The International Fine Art And Antique Dealers Show 2013

2013

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Thursday October 24:

5.30pm to 9.00pm

Friday October 25:

11.00am to 7.30pm

Saturday October 26:

11.00am to 7.30pm

Sunday October 27:

11.00am to 6.00pm

Monday October 28:

11.00am to 7.30pm

Tuesday October 29:

11.00am to 7.30pm

Wednesday October 30:

11.00am to 7.30pm

Thursday October 31:

11.00am to 6.00pm

The Park Avenue Armory Park Avenue at 67th Street New York, NY 10065

Friday October 25 through Thursday October 31, 2013 Preview Party benefiting The Society of Memorial Sloan-Kettering Cancer Center Thursday October 24, 2013

Organised By:-

The International Fine Art And Antique Dealers Show Directors: Brian and Anna Haughton 15 Duke Street St James’s London SW1Y 6DB Telephone (London): 44 (0)20 7389 6555

(New York): 1 212 642 8572 Fax (London): 44 (0)20 7389 6556 www.haughton.com email: info@haughton.com SHOW OFFICE Telephone (New York): 1 646 619 6030 (October 23-31) While The International Fine Art and Antique Dealers Show Ltd, the organisers, the advisory and honorary vetting committees of The International Fine Art and Antique Dealers Show cannot be held responsible for, or warrant, the genuineness or age of any article exhibited, visitors are requested to note that all articles have been submitted for inspection by a panel of advisors to ensure, as far as possible, that they conform to the regulations laid down, and that all articles are genuinely of the period they represent. The organisers and/or their agents cannot be held responsible for any items sold at the Show.

This is the sole responsibility of the dealer/dealers selling the object/ objects. Please also note that because of the early printing datelines for the catalogue, all illustrations were printed before vetting took place.

Visitors are reminded that all exhibits are for sale.

Acknowledgements:We would like to express our gratitude to the following for their help:The Park Avenue Armory John Hamilton of Select Inc.; Citadel Security Agency; Our staff: Paul Crane, Magda Grigorian (US Press Officer), Emma Jane Haughton, Giles Haughton, Mary Jones, Anthea Roberts, Richard Webster, Anne Winton Catalogue Advertising: Helena Power Handbook design: Creative Wisdom Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Š The International Fine Art and Antique Dealers Show Ltd, 2013

Contents

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Organisers’ Welcome

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The Vetting of a Fine Art and Antiques Fair

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The National Antique and Art Dealers Association of America, Inc.

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Memorial Sloan-Kettering Cancer Center

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The 25th Anniversary of The International Fine Art & Antique Dealers Show

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Directory of Exhibitors

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Exhibitor Pages

105

Advertisers

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Index

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Floor Plan to the Show

By Wendy Moonan

Organisers’ Welcome We are delighted to welcome you to the 25th International Fine Art & Antique Dealers Show.

This is an exciting year for “The International Show.” We are enormously grateful to the City of New York for embracing The International Show over the last 25 years. It has been such a privilege to work here and have the support of the cultural community in this great city. All our exhibitors and every person who works on the Show are responsible for its continued success and we celebrate them all during this exciting milestone year.

Considered the top international fair in America, The International Fine Art & Antique Dealers Show attracts a superlative roster of exhibitors, drawn from among the most prestigious and knowledgeable art and antique dealers in the United States and Europe.

Over the last 25 years, The International Fine Art & Antique Dealers Show has evolved into more than just a marketplace for high-end art and antiques. The show today is now an important part of the cultural, social and philanthropic landscape of New York and remains one of the world’s most prestigious and iconic art and antique events. We are delighted that it provides a valuable international meeting ground for a global community of collectors, museum curators, dealers and interior designers.

One of the most gratifying aspects of the fair is its role as an important fundraising platform for The Society of Memorial Sloan-Kettering Cancer Center, raising close to $25 million for the Hospital over the last 25 years. The monies raised for Sloan-Kettering have been crucial to the Hospital with 100% of the profits going to The Society’s patient care, research and education programs at MSKCC. For the public and the art world alike, it has come to serve as an essential forum; an exciting blend of culture and commerce through which we hope to energize future generations of collectors and art lovers.

In 1989, The “International Show” introduced the European concept of “vetting” in America and also helped to establish New York as part of a larger international fair circuit. Every object exhibited at the Fair is rigorously examined and vetted for quality and authenticity by our honorary vetting committee so collectors can be assured they can buy with absolute confidence. The vetting committees are made up of museum curators and other distinguished specialists in their respective fields. We are extremely grateful to the committee members for giving so freely of their knowledge, expertise and time and in particular our Honorary Vetting Committee Chairman, Edward Munves.

Brian and Anna Haughton Directors: The International Fine Art and Antique Dealers Show Ltd

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The Vetting of a Fine Art and Antiques Fair What it is and why?

It has long been standard practice at all major, international fine art and antique fairs, for all exhibits to be examined before the opening of the fair by panels of advisers, to ensure that they are accurately described and of a quality to justify their exhibition at a prestige event.

There are separate Honorary Vetting Committees for each category, such as furniture, clocks, silver, paintings, sculpture etc., and their membership is drawn from leading authorities in the field and includes many museum curators.

There are two main reasons for vetting.

Firstly, to reassure the public that everything submitted to the Honorary Vetting Committees conforms to the regulations laid down and that, as far as possible, all items are authentic and of the period stated. As potential purchasers may not have sufficient expertise themselves in a particular subject or category, this assurance of authenticity will we hope give them the confidence to buy.

Secondly, vetting guarantees to all the exhibitors and to the public that standards are being maintained at a high level. It is crucial to the commercial and academic success of such an event that its reputation for only having the best in all categories is never compromised. The integrity of the fair and the reputation of the exhibitors are therefore assured.

Our thanks to all the members of the Honorary Vetting Committees for their help and co-operation.

Honorary Vetting Committee Chairman Edward Munves

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The National Art & Antique Dealers Association of America Inc. 220 East 57th Street, New York, NY 10022, USA Telephone 1 212 826 9707 Fax 1 212 832 9493 www.naada.org

The National Art & Antique Dealers Association of America (NAADAA) is a non-profit trade organization of the leading dealers in the United States, with specialists in virtually all the major collecting areas. Since our founding in 1954, the membership, which is by invitation, has mutually pledged to adhere to the highest standards of honorable and ethical business practice. All are recognized experts in their fields.

NAADAA is a member of CINOA (La Confédération Internationale des Négociants en Oeuvres d’Art), an international confederation comprised of thirty-two leading associations of art and antiques dealers, from twenty-two nations.

NAADAA has enjoyed a close association with the International Fine Art and Antique Dealers Show, collaborating with Brian and Anna Haughton at the show’s inception in 1989. Members not only exhibit, but also lend their specialized expertise as vetters. This, New York’s first vetted show, revolutionized antiques fairs in America. It is considered to be among the greatest of fairs, here or abroad, and this year continues the tradition of showing world class art and antiques to collectors from all over the country and the world in vital, vibrant New York City. The show is always a highlight of the fall season here.

NAADAA welcomes you to this wonderful show, and invites you to visit our member shops and galleries, easily identified by the red NAADAA logo. There you will find complimentary copies of our membership directory, or visit www.naadaa. org. We look forward to meeting you.

James McConnaughy President

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Dear Friends: We are so pleased to celebrate 25 years of the Preview Party for The International Fine Art and Antique Dealers Show.

This event benefits the patient care, research and education initiatives of The Society of Memorial Sloan-Kettering Cancer Center. We are honored to host this prestigious fund-raising event, set against the backdrop of extraordinary art and antiques.

We are most grateful to Anna and Brian Haughton for our twenty-five year partnership in presenting this event. Their gracious generosity for so many years has helped us raise over 20 million dollars for The Society’s cancer initiatives.

Now in its 67th year, The Society is a volunteer organization dedicated to providing comfort and care to our patients and their families who come to the Center from all over the world to receive the very best treatment for cancer.

We are proud to support leading edge research that puts Memorial Sloan-Kettering at the forefront in the fight against cancer, and value our role in education initiatives around prevention and treatment of the disease.

We extend our thanks to this year’s sponsors of the Preview Party: Traditional Home, Leviev Extraordinary Diamonds and Max Mara. We also thank Bloomberg and Glorious Food for their in-kind donations.

With your support, The Society will continue to promote hope and play a vital role in enabling Memorial Sloan-Kettering to achieve its mission of providing the best cancer care anywhere to its patients.

Thank you, Martha Vietor Glass President

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The Society of Memorial Sloan-Kettering Cancer Center Administrative Board 2013-2014 President Martha Vietor Glass

Treasurer Debra Pipines

Secretary Mrs. Thomas M. Fitzgerald III

Vice Presidents Mrs. Thomas S. Glover Robyn Lane Joseph Lavinia Branca Snyder

Assistant Treasurer Victoria Greenleaf Kempner

Assistant Secretary Leslie Heaney

Members-At-Large Muffie Potter Aston Mrs. James Halsey Bell Mrs. Alan J. Blinken Tory Burch Mrs. Bryan J. Carey Mrs. Michael Carr Mrs. Kevin C. Coleman Mrs. Michael J.A. Darling Mrs. Marvin H. Davidson Mrs. Hilary Dick Webb Egerton Mrs. Christopher Errico Ruth G. Fleischmann Mrs. Lars Forsberg Mrs. Christopher P. Fuller Mrs. Robert M. Gardiner Mrs. Mark V. Giordano Eugenie Niven Goodman Mrs. Peter S. Gregory Mrs. Roger P. Griswold, Jr. Alexia Hamm Ryan Grace W. Harvey Melanie Holland Mrs. Scott C. Johnston Mrs. Michael Kennedy Suzie Kovner Kamie Lightburn Mrs. Roman Martinez IV Mrs. S. Christopher Meigher III

Mrs. Richard A. Miller Mrs. George K. Moss Nancy Coffey Nagler Mrs. Gunnar S Overstrom, III Mrs. Richard T. Perkin Mrs. Samuel F. Pryor IV Mrs. Bambi Putnam Shafi Roepers Mrs. Louis Rose Mrs. Paul C. Schorr IV Mrs. Stephen C. Sherrill Mrs. Sean Smith Mrs. Paul Soros Amanda Anne Cox Taylor Mrs. Andrew S. Thomas Barbara Dana Tollis Mrs. Jerome L. Villalba Victoria Vought Naomi Waletzky Alexis Robinson Waller Mrs. Douglas A. Warner III Mrs. Martha Webster Mrs. Thomas E. Zacharias

Sustaining Board Courtney Arnot Mrs. Andres Bausili Mrs. Andrew Blum Mrs. W. Ward Carey Dianne G. Crary

Mrs. James F. Curtis III Mrs. James H. Dean Deborah A. DeCotis Antonia Paepcke DuBrul Mrs. Thomas J. Fahey, Jr. Mrs. Roberto de Guardiola Mr. Kirk Henckels Mrs. Peter K. Hills Mrs. John S. Hilson Mrs. Ann F. Jeffery Mrs. Brian A. McCarthy Suzanne McDonnell Long Mrs. Minot K. Milliken Mrs. Charles H. Mott Mrs. Benjamin M. Rosen Evelyn Angevine Silla Mrs. Richard J. Sterne Leith Rutherfurd Talamo Mrs. Michael L. Tarnopol Advisory Council Mrs. Rand V. Araskog Mrs. Charles A. Dana, Jr. Mrs. Richard S. LeFrak Mrs. Donald B. Marron Mrs. Milton Petrie Linda Gosden Robinson Mrs. H. Virgil Sherrill

Past President Mrs. Thomas V. Leeds

Past Presidents Mrs. Coleman P. Burke Mrs. Edwin M. Burke Mrs. William M. Carson Mrs. Walter B. Delafield Mrs. Charles H. Dyson Mrs. Bruce A. Gimbel Mrs. William O. Harbach Alison Barr Howard Mrs. Peter D. Jones Mrs. Kerryn King Mrs. Arie L. Kopelman Mrs. Thomas V. Leeds Mrs. Derek L. Limbocker Jean Remmel Little Mrs. M. Anthony May Mrs. Jay H. McDowell Mrs. Frank A. Metz, Jr. Dr. Annette U. Rickel Mrs. Bijan Safai Founder Mrs. Edward C. Delafield

Memorial Sloan-Kettering Cancer Center Board of Overseers

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Honorary Chairman of the Board James D. Robinson III

Chairman of the Board Douglas A. Warner III

Vice Chairs of the Board Richard I. Beattie Louis V. Gerstner, Jr. Marie-Josée Kravis

Frederick R. Adler Richard I. Beattie Mrs. Edwin M. Burke Mrs. John J. Byrne Mrs. Joseph A. Califano, Jr. Ian Cook Stanley F. Druckenmiller Anthony B. Evnin Roger W. Ferguson, Jr. Steve Forbes William E. Ford Richard N. Foster Stephen Friedman Ellen V. Futter

Philip H. Geier, Jr. Louis V. Gerstner, Jr. Martha Vietor Glass * Laurie H. Glimcher, M.D. Jonathan N. Grayer John R. Gunn Bette-Ann Gwathmey William B. Harrison, Jr. Jane D. Hartley Benjamin W. Heineman, Jr. David H. Koch Marie-Josée Kravis Mrs. John L. Marion Paul A. Marks, M.D.

Donald B. Marron Jamie C. Nicholls James G. Niven Hutham S. Olayan E. Stanley O’Neal Bruce C. Ratner Clifton S. Robbins James D. Robinson III Virginia M. Rometty Benjamin M. Rosen David M. Rubenstein Lewis A. Sanders Norman C. Selby Stephen C. Sherrill

Peter J. Solomon William C. Steere, Jr. Scott M. Stuart Craig B. Thompson, M.D. Lucy R. Waletzky, M.D. Douglas A. Warner III Peter A. Weinberg Jon Winkelried Deborah C. Wright Jeff Zucker Mortimer B. Zuckerman *ex officio as President of The Society

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The 25th Anniversary of The International Fine Art & Antique Dealers Show

By Wendy Moonan

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N

ow celebrating its 25th anniversary in New York, the International Fine Art & Antique Dealers Show almost never happened. That may be hard to believe now, with its roster of more than 60 top international dealers, tens of thousands of annual attendees, an enviable social cachet as the “opener” of the fall social season in New York and its remarkable success in raising more than $20 million for The Society of Memorial Sloan-Kettering Cancer Center over the past 25 years.

American, British and European dealers of furniture, paintings, porcelain, silver, antiquities, jewelry and textiles. In 1988 the National Art and Antique Dealers Association of America, a prestigious non-profit members’ trade association, was thinking of launching its own new show in New York. Learning of the Haughtons’ interest in creating a new fair, a NAADAA representative flew to London to discuss collaboration. They made a tentative agreement and NAADAA then convened a meeting of its members in New York.

In 1988, English fair organizers Brian and Anna Haughton were best known to Americans for their renowned International Ceramics Fair and Seminar, a small, select connoisseurs’ show they staged every June in London. (I’ve been several times; it’s terrific.)

“At first we thought we didn’t need another show, as many of us were already in the Winter Antiques Show,” Ed Munves of James Robinson recalls, “But once we saw the top quality of the foreign dealers who would be involved, we knew the show was going to be good.” To this day, James Robinson participates in both the International Show and The Winter Antiques Show (WAS).

Brian Haughton, a veteran London dealer in fine English and European ceramics from the 17th to the 19th century, created the fair in 1982 with his wife Anna, a veteran of Lloyd’s of London. The Ceramics Fair, in its expanded format as part of the Haughton’s show now called “Art Antiques London,” is a sacred date on the calendar for serious collectors. Every June porcelain and ceramics aficionados gather like pilgrims to reconnect with colleagues, learn about new scholarly research, attend lectures by museum curators and - bien sûr - shop for newly uncovered treasures from all over the world.

It was at that fair that an American collector suggested that the Haughtons do a second ceramics fair in New York.

Overhearing this, Clare Le Corbeiller, then the formidable decorative arts curator at the Metropolitan Museum of Art, strongly suggested that it would dilute the Ceramics Fair in London if there was a second one in New York. “It was the best advice I ever got,” Brian says.

But the idea of doing an American fair lingered. “My eyes were always on New York, which didn’t have an international fair then, and we felt that the city needed its own international show on the level with those in London and Paris,” he recalled.

The Haughtons dreamed of creating a diversified fair with

There was real demand for a new show.

“No one who wasn’t already in the Winter Antiques Show could get into it,” explains Becky Jones MacGuire, then a partner at the Chinese Porcelain Company in New York and a board member of The Society of Memorial Sloan Kettering Cancer Center (more about that below).

The Haughtons set the fair date for September 21, 1989. “In the first 10 days after we announced the fair, we had 500 applications,” Anna says. Peter Schaffer, co-owner of A La Vieille Russie in New York, says, “It was an easy decision to apply. We knew the Haughtons because we had already participated in their porcelain fair and knew it was a very high class show.”

James McConnaughy, a partner in Shrubsole, the New York antique silver gallery who is the current president of NAADAA, says, “We decided to do both the WAS and the International Show because the International was very different and would have a different audience. Even now, we see people at one fair we don’t see at the other. They have different personalities.”

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The 25th Anniversary of The International Fine Art & Antique Dealers Show

Oddly enough, some of the best London dealers were initially wary of joining. John Hill of Jeremy Ltd., a London gallery selling fine English furniture who already knew Ed Munves, remembers “We thought at the time we might have to tread very carefully as we were encroaching upon their territory.”

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Armory, planning the show set-up (which involved dealing with unions and other unknown entities), producing the advertising, marketing and publicity as well as hiring florists, decorators and caterers – all in a new country. It was a huge investment of time and money. (Today, the Haughtons say the reason the fair runs so smoothly is they still actually spend the entire year planning it.)

He needn’t have worried. “We were not only welcomed but positively pushed into the limelight in New York,” he says.

“Who could forget Bob Ellsworth [the top private dealer in Chinese antiques], Ed Merrin [the antiquities dealer], the Chaits [Asian porcelain], A La Vieille Russie and the other New York dealers that were to become such close friends and supporters over the years? The show put the spring back in the steps of the European trade.”

On top of all that, the Haughtons wanted a charity partner for the opening night, just as they have for their London fair. “We feel a responsibility to give back to charity,” explains Brian.

The Society of Memorial Sloan-Kettering Cancer Center, a blue chip women’s volunteer group that has raised money to support the Center since 1946, was an obvious choice, but an alliance with it was far from a foregone conclusion.

Bringing the concept to a successful realization in the fall of 1989 was not an easy matter, however. The pioneering, indefatigable Haughtons faced real challenges: underwriting the cost to launch the fair, renting the Seventh Regiment

Barbara Gimbel, then-president of the Society, remembers receiving a visit early in 1989 from Khalil Rizk, the popular New York philanthropist and co-founder of the Chinese Porcelain Company. At the time, he was on the “special

projects” committee at Memorial – often raising funds, at the last minute, for research projects that needed to be extended. As Barbara Gimbel now recalls,“I didn’t know him, but when he asked me if the Society would be interested in helping the show, I said yes IF we got the opening night party.” He promised to report back.

“Who could refuse THE leading cancer charity?” Brian recalls.

He had no idea how lucky he was.The Society was a perfect partner, a strong volunteer organization with enormous social cachet. “We approached the benefit opening night with enthusiasm and energy,” Barbara Gimbel says. “The Society loved it and so did the board at Memorial. It took us about six months to organize and it was a wild success.”

Never underestimate the abilities of the Society’s many volunteers; as the fair’s opening night proceeds go to the Society for funding patient care, research and education programs at Memorial, the dedication was exemplary. The list of opening night chairmen for the first year included such social lionesses as former Society board member Barbara Bush, Catie Marron, Dailey Pattee, Blaine Trump, Becky Jones (now MacGuire), Pat Buckley, Nan Kempner and Deeda Blair.

“Daily News columnist Suzy summed up the committee: ‘Hot dog ticket sellers all,’ ” Joan Sutton Straus wrote in her 1996 history, “A Legacy of Caring: the Society of Memorial Sloan-Kettering Cancer Center.”

And what hot dog sellers they were.

“Nan and Pat’s irresistible social allure, allied with the manifestly vital mission of MSK, made the opening one of the hottest tickets of New York’s fall season,” says social chronicler Christopher Mason. “That night, the best jewels and tailored gowns were on conspicuous display amid a splendid lineup of scrupulously vetted art and antiques.

Attendance was de rigeur.” What made the opening a success was the combination of the Haughtons’ showmanship and the Society’s hard work.

The Haughtons upped the ante with the stylish décor of the Armory, a first. “If you are going to show important works of art at a fair, you want it to look smart,” says Anna.

Above: Supporting the Society of Memorial Sloan-Kettering Cancer Center, 1993: Robert Woolley and Lily Safra, Gayfred Steinberg and Jean-Claude Ciancimino, Ann Bass, Pat Buckley and Nan Kempner, Paul and Daisy Soros

It was the first time at a fair that the Armory’s floor was carpeted, booths were tented in white muslin, an event planner of the stature of Philip Baloun did the flower arrangements and a top caterer like Glorious Foods provided hors d’oeuvres for the cocktail party.

This just added to the splendor of the pieces for sale: giant gilded Russian urns, Louis XV consoles, Italian palace chairs, English silver tureens and colorful Chinese Export armorial chargers. “It was exciting to see things from all over the world,” says John Loring, a popular society figure who was the longtime design director of Tiffany & Co. “It was like what one sees in The European Fine Art Fair in Maastricht without having to go.”

As London dealer Michael Goedhuis, a first-year and loyal exhibitor, recalled recently, “The Haughtons brought a world-class show to New York and raised the bar forever.”

“The fair changed the landscape; it established a new level of elegance,” Ed Munves remembers. “We were delighted. The show was a temptation to anyone who walked in and thought, ‘Well, I’m here surrounded by fabulous things. I’ll buy something.’ ”

Mayor Michael Bloomberg with Diana Taylor at IFAADS.

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The 25th Anniversary of The International Fine Art & Antique Dealers Show

second-generation

And how did the Society get everyone

owner of Frederick P. Victoria & Son

to show up on such a boiling hot night.

and a first-year participant, says, “The

“Nan and Pat pulled out all the stops,”

Haughtons brought a much greater

Joanne says. “They got on the phone

sophistication to New York. They made

and called everyone. I’ve chaired the

their beachhead here. It was quite a

show five or six times. It’s work. In fact,

revolution.”

Karen LeFrak and I were the first chairs

Tony

Victoria,

“It was very gutsy of the Haughtons to launch the international fair” recalls the decorator Howard Slatkin, whose glamorous clients over the years have included Deeda Blair and Jackie Kennedy. “With the international fair, New York became a world class center for antique furniture and the decorative arts,” he continues. “It really had a huge impact. It exposed Americans who didn’t travel to a new level of quality and sophistication.”

Carrying a price tag of $14 million, Bernardo Bellotto’s “Fortress of Konigstein,” sold to the National Gallery of Art in Washington, DC and set a record price for a painting sold at an art fair. Painted between 1756 and 1758, Bellotto’s landscape is one in a series of five commissioned by the Elector of Saxony, Friedrich Augustus II, for the royal collection in Dresden.

The painting was sold by Zurich dealers Bruno Meissner and Konrad Bernheimer and was the centerpiece of Konrad Bernheimer’s booth at the International Antique Dealers Show in October 1993.

to go over the $1 million mark for the opening cocktail party.”

(Joanne is still remembered for one of the dazzling summer “pre-parties” she threw to drum up enthusiasm among her fellow Society members at her home in Southampton; as guests mingled around the pool, waiters passed trays brimming not with hors d’oeuvres but amazing jewels by show sponsors

Harry Winston, Bulgari

and Phillips.)

Not that everything went perfectly

On the first opening night, the cream

on opening night. That late September

of New York society women was in

night was exceptionally warm and the

attendance, including Blaine Trump,

Armory was not air-conditioned.

Veronica Hearst, Betty Sherrill, Nicole Limbocker, Julia Koch, Daisy Soros and

Joanne de Guardiola, a New York social

Gayfryd Steinberg. Even Mario Buatta,

luminary who has been on the board

chairman of the Winter Antiques Show,

of the Society for 28 years, recalls, “It

bought a ticket and came.

was 100 degrees in the Armory. Pat Buckley arranged for several fans to be delivered and in the late afternoon was plugging them in when a union guy came over and told her, ‘You can’t do that!’ She simply said, ‘I beg your pardon?’ in that great voice of hers and ignored him. By the opening, she was standing there, perfectly dressed and made up, next to Bill Blass and Kenneth Jay Lane, welcoming everyone and exclaiming, ‘Oh my God, I’ve been on my hands and knees all afternoon plugging in fans!’”

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This coupe was acquired by Carnegie Museum in Pittsburgh, PA from exhibitor Blairman & Sons, Ltd. at IFAADS in 2008. It is from the collection of Alfred Morrison (1821-97), was made by Charles Duron (1814-97) and exhibited at the Paris Exposition Universelle (1867). The Carnegie used it on their poster when they re-opened their Bruce Galleries for decorative arts. The coupe is now a key exhibit in the two-year touring exhibition ‘Inventing the Modern World: Decorative Arts at the World’s Fairs 1851-1939’.

The Society chairs over the years continued to be resourceful. The four years when Nicole Limbocker was chair, as she recalls, “We decided to give private dinner parties at home after the opening night party for those who bought the $500 tickets. In the beginning there were very few who paid that, and the ‘free’ dinner was a very good carrot. It really worked.”

Another opening night chairman, Jamee Gregory, did the same thing. “The men

liked going to dinner afterwards, and

“Vetting was very strict,” recalls John

it made the evening more festive,” she

Hill. “I remember the Dalva brothers

recalls.“I wish they still had the dinners.”

[owners of the top New York gallery

The dealers, of course, were electrified

specializing in 18th-century French

by the glittering New Yorkers who

antiques] taking furniture to bits

attended, both Old Guard and New

with a screwdriver when vetting and

(including, over the years, Mayor

several museum curators giving us

Bloomberg, Martha Stewart, Oprah

all the benefit of their expertise and

Winfrey and Barbra Streisand).

knowledge.” (Leon Dalva is still vetting the show.)

“The visitors came from the good, the gracious, the clever and the glitzy,”

Peter Schaffer of A La Vieille Russie

recalls John Hill. “The Armory was full

perhaps puts it best in his humorous

to the brim with beautiful women and

aside: “One of the good things about

elegant men.”

vetting is that it protects Mr. and Mrs. Wannabe, who go to fairs, see

“Most of the people we wanted to come lived within a few blocks,” Anna says. “We knew it would be just so easy for people to drop in for an hour to see the show – or to come back

In 2011, Samina Inc., sold the much admired cover piece from the fair catalogue - a Jade-Hilted Dagger, Mughal, North India, 18th century to a Middle Eastern Royal who bought it for a museum.

a piece and ‘want’ it to be something important and believe it is – until they find out it isn’t.”

Among pieces that successfully passed vetting in 1989 were Chevalier’s royal

three times.”

Beauvais tapestry depicting the king The Haughtons also announced the fair would be vetted,

of France on horseback in the parterre of the Chateau

like the Biennale des Antiquaires in Paris and TEFAF in

of Versailles; Peter Finer’s ivory-inlaid late-16th-century

Maastricht. Vetting means curators, experts, academics and

German wheel-lock rifle that once belonged to the Earl

scholars in varied specialties are asked to tour the fair before

of Meath; Koopman’s silver-gilt coffee service by Odiot

the opening to “pre-certify” that the antiques are precisely

commissioned by Count Golovkine of Vienna in the early

as labeled, i.e., not fake, or too altered or overly restored.

1800s; Merrin’s life-size Roman marble statue of Athena

Pieces that don’t pass muster are physically removed from

“after Phidias,” c. 2nd century A.D., and A La Vieille Russie’s

the floor and stored for the remainder of the fair. In 1989

gilded, two-handled porcelain vase from the Russian

there had never been a vetted fair in the U.S. “It was a

Imperial Porcelain Factory with a painting of the fleet by

common practice at fairs in Europe,” Brian explains. “It is a

N. Kornilov, 1828.

labor-intensive practice but one that is necessary to assure a level of quality and authenticity.”

Other ways the Haughtons wanted to impress upon Americans the seriousness of their fair? They arranged for

“They have a good approach to vetting, which is done on

a loan exhibition of Chinese snuff bottles from Burghley

a very fair basis, so people trust what they buy,” says Axel

House in Lincolnshire, England. They offered scholarly

Vervoordt, a Belgian dealer who has been in the fair from

lectures, including one on the Treasures of The British Royal

the get go.

Collection by Sir Geoffrey de Bellaigue, the Director of Queen Elizabeth II’s collection, and another on mounted

“They knew it was crucial for buyers’ confidence,” says

oriental porcelain in European collections by Sir Francis

Becky MacGuire.

Watson, the former Director of the Wallace Collection 23

The 25th Anniversary of The International Fine Art & Antique Dealers Show

in London. Also one on the Challenge of Heritage: The Rosebery and Rothschild Collections at Dalemny, Edinburgh, by the Countess of Rosebery.

The first catalog also had academic articles by such renowned experts as Dr. Sigrid Barten, curator of the Museum Bellerive in Zurich (writing on Lalique jewelry) and Geoffrey Beard, chairman of the Furniture History Society in England. The inclusion of academic articles has continued.

Of course, the International Show has necessarily changed over the years. Some dealers have retired. Others have gone private. New specialties have surfaced and collecting tastes have changed. Axel Vervoordt concludes, “The fair has evolved, but there is always a good selection of dealers.

The Haughtons are serious people and I believe in their management.”

(Peter Schaffer says, “People used to love antique cufflinks.

Then they didn’t. Now you cannot hold onto them and prices have gone way up.”) Certain things you would have sold 40 years ago you couldn’t give away today. “You just get a feel for the market by being in the business for so long,” Anna says.

Capturing the Zeitgeist of current tastes and times, Axel Vervoordt adds, “I search for universality in the things I bring.

I like antiques that look timeless.They go with contemporary art, and we bring more contemporary art now. It’s important for works to have a dialogue.”

And the Haughtons have kept the fair going strong.

“We are just as enthusiastic today as we were when we started,” Brian says. “We love what we do. That is the secret of our success.”

Axel Vervoordt perhaps has the final criteria for the true measure of a successful fair: “I always have a good year at the Haughtons’ fair. Some years we almost sell out the booth.”

24

Imperial tenth anniversary frame by Fabergé A gift in 1901 from Grand Duke Michael Michailovitch to his wife, Countess Sophie von Merenberg, a granddaughter of Pushkin, on the 10th anniversary of their marriage.

A La Vieille Russie, Inc, New York

Exhibitors

25

Directory of Exhibitors

A La Vieille Russie, Inc. • F1• page 30 781 Fifth Avenue, New York, NY 10022, USA Telephone 1 212 752 1727 www.alvr.com email: alvr@alvr.com European and American antique jewelry, Fabergé, gold snuffboxes and objets de vertu, Russian decorative and fine arts, including porcelain, glass, furniture, silver, paintings and icons.

Michael Altman Fine Art & Advisory Services, LLC • E14 • page 31 38E 70th Street, New York, NY 10021, USA Telephone 1 212 879 0002 Fax 1 212 879 0011 www.mnafineart.com email: cparker@mnafineart.com / rborgelt@mnafineart.com Personnel: Michael Altman, Robyn Borgelt, Kate Thompson, Caitlin Parker, Jon Erickson 18th, 19th and early 20th century fine art

Old Master and 19th century paintings, drawings and sculpture Thomas Colville Fine Art • B1 • page 39 111 Old Quarry Road, Guilford CT 06437, USA Telephone 1 203 453 2449 Fax 1 203 453 6983 www.thomascolville.com email: tlc@thomascolville.com Personnel: Thomas Colville, Alli Schaefer, Kirstin Auer, Margaret Palmieri, Jay Qin 19th and early 20th century European and American paintings, watercolors and drawings

Altomani & Sons • A8 • page 32 Via Borgospesso 14, 20121 Milan, Italy Telephone 39 02 20 10 33 Cell 39 335 1347003 Fax 39 02 89 07 42 51 www.altomani.com email: mail@altomani.com Personnel: Dr Andrea Ciaroni

Thomas Coulborn & Sons • E10 • page 40 Vesey Manor, 64 Birmingham Road, Sutton Coldfield, West Midlands B72 1QP, UK Telephone 44 (0) 121 354 3974 Cell 44(0)7941 252299 Fax 44 (0) 121 354 4614 www.coulborn.com email: jc@coulborn.com Personnel: Jonathan Coulborn, Tania Forte

Specialising in antiques and works of art, majolica and old master paintings, Renaissance bronze sculptures, precious and semi-precious stone sculptures

Fine art, furniture, works of art, Chinese Export, 17th century to the Regency period

Apter-Fredericks Ltd • D11• page 34 265-267 Fulham Road, London SW3 6HY, UK Telephone 44(0)20 7352 2188 USA Cell 1 917 696 4063 www.apter-fredericks.com email: antiques@apter-fredericks.com Personnel: Harry Apter, Guy Apter

Sandra Cronan Ltd • A14 • page 41 First Floor, 16 Albemarle Street, London W1S 4HW, UK Telephone 44 (0)20 7491 4851 www.sandracronan.com email: enquiries@sandracronan.com Personnel: Sandra Cronan, Catherine Taylor, Catherine Edwards

18th and 19th century English furniture Ariadne Galleries • D12 • page 35 11 East 76th Street, New York, NY 10021, USA Telephone 1 212 772 3388 Fax 1 212 517 7562 www.ariadnegalleries.com email: info@ariadnegalleries.com Personnel: Torkom Demirjian, James Demirjian, Gregory Demirjian, Saranna Biel-Cohen Greek, Roman, Near Eastern, and Asian antiquities H. Blairman & Sons Ltd • B16 • page 37 By appointment, Mayfair, London, UK PO Box 6374, London W1A 3UR, UK Telephone 44(0)20 7493 0444 Fax 44 (0)20 7495 0766 www.blairman.co.uk email: blairman@blairman.co.uk Personnel: Martin Levy Furniture and works of art J.H. Bourdon-Smith • B6 • page 36 24 Mason’s Yard, Duke Street St. James’s, London SW1Y 6BU, UK Telephone 44(0)20 7839 4714 Cell: 44(0)7769 974366 Fax 44 (0)20 7839 3951 www.bourdonsmith.co.uk email: enquiries@bourdonsmith.co.uk Personnel: Julia Bourdon-Smith, Edward Bourdon-Smith, John Bourdon-Smith Antique silver from the 16th century to the present day, specialising in early spoons, collectables and good house-furnishing objects from the Georgian to the Edwardian period, including English, Scottish and Irish provincial silver.

26

W. M. Brady & Co. • D4 • page 38 22 East 80th Street, New York, NY 10075, USA Telephone 1 212 249 7212 Cell 1 917 744 9095 Fax 1 212 628 6587 email: mark@wmbrady.com laura@wmbrady.com Personnel: Mark Brady, Laura Bennett

Fine antique and period jewellery Daniel Crouch Rare Books • C2 • page 42 4 Bury Street, St. James’s, London SW1Y 6AB, UK Telephone 44(0)20 7042 0240 Cell 44(0)7766 751391 www.crouchrarebooks.com email: info@crouchrarebooks.com Personnel: Daniel Crouch Daniel Crouch Rare Books is a specialist dealer in antique atlases, maps, plans, sea charts and voyages dating from the 15th to the 19th century. Our carefully selected stock also includes a number of fine prints and globes, and a selection of cartographic reference books. Our particular passions include rare atlases, wall maps and separately published maps and charts. We strive to acquire unusual and quirky maps that are in fine condition.

Douglas Dawson Gallery • A5 • page 43 400 North Morgan Street, Chicago IL 60642, USA Telephone 1 312 226 7975 Cell 1 312 9539839 Fax 1 312 226 7974 www.douglasdawson.com email: info@douglasdawson.com Personnel: Wallace Bowling, Armando España, Douglas Dawson Ancient and historic ethnographic art, including ceramics, textiles and sculpture Drucker Antiques • F8 • page 44 487 East Main Street, Suite 197, Mount Kisco, New York NY10549, USA Telephone 1 914 923 4560 / 1 212 794 8536 Cell 1 914 4192295 Fax 1 914 206 9623 www.druckerantiques.com email: bill@druckerantiques.com Personnel: William Drucker, Janet Drucker America’s leading specialists in Georg Jensen holloware, flatware and jewelry.

We also feature studio and artistic jewelry of the 20th century.

Enrico Galleria d‘Arte • B15 • page 45 Via Senato 45, 20121 Milan, Italy Telephone 39 02 87235752 Cell 39 335 392711 Fax 39 02 87235753 www.enricogallerie.com email: enricogallerie@iol.it Personnel: Angelo Enrico, Franco Enrico, Chiara Donzelli, Erwin Silbernagl

Bernard Goldberg Fine Arts, LLC • E11 • page 52 New York, USA Telephone 1 212 813 9797 Fax: 1 212 813 9876 www.bgfa.com email: info@bgfa.com Personnel: Bernard Goldberg, Sandy Pearl, Ken Sims

Specialising in XIX century Italian paintings; XIX century European paintings

Specialising in American paintings, sculptures, drawings and decorative arts from 1900-1945, specifically works from the Ashcan School through Early Modernism

European Decorative Arts Company • E3 • page 46 85 Birch Drive, Roslyn, New York, NY11576, USA Telephone: 1 212 758 3023 Cell 1 516 643 1538 www.eurodecart.net email: eurodecart@gmail.com Personnel: Scott Defrin, Larry Defrin, Arlene Defrin, Marla Defrin European works of art and sculpture, 16th through 19th century Finch & Co. • A2 • page 47 Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK Telephone 44 (0)20 7413 9937 Cell 44 (0)7768 236921 / 7836 684133 Fax 44 (0)20 7581 4445 www.finch-and-co..co.uk email: enquiries@finch-and-co.co.uk Personnel: Craig Finch, Mrs Jan Finch, Peter Hess Specialising in European works of art, natural history, tribal art, antiquities, curiosities Peter Finer • D1 • page 48 38-39 Duke Street St James’s, London SW1Y 6DF, UK Telephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777 www.peterfiner.com email: gallery@peterfiner.com Personnel: Peter Finer, Redmond Finer, Roland Finer Specialising in arms and armour Gander & White Shipping Ltd Unit 1, St Martin’s Way, Wimbledon, London SW17 OJH, UK Telephone 44 (0)20 8971 7160 Fax 44 (0)20 8946 8062 www.ganderandwhite.com Email: oliver.howell@ganderandwhite.com and in New York 21-44 44th Road, Long Island City, NY 11101, USA Telephone 1 718 784 8444 Fax 1 718 784 9337 Bernd Goeckler Antiques, Inc. • D9 • page 50 30 East 10th Street, New York, NY 10003, USA Telephone 1 212 777 8209 Cell (Bernd Goeckler) 1 646 8249644 Fax 1 212 777 8302 www.BGoecklerAntiques.com Email: bgantiques@mac.com Personnel: Bernd Goeckler, Gerti Lurie, Sylvanus Shaw, Katja Hirche, Dane Pressner High-style European furniture, lighting and decoration from the 20th century Michael Goedhuis • D3 • page 49 61 Cadogan Square, London SW1X 0HZ, UK Telephone 44 (0)20 7823 1395 USA Cell 1 917 4551035 UK Cell 44 (0)7760 625 375 www.michaelgoedhuis.com email: london@michaelgoedhuis.com Personnel: Michael Goedhuis, Director; Sophie Kempson, Gallery Manager Chinese contemporary ink painting, Chinese contemporary bronzes, Chinese archaïc bronzes; later Chinese and Japanese bronzes.

GRIMA • G7 • page 53 By appointment First Floor, 16 Albemarle Street, London W1S 4HW, UK Cell 44 (0)7900 590 123 www.grimajewellery.com email: info@grimajewellery.com Personnel: Jojo Grima, Francesca Grima Vintage GRIMA jewellery from the sixties and seventies and contemporary pieces Hancocks • B2 • page 54 52 & 53 Burlington Arcade, London W1J OHH, UK Telephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905 www.hancocks-london.com email: info@hancocks-london.com Personnel: Stephen Burton Dealers in rare and collectable jewels since 1849 Brian Haughton Gallery • E1 • page 56 15 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com Personnel: Brian Haughton, Paul Crane Fine English and Continental ceramics Jeffrey Beal Henkel • J1 82 Poor Farm Road, Pennington, NJ 08534, USA Telephone 1 609 306 4996 email: henkel.jeffrey@gmail.com Personnel: Jeffrey Beal Henkel Garden objects and statuary Hirschl & Adler Galleries • E12 • page 55 730 Fifth Avenue, 4th Floor, New York, NY 10019, USA Telephone 1 212 535 8810 Fax 1 212 772 7237 www.hirschlandadler.com email: gallery@hirschlandadler.com Personnel: Stuart P. Feld-President, Elizabeth Feld- Managing Director, Eric W. Baumgartner- Senior Vice-President, Margot Chvatal-Vice President, Gregory Hedberg, Debra G. Wieder, Thomas B. Parker American paintings, drawings and sculpture - 18th, 19th and early 20th centuries; American furniture and decorative arts 1810-1840; European paintings and sculpture 19th and early 20th centuries Hyde Park Antiques, Ltd • F3 • page 60 836 Broadway, New York, NY 10028, USA Telephone 1 212 477 0033 Fax 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com Personnel: Bernard Karr, Rachel Karr 18th and early 19th century British furniture, clocks, mirrors and decorative arts; 18th century Chinese Export porcelain and 19th century English ceramics; sporting art.

27

Directory of Exhibitors

Hyland Granby Antiques • B13 • page 61 PO Box 457, Hyannis Port, MA 02647, USA Telephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842 www.hylandgranby.com email: alan@hylandgranby.com Personnel: Alan Granby, Janice Hyland

Koopman Rare Art • D10 • page 67 The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UK Telephone 44 (0)20 7242 7624 USA Cell 1 646 5544416 www.koopmanrareart.com email: enquiries@koopmanrareart.com Personnel: Lewis Smith, Timo Koopman

18th and 19th century maritime art. Also specialising in cannons, marine clocks, wooden folk art.

Italian furniture, works of art, old masters, 17th and 18th centuries

The company has been based at the entrance to The London Silver Vaults for over thirty years. Between them, Timo Koopman and Lewis Smith have fifty years’ experience in dealing with and collecting some of the finest and most important antique silver to come onto the market. We have one of the largest collections of fine English silver available in the United Kingdom, as well as a huge range of everyday silver. Whether American, European or Asian, it matters not; what does matter is quality and design. We have built up some of the most important private collections of silver, as well as working closely with museums, both here in England and on an international level. We are members of the British Antique Dealers Association.

Jerome V. Jacalone Fine Art • G6 • page 63 By appointment 433 East 51st Street, Suite 1E, New York, NY10022, USA Telephone 1 646 684 3877 Cell 1 917 756 0372 www.jacalonefineart.com email: artnnyc@aol.com Personnel: Jerome Jacalone, Kathleen Lee

Galerie Lefebvre • B11 • page 68 15 Rue du Pré-aux-Clercs, Paris 75007, France Telephone 33 (0)1 45481813 Cell 33 (0) 698 021813 Fax 33 (0)1 45480469 www.gallerylefebvre.com email: gallerylefebvre@gmail.com Personnel: Romain Lefebvre, Yana Mihailuka, Hilary Keegin

Il Quadrifoglio • A9 • page 62 Via Carlo Pisacane 40, 20129 Milan, Italy 38 Old Bond Street , London W1S 4QW, UK Telephone 39 02 29518031 Cell 39 335 371907 Fax 39 02 20408637 www.galleriailquadrifoglio.com email: info@gqfineart.com Personnel: Marco Brun, Augusto Brun, Pilar Pandini

Old master paintings

20th century decorative arts

Jane Kahan Gallery • G3 • page 64 922 Madison Avenue, New York, NY 10021, USA Telephone 1 212 744 1490 Fax 1 212 744 1598 www.janekahan.com email: janekahan@janekahan.com Personnel: Jane Kahan, Charles Mathes, Director

H.M. Luther • G1 • page 70 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone 1 212 439 7919 and Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone 1 212 505 1485 www.hmluther.com email: info@hmluther.com Personnel: Daniel Harrison, Scott VanderHamm, James Harrison, Jean Tucker

20th century European and American masters: paintings, prints, sculpture, ceramics, tapestries.

Kentshire • A3/4 • page 65 700 Madison Avenue, New York, NY 10065, USA Telephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180 www.kentshire.com email: info@kentshire.com Personnel: Robert Israel, Fred Imberman, Matthew Imberman, Ellen Israel, Marcie Imberman, Carrie Imberman 18th and early 19th century English furniture and objects. Antique and 20th century jewellery Keshishian • A15 • page 66 73 Pimlico Road, London SW1W 8NE, UK Telephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803 and By appointment in New York Telephone 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com Personnel: Arto Keshishian, Eddy Keshishian Keshishian Carpets of London and New York are specialist dealers of antique carpets and tapestries of outstanding quality and design merit. Arto and Eddy Keshishian’s passion for the art of rare carpets lead the brothers to search the globe for unique pieces. Their impressive collection includes antique European and Oriental carpets with selected Arts & Crafts and Art-Deco examples by renowned designers from the 20th century. The European tapestries cover the Gothic period to the Op-Art era. Keshishian also participate at the Winter Antiques Show, New York and Masterpiece London. Members: ADDLA, BADA and CINOA.

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For over sixty years, the expert dealers at H.M. Luther have offered a selection of European and Asian furniture, lighting, sculpture, and decorative objects. The collection ties works from the 18th, 19th, and 20th centuries and delivers a style that celebrates the finest in craftsmanship, combined with rarefied designs. H.M. Luther has participated in the International Fine Art and Antique Dealers Show for twenty-three years. It has two locations in New York: a sophisticated gallery at the renowned Carlyle Hotel and a loft-style space on East 11th Street in Greenwich Village.

MacConnal-Mason Gallery • G5 • page 69 14 & 17 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com Personnel: David L. Mason OBE, David M. Mason, Marcus Halliwell, Simon Carter, Michael Grist 20th century / post-War British, post-Impressionist, 19th Century British and European paintings and sculpture

Maison Gerard • G2 • page 72 43 & 53 East 10th Street, New York, NY 10003, USA Telephone 1 212 674 7611 Cell (Benoist Drut) 1 917 6866782 Fax 1 212 475 6314 www.maisongerard.com email: home@maisongerard.com Personnel: Benoist F. Drut, Gerard Widdershoven, Dorothee Mathieux, Julia Hartshorn, Harrison Jackson, Diego Heredia, Sabine Asselbergs, Winter Mendelson, Lucy Wertheim

Frank Partridge • E6 • page 79 7 Thurloe Square, London SW7 2TA, UK Telephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44(0)20 7581 9387 www.frankpartridge.co.uk email: mail@frankpartridge.co.uk Personnel: Frank Partridge, Susan Partridge

French Art Deco, 20th century and contemporary design

Ronald Phillips Ltd • B3/4 • page 80 26 Bruton Street, London W1J 6QL, UK Telephone +44 (0)20 7493 2341 www.ronaldphillipsantiques.com email simon@ronaldphillips.co.uk Personnel: Simon Phillips

Martin Du Louvre • E7 • page 74 69 rue du Faubourg Saint Honoré, 75008 Paris, France Cell: 33 (0) 68017 5101 www.martindulouvre.com email: 69faubourg@gmail.com Personnel: David Le Louarn Modern and contemporary sculpture, paintings, drawings, photography and design Galerie Mathivet • F5 • page 75 6 rue Bonaparte, 75006 Paris, France Cell 33 (0) 607503813 www.galeriemathivet.com email: fabien.mathivet@wanadoo.fr Personnel: Céline Mathivet, Fabien Mathivet Specialising in 20th century decorative art. French Art Déco great masters Todd Merrill 20th Century and Studio Contemporary • C4 65 Bleecker Street, New York, NY10012 USA Telephone 1 212 673 0531 Fax 1 212 677 6068 www.merrillantiques.com email toddmerrillantiques@gmail.com

English and French furniture; French clocks

18th century English furniture, mirrors and glass Phoenix Ancient Art • E2 • page 82 47 East 66th Street, New York, NY 10065, USA Telephone 1 212 288 7518 Fax 1 212 288 7121 and 6, rue Verdaine, 1204 Geneva, Switzerland Telephone: 41 (0)22 318 8010 Fax 41 (0)22 310 0388 www.phoenixancientart.com email: info@phoenixancientart.com Personnel: New York: Hicham Aboutaam, Alexander Gherardi, Alexander Kruglov Geneva: Ali Aboutaam, Michael Hedqvist

Vintage American and European furniture, lighting and decorative arts

The scope of the collection includes objects from cultures in the lands that formed the Greek, Roman and Byzantine world, Mesopotamia, the Near East, Egypt, Europe, the Balkans, Eurasia and the Steppes. The galleries display exceptional works extending over more than 7,000 years of human history, from the Neolithic period of the 6th millennium B.C. to the 14th century A.D.

John Mitchell Fine Paintings • A12 • page 76 44 Old Bond Street, London W1S 4GB, UK Telephone: 44 (0)20 7493 7567 Fax 44(0) 20 7493 5537 www.johnmitchell.net email: enquiries@johnmitchell.net Personnel: James Mitchell, William Mitchell

Potterton Books • B7 • page 83 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone 44 (0)1845 501218 Fax 44 (0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk Personnel: Clare Jameson

17th century Dutch and Flemish, 18th century French and English and 19th century French paintings Lillian Nassau LLC • G8 • page 77 220 East 57th Street, New York, NY 10022, USA Telephone 1 212 759 6062 Fax 1 212 832 9493 www.lilliannassau.com email: info@lilliannassau.com Personnel: Arlie Sulka-owner, Eric Silver-director, Andrew Freedman, Ria Murray, Doris Zuckman, Seelall Chinwa Museum quality Tiffany Studios lamps, favrile glass and pottery, mosaics, metalwork and windows; American sculpture; 19th and 20th century European and American decorative arts; mid-century modern furniture and design. nexxt20 • D7 • page 78 5600 Lovers Lane, #116-161, Dallas, TX 75209, USA Telephone 1 845 453 5852 www.nexxt20.com email: info@nexxt20.com Personnel: Sally Rosen

International booksellers of new and unusual out of print titles, specialising in architecture, design, interior decoration, antiques and the fine and decorative arts PRPH Rare Books • C2 • page 84 26 East 64th Street, 3rd floor, New York, NY 10065, USA UMBERTO PREGLIASCO Via Acc. Albertina 3 bis, Torino 10123, Italy Cell 1 917 488-1305 upreliber@gmail.com FILIPPO ROTUNDO Via Bertoloni 45, Roma 00197, Italy Cell 1 917 488-2874 filippo.rotundo@gmail.com Specialising in rare books and manuscripts

Specialising in 20th century estate jewelry, artists’ jewelry, 20th century sculpture

29

Directory of Exhibitors

Primavera Gallery • F7 • page 85 210 11th Avenue at 25th Street, Suite 800, New York, NY 10001, USA Telephone 1 212 924 6600 Fax 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com Personnel: Audrey Friedman, Haim Manishevitz, Liza O’Keeffe

Shapero Rare Books • B8 • page 91 32 Saint George Street, London W1S 2EA, UK Telephone 44 (0) 20 7493 0876 Fax 44 (0) 20 7495 5010 www.shapero.com email: rarebooks@shapero.com Personnel: Bernard Shapero, Pierre-Yves Guillemet

Specialising in 20th century applied and decorative arts, including furniture, glass, ceramics, lighting and metalwork, we are also well-known for fine jewellery dating from 1800 to the present day.

Specialists in antiquarian travel books with an emphasis on Russia and Eastern Europe; fine illustrated and colour plate books, including natural history, first editions of English and European literature and important books in other fields. We also deal regularly in vintage photography, maps and decorative prints and watercolours, all of the finest quality.

Richard Redding Antiques Ltd • D8 • page 86 Dorfstrasse 30, CH 8322 Gündisau, Switzerland Telephone 41 (0) 44 212 00 14 Cell 41(0) 79 333 40 19 Fax 41 (0) 44 212 14 10 www.reddingantiques.ch email: redding_antiques@bluewin.ch Personnel: Richard Redding, Christophe Guérin, Eveline Meeuwse Specialising in clocks, furniture, gilt bronze decorative objects and sculpture Red Fox Fine Art • C1 • page 88 At the Red Fox Inn, 2 East Washington St., 2nd Floor, P.O. Box 385, Middelburg, VA 20118, USA Telephone 1 703 8515160 Fax 1 540 6876306 www.redfoxfineart.com email: tr@redfoxfineart.com Personnel: Turner Reuter Jr., Hannah Reuter, Alex Orfila Specialising in fine paintings and sculpture, 1750-1950 James Robinson, Inc. • F2 • page 89 480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone 1 212 752 6166 Fax 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com Personnel: Joan Boening-President, Edward Munves, James Boening, Marci Leggette Antique and period jewelry; antique English silver; antique porcelain and glass; handmade sterling silver flatware Samina Inc • A16 • page 90 By appointment only 33 St James’s Square, London SW1Y 4JS, UK Telephone 44 (0)20 3170 6076 Cell 44 (0)7775 872960 Fax 44 (0)20 7286 3633 www.saminainc.com email: saminainc@hotmail.com Personnel: Dr Samina Khanyari, Ms Chantal Sparwasser Rare, collectable Indian jewels; Indian and Islamic works of art (17th – 20th century) Schillay Fine Art, Inc • C6 520 East 72nd Street, New York, NY 10021, USA Telephone 1 212 861 8353 www.schillay.com email: richard@schillay.com Personnel: Marcy Schillay and Richard Schillay Specialising in Impressionist, Post-Impressionist and Modern paintings

S.J. Shrubsole, Corp • A6/7 • page 92 104 East 57th Street, New York, NY 10022, USA Telephone 1 212 753 8920 Fax 1 212 754 5192 www.shrubsole.com email: inquiries@shrubsole.com Personnel: Timothy Martin, James McConnaughy, Eric Shrubsole, Karin Shrubsole Antique English and American silver, antique jewelry The Silver Fund • C5 • page 93 San Francisco, CA, USA USA Cell 1 917 447 1911 UK Cell 44 (0)7710 032453 www.thesilverfund.com email: dealers@thesilverfund.com Personnel: Michael James, Jason Laskey, Joshua Burcham 20th century silver Somlo Antiques • B10 • page 94 35-36 Burlington Arcade, London W1J 0QB, UK Telephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603 www.somlo.com email: mail@somlo.com Personnel: George Somlo, Sandi Somlo Vintage wristwatches and antique pocket watches Tambaran Gallery • F6 • page 95 5 East 82nd Street, New York, NY 10028, USA Telephone 1 212 570 0655 Cell 1 917 9296596 www.tambaran.com email: m.zarember@tambaran.com Personnel: Maureen Zarember, Harold Zarember, Zoe Zarember, Sarah Getto, Thuraya Marsi Antique art from Africa, Polynesia, Oceania and the Americas 18th and 19th centuries; ancient pre-Colombian 700-900 A.D; masks and figures; modern chairs and table.

Carolle Thibaut-Pomerantz • E5 • page 96 By appointment only: New York, USA and Paris, France New York: Telephone 1 212 759 6048 Cell 1 646 322 3570 Paris: Telephone 33 (0)1 45 50 33 01 Cell 33 (0) 609 053598 www.antique-wallpaper.com email: carolle@ctpdecorativearts.com Personnel: Carolle Thibaut-Pomerantz Member: NAADA (National Art and Antique Dealers Association of America) Syndicat National des Antiquaires, France Compagnie Nationale des Experts, France Specialising in vintage wallpaper panels and XX century decorative arts

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Erik Thomsen Gallery • E9 • page 97 23 East 67th Street, New York, NY 10065, USA Telephone 1 212 288 2588 Cell 1 212 3003244 Fax 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com Personnel: Erik Thomsen, Cornelia Thomsen, Takayuki Yamada, Dieuwke Eijer Japanese screens, paintings, lacquers from the 16th century to contemporary Trinity House (Paintings) • D6 • page 98 24 East 64th Street, New York, NY 10065, USA Telephone 1 212 8130700 and 50 Maddox Street, Mayfair, London W1S 1AY, UK Telephone 44 (0)20 7499 8958 Cell 44 (0)7958 679762 www.trinityhousepaintings.com email: art@trinityhousepaintings.com Personnel: Steven Beale-Director, Simon Mills 19th and 20th century British, modern British, Impressionist, post-Impressionist, paintings, works on paper and sculpture Axel Vervoordt • D2/5 • page 100 Kanaal - Stokerijstraat 15 -19, Wijnegem 2110, Belgium Telephone 32 3 355 3300 Fax 32 3 355 3301 www.axel-vervoordt.com email: info@axel-vervoordt.com Personnel: Axel Vervoordt, Boris Vervoordt, Robert Lauwers, Philip Feyfer Specialising in furniture, Zero and Gutai Art, archaeology Wartski • A1 • page 102 14 Grafton Street, London W1S 4DE, UK Telephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448 www.wartski.com email: wartski@wartski.com Personnel: Geoffrey Munn, Katherine Purcell, Kieran McCarthy, Thomas Holman Antique jewellery, works of art by Carl Fabergé, objets de vertu, antique silver Yates • Trebosc • Van Lelyveld • A11 • page 99 PO Box 580, Lenox Hill Station, New York, NY 10021, USA Telephone 1 212 879 7758 Fax 1 212 794 4680 and 8 rue des Moulins, 75001 Paris, France Telephone 33 (0)1 74301619 www.europeansculpture.com email info@dcyates.com Personnel: David C. Yates, Constance S. Yates, Olivier Trebosc, Alfred Van Lelyveld Specialising in European sculpture, paintings and drawings

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A La Vieille Russie, Inc. F1 78l Fifth Avenue, New York, NY 10022, USA Telephone 1 212 752 1727 www.alvr.com email: alvr@alvr.com

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Works of Art by Russian Imperial Court Jeweler CARL FABERGE (1846-1920)

Michael Altman Fine Art & Advisory Services, LLC E14 38E 70th Street, New York, NY 10021, USA Telephone 1 212 879 0002 Fax 1 212 879 0011 www.mnafineart.com email: cparker@mnafineart.com / rborgelt@mnafineart.com

William Merritt Chase (1849-1916) Young Girl on an Ocean Steamer 1883 Pastel on paper Incribed right edge center: Wm. M. Chase / Society of Painters in Pastel stamp 29 x 24 in (73.7 x 61 cm) Provenance: Sale: Moore’s Art Gallery, New York, Chase Sale, March 2-3, 1887, no. 2 (as sketch of Young Girl on an Ocean Steamer) Probably) Rowland Robinson Hazard, Newport, RI (moved to Great Britain in 1871, retired to Guernsey, Channel Islands, in 1893, d. 1925); Mrs. Marie-Louise Hazard, Guernsey, Channel Islands (see Scott, his wife, d. in 1942) Ida Scott (his sister) moved to Guernsey, Channel Islands in 1936, d. in 1946; Estate of Ida Scott, Hauterive House Sale, Guernsey, Channel Islands, February 24-25, 1947; Owner above late husband; Sotheby’s New York, American Paintings, Drawings and Sculpture Sale, Thursday, December 01, 1988 [Lot 169]; The Warner Collection of Gulf States Paper Corporation, Tuscaloosa, Alabama

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Altomani & Sons A8 Via Borgospesso 14, 20121 Milan, Italy Telephone 39 02 20 10 33 Cell 39 335 1347003 Fax 39 02 89 07 42 51 www.altomani.com email: mail@altomani.com

Giuseppe Canart (documented 1738-1790) La Zingara White marble bust Signed and dated: g. canart 1738 Height 26 1â „8 in (66 cm)

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Provenance: Christian, Lady Hesketh, Pomfret Lodge, Northamptonshire

Altomani & Sons A8

Giovanni Della Robbia (Florence 1469-1529) Jar with lid with fruit and animals Florence, circa 1510-20 Polychrome glazed and gilt terracotta Height 13 3â „8 in (34 cm) Literature: G. Gentilini, I della Robbia, La Scultura invetriata nel Rinascimento, Firenze, Cantini ed., pag. 306; T. Wilson, Italian Maiolica of the Renaissance, Milano, Libr. Bocca Editore 1996, pp.396-401, fig. 156, 156a/b

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Apter-Fredericks Ltd D11 265-267 Fulham Road, London SW3 6HY, UK Telephone 44(0)20 7352 2188 USA Cell 1 917 696 4063 www.apter-fredericks.com email: antiques@apter-fredericks.com

A Regency Mahogany Writing Table by John Syers Circa 1800 Width 72 ½ in (184 cm) Depth 40 ¼ in (102 cm) Height 31 in (79 cm) Provenance: The Hon. Lady Mary Baillie, D.B.E. Leeds Castle, Kent

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Literature: C. Claxton Stevens & S Whittington, 18th Century English Furniture, The Norman Adams Collection, p.164

Ariadne Galleries D12 11 East 76th Street, New York, NY 10021, USA Telephone 1 212 772 3388 Fax 1 212 517 7562 www.ariadnegalleries.com email: info@ariadnegalleries.com

Statue of Asklepios Roman, Second century A.D. Marble Height 20 in (50 cm) Provenance: Acquired by Alexander Iolas, in New York and Paris, between 1950 and 1965; European Private Collection, 1980-1982; Ophiuchus Collection, 1982-2013 Published and Exhibited: Vogue, 1982 Classical Antiquities from Private Collections in Great Britain. A Loan Exhibition in Aid of the Ashmole Archive, Sotheby’s, London, (January 15th-31st 1986)

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J.H. Bourdon-Smith B6 24 Mason’s Yard, Duke Street St. James’s, London SW1Y 6BU, UK Telephone 44 (0)20 7839 4714 Cell 44 (0)7769 974366 Fax 44 (0)20 7839 3951 www.bourdonsmith.co.uk email: enquiries@bourdonsmith.co.uk

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A fine 24 place setting silver-gilt pierced vine pattern dessert service contained in its original fitted walnut case, comprising 106 pieces.

Made in London in 1881/2 by John S Hunt and Robert Roskell Weight 217.4 oz (6,762 gr)

H. Blairman & Sons Ltd B16 By appointment: Mayfair, London, UK PO Box 6374, London W1A 3UR, UK Telephone 44 (0)20 7493 0444 Fax 44 (0)20 7495 0766 www.blairman.co.uk email: blairman@blairman.co.uk

Coffret à bijoux The Triumph of Amphitrite Manufactured by Frédéric-Jules Rudolphi (1808-1872?)

French (Paris), circa 1851 Silver, oxidised and parcel-gilt enamel, coloured glass and pearls Height: 8 3⁄8 in (21.8 cm); Width: 7 3⁄4 in (19.7 cm); Depth: 6 in (15.4 cm) Provenance: [ … ]; Mouël-Chouflet, Saint-Jean-de-Luz, 29 December 1999; Paris art market; H. Blairman & Sons; private collection Exhibited: Probably Great Exhibition, London, 1851 Literature: Official Descriptive and Illustrated Catalogue of the Great Exhibition 1851, III, London, 1851, p. 1246, no. 1465 H. Blairman & Sons, Furniture and Works of Art (2000), no. 5

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W M Brady & Co D4 22 East 80th Street, New York, NY 10075, USA Telephone 1 212 249 7212 Cell 1 917 744 9095 Fax 1 212 628 6587 email: mark@wmbrady.com laura@wmbrady.com

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Emile Friant (Dreuze 1863 – 1932 Paris) Un coin d’atelier 1922 Oil on mahogany panel Signed and dated, lower left, E. Friant / 1922 11x 9½ in (28x24 cm)

Francisco Miralles y Galup (Spanish 1848-1901) In the Park Circa 1885 Signed F. MiRALLES lower left Oil on canvas 16¼ x 13 ¼ in (40.6 x 33.1 cm)

Thomas Colville Fine Art B1 111 Old Quarry Road, Guilford CT 06437 USA Telephone 1 203 453 2449 Fax 1 203 453 6983 www.thomascolville.com email: tlc@thomascolville.com

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Thomas Coulborn & Sons E10 Vesey Manor, 64 Birmingham Road, Sutton Coldfield, West Midlands B72 1QP, UK Telephone 44 (0) 121 354 3974 Cell 44(0)7941252299 Fax 44 (0) 121 354 4614 www.coulborn.com email: jc@coulborn.com

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A pair of Regency 12-inch terrestrial and celestial table globes by Dudley Adams (1762-1830), produced at his Fleet Street premises, the original papers dated 1807 and 1809.

Height: 24 in (61 cm)

Sandra Cronan A14 First Floor, 16 Albemarle Street, London W1S 4HW, UK Telephone 44 (0)20 7491 4851 www.sandracronan.com email: enquiries@sandracronan.com

An important peacock feather necklace by Boucheron with Royal Russian provenance.

Set with a sapphire, emeralds and diamonds, the feather is detachable and may be worn as a brooch or hair ornament. Paris, 1883.

Believed to have been made for, and purchased by, Grand Duke Alexis of Russia, from FrĂŠdĂŠric Boucheron in Paris, for 14,000 francs in 1883.

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Daniel Crouch Rare Books C2 4 Bury Street, St James’s, London SW1Y 6AB, UK Telephone 44 (0)20 7042 0240 Cell 44(0)7766 751391 www.crouchrarebooks.com email: info@crouchrarebooks.com

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Henry Popple 1746 A map of the British Empire in America with the French and Spanish Settlements adjacent thereto.

One of the most important large scale maps of colonial North America Engraving.

98 7⁄8 x 90 5⁄8 in (251 x 230 cm)

Douglas Dawson Gallery A5 400 North Morgan Street, Chicago IL 60642, USA Telephone 1 312 226 7975 Fax 1 312 226 7974 Cell 1 312 953 9839 www.douglasdawson.com email: info@douglasdawson.com

Valdivian Culture Ecuador c. 2,500 B.C. Limestone 13 x 4 x 4 in (32.5 x 10 x 10 cm) Provenance: Ex private Florida collection

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Drucker Antiques F8 487 East Main Street, Suite 197, Mount Kisco, New York NY10549, USA Telephone 1 914 923 4560 / 1 212 794 8536 Cell 1 914 419 2295 Fax 1 914 206 9623 www.druckerantiques.com email: bill@druckerantiques.com

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Josef Hoffmann, Wiener Werkstätte 1903-1923 Silver and enamel Signed: Wiener Werkstätte 2 7⁄8 in x 2 7⁄8 in x ½ in (7.3 cm x 7.3 cm x 1.2 cm) Rare and important Wiener Werkstätte silver box with enamel Designed by Josef Hoffmann, enamel attributed to Dagobert Peche

Exhibited: International Art Jewelry 1895-1925 held at the Forbes Gallery October 2011 – March 2012 Illustrated: Wiener Werkstätte by Waltraud Neuwirth 1985, pp 206 and 207

Enrico Galleria d’Arte B15 Via Senato 45, 20121 Milan, Italy Telephone 39 02 87235752 Cell 39 335 392711 Fax 39 02 87235753 www.enricogallerie.com email: enricogallerie@iol.it

Giovanni Boldini (Ferrara 1842–1931 Paris) Portrait of Princess Cécile Murat Ney d’Elchingen – 1910 Oil on canvas Signed and dated lower left: Boldini 1910 95 ¼ x 51 ½ in (240 x 130 cm) Provenance: Paris, Hôtel Murat (purchased from the artist in May 1910 for FF35,000).

Exhibited: Paris, Galérie Charpentier, May 7-31, 1931, num.59.

Literature: Boldini, 1842-1931. Exposition (…) en l’Hôtel Jean Charpentier, 76 Faubourg Saint-Honoré, Paris, du 7 au 31 mai 1931, preface by J.L. Vaudoyer, Paris 1911, p.26, n.59 E. Cardona, Boldini nel suo tempo, Milan, 1951, p.147.

E. Schlumberger, La visite que la princesse Murat n’attendait pas, in “Connaissance des Arts”, February 1961, n. 108, pp.38-47.

D. Cecchi, Giovanni Boldini, Turin, 1962, pp. 195, 219-220.

C.L. Ragglianti e E. Camesasca, L’opera complete di Boldini, Bologna, 2000, Vol. I, p. 563, Vol.II, n.563.

P&F. Dini, Giovanni Boldini 1842-1931, Catalogo ragionato, Turin, 2002, Vol. I, p.303, n.D65, p.307, Vol IV, pp.515 and 517, n.995

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European Decorative Arts Company E3 85 Birch Drive, Roslyn, New York, NY 11576, USA Telephone 1 212 758 3023 Cell 1 516 643 1538 www.eurodecart.net email: eurodecart@gmail.com

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Lebrecht W. Schulz Oval box with hinged lid depicting The Flight into Egypt Ivory, gilt metal German c. 1830 Signed: LWS Height 3 3â „8 in Width 5 5â „8 in (8.3 x 14 cm)

Finch & Co. A2 Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK Telephone 44 (0)20 7413 9937 Cell 44 (0)7768 236921/7836 684133 Fax 44 (0)20 7581 4445 www.finch-and-co.co.uk email: enquiries@finch-and-co.co.uk

A fine West African Central Ivory Coast Baule/ Yaure Face Mask ‘Mblo’ Early 20th century Wood Old paper label to reverse: ‘Ratton Paris’ Height 15 ¼ in (38.5 cm) Width 6 ¼ in (15.8 cm) Depth 4 ½ in (11.4 \) Provenance: Ex Charles Ratton, Paris, France Ex James Keggie Ex William Ohly, Berkeley Galleries, Davies Street, London Ex Private collection Ernest Ohly (in inventory) Thence by descent

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Peter Finer D1

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38-39 Duke Street St James’s, London SW1Y 6DF, UK Telephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777 www.peterfiner.com email: gallery@peterfiner.com

A prominent assembly of late 16th and early 17th century wheel-lock firearms and their accessories, all formerly retained within the Saxon Royal Collections, including pieces carried by the Trabantenleibegarde, the elite noble retinue of the Christian I, Prince Elector of Saxony, and of his sucessor, Friedrich Wilhelm, Duke of Saxe-Weimar.

Comprising: A pair of South German luxurious small wheel-lock pistols (puffers) made for a boy, Dresden, dated 1586 A wheel-lock carbine for a Musketeer of the Electoral Guard, Dresden, dated 1589

A Musketeer’s bandolier, late 16th – early 17th century A Musketeer’s powder flask, circa 1590 A silver- mounted cartridge-box (patron) engraved with the arms of Hans Georg von Wehse, Hofmarschall of Saxony and Commander of the Electoral Trabantenleibegarde, circa 1600

Michael Goedhuis D3 61 Cadogan Square, London SW1X 0HZ, UK Telephone 44 (0)20 7823 1395 USA Cell 1 917 4551035 UK Cell 44 (0)7760 625 375 www.michaelgoedhuis.com email: london@michaelgoedhuis.com

LO CH’ING 2012 Peach Blossom Spring Rediscovered Ink and colour on paper 54 x 110 in (137 x 280 cm)

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Bernd Goeckler Antiques, Inc D9 30 East 10th Street, New York, NY 10003, USA Telephone 1 212 777 8209 Cell 1 646 8249644 Fax 1 212 777 8302 www.bgoecklerantiques.com email: bgantiques@mac.com

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Circular Table Ado Chale (b.1928) Belgium, 1970s Solid cast bronze with concentric grooves on the top and a polished finish, raised on four black-painted steel tripod supports.

Inscribed signature “Ado Chale” on the apron Diameter 56 in (141 cm) Height 14 ¾ in (37 cm)

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Bernard Goldberg Fine Arts, LLC E11 New York, USA Telephone 1 212 813 9797 Fax 1 212 813 9876 www.bgfa.com email: info@bgfa.com

Gifford Beal (1879-1956) The Yacht Race c.1925-35 Oil on canvas 48 x 72 in (121 x 181.5 cm) Signed lower right: “Gifford Beal” Provenance: Estate of the Artist; Kraushaar Galleries, New York

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The Yacht Race was exhibited in 1937 at the “Fifteenth Biennial Exhibition of Contemporary American Oil Paintings” at the Corcoran Gallery of Art in Washington DC. The exhibition was both chaired and curated in part by American artist William Glackens and included Gifford Beal’s The Yacht Race along with works by Edward Hopper, John Sloan, Guy Pene du Bois, and other American modernists.

GRIMA G7 By appointment 16 Albemarle Street, London W1S 4HW, UK Cell 44 (0)7900 590 123 www.grimajewellery.com email: info@grimajewellery.com

A Brazilian tourmaline weighing 47 carats set in yellow gold and diamonds.

The ring was designed by Andrew Grima specifically for sculptress Dame Barbara Hepworth in 1970.

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Hancocks B2 52 & 53 Burlington Arcade, London W1J OHH, UK Telephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905 www.hancocks-london.com email: info@hancocks-london.com

Magnificent ‘Holly Wreath’ cluster design necklace, set with 152cts of pear, round and marquise diamonds 56

Harry Winston, New York, 1962

Hirschl & Adler Galleries E12 730 Fifth Avenue, 4th Floor, New York, NY 10019, USA Telephone 1 212 535 8810 Fax 1 212 772 7237 www.hirschlandadler.com email: gallery@hirschlandadler.com

Eugène Boudin (French, 1824-1898) Camaret, pêcheurs et barques 1869 Signed and dated at lower left: 69 E. Boudin Oil on canvas 18 3⁄8 x 25 3⁄8 in (46.7 x 64.5 cm)

Provenance: Charles Bonnemaison-Bascale, Paris; to sale, Hôtel Drouot, Paris, May 3, 1890, no. 6; B. C. Smith, London; to sale, Christie’s, London, July 11, 1924, no. 105; [Galerie Bernheim-Jeune, Paris]; [Arthur Tooth & Sons, London]; John Folley, Ottawa, Canada; [E. J. van Wisselingh & Company, Amsterdam]; [Rosenberg & Stiebel Inc., New York, 1945]; to Mrs. S. E. Worms, New York; by gift to private collection, 1992 until the present Recorded: R. L. Benjamin, ed. Eugène Boudin (New York: Raymond & Raymond Inc., 1937), p.178 // Robert Schmit, Eugène Boudin, 1824-1898, vol. 1 (Paris: Schmit, 1973), p. 175, no. 475 illus.

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Brian Haughton Gallery E1 15 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

A very rare and impressive Meissen Model of a Cockerel or Rooster, modelled by J.J.Kaendler, the finely incised plumage painted in a bright palette of exotic tones Circa 1742 Height: 9 ¼ in (23 cm)

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Literature: Ulrich Pietsch, Passion for Meissen, no. 136.

Mentioned in Kaendler’s Taxa report 1740-48: ‘1 rooster rather large after Nature, standing on the grass crowing’. This model, together with the matching hen, was originally conceived for Princess Johanna Charlotta of Anhalt-Dessau, the Abbess or Herford (1682-1750). Both models are in the Metropolitan Museum of Art, New York, Untermeyer Collection (see Y.Hackenbroch, Meissen and other Continental Porcelain, fig. 17).

An extremely rare Alcora soft paste Porcelain Figure of a Turk, wearing Levantine costume, standing proudly before a rococo scrolled arch, applied with flowers and leaves 1750-60 Height: 13 in (33 cm)

Brian Haughton Gallery E1

The Spanish porcelain manufactory, founded by the 9th Count of Aranda in 1727 in Valencia, was fully supported by the Bourbon monarchy. After 1742 when the 10th Count inherited the manufactory, they began to produce the finest rare soft paste porcelain as diplomatic and royal gifts.

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Brian Haughton Gallery E1 15 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556 www.haughton.com email: gallery@haughton.com

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An Extremely Rare Pair of First Period Dr. Wall Worcester Porcelain Hexagonal Vases and Covers, of tapering baluster form, the domed covers with pointed acorn knop finials, beautifully painted with brightly coloured crested exotic birds, within gold scrolled formal chinoiserie panels, reserved on a rare powder blue ground.

Circa 1765 Height: 14 ž in (37.6 cm)

Brian Haughton Gallery E1

The vases are the largest and most important ornamental forms produced at Worcester in the First Period during the second decade of production in the mid part of the 1760’s. The Chinese inspired shape and powder blue ground indicate a very early date for these vases.

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Hyde Park Antiques Ltd F3 836 Broadway, New York, NY 10028, USA Telephone 1 212 477 0033 Fax 1 212 477 1781 www.hydeparkantiques.com email: info@hydeparkantiques.com

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A fine George II marble top giltwood console table retaining the original Breche Violette top above a Vitruvian scroll carved frieze, centred by an elaborate female mask and raised on four foliate, knee-carved, cabriole legs, ending in bold paw feet.

Circa 1740 Height 35 in (88.9 cm) Width 57 in (144.8 cm) Depth 27 ½ in (69.9 cm)

Hyland Granby Antiques B13 PO Box 457, Hyannis Port, MA 02647, USA Telephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842 www.hylandgranby.com email: alan@hylandgranby.com

Vintage Photograph of Five J-Boats by Morris Rosenfeld (1885 – 1968) Vintage silver bromide photograph, with an extremely rare view depicting five J-Boats, 1937 The photograph bears the blind stamp lower right “M. ROSENFELD, N.Y.” The photograph is on its original mount which bears on the reverse Rosenfeld’s copyright stamp, address stamp, stamp and negative number 83425. The photograph must have been specially scheduled because it was highly unusual to have this many J-Boats together. From left to right, the boats represented are: JK 4 (Endeavour); J 4 (Rainbow); J 5 (Ranger); JK 6 (Endeavour II); and J US 2 (Yankee). Except for Yankee, the other

four were the America’s Cup Defender / Challengers for the 1934 and 1937 America’s Cups matches. Rosenfeld photographs of this large size are rare. (PH-425) Condition: The photograph is in excellent condition Dimensions of photo: 16 x 20 in (40 x 50 cm) Dimensions of mount: 20 x 25 in (50 x 62.5 cm) Master vintage print by the most famous yachting photographer of all time of J-Class boats which, for many people, was their favourite era of the America’s Cup which took place in the 1930s.

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Il Quadrifoglio A9 Via Carlo Pisacane 40, 20129 Milan, Italy 38 Old Bond Street , London W1S 4QW, UK Telephone 39 02 29518031 Cell 39 335 371907 www.galleriailquadrifoglio.com email: info@gqfineart.com

An exceptional pair of giltwood, palace armchairs with insertions of blue Murano glass Venice Louis XV (middle of the XVIII Century)

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Height 53 ¼ in (133 cm) Width 28 ¾ in (72 cm) Depth 16 in (40 cm)

Provenance: Castle of Catajo in Mezzavia, Padua Collection Cella, Broni Stradella Literature: Mobile Veneziano del ‘700, Note di G. Morazzoni, Görlich Editore Milano

Jerome V. Jacalone Fine Art G6 By appointment 433 East 51st Street, Suite 1E, New York, NY10022, USA Telephone 1 646 684 3877 Cell 1 917 756 0372 www.jacalonefineart.com email: artnnyc@aol.com

Bolognese School 16th Century The Serenade Oil on canvas 29 他 x 44 1/8 in (75.3 x 112 cm)

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Jane Kahan Gallery G3 922 Madison Avenue, New York, NY 10021, USA Telephone 1 212 744 1490 Fax 1 212 744 1598 www.janekahan.com email: janekahan@janekahan.com

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Pablo Picasso Vases deux anses hautes (King and Queen) (R141 & R213) 1952-1953 Edition Picasso ceramic vases Height 15 in (39 cm)

Kentshire A3/4 700 Madison Avenue, New York, NY 10065, USA Telephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180 www.kentshire.com email: info@kentshire.com

A highly important pair of George III commodes, attributed to Pierre Langlois, circa 1765 Height 31in Width 55 in Depth 24 in (79x140x 61cm) Provenance: Francis Seymour Conway,1st Marquess of Hertford (1719 - 94), for Ragley Hall, Warwickshire.

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Keshishian A15 73 Pimlico Road, London SW1W 8NE, UK Telephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803 and By appointment in New York Telephone 1 212 956 1586 www.keshishiancarpets.com email: info@keshishiancarpets.com

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An important English Axminster carpet circa, 1800 22ft 6 in x 16ft 7 in (686 x 506 cm) This large and exceptional carpet has a design after Pierre-Josse Perrot (active 1724-1750) who designed numerous carpets for Louis XV, though the present Axminster carpet has an additional outer border. Of note is the excellent condition and fresh original colour.

Provenance: Collection of an English Nobleman.

Koopman Rare Art D10 The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UK Telephone 44 (0)20 7242 7624 USA Cell: 1 646 5544416 www.koopmanrareart.com email: enquiries@koopmanrareart.com

A Set of Four George III Sauce Boats Silver London 1818 Maker’s mark of Paul Storr for Rundell, Bridge & Rundell Length: 8 ≤ in (22 cm) Height: 4 3⁄8 in (11cm) Weight: 115 oz

Exhibited: Royal Goldsmith’s: The Art of Rundell & Bridge 1797-1843, London, 14 June – 1 July 2005

These elaborately chased sauceboats from the Dean Street workshop in 1818-19 are in total contrast to the studied classicism of most of Rundell’s silver during the Regency period. A growing interest in the rococo and its naturalistic decoration would find its full flowering in the 1820s.

Literature: Christie’s Review Season 1984; Michael Clayton, Christie’s Pictorial History of English and American Silver, Oxford, 1985; The Glory of the Goldsmith – Magnificent Gold and Silver from the Al-Tajir Collection, Christie’s London, 1989

Provenance: The Ironbridge Gorge Museum Development Trust, sale Christie’s London, 23 December 1983, lot 179

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Galerie Lefebvre B11 15 Rue du Pré-aux-Clercs, 75007 Paris, France Telephone 33 (0) 1 45481813 Cell 33 (0) 698 021813 Fax 33 (0)1 45480469 www.galerielefebvre.com email: gallerylefebvre@gmail.com

Albert CHEURET (1884-1966) Exceptional pair of stylized, cactus-shaped sconces executed in silvered bronze; original cast, finished “à la ciselure à froid”.

Two partially original, diamond-shaped alabaster plaques grace each lamp.

Embossed signature “Albert Cheuret” on each base Circa 1925 Dimensions: Height: 13½ in (34 cm) Width: 10¾ in (27 cm) Depth: 4¾ in (12 cm) Provenance: Private collection, Paris.

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Literature: A similar model appears in: “Le Luminaire” by Guillaume Janneau, Ed. d’Art Ch. Moreau 1925, p.129.

MacConnal-Mason Gallery G5 14 & 17 Duke Street St James’s, London SW1Y 6DB, UK Telephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797 www.macconnal-mason.com email: fineart@macconnal-mason.com

Jonas Lie (1880-1940) Manhattan Oil on canvas Signed 36 x 42 in (91.4 x 106.5 cm) Provenance: Sibley-Watson Estate

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H.M. Luther G1 The Carlyle, 35 East 76th Street, New York, NY 10021, USA Telephone 1 212 439 7919 and Greenwich Village, 61 East 11th Street, New York, NY 10003, USA Telephone 1 212 505 1485 www.hmluther.com email: info@hmluther.com

A Large and Extraordinary Murano Ruby and Colorless Glass 8 Light Chandelier Attributed to Napoleone Martinuzzi for Venini Italian, Circa 1930 Height: 55 in (139.7 cm) Diameter: 54 in (137.2 cm)

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Maison Gerard G2 43 & 53 East 10th Street, New York, NY 10003, USA Telephone 1 212 674 7611 Cell (Benoist Drut) 1 917 686 6782 Fax 1 212 475 6314 www.maisongerard.com email: home@maisongerard.com

Achille Salvagni 2013 Royal oak and patinated bronze “Gio” cabinet Signed Height 35 ½ in (89.5 cm) Width 42 ¼ in (106.5 cm) Depth 13 ¾ in (34.7 cm) 74

Maison Gerard G2

William P. Sullivan 2013 Cast bronze “Gazelle� console with glass top Signed and dated Height 34 in (85.7 cm) Width 72 in (181.5 cm) Depth 20 in (50.4 cm)

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Martin Du Louvre E7 69 rue du Faubourg Saint HonorĂŠ, 75008 Paris, France Cell: 33 (0) 680175101 www.martindulouvre.com email: 69faubourg@gmail.com

Heinz Warneke (1895-1983) American School Elegance c. 1927 Black Belgian marble Signed on left edge of integral base: H. Warneke Dimensions: Base 8 ½ x 8 3/8 in (21.4 x 21 cm) Height 17 in (42.8 cm) Provenance: Private collection Paris

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Galerie Mathivet F5 6 rue Bonaparte, 75006 Paris, France Cell 33 607 503813 www.galeriemathivet.com email fabien.mathivet@wanadoo.fr

Ivan da Silva Bruhns (1881-1980) Fine Wood Rug c. 1935 Signed with the artist’s initials and initials of the Manufacture de Savigny Length 123 in (307 cm) Width 100 in (250 cm) Provenance: French original collection with Eugène Printz Furniture

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John Mitchell Fine Paintings A12 44 Old Bond Street, London W1S 4GB, UK Telephone: 44 (0)20 7493 7567 Fax 44(0) 20 7493 5537 www.johnmitchell.net email: enquiries@johnmitchell.net

Martin Drolling (1752-1817) La Leçon de Musique Oil on canvas Signed and dated 1796 19 ¾ x 24 in (50.3 x 61 cm)

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Provenance: Vente Collection X, Paris, Hôtel Drouot, 28 November 1910, Lot 20; Private collection since 1930

Lillian Nassau LLC G8 220 East 57th Street, New York, NY 10022, USA Telephone 1 212 7596062 Fax 1 212 8329493 www.lilliannassau.com email: info@lilliannassau.com

Tiffany Studios Poppy Shade on Cattail Base Circa 1906 Leaded glass and bronze Signed Diameter 20 in (50.4 cm) Height 23 in (58 cm)

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nexxt20 D7 5600 Lovers Lane, #116-161, Dallas, TX 75209, USA Telephone 1 845 453 5858 Fax 1 214 522 1475 www.nexxt20.com email: info@nexxt20.com

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Franรงois-Xavier Lalanne France, c. 1980 Important bowl in glazed stoneware vase with black exterior and electric blue on the inside Artcurial Edition. Trace signature on the base plate and Artcurial 14 7/8 in (37 cm) at tallest point x 15 in (37.5cm) at widest point

Frank Partridge E6 7 Thurloe Square, London SW7 2TA, UK Telephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44 (0)20 7581 9387 www.frankpartridge.co.uk email: mail@frankpartridge.co.uk

A George III Coromandel Lacquer, gilt-brass mounted serpentine commode, attributed to Pierre Langlois, the mounts possibly supplied by Dominique Jean Circa 1760 54 x 22 x 33 in high (138 x 56 x 84 cm) Provenance: Castle Howard

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Ronald Phillips Ltd B3/4 26 Bruton Street, London W1J 6QL, UK Telephone +44 (0)20 7493 2341 www.ronaldphillipsantiques.com email simon@ronaldphillips.co.uk

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A George III ormolu mounted blue John ‘King’s’ candelabrum by Matthew Boulton English, circa 1770 Height: 23 ¼ in (59 cm) Width: 20 ½ in (52 cm) Depth: 9 ½ in (24 cm) Provenance: Available on request

A magnificent Queen Anne black japanned bureau cabinet English, circa 1710 Height: 7 ft 8 in (234 cm) Width: 3 ft 5 in (104.5 cm) Depth: 1 ft 11½ in (60 cm)

Ronald Phillips Ltd B3/4

Provenance: Available on request

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Phoenix Ancient Art E2 47 East 66th Street, New York, NY 10065, USA Telephone 1 212 288 7518 Fax 1 212 288 7121 and 6 rue Verdaine, 1204 Geneva, Switzerland Telephone 41 (0)22 318 8010 Fax 41 (0)22 310 0388 www.phoenixancientart.com email: info@phoenixancientart.com

Red Figure Calyx-Krater Attributed to the Darius Painter South Italian, Apulian, circa 340-320 B.C. Terracotta Height 19 in (48.2 cm) Provenance: Sotheby’s, London, December 1982, Lot 290

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Potterton Books B7 The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UK Telephone 44 (0)1845 501218 Fax 44 (0)1845 501439 www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk

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PRPH Rare Books C2 26 East 64th Street, 3rd floor, New York, NY 10065, USA

UMBERTO PREGLIASCO Via Acc. Albertina 3 bis Torino 10123, Italy upreliber@gmail.com Cell 1 917 488-1305

FILIPPO ROTUNDO Via Bertoloni 45 Roma 00197, Italy filippo.rotundo@gmail.com Cell 1 917 488-2874

The ‘Mantegna Tarocchi’ (E-Series).

Set of 50 etchings in an early state.

Northern Italy, c. 1465

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The beginning of printmaking as a fine art and the purest expression of the Renaissance in the history of engraving.

Primavera Gallery F7 210 11th Avenue at 25th Street, Suite 800, New York, NY 10001, USA Telephone 1 212 924 6600 Fax 1 212 924 6602 www.primaveragallery.com email: contact@primaveragallery.com

Suzanne Belperron Bracelet Rock crystal and 18K gold 1930s Literature: Illustrated p.71 of book Suzanne Belperron, by Sylvie Raulet and Olivier Baroin; Illustrated p.82 in Bijoux Art Déco et avant-garde, catalogue of the exhibition held at Musée des Arts Décoratifs, Paris, in 2009, by Evelyne Possémé and Laurence Mouillefarine, Editions Norma.

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Richard Redding Antiques Ltd D8 Dorfstrasse 30, CH 8322 Gündisau, Switzerland Telephone +41 (0) 44 212 00 14 Cell +41(0) 79 333 40 19 Fax +41 (0) 44 212 14 10 www.reddingantiques.ch email: redding_antiques@bluewin.ch The Hartmann Masterpiece A unique and highly important Republican gilt bronze and polychrome enamel, multi-dial automata clock conceived and made by FrançoisJoseph Hartmann (fl.1793-1830) featuring eight superb enamel dials and signature plaque by the pre-eminent enamellist Joseph Coteau (1740-1812) including full Republican and Gregorian calendars, age and phase of the moon, time of sunrise and sunset, equation of time, world time and signs of the zodiac.

Paris, dated between 22nd September 1799-21st September 1800 Signed and inscribed “Hartmann Invenit Fecit à Paris” in gold on a blue enamel plaque below the main dial and stamped twice on the front plate of the movement with the initials “HM”.

Also signed “Coteau” on the main dial below VI o’clock and likewise on the rear of the majority of the others and in several instances to include the year date “an 8” (between 22nd September 179921st September 1800 according to the Republican calendar).

Height of the clock 29 ½ in (75 cm) to include the glazed case and mahogany baseboard 39 in (99 cm) Provenance: Owned by the same European noble family since the 19th century.

Exhibited: Almost certainly made for and shown at the Seconde Exposition Publique des Produits de L’Industrie Française, the Louvre, Paris, 1801

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Richard Redding Antiques Ltd D8

A large and highly important Louis XV gilt bronze figural cartel clock of two weeks duration, the movement by Louis Jouard (d. before 1773) and magnificent case by the eminent bronzier Jean-Joseph de Saint-Germain (1719-91). The dial with outer black Arabic and inner blue Roman numerals with a beautiful pair of pierced gilt brass hands for the hours and minutes. The movement with anchor escapement, striking on the hour and half hour.

The case of asymmetrical cartouche outline decorated overall with floral and foliate scrolls surmounted by Diana, the mythological huntress seated beneath an arbour with a hound leaping at her leg and a putto to her lower left, with a further putto to the lower left of the dial and a dove to the lower right.

Paris, date circa 1745 Signed on the white enamel dial and also on the movement “Jouard à Paris” and inscribed on the lower right of the case “S. GERMAIN”.

Height 36 ½ in (93 cm) Width 17 ¼ in (44 cm)

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Red Fox Fine Art C1 At the Red Fox Inn, 2 East Washington St., 2nd Floor, P.O. Box 385, Middelburg, VA 20118, USA Telephone 1 703 851 5160 Fax 1 540 687 6306 www.redfoxfineart.com email tr@redfoxfineart.com

Percival Leonard Rosseau (American, 1859-1937) Under an Old Rail Fence (setters Bay and Kale) Signed: Rosseau and dated 1918 24 x 30 in (60.5 x 75.5 cm)

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James Robinson, Inc F2 480 Park Avenue at 58th Street, New York, NY 10022, USA Telephone 1 212 752 6166 Fax 1 212 754 0961 www.jrobinson.com email: info@jrobinson.com Enamel and Diamond Jewelry

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Samina Inc A16 By appointment only 33 St James’s Square, London SW1Y 4JS, UK Telephone 44 (0)20 3170 6076 Cell 44 (0)7775 872960 Fax 44 (0)20 7286 3633 www.saminainc.com email: saminainc@hotmail.com

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Cup (Probably for wine) Hyderabad, Deccan, India 19th Century Carved from rock crystal; inlaid in gold with kundan technique and set with emeralds, rubies, blue sapphires and diamonds as a flowering plant.

Overall height 3 in (7.5 cm) Round 8in (20cm; widest point)

Bound in full green morocco richly gilt John GOULD A Monograph of the Trochilidae, or Family of Humming-Birds London, 1849-1887 Six volumes including supplement, folio An exceptionally fresh example of this rare title

Shapero Rare Books B8 32 Saint George Street, London W1S 2EA, UK Telephone 44 (0) 20 7493 0876 Fax 44 (0) 20 7495 5010 www.shapero.com email: rarebooks@shapero.com

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S.J. Shrubsole, Corp. A6/A7 104 East 57th Street, New York, NY 10022, USA Telephone 1 212 753 8920 Fax 1 212 754 5192 www.shrubsole.com email: inquiries@shrubsole.com

A George II English Silver Monteith Bowl of American Interest George Wickes London, 1727 Diameter 13 ¾ in (34.4 cm)

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Provenance: The arms are those of Contee for Alexander Contee of Prince George’s County, Maryland.

His son-in-law was John Hanson, President of the First Continental Congress.

The Silver Fund C5 San Francisco, CA, USA USA Cell 1 917 447 1911 UK Cell 44(0)7710 032453 www.thesilverfund.com email: dealers@thesilverfund.com

Important Jean E. Puiforcat Art Deco Mexican silver and white onyx covered tureen.

Mexico, circa 1941-1945

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Somlo Antiques B10 35-36 Burlington Arcade, London W1J 0QB, UK Telephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603 www.somlo.com email: mail@somlo.com

Patek Philippe for Tiffany & Co. – 18ct yellow gold minute repeating, split second chronograph pocket watch with register. c.1890

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Patek Philippe - 18ct yellow gold chronograph wrist watch made in 1953

Tambaran Gallery F6 5 East 82nd Street, New York, NY 10028, USA Telephone 1 212 570 0655 Cell: 1 917 9296596 www.tambaran.com email: m.zarember@tambaran.com

Yombe Maternity Figure 19th Century Wood D.R. of Congo, Africa Height 13 1/8 in (32.8 cm) Provenance: Milton and Frieda Rosenthal, New York, USA; John J. Klejman, New York, USA; Germaine Rodier, Paris, France Literature: Raoul Lehuard, Art Bakongo, 1989, p.583, fig.7.1.2

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Carolle Thibaut-Pomerantz E5 By appointment only: New York, USA and Paris, France New York: Telephone 1 212 759 6048 Cell 1 646 322 3570 Paris: Telephone 33 (0)1 45 50 33 01 Cell 33 (0) 609 053598 www.antique-wallpaper.com email: carolle@ctpdecorativearts.com

“Papiers Peints�, vintage Wallpaper panels and XX century Decorative Arts

98

Erik Thomsen Gallery E9 23 East 67th Street, New York, NY 10065, USA Telephone 1 212 288 2588 Cell 1 212 300 3244 Fax 1 212 535 6787 www.erikthomsen.com email: info@erikthomsen.com

Kano School Cranes by a stream (detail) Edo Period (1615-1868), 19th century, Japan A pair of six-panel folding screens Ink, mineral colors and gofun on paper with gold leaf Height 68 in Width 149 in (172.5 x 378 cm) each

99

Trinity House (Paintings) D6 24 East 64th Street, New York, NY 10065, USA Telephone 1 212 813 0700 and 50 Maddox Street, Mayfair, London W1S 1AY, UK Telephone 44 (0)20 7499 8958 Cell 44 (0)7958 679762 www.trinityhousepaintings.com email: art@trinityhousepaintings.com

HENRY MOORE (1898-1986) Reclining Figure: Cloak Bronze with brown patina Signed, numbered and stamped with foundry mark ‘Moore 3/9 Noack Berlin’ on the back Conceived and cast in 1967 6.75 x 15 in (17.14 x 38.10 cm) Provenance: Private Collection, London; Louis Stern Fine Art, Los Angeles; Private Collection, United Kingdom

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Literature: A.Bowness, ed., Henry Moore, Complete Sculpture, 1964-73, London 1977, vol.4, p.49, no. 565 (another cast illustrated, p.48 and pl.67b)

Paul Gauguin (Paris 1848 – 1903 Fatu-Iwa) Mask of a Savage Patinated plaster 9 7⁄8 x 7 ¾ in (25 x 19.5 cm) Executed between 1893 - 1897 Provenance: Vollard Collection, Paris, France; John Rewald 1957-58; The Phillips Family Collection; Private Collection, Switzerland

Yates - Trebosc - Van Lelyveld A11 PO Box 580, Lenox Hill Station, New York, NY 10021, USA Telephone 1 212 879 7758 Fax 1 212 794 4680 and 8 rue des Moulins, 75001 Paris, France Telephone 33 (0)1 74301619 www.europeansculpture.com email info@dcyates.com

Exhibited: Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, 1 May-31 July 1988, illustrated, catalogue no. 210; Chicago, Art Institute of Chicago, 17 December11 December 1988; Paris, Grand Palais, 10 January-10 April 1989; Dallas, Dallas Museum of Art, on extended loan, 1991-1994; Baltimore, The Walters Art Gallery, Gauguin and the School of Pont-Aven, 20 November 1994-15 January 1995, illustrated in addendum; Boston, Boston Museum of Fine Arts, 1995 Williamstown, Massachusetts, Sterling and Francine Clark Institute, on extended loan, 1997-1998; Martigny, Switzerland, Fondation Pierre Gianadda, Gauguin, 10 June-22 November 1998, illustrated, catalogue no. 117

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Axel Vervoordt D2/5 Kanaal - Stokerijstraat 15 -19, Wijnegem 2110, Belgium Telephone 32 3 355 3300 Fax 32 3 355 3301 www.axel-vervoordt.com email: info@axel-vervoordt.com

Aphrodite of the Gardens White marble Original archaeological patina and calcification Roman, 1st century A.D. Height: 42 1/4 in (107 cm)

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Provenance: French private collection, acquired ca 1980; Bought from Jean-Philippe Mariaud de Serres, Paris.

Axel Vervoordt D2/5

Kazuo SHIRAGA (1924-2008) Tomomori jusui (Blue Fudo Flame) 1973 Oil on canvas Signed on the lower left; signed, titled and dated on the reverse 64 x 51 Âź in (161 X 130 cm)

Literature: Kazuo Shiraga (exh. cat.), Hyogo Prefectural Museum of Modern Art, Kobe, 2001, p. 120.

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Wartski A1 14 Grafton Street, London W1S 4DE, UK Telephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448 www.wartski.com email: wartski@wartski.com

Above: A gold and gem-set bracelet with detachable clip by Paul Flato, set with diamonds and baguette-cut aquamarines. New York, c. 1950.

Inner dimensions 2 3⁄8 in x 2 in (6 x 5 cm)

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Right: A Siberian aquamarine crystal of hexagonal form, mounted as a seal by Carl Fabergé, encircled by a gold handle in the form of a snake, set with a cabochon ruby.

Signed with the initials of the chief work master Erik Kollin. St. Petersburg, before 1886.

Height 2 ¾ in (7cm)

Wartski A1

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YOU RECOGNIZE A CLASSIC WHEN YOU SEE IT One of the nation’s most highly acclaimed antiques shows celebrates its 50th anniversary with a spectacular showcase of art, antiques, and design! Featuring the finest offerings from more than 60 distinguished dealers, the Delaware Antiques Show highlights the best of American antiques and decorative arts. Join us for a full schedule of exciting show features sure to captivate the sophisticated and new collector alike.

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Adriaen van Oolen (Dutch, Circa 1631–1709) Two Cocks Fighting, with Hens, a Swallow and Two Exotic Birds in a Wooded Landscape, 1709 Signed and dated, Oil on canvas, 41 x 54 inches George IV Gilt-Bronze Mounted Brass Inlaid Tortoise Shell Boulle Marquetry Bureau Plat, Circa 1820, stamped Thomas Parker, Height 31 1/4 inches.

Estimate: $40,000–60,000 George II Mahogany Side Chair, Probably Irish, Mid 18th century. The Estate of Alfred J. Seaman.

Estimate: $8,000–12,000

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Index A La Vieille Russie, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Altman Fine Art & Advisory Services, Michael . . . . . . . . . . . . . . 31 Altomani & Sons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32-33 Antiques & Fine Art Magazine . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Antiques, The Magazine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Apollo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Apter-Fredericks Ltd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Art Antiques London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Ariadne Galleries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Blairman & Sons Ltd, H. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Bourdon-Smith Ltd., J.H. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Brady & Co., W.M. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Bunny Williams. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Colvile Fine Art, LLC, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Charlotte Moss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Coulborn & Sons, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Cronan Ltd, Sandra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Crouch Rare Books, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Cullman & Kravis, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Dawson Gallery, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Doyle New York . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Drucker Antiques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Enrico Galleria d’Arte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Epoch Times . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 European Decorative Arts Company . . . . . . . . . . . . . . . . . . . . . 46 Finch & Co. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Fine Art Connoisseur . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Finer, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 1stdibs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 France Magazine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Freeman’s Auction House . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Fund for Park Avenue, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Gander & White Shipping Ltd . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Goeckler Antiques Inc., Bernd . . . . . . . . . . . . . . . . . . . . . . . . 50-51 Goedhuis, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Goldberg Fine Arts, LLC, Bernard . . . . . . . . . . . . . . . . . . . . . . . . 52 GRIMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Hancocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Haughton Gallery, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56-59 Hirschl & Adler Galleries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Hyde Park Antiques Ltd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Hyland Granby Antiques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 International Fine Art & Antique Dealers Show, The . . . . . . . . 128 Il Quadrifoglio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Jerome V. Jacalone Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Kahan Gallery, Jane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Kentshire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Keshishian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Koopman Rare Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Lefebvre, Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Luther, H.M. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70-71 MacConnal-Mason Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Maison Gerard Ltd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72-73 Martin Du Louvre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Master Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Mathivet, Galerie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Mitchell Fine Paintings, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 National Antique & Art Dealers Association of America, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Nassau LLC, Lillian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 New York Times Global . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 nexxt20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Park Avenue Armory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Partridge, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Phillips, Ltd., Ronald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80-81 Phoenix Ancient Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Potterton Books . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 PRPH Rare Books . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Primavera Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Redding Antiques Ltd, Richard . . . . . . . . . . . . . . . . . . . . . . . . 86-87 Red Fox Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Robinson Inc., James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Samina Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Shapero Rare Books. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 Shrubsole Corp, S.J. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Silver Fund, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Somlo Antiques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Stark & Darius Antique Rugs . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Tambaran Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Thibaut-Pomerantz, Carolle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Thomsen Gallery, Erik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Traditional Home . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 Trinity House (Paintings) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Vervoordt, Axel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100-101 Wartski . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102-103 Winterthur . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Yates • Trebosc • Van Lelyveld . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

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