interior architecture portfoliio

INTERIOR ARCHITECTURE & DESIGN H.S.ALTINKAYA

Portfolio.

Sam Altinkaya

PHONE

07850247973 EMAIL

sam_altinkaya SOCIAL PROFILE

Linkdn- Sam Altinkaya

I N T E R I O R D E S I N G E R

SUMMERY C O N TA C T Teleph.: Email: Portfolio:

07850247973 sam_altinkaya@outlook.com https://issuu.com/hassipsam/

An enthusiastic, hard-working and confident individual with great team working skills.

Always aiming to supersede expectation and deliver optimal results, whether it be in familiar or foreign areas of expertise. Standing independently and confident within the world of design, producing innovative and dynamic concepts. A confident orator, honing conversational skills to best fit the client, delivering ideas with clarity and enthusiasm.

docs/portfolio

E D U C AT I O N SKILLS Professional:

Interior Archietcture & Design

Art & Design

2016-2019

2013-2016

Leeds Beckett University

Newark College of Arts

Project Managment Excellent Social /Communication Team Player Problem Solving

WORK EXPERIENCE

Critical Thinker Stratigic Thinker Attention To Detail

Junior Interior Designer

Visulisation

Okeyo Interiors /

2019-2020

Liverpool

Re-work exising plans.

Technical:

Create Mood boards, materials.

Auto CAD- 2D & 3D

Creating visuals, liaising with constructors.

Sketch Up Microsoft Office Adobe Suit

Interior Design Intern

Photoshop Indesign Illustrator

No.15 Interior /

Native

Turkish Second Language

Newark on trent

Creating mood boards.

LANGUAGE English

2015-2016

Setting up client meetings.

Assisting, taking notes.

100%

Customer Service 95%

2017-2020

The Ivy (Waiter) Dishoom ( Waiter ) Jet 2 Holidays ( sales advisor )

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Welcome

Hello! I’m Sam!

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PROJECTS. PROJECT 1

Green Lane Farmhouse Middleton

PROJECT 2

Paisley Gate Pub Liverpool

PROJECT 3

University Projects Leeds Beckett University

6.1 Intergenerational activities centre 6.0 The Rhu Bakery 5.9 Skinny House Project 5.8 Henry Moore Institute (Staircase)

CONTENTS.

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5.7 York Library / Arts Exhibition space

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GREEN LANE FARM HOUSE.

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Green Lane End farm is buried behind hedgerows of the rural area surrounding Manchester, nestled at the bottom of a country lane and standing proudly against a backdrop of rolling hills and vast fields. For this project, a new lobby space was incorporated with large windows, allowing the light from the surrounding views to pour into the interior space. Again, raw materials and traditional colours were employed to nod to the building’s past and in-keeping with its surrounding whilst still retaining a sophisticated, modern flair.

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ORIGINAL FLOOR PLANS. - The front entrance area will be extended to foster an inviting, open lobby space that is flooded with natural light. A space to welcome guests as well as naturally leading the eye to the free-flowing, organic movement of the building through the living space.

- Positioning the downstairs WC and cloakroom next to the lobby will present an organised, practical living area whislt not compromising on the functionality and open-ness of the space .

- A new staircase will be installed, seamlessly blending with the walls and floors which in turn draws the eyeline up to the windows, dousing the area with natural light and the warm glow of the countryside surrounding.

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to allow for a wine cellar, injecting the space with sophisitcation and rustic charm.

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- The dining space fireplace will be removed

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Floor claddingFront Facade 1 Using white stone cladding on the entranceway of the building will keep the facade simple, yet striking in its appearance.

By marrying together the materials used in the existing plasterwork on the front of the house, the central feature of the front door will be given greater impact and provide a central focal point for the property.

By using large scale stones, the understated beauty of the metal employed for the front door is not overshadowed by an

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overly busy cladding , while still providing interest to the eye.

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Floor plan showing circulation of the building and new

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-Axonametric visual showing new design insertions.

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Lobby Visual- New insertion

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Pig nose bolts Timber dowel joints

Green lane farm house-Stair model.

Tension bar Mid steel wedges Steel stringers

By reatining the existing landing structure, a cost-effective yet still incrediblyimpatctiveandstriking

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Solid Oak Treads

Bespoke Central Spine

Landing Structure Supplied

70mm thick solid Oak treads, imported from Italy. These are engineered for stability and to prevent movement in the timber.

The treads are finished with anti-slip lacquer for safety.

The spine is fabricated from scratch, where the side profile is laser cut to achieve total accuracy in design. This also allows us to form crisp edges and clean lines, creating a minimal aesthetic.

Something that couldn’t be achieve if using standard box section.

create the landing be supplying 2 steel beams which would need to be anchored to both walls (details to be discussed). The landing tread would made from the same material as the standard treads.

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finished result is achieved.

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About.

The Paisley Gate nestles itself amongst a bustling area of Liverpool, peering over the edge of the city’s boundaries, a stone’s throw away from one of the city’s most prized attributes; the world-famous and revered Anfield Football Stadium. Themed to honour Liverpool F.C’s golden age under the meticulous eye of the legendary Bob Paisley, this venue is ideal for fans of the beautiful game to congregate prior to their viewing at the theatre of dreams; but strikes a rare balance in that it accommodates and fosters a warm, welcoming atmosphere that can be enjoyed by fans and the wider community alike.

The Paisley Gate is pitted against a league of long-standing and renowned pubs in the local area, each with their own army of fans loyal to their favourite watering holes. It is for this reason that the Paisley Gate needs to hold its own; stand out in a modest, yet beautiful and inviting design concept.

THE PAISLEY In it’s current form, the pub presents itself as an almost monolithic structure; an empty vessel that, whilst has poignant original features that permeate the street architecture, is simply not utilised to its full potential. A complete transofmration was requested by the client, with a view to re-ignite the warmth, passionate atmosphere that it once fostered. To do this, inspiration has been took again from something not unrelated to Liverpool; Irish pubs. Indeed, the great

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America. By re-creating a pub oozing with character inspired from this Irish staple, a lively and heart-felt atmosphere can once again be ignited. In order to do this, warm, strategically placed lighting has been employed; illuminating spaces in which customers can relax and enjoy a drink in somewhere that feels nestled - a true home away from home. Parquet flooring is twinned with patterned mosaic tiles – harking back to a bygone era whilst still retaining a dynamic nod to present times.

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Titanic was built in Liverpool that fostered many an Irish immigrant on their way to a new life in

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INSPIRATIONTo do this, inspiration has been took again from something not unrelated to Liverpool; Irish pubs. Indeed, the famous Titanic was built in Liverpool that transpiorted many an Irish immigrant on their way to a new life in America. By re-creating a pub oozing with character inspired from Irish pubs, a lively and heart-felt atmosphere can be established.

Employing minimal warm lighting in carefully planned places, illuminated spaces will be created in which customers can relax and enjoy a drink in somewhere that feels nestled and encourages a sophisticated yet modest and almost rural

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Ffeel.

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“There are many hangovers hanging above the bar.” – Barney McKenna, The Dubliners

SITE ANALYSIS. Upon entering the pub, the first thing that one notices is the bath of light coming from the large frontal windows. Whilst this is illuminating, the amount of light flooding into the space almost cretaes an aire of impersonality and dead space.

To combat this, the walls will be painted a darker colour to create a heart-felt, personal atmosphere that will foster many a close evening with friends and families alike.

A dominating feature of the space at present is the large, dark stained wood panels. Whilst these create an aire of character - this can be utilised in more interesting, modern ways. What is more, the current panelling feature could present pracitcality concerns at busy times such as match days.

Moving through the space, a second, larger room can be discovered. Again, this is a largely vacant dead space which, whilst a good size, is not being Your page title is here

used to its full potential. When inventing a new feel

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for the pub, this was of paramount importance.

Instead, a stage now inhabits the space; perfect for evenings of live music; another source of revenue incorportaed into the fibres of the design.

Standards and to be fitted in accordance instructions and recommendations.

Yard

Key

Floor-plan

E

EXIT

FA

Kitchen HD

Urinal

S

E

Male W.C

Internal walls have been removed and

FD30S SC

replaced by supporive beams to create

- Break Glass Call Unit

FAP

- Fire Alarm Panel

S

- Smoke Detector

HD

- Heat Detector

C

- CCTV Camera

1.

2.

an open plan space where people can

3.

- Fire Exit Sign

circulate with ease.

TV CC

Seating Area

E

EXIT

E

- Final Exit Sign

A writt carried openin Fire pro and sit All fire fighting conform All Fire withou

E

S

and an area for arcade machines and a

CCTV FD30S SC

pool table - staples of any British pub.

FA FEX FAP

Locked FD60S

Lobby

E

E

E

FD30S SC

Steps up

S

Female W.C Step up

CC

TV

more room for organic movement.

S

E

E

zing

Gla

S

Ben

CCTV

ch

Seating Area

FA

sea St

ep

su

p

ting

FEX

Bar E

CC T

V

E

Gla

FAP

zing

FEX FA

S

E

CCTV

E

Lo

Bar

E

Seating Area

bb

y

IT

Fire Exit

EXIT

Entrance to unit over

EX

area of the bar space, in turn creating

S

E

allocated,creatingmorespaceforastage

been tackled by removing a small surface

4.

Office

Seating arrangements have been

Concerns surrounding floorspace have

FEX -

- Fire Alarm Sounder

Fire Exit (Exit to yard)

E

- Emergency Light Fitting

CCTV

Approval

S

Se c En ond a t (Es ranc ry cap e e)

Ben

ch

sea

ting

Lobby

Glaz

ing

Bench

seating

Bench seating

Rev.

EXIT Glazing

(Scale 1:50)

0m

Scale Bar

1m

2m

3m

4m

5m

Description

124 Breck Road Liverpool L4 2RD

Title

Licensing Plan

CCTV

Glazing

Proposed Licensing General Arrangement Plan

Date

Project

Main Entrance

Spatial alterations made.

Client Drawn by

Checked by

Scale 1:50 @ A1

Date July 2019

Drawing Nu

Mood board Materiality.

An important consideration when choosingmaterialstoemploywasthe integrity to the brief of an Irish pub.

By using raw materials such as copper and wood, twinned with organic

Parquet Flooring & Victorian tiles

colours, a warm, hearty feel is cre-

An important feature of the re-design

ated that allows the authenticity to

was using materials and features that

run through every corner of the pub.

were true to the buildings past, reincoportaing features that can are understated, inviting and muted; whilst at the same time all co-operating to make a holistically relaxed, nostalgic feel. The pairing of parquet flooring and victorian tiles means that customers are surrounded in tradition, whilst not being plagued with an old fashioned feel.

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Visuals.

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Interior visuals were presented to the client in the initial stages of the design to give a detailed and authentic realisation to the finished product.

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I n t e r g en er a t io n al A c t i v i ties Cen t r e.

Notions of connection and the word ‘connect’ itself were central to my considerations and intentions when creating a brief and concept for this project. Not only did I want to create a space that connects soceity; but connects the user of the building to it’s past, present and future.

Reflecting on today’s social issues surrounding senior care, I wanted to design and create a space that could impact and help resolve the causes of the problems older people face at a grassroots level.

When conducting initial research surrounding the project brief, I came across a social experiment broadcast on Channel 4 entitled “Old People’s Home for 4 Year-Olds” The results of putting children and older people in a connective environment proved to exponential results on both the children’s development as well as happiness of the older people. It is this that formed the basis of the concept for this project.

An environment in which both groups were emotionally stimulated meant that the children were able to develop at a much more rapid rate, and in turn, a marked difference was seen in the older people - they were able to surpass many of the obstacles that once stood in their way.

Reasearch Design Report When looking for a starting point, I found myself mulling for some time - until I decided to focus on what already existing - connecting and incorporating this into the very fibres of the new design.

As a result of this, a detailed report was produced to outline and identify the roots of my inspiration when considering how the project was to evolve and grow along with my ideas, whilst still staying central and grounded to the brief of connectivity and intergenerational care.

By producing this report, a clear assessment of the brief was able to be made. Comprehensive research, an analysis of the site and inspiration considerations were all presented within the report to produce a clear consideration for the brief that was able to be presented to the client in a detailed yet effective manner.

Illustration created using fineliner and photoshop.

INSPIRATION PROCESS DRAWING Process drawing came from a child’s playground.

Designing a building for children and the elderly suffering from depression and social isolation, creating a fun happy environment was an essential part of the design. The building stood as a shell with no existing floors, which gave me the freedom to create platform like spaces elevating just like a child’s playground.

It was important that the space created reflected positivity and appealed to kids also made accessible for the elderly to circulate around the building.

Conceptual ModelsWhen looking at potential ideas for a concept model, notions of elevation were particularly interesting. From this, a concept of a social centralised column, twinned with a collective of platforms, was created. Within this, the space would lend itself to activity spaces, creating a social hub of intergenerational connection.

By employing the idea of a social hub, different aspects of the building are able to weave into a nucleus of interaction and multi-functional space, something that resonates with the concept of design and inspiration for the space.

Elevated platforms created using, moulds of plaster.

Materials such as steel and plaster both were considered in the design process to experiment with different potential layouts, whilst remaining sustainable and consistent to the building.

Solid sculptures were created using plaster, showing how the spaces would function once assembled and putting the ideas that were considered through research and planning into a more literal and tangible setting, allowing the inner workings and relationship between the spaces to be exemplified.

Laser-cut sketch models on a 1:100 scale were made, mirroring the original plans of the building. As the project progressed, some of the existing walls within this were removed and replaced with alternative designs as part of an organic advancenemtn in the design.

The new desing impelements breahted life and modernity through the building, whilst still retaining integerity and confidence with the design and raw materials used.

Development sketch models Using development sketch models were exponentially important when considering the design, allowing to see the conceptualised design on a more realised platform. Due to the status of the building as Grade II listed, there were limitations as to the scope of practicality when creating the design; using development sketch models combatted this effectively.

FLOOR PLANS Ground floor

First floor

TOILETS

E N T RA N C E ARTS/ OPEN-PLAN

VO I D

C RA F T S

VO I D

DINING HALL,

RECEPTION

T H E AT R E

P L AT 1 P L AT 1 P L AT 2 P L AT 2

SPORTS HALL

L I B RA R Y

HALL C O U R T YA R D

KITCHEN LO U N G E

VO I D

SECTION SHOWING INTERIOR RAMPS

EDUCATIONAL SPACES Library The library, a unique communal space created for both generations.

Education is key and what a better way to connect both generations with each-other than story telling.

I wanted to keep and work with the buildings original materials. Adding glass and concrete throughout the building modernized the space preserving and uplifting the buildings interior.

Reading When it came to creating spaces it was important to make it a fun and educational experience, so both elderly and kids are entertained.

I wanted to recreate the ritual of story telling from what the elderly might have experience growing up.

Making use of the buildings original features such as the fire place, a seating area that invites storytelling has been created which can develop listening and reading skills, whilst creating relationships within the community.

Interacting LibraryDesigning the space included considerations of colour, and how these would influence mood as well as connect with the running theme used throughout the plans. By using bright, inviting and sunny tones, such as yellow, an atmosphere of open-ness and light is encouraged.

The bookshelves double as walkways, fostering a fun and almost mischevious attitude to the space, reflecting the vitality and youth of the children inhabiting it.

Arts and Crafts space An interacitve arts and crafts space will be inlcuded within the design, encouraging co-operation between the generations in a productive and innovative space.

An integral part of the design is that of space and inclusion.

By using glass barriers, light is able to travel through and penetrate the space. This will foster a space in which the environemntal surroudings both reflect and encoruage interaction.

Materials Steel beams are used in the structure

Interacting Play room.

to create a sturdy framework, whilst also tuning into modern industrial trends.

The original brick work within has been preserved and restored, maintaining the grade II listed features which have remained as the spine of the structure.

Authentic timber flooring has been employed throughout to conserve the feel of the structure, however has been modernised with a grey wash allowing the structure to compliment the concrete used elsewhere.

Spotlights have been used to extenuate key moments in the design, namely the sliding glass panels and steel beams. The use of spotlights in the design also helps to highlight the yellow ramps running throughout the building, in turn creating a contrast that weds the design components together.

3D- LASER CUT FINAL MODEL The final model was created using Auto CAD, employing a 1:50 scale. The thickness of the walls were created by bonding three pieces of MDF, measuirng 3mm in diameter. After installing the interior platforms acrylic glass has been used on the roof to complete the model.

Nocton in North Lincolnshire provided the majority of the building materials used in the project. Using locally and ethically sourced materials is inherent within the design.

Tinted glass has been employed on the facade of the building, to provide insulation to the structure and providing the most environemntally-efficient, and cost-effective, way of running the building once operating as the cross-generational activity centre.

Nocton Hall

T H E S K i N N Y H O U S E

About.

Inspired by a recent trip to Amsterdam, ‘The Skinny House’ was comssioned by a client wanting to use the medium of concrete to create a modern, sleek design that was both functional and beautiful.

At the heart of th is project lay the design of the staircase. This was to be the focal point of the sturcutre, and is something that the rest of the building would be centred around to compliment it.

It was extremely important for the building not to digress from its surroundings, namely the iconic buildings in Amsterdam. To do this, extensive research on the trip was conductedc so that the design retains the highest level of authenticity whilst still proving modern and innovative.

Precast concrete, texture created with planks of timber-

Section section

Ground ground

First first

Second second Third third

roof top

Stair plan using autoCad As an inaugral project, the Henry Moore Insitute was a design that allowed the navigation of stair plans using auto-CAD. This project required measurements to be taken of the space, which was then digitally translated on auto-CAD to produce a clear and cohesive plan of the space something that both clients and designer can appreciate and comprehend.

stair plan

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Section drawn onAutocad

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RHU BAKERY. The new design of the Corn Cake and Barley Building was to accommodate a culinary school as well as a cafĂŠ. When designing this, the surrounding area of Wakefield was particularly important.

Wakefield is famous for its production of rhubarb, something which was a main consideration when designing the building.

The building will have a large extreior lawn in which an alotment can be established, allowing for fresh ingredients to be readily available to the students of the culinary school, as well as the chefs in the cafe.

Rhubarb will exist at the heart of the design, with many recipes taught in the school being traditional, local to the area and using sustainable, fresh and organic ingredients.

SITE ANALYSISSKETCHES

EXPOSED NATURAL MATERIALS- ON SITE

Exterior brick work and door passage way, quick 3 minute continues line drawing.

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Exposed burnt timber, raw materials, detailed sketch.

Door sketch, quick 3 minute line drawings.

Interior visuals Visual 1 Shows the entrance through the building, on either-side of the bridge are 2 sitting areas, straight a head a glass facade viewing into the bakery where classes take place and on to the left the first set of stairs leading to the first floor.

visual 2

Behind the view point in to the bakery, is where the baking classes and kitchen took place. in the baking classes guests would learn to bake with rhubarb based products.

Visual 3 On the first and second floor, seating will take place where the guests would purchase food and drinks from the cafe, also enjoy the surrounding views around the building.

STAIRCASE SPINE-

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