfortable, thanks to its curving

Breitling adds to its in-house manufactured

lugs and use of lightweight movement

movements this year with the unveiling of its

materials. The left side of the dial

first automatic split-seconds chronograph B03

bears two mirroring large tourbillons,

caliber—debuting in the famous Navitimer watch.

while the right side features two

The 45mm steel timepiece features a bronze-

cones for visual balance. A power

colored dial, rotating bezel with circular slide rule,

reserve indicator at 6 o’clock serves

Breitling’s B-Anchor logo divided to sit atop both the

as a focal point.

chronograph and split-seconds hands, and a pusher at 3 o’clock.

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HUBLOT TECHFRAME FERRARI

TUDOR HERITAGE BLACK BAY CHRONO

70 YEARS TOURBILLON CHRONOGRAPH

Tudor collaborated with Breitling on the creation of its first

It was Italy-based supercar marque Ferrari who took the reins to

manufacture automatic column wheel chronograph, presented

design Hublot’s new line of timepieces. Ferrari’s head of design

in its beloved Black Bay line of timepieces. With its 41mm steel

approached the watch like he would a new car: starting with the

case with fixed bezel, button pushers, snowflake hands, domed

engine (in this case, the hand-wound movement) and designing

matt black dial and hollowed sub-counters, the new chronograph

a lattice chassis around it. The result is a thin, aerodynamic and

reflects the design codes that have made Tudor a favorite sports

ergonomic watch suitable for use when driving. The limited edi-

watch for decades.

tion 45mm timepiece is available in King Gold, PEEK Carbon or titanium.

“

Rather than one trend dominating, the belles of the ball represented a wide variety of styles.

”

ZENITH PILOT EXTRA SPECIAL CHRONOGRAPH Zenith’s famous, bar-setting chronograph movement, El Primero, TAG HEUER AQUARACER CAMOUFLAGE

takes up residence this year in the watch manufacturer’s neo-

TAG Heuer’s line of sports watches, Aquaracer, adapts to the

vintage Pilot Extra Special line of watches. The 45mm bronze

practical and fashionable trend of camouflage—this time, in a

case frames an oversized sandblasted black dial with large

very wearable blue. With its 43mm black PVD titanium case, the

numerals made from blocks of white SuperLumiNova. The

lightweight watch is ready for action, as far below the surface as

movement powers a small seconds counter at 9 o’clock, a central

300 meters. This automatic watch features a date with magnifier

chronograph hand, and a 30-minute counter at 3 o’clock. Finally,

window at 3 o’clock; a black ceramic rotating bezel with minute

an oiled green nubuck leather strap with rubber lining adds retro

track; and an Arctic blue woven NATO camouflage strap.

style.

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HauteAUTO

BY TIM LAPPEN

ENGLISH COUSINS What to know about the Jaguar F-Type SVR and Range Rover Evoque Convertible

TRUE PERFORMER The Jaguar F-Type SVR is equally at home on the track or going to a black-tie event.

Jaguar and Land Rover are storied brands, both growing up in the

Early on, Jaguars were among the leading cars of the world. Starting

English countryside and wending their ways through history via very

with its race cars in the 1930s, Jaguar was highly sought after by royalty

different paths—Jaguar manufacturing both sporty and elegant cars,

(both real and entertainment) and its cars won races globally. Even

and Land Rover creating some of the sturdiest off-road vehicles known

Enzo Ferrari himself—certainly a man who knew automotive beauty

to man (and the Queen). And who could have foreseen, during each

when he saw it—was quoted as saying that the Jaguar XK-E was the

of their many decades of independence, that one day they would be joined (corporately speaking) under a single owner… and that the owner bringing them together would be India’s Tata Motors? But that’s what happened in 2008, after each of the brands tried different corporate betrothals (most recently, Jaguar was part of Ford and Land Rover was part of BMW until Ford bought Land Rover, too, in 2000).

Presumably, each company can leverage the engineering achievements of the other, producing even better cars than before.

That said, let’s start with the fast cat: the Jaguar F-Type SVR. It has a ton of power (try 575 on for size), a top speed in excess of 200 miles per hour, and acceleration that can easily get you arrested in virtually every corner of the

most beautiful car ever made.

“

It has a ton of power, a top speed in excess of 200 miles per hour, and acceleration that can easily get you arrested in virtually every corner of the planet.

planet. Who needs that kind of power, you ask? If that’s your thought process, this isn’t for you. But mea culpa, this

”

The F-Type burst onto the U.S. motoring scene in 2013 and, smartly, it was offered with a wide array of options, including motors with a big spread of power choices.

It first came in convertible and, soon thereafter, coupe.

Then, both were introduced with ‘R’ variants and more horsepower—500 and 550, respectively. But now Jaguar’s top performance moniker, SVR, has upped both of their power levels and top speeds. While you may have thought the F-Types were as good as it gets, the SVR moves the bar even higher.

Aside from its stunning good looks and impressive performance, this car is luxurious. A killer sound system adds to the pleasure, if you can stand to interfere with the arias being created by the power plant. And it even comes in a convertible (about $3,000 more), for those who like

coupe—this fire-breathing, exhaust-crackling, road-hugging, scofflaw-

the wind in their hair at 25 percent of Mach 1. The convertible has a

encouraging coupe—is lovable.

great feature that all manufacturers should adopt: the driver can punch

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latter has a base price of $57,700)—all convertibles have the same fourcylinder powerplant with 240 horsepower and 250 pounds of torque coupled to a nine-speed automatic and all-wheel drive.

There’s one metric, especially in Los Angeles, by which the Range Rover Evoque Convertible is hard to beat: stares per mile. Whether in Beverly Hills or Newport Beach, the drop top is a real head-turner. One in a code on the infotainment screen, which both locks the glove box and also turns off the sound system. Not since Corvette offered an in-car video monitoring system has a manufacturer better thwarted the efforts of Ferris Bueller’s nemeses.

For a car with a base price starting at about $61,000 for the least expensive coupe, the SVR is a big jump—tipping the scales with a base price of about $126,000. Is it worth it? Get in, fire it up, and then decide. If you’re a petrolholic like some of us, just the sound upon its awakening will

N

be worth the price of admission.

valet literally moved a Rolls-Royce (one of three parked in front of the restaurant) to give the convertible center stage. When we returned to the stand after dinner, he said that he’d never seen so much interest in a car—and he regularly hosts the most exotic of models from

anywhere

in the world.

And while the Evoque Convertible is a fun, well-priced car, it’s also very technologically advanced. It uses a sophisticated power-and-brake management system called “Torque Vectoring by Braking,” which is especially useful off-road. There are also driver-control programs for low-friction surfaces, venturing up and down hills, and more. The infotainment system with 10-inch touchscreen is great, and the Meridian

ow let’s look at its off-road cousin, Land Rover. The company has broadened its output recently so that numerous vehicles it creates are being sold in the U.S.—the Discovery Sport is the least-expensive model, starting at about $38,000. Moving upward in the line, we find the Land Rover Discovery, Range

Rover Evoque, Range Rover Sport and Range Rover, which also has many variants—the SVAutobiography and the ultimate Holland and Holland, a very customized version of the Range Rover Black, which includes Holland

sound system works terrifically—ten speakers plus a subwoofer.

With the four-banger engine, you will not win many Stop Light Grand Prix, but its performance is sprightly. Overall, the Evoque Convertible is a lot of fun to drive. You probably won’t want to return this baby after taking it for a test drive. Because, even if your typical daily diet includes at least 500HP, the Evoque Convertible is a surprising delight.

The Evoque drop top is a real headturner, even achieving front-row status at valet stands.

and Holland, the ultimate Range Rover Black with gorgeous leathers and tooled metalwork reminiscent of the finest shooting guns ever made (and starting at about $225,000). But back to today’s topic: the Range Rover Evoque Convertible, a bundle of joy with a base price of $52,000.

Although you may have seen the Evoque before, as it hit the road a few years ago, this year’s convertible model simply adds to the already-youthful vibe with a roof that drops noticeably from front to back. This swagger for the normally sedate (and much more rectangular) Land Rover family gave the Evoque a street strut that endeared it in the hearts of youngsters and the young at heart. With two basic models—the SE and the HSE (the

A lifelong petrolholic, mechanic (cars, motorcycles, boats), and automotive journalist since penning a column for his high school newspaper, internationally recognized attorney Tim Lappen is a partner at a major Los Angeles–based law firm, where he chairs the firm’s Family Office Group and its Luxury Home Group and is, of course, a member of its Motor Vehicle Group.

He can be reached at tlappen@gmail.com.

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SHOPPING

BY MARINE TANGUY

EXPLORING ART IN L.A.

PHOTOS COURTESY OF JOSHUA WHITE/JWPICTURES.COM/HONOR FRASER GALLERY, SIDIBE/M+B GALLERY/JEFF MCLANE PHOTOGRAPHY, JEREMY BLAKE/HONOR FRASER GALLERY, SIDIBE/M+B GALLERY/JEFF MCLANE PHOTOGRAPHY + KISHIO SUGA/BLUM & POE

AN L.A. ART TOUR (Above) An installation space at the Honor Fraser Gallery in Beverly Hills and (right) Malick Sidibé’s “Nuit du 14/7/73, 1973” is on display at M+B Gallery in West Hollywood.

Take a stroll through the best galleries to buy art in the City of Angels Put your sunglasses on, rent a cherry red convertible and get ready for a drive across three art-focused areas of Los Angeles: Beverly Hills, West Hollywood and Venice Beach. The following galleries are worth parking for.

Your tour starts with the Honor Fraser Gallery (2622 S. La Cienega Boulevard) in Beverly Hills, founded by the glamorous model-turnedart dealer. A particularly noteworthy piece, “Winchester Trilogy,” is featured by artist Jeremy Blake, who tragically passed away in 2007, but remains a pioneering figure for digital art and installations.

Upon leaving the gallery, grab a Moon Juice and walk over to Blum & Poe (2727 La Cienega Boulevard), which has an impressive 22,000 square feet of exhibiting space that could give any Londoner or New Yorker a heart attack. Blum spent several years working in the Tokyo art world, where he met Yoshitomo and Takashi Murakami. This

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influenced their exhibition program by integrating artists from Japan

textures and transformations of African culture in the second half of the

and South Korea. Anyone would be lucky to acquire works from their

20th century and the beginning of the 21st.” His portraits are arguably

crew, but “Five Dances and Nine Wall Carpets”

by Noa Eshkol—an unlikely pairing of the late Israeli choreographer and textile artist with the Los Angeles-based artist Sharon Lockhart—is the biggest standout.

Then, hop in your car and head to West Hollywood to stop by M+B (612 N. Almont Drive). The outdoor area enables patrons to go in and out of the viewing space and have a good chat about the artwork with a beer in hand. On the importance of the works by Malick

sure to take in “theMake artistic inspiration of the Venice Beach Boardwalk, where you’ll feel as if you’ve stepped into a life-size Richard Hamilton

”

painting.

the best.

The last stop is at L.A. Louver (45 N. Venice Boulevard), a Venice gallery that has, for more than 30 years, retained its commitment to contemporary art with an impressive roster of California-based artists and has also helped to shape Los Angeles as a notable art scene. A must-see here is Terry Allen’s “Ghost Ship Rodez: The Momo Chronicles.” His incredible works merge musical and theatrical performances with sculpture, painting, drawing and video.

When you finish immersing yourself in the art here,

you will be facing the sea. Make sure to take in the artistic inspiration of the

more to enhance photography’s stature in the region, contribute to

Venice Beach Boardwalk, where you’ll feel as though you’ve stepped into a

its history, enrich its image archive or increase our awareness of the

life-size Richard Hamilton painting.

PHOTOS COURTESY OF JOSHUA WHITE/JWPICTURES.COM/HONOR FRASER GALLERY, SIDIBE/M+B GALLERY/JEFF MCLANE PHOTOGRAPHY, JEREMY BLAKE/HONOR FRASER GALLERY, SIDIBE/M+B GALLERY/JEFF MCLANE PHOTOGRAPHY + KISHIO SUGA/BLUM & POE

Sidibé, art critic Robert Storr wrote: “No African artist has done

BY AND BUY (Clockwise from top) Check out Jeremy Blake’s “Tricky Pony” at the Honor Fraser Gallery, Malick Sidibé’s “Arrosage Lansana Keita 29-1-66” at M+B Gallery and Kishio Suga’s “Units of Dependency (1974)” at Blum & Poe in Venice.

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BY: ROSALIA CONNOLLY

HauteCUISINE

DOWN THE RABBIT HOLE The Houston Brothers bring some black magic to Hollywood, plus the hottest new openings in Tinseltown You might feel like Alice falling down the rabbit hole to Wonderland when you step inside Black Rabbit Rose, the Houston Brothers’ new dinner theater concept in Hollywood (1719 N Hudson Ave, Los Angeles). Fraternal twins Mark and Jonnie, the nightlife duo behind some of L.A.’s hottest spots–including Piano Bar, La Descarga, Harvard & Stone, Pour Vous, No Vacancy, Dirty Laundry, Good Times at Davey Wayne’s, Butchers

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and Barbers, and Break Room 86—have conjured up a world that guests will need to experience to believe. The space is delineated into two different rooms: a bar and a theater. Ticketed shows run from Thursdays to Saturdays and feature a rotating roster of magicians, illusionists and burlesque dancers, among other entertainers, while food comes in the form of a takeout window called Crying Tiger, a collaborative Chinese/Thai concept from the chefs behind well-known Luv2Eat Thai. Dishes include

PHOTOS COURTESY OF JAKOB LAYMAN AND EDLT

BLACK MAGIC Try the Honey Bunny (above)— mezcal, lime, honeydew and habanero tincture— and the Dark Arts (far right)—lemongrass vodka, aloe, lime and activated charcoal—at the Houston Brothers’ magical new spot, Black Rabbit Rose.

Black Rabbit Rose features a rotating roster of magicians and illusionists

5/11/17 1:55 PM

drunken noodles, Pad Thai, salt and pepper pop-

sophisticated atmosphere.

corn shrimp and the excellent shumai dumplings.

To complement the hand-

With cocktails as innovative as the concept itself,

crafted menu, co-owners

we had to narrow down our favorites to the Dark

Dean McKillen and Phil

Arts—lemongrass vodka, activated charcoal, lime

Howard custom-built each

and aloe—and the Smoke’n Mirrors—gin, sweet

and every detail of the

vermouth, Campari, smoked hickory and orange

space to simulate an old-

zest. A second upscale drinking den is Mezcal

school,

Bar (7984 Santa Monica Blvd., West Hollywood),

Their vision includes hand-

a bôite from the team behind Laurel Hardware,

carved wood floors with

in which the bar is actually located. It’s nestled

Italian-imported marble in-

behind a curtain at the front of the farm-to-table

lay, wood panel walls, luxu-

hotspot, offering Mezcal-infused craft cocktails

rious plush seating by Loro

and contemporary Mexican cuisine in a warm,

Piana, a subtle handcrafted

speakeasy

vibe.

wood fireplace, mantle and

“

After visiting Oaxaca, [Phil Howard and I] fell in love with the culture and process of making mezcal. We wanted to create a space that was as artfully crafted as the spirit itself. ­ – Dean McKillen, Co-Owner of Mezcal Bar

”

vintage mirrors on the table tops. It’s the perfect setting to indulge in seasonal ingredients and nearly 100 different Mezcals sourced from over 50 distilleries. Try the Dr. Lakra—a rich blend of Ilegal Mezcal Añejo, cube of Aztec bitters, dem-

basil and lavender vanilla espuma. Arguably the

erara sugar and ancho chili oil—and the María

best bites include chilled lobster tostadas, tuna

Sabina—a sweet concoction of Los Nahuales Re-

crudo and Al Pastor tacos, all of which have been

posado mezcal, Japanese whisky, blood orange,

sourced from local ingredients.

PHOTOS COURTESY OF JAKOB LAYMAN AND EDLT

MAD FOR MEZCAL At Mezcal Bar (far left), make sure to try (from top) the Dr. Lakra, the chilled lobster tostadas and the El Picador.

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HAUTE SPOTS Do not miss the smoked hamachi with curried deviled eggs, ghost pepper jam, garlic chips and lime (above) at The Edmon (top center) or to soak in the Afterglow (right), a libation made of Earl Grey-infused Botanist gin, at Viva Hollywood (below).

Another new hotspot with old Hollywood

mantels and furniture that adorn classic Holly-

heart is The Edmon (5168 Melrose Ave, Los

wood mansions and film sets. Art deco chande-

Angeles), an eatery with art deco resplendence

liers also hang from a high-coffered ceiling over a

located on the ground floor of the Hollywood

stage that accommodates live jazz on Tuesdays,

Historic Hotel. Candlelit dark wood tables line

Wednesdays and Sundays for authentic Old Hol-

plush, red velvet banquettes that anchor the din-

lywood romance and glamour. Executive chef

ing room, while—opposite the entrance—you’ll

Gabriel Cappelli’s menu pays homage to haunts

find a 35-foot-long intricately hand-carved alder

of yesteryear, while introducing contemporary

wood bar topped with white Carrara marble.

techniques and global influences with items

This piece de resistance is no accident: brother

such as squash falafel with fava bean hummus,

and sister owners Eddie and Mercedes Simonian

cucumber-mint yogurt and mouse melon, as well

created the restaurant to honor their late father,

as perogies filled with potato and black garlic,

Edmon, who handcrafted luxurious wooden

collard greens, fried quail egg and brewer’s yeast broth. Dessert is a

and rose mist—and the Tea’s Knees—made with

must, especially if you’re

Aviation gin, Earl Grey honey, Amaro Montene-

ordering up the New

gro and lemon. What’s more, the bar offers an ex-

Orleans-inspired beignets,

tensive collection of rare and vintage sherry, co-

liberally filled with goat

gnac and brandy, plus flights of glamorous spirits

cheese, Chantilly cream

inspired by the Hollywood setting. The perfectly

and strawberry powder.

revamped Viva Hollywood (6350 Hollywood

Finally, the drinks here are

Blvd., Los Angeles) reimagines the former Beso

reimagined takes on clas-

Hollywood. This one-time staple now features a

sic cocktails, such as the

bold, rosy color, an elegant yet rustic chandelier,

Rosé Gimlet—with Plym-

a wood-oven kitchen and marble tabletops. Ad-

outh gin, No Scruples rosé,

ditionally, the space now pays proper homage

lemon, lime, yuzu bitters

to Latin culture through various mediums, like

PHOTOS COURTESY OF JESUS BANUELOS, ELIZABETH DANIELS, ALIZA J. SOKOLOW AND DUSTIN DOWNING

HauteCUISINE

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live cabaret and flamenco performances, as

expect a range of pizzas and items from a

well as weekly musical acts. A kitschy new

wood-burning oven, antipasti and the pastas

element includes Viva’s piñata lounge, with

Conant does so well. Customers can also find

Latin-inspired dishes and cocktails curated

both classic and modern cocktails, as well as

by chef Raymond Alvarez and executive bev-

a superb wine list of mostly Italian varietals.

erage director Erik Weatherford, respectively.

Last but not least is James Beard Award-winning chef Scott Conant’s much-anticipated return to L.A. with The Ponte (8265 West Beverly Blvd., Los Angeles). The former Scarpetta owner, along with prolific L.A. restaurateur Stephane Bombet, has created a truly excellent contemporary Italian restaurant, which— thanks to famed Parisian designer Marc Ange of Bloom Room—embodies casual elegance.

It’s anchored by a charming patio, inspired by the tight-knit community of Pontelandolfo expats (nicknamed Pontes) in Conant’s hometown of Waterbury, Conn. With fare as laidback and lovely as the restaurant’s vibe,

PHOTOS COURTESY OF JESUS BANUELOS, ELIZABETH DANIELS, ALIZA J. SOKOLOW AND DUSTIN DOWNING

PONTE PERFECTION When you make your reservation at Scott Conant’s The Ponte, request a table outside on the patio (left), where you’ll indulge in items like (clockwise from top) rigatoni verde, Margherita pizza and the Playa Fortuna cocktail— featuring Bacardi Superior, lime juice, coconut cordial and tartaric acid.

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HauteDRINKS

BY ROSALIA CONNOLLY

• OXIDATION & SHADOWS • 1.5 oz. Fleur de Valle Grenache rosé • .75 oz. Lustau Manzanilla sherry • .5 oz. El Tesora Reposado tequila • 1 oz. clarified green apple juice • .5 oz. cinnamon syrup Method: Build / Crush / Swizzle Glass: Small shaker tin Garnish: Green apple fan 1. Combine 500 mL fresh, strained green

“ We chose some artists

that we felt were either important to Los Angeles, or accessible enough to not appear too heady.

”

—Dave Fernie, Honeycut General Manager

RYE PIE

apple juice to .03 parts ascorbic acid, and

• 1.5 oz. Rittenhouse • .5 oz. St. George

transfer juice to quart container with lid.

Raspberry Liqueur

mL Kieselsol, cover and shake briefly to

• .25 oz. CC Kirschwasser • 1 oz. clarified lemon cordial

integrate, and wait 15 to 20 minutes.

• .5 oz. Simple syrup

briefly to integrate, and wait 15 to 20

2. Add 1.5 mL Pectinex Ultra SP-L and 1.5

3. Add 1.5 mL Chitosan, cover and shake minutes.

Lime/Lemon Cordial

4. Add 1.5 mL Kieselsol again and wait 15

Cold Prep Syrup: • 1,400 g lime/lemon juice

to 20 minutes.

• 600 g sugar • Roughly 3 quarts of leftover

(250 mL each) and weigh equal amounts

lime/lemon wheels or wedges

machine run smoother.

(or 10 lime/lemon rinds)

6. Spin juice in centrifuge for 15 minutes

5. Split juice into two centrifuge buckets water in the other two buckets to help the

at 4,400 rpm and remove centrifuge Method: Shake / Strain / Rocks

buckets.

Glass: Old Fashioned

7. Strain juice through Superbag (20 mi-

Garnish: Lemon wheel and cherry

cron) or coffee filter, label, cover, date and store refrigerated.

ART ON THE ROCKS

Why simply look at art when you can drink it? The new Museum Menu

flavorful drinks à la J.M. Basquiat; and ‘Obsession’ has spirit-forward,

at downtown L.A. hotspot Honeycut features concoctions that reflect the

thought-provoking and meticulous creations dedicated to Ed Moses. In

style of some of the world’s greatest artists—managing to not only pay

regards to the Warhol-inspired drinks, head barman Dave Fernie explains,

homage, but riff on the idea that cocktails can be masterpieces themselves.

“[They] were references to periods of Warhol’s work. The Rye Pie pays

The libations are broken down into four categories: ‘Repetition’ consists of

homage to his pop art, while the Oxidation and Shadows is taken directly

refreshing, fruit-forward and colorful cocktails inspired by Andy Warhol;

from a period of his later works where he was using more muted colors

‘Celebration’ includes light, crushable, comforting sips that recall the

and more patina in the transfer process.” Here, we share the recipes of

work of Keith Haring; ‘Figuration’ offers neo-classical, worldly, deep and

two favorites from the newly launched, art-themed drinks menu.

PHOTOS COURTESY OF HONEYCUT

Honeycut has launched all-new cocktails inspired by some of your favorite artists

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HauteINSIDERS

BY RANDY RADIC

This exquisite, 100-block South Manhattan Beach sand section home is located in the desirable downtown area.

132 2nd Street, Manhattan Beach

L.A. LUXURY HOME PRICES SOAR The high cost of housing wards off talented employees The luxury real estate market in Los Angeles

ages of $196,000 and $1,500, respectively. These

talented people.

continues to sizzle, as prices climb higher and

significantly deferential numbers underscore

Business Insider

higher. Experts say the escalation has resulted

the demand for housing in Southern California.

references a new

PHOTOS COURTESY OF STRAND HILL PROPERTIES/CHRISTIE’S INTERNATIONAL REALTY

from three factors: low mortgage rates, the

Thus, it is unsurprising when Cindy Shearin

study by the University of Southern California

strong economy, and a lack of houses across

of The Shearin Group, based in Manhattan

and the Los Angeles Business Council that

the spectrum—from starter homes to super elite

Beach, says of the solid state of the market:

states over half of major L.A. employers are

properties.

“Our housing is some of the most expensive real

experiencing difficulties retaining the best and

estate in L.A.”

the brightest due to housing expenses.

According to Zillow, the average home price in the city is $617,000 with the average monthly rent at $2,900 compared to the national aver-

Just steps to the sand and water, this five-bedroom home is available for lease for $32,000 per month.

She also confirms that low inventory con-

Some experts fear that, over time, it may

tinues to drive up housing prices in the area.

even diminish L.A.’s strong economy. In 2015,

Consequently, the de-

Boeing relocated from Long Beach to Seattle,

mand for housing often

while Space-X launched an office in Seattle it-

generates bidding wars

self rather than risk losing top-notch talent. The

on listed properties. Ac-

recent failure of Measure S, which would have

cording to Shearin, it is

restricted development in L.A., opened the door

“not uncommon for mul-

for further gentrification of the downtown area,

tiple offers, especially on

which could result in even higher prices.

entry-level homes.”

The downside to the

California’s limited housing market—particularly in Los Angeles and San Francisco—has

hot housing market in

now caught the attention of state lawmakers,

Los Angeles, how-

who have 130 bills before the legislature. Hope-

ever, is the impact on

fully, their efforts can help to stabilize growing

employers’ ability to lure

real estate prices.

CINDY SHEARIN The real estate expert is well-known for her skills in the industry, as well as designing, building and rehabilitating properties.

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HauteHOODS

BY HALEY WILLARD

CELEBS ON THE MOVE Here’s the latest on which actors, artists, and other high-profile personalities are buying and selling homes near Los Angeles.

THE CECIL B. DEMILLE ESTATE The historic home was recently listed by its current owners, novelist Richard Grossman and art consultant Lisa Lyons.

ANGELINA JOLIE MAKES OFFER ON $25M

in Montecito for $60 million. Known for his

the gated, traditional-style home two years ago

HISTORIC “CECIL B. DEMILLE ESTATE”

starring roles in Dances with Wolves and, most

from Jay Penske, the founder of Penske Media

Several months after her split from Brad Pitt,

recently, Hidden Figures, the actor bought the

Corporation, for $7.25 million. It was built in 2011

Angelina Jolie reportedly made an offer on the

home in Carpinteria for $28.5 million in 2006.

on more than an acre of land.

legendary Los Feliz, California home listed by

Although he intended to build a new residence

novelist Richard Grossman and his wife, art con-

on the property, Costner never carried out those

sultant Lisa Lyons. The 11,000 square foot, Beaux

plans. The existing two-bedroom overlooks the

Arts-style mansion from 1913 is situated on 2.1

ocean on the edge of a bluff, offering 360-degree

acres in the gated Laughlin Park. It underwent

panoramic views of the Pacific Ocean and Santa

a six-year renovation, restoring original details

Barbara mountains, with private access to 500

and adding modern features—including an Old

feet of secluded beach below.

PHOTOS COURTESY OF HILTON & HYLAND/REALTOR.COM

LA’s historic “Cecil B. DeMille Estate,” on the market for $25M

Hollywood-style pool with arched fountains.

Complemented by a pool house and studio house, the residence is also sur-

Kevin Costner

LOS ANGELES HOME OF “INSPECTOR GADGET” CO-CREATOR

rounded by expansive lawns and

LISTED FOR $10.5M

rose gardens.

Andy Heyward, the co-creator

Andy Heyward’s home for sale in Bel-Air

of the children’s cartoon series KEVIN COSTNER ASKING

Inspector Gadget, listed his

$60M FOR HIS 10-ACRE

two-story estate in Bel-Air for

SANTA BARBARA ESTATE

$10.495 million. The producer,

Kevin Costner recently listed his

writer and CEO of Genius

10.25-acre beachfront property

Brands International bought

The gated, traditional-style property sits on over an acre.

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Template.indd 1

10/05/17 12:56

What’sHAUTE

BY ROSALIA CONNOLLY

OPTICAL ILLUSION “

The seemingly generic suburban home is now devoid of a narrative, its inhabitants, their possessions. This minimal structure functions entirely in response to the landscape around it.

”

− The Doug Aitken Workshop

S

hould you see a

made of reflective mirrored

glistening, shimmering

surfaces. Aitken strove to convey

house in the Palm Desert

a repetitious suburban home in

this spring post-Coachella,

its lineation, one that reflects

you might think you’re seeing a

and disappears into the western

mirage. And you are, in a sense.

landscape. Like a human-scale

“Mirage,” an installation courtesy

lens, the piece works to frame

of SoCal-based artist Doug

and distort the evolving world

Aitken, is on view as part of the

outside of it. Whether visiting day

inaugural “Desert X,” a recurring,

or night, viewers will always see

site-specific contemporary art

something new: a landscape of

exhibition (curated by artistic

stars beneath the vast night sky,

director Neville Wakefield) of

the blinding sun of daytime in

both established and emerging

the sultry desert, or an ambient

artists in the Coachella Valley

setting sliced through with

through October 31, intended to

fragments of cloud. To quote

articulate global and local issues

Aitken’s workshop, “There is

through an artist’s lens. “Mirage”

no fixed perspective or correct

utilizes a suburban American

interpretation. Each experience of

house to create a sculpture

this living artwork will be unique.”

PHOTOS COURTESY OF DAKOTA HIGGINS AND LANCE GERBER

DOUG AITKEN DEBUTS “MIRAGE” IN THE PALM DESERT

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What’sHAUTE

A TIME TO SHINE Christie’s opens its highly anticipated Beverly Hills flagship

PHOTOS COURTESY OF ADRIAN TIEMENS

C

hristie’s has finally

To herald its opening, Chris-

come to L.A.! The

tie’s hosted a special exhibition

world-famous

of more than 60 paintings,

auction house has

sculptures, photographs and

launched its new flagship

works on paper, as well as a

at 336 North Camden Drive

selection of jewels, watches

in Beverly Hills with a 5,400

and private sale items, includ-

square foot space—as designed

ing “Three Studies for a Portrait

by wHY, the team behind the

of George Dyer,” the first trip-

Marciano Art Foundation,

tych Francis Bacon painted of

CalArts and the Los Angeles

his great muse; “Leda and the

County Museum of Art—that

Swan” (1962) by Cy Twombly;

will host public exhibitions,

and “Femme assise dans un

social events, educational

fauteuil” (1917-1920) by Pablo

programming and live-streams

Picasso, a cubist portrait of

of global auctions. There

his first wife, Russian ballerina

will also be private meeting

Olga Khokhlova. This marked

areas and offices where

the first occasion that the

clients and specialists can

three museum-quality master-

discuss appraisals, advisory

pieces were exhibited together

projects, or buying and selling

publicly in the U.S.—and the

opportunities. Additionally, a

local auction house will strive

large rooftop courtyard and

to hold more unique exhibits in

green space create an outdoor

the future. As managing direc-

sanctuary for events, parties

tor Sonya Roth puts it, “This is

and performances under

Christie’s moment to shine in

the stars.

L.A.”

WEST COAST ART L.A. is the latest outpost of Christie’s auction house, which was founded in 18th century London and has expanded to include worldwide locations in Dubai, Geneva and Shanghai.

“

We look forward to officially embarking on this exciting next chapter in the growth of Christie’s on the west coast.

”

− Sonya Roth, Managing Director of Christie’s L.A.

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HauteTRAVEL

BY ROSALIA CONNOLLY

Megayachts in Gustavia Harbor

ART + TRAVEL

In years past, keen travelers would throw their bags down and hit the ground running to check out the museums, galleries and historical landmarks that made their destination unique. Oh, how things have changed!

Now, thanks to increasing demand, culture bunnies need not even leave their hotels to see some of the best paintings, sculptures and photography in their city of choice. Whether it’s the $30-million Jeff Koons sculpture in Las Vegas, Chuck Close’s close-up of Kate Moss in New York City or Andy Warhol’s 36-foot-long “Big Retrospective Painting” in Zurich, guests will feel like they’re spending the night in a museum when they are at these sensational hotspots.

We’ll start at home in the U.S. of A. heartland with Laura Lee Brown and Steve Wilson’s 21c Museum Hotel, Louisville in Kentucky (700 W. Main St, Louisville, KY). This innovative brand has exceptional properties scattered throughout the Midwest, including Bentonville, Cincinnati and The Asleep in the Cyclone suite at 21c Louisville

“Daphne Tree” at The Wynn, Las Vegas

Oklahoma City, but its Louisville flagship remains its most iconic property.

Here, you’ll find special collections of 21st century art by both up-and-

PHOTOS COURTESY OF MGM RESORTS, GLINT STUDIOS AND THE WYNN LAS VEGAS

Get your culture fix where you sleep at these top art hotels around the world

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PHOTOS COURTESY OF ANNIKA NEWELL/GRAMMERCY PARK HOTEL, MGM NATIONAL HARBOR, BELLAGIO LAS VEGAS, THE SURREY AND MGM RESORTS

Jenny Holzer’s “Vegas” at Aria Hotel & Resort, Las Vegas

sized imagery, a mix of high and low culture, and unconventional materials. When you factor in Danny Meyer’s acclaimed Italian eatery Maialino, 360-degree views to the city from the hotel’s rooftop terrace and receiving a key to Gramercy Park, Manhattan’s only private park, you may decide to never leave this haute art hotel.

On the Upper East Side, you’ll find The Surrey (20 E 76th St, New York, NY) which has hosted an il-

tin Nihlman were commissioned

works on a grander scale than

coming and established artists

lustrious range of guests from JFK

to create custom-designed fur-

ever before. On the west coast,

alike, including Andres Serrano,

to Bette Davis. The hotel features

nishings for the property. But the

Las Vegas provides unbelievable

Bill Viola, Virgil Marti and Kara

an intimate collection of modern

biggest standout is a large-scale

access to some of the best art ho-

Walker, as well as distinctive cui-

art—including two photographs,

tapestry of fashion icon Kate Moss

tels in the world. The Bellagio

created by Chuck Close. Should

(3600 Las Vegas Fwy, Las Vegas,

you visit MGM National Har-

NV) in addition to its absolutely

bor (101 MGM National Ave.,

stunning Dale Chihuly work, “Fiori

Oxon Hill, MD), make sure to ex-

di Como” in the lobby, has its own

plore

Collection,

gallery, The Bellagio Gallery of

which showcases commissioned

Fine Art, which presents intimate

and procured works by local and

exhibitions from some of the most

international sculptors, photogra-

compelling artists. It has been or-

work, such as masterpieces from

“You Are My Own” and “But the

phers and mixed-media artists, in-

ganized with global museums and

Julian Schnabel, Andy Warhol,

Myth of Love,” by American con-

cluding Alice Aycock, Bob Dylan,

foundations, and features a rotat-

Jean-Michel Basquiat, Keith Har-

ceptual artist Jenny Holzer. In a

Terry O’Neill, Margaret Boozer,

ing and Damien Hirst. Except for

hidden niche between the lobby

Sam Gilliam and Ron Beverly. Not

the latter, the collection is weight-

and bar, there’s an interactive vid-

only does this hotel have the larg-

ed toward these contemporary

eo piece by South African artist

est art collection in the region, but

American masters, whose hall-

William Kentridge, while British

it also provides a canvas for local

marks include bold palettes, over-

artists Jimmie Karlsson and Mar-

D.C./Maryland artists to create

sine and art-specific events, from poetry readings to artist talks. As one might expect, art and culture join forces in New York City and at two hotels in particular. The tony Gramercy Park Hotel (2 Lexington Ave, New York, NY) has a rotat-

On the west coast, Las Vegas provides unbelievable access to some of the best art hotels in the world.

PHOTOS COURTESY OF ANNIKA NEWELL/GRAMMERCY PARK HOTEL, MGM NATIONAL HARBOR, BELLAGIO LAS VEGAS, THE SURREY AND MGM RESORTS

PHOTOS COURTESY OF MGM RESORTS, GLINT STUDIOS AND THE WYNN LAS VEGAS

ing collection of 20th century art-

its

Heritage

ARTY STAYS (Clockwise from above) Chuck Close’s portrait of Kate Moss hangs in the lobby of The Surrey in New York; Dale Chihuly’s “Fiori di Como” resides in the lobby of the Bellagio, Las Vegas; John Safer’s “Unity” welcomes guests to the MGM National Harbor; Andy Warhol’s portraits of Robert Mapplethorpe and Henry Gelzahler, as well as Damien Hirst’s “Beautiful Sick and Jealous of What You’ve Got,” live in the lobby of the Gramercy Park Hotel.

TKTKTKTKTKKT

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Hall, Stephen De Staebler, Skip

bar. At Steve Wynn’s eponymous

Steinworth, Eduardo Oropeza, Lori

The Wynn (3131 S Las Vegas Blvd,

del Mar, Damon Hildreth, Doris

Las Vegas, NV) wonderland, you’ll

Mitsch, Brad Durham and John

find art everywhere, from floral de-

Smiddy. Then, rounding out North

signs to the $30-million Jeff Koons

America is the spacious beach bou-

“Popeye” statue in the lobby to

tique hotel Casa Malca (Km 9.5

works by Charley Brown, Mark Ev-

Carretera Tulum - Boca Paila, Tu-

ing slew of exhibitions, from Picas-

weight champion of the world. The

ans, Stephan Weiss and Frank

lum 77780, Mexico). Owner Lio

so: Creatures and Creativity; Faber-

fine art collection at ARIA (3730 S

Owen. If you head to San Francis-

Malca, a curator and collector that

gé Revealed; Painting Women:

Las Vegas Blvd, Las Vegas, NV) en-

co, you should explore the collec-

has presented a plethora of shows

Works from the Museum of Fine

compasses a multitude of styles

tion of local and international art at

in New York, features art from his

Arts, Boston; Warhol Out West; Fig-

and media, from sculptures and

the St. Regis San Francisco (125

private collection, including works

uratively Speaking: A Survey of the

paintings to large-scale installa-

3rd St, San Francisco, CA) in the

from Jean-Michel Basquiat, George

Human Form; and Classic Contem-

tions, including “Silver River,” an

city’s SoMa neighborhood, with

Condo, Keith Haring, KAWS, Kenny

porary: Lichtenstein, Warhol and

84-foot silver cast of the Colorado

photographs by Australian photog-

Scharf and Andy Warhol, at this

Friends.The next exhibition, I Am

River by Maya Lin, Jenny Holzer’s

rapher David Stevenson and the

idyllic oceanfront getaway. And

the

Ali,

impactful LED “Vegas” sign, Tony

two-panel “Love” and “War” murals

this continent isn’t the only place

opened on March 31 and explores

Cragg’s stainless steel “Bolt,” “Bent

by Canadian painter Andrew Mor-

you’re free to see art during an

the boxer’s incredible rise from

of Mind” and “Untitled” sculptures,

row. Thirty percent of the collec-

overnight hotel stay. Pit stop in St.

humble beginnings in Kentucky to

and Antony Gormley’s “Feeling Ma-

tion is comprised of original works

Barths and stay at the storied

become

terial

by Bay Area artists such as Doug

Eden Rock (Baie de Saint Jean,

Greatest:

the

Muhammad

three-time

heavy-

XXVIII,”

an

8-foot-tall,

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PHOTOS COURTESY OF COLOMBE D’OR, THE DOLDER GRAND, THE BEAUMONT AND THE RED CARNATION HOTEL COLLECTION

BEAUTY IN TRAVEL ((Clockwise from top left) Jeff Koons’ “Popeye” at The Wynn Las Vegas; Kaws’ “Companion (Passing Through)” at the Standard Hotel in New York; the Eden Rock Art Gallery in St. Barths; and Raymond Saunders’ art glass transcription of a work on canvas at the St. Regis San Francisco.

150-pound sculpture of mild steel

PHOTOS COURTESY OF BARBARA KRAFT, CASA MALCA, YOTAM SANDAK AND ST. REGIS SAN FRANCISCO

HauteTRAVEL

PHOTOS COURTESY OF COLOMBE D’OR, THE DOLDER GRAND, THE BEAUMONT AND THE RED CARNATION HOTEL COLLECTION

PHOTOS COURTESY OF BARBARA KRAFT, CASA MALCA, YOTAM SANDAK AND ST. REGIS SAN FRANCISCO

There are over 120 works by more than 90 artists, including a Warhol, four Pissaro “Quatres Saisons” paintings and Salvador Dalí’s “Femmes Metamorphoses.”

Saint Barthélemy 97133, St. Bar-

20th century works here, including

thélemy), which has collaborated

Toulouse Lautrec lithographs in the

with the world-renowned Gagosian

lobby and major art in every bed-

Gallery in recent years to exhibit

room from masters like Renoir, Pi-

works by Harmony Korine, Urs

casso, Matisse and Chagall. The

Fisher, Richard Prince and Will Cot-

spectacular V&A suite even plays

ton, before jetting to London to

host to Picasso’s “Au Pont des Arts”

stay at Egerton House (17-19

stamp. At The Beaumont (8

Egerton Terrace, Knightsbridge,

Balderton St, Brown Hart Gardens,

London SW3 2BX, UK), which feels

Mayfair, London W1K 6TF, UK), ex-

like an extension of the nearby Vic-

pect to find original oils, mostly

toria & Albert Museum. You’ll find

portraiture, featuring anonymous

a private collection of 19th and

and significant figures from the

era. Artists include Glyn Philpot,

the artwork you’ll find on the

Harrington Mann, John Lavalle,

French property, which is now run

Mario Grixoni, Georges Goursat,

by Roux’s grandson, are paintings

Julian Lamar, G. H. B. Holland, Paul

by Picasso, Matisse, Braques and

Audfray, Walter I. Cox, Luke Fildes,

Miro, as well as an Alexander Cal-

Bruno Capacci, Robert Knight Ry-

der mobile hanging just above the

land, Lawrence Wilbur, Ivan Lind-

cypress-lined swimming pool. Mov-

he, Eduard Ulreich, Georges Robert

ing on to Zurich, the Dolder

Cheyssial and Elizabeth Grandin,

Grand (Kurhausstrasse 65, 8032

as well as small collections by Phyl-

Zürich, Switzerland), doubles as a

lis Bray, Marcel Vertès and Zelda

hotel and the best private art mu-

Fitzgerald. Additionally, the hotel

seum in the city. There are over 120

commissioned Antony Gormley to

works by more than 90 artists, in-

create “ROOM,” a giant crouching

cluding the 36-foot-long Warhol

figure on the façade of the hotel, as

“Big Retrospective Painting,” four

a piece of public art. From London,

Pissaro “Quatres Saisons” paint-

PICTURE PERFECT (Clockwise from top left) Egerton House Hotel features original work

by Picasso; Alexander Calder’s abstract mobile and “The Thumb” by César are highlighted at La Colombe D’Or; Andy Warhol’s “Big Retrospective Painting 1979/1980” hangs at the Dolder Grand; and Bruno Capacci’s “Commedia dell’Arte,” Robert Knight Ryland’s “Hercules in the Garden of the Hesperides” and Ivan Lindhe’s “Portrait of a Young Lady” are on display at The Beaumont.

it’s a hop, skip and a jump to the Cote d’Azur, where you’ll find the 25-room auberge, the Colombe D’Or (1 Place du Général de Gaulle, 06570 Saint Paul de Vence, France) with significant art history: the hotel’s original owner, Paul Roux, was close and personal friends with masters including Pablo Picasso, Henri Matisse and Marc Chagall.

Roux offered struggling artists room and board in exchange for their works—needless Prospect at Hotel Jerome to say, the arrangement benefited both. Among

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HauteTRAVEL ings, Salvador Dalí’s “Femmes

who commissioned Jeff Koons to

five-star Hotel Lungarno (Borgo

Metamorphoses,” sculptures by

apply ‘dazzle camouflage’ to his

S. Jacopo, 14, 50125 Firenze, Italy)

Keith Haring and Takashi Mu-

115-foot super yacht—gives guests

re-opens on June 1 after months of

rakami, and original paintings

a completely bespoke experience

renovations, with over 400 pieces

by Sylvester Stallone and artworks by Joan Miro, Henry Moore and Damian Hirst onsite.

In Vienna, stay at the familyowned Altstadt (Kirchengasse 41, 1070 Wien, Austria) and experience a fabulous collection including works by Warhol, Leibovitz, Gironcoli and Kusama.

There’s also a focus on Austrian art, with exhibits by Prachensky, Hundertwasser, Helnwein, Mühl, Attersee, RC Andersen and emerging artists like Iris Kohlweiss, Torsten Ruehle, Peter Rühle, Clemens Wolf, Alfons

Luigina De Grandis’ “Paolo” and “Rossella”

“Nana” by Niki de Saint Phalle at Altstadt Vienna

Picasso, Cocteau, Bueno, and many other Italian artists. Guests will experience new elements this spring, like an art shop, art tours offered throughout the public spaces, and painting classes on the terrace overlooking the Ponte Vecchio. Last but not least is Mona Pavilions (655 Main Rd, Berriedale TAS 7011, Australia), an eight-suite boutique hotel adjacent to the country’s largest private art museum, the Museum of Old and New Art, owned by billionaire David Walsh. The eight pavilions were each named after

Pressnitz, Alex Ruthner and

with creations and furniture cour-

influential Australian artists and

Robert Muntean. Head to the

tesy of The Campana Brothers,

architects, and all include a work

Mediterranean for a little art

and artwork including Jenny Holz-

of art by its namesake. Onsite, you

and culture at the New Hotel

er’s “Selections of the Survival Se-

can also explore a cabinet of curi-

Athens (Filellinon 16, Athens

ries,” Koons’ “Art Magazine Ads,”

osities, an infinity lap pool, sauna

105 57, Greece), where owner

Laurie Anderson’s “Numbers Run-

and gym—if, in addition to being

Dakis

you

ners” and Douglas Gordon’s “Mon-

an art enthusiast, you happen to

might already know as the man

ument for X.” Then, Florence’s

be fitness inclined.

Joannou—whom

Charles Blackman’s “Cat on the Roof” resides inside the Charles Suite, named in his honor, at Mona Pavillions in Australia

PHOTOS COURTESY OF CATHERINE STUKHARD, ALTSTADT VIENNA, HOTEL LUNGARNO COLLECTION, MONA/REMI CHAUVIN AND YES! HOTELS

“Evil Eyes” at the New Hotel Athens

curated by Otto E. Wiesenthal,

Guests will experience new elements this spring, like an art shop, art tours offered throughout the public spaces, and painting classes on the terrace overlooking the Ponte Vecchio.

of 20th century fine art, including

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TH IS E A SU R E T

LOS ANGELES

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HOW HER LATEST MOVIE WILL CHANGE FILMMAKING FOREVER

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REMEMBERING CHRIS BURDEN

M A R C H /A P R I L 2 0 1 7

THE EVIL KNIEVEL OF PERFORMANCE ART

BRANDON CRAWFORD

INSIDE THE L.A. ART SCENE

SCOTTSDALE

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IS FEEDING HIS CREATIVE INNER WOLF WITH THE ART-FOCUSED INDIE, “MAUDIE”

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ETHAN HAWKE

FELICITY HUFFMAN THE AMERICAN CRIME STAR DISHES ON POLITICS, WOMEN’S RIGHTS, AND HER AMAZING MARRIAGE

SF Huffman_2_27_KS.indd 1

3/7/17 1:22 PM

ARTISTIC

EXPRESSION ETHAN HAWKE EXPLORES ART AND LOVE IN HIS NEW FILM, “MAUDIE” •

BY: LAURA SCHREFFLER PHOTOGRAPHY: MICHAEL SCHWARTZ ST YLING: CHRISTOPHER CAMPBELL GROOMING: LISA-RAQUEL SHOT ON LOCATION AT 1HOTEL BROOKLYN BRIDGE

•

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HL _Iphone Ad _5_3.indd 94

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ARTISTIC

EXPRESSION ETHAN HAWKE EXPLORES ART AND LOVE IN HIS NEW FILM, “MAUDIE” •

BY: LAURA SCHREFFLER PHOTOGRAPHY: MICHAEL SCHWARTZ ST YLING: CHRISTOPHER CAMPBELL GROOMING: LISA-RAQUEL SHOT ON LOCATION AT 1HOTEL BROOKLYN BRIDGE

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45

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PHOTOS COURTESY OF DUNCAN DE YOUNG FOR SONY PICTURES CLASSICS

Coat: COACH

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A

round midnight one winter evening in 2013, Ethan Hawke made the trek home to Brooklyn from Lincoln Center, where was starring as the title role in Shakespeare’s Macbeth―to to find his wife of five years, Ryan, at their kitchen table, tears streaming down her face. Before he could ask her what was wrong, she closed the script resting in front of her

and said, “You have to do this movie.”

His curiosity and questions were met with silence. All she would say was,

“Just promise me you’ll do it.” His response: “I’m not promising you.”

Needless to say, his wife got her way. And thanks to Ryan, theatergoers, too, will be crying into their popcorn should they choose to see Maudie after its release on June 16.

The Sony Picture Classics’ indie weeper is based on the true story of Maud Lewis, an arthritic Nova Scotia woman who became one of the most beloved folk artists in Canadian history. But instead of a rambling, me-

MAUDIE AND HER MAN In the Sony Pictures Classics release Maudie, Hawke plays Everett Lewis, the fisherman husband of Canadian folk artist Maud Lewis (played by Sally Hawkins).

andering biopic, Maudie is a beautiful little story about love blossoming between two unlikely, lonely people.

Truthfully, his wife’s reaction was only one of many reasons Hawke accepted the supporting role of Maud’s husband, Everett Lewis. For starters, Nova Scotia holds a special place in his heart: he’s owned property there for over 20 years and refers to the province as his “sanctuary.”

Then, there was the allure of working with Sally Hawkins. He knew, just by reading the script, that the British actress best known for her work in Mike Leigh’s Happy-Go-Lucky would do magical things with Maud. “I felt similar when I read Training Day, knowing that Denzel [Washington] was going to play that part—‘That’s a great role and that actor is going to know what to do with that role and play that part right,’” he says.

There was also Maud herself (although initially unfamiliar with her art,

PHOTOS COURTESY OF DUNCAN DE YOUNG FOR SONY PICTURES CLASSICS

ACTING IS REALLY EXCITING AND DANGEROUS. TO DO IT WELL, YOU KIND OF HAVE TO JUMP DOWN SOME WEIRD RABBIT HOLE. Hawke says he was “very moved” by its simplicity and beauty). There was

movie, [Everett] is just a guy whose gob smacked in love… but he didn’t

working with a female director, Aisling Walsh, for only the third time in his

come there on the easy road. Most people fall in love when they’re young,

almost 30-year career. And there was the challenge of it all. “As the years

and it’s all about sex. [Maud’s] goodness as a person—her innate, intrinsic

progress, I’m getting more and more interested in trying different types of

goodness—had a power over him. That’s a story I hadn’t seen,” he admits.

character work, and I rarely get offered parts like this. Maybe when I was

Playing the brusque and, at times, cruel Everett, yet identifying with the

younger, I didn’t have interest or believe that I could do it,” he muses. “And

singularly optimistic Maud gave him some proper food for thought: “I love,

movies like this don’t get made very often.”

if you’re in a long relationship, how the power is always changing. It’s fun

He was also fascinated by the subtext of Maud’s story. “There is something

to watch people grow and mature and change, seeing who’s in charge and

very female about it that is beautiful to me; how strong and how tough

seeing the dynamic shift. At the beginning, Everett was basically like, ‘You’re

people can be, and how much of your life is in your mindset,” he says. “This

my maid,’ and by the end, he’s feeding her, preparing her canvases, cleaning

is somebody who was given shit—poverty, her whole family was horrible to

for her and her biggest champion. He’s out there selling her work. Watching

her, her husband marries her because he wants somebody to clean his house,

that transition, which happened over 30 years, was really kind of remark-

and so that he can get laid every now and again. He likes his dogs more.”

able.”

Brutal, yet truthful. This dichotomy—the diversion from traditional

With Everett, Hawke is also enabling a change for himself, a transforma-

storytelling—fascinated Hawke with its raw honesty. “By the end of the

tion in his career. “My whole life previous to the last five or six years, I had

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this expression where I considered myself to be a ‘first-person actor’. There

it bought my house and my vacations and it’s become a real craft,” he says.

are actors I love—Daniel Day Lewis, Vincent D’Onofrio, Philip Seymour

“I really work at it. It’s my job and I enjoy it, but the other elements of

Hoffman, and a bunch more—who I would call ‘third-person actors’; they

my artistic life—directing, writing, doing projects like a documentary or

really create a character. Then there’s somebody like Paul Newman, for ex-

dabs in journalism—they really turn me on the way a hobby does to other

ample, who is a ‘first-person actor’. He brings himself to the role. He’s differ-

people.”

ent in Cool Hand Luke than he is in Hud, but it’s different parts of himself.”

He pauses a moment to lament on the patronizing sound of the word

He elaborates, “I like to write, so I liken it to writing, where there’s a first-

‘hobby.’ If he had to choose a word to describe his artistic pursuits, this

person narrative and a third-person narrative. A few years ago, I started

would not be it. ‘Passions’ would be more accurate. He has dabbled in

trying to do more character work, more third-person stuff. [This role] is

screenwriting (receiving two of his four Oscar nods for Richard Linklat-

a continuation of that for me. I’m an artist and I relate to Maudie more,

er’s Before Sunset and Before Midnight), written a novel, graphic novel and

so I came to Everett as a student, really. I wanted to get inside his skin and

children’s book, founded a theater company, profiled Kris Kristofferson for

understand him.”

Rolling Stone and directed films, including his documentary directorial de-

In the end, he applied both third-person and first-person skills to the character. He identified Everett by becoming him, using his own personal

but Seymour: An Introduction in 2015, which followed the life of the legendary pianist and piano teacher Seymour Bernstein.

experiences to do so. Everett Lewis was an unhappy, unpleasant loner who

Obviously, Hawke is a real artist—and one who experiments across medi-

somehow learned to love. Yet, in Hawke’s opinion, is it better to have love

ums, at that. He loves the controllable nature of writing, citing it as “orderly

and lost than never loved at all? “I always feel that we all come to the same

and private,” but loves directing for completely opposing reasons: “because

answer: that life is meant for living. Is he in more pain with her gone than

it involves being part of a family, or a team. When you’re directing, you get

he would have been otherwise? Yeah, he is. Life is hard. No sooner do you

to hire everybody. It’s all people you like.”

care about something than it’s gone. It’s always changing.”

He references his own life, explaining, “[I’ve learned this] even watching

He recently wrapped production on Blaze, a drama he co-wrote and directed about the life of country western musician Blaze Foley, and describes

I WANT TO PUT GOOD, MEANINGFUL, SUBSTANTIVE ART INTO THE WORLD. THAT’S MY JOB, AND I’VE BEEN ABLE TO DO THAT AND TAKE CARE OF MY FAMILY, WHICH IS A SUPER LUXURY. my kids grow up. I have an 18-year-old now and a five-year-old. I know how

the experience in such a way that makes it sound like a big old southern

temporary this five-year-old thing is. When my oldest was five, I thought

barbeque. “It was like, ‘Guess what? The [director of photography] is a guy

she’d be five forever. And in a way, she is. But she’s very different now. She’s

that I love. I hired him myself. Everyone is someone I like. It’s not someone

a young woman. That five-year-old is gone.” He continues, “She’s still really

that some jerk [who runs a studio] thinks has talent. The sound guy that

interested in what I do and she still talks to me, but then there will be a time

I worked with three years ago that I liked, he’s coming. The whole thing

[in the future] that she talks to her husband instead. It does teach you how

feels like a party,” he gushes. “At the hotel room where we were filming in

the moment is constantly changing. We’re losing all the time, and we’re also

Louisiana, it was like a wedding. It was all my friends. That aspect of it is

gaining all the time. To love is to lose love. But you move on. You have to.”

what I love, and probably why I’m not a professional film director.”

Not that it matters. Directing is a pastime, not his day-to-day profession.

ART TAKES MANY FORMS

“In Seymour, [the pianist] says, ‘There’s something really beautiful about

“People often ask me about acting,” Hawke announces. We can imagine

being an amateur in the best sense of the word,’ and I really believe that—

why—he has been working in the industry for over half of his life, after all.

doing something because you believe in it, but not for professional reasons.

He started out at age 15 in 1985 with Explorers, a science fiction family

That’s how I feel about directing. I do that because I love it and it turns me

film, but it was the 1989 drama Dead Poets Society that fully launched his career. Now 46, he has been acting for over three decades, accruing four Oscar nominations and a Tony nod.

on.” He pauses and adds, “I think acting used to be like that for me.”

He hastens to explain his statement in a way we can understand, and we do: something you love doing, no matter how much, always becomes

Acting is his career. He is exceptionally good at it, has become famous

slightly stressful, less fun, when it’s a necessity. “Acting is really exciting and

from it and owes everything he has to it. But is he passionate about it?

dangerous. To do it well, you kind of have to jump down some weird rabbit

That’s up for debate. “Acting for me has become my profession, my

hole. When the muse arrives and leaves, when it works and when it doesn’t,

livelihood, how I pay for my kids’ school, how I pay for health insurance;

is mysterious to me. [My love of acting] never stopped—it transformed. I

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didn’t wake up one day and go, ‘Oh no, I have to pick up my suitcase and hock my wares.’ It’s not like that. [Acting and I are] so closely intertwined. It’s my trade and it’s not fun the same way because, if it goes badly, then there’s things at risk.”

He explains, “I’ve got bills. I want to be a good actor. I don’t want that to sound crass—I clearly love it and I try really hard not to ever do mercenary things. I want to put good, meaningful, substantive art into the world. That’s my job, and I’ve been able to do that and take care of my family, which is a super luxury. But it’s not fun the way water coloring in [my] room on a Sunday afternoon when the snow is falling is fun.”

Not to worry, though: Hawke has no intention of quitting his day job any time soon. In 2016 alone, he starred in five films, including Antoine Fuqua’s mega-watt The Magnificent Seven reboot, alongside Chris Pratt and his old pal Denzel. This year, in addition to Maudie, he’ll appear in Paul Schrader’s thriller First Reformed with Amanda Seyfried, and Luc Besson’s sci-fi thriller Valerian. He will also start production on the Judd Apatow-produced romantic comedy Juliet, Naked with Rose Byrne come summer.

He admits that he’d like to do more comedies moving forward—but, unlike many of his peers, Hawke doesn’t think he’ll make the transition to television (despite an unwavering love for Game of Thrones). “I always find the goal of great cinema is to entertain you and leave you with something, and leave you better than when you walked in. A lot of TV does feel like I wasted some time. I get offered TV and I want to know how it’s going to end and then they say, ‘We’ll see if it’s successful.’ It doesn’t have an end—it doesn’t have a middle for fuck’s sake—and my brain doesn’t work that way.”

Instead, he’d rather focus on more Shirt: BRUNELLO CUCINELLI Jacket: TOD’S

projects that bring him joy—even if they’re bringing in more of an emotional reward than a financial one. Such was the

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case with his first graphic novel, Indeh, which debuted at number one on the New York Times’ Bestseller List for Hardcover Graphic Novels.

Hawke’s eyes light up and he looks like a little kid when he explains how receiving six new drawings from illustrator Greg Ruth every week would send him into tailspins of excitement. “I love two-dimensional things,” he announces. “The frame of a film shot. I love drawings.”

Unexpectedly, he stops, and continues almost musingly: “The more I think about it, the more I think I might be dyslexic. I’m starting to learn a lot about dyslexia and I think, when I was growing up, that word wasn’t so common.

Part of why I liked graphic novels and comics so much is that they helped me read.”

In addition to a love of books, he gifted at least one of his children another shared interest. His eldest daughter, Maya, an 18-yearold Julliard attendee, has also inherited a love of the arts from Hawke and his ex-wife, actress Uma Thurman—though he notes that 16-yearold Levon is the complete opposite: “My son says things like, ‘I want to do a job where, if you’re good at it, you keep getting promoted.’

He’s watched the roller coaster ride of being a professional actor, where sometimes you get a lot of work and sometimes you don’t for a long time.”

The latter can be especially true in Hollywood with age. “Nobody tells you what a young person’s game it is,” he laments. “There are a lot more parts in mainstream movies when you’re young. I didn’t realize when I was younger, 18 to 25, that virtually the whole movie industry is geared to entertaining you. [Now] I feel like an old pitcher; when your arm stops being as fast, you have to figure out other ways of getting people out. I followed Peyton Manning’s career obsessively for years. There’s so much talent there, but the body is giving out. He adds, “Luckily for me, “I’m not an athlete.”

PASSION + EXPERIENCE

Post-shoot, Hawke is meandering around the new 1Hotel Brooklyn Bridge’s Skyline suite.

He’s buoyant, restless, full of energy. When we tell him it’s time to begin the interview, he’s ready to dive right in.

Shirt and shoes: TOMAS MAIER Pants: HERMÈS Watch: JAEGER-LECOULTRE

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“Trump sucks!” he yells like a gleeful, impudent, little kid caught with

Brooklyn on a weekly basis gave him significant insight into the politi-

his hand in the cookie jar. So this is how it’s going to go down, then.

cal leanings of both sides. “I was shooting in Louisiana when the whole

Game on, sir. We’re ready, too.

‘pussy grab’ thing happened. It was fascinating to see the indignance in

“The only positive to having a complete carnival barker as a president

New York [while the] people in the south just thought it was funny. I

is seeing how energized young people are for the first time. Because I

knew it was a lot more dangerous than other people knew. That ‘pussy

have an 18-year-old now, I’m getting to see all these 18-year-olds who

grab’ thing was a real indicator. I’m like, ‘He isn’t done.’ A lot of the coun-

grew up for their whole conscious lives with Obama as President, so

try really didn’t care that he said that.”

they have this idea that everybody cares about the environment, equal

Trump’s win was part of the reason behind his decision to immortalize

rights—this Benetton view of the universe. They didn’t have any sense

Blaze Foley on film. “Blaze came out of being hypnotized by country

that there was something worth fighting for,” he says, noting, “But I

music”—it’s true, Hawke’s first concert was Willie Nelson’s Fourth of July

think, if we can manage to minimize the damage that happens in the

Picnic—“and having a fascination with the definition of success,” he says.

coming months and years, if we can survive it, I think you’ll see a totally

“This country is so obsessed with success and the perception of success

energized generation of young people who will know that all actions have

and accumulation of wealth. Everybody understands that money doesn’t

reactions. That’s my one takeaway.”

make you happy, but that’s what they dedicate their entire lives to doing.

Hawke is from the blood red state of Texas. But, for most of his adult life,

Why is it so hard not to be caught up in that game?”

he’s been living in New York City, and it’s hard to be anything but liberal

And so, he threw a bone to the underdog. “Blaze is about a guy who

when you’re living in a place with so much diversity. That said, he can’t

is not a success. Every biopic is about someone who became wildly suc-

completely ignore his

cessful, but this movie is

roots, and admits that

about a guy who literally

he’s most disappointed, politically, Christian

with

the

community.

“If they withdrew their support, it would be very

meaningful.

I

was raised a Christian, baptized and confirmed.

It was a huge part of my

childhood,

IF YOU SPEND TIME WITH PEOPLE THAT YOU LOVE, IF YOU SPEND TIME WITH PEOPLE THAT YOU ADMIRE, IF YOU SPEND TIME DOING THINGS THAT YOU LOVE, GOOD THINGS GENERALLY HAPPEN.

good

Christian ethics, Sunday

never had a record come out during his lifetime.

But he should have, and lots of people should have.

I’ve grown up with tons of great actors and wondered, ‘Why didn’t that career happen?’”

He quickly answers this himself: “It’s usually selfdestruction.

People

not

school, the golden rule—‘Do unto others as you would have them do unto

thinking they deserve success. The biggest enemy isn’t a cold, harsh

you.’ I think that Trump has done a good job of playing people and using

world, it’s usually an inner demon. You usually cut your own heels. I’m

them. ‘Oh, you’re against abortion? I’ll do that for you.’ They become

kind of obsessed with finding the answer to that question. I mean, look,

one-issue voters. They don’t see that this person doesn’t represent their

it really even relates to who we elected president. We have this American,

belief systems at all.”

knee-jerk response to wealth as if it’s meaningful or interesting or

To many, Trump symbolizes affluence, says Hawke. But it’s all smoke and mirrors, a fancy parlor trick. “They see those gold letters, but what

represents somebody who’s led a meaningful, worthwhile life. It usually doesn’t. A lot of drug dealers and guys on Wall Street are rich.”

they don’t realize is that it’s all tin. Those letters aren’t really gold. He’s

There are many things more meaningful than money to Ethan Hawke.

this old-fashioned money lender weirdo who needs to be thrown out of

“This is going to sound corny to say, but if you really boil life down, it gets

the temple, you know?” he adds with a laugh.

really simple and cliché.” He candidly reveals, “What brings me the most

We then note our disappointment and confusion in the decidedly

joy in my life is when things are going really well with my wife.”

anti-feminist southern females we’ve met recently, all of whom voted

He has been married to Ryan Shawhughes since 2008 and they now

for Trump and shrugged away his sexist comments. Hawke, being from

have two daughters, Clementine Jane and Indiana. “I feel like all things

the south himself, can explain this: “The biggest surprise is the power

are possible when that central relationship in my life is really happening

of young women growing up in an extremely misogynistic society that

mutually; that the marriage is really turning her on and good for her.

feels familiar and good. They recognize it. They don’t want to ask more

It’s the engine of my life. It drives everything else. [It’s a] huge, defining

of their leaders. It was refreshing for them to see the men they knew. It

aspect of your life and, when that is working, you know it’s just awesome.

was a weird thing.”

I just love it. I’m old enough now to know that making it work is about

He predicted that the election might not go as expected because of

me and about what effort I’m putting in and how I’m taking care of [the

Blaze, as it happens. Flying back and forth between Baton Rouge and

relationship]. It’s the best part of my life. Love is a great, great feeling,”

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he concludes, before smiling and adding, “I know it’s kind of uncool to say nice things about your marriage.”

We beg to differ. In fact, we’re totally on board with the life—and love—lessons Hawke is trying to teach his children. “When my kids ask, ‘Am I going to be famous? Am I going to be successful?’ I say, ‘I hope you have a great love life. I hope you have a great partner. Because, if you have that, everything else is going to be fine.’”

These are also lessons he is passing down from his mom, Leslie, a charity worker. “My mother used to say, when I’d worry about the future, ‘The truth is, there are only two things that are going to happen: you’re either going to handle things well and be happy, or handle things poorly and be miserable.’”

He thinks about this concept so often that he even references it in Rules for a Knight, the New York Times bestselling children’s book he and his wife released in 2015. It includes the Native American legend “Two Wolves” that illustrates an internal struggle between right and wrong, good and bad.

When an old Cherokee teaches his grandson about life, he cites a terrible fight between two wolves.

The grandson asks, “Which wolf will win?” The grandfather responds, “The one you feed.”

Hawke explains, “One wolf is greed and selfconcern and fear and anger and jealousy and conceit, and the other wolf is empathy, love, brotherhood and joy. If [there was] a central thing that I think about, [it] is trying to feed the right wolf every day.”

He does this in a variety of ways. “If you spend time with people that you love, if you spend time with people that you admire, if you spend time doing things that you love, good things generally happen.

Good things come, friendships develop and life takes care of itself. But if you spend time away from love, or if you spend time away from people that make you happy or aspects of yourself that make you happy, or indulge aspects of yourself that make you unhappy, PHOTO COURTESY OF CEDRIC WEBER/SHUTTERSTOCK

they both can catch fire—the dominos fall. Life can get harder the more you feed the wrong wolf, the more you let the wrong wolf come to a head.”

He admits it, though: he hasn’t always fed the right one. “It’s not that I haven’t made bad decisions in my life, because Lord knows I have… but everybody likes to say [regret is] part of life. It’s like, ‘Well, part of my life would have gone a lot better if I hadn’t said that stupid thing.’ That’s where my regrets are,” he

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PHOTO COURTESY OF CEDRIC WEBER/SHUTTERSTOCK

FAITHFUL Gere (left), who is close friends with the Dalai Lama, attends a 2013 press conference with him entitled “Selfishness and Compassion” at Radio City Music Hall in New York

Sweater, jacket, pants and shoes: BOTTEGA VENETA

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FINE DINING Gere (right) with Steve Coogan and Rebecca Hall, has one heck of a tense meal in The Orchard’s upcoming release, The Dinner

Shirt: BRUNELLO CUCINELLI Jacket: TOD’S Pants and shoes: TOMAS MAIER Watch: JAEGER-LECOULTRE

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admits. “I don’t mind learning a lesson, but it’s a drag if I have to learn it 15 times. That’s what I feel like now. I don’t need to learn that lesson now. I want to have learned that. It’s always hard. I have tons of regrets, but… you don’t want to say them because they’re embarrassing, and behaving badly is not something one enjoys putting in print.”

WHERE THE HEART IS Hawke attends the Good Kill Premiere during the 71st Venice Film Festival at Sala Grande with his mother Leslie and wife Ryan on on September 5, 2014 in Italy.

THE BIGGEST ENEMY ISN’T A COLD, HARSH WORLD, IT’S USUALLY AN INNER DEMON. YOU USUALLY CUT YOUR OWN HEELS. He stops for a second, seemingly to think about what he really wants to say, before confiding, “I definitely have tons of regrets, and pretty much they all revolve around being selfish, when [I] couldn’t see outside [of my] own immediate needs. I have things I wish I didn’t do and mostly things I wish I didn’t say. You can’t unsay things and, a lot of times, you say things that aren’t true [just] to hurt people. Actions have reactions and relationships can only handle so much weight.”

But when Hawke feeds the right wolf, he says, it’s all gravy. And, as he’s aged, that wolf is hungry for family and art. “The only thing I used to really care about was this great guitar PHOTO COURTESY OF TANIA VOLOBUEVA/SHUTTERSTOCK.COM

I had, a ’52 Martin that I’ve had since my early 20s. I loved it so much that I used to say it was the only thing I would want to pull out of a fire. But now, I really don’t care. I really do like the guitar and everything, but I would only care about my wife and kids. Life is what’s really valuable, right?”

Life, and a wealth of creative freedom, might be more accurate—and he knows it. “Most people can’t spend part of their year working on a graphic novel that’s not going to make any money, but because I have a day job that’s financially lucrative, if I want to stop what I’m doing and write an article on Kris Kristofferson, I can do it. If I want to make a movie about Blaze Foley, I can do it. Creative freedom is just an unbelievable luxury. I’ve lived an incredibly privileged life that way.”

And, really, what’s the point in feeling bad about his good fortune? “The only way not to be crippled by guilt is just to keep putting good things out in the world. It’s the only immediate way I know to give back. It’s why my wife felt it was so important to make Maudie. If you’re not going to do it, who is? You’ve got to put it into the world.” n

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CARTIER Les Oiseaux Libérés de Cartier ring in white gold with emeralds, sapphires, diamonds, and gray mother of pearl.

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Virtual FEATURE

GEENA DAVIS’S LATEST PROJECT IS GOING TO CHANGE THE COURSE OF FILMMAKING FOREVER

Reality

BY: LAURA SCHREFFLER PHOTOGRAPHY BY: PHIL POYNTER FOR TRUNK ARCHIVE

Hearing Geena Davis’ throaty purr in your ear would be surreal for most, but given that we’ve just heard it in both virtual reality and real reality, suffice it to say, our experience was on a whole different level.

Let’s rewind. We popped into Facebook’s Silicon Beach headquarters for a sneak peek of Oculus’ Dear Angelica, the first animated short film created entirely in VR with Quill, a tool that allows artists and creators to paint virtual reality while in virtual reality. If you think this sounds trippy, you’d be right: scenes construct themselves around you in real-time, ribbons of hyper-reality weaving and placing you in the midst of an ethereal, 360-degree parallel universe.

Davis anchors the 12-minute opus, a beautifully painted, poignant narrative of love and grief revolving around a mother and daughter (voiced by Mae Whitman). It is brilliantly shared through a series of memories that leaves most who view it either awestruck or in tears.

In fact, we are still slightly shell-shocked and breathless from the experience the following day when Davis gives us a ring.

Is this reality? Unreality? Or somewhere in between?

Given that she felt similarly the first time she saw the film, the Oscar-winning actress understands our sputtering, speechless reaction. “I was destroyed,” she admits. “It’s so beautiful, and with such an incredible, moving story. It just shows what the future of that medium is going to be—it’s wide open for incredible experiences.”

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l 67

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FEATURE When art director Wesley Allsbrook (who, unbelievably, both

Film Festival in Bentonville, Arkansas, which highlights diversity in

conceived and hand-painted the entire project) asked Davis to voice

film and accepts films that prominently feature women and minorities

Angelica, she didn’t hesitate for a second, acquiescing through a flood

in the cast and crew. Now in its third year, running from May 2 to 7

of tears. But then, the role was practically destined to be Davis’—after

2017, the festival will open with a major player (3 Generations starring

all, in one virtual segment, the title character roars away in a convertible

Naomi Watts, Susan Sarandon and Elle Fanning) and a slate helmed by

during a car chase with her flame-colored hair streaming behind her, a

international female filmmakers from France, India, Austria, Iran and

scene straight out of her 1991 crime drama Thelma & Louise.

Nicaragua, to name a few. Bentonville also happens to be the only film

For someone like Davis, a member of MENSA (an organization with people in the top two percentile of intelligence), creator of her own

fest in the world that awards guaranteed distribution to its winners—an anomaly, to be sure.

foundation, and developer of software that provides statistics on gender

“As things evolved [with the institute], I wanted to get more into

equality, being involved in something so cutting-edge and innovative

diversity and gender equality. When the chance to launch this festival

was a no-brainer.

came up, to co-found it, I leapt. The whole concept of it is to champion

“This is an amazing new way to tell stories,” she enthuses. “I was just

women and diverse voices in all forms of media.”

thrilled to be part of one of the first features made with VR, and certainly

In particular, she wants to support female directors and makes a

the first animated feature where the artist could draw in the universe

valid point that, based on her research, they make up only four percent of

of it, wearing goggles, which wasn’t possible before.” Davis adds, “What

all directors worldwide. “I’ve been working for ten plus years to advocate

I also find very exciting is that it hasn’t been gender-biased yet. It’s an

for women in front of the camera, but for women behind the camera,

opportunity to start off a brand new visual medium with equal participa-

it’s impossibly embarrassing, profoundly dismal and frustrating,” she

tion of women. I intend to encourage it as much as possible.”

says. “The percentage of women directors [working in Hollywood] is an

That’s putting it mildly: Davis is a true trailblazer who has vowed to

embarrassment. Nothing changes for female directors, nothing creates

GIRL POWER Davis and co-star Susan Sarandon (left) were both nominated for Oscars for their work in 1991’s Thelma & Louise, a controversial film that is now considered a classic and one of the most empowering female films of all time.

make ending gender inequality her life’s mission. In 2007, after sitting

momentum. All the press predicted that everything would change after

through umpteenth male-dominated TV shows with her young daughter,

Kathryn Bigelow’s win [for her 2008 war drama, The Hurt Locker]—

she launched the Geena Davis Institute on Gender in Media, the only

‘now the glass ceiling is broken and there are going to be so many more.’

research-based organization working with the media and entertainment

It didn’t work.”

industry to engage, educate and influence content creators and audiences

It doesn’t always work for actresses, either. She herself has faced

about the importance of eliminating bias and stereotypes, while creating

indignity and adversity. In the past few years, she can recall one project

a slew of strong female leads onscreen. Since its inception, the institute

in particular: “[There were both] female and male actors on set, and

has amassed the largest body of research on gender prevalence in family

I noticed that, when the male actors approached the director to ask a

entertainment, and discovered that females are vastly underrepresented

question, make a comment, ask to change something, he’d just respond

in film with a male/female ratio of 3:1.

normally. When I approached him, just by walking up to him, he’d sort

“I was absolutely floored to find that there were far more male

of wince. It was sort of like an involuntary shudder, like, ‘What’s she

characters than female characters. I thought, ‘This is what we’re showing

going to ask now?’ I realized, ‘Wait, this is happening a lot.’ I’m one of the

kids in the 21st century?’ I just couldn’t believe it; it seemed so pervasive―

most mild, polite, gentle people on a set; I’m profoundly unthreatening.

and it was everywhere.” She continues, “When working on increasing

I ended up pointing it out to him.” And though she’s tough, Davis is

the number of female characters in kids’ media, I somehow landed on

not immune. “As evolved as I think I am, it really, really, really hurt my

the right technique to approach the problem, which is to get the data.

feelings,” she admits.

Nobody had any idea or noticed how few female characters there were until I had the numbers. That has made an enormous difference.”

But she didn’t stop there. In 2015, she launched the Bentonville

But not all directors and producers are backward—there are a few doing it really right, in her opinion. She can’t stop lauding Ryan Murphy, for one, and his creation of Half, a foundation within his

PHOTOS COURTESY OF OCULUS AND MGM

IT’S PROFOUNDLY UNFORTUNATE THAT... PEOPLE ARE TRYING TO ROLL BACK THE GAINS THAT WE’VE MADE [IN WOMEN’S EQUALITY] WHEN WE NEED TO BE STEPPING ON THE GAS MOVING FORWARD MUCH, MUCH FASTER.

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PHOTOS COURTESY OF OCULUS AND MGM

THE FUTURE OF FILMMAKING Davis voices the title character in Dear Angelica, Oculus’ first feature film created entirely with Quill. This photo (above) was so reminiscent of her role in Thelma & Louise that Davis was certain the role was made for her.

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FEATURE production company that aims to fill half the slots on any of his sets with women, people of color and members of the LGBT community.

She also praises actresses Patricia Arquette, Cate Blanchett, Jennifer Lawrence, Jessica Chastain and Reese Witherspoon’s successful production company, Type A Films, and director J.J. Abrams, who sees both male and female actors for each part, even if the role was specifically written for a man.

That is her goal with Bentonville, and she’s all in. But should anyone (and by ‘anyone,’ we mean you, guys!) belittle or demean her efforts, be prepared for her wrath. “This isn’t about showing films that are directed by women and minorities and ‘Oh, isn’t it nice.’ It isn’t about encouraging independent films. It’s about trying to change the industry—impact the whole industry—because research now shows, incontrovertibly, that movies with more female characters and more diversity make more money at the box office. It’s not just a moral imperative, it’s also a financial boost to get with the program. This is the way the world is going, so let’s get there a lot faster. That’s my philosophy.”

But—and, oh, that ‘but’—as much as she’d like the fight to be progressing forward, she isn’t blind to reality. Women didn’t organize national post-inauguration marches without reason. “There’s been such a tremendous reaction to this backwards moving position we find ourselves in. Nothing has happened like that [Women’s] March on Washington for a long time,” Davis says. “It’s profoundly unfortunate that we find ourselves in this position where people are trying to roll back the gains that we’ve made when we need to be stepping on the gas moving forward much, much faster. At the same time, it’s really sparked something in women and men, where we don’t accept it. If you can look for a silver lining in all of this, it’s that women and girls are terrifically aroused now to fight for their rights.”

And it’s arguable that she has always seemed to know how to do that, with a path almost predestined for success. After graduating from Boston University, the Wareham, Massachusetts native scored a modeling contract while serving as a window mannequin for Ann Taylor. Then, while modeling, she met Sydney Pollack, who cast her as a soap opera actress in his 1982 film Tootsie. She found consistent TV work before her film career took off in 1985 with Fletch, continuing on with popular films like The Fly, Earth Girls Are Easy and Beetlejuice before her Supporting Actress Oscar win for the 1988 & Louise in 1991 that the game changed for Davis.

Ridley Scott’s road trip movie received six Academy Award nominations—including Best Actress nods for Davis and her co-star, Susan Sarandon—and became a feminist film classic. She followed this up by starring in another girl-powered movie, Penny Marshall’s 1992 sports dramedy A League of Their Own, a fictionalized account of the real-life All-American Girls Professional Baseball League. Both films have been selected by the United States Library of Congress for preservation in the National Film Registry and dubbed “culturally,

PHOTOS COURTESY OF COLUMBIA PICTURES

drama The Accidental Tourist. But it wasn’t until she filmed Thelma

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historically, or aesthetically significant.”

Jordan Harrison’s Pulitzer-Prize nominated play that debuted at this

They also made a major impact with their star, and set the

year’s Sundance Film Festival, and the comedy Don’t Talk to Irene. She

course for every onscreen decision she’s made since. “Yes, there’s a

has also appeared on several TV shows, including Grey’s Anatomy

deliberate aspect to my choice of roles, but you can only choose from

and, currently, plays the lead role on Fox’s small screen The Exorcist

what’s offered to you unless you’re a brilliant writer—which I’m not.

adaptation. (As a side note, regardless of her gameness to appear in an

So you’re limited by what comes your way, but I have tried to pick

oft-discussed Beetlejuice sequel, she can’t actually see it happening. “Of

[roles] with the women in the audience in

course I would do it if asked, but I have a feeling

mind. What are they going to think about

[that] ghosts don’t age.” She notes dryly, “It’s

my character?”

been almost 30 years for Alec [Baldwin] and

Not that this was case when she was

[me]. One of us has aged, at least!”)

starting out: “I just was interested in finding

In recent years, her interests have been

roles where I got to do something interesting

varied and diverse, which is fairly typical of

for selfish reasons. As an actor, I wanted to

her personality, in her opinion. “I take things

have an adventure or an experience and not

too far,” she maintains. “Whatever it is I get

just be the girlfriend of the person having the

interested in, I want to go to the Olympics in

experience. I did some unusual films in the

it. I got appointed to the State of California

beginning—The Fly, Beetlejuice and Earth

Commission on the Status of Women quite a

Girls Are Easy—because I just thought that

few years ago—when Arnold Schwarzenegger

was what I was looking for. I thought, ‘What

was the governor, actually. I was like, ‘Wow,

is there [that’s] interesting about this that

I didn’t even realize that California had a

gives me something to work and have fun

Commission on the Status of Women,’ and

with?’”

then I was like, ‘I wonder if there’s a Global

PHOTOS COURTESY OF COLUMBIA PICTURES

AS AN ACTOR, I WANTED TO HAVE AN ADVENTURE OR AN EXPERIENCE AND NOT JUST BE THE GIRLFRIEND OF THE PERSON HAVING THE EXPERIENCE. But then… “After I did Thelma & Louise, the reaction to that was

Commission on the Status of Women. Why don’t I get on that one?’ If

just so huge and unexpected. Nobody with the film had any clue that

they have a Universal Commission on the Status of Women, that’s the

it would strike a nerve like that. It was a huge shock. The passion of

one I want to be on,” she laughs.

people who might recognize me and talk about their reaction to the

Speaking of the Olympics, well, that almost really happened, too.

film was just extraordinary, and made me realize very powerfully

After taking up archery as a hobby in 1997, she vied for a semifinalist

how few opportunities we give women to feel inspired and excited by

berth on the U.S. Olympic archery team, placing 24th out of 300

the female characters coming out of a movie. That’s when I decided,

women who tried out.

‘I’m really going to think about this in the future when I’m choosing

All this to say, her mountains of success have put Geena Davis

roles.’ The very next movie I did was A League of Their Own, and that

in a clear position to help lead the charge for women. In addition to

exploded in a different way. I had so many girls and young women who

her work with the institute and film festival, another relatively recent

wanted to tell me that they play sports because of that movie. I thought,

effort includes the She’s Got Drive collaboration with the Ford Motor

‘Wow, this is very eye-opening to be in these two movies back-to-back

Company and YouTube, a content campaign that highlights—what

and [it] definitely changed my life and colored everything I have done

else?—female empowerment.

since then.”

BAT HER UP One of Davis’ most iconic roles is Dottie Hinson in the Penny Marshall-directed 1992 sports dramedy A League of Their Own, which celebrates its 25th anniversary this year.

The actress is pictured (center) with excellent form on the baseball diamond and (above) with co-stars Lori Petty and Tom Hanks. Madonna, Rosie O’Donnell, Jon Lovitz, Garry Marshall, David Strathairn and Bill Pullman also starred in the National Film Registrypreserved movie.

It isn’t surprising that she refuses to compromise on the roles she’ll

Since shooting A League of Their Own—which celebrates its

play in the future, either, given what care she’s taken with them in the

25th anniversary this year—she has starred as a reporter in Hero,

past. “I want to play characters that are in charge of their own fate, in

an office worker dreaming of a better life in Angie, an insomniac

charge of their own destiny, captaining their own ship.”

writer in Speechless, a schoolteacher in the neo-noir The Long Kiss

She pauses and, with a throaty, very Geena Davis chuckle,

Goodnight, and a pirate in Cutthroat Island, to name a few. Some

concludes, “I’d like to do more action movies. I’d say, whatever Liam

of her newer projects include Marjorie Prime, the film adaptation of

Neeson turns down, ask me.”

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PHOTOS COURTESY OF YAYOI KUSAMA/DAVID ZWIRNER, ROY LICHTENSTEIN/ DOUGLAS M. PARKER STUDIO, JEFF KOONS/DOUGLAS M. PARKER STUDIO AND ANDY WARHOL/THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS, INC./

M

ICONIC ART (Clockwise from top) Spectators will find Yayoi Kusama’s “Infinity Mirrored Room - The Souls of Millions of Light Years Away,” Andy Warhol’s “Small Torn Campbell’s Soup Can (Pepper Pot),” Jeff Koons’ “Rabbit” and Roy Lichtenstein’s “I...I’m Sorry!” at The Broad.

On the scene at Coachella 2016

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Mark PHOTOS COURTESY OF YAYOI KUSAMA/DAVID ZWIRNER, ROY LICHTENSTEIN/ DOUGLAS M. PARKER STUDIO, JEFF KOONS/DOUGLAS M. PARKER STUDIO AND ANDY WARHOL/THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS, INC./ ARIST RIGHTS SOCIETY, CAMPBELL TRADEMARKS USED WITH PERMISSION OF CAMPBELL SOUP COMPANY

Making a

THESE FOUR GREAT SHAPERS EXPLAIN HOW THEY ARE PROGRESSING THE ART SCENE IN LOS ANGELES, THE CITY OF CONTINUOUS YOUTH AND ADAPTATION

BY MARINE TANGUY

There is no question that the current art world is evolving. From the rise of startups challenging the existing gallery model to a possible regulation of the market, we are entering a new era in the field. As always, with change, there are those who embrace it and those who fear it. But while the renowned art scenes of London and New York struggle to break their tradition and pre-establishment, L.A. is stepping up and becoming a lab for innovation and experimentation. Here’s to the bold and the visionaries—we have a lot to learn from them.

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ing ones, Edythe responds, “We have a long

cessible to the public, so we decided to build

ELI AND EDYTHE BROAD

history of supporting public museums—Eli

The Broad, endow it, fill it with our collection

The Broads have about 2,000 works in

was the founding chairman of MOCA and a

and offer free general admission as a gift to

their collection, one of the most prominent

life trustee of MOCA, LACMA, MOMA. Our

the people of Los Angeles.”

holdings of postwar and contemporary art

goal was always to share art with the broadest

But why such a strong attachment to L.A.

worldwide. They collect artists in depth, such

possible public and that’s why we created The

and, specifically, its art scene? “We’ve long be-

as Jean-Michel Basquiat, Barbara Kruger,

Broad Art Foundation as a lending library for

lieved that Los Angeles is one of four cultural

Cy Twombly, Ed Ruscha, Andy Warhol, Kara

contemporary art.”

capitals in the world, along with New York,

Walker, Christopher Wool, Jeff Koons, Joseph

They continue, “To date, we’ve made nearly

London and Paris. Grand Avenue is the cul-

Beuys, Jasper Johns, Cindy Sherman and

8,500 loans to more than 500 museums and

tural and civic district for a region of 15 mil-

Robert Rauschenberg.

galleries around the world.

lion people. It now includes

Their Broad Museum has been a major

As our collection grew in

the Grand Arts High School,

statement in the L.A. art scene, both

size, we realized it was too

the Colburn School for the

artistically and architecturally, since the very

big to be absorbed by a sin-

Arts, Grand Park, the three

day it opened. Los Angeles, in their eyes, is the

gle museum and be shown

venues of the Music Center,

new cultural capital of the world—and who

to the public. If we gave our

a world-class symphony and

could disagree with someone like Eli Broad,

collection to a single mu-

symphony hall designed by

the only person to build two Fortune 500

seum, they would only show

Frank Gehry, and a great op-

companies in different industries? The Broads

about three percent of [it]

era led by Placido Domingo.”

and not continue our lend-

They add, “Los Angeles has

The crowd goessimilar wild at Coachella 2016 and other figures have

significantly

influenced collectors, with more and more becoming passionate about supporting the works of contemporary artists.

The couple is clearly loyal to the community. “We’ve

become the contemporary art capital of the world. New York is still the commercial

When asked why they decided to start a

lived in Los Angeles for more than 50 years

capital, but when you look at how many mu-

new museum rather than contribute to exist-

and love this city. We wanted our art to be ac-

seums and how much gallery space we have,

PHOTOS COURTESY OF GF ROBERT IRWIN/ROBERT AND KELLY DAY GARDEN, BRIGITTE LACOMBE AND MICHAEL HEIZER/TOM VINETZ

BROAD STROKES Eli and Edythe Broad (center) pose in the third-floor galleries of The Broad (above and right), the free-for-all downtown Los Angeles art museum that they officially opened in 2015.

ing program.”

PHOTOS COURTESY OF ELIZABETH DANIELS, THE BROAD AND DILLER SCOFIDIO + RENFRO

THE LOS ANGELES ART COLLECTORS

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PHOTOS COURTESY OF GF ROBERT IRWIN/ROBERT AND KELLY DAY GARDEN, BRIGITTE LACOMBE AND MICHAEL HEIZER/TOM VINETZ

PHOTOS COURTESY OF ELIZABETH DANIELS, THE BROAD AND DILLER SCOFIDIO + RENFRO

plus the Arts District downtown, Los Angeles

after an accelerated career with the Solomon

façade, a single imposing entrance and a tall

has a thriving art scene, especially in contem-

R. Guggenheim Foundation and the Dia Art

escalator as you enter them, Michael insisted

porary art.”

Foundation. During his time at the latter, he

on commissioning outside works to create

Regarding their relationship with artists and

was known for spearheading the conversion of

entrances to the art institutions,―such as Chris

whether the couple has visited many studios,

a Nabisco box factory into the 300,000 square

Burden’s “Urban Light,” a series of 202 vintage

the Broads say, “One of the most rewarding as-

foot Dia:Beacon.

street lamps from different neighborhoods in

pects of collecting contemporary art is the op-

With LACMA, the challenge was even bigger:

portunity to meet the artists and have conversa-

establishing the museum as a cultural center

tions with them about their works.” Let’s hope

while putting L.A. as a whole on the interna-

“We are also setting up LACMA-owned

that everyone follows their lead.

tional art map,―despite being most renowned

branches across the city,” he says. “We want all

Los Angeles, arranged in front of the entrance pavilion.

for its entertainment industry. And he succeed-

communities to feel represented by our cultural

THE MUSEUM DIRECTOR ―

ed. When Michael started there in 2006, most

institution.”

MICHAEL GOVAN OF LACMA

of the major exhibitions at LACMA came from

Michael Govan was quick to jump into the

more established art museums and curators

subject of art during Art Basel HK, with a

like the MET, TATE and MOMA. Now, most

statement

of their shows are made at LACMA and travel

that

could

to other established museums, creating a boost

straight

in cultural value for which they are respected.

out of a John

The LACMA museum has become a home for

Baldessari

so many incredible artists, including Robert Ir-

piece—at once,

win, John Baldessari and Barbara Kruger.

come

surrealist

and

But all this is just a glimpse into Michael’s

relevant. “L.A.

ambitious vision. As he puts it, “The city has

is the future

changed dramatically over the past ten years

and always has

and it is only the beginning. LACMA sits geo-

been,” he says,

graphically in the middle of these changes, right

due to what he calls the “ever-changing nature

on Wilshire Boulevard. The museum is a mirror

of the city.”

of Los Angeles; it is multicultural and encom-

His passion is presumably what got him to accept the role of LACMA Museum Director

L.A. ART Michael Govan (bottom left) is the museum director of The Los Angeles County Museum of Art (LACMA), where visitors will find Robert Irwin’s Primal Pal Garden (top) and Michael Heizer’s Levitated Mass (bottom right).

passes all kind of arts.”

And while most museums have a window

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terms: there are a lot of white walls in Los Ange-

Ten years later,

STEFAN SIMCHOWITZ

les, so much more space than in other art world

the energy and pas-

Stefan Simchowitz is a well-known, Los Ange-

cities and I am keen to leverage this and develop

sion of the FLAX

les-based art advisor. He is a vocal proponent

a new kind of art collector.”

team is still very pre-

for social media as a tool for discovering, dis-

Changing things and pushing the art world

sent. Elizabeth For-

tributing and popularizing a new crew of art-

forward is a theme that comes back up often in

ney, in fact, refuses

ists—primarily using Facebook and Instagram

the conversation. So where does this come from?

to put on exhibitions

as platforms for self-promotion, uncovering new

“I dislike the current linear structure in the art

and art events for

artists and endorsing those he already manages.

world; it is too elitist and stops the field from

only cultural insid-

Rather than following the linear art world

exploring new avenues to further artists, both

ers: “It’s very impor-

route, Stefan diversifies the number of systems

business-wise and geographically. As artists can

tant to care about

that recognize and produce credible artists. He is

barely afford a studio in London, the peripheries

engaging everyone artistically in 2017, as this

often a popular

can become the new art world center, where they

may reduce the number of social conflicts we are

target for critics

have room to live, think and create.”

currently witnessing. We want to make sure that

who claim he

Overall, he concludes, “If I tried to change

destabilizes the

things in London and New York, they would

established net-

have already killed me within the existing, tight-

She adds, “This is why you will soon see a

work tradition-

ly controlled scene where invested interests hold

participative performance with three artists we

ally used to de-

their hegemony. Los Angeles still feels like the

are supporting in Downtown’s Grand Park. It is

fine the nature

Wild West, where you can be who you want to be

free to access and attend, of course.”

of good art and

and challenge the status quo.”

relevant artists.

Meanwhile,

IN THE KNOW Art disruptor Stefan Simchowitz shares a self-portrait (above), as well as the artwork “Kour Pour” (bottom right); Elizabeth Forney (top right) is the director of the France Los Angeles Exchange (FLAX) Foundation.

creativity is visible in all locations of Los Angeles, not just certain areas.”

Los Angeles feels experimental for the FLAX Foundation: a place where one can be innovative

THE ART FOUNDATION DIRECTOR

and rethink the creative industry. And that’s

Stefan describes Los Angeles as less competi-

ELIZABETH FORNEY OF

how you get a bunch of French people investing

tive than New York and London—thus, the best

FLAX FOUNDATION

in the culture of the city. They believe that L.A.

place for artists and art professionals like him-

France Los Angeles Exchange (FLAX) is a public

can become a platform for exchange amongst

self to not only establish a reputation, but also

charity committed to collaboration, innovation,

different cultures and people.

experiment with how they will do it.

exchange and sustainable impact.

“While you have dozens of people like Eli

FLAX has a strong commitment

Broad in New York,” he says, “in Los Angeles,

to public engagement, introduc-

there is only Eli. In New York and London, you

ing multi-disciplinary art projects

have many mid-sized galleries competing over

in collaboration with established

the same artists and artists competing against

cultural institutions.

each other to play in[to] this hierarchy. Los An-

After a tragic anti-Semitic event

geles has more space, literally and metaphori-

in France in 2006, the two L.A.-

cally, to build and expand into the jungle outside

based founders, Lionel Sauvage

of the traditional centralized system.”

and Gerald du Manoir, decided

And what about the overall culture in

to use art as a language above any

Los Angeles? “From the outside, it still feels

political or religious conflicts that

more about Hollywood and less about people

would allow everyone to dialogue

attending art events and supporting the cultural

towards resolution.

art scene. The money made in Los Angeles is

The foundation has given a se-

extremely thin in comparison to that in New

ries of grants to artists and insti-

York and London, as a lot of the money still

tutions, and implemented a num-

gravitates around the film industry, which pales

ber of projects—from concerts to

in comparison to finance and tech. Yet this is

art exhibitions to residencies. Its

changing and there is a shift towards greater

previous partnerships include the

interest in the art scene.”

City of Los Angeles and the Palais

He continues, “Let’s think about this in simple

PHOTOS COURTESY OF STEFAN SIMCHOWITZ AND FLAX FOUNDATION

THE ART DISRUPTER

de Tokyo.

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e Template.indd 1

10/05/17 12:19

MAN OF STYLE

Shirt: Ermenegildo Zegna Tuxedo: Ermenegildo Zegna Couture Art: Corinne Ungerer

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GOTHAM Style Ben McKenzie has been playing police commissioner James Gordon on the Fox hit “Gotham” for three seasons. But, this year, he does double duty in front of and behind the camera with his directorial debut on the show. Always stylish in character, Ben combines fashion and art here—showing off his own great style at the De Re Gallery in West Hollywood.

PHOTOGRAPHY: KARL SIMONE FASHION DIRECTOR: BRUNO LIMA @CELESTINEAGENCY GROOMER: STEEVE DAVIAULT FOR LINK MANAGEMENT SHOT ON LOCATION AT DE RE GALLERY

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Coat: Louis Vuitton Polo: Brioni Pants: Dior Watch: Piaget Altiplano

80 80

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Shirt: Louis Vuitton Tie: Ermenegildo Zegna Jacket: Valentino Art: ABH (Al-Baseer Holly)

81 81

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Suit and shirt: Ermenegildo Zegna Watch: Piaget Altiplano Loafers: Johnston & Murphy Art: ABH (Al-Baseer Holly)

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Suit, shirt and tie: Brioni Pocket square: Hermès

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Jacket and shirt: Hermès

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Suit: and T-shirt: Ralph Lauren Pocket square: Dior Sneakers: Christian Louboutin Watch: Piaget Altiplano Art: Steven Janssen

85 85

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SPORT ART

The

of

STREET ARTIST JONAS NEVER AND L.A. LAKERS PLAYER BRANDON INGRAM TEAM UP FOR THE CHARITABLE ARTISTIC ENDEAVOR, BEYOND THE COURT

BY LAURA SCHREFFLER

FANS KNOW THAT SPORTS IS AN ART FORM AND, LIKEWISE, ART CAN BE A SPORT. BUT THIS CONCEPT, Brandon Ingram—the number two overall pick in the 2016 NBA draft—and Culver City-based street artist Jonas Never came together in March. Their collaboration, a one-of-a-kind billboard, will live on the historic Venice boardwalk before being donated to a local non-profit. The partnership was dreamed up by Delta as part of the airline’s “Beyond the Court” program and celebrates the passion of Lakers players on and off the court. It also brings together local celebrities sharing a common interest, such as Ingram and Never, who sat down with us to chat about the creative process, the L.A. art scene and the importance of chasing your dreams.

PHOTO COURTESY OF GETTY IMAGES FOR DELTA

and the relationship between the two mediums, was explored further in a very L.A. way when the Lakers’ rising star

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PHOTO COURTESY OF GETTY IMAGES FOR DELTA

T Gown: Julea Domani by Zeena Zaki Jewels: Martin Katz and Jonas Never Brandon Ingram collaborate on a one-of-a-kind billboard

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NEVER HAVE I EVER “Beyond The Court” was a collaboration between Los Angeles-based street artist Jonas Never (left) and L.A. Lakers player Brandon Ingram (right).

Earlier this month, you came together to create a sports mural.

and taught me some of the things he’s learned. Painting is something

Why, in playing to your respective strength, are the two mediums

I think I’ll get more into.

more alike than some might assume?

JN: As an artist, I try my best to represent both what I’m painting

Jonas, were you surprised by Brandon’s skills off the court?

and where I’m painting it. As an athlete, Brandon has been shaped by

JN: Absolutely. He’s incredibly creative and his ideas and positivity

where he’s come from and is working really hard to make the city he’s

made coming up with the design a really fun process.

playing for proud. Now that both of us are doing our work—work that we enjoy—in the public eye, we have to continue to push ourselves to

Had you met before you started painting?

get better and better.

JN: We first met at my studio to discuss ideas and poses for the mu-

BI: Sports and art go hand in hand. Both take time for you to get

ral. I wanted to pick an image that fit the shape of the wall well, but

great at it. In some cases, you can be born a natural… but, mostly, you

[that] also looked the way he wanted it to. I also got to know him

have to learn and practice to really get better.

better as a person and that pushed me to make sure I came through

What was your inspiration for the art piece? What does the mural mean to you?

The “Beyond the Court” event kicked off a new era of young Lakers

JN: For this piece, I was inspired by the city of Los Angeles, Lakers

stars and helped them to realize their dreams. Why is that impor-

basketball, the Delta Air Lines’ “Dream Up, L.A.” mantra and, most

tant personally for you to be a part of ?

importantly, Brandon and his personal style.

JN: I’m personally thrilled to be a part of this new generation of Lak-

BI: It tells a lot about what I went through as a young kid coming

ers basketball. I want guys like Brandon and Jordan Clarkson to suc-

up to get to this level. I think the main message from this is to never

ceed and make the city of Los Angeles proud, and I love that I got

stop dreaming, and to dream up. It’s a big part of what Jonas and I

to be a part of [the] first real collaboration between them and their

put together. We just wanted to inspire young kids who go by and see

new city.

the mural.

BI: For me, it is all about opportunity. When you go from high school to college to this league, people look up to you. And the opportunity

Brandon, had you ever painted before?

to speak up and give back and show people things that we do outside

BI: I had actually never painted before, but the process was fun. I did

of basketball is important. It’s inspiring and shows the youth that

better than I thought I would do, and Jonas definitely helped me out

they can do whatever we are doing.

PHOTOS COURTESY OF GETTY IMAGES FOR DELTA AND JULIAN ACOSTA

for him and everyone involved with the project.

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How did you realize your own dreams when you were starting out on your path?

JN: I always had loved painting; it’s something I’ve done as long as I can remember. When I finally sat back and realized “Wow, I’ve been doing this professionally year after year,” it finally kind of set in that I was a professional artist. I’m really not sure when that dream was realized and, honestly, there’s a lot more I’d love to accomplish as an artist, so I guess I’m still chasing dreams.

Why and how has L.A. become such a hot spot for both sports and art? How does its art scene compare to other cities?

JN: As far back as I can remember, L.A. has always been the Mecca for public art. It’s sunny year-round, so you can paint all the time.

[And] everything is filmed here, so you never know when your work is going to end up on film.

Last but not least, what is your greatest luxury in life?

JN: My greatest luxury in life is having an In-N-Out Burger down the street from my house... or my 1959 Edsel Ranger.

PHOTOS COURTESY OF GETTY IMAGES FOR DELTA AND JULIAN ACOSTA

AS AN ARTIST, I TRY MY BEST TO REPRESENT BOTH WHAT I’M PAINTING AND WHERE I’M PAINTING IT. AS AN ATHLETE, BRANDON HAS BEEN SHAPED BY WHERE HE’S COME FROM AND IS WORKING REALLY HARD TO MAKE THE CITY HE’S PLAYING FOR PROUD.

BALLING A work of art pays homage to the sport of basketball (top) while Never and Ingram have created a mural (below) that blends both mediums seamlessly.

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Designing Women: Angela Missoni (from right), Creative Director for Missoni; mother, Rosita, who founded the company with her late husband, Tai; daughter, Margherita Missoni Amos, founder and designer for Margherita.

B THE MAN, THE MYTH, THE LEGEND (Above) “Urban Light” at LACMA is Chris Burden’s love letter to Los Angeles; (left) “I Became a Hippy,” the artist’s 1971 self-portrait as a young man; (below right) the artist, in 2010.

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Burden Beast of

AN INSIDE LOOK AT THE FIRST-EVER DOCUMENTARY ON CHRIS BURDEN, “THE EVIL KNIEVEL OF PERFORMANCE ART”

PHOTOS COURTESY OF MAGNOLIA PICTURES AND LACMA

BY: ROSALIA CONNOLLY

EVERY ANGELENO IS FAMILIAR WITH CHRIS BURDEN’S AWE -INSPIRING “URBAN LIGHT” installation at the Los Angeles County Museum of Art (LACMA), but perhaps not all are aware that, in his earlier days, the late artist guaranteed his place in art history by having himself shot (“Shoot,” 1971), locked up (“Five Day Locker Piece,” 1971), electrocuted, (“Doorway to Heaven,” 1973), cut (“Through the Night Softly,” 1973), crucified (“Trans-fixed,” 1974), and by advertising on television (“4 TV Ads,” 1973–77).

He quit performance in the late ’70s and artistically reinvented himself, going on to create a multitude of assemblages, installations, kinetic and static sculptures and scientific models before his death in 2015.

His passion, his art and his life are the focuses of Magnolia Pictures’ upcoming May 5 release, Burden, the first-ever comprehensive documentary on this daring SoCal-based artist. We chatted with director Timothy Marrinan, who, along with co-director Richard Dewey, looked at Burden’s works and private life through the still-potent videos of those ’70s performances; personal videos; audio recordings; testimony from friends and figures (such as Marina Abramović, Ed Ruscha, Larry Bell, Jonathan Gold and Peter Plagens), fellow students and colleagues; critics’ comments (including that of a young Roger Ebert); and later day footage at his Topanga Canyon studio—all peppered with Burden’s own thoughts and musings—in a bid to understand and unmask one of the most important figures in modern American art.

STORYTELLING Timothy Marrinan (above) and Richard Dewey tell the story of Chris Burden’s life and career in the upcoming Magnolia Pictures release, Burden.

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What about Chris Burden’s life fascinated you in particular?

What, in his opinion, was his most radical piece of performance art?

Chris makes the kind of art that provokes reactions in people and

Chris never told us this explicitly, but we do know that one area of his work

often pushes the limits of what can be considered art, which we found

that he really enjoyed was buying ad time on TV to broadcast his own

really interesting. And we were intrigued by the seemingly big journey

artworks. The fact that thousands of people were being forced to see his

Chris went on as an artist during his career—from his early shocking

work, whether they wanted to or not, was really exciting to him and I think

performances to his later large-scale sculptures—so we wanted to

taking control of the media in this way was quite radical and ahead of its

examine that journey. Chris was [also] quite a private person, so not a

time.

huge amount was publicly known about him beyond rumors and myths, [and] we wanted to try to look beyond this and find out what really

Did he have a death wish in the beginning?

motivated him as an artist.

He said he wanted to come close and flat-out said that everyone fantasizes about death, even if it’s unconscious. He claims he didn’t have a death wish

SHOCK ART Burden’s performance art included (left to right) “Shoot” from 1970, “Doorway to Heaven” from 1973 and “Trans-fixed” from 1974.

How did you get such unprecedented access to his life?

and that his works were never designed to be life-threatening, but he did

We got to know Chris over several years. We initially interviewed him for an

come pretty close to the line sometimes, and he certainly had a strong

article in a magazine and then went on to make a short film documenting

interest in firearms. I think some of his early performances were like

the creation of one of his sculptures (“Beam Drop: Antwerp”) before finally

experiments into his own body and what its limits were.

pitching him the idea of a feature-length documentary looking at his life

Peter Schjeldahl said that Chris was “right on the edge of sadomaso-

and work. I think getting to know him over this period of time was essential

chism, with a science fair aspect, really sinister.” Do you agree?

to gaining his trust and finding a good way of working together. Once we

I would agree. At times, he was putting himself in some pretty extreme

had Chris on board, we found that other artists, such as Marina Abramović,

and painful situations in his performance works and, clearly, that held

Ed Ruscha, Ed Moses and others, were happy to be involved in the project,

a certain fascination for him. I think, in a way, many of those perfor-

too, as they had a lot of respect for Chris and his work.

mances were like low-fi science experiments,―starting with an idea or a question and following it through to its logical conclusion in order to test

He might have been “the Evil Knievel of the art world,” but he hated that

the limits of what he was capable of, physically and mentally.

I would agree with Chris’ belief that the Evil Knievel tag didn’t do jus-

This documentary brings up a valid question: how far would one go for

tice to the ideas behind his art. I think Chris believed that, unlike Evil

art, and when does that blurred line go too far? What did you discover?

Knievel’s stunts, his art wasn’t designed to sell tickets—many of his most

Many people who we interviewed felt that Chris crossed the line of what

dangerous works were done for small groups of people and were not high-

was acceptable with his piece, “TV Hijack,” in which he held a lady at

ly publicized by Chris—and he also didn’t repeat the same actions more

knife point on live TV… I think, from Chris’ own point of view, the line

than once. Once he had been through a performance, he had answered

may have moved a bit as he got older, to be honest. When he resigned

whatever question or impulse [that] had initially driven him towards that

from UCLA after a student brought a fake gun to school as part of a per-

work, and to repeat it would have been redundant and made him more of

formance, he clearly thought bringing an act like that into that context

a caricature of himself.

crossed a line, but you could argue that his own piece… was just as bad.

PHOTOS COURTESY OF MAGNOLIA PICTURES

statement. What would he have called himself ?

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Why was Chris so, so important to Los Angeles?

home and studio at the top of Topanga Canyon, so I think it’s fair to

Chris has been important to L.A., but L.A. was also important to

say his circle of close friends became quite small. But there was a small

Chris. [From] his internationally recognized performance works to

group of people he remained close to, and of course his wife Nancy

his landmark sculptures, he helped put L.A. on the map as a global

Rubins, who knew Chris well.

artistic center and his work as a teacher at UCLA helped inspire a future generation of artists. L.A. also provided him with the space, both

What is something you did not show that you learned while filming?

psychologically and physically, to experiment with his art, and the city

One thing we learned were the risks he was willing to take in pursuing his

influenced his work in pieces like “Urban Light” and “Metropolis II.”

vision for a piece. In the early days, these might have been physical risks, but his later pieces involved risk, too. Long before LACMA committed

It feels like your audience doesn’t truly learn a lot about Chris, that

to buying his piece, “Urban Light,” he remortgaged his house in order to

perhaps, even his life was a performance. Was that a conscious deci-

continue collecting hundreds of early 20th century L.A. street lamps that

sion?

would eventually become one of his best loved works.

We focused on the parts of Chris’ personal life when it intersected with his art. In his early performance days, the two were often closely

At the end, during the course of your interviews, was he happy?

linked, but later in life, I think he made an effort to keep his personal

Chris always retained an edge and a restlessness to do more and create

life private. I think this is all part of his journey, and his privacy later

new art, but I believe he was also quite content later in life. I think a

in life is partly a reaction to his experiences as a young artist.

big part of this was his land in Topanga Canyon, where he and his wife built their home and their art studios. It was a place where he could feel

Does anyone really know Chris Burden, in your opinion?

relaxed and free to experiment and to pursue the ideas that interested

In his later years, Chris was very private and spent a lot of time at his

him most.

MODERN ART The artist’s more recent pieces include (above) “Medusa’s Head” from 1990 and (left) “Metropolis II” from 1991.

PHOTOS COURTESY OF MAGNOLIA PICTURES

HE CLAIMS HE DIDN’T HAVE A DEATH WISH AND THAT HIS WORKS WERE NEVER DESIGNED TO BE LIFE-THREATENING, BUT HE DID COME PRETTY CLOSE TO THE LINE SOMETIMES, AND HE CERTAINLY HAD A STRONG INTEREST IN FIREARMS.

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ARTISTS Secret Celebrity

Pop star Miley Cyrus also, as it happens,

makes pop art. She debuted her Dirty Hippie collection of psychedelic pieces made of gummies, items thrown on stage by fans and colorful baubles during Jeremy Scott’s fashion show at New York Fashion Week in 2014. She followed up her debut that same year with a legitimate artistic coming out party in conjunction with former Museum

GUN SHY? NOT SO MUCH One of the striking pieces from Adrien Brody’s introductory Hot Dogs, Hamburgers and Handguns collection two years ago.

of Contemporary Art, Los Angeles director Jeffrey Deitch at Art Basel.

ADRIEN BRODY

He may have played Salvador Dalí in the film Midnight in Paris but, in real life, Adrien Brody is an artist in his own right. The Oscar-winning actor debuted his first collection of paintings, Hot Dogs, Hamburgers and Handguns at Art Basel in 2015, followed by a second public series, Hooked, at Art New York, and another last winter at Art021 in Shanghai in collaboration with Teach for China.

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PHOTOS COURTESY OF BAKOUNINE/SHUTTERSTOCK.COM, UNIVERSAL, ANDREA RAFFIN/SHUTTERSTOCK.COM, DODDIS77/SHUTTERSTOCK.COM AND ROBB SCHARETG

MILEY CYRUS

PHOTOS COURTESY OF MARK SQUIRES, ADRIEN BRODY/INSTAGRAM AND MILEY CYRUS/INSTAGRAM

TEN STARS WHO ARE ALSO PASSIONATE ABOUT PAINTING, SCULPTING AND PHOTOGRAPHY

James Franco is a Renaissance man who transcends mediums. He is an actor, director, writer, poet, teacher and, of course, an artist, to name a few. His works include an homage to photographer Cindy Sherman, a video commissioned by Sotheby’s in response to the New York exhibition Glazed: The Legacy of Della Robbia, as well as a project with performance artist Marina Abramović at MoMA Ps1.

PHOTOS COURTESY OF BAKOUNINE/SHUTTERSTOCK.COM, UNIVERSAL, ANDREA RAFFIN/SHUTTERSTOCK.COM, DODDIS77/SHUTTERSTOCK.COM AND ROBB SCHARETG

PHOTOS COURTESY OF MARK SQUIRES, ADRIEN BRODY/INSTAGRAM AND MILEY CYRUS/INSTAGRAM

JAMES FRANCO

“What I love to do is paint people’s faces—you know, their eyes— because you want to find the emotion, see what’s going on behind...”

—Johnny Depp

JOHNNY DEPP

Johnny Depp—who turns 54 this June and will appear in Pirates of the Caribbean: Dead Men Tell No Tales, the latest installment of the series­—likes painting fellow famous people, including Keith Richards, Bob Dylan, Patti Smith, Jack Kerouac and Marlon Brando; he also painted a portrait of then-partner Vanessa Paradis for her 2007 album, Divinidylle (left). The mega star told Vanity Fair, “What I love to do is paint people’s faces—you know, their eyes—because you want to find the emotion, see what’s going on behind…”

PORTAL The musician’s 26’ x 15’ custom archway artwork, entitled “Portal,” is on permanent display at MGM National Harbor.

BOB DYLAN

Bob Dylan isn’t just one of the best-selling musicians of all time—he’s also a successful artist, famous for sketches, watercolors and acrylic works of Americana landscapes. His travels between 1989 and 1992 inspired a book entitled Drawn Blank that debuted in 1994. Two additional books and more than two decades later, he displayed his Matisse-influenced work at London’s Halcyon Gallery in a show named The Beaten Path.

Although things may have changed, his artistic legacy remains the same.

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SYLVESTER STALLONE

The man responsible for making Rocky Balboa and Rambo two of the most iconic characters in film history isn’t all brawn and no brain. Sylvester Stallone is actually an accomplished painter whose abstract works have shown in galleries around the world, adjacent to those by masters like Picasso and Botero. His abstract art heavily features clocks; some even pay homage to his most famous roles, including the 1975 piece “Finding Rocky.” As an additional

The twice Oscar-nominated actor has published dozens of books, has his own music label and also paints abstract works—some of which were featured in his 1998 film, A Perfect Murder. In the introduction to his book, Recent Forgeries, the Danish-American actor writes: “I don’t know much about 20th century painters…

Because of how I was brought up, I go along with it for a while when somebody tells me about a rule, but eventually I always end up asking myself, ‘Why does it have to be this way?’”

LUCY LIU

Lucy Liu plays a female Watson in the Sherlock Holmes series Elementary, but you’ll have to do a little sleuthing of your own to see her art, given that she goes under the pseudonym Yu Ling. In addition to her 2009 Seventy-Two ink and acrylic series, the Charlie’s Angels and Kill Bill actress paints and sculpts. Liu has also had some solo shows and has been displaying her work for over a decade.

AMERICA THE BEAUTIFUL The actress created “Flag” after attending a 1992 Pro Choice march in Washington, D.C.

PHOTOS COURTESY OF

ANDREA RAFFIN/SHUTTERSTOCK.COM, CBS/NINO MUNOZ, LUCY LIU AND HELGA ESTEB/SHUTTERSTOCK.COM

VIGGO MORTENSEN

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PHOTOS COURTESY OF ANDREAS BRANCH, JEFF MITCHUM GALLERIES, DENIS MAKARENKO/SHUTTERSTOCK.COM, ANDREA RAFFIN/SHUTTERSTOCK.COM AND 360B/SHUTTERSTOCK.COM

artistic claim to fame, Stallone was even painted by Andy Warhol.

YOKO ONO

John Lennon’s widow has long been famous for her music, filmmaking and experimental art. She has focused on creating the latter since the early 1960s, with concepts such as “Cut Piece” (1964), where she kneeled in front of an audience who cut off her clothing, and “Smoke Painting” (1961), a canvas that viewers were invited to burn. She is also associated with the Fluxus movement, a group of Dada-inspired artists.

PAUL MCCARTNEY

As a member of The Beatles, Paul McCartney is one of the most recognizable men in the world, but did you know he’s also an artist? The 74-year-old musician has been painting for nearly half his life since 1982, when—after watching artist Willem de Kooning work—he began to create pieces that are surrealism. He first exhibited in a Siegen, Germany gallery in 1999, before showing in Bristol and then debuting his 500 canvases in his hometown of Liverpool, England.

PHOTOS COURTESY OF ANDREAS BRANCH, JEFF MITCHUM GALLERIES, DENIS MAKARENKO/SHUTTERSTOCK.COM, ANDREA RAFFIN/SHUTTERSTOCK.COM AND 360B/SHUTTERSTOCK.COM

PHOTOS COURTESY OF

ANDREA RAFFIN/SHUTTERSTOCK.COM, CBS/NINO MUNOZ, LUCY LIU AND HELGA ESTEB/SHUTTERSTOCK.COM

simultaneously expressionist in nature and influenced by

ANTHONY HOPKINS

If you ask Anthony Hopkins the meaning of a particular painting or drawing, the answer might surprise you. “I don’t think there’s any meaning in it. I just paint. I discover as I go along and I don’t analyze; I just go for it.” And he has.

The Westworld star—most famous for playing Hannibal ‘the Cannibal’ Lecter in Silence of the Lambs— even opened his first permanent art exhibition at the Jeff Mitchum

“ALOHA NUI LOA” This acrylic painting by Sir Anthony Hopkins is now part of a permanent exhibition of his work at the Jeff Mitchum Galleries on the Las Vegas Strip.

His pieces retail for up to $80,000.

Galleries in Las Vegas. His dreamy, surrealistic Picasso-reminiscent paintings (he even played the artist onscreen in the 1996 drama, Surviving Picasso) include limited edition serigraphs and original acrylics on canvas.

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The BUZZ

PHOTOS COURTESY OF BFA FOR MOCA AND WESTON WELLS

ARTSY CHAIRS Lilly Tartikoff Karatz (left) and Maurice Marciano are both MOCA trustees and gala co-chairs.

MOCA Marvelous A preview of what’s in store for The Museum of Contemporary Art, Los Angeles’ 2017 gala

Guests lucky enough to score a ticket to The Museum of Contemporary Art, Los Angeles’ spring gala are in for a serious celebration. In fact, the April 29 fête is inspired by honoree Jeff Koons’ Celebration series—so it’s already prepped to be one heck of a party. Wandering into a tent adjacent to The Geffen Contemporary at MOCA will truly feel like you have entered Koons’ world: décor that is predominantly magenta (a hue found throughout his work) with additional design

On the scene atelements Coachella 2016 rendered

in reflective, mirrored surfaces akin to his iconic sculptures,

such as “Tulips” and “Balloon Dog.”

Guests check out art at last year’s gala

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Robin Thicke performs at the 2016 gala

Philippe Vergne, Amanda and Shepard Fairey

MOCA trustee and gala co-chair Maurice Marciano enthuses, “Jeff Koons is an artist who is constantly evolving and pushing the boundaries of art, creating works that are dynamic, energetic, and intricate in their process and execution.

He is an extreme perfectionist in the most ambitious way, and that allows him Lilly Tartikoff Karatz, Maurice Marciano Eva Chow

to imagine the work he makes.”

Attendance is expected to be at an all-time high this year considering that Koons is the guest of honor. As one of the most celebrated figures in modern art, his “Balloon Dog (Orange)” sculp-

PHOTOS COURTESY OF BFA FOR MOCA AND WESTON WELLS

ture’s sale for $58.4 million at Christie’s in 2013—the most expensive work sold by a living artist at an auction—is a testament to his popularity and his place in popular culture.

At the event, invited art and film world luminaries—ranging from Eli Broad, Larry Gagosian and Ed Ruscha to John Baledssari, Owen Wilson and Patricia Arquette—will gather for a cocktail reception and special viewing of the current MOCA exhibitions, Kenny Scharf and John Baldessari

Carl Andre: Sculpture as Place, 1958– 2010, Arthur Jafa’s Love Is The Message,

Luke and Owen Wilson

The Message Is Death, and selections from the permanent collections, SOFT WORK (2011–13) by Sterling Ruby and Inauguration Portfolio (2009) by Catherine Opie, enjoy live music and settle down to dinner by master chef Wolfgang Puck.

“MOCA’s gala is always a special and important celebration of art, artists, philanthropy and, at times, artists as phi-

Jeff Koons

lanthropists,” director Phillippe Vergne emphasizes. “This year, we honor an artist, an icon, in Jeff Koons, whose work has radically redefined how we perceive art, as well as our image- and objectsaturated world. Jeff has pushed all the limits, has taken high aesthetic risks, has challenged our taste and redefined it. His work literally and metaphorically reflects who we are and what we desire.”

GUEST OF HONOR This year’s guest of honor, Jeff Koons, was heavily praised by Tartikoff Karatz as the man who “redefined” sculpture for his generation, “all the while delighting us through work that relishes optimism and joy in flawless precision.”

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The SCENE

Quincy Jones and Petra Němcová

AUDI PRESENTS THE 25TH ANNUAL EJAF ACADEMY AWARDS DINNER

Russell Wilson and Ciara

Audi co-sponsored the Elton John AIDS Foundation’s (EJAF) viewing party on Sunday, February 26 at West Hollywood Park in Los Angeles.

The 2017 Audi R8 made a special white carpet appearance, while the 2017 Audi Q7 chauffeured celebrity guests including Sharon Stone, Laverne Cox, Jeffrey Tambor and Zachary Quinto. Attendees were then served by award-winning chef Gordon Ramsay, who catered the event for the fifth consecutive year, as they watched a live telecast of the 89th Academy Awards. Alexander Gilkes of Paddle8 conducted the evening’s highly anticipated live auction and DJ Johnny Dynell spun tunes for guests to dance the night away. Following dinner, Sir Elton joined St. Paul and the Broken Bones on stage to cap the evening’s festivities.

David Blaine and Jeffrey Tambor

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Elton John and Sting

Michelle Dockery

5/11/17 2:01 PM

PHOTOS COURTSY OF VINCE BUCCI

Adriana Lima

PHOTO COURTESY OF GETTY IMAGES FOR AUDI AND BVLGARI

Sharon Stone

The SCENE

Moby and Julie Mintz

AN EVENING OF ENVIRONMENTAL EXCELLENCE

James Marsden and Courteney Cox

The UCLA Institute of the Environment and Sustainability’s annual gala honored Paul G. Allen and Toyota on March 13 at the private home of Jeanne and Tony Pritzker in Beverly Hills. Courteney Cox, Christina Hendricks, Freida Pinto and Moby were all part of this year’s hosting committee, while James Marsden, Edei, Eiza Gonzalez, Angela Lindvall, Madelaine Petsch and Pollyanna Mcintosh also came out to support UCLA IoES. This year’s celebration, “Innovators for a Healthy Planet,” raised over $1M for the institute, which attracts the best environmental science students and scientists in the world. The star-studded gala included a special performance by Jackson Browne, followed

PHOTOS COURTSY OF VINCE BUCCI

PHOTO COURTESY OF GETTY IMAGES FOR AUDI AND BVLGARI

by a one-of-a-kind live auction.

Christina Hendricks and Freida Pinto

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Paul G. Allen and Jim Lentz

Jackson Browne

Sarah Jessica Parker, Reese Witherspoon and Nicole Kidman

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The SCENE

DJ Khaled

Dita Von Teese

HERMÈS DEBUTS DWNTWMEN IN L.A. Hermès headed to Downtown L.A. for a special event experience on March 9: to showcase the multifaceted DwntwnMen men’s collections for Spring/Summer 2017, from ready-to-wear to accessories. Véronique Nichanian, the artistic director of the men’s universe at Hermès, worked with graphic artist Anthony Cold War Kids

Burrill to imagine seven lively slogans—creating an environment

A model struts down the catwalk

that is, at once, sensorial and digital. After checking in with RFID (radio frequency identification) for personalized content, Katherine Ross and Michael Govan

guests were seated for the runway show that included local L.A. talent such as Roman Alonso, Philippe Vergne, Eli Viszolay, Arnaud Uyttenhove, Ari Taymor, Mark Lee and Kori Newkirk.

The event concluded with a performance by Cold War Kids in the garden, a DJ set, and food truck catering by Petit Trois and ANIMAL. The more than 1,500 attendees included Dita Von Teese; Katherine Ross; directors Brett Ratner and Alfonso Cuaron; artists Doug Aitken and Alec Monopoly; chefs Bobby Flay, Jon Shook and Vinny Dotolo; florist Eric Buterbaugh; producer Jerry Bruckheimer, LACMA museum director Michael

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Hermès artistic director Veronique Nichanian

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PHOTOS COURTESY OF ROCHELLE BRODIN FOR GETTY IMAGES

PHOTOS COURTESY OF BFA

Govan; singer Ryan Tedder; and fashion designer Shiva Rose.

Olivia Fox and Spencer ‘Mar’ Guilburt

Seth Semilof, Felicity Huffman and William H. Macy

HAUTE LIVING CELEBRATES FELICITY HUFFMAN Haute Living and Tanqueray came together on April 1 to honor Felicity Huffman, the talented, award-winning cover star of our March/April San Francisco issue. The American Crime actress’ friends and family, including daughters Georgia and Sofia and husband William H. Macy, joined publisher Seth Semilof and editor-in-chief Laura Schreffler at Osteria Mozza—a favorite post-awards show haunt of Huffman and Macy’s—at the intimate event.

William H. Macy

Felicity and Bill share a quick kiss PHOTOS COURTESY OF ROCHELLE BRODIN FOR GETTY IMAGES

PHOTOS COURTESY OF BFA

The SCENE

Crime By Design and Laura Schreffler

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The SCENE

Rande Gerber and Cindy Crawford

DJ Khaled

TAO GROUP’S L.A. OPENING PARTY Drawing some of Hollywood’s biggest names, TAO Group and real estate developers Richard Heyman and Grant King of Relevant Group celebrated the highly-anticipated TAO, Beauty & Essex, Avenue, and Luchini LA grand openings with an exclusive invite-only block party. Katie Holmes, Cindy Crawford, Orlando Bloom and Hailey Baldwin were among the Hollywood elite who came out to celebrate the premier restaurant and nightlife company’s Los Angeles Paris Hilton

debut. DJ Khaled took to the stage for a surprise set, while additional performers included NAS, Busta Rhymes and Anderson Paak, as well as DJs Ross One, DJ Cassidy, Chantel Jeffries, Chris Masterson and Devin Lucien.

Alec Monopoly and guest

The Menu

Anthony Anderson

PHOTOS COURTESY OF GETTY IMAGES FOR TAO GROUP

Katie Holmes

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Magnificent San Francisco Mansion

7 BD | 8 FULL BA | 3 HALF BA | $29,500,000

This prestigious Italianate style 17,000Âą sq. ft. mansion in the heart

wet bar, guess quarters with kitchen, expansive roof deck with

of San Francisco was completely renovated in 2007-2008 with

kitchen, five marble terraces, six cast bronze balconies, garden

exquisite architectural details including seven en-suite bedrooms,

with irrigation, gated driveway with parking plus three-car garage,

eight full baths, three half baths, seven significant fireplaces, formal

elevator to all floors, and a security system with cameras. Walking

living room with carved marble fireplace, reception hall leading to

distance to Union and Fillmore shopping streets. Impressive views

formal dining room fit for entertaining the Royal dinner guests,

of Golden Gate Bridge, Alcatraz, Palace of Fine Arts, Russian Hill,

grand foyer with marble floors and original marble staircase, a

Sausalito, Angel Island, Marin, and East Bay.

rare original Tiffany skylight, a library with wall-to-wall bookcases, fabulous state-of-the-art kitchen and pantry, spacious family room

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with fireplace, billiard table, gym, wine room, and a full service

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OLIVIA HSU DECKER_4_26.indd 99

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Grand Ross Estate

7 BD | 7.5 BA | 2.84± ACRES | $18,888,000

Reminiscent of a grand European estate, this 11,400± sq. ft.

floors, a formal living room with frescoed ceilings and a stone

residence features a main house with seven bedroom, seven

fireplace, an elegant dining room with carved crown moldings,

and one-half bath and a limestone one bedroom guest house.

an amazing 31,000 bottle wine cave, a home theatre built by

The 2.84± lush acres include an Italian style pool, exquisite Ron

Lucasfilm’s theater technicians offering the best acoustics

Herman-designed landscaping with organic vegetable gardens,

and sound equipment, ample storage including a potential as a

rose and lavender gardens, Japanese hydrangeas, English

library, a three-car garage, gym, and staff quarters. Full Crestron

gardens, and four bee hives producing honey. Located in one

automation, Lutron lighting, and state-of-the-art extensive AV

of the most prestigious enclaves in Ross, this extraordinary

and surveillance systems complete this world-class estate.

estate offers the highest quality craftsmanship including a double-height foyer with wrought iron doors and inlaid marble

For photos and details, please visit RossGrandEstate.com

Olivia Hsu Decker | SanFranciscoFineHomes.com | 415.435.1600 | Olivia@SanFranciscoFineHomes.com CalBRE# 00712080

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Dramatic Waterfront Home with Boat Dock & Beach House

5 BD | 5.5 BA | $5,995,000

This immaculate Corinthian Island waterfront home on San

kitchen/family room combo and butler’s pantry with ample

Francisco Bay features five bedrooms, five and one-half baths

storage, luxurious master bedroom, an office/library, a separate

with fabulous boat dock, boat lift, multiple view decks and a beach

guest room with private entry, a carport for four cars, a beach

house offering spectacular views of Belvedere Cove, San Fran-

house, boat dock, and a hillavator. The beach house has a high

cisco skyline, Alcatraz, Bay Bridge, San Francisco Yacht Club

ceiling, hardwood floors, full kitchen, fireplace, full bath, and a

harbor and Mt. Tamalpais. Sunny and protected location from

murphy bed. A spacious deck leads to the private dock with boat

wind and fog, and short walk to Downtown Tiburon, ferry, restau-

lift. This is a rare home for a yachting enthusiast!

rants and two world-class yacht clubs, this exquisitely renovated home includes a two-story high ceiling in the living room, sunny

For photos, video and details, visit BelvedereShores.com

Olivia Hsu Decker | SanFranciscoFineHomes.com | 415.435.1600 | Olivia@SanFranciscoFineHomes.com CalBRE# 00712080

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HauteAMBASSADOR

“

I love connecting, sharing and, well, being social—with friends and fans alike.

”

BUSINESS BACK TO

Why I’m busier than ever

Spring has been quite the whirlwind! My intense practice schedule

remarkable strides forward: we just announced a product expansion and

coupled with some new developments on the business front have made

a retail expansion! Not only are new product classifications like truffles

me even more excited and energized about the season ahead. I’m beyond

and flavored bars now available, but consumers can find Sugarpova

thrilled to be back on the court, interacting with my fans and continuing

at 7-Eleven and Kroger stores nationwide. I’ve worked so hard on this

to see my team’s business efforts moving the needle. But tennis is only

business over the years and am confident that this growth trajectory will

part of the reason that I’ve been so busy. Sugarpova continues to make

take our company to some great places.

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PHOTOS COURTESY OF JOE SCARNICI FOR EVIAN, VICTOR BOYKO FOR SUGARPOVA AND JOHN RUSSO FOR SUPERGOOP

BY MARIA SHARAPOVA

I’m beyond thrilled to be back on the “court, interacting with my fans and continuing to see my team’s business efforts moving the needle.

”

Another fun factor keeping me busy is the new app, Charly—a cool online marketplace platform available for iOS and Android (4.3 and up). For those who follow me on Instagram, Facebook and Twitter, you know that social media is a big part of my day-to-day. I love connecting, sharing and, well, being social—with friends and fans alike. So when I was approached with the chance to invest in a new platform where social media meets the shared economy, I was sold.

Headquartered in Toronto, Charly is the first on-demand social marketplace platform of its kind that gives users direct one-on-one access to experts and influencers (like yours truly!) via live video, voice notes and direct messages.

Connecting with fans and consumers is important to me and I’m grateful for the various opportunities I continue to have both on and off-court to laugh with, talk to and inspire

PHOTOS COURTESY OF JOE SCARNICI FOR EVIAN, VICTOR BOYKO FOR SUGARPOVA AND JOHN RUSSO FOR SUPERGOOP

those who have been so very supportive of me over the years.

MARIA’S WORLD (Clockwise from above): My Charly profile; welcoming fellow tennis great Madison Keys to the Evian family as the brand’s new Live Young global ambassador in L.A.; promoting my sweets company, Sugarpova.

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HAUTE BEAUTY NETWORK

SPECIALTIES: BREAST AND BODY Augmentation, Enhancement, Reduction, Revision Surgery

DR. GABRIEL CHIU 310-888-8087 INFO@BHPSINC.COM WWW.BEVERLYHILLSPLASTICSURGERYINC.COM

Dr. Gabriel Chiu, a board certified plastic and reconstructive surgeon who specializes in the art of aesthetic plastic surgery, is the founder and CEO of Beverly Hills Plastic Surgery, Inc., one of the world’s largest and most renowned plastic and cosmetic surgery institutes servicing more than 20,000 patients worldwide. Though delivering exception results in all facets of plastic and cosmetic surgery, Dr. Chiu is most well known for flawless body contouring, breast augmentation, and facial procedures.

SPECIALTY: SKIN Thermage, Skin Tightening, Varicose & Spider Veins, Tattoo Removal, Laser Hair Removal, Scar Treatments, MOHS, Botox, Fillers

DR. ZEIN OBAGI 310-275-3030 WWW.OBAGISKIN.COM

Zein Obagi, MD, specializes in skin health restoration and rejuvenation, the science that he invented in the 1980s. His expertise includes chemical peels, dermal fillers, neurotoxins and aesthetic laser surgery. He developed physician-dispensed skincare products, first Obagi Nu-Derm® and most recently, ZO® Skin Health and ZO® Medical products, which feature new ingredients and more effective formulations for treating acne, skin aging, sun damage and hyper-pigmentation.

SPECIALTY: SMILE

SPECIALTY: SMILE

Cosmetic Dentistry, Whitening, Implants, Lumineers, Veneers, Laser Gum Lift, Smile Design

Cosmetic Dentistry, Whitening, Implants, Lumineers, Veneers, Laser Gum Lift, Smile Design

DR. ARTHUR GLOSMAN

DR. DANIEL NAYSAN

(310) 273-2215 ANI@ARTHURGLOSMANDDS.COM WWW.ARTHURGLOSMANDDS.COM

(310) 601-8225 DRNAYSAN@BHDENTISTS.COM WWW.BHDENTISTS.COM

Dr. Glosman’s Dentofacial approach to dentistry marries the form and function of the face to the shape, size, and color of the teeth. He can combine any of our myriad services such as porcelain veneers, dental implants, and dental inlays-onlays into one package to fit the needs of any patient. Additionally, he provides standard services such as crowns, bridges, and general dentistry.

Dr. Daniel Naysan is a talented D.D.S. who earned his Bachelor of Science degree in gerontology from USC. He has an advanced certification for the invisalign system, and offers some of the best options for veneers at his Beverly Hills Dental Office. Dr. Naysan takes pride in creating beautiful lasting smiles, offering the best and most cutting edge in dental services and cosmetic dentistry.

Haute beauty LA.indd 89

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THE WORLD’S BEST LUXURY REAL ESTATE NETWORK VIEW EXPANDED AGENT/BROKER PARTNER PROFILES AS WELL AS THOUSANDS OF LUXURY PROPERTY LISTINGS ONLINE AT HAUTERESIDENCE.COM Haute Residence Real Estate Network boasts the most prominent global directory of top agents and brokers. Designed as a partnership-driven luxury real estate portal, HauteResidence.com connects its affluent readers with the real estate professionals they need, offering the latest in real estate news, showcasing the world’s most extraordinary residences on the market, and sharing expert advice from its real estate partners.

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HAUTERESIDENCE.COM • REAL STATE NETWORK WEST COAST NORTHERN CALIFORNIA SEA CLIFF PRESIDIO HEIGHTS IN SAN FRANCISCO BEVERLY BARNETT

Pacific Union & Christie’s International Real Estate Business phone: (415) 345-3137 Cell: (415) 302-9052 Beverly@beverlybarnett.com beverlybarnett.com

NORTHERN CALIFORNIA

Decker Bullock Sotheby’s International Realty 415.300.6881 ChelseaInMarin@gmail.com chelseainmarin.com

SAUSALITO/MILL VALLEY CHELSEA E. IALEGGIO NORTHERN CALIFORNIA PEBBLE BEACH LESLEY PENETAR

Carmel Realty Company (831) 622-1000 info@carmelrealtycompany.com carmelrealtycompany.com Villa Real Estate Steve: (949) 874-4724 shigh@villarealestate.com Evan: (949) 285-1055 ecorkett@villarealestate.com HighCorkett.com

NORTH BEACH ,CA LOS ANGELES STEVE HIGH AND LESLIE CORKETT SOUTHERN CALIFORNIA MONTECITO RANDY SOLAKIAN

Montecito Estates 805-886-6000 Randy@MontecitoEstates.com MontecitoEstates.com

SOUTHERN CALIFORNIA BEL AIR JEFF HYLAND SOUTHERN CALIFORNIA HOLMBY HILLS/LOS ANGELES LINDA MAY

Hilton & Hyland 310.278.3311 jeff@hiltonhyland.com hiltonhyland.com

Hilton & Hyland 310.492.0735 linda@lindamay.com lindamay.com

SOUTHERN CALIFORNIA PALOS VERDES PENINSULA LILY LIANG

SOUTHERN CALIFORNIA MANHATTAN BEACH CINDY SHEARIN SOUTHERN CALIFORNIA PASADENA/LA CANADA FLINTRIDGE SUSAN AND BRADLEY MOHR SOUTHERN CALIFORNIA PACIFIC PALISADES MERCER VINE

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NORTHERN CALIFORNIA SAN FRANCISCO BAY AREA OLIVIA DECKER NORTHERN CALIFORNIA WOODSIDE CHRIS IVERSON NORTHERN CALIFORNIA ST. HELENA/YOUNTVILLE/ CALISTOGA, CA SUZY PRATT ANDERSON SANTA YNEZ, CA SANTA YNEZ, CALIFORNIA CAREY KENDALL

SOUTHERN CALIFORNIA BEVERLY HILLS JOYCE REY

MARY ANN OSBORN

SOUTHERN CALIFORNIA SANTA MONICA CINDY AMBUEHL

Strand Hill Properties, Christie’s International Real Estate 310.373.3333 lily@lilyliang.com lilyliang.com The Shearin Group 310-200-8318 Cindy@theshearingroup.com cindy.shearin.com Partners Trust Brokerage Bradley’s Phone number: 626.945.8683 Bradley.mohr@thepartnerstrust.com Susan’s Phone number: 626.945.8684 Susan.mohr@thepartnerstrust.com mohr4re.com

Mercer Vine 818-650-5327 info@mercervine.com mercervine.com

DANIEL DERVARTANIAN NORTHERN CALIFORNIA

RACHEL SWANN NORTHERN CALIFORNIA

(310) 871-0753 mosborn@nextcenturyrealty.com newcenturyplaza.com The Agency 424.321.4947 Cell: 310.573.7063 Cambuehl@theagencyre.com cindyambuehl.luxury

Alain Pinel Realtors 408-500-9952 ldefilippo@apr.com lauradefilippo.com

LOS GATOS/ MONTE SERENO/ SARATOGA LAURA DEFILIPPO

Village Properties – Santa Ynez Office 805-689-6262 carey@villagesite.com villagesite.com

310.285.7529 joyce@joycerey.com joycerey.com

Vanguard Properties The Swann Group 415.225.7743 Rachel@TheSwannGroupSF.com theswanngroupsf.com

NOB HILL/RUSSIAN HILL NOE VALLEY

COLDWELL BANKER BROKERS OF THE VALLEY 707-494-0333 Suzy@SuzyAnderson.com SuzyAnderson.com

Coldwell Banker Previews International

Sotheby’s International Realty (415) 200-7744 daniel@danieldv.com danieldervartanian.com

PACIFIC HEIGHTS/LOWER PACIFIC HEIGHTS, SAN FRANCISCO

Dreyfus Sotheby’s International Realty (650) 450-0450 chris.iverson@sothebysrealty.com movingtowoodside.com

SOUTHERN CALIFORNIA CENTURY CITY

NORTHERN CALIFORNIA

Decker Bullock Sotheby’s International Realty 415.435.1600 olivia@sanfranciscofinehomes.com sanfranciscofinehomes.com

SOUTHERN CALIFORNIA BRENTWOOD, LOS ANGELES MARY BETH WOODS SOUTHERN CALIFORNIA BEVERLY HILLS POST OFFICE AARON KIRMAN SOUTHERN CALIFORNIA LOS ANGELES MYRA NOURMAND SOUTHERN CALIFORNIA THOUSAND OAKS / WESTLAKE VILLAGE NICOLE VAN PARYS & GARY NESEN

SOUTHERN CALIFORNIA PALM SPRINGS/ RANCHO MIRAGE/ PALM DESERT/ INDIAN WELLS/ LA QUINTA

Coldwell Banker 310-463-1599 mwoods@marybethwoods.com marybethwoods.com

John Aaroe Group Beverly Hills President of Aaroe Estates (310) 995-9512 Aaron@AaronKirman.com www.AaronKirman.com Nourmand and Associates, Beverly Hills 310.888.3333 myranourmand@nourmand.com myranourmand.com Engel & Völkers Westlake Village (818) 889-1602 nicole.vanparys@evusa.com gary.nesen@evusa.com nicolevanparys.evusa.com garynesen.evusa.com

Bennion Deville Homes 760-898-0274 bill@wldesertliving.com wldesertliving.com

WILLIAM LANDESMAN SOUTHERN CALIFORNIA CORONA DEL MAR TIMOTHY NORMAN TAMURA SOUTHERN CALIFORNIA LA JOLLA MAXINE & MARTI GELLENS

SOUTHERN CALIFORNIA RANCHO SANTA FE DELORINE JACKSON

VALIA Properties (949) 673 0789 tim@valiaoc.com valiaoc.com Berkshire Hathaway HomeServices California Properties 858-551-6630 maxine@gellens.com marti@gellens.com thegellens.com

Berkshire Hathaway Home Services California Properties 858.822.9694 Delorine@Delorinejackson.com delorinejackson.com

10/05/17 14:25

HAUTERESIDENCE.COM • REAL STATE NETWORK WEST COAST SOUTHERN CALIFORNIA

SOUTHERN CALIFORNIA

Engel & Volkers (213) 364-9815 sandra.miller@evusa.com sandramiller.evusa.com

VENICE SANDRA MILLER

WEST HOLLYWOOD SAM REAL

HAWAII THE BIG ISLAND

ROBERT KILDOW

Hualalai Realty 808-325-8500 rkildow@hualalairesort.com hualalairealty.com

SOUTHERN CALIFORNIA

Nest Seekers International 310.278.8861x2072 info.samreal@gmail.com samrealgroup.com

ENCINO/TARZANA DENNIS CHERNOV

HAWAII MAUI

NANCY J. CALLAHAN

WASHINGTON

The Wailea Group 808-870-2001 nancy@makenasales.com

Chernov Team (818) 355-2461 dennis@chernovteam.com chernovteam.com

Realogics Sotheby’s International Realty 206.660.4787 moira@moirapresents.com moirapresents.com

SEATTLE MOIRA E. HOLLEY

CENTRAL REGION L A K E TA H O E

Lake Tahoe Luxury Estates 530.582.0722 twatson@chaseinternational.com trinkiewatson.com

CALIFORNIA/NEVADA TRINKIE WATSON

COLORADO MOUTAIN VILLAGE MATTHEW R. HINTERMEISTER

COLORADO MALIA COX NOBREGA AND BARBARA SCRIVENS

TEXAS TROY GEORGE AND LUCY NOONAN

PARK CITY

PAUL BENSON

TEXAS

MONTANA KELLY LAABS

Martha Turner Sotheby’s International Realty (713) 558-3232 walter.bering@sothebyshomes.com walterbering.com

HOUSTON

WALTER BERING

TEXAS

Keller Williams Plano 972.599.7000 Mike@MikeBrodie.com mikebrodie.com

DALLAS

MIKE BRODIE

Benson Sotheby’s International Realty 970-349-6653 kiley.flint@sir.com kileyflint.com

CRESTED BUTTE

KILEY FLINT

CENTRAL REGION WHITEFISH

LIV | Sotheby’s International Realty 970.333.0116 Knott@SothebysRealty.com ResideInSummit.com

COLORADO

Engel & Völkers 435-640-7441 paul.benson@evusa.com evusa.com

UTAH

DOUGLAS D. KERBS

BRECKENRIDGE/ SUMMIT COUNTY JUSTIN & KRYSTAL KNOTT

The George & Noonan Real Estate Group Office Phone number: (817) 410-8769 Troy Phone number: (817) 308-4170 troy@troygeorge.com Lucy Phone number: (817) 913-3611 lucy@lucynoonan.com georgeandnoonan.com

FORT WORTH

LIV | Sotheby’s International Realty 303.898.7818 dkerbs@livsothebysrealty.com douglaskerbs.com

DENVER

COLORADO

Telluride Sotheby’s International Realty (970) 729-1200 telluridebroker@aol.com SellingTelluride.com

LIV Sotheby’s International Realty (970) 748-5150 malia.nobrega@sothebysrealty.com vailluxurybroker.com

VAIL/ VAIL VALLEY

COLORADO

SOUTHERN EAST COAST FLORIDA

Glacier Sotheby’s International Realty 406-890-5451 klaabs@glaciersir.com kellylaabs.com

NAPLES

EMILY K. BUA & TADE BUA-BELL

John R Wood Properties 239-659-6115, 239-595-0097 buabellgroup@JohnRWood.com buabellsellsnaples.com

SOUTHERN EAST COAST F LO R I DA CORAL GABLES BARBARA ESTELA

FLORIDA KEY WEST BRENDA DONNELLY

WEST COAST OF FLORIDA LONGBOAT KEY AND SIESTA KEY

DANIEL MATUSIAK

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Douglas Elliman Real Estate (786) 239-4227 barbara.estela@elliman.com barbaraestela.com

KNIGHT & GARDNER REALTY (305) 304-1116 brenda@keysrealestate.com www.islandhomeskeywest.com Action Realty of Sarasota 941.504.7618 Danielmatusiak1@gmail.com actionrealtyofsarasota.com

F LO R I DA LONGBOAT KEY VENICE RINAT SIKDAR

FLORIDA GOLDEN BEACH

ALEXANDER GOLDSTEIN

FLORIDA MIAMI BEACH, SOUTH OF 5TH

JEFF MILLER

Michael Saunders and Company (941) 993-9292 rinatsikdar@michaelsaunders.com SiestaKeyEstates.com

Miles Goldstein (305) 336-6959 ag@milesgoldstein.com MilesGoldstein.com

Brown Harris Stevens | Zilbert 305-610-4509 jeff.miller@bhsusa.com bhsusa.com

10/05/17 14:25

HAUTERESIDENCE.COM • REAL STATE NETWORK SOUTHERN EAST COAST F LO R I DA

FLORIDA

Great Properties International 305.710.9664 brigitte@bnachtigall.com bnachtigallproperties.com

KEY BISCAYNE BRIGITTE NACHTIGALL

FLORIDA

TAMPA

JENNIFER ZALES

FLORIDA

Dale Sorensen Real Estate, Inc. 772.532.0010 MSorensen@SorensenRealEstate.com matildesorensen.com

VERO BEACH

MATILDE SORENSEN

LO U I S I A N A

DORIAN M. BENNETT

IVONN GOIHMAN

ATLANTA DEBRA JOHNSTON

NORTHERN EAST COAST

Worth Properties, LLC. Business phone: 615-250-7880 Cell: 615-300-1025 Amy@amyjacksonsmith.com amyjacksonsmith.com

TENNESSEE

AMY JACKSON SMITH

Berkshire Hathaway HomeServices Georgia Properties (404)-312-1959 debra.johnston@bhhsgeorgia.com www.debraajohnston.com

G EO R G I A

SOUTHERN EAST COAST NASHVILLE

The Goihman Group of Douglas Elliman (305) 812-5093 ivonn.goihman@elliman.com www.GoihmanGroup.com

BAL HARBOUR/AVENTURA

Dorian Bennett Sotheby’s International Realty 504.944.3605 cell phone: 504.236.7688 dorian@dbsir.com dbsir.com

NEW ORLEANS

Coldwell Banker Previews International (813) 758-3443 jennifer@jenniferzales.com TampaBayLuxuryHomes.com

Compass 347-821-6220 alyssa.brody@compass.com compass.com/agents/nyc/ alyssa-brody

NEW YORK CHELSEA

ALYSSA SOTO BRODY

NORTHERN EAST COAST N E W YO R K

The Alexander Team at Douglas Elliman Real Estate (305) 610-4559 (Oren) (917) 334-5501 (Tal) oalexander@elliman.com talexander@elliman.com thealexanderteam.elliman.com

N E W YO R K SOHO OREN ALEXANDER & TAL ALEXANDER

N E W YO R K

LAURIE GILMORE

MARIA VELAZQUEZ

NEW JERSEY

TRIBECA ERICA MILLER & ARIANA MEYERSON ILLINOIS

Coldwell Banker Residential Brokerage 908-301-2038 Frankisoldi@gmail.com theisoldicollection.com

WESTFIELD

FRANK D. ISOLDI

NEW HAMPSHIRE

MICHAEL TRAVIS

MASSACHUSSETTS

JOANNE NEMEROVSKI

CO N N EC T I C U T

OTIS & AHEARN

BARBARA BROCK ZACCAGNINI

M A S S AC H U S E T T S

SANTA FE/TAOS DARLENE STREIT

Benoit Mizner Simon 617.939.6309 tracishulkin@gmail. comTraciShulkin.com

WELLESLEY TRACI SHULKIN

WEST N E W M E X I CO

Coldwell Banker Residential Brokerage 203.249.1454 barbara.zaccagnini@cbmoves.com 4homesbybarbara.com

GREENWICH

Otis & Ahearn Real Estate 888-249-7041 natasha.mahan@otisahearn.com otisahearn.com

BOSTON & BROOKLINE

Berkshire Hathaway HomeServices (312) 720–4505 JoanneSellsChicago@gmail.com joannesellschicago.com

CHICAGO

Bean Group Platinum Collection 603-303-2599 Michael@WaterfrontAgent.com WaterfrontAgent.com

LAKE WINNIPESAUKEE

Cantor Pecorella Erica Miller: (609) 828-9346 ericam@cantorpecorella.com Ariana Meyerson: (917) 439-5157 arianam@cantorpecorella.com cantorpecorella.com

N E W YO R K

Douglas Elliman (917) 769-2065 mvelazquez@elliman.com

FINANCIAL DISTRICT

Town Residential 646.790.5031 lgilmore@Townresidential.com townrealestate.com

GREENWICH VILLAGE/ WEST VILLAGE

INTERNATIONAL

Sotheby’s International Realty (505) 920-8819 dstreit@dstreit.com darlenestreit.com

CANADA

TORONTO, ONTARIO ELISE KALLES

Harvey Kalles Real Estate 416-441-2888 ekalles@trebnet.com elisekalles.com

INTERNATIONAL PUERTO VALLARTA / BANDERAS BAY / SAN PANCHO / SAYULITA, MEXICO

SILVIA ELIAS

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PV REALTY (52) 322 2224288 silvia@pvre.com www.pvre.com

TURKS AND CAICOS

IAN HURDLE

Regency Ltd 649-431-2618 ian@trail.tc tcrea.com

10/05/17 14:25

The LuxuryBEAT

BY ROSALIA CONNOLLY

ALL THAT GLITTERS Caroline Scheufele discusses what’s in store for Chopard as the brand celebrates its 20th anniversary sponsorship of the Cannes Film Festival This year marks a big milestone for Chopard: on May 17, the Swiss timepiece and jewelry brand will be the primary sponsor of the storied, ultra-glamorous Cannes Film Festival for the 20th consecutive time.

Here, co-president Caroline Scheufele reveals some upcoming surprises, dishes on the special pieces Chopard has created to celebrate the occasion, and shares her favorite places to eat, drink and be merry on the French Riviera.

This is the 20th anniversary of Chopard sponsoring the Cannes Film Festival. What surprises can we expect?

I am thinking of redesigning a special Palme d’Or for this anniversary.

Everything started with the Palme d’Or and it’s a nice way to celebrate this long and beautiful partnership.

How has your relationship with the festival evolved?

It has been amazing. We first started working with [Cannes] in 1997, and I redesigned the most coveted prize of the festival—the Palme d’Or. Also, in 2000, I designed two ‘mini Palmes’ for Best Actor and Actress. In 2014,

What are your top five favorite spots in Cannes?

The Chopard roof top at the Martinez, of course! Otherwise, I like eating a

we crafted a Fairmined gold version of the Palme. We have increased our

splendid bouillabaisse at TETOU, dancing and having a Bellini at Albane

involvement over the years. Nowadays, Chopard is strongly associated

and love celebrating unique moments at the restaurant La Palme d’Or. If

with the Cannes Film Festival, and what [would it be] without all the

I have the chance, I love spending a relaxing moment on a yacht, but it’s

splendid high jewelry pieces worn by the most famous stars on the red

rarely possible.

carpet?

What is Chopard’s relationship with the film industry?

One of the biggest changes over the last 20 years is Chopard becoming

Our love affair with cinema really began with our work with the Cannes

both a major haute joaillerie house, as well as an haute horlogerie maison.

Film Festival in 1997. Since then, we’ve gone on to design pieces for films

Haute joaillerie didn’t come into the picture until the ’90s, but we are now

like Nine and Diana, partnered with renowned film festivals and aided in

acknowledged for our splendid creations every year, as well as our ultimate

the renovation of Cinecittà Studios in Italy.

craftsmanship. On top of that, we have paved the way for sustainable

What products will you be launching to celebrate this milestone?

luxury, incorporating Fairmined gold in our designs. [Last year] was also the 20th anniversary of the Chopard Manufacture in Fleurier, where we

Every year, Chopard craftsmen are making stars sparkle on the red carpet

produced our signature men’s watches from the L.U.C collection, entirely

and this year will be even more amazing, I promise! This is the 70th

made in-house.

Cannes Film Festival—we will, therefore, produce 70 unique pieces that will be illustrated in [our] Red Carpet Collection.

Which three celebrities best embody the Chopard brand and why?

How would you describe the brand and its place in the luxury world?

We are both an haute joaillerie and an haute horlogerie house that has an almost 160-year history. While we honor our history of craftsmanship,

That’s a really difficult choice. I would say Marion Cotillard, Julianne

we also take an innovative approach to luxury. One example of this is

Moore and Léa Seydoux. Gentlemen like Colin Firth or John Boyega

our work with Fairmined gold. We are the first to launch jewelry and

also select our L.U.C timepieces to wear on the red carpet. They are

timepieces set in sustainably sourced gold. We recently were also the first

some of the best artists working in the world of cinema, and they all

to launch a minute repeater, the L.U.C Full Strike watch, with monobloc

possess an effortless elegance.

sapphire gongs.

PHOTOS COURTESY OF CHOPARD

RED CARPET READY Chopard’s 2017 Red Carpet Collection will debut at the 70th Cannes Film Festival and includes (top) this 18k white gold and titanium cuff featuring arabesque motifs set with amethysts, rubellites, blue and purple sapphires and lazulites and (bottom) 18k white gold earrings set with tsavorites, blue topazes, and pink and yellow sapphires. Prices prices upon request.

How has your brand evolved in the last 20 years?

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B E V E R LY H I L L S • L A S V E G A S • M I A M I • TO K YO

FINE DIAMOND & BESPOKE JEWELRY

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